Status Quo: First act to be confirmed for Scarborough Open Air Theatre’s 2024 season
ROCK legends Status Quo will play Scarborough Open Air Theatre for the fourth time in the first signing for the 2024 summer season.
Vocalist and lead guitarist Francis Rossi will lead the Quo army of bassist John ‘Rhino’ Edwards, drummer Leon Cave, keyboard and guitar player Andy Brown and rhythm guitarist Richie Malone on the East Coast on Sunday, June 2, when The Alarm will be their special guests. Tickets go on sale at 9am on Friday the 13th via scarboroughopenairtheatre.com.
More than 100,000 fans attended this summer’s record-breaking run of shows at Great Britain’s largest purpose-built open air concert arena, where Blondie, Rag’n’Bone Man, Sting, Paul Heaton, Hollywood Vampires (Alice Cooper, Johnny Depp and co), The Cult, Tom Grennan, Pulp, Dermot Kennedy, NDubz, Pete Tong and Olly Murs performed. Hit musical Mamma Mia! had a five-night run too.
Scarborough OAT programmer Julian Murray, of promoters Cuffe and Taylor, says: “This summer’s shows broke our box-office records and we are looking to top that again next year. We are delighted to announce Status Quo as our first headliners for 2024 – with many, many big names to come.
“Quo are bona-fide rock legends, and we can’t wait to welcome them back here for their fourth headline show. We’ve worked with them many times and what we can guarantee – as anyone who has seen them live will testify – is a great night.
“Quo have a jukebox of classic rock and, together with The Alarm, this is going to be a great show on June 2.”
Status Quo, who headlined Scarborough OAT in 2013, 2014 and 2016, have sold more than 118 million records and spent more than 500 weeks on the UK Album Chart since forming in 1967.
They have notched up 57 varieties of Top 40 hit, such as 1974 chart-topper Down Down, Pictures Of Matchstick Men, Paper Plane, Caroline, Rain, Mystery Song, Rockin’ All Over The World, Whatever You Want, What You’re Proposing, Marguerita Time, The Wanderer, In The Army Now, Burning Bridges and The Anniversary Waltz.
The Scarborough show will be among their first in the UK since their Out Out Quoing European Arena Tour in December 2022.
Co-founder Rossi, 74, is on tour this autumn with his one-man show Tunes & Chat, appearing at the Scarborough Spa on Sunday (8/10/203) at 7.30pm. Expect “a selection of well-known hits and some previously not-performed-live-before tunes”, played on acoustic guitar. Box office: 01723 376774 or scarboroughspa.co.uk.
John Atkin, right, leading the York Beethoven Project workshop for Beethoven’s Symphony No. 1 at Acomb Methodist Church
ONE down, eight to go! The York Beethoven Project is under way with its vow to perform all of Ludwig Van B’s symphonies.
“The first event at Acomb Methodist Church was a huge success,” says organiser John Atkin, the York musical director and White Rose Theatre stalwart. “Fifty-six musicians put themselves forward to take part in the come-and-play workshop, so we closed registration in advance.
“Those players came from a variety of musical organisations in York, as well as further afield, which was the aim, and 54 attended on the day – September 23 – hosted by York Light Orchestra.
“They rehearsed Symphony No 1 in C major Op. 2, and it was then performed to an audience at the end, where there was standing room only.”
Atkin led the inaugural day, aided by fellow musicians Marcus Bousfield and Jonathan Sage. “It was very well organised and ran like clockwork through five sessions of rehearsals,” says John.
John Atkin’s score for Beethoven’s Symphony No. 1 at the inaugural York Beethoven Project workshop
“The second one was a sectional rehearsal where the wind instruments were directed by Jonathan. Following these sessions, we performed our debut concert. There were ample breaks between each session with a couple of hundred cups of tea and coffee being consumed.”
Acomb Methodist Church is the regular rehearsal venue for York Light Orchestra, the day’s hosts. “They gave us access to their equipment and music library,” says a grateful John.
Although musicians came predominantly from York, “a few friends and colleagues travelled in from Sheffield, Hull, Harrogate, Thirsk and Northallerton”. “The longest distance travelled was by a couple from East Sussex, who picked us up online. They can’t do Symphony No 2 but have the date for No. 3 in their diaries,” says John.
“There was a pretty even split between men and women, ranging in age from 20s to 70s, with a mixture of full-time players, keen amateurs and a few people ‘getting back into playing’ after a number of years.”
The string players at York Beethoven Project’s first workshop
Explaining his reasons for setting up the project, John says: “I get typecast at times as ‘the man that does shows’. Well, yes I am, but I also love classical music and have looked to spend more time doing this and some other projects as I get older.
“I started playing Beethoven as a young piano student. Then he was on my set works list at A-level, and we did a large piece of work on him at university, where I first had the opportunity to conduct his orchestral works.
“Over the years, life has got in the way but completing the full cycle of symphonies has always been an ambition. After discussing it with colleagues at gigs and in a number of theatre pits around Yorkshire, it become evident that people would be supportive of the idea, so we launched York Beethoven Project in June and the response was great. Not only did we have 54 players at the first event, but we also have eight others on the waiting list.”
Outlining what he is seeking to achieve with the York Beethoven Project and assessing what the first day delivered, John says: “The plan was for it to be inclusive and fun while performing the work to a good standard. The concert was informal and introduced a number of people to Beethoven for the first time.
“All of our aims were achieved, as well as players rekindling friendships with people they hadn’t seen for some time. Playing Beethoven for fun all day with 50 people – what’s not to like?!”
The wind players rehearsing Beethoven’s Symphony No. 1
Instruments were spread evenly with 32 string players, 21 wind players and a percussionist. “That made the sound well balanced,” says John. “All instruments that Beethoven wrote for are welcome to sign up for the next event at Millthorpe School, hosted by York Arts Education, where I lead some Saturday ensembles.
“Here we hope to join up with a number of senior students and expand the orchestra even more for Symphony No. 2, which is one of my personal favourites. We’ll be doing it in the same format of a one-day workshop on Saturday, February 10.
“The sessions for Symphony No. 3, Eroica, will take place in September 2024 with two performances, hosted by the Joseph Rowntree Theatre, York, and the Welsey Centre, Malton. These concerts will feature revolutionary music from musicals too, including Les Miserables, Carousel and Sondheim works.”
The concert series will end with Symphony No. 9 in D minor No. 125 in 2027, just in time for the 200th anniversary of Beethoven’s death (on March 26 1827, at the age of 56). Each concert will take place in a different York venue and will be performed by York-based musicians and those from “not too far away”. Even Sussex!
Delta Saxophone Quartet: Martland, Soft Machine and new works on Saturday
WHO better than the Delta Saxophone Quartet to give York Late Music’s 2023-2024 concert season early momentum on Saturday?
A double celebration this weekend will mark not only 40 years of Late Music, but also the ruby anniversary of the Delta musicians, regular participants in the York series.
Saturday’s 7.30pm programme at the Unitarian Chapel, St Saviourgate, York, will be “typically Delta-eclectic”, featuring the music of Steve Martland, The Soft Machine and some new works.
Stuart O’Hara: Season-opening concert of English songs
The new series will begin on Friday at 1.30pm when bass singer Stuart O’Hara and pianist Marianna Cortesi take a tour through some of the finest English songs from the past decade: works by La Monte Young, Richard Rodney Bennett and Jonathan Harvey, complemented by world premieres of York composers’ settings of words by local poets.
On Friday evening, Late Music will pose the intriguing question: would you attend a concert where all the music was played twice? Would it help you appreciate the music more? Late Music wants to discover the answers in Ruth Lee’s innovative concert of music for harp and electronics. This one is a free/pay-what-you-like event. You could even choose to pay twice!
If your knowledge of accordion is limited to scene-setting via Hollywood movie conceptions of Paris – as sent up by American filmmaker Woody Allen in Everyone Says I Love You – Saturday’s lunchtime concert will put you right.
Franko Bozac: Never underestimate the accordion
Virtuoso Franko Bozac will showcase the reasons why this instrument should not be underestimated in his 1pm programme, featuring a collaboration between composer James Williamson and visual artist Romey T Brough, presented in tandem with Blossom Street Gallery, York.
November 4’s lunchtime concert will be a tribute to Dylan Thomas to mark the 70th anniversary of his death. Tenor Christopher Gorman and pianist David Pipe will present new settings of the Welshman’s poetry by composers Philip Grange, Sadie Harrison, Hayley Jenkins, David Lancaster and Rhian Samuel at 1pm.
In the evening, Beethoven will feature via Franz Liszt piano transcriptions, played by another Late Music favourite, Ian Pace. His 7.30pm programme will include Michael Finnissy’s Gershwin song transcriptions and Late Music concert administrator Steve Crowther’s Piano Sonata No. 4. Box office: latemusic.org.
Ruth Lee: Innovative concert of music for harp and electronics
Making his point: Grayson Perry in A Show All About You at Harrogate Convention Centre
FROM Sir Grayson to Dame Joan, Rambert’s return to Hancock’s re-creation, Lawrence to James, Charles Hutchinson puts the names in the frame for upcoming artistic and cultural adventures.
A brush with an artist: Grayson Perry: A Show All About You, Harrogate Convention Centre, tomorrow, 7.30pm
ARTIST, iconoclast and television presenter Grayson Perry follows up A Show For Normal People with A Show All About You, wherein the new knight asks, “What makes you, you?”. Is there a part deep inside that no-one understands? Have you found your tribe or are you a unique human being? Or is it more complicated than that?
Perry, “white, male, heterosexual, able bodied, English, southerner, baby boomer and member of the establishment”, takes a mischievous look at the nature of identity, promising to make you laugh, shudder and reassess who you really are. Box office: 01423 502116 or harrogatetheatre.co.uk.
Steve Cassidy: Among friends at the Joseph Rowntree Theatre
York legend of the week: Steve Cassidy Band and Friends, Joseph Rowntree Theatre, York, tomorrow, 7.30pm
YORK’S Steve Cassidy Band play a varied range of rock, country and ballads and always love performing at his favourite venue, joined as ever by guests this weekend. A three-time winner of New Faces, Cassidy recorded with York composer John Barry and Sixties’ sonic innovator Joe Meek. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Padding up: Dame Joan Collins reveals all in Behind The Shoulder Pads
National treasure of the week: Dame Joan Collins, Behind The Shoulder Pads, Grand Opera House, York, Monday, 7.30pm
TO coincide with the release of her memoir Behind The Shoulder Pads, Hollywood legend, author, producer, humanitarian and entrepreneur Dame Joan Collins, 90, is embarking on a 12-date autumn tour with husband Percy Gibson by her side.
Returning to the Grand Opera House, where they presented Unscripted in February 2019, they will field audience questions and tell seldom-told tales and enchanting anecdotes, accompanied by rare footage from Dame Joan’s seven decades in showbusiness. Box office: atgtickets.com/york.
Jarred Christmas: Presents a comedy bill in A Night At The Theatre at York Theatre Royal
Comedy gig of the week: Fingers & Fringe in A Night At The Theatre, York Theatre Royal, Thursday, 7.30pm
JARRED Christmas hosts a Thursday bill of Clinton Baptiste, Huge Davies, Jake Lambert, Laura Lexx, Michael Akadiri, Abi Clarke and Jack Gleadow. Eight acts, one night of comedy at the theatre. Box office: 01904 623568 or yorktheatreroyal.co.uk.
John Hewer, third from left, leads the cast as Tony Hancock in Hancock’s Half Hour at Grand Opera House, York
Nostalgia of the week: Apollo Theatre Company in Galton & Simpson’s Hancock’s Half Hour, Grand Opera House, York, Thursday,7.30pm
FROM the producers of the Round The Horne and The Goon Show tours comes another radio comedy classic live on stage. Written by young up-and-comers Ray Galton and Alan Simpson, pre-Steptoe And Son, Hancock’s Half Hour introduced sitcom to the BBC’s Light Programme in 1954.
Tony Hancock played a less successful version of himself, surrounded by Sid James, Hattie Jacques and Kenneth Williams. Now, Apollo Theatre Company takes a trip back to 23 Railway Cuttings, East Cheam, to join “the lad himself” and his motley crew for three “lost” episodes, whose original recordings no longer exist but were re-created for BBC Radio 4 as The Missing Hancocks. John Hewer (Just Like That: The Tommy Cooper Show) plays Hancock with Ben Craze and Colin Elmer as James and Williams respectively. Box office: atgtickets.com/york.
Kieran Hodgson: Not big in this towering highland picture but Big In Scotland at Theatre@41, Monkgate, York and Selby Town Hall
Big in York, for one night only: Kieran Hodgson: Big In Scotland, Theatre@41, Monkgate, York, Thursday, 7.30pm
IN 2020, the world changed forever as Kieran Hodgson – Gordon from the BBC’s Two Doors Down – moved to Scotland. Now he is travelling around the still-just-about United Kingdom to reveal how it is working out. For him and for the Scots. Tickets update: Sold out; for returns only, tickets.41monkgate.co.uk. Also playing Selby Town Hall, Friday, 8pm; box office, 01757 708449 or selbytownhall.co.uk.
Lawrence of Felt, Denim, Go-Kart Mozart and now Mozart Estate at The Crescent, York
Cult gig of the week: Mozart Estate, The Crescent, York, October 7, 7.30pm
MOZART Estate is the new name for Go-Kart Mozart in the further adventures of Birmingham native Lawrence, cult leader of Eighties’ indie guitar band Felt and subject of the re-released 2011 documentary Lawrence Of Belgravia.
Lawrence – Hayward is his neglected surname – later led the pseudo-novelty band Denim, whose biting social commentary was coated in a bubblegum strain of Seventies’ glam rock. After four Go-Kart Mozart albums, he switched to Mozart Estate for January 2023’s Pop-Up! Ker-Ching! And The Possibilities Of Modern Shopping. Box office: thecrescentyork.com.
James: New album and tour in 2024
Looking ahead: James with special guests Razorlight, Leeds First Direct Arena, June 8 2024
JAMES will follow up the April 2024 release of their as-yet-untitled 17th studio album with an eight-date arena tour, taking in Leeds as the only Yorkshire venue. Tickets go on sale on October 6 at 9.30am at wearejames.com, gigsandtours.com and ticketmaster.co.uk.
Mixing the album this week, Clifford-raised frontman Tim Booth, 63, says: “The new songs sound belting and will fit this arena tour. Really looking forward to celebrating with you. Expect a mixture of the expected and unexpected – just like life. Nothing but love.”
Rambert’s Death Trap: Ballet theatre of bereavement and loss in Ben Duke’s Goat and Cerberus at York Theatre Royal
In Focus: Dance show of the week: Rambert’s Death Trap, York Theatre Royal, Tuesday and Wednesday, 7.30pm
RAMBERT first toured to York Theatre Royal in 1951 and for almost 40 years were regular visitors to the city, performing there 17 times. Their last visit was in February 1990, and they return 33 years later with Death Trap, a “meta dance comedy, full of the turbulence of life and death” with themes of bereavement and loss, partial nudity, strong language and strobe and haze effects.
Rambert’s last show, Peaky Blinders: The Redemption Of Thomas Shelby, drew audiences in excess of 100,000, Now comes Death Trap, devised by Ben Duke, of Lost Dog, in a darkly humorous programme of stylish, inspiring, story-telling, character-driven dance theatre that combines two short, savage, absir, funny works: 2017’s Goat and 2022’s Cerberus.
Inspired by the music and spirit of Nina Simone, Goat is danced to a band on stage performing such iconic songs as Feelings, Feeling Good and Ain’t Got No/ I Got Life. Cerberus enters a world where dance is a matter of life or death in a bittersweet musing on myth and mortality, complete with funeral couture. Box office: 01904 623568 or yorktheatreroyal.co.uk.
The artwork for Michele Stodart’s first solo album in seven years, Invitation
THE Magic Numbers’ Michele Stodart is touring this autumn in support of her first solo album in seven years, Invitation.
The 19-date itinerary takes in Yorkshire dates at Pocklington Arts Centre on November 2, in a double bill with Hannah White, and Café #9, Sheffield, on November 23.
Born in Trinidad and long based in London, multi-instrumentalist, singer and songwriter Michele spent her early years surrounded by Caribbean music and culture, until she and her family fled a military coup attempt, leading them to Queens, New York, where she spent a large part of her childhood.
She is best known as bassist, vocalist and co-songwriter of the Mercury-nominated, double platinum-selling Magic Numbers, who have released five studio albums, played multiple headline tours and supported Neil Young, Radiohead, Brian Wilson, U2, Flaming Lips and Bright Eyes. She continues to play with the band, touring worldwide.
Alongside this, Michele has pursued her own writing and nurtured a love for folk/Americana artists such as Joni Mitchell, Leonard Cohen, Emmylou Harris, Lucinda Williams and Gillian Welch.
She started writing songs in her early teens as a way to process and tell stories from her experiences. She would hide away to write songs, rarely playing them in public.
After Michele gave birth to her daughter, older brother, Romeo (frontman of The Magic Numbers), encouraged her to record and release an album of her own songs. This resulted in her first solo outing, 2012’s Wide-Eyed Crossing, a Southern-drenched journey into Americana country blues.
“I never thought I’d release a solo album, but I needed closure from those songs, so recording them was the only way to truly move on”, she said at the time.
From this point, Michele began playing solo shows and tours. She soon became known for her intimate, passionate and heart-wrenching live performances, helping to establish her as a singer-songwriter in her own right.
Signed by One Little Independent, Michele’s second solo set, Pieces, emerged in 2016: a confessional, melodic country/roots album with an orchestral, cinematic feel.
Over recent years, she has divided her time between her work with The Magic Numbers and her solo projects. In between recording and touring, she has been building a name for herself as a musical director, collaborator and producer too.
She has been invited to curate stages at festivals and events, as well as promoting regular nights at Camden’s legendary Green Note. She continues to champion women in music and gender equality within the industry and combines curating, directing and performing in an annual series of multi-artist shows celebrating International Women’s Day.
Hannah White: Sharing a double bill with Michele Stodart at Pocklington Arts Centre
Her skills as a songwriter and multi-instrumentalist have led to collaborative projects on stage and in the studio with Kathryn Williams, Billy Bragg, David Ford, Bernard Butler, Natalie Imbruglia, Ren Harvieu, Julian Taylor, Charlie Dore, David Kitt, Hannah White, Rachel Sermanni, Emily Barker, Diana Jones and O’Hooley & Tidow, among others.
In 2019, Michele graced the silver screen in the Danny Boyle/Richard Curtis film Yesterday, chosen to appear on account of her melodic bass playing and electric, enigmatic stage presence.
Working alongside Boyle, Curtis and musical composer Daniel Pemberton, Michele’s bass and vocals are featured on the Abbey Road Studios movie soundtrack, reinterpreting The Beatles’ most beloved hits.
In 2022, she was awarded the UK Americana Awards’ Instrumentalist of the Year Award. In January 2023, she was invited back as musical director at the awards, where she led the all-female house band and played with The Waterboys’ Mike Scott, Allison Russell and Lifetime Achievement Award winner Judy Collins, who took a moment on stage to compliment Michele on her “incredible” talent.
Invitation, her third studio album, arrived on September 15 on the Keepsake Recordings label, written, arranged and produced by Michele, with additional production from long-standing collaborator Dave Izumi Lynch.
The album was recorded at Echo Zoo Studios and features Michele on vocals, guitars, bass and percussion, as well as contributions from brother Romeo on piano, Andy Bruce on piano, Alice Phelps on harp, Will Harvey on violin and viola, CJ Jones on drums, Nick Pini on double bass, Joe Harvey-Whyte on pedal steel and Izumi Lynch on synths.
“Invitation is an intimate, personal record, with songs that touch on themes of motherhood, relationships, mental health, transformation, endings and new beginnings,” says Michele.
“It comes from a place of inviting in the darkness, the hard times, the sadness, anger, loss, love and grief… all of the unknown feelings that get woken up inside you. To practise staying with them, no matter how uncomfortable. To understand that they are there to guide you.
“I believe that it’s in the learning and listening that we can transform, grow, stay conscious and wholeheartedly true, open, honest with ourselves and others. Words are a powerful resource and we can choose to use them to connect deeply with one another. Songwriting has always been my way of trying to do just that, and I hope this album ‘invites’ us to reach out together.”
The album artwork and illustrations of the crow, drawn by Joni Belaruski, symbolise key themes: the crow represents transformation, change and freedom.
First single Tell Me touches on themes of cheating, heartbreak and yearning, with the song retaining a sense of rawness and immediacy both musically and lyrically. “I wanted to write a song set in the heat of a moment,” says Michele. “A brave, one-sided conversation between the truth and lies in a relationship. This is a song about a love affair in denial, hiding behind a sense of control and composure”.
In her double bill at Pocklington – where she has played on more than one occasion with The Magic Numbers – both Michele and Hannah White will be promoting new albums. Co-produced by Michele, Hannah’s Sweet Revolution will be released via The Last Music Company on November 3 in the wake of the south Londoner’s autobiographical song Car Crash winning UK Song of the Year at the 2023 UK Americana Awards.
Tickets for their 8pm gig are on sale on 01759 301547 and at pocklingtonartscentre.co.uk; for Michele’s Sheffield show, cafe9sheffield.co.uk or wegottickets.com/Cafe9.
NORTHUMBRIAN piper, fiddle player, composer, educator and broadcaster Kathryn Tickell will play the University of York on October 18.
The award-winning roots musician, 56, will be showcasing Cloud Horizons, her second album recorded with The Darkening, released on September 1 on Resilient Records on CD and digital download.
Based in the shadow of Hadrian’s Wall yet reaching out to the wider world, Kathryn Tickell & The Darkening explore the connecting threads of music, landscape and people over a period of almost 2,000 years.
The Darkening draw inspiration from the wild, dramatic and weather-bitten countryside along Hadrian’s Wall: a landscape that seems so quintessentially Northumbrian and yet was once inhabited by people from the furthest reaches of the Roman Empire, worshipping different gods and following different customs.
Songs range from themes of freedom, nature and venturing out into the world after times of darkness, to a Roman inscription with links to Libya and Syria magnetically pulled into the 21st century by Amen-inspired breakbeats, ominous vocals and the wildest of piping.
The artwork for Kathryn Tickell & The Darkening’s second album, Cloud Horizons
Cloud Horizons, the follow-up to 2019’s Hollowbone, is an album of extremes, one where Northumbrian traditions meet global influences. Dark, edgy soundscapes flare into euphoria with the precision of the pipes and accordion, bombastic effects-drenched octave mandolin, haunting harmony vocals, programmed beats, evocative slow airs and heart-pounding dance tunes. Lyres, clàrsach, sistrum, bone-flute and traditional Galician percussion add potency to the ambience.
Named after the old Northumbrian word for twilight, The Darkening feature four North East-based musicians, Kathryn Tickell (Northumbrian smallpipes, fiddle, vocals), AmyThatcher (accordion, synth, clogs, vocals), Kieran Szifris (octave mandolin), Joe Truswell (drums, percussion, programming), plus Stef Conner, from Cambridge, (vocals, lyres, sistrum), and Josie Duncan, from the Isle of Lewis, (vocals, clarsach). Together they create “Ancient Northumbrian Futurism”.
Cloud Horizons is Kathryn’s 16th release and the first in a career spanning 39 years to feature completely new material. The track listing is: High Way To Hermitage; Long For Light; Caelestis/Sheep InThe Temple; Quilley Reel; Freedom Bird; Just Stop & Eat The Roses; Bone Music; Clogstravaganza; Gods Of War; One Night In Moaña and Back To The Rede.
Tickets for Kathryn’s 7.30pm concert in the Sir Jack Lyons Concert Hall, University of York, are on sale at yorkconcerts.co.uk/whats-on/2023-24/kathryn-tickell-the-darkening/ and via kathryntickell.com.
Did you know?
KATHRYN Tickell released her first album, On Kielder Side, recorded at her parents’ house, at the age of 17 in 1984.
Squashbuckling: World champ James Willstrop swaps from court to stage to perform for Pick Me Up Theatre
PICK Me Up Theatre artistic director Robert Readman will direct the northern premiere of Mel Brooks’s stage conversion of Young Frankenstein at the Grand Opera House, York, over Hallowe’en.
The York company’s rehearsals are progressing well for the all-singing, all-dancing horror-movie spoof musical that will run from October 31 to November 4.
“From the creators of the record-breaking Broadway sensation The Producers comes this monster new musical comedy,” says Robert. “The comedy genius, Mel Brooks, has adapted his legendarily funny 1974 film into a brilliant stage creation of Young Frankenstein. I saw the West End production and loved it.”
Grandson of the infamous Victor Frankenstein, Dr Frederick Frankenstein (pronounced “Fronk-en-steen”) inherits his family’s castle estate in Transylvania.
Sanna Jeppsson: Playing lab assistant Inga in Young Frankenstein
Aided yet hindered by hunchbacked sidekick Igor (pronounced “Eye-gore”), leggy lab assistant Inga (pronounced normally), devilishly sexy Frau Blucher (Neigh!) and needy fianceeElizabeth, Frederick finds himself filling the mad scientist shoes of his ancestors, striving to fulfil his grandfather’s legacy by bringing a corpse back to life.
“It’s alive!” he exclaims as his experiment yields a creature to rival his grandfather’s monster. Eventually, and inevitably, this new monster escapes. “Hilarity abounds,” promises Robert, in Young Frankenstein’s combination of madcap success and monstrous consequences.
Working in tandem with Thomas Meehan, Brooks gleefully reanimates his horror-movie send-up of Mary Shelley’s novel with even more jokes, set-pieces and barnstorming parody songs that stick a pitchfork into good taste. Among those songs will be Puttin’ On The Ritz, Please Don’t Touch Me, He Vas My Boyfriend, The Transylvanian Mania, There Is Nothing Like A Brain! and many more Transylvanian smash hits.
Leading Readman’s cast will be erstwhile world squash champion James Willstrop, continuing his transfer from court to stage after playing Captain Von Trapp in Pick Me Up’s The Sound Of Music last Christmas.
Helen Spencer: From Hello, Dolly! to hello, Frau Blucher
Starring opposite him again will be Swedish-born Sanna Jeppsson (Maria in The Sound Of Music), here cast as Inga. Jack Hooper, Mr Poppy in last year’s Nativity!, will be Igor; Helen Spencer, seen latterly as the Mother Abbess and Dolly Levi in Hello, Dolly!, will play Frau Blucher; Jennie Wogan-Wells, the Narrator in Joseph And The Amazing Technicolor Dreamcoat, will be Elizabeth Benning.
Craig Kirby, Mr Tom in Goodnight Mr Tom, will be in Monster mode and further roles will go to Tom Riddolls as Sgt Kemp, Sam Steel as Bertram Bartam and Andrew Isherwood, fresh from directing Agatha Christie’s And Then There Were None, as The Hermit. A supporting ensemble will play Transylvanians, students and more besides.
“Every bit as relevant to audience members who will remember the original as it will be to newcomers, Young Frankenstein has all the of panache of the screen sensation with a little extra theatrical flair added,” says Robert. “Young Frankenstein is scientifically proven, monstrously good entertainment.”
Pick Me Up Theatre in Young Frankenstein, Grand Opera House, York, October 31 to November 4, 7.30pm plus 2.30pm Thursday and Saturday matinees. Box office: atgtickets.com/york.
Drawing a crowd:Author Ian Donaghy, centre, and illustrator Alfie Joey with All Saints RC School Year Seven students Molly, left, Sophia, Gabriel, Ava and Florence at Tuesday’s York launch of Never Stop Drawing at the Explore York Hungate Reading Cafe. Already Ian has led the children in a session on the book at All Saints. Picture: David Harrison
YORK author Ian Donaghy will launch his latest book, Never Stop Drawing, in his native North East this evening (27/9/2023) at Seven Stories, the National Centre for Children’s Books, in Newcastle-upon-Tyne, at 6pm.
Illustrated by Alfie Joey, the book champions never letting the flame of creativity die in a story full of colour, hope and inspiration for children aged eight to 108.
Drawn in: A young reader enjoying Never Stop Drawing
Billed as “the children’s book every grown-up needs to read before it’s too late”, Never Stop Drawing encourages readers to “find what you love and never stop”.
Former Maths teacher turned conference speaker, author, dementia charity champion and long-standing frontman of York party band Huge to boot, Ian says: “The world needs to stop asking how clever you are and instead ask how are you clever?”
This sporting life… but Albie, left, is more interested in pens than penalties in this Alfie Joey illustration from Never Stop Drawing
Yesterday evening, over tea and cakes baked by Sue Stewart, he launched two editions of the book – one with Joey’s illustrations, the other with spaces left blank for readers to draw their own pictures – at Explore York’s Hungate Reading Café, where he had spent many an hour crafting the text.
In the tradition of Bob Dylan’s Subterranean Homesick Blues, he held up placards, one saying: Different NOT Worse. Different NOT Less. Just Different. #NeverStopDrawing.
Colourful character meets colourful character: Author Ian Donaghy presents a copy of Never Stop Drawing to Eurovision pop star Sam Ryder at August’s Yorkshire Balloon Fiesta at Castle Howard
From the Tow Law-born author of wellbeing books Dear Dementia, The Missing Peace and A Pocketful Of Kindness, Never Stop Drawing is dedicated to Ian’s daughter, the singer and musical theatre student Annie Donaghy, “who views the world in a beautiful, different way, often seeing things that many of us miss”.
Ian hopes the book will make its way into schools and children’s wards in hospitals and already that is happening. Tomorrow, he will give a talk to the British Library at Malmaison, Rougier Street, York.
Muddled thinking: Why give dyslexia such a difficult label to spell, ponder author Ian Donaghy and lead characterAlbie in Never Stop Drawing. Illustration: Alfie Joey
“It’s a book about a little lad called Albie, who’s different. Different, not worse. Different, not less. He’s just different – and that’s fine. Socks don’t know they’re odd,” says Ian. “Let’s embrace the differences and make the world fit around people instead of us hammering the same round pegs into the same square holes.
“We’re all different and that’s a good thing, Imagine how dull the world would be if we were all the same.”
Booking up their ideas: Author Ian Donaghy and illustrator Alfie Joey at the York launch of Never Stop Drawing at the Explore York Hungate Reading Cafe. Picture: David Harrison
Published by ID Publications and printed by YPS Printing Services in Elvington, both versions of Never Stop Drawing are available from neverstopdrawing.co.uk and bigian.co.uk.
Did you know?
NEVER Stop Drawing illustrator Alfie Joey is a writer, comic, actor, impressionist, singer, presenter and artist/cartoonist. He hosted the flagship breakfast show on BBC Radio Newcastle from 2009 until his last broadcast on October 28 2022.
The last word: Albie “went to sleep after a life of reams and dreams” in Never Stop Drawing’s closing chapter. Illustration: Alfie Joey
Jody Stephens and Luther Russell performing as a duo at The Crescent, York. Picture: Paul Rhodes
THE Crescent proved itself once again to be the venue to beat for live music in York. On a Tuesday too.
Those Pretty Wrongs are led by Jody Stephens, drummer, songwriter and singer in cult band Big Star, and Luther Russell. Russell is better known as a producer but is a serial collaborator and solo performer too.
To look the elephant in the room in the eye, this was not a Big Star tribute show. The two Big Star songs played, the timeless 13 and Way Out West, were by some distance the best of the evening. Those two encores were performed without mics, almost in the audience, surrounded by the love that people have for these songs.
The newer material can’t begin to match those that blew out of that combustible, short-lived collision of Alex Chilton, Chris Bell, Jody Stephens and Andy Hummel, then given a lustrous shimmer by Ardent Studios’ John Fry.
Those Pretty Wrongs: “Not really in the nostalgia market, they make no qualms about playing new album Holiday Camp in full” at The Crescent. Picture: Paul Rhodes
With the benefit of time, the story of Big Star reads like an ironic screenplay. They made three unmistakable records that are synonymous with their Memphis hometown. Each is up there with anything from the 1960s and ’70s, before misfortune and mismanagement stopped them in their tracks and cult status slowly grew out from the ashes of all those might haves.
Chilton then beat a perverse, wilful path while Bell died broken in a car crash. The survivors at least received the late acclaim they deserved in the 1990s – one concertgoer was proudly wearing a T-shirt bought at their Leeds Duchess show in 1993.
Stephens, a youthful 71, has emerged from that tale intact and shows no signs of letting up. He is now the last surviving member of the original, classic line-up. More stories from that time would have been welcome, but Those Pretty Things aren’t really in the nostalgia market and make no qualms about playing their new album, Holiday Camp, in order and in full.
Performing as a duo rather than a four-piece, Stephens and Russell were in good spirits and voice. They were full of warm words for opening act Ned Roberts (incidentally once the lead conspirator at open-mic nights at the Waggon and Horses when he studied at the University of York).
Support act Ned Roberts: “Light, versatile voice recalled James Taylor”. Picture: Paul Rhodes
Not coincidentally, Russell has produced each of Roberts’s four albums. Roberts’s set made a strong case for seeking out those records out – and his new album, due next year, in particular. His light, versatile voice recalled James Taylor, or Jeff Cowell’s buried treasure Lucky Strikes and Liquid Gold. Roberts’s set contained a well-rounded clutch of good songs, with Halfway To Reason and Song Of Spring making most impact.
Without a drum kit, out front and seated, Stephens’ hands couldn’t resist keeping time. As a front man, he has no problems keeping an audience’s attention. His evocative voice feels familiar from Big Star of course and has aged well.
Russell, the more outgoing of the two, knew when to step in with a quip or anecdote. Much more than a foil, his guitar playing and particularly his harmonies were wonderful. Not all of the original Those Pretty Wrongs songs were keepers but the strike rate was pretty high. Paper Cup and Scream were easily the equal of their recorded versions and it was good to hear their (seemingly) impromptu take on Lucky Guy in memory of John Fry.
After 75 minutes, Leicester then Memphis were calling, but it was good while it lasted.
THE next Dementia Friendly Tea Concert will be on October 19 at St Chad’s Church, on Campleshon Road, near ork Racecourse.
“We have something a bit different to enjoy next month as Julia Elliott and Peter Harrison will be presenting Branwell Brontë’s Flute Book,” says co-programmer Alison Gammon.
The 2.30pm concert will be an exploration in words and music of the fascinating musical world of Branwell Brontë (1817-1848).
“He was keenly interested in and influenced by music and kept a notebook of his favourite tunes arranged for the instrument, including popular songs such as Home Sweet Home and All Through The Night,” says Alison.
“Branwell played the flute and his sisters Emily and Anne played the piano. Peter will be playing an historic flute, which will give us a flavour of the sound world of the Brontë Parsonage in Haworth.”
As usual, 45 minutes of music will be followed by tea and homemade cakes in the church hall. “The event is a relaxed concert, ideal for people who may not feel comfortable at a formal classical concert, so we do not mind if the audience wants to talk or move about,” says Alison.
“Seating is unreserved and there is no charge, although donations are welcome. We give the hire cost to the church and the rest goes to Alzheimer’s charities.”
The church has a small car park and on-street parking is available along Campleshon Road, but it can be busy, so do allow plenty of time. “If you are more mobile it would really help if you could park on the street to allow for disabled parking in the car park,” requests Alison. “There is wheelchair access via the church hall.”
The remaining concerts in 2023 will feature Giocoso Wind Ensemble on November 16 and Ripon Resound Choir in a Christmas programme on December 7.
The monthly concert series will continue on Thursdays at 2.30pm. “Many of our musicians will be returning to play for us, so there is plenty to look forward to,” says Alison. “Sanitiser is always available in the church and church hall if you need to use it.”
