Tim Murgatroyd to launch silent movie-era novel The Electric with readings, talk on York’s ghost cinemas and Phantom film

The book cover for Tim Murgatroyd’s novel The Electric. Illustration by South Bank architectural artist Elliot Harrison, alias @york.360, who says. “My first book cover, so I’m really pleased it worked out well and totally suited my illustrative style that also matches my other York cinema prints. It was great working with Tim and I wish him success launching this title”

YORK author Tim Murgatroyd is launching his latest novel, The Electric, in a series of events spread over October, starting this evening.

Published by York independent publishers Stairwell Books, this work of historical fiction depicts a young pilot returning from war. Can music, cinema, love – and a curious cat – heal his wounds?

“Each event is very different, with a special focus on the glamorous, lost world of silent cinema,” says Tim, whose writing spans historical novels, a dystopian trilogy and a poetry series, as well as being a former columnist for The Press, York.

Combining romance, tragedy and offbeat comedy, The Electric is set in 1919 when young pilot David Young returns from the First World War, scarred physically and mentally.

A gifted concert violinist, he drifts into a humble job accompanying silent movies at The Electric, a fleapit cinema in provincial York, joining a diverse cast of misfits, each with secrets and tragedies of their own.

A detail from Elliot Harrison’s cover illustration for Tim Murgatroyd’s historical novel The Electric

“These strangers, and a chance meeting, hold the key to regaining his lost hopes as the world of silent cinema meets the glamour of the Downton era in Britain’s most popular tourist city,” reads the publicity blurb.

As part of The Big City Read 2022 collection, Tim’s book will be the subject of an entertaining hour of readings, wine and discussions at York Explore Library and Archive, in Library Square, Museum Street, this evening from 6pm

Tim will explore bringing silent cinema back to life and love, with assistance from award-winning poet Ian Parks. Afterwards, Tim will be hosting drinks in the Eagle & Child on High Petergate.

Tickets are available on the door or by pre-booking at: eventbrite.com/e/book-launch-the-electric-with-tim-murgatroyd-tickets-403289819707?aff=odcleoeventsincollection&keep_tld=1. A Pay What You Can policy offers four options: £0, £2.50, £5 or £7.50.

Pianist Neil Brand: Improvising his piano accompaniment to The Phantom Of The Opera at City Screen Picturehouse on October 28. Picture: Julie Edwards.

On October 26, in An Evening With Tim Murgatroyd at 7pm at Waterstones, in Coney Street, the focus will be on Ghost Cinemas of York: Bringing silent cinemas back to life.

Prepare for surprising facts and stories about the characters and picture palaces of York that brought Hollywood glamour to a city recovering from war. Through images, music and film clips, Tim will show how the ghost cinemas of York haunt us still, and how silent cinema was never really silent at all, as he explores those lost cinemas and their legacy.

In addition, he will explain how he wrote The Electric in an evening led by Dr Rob O’Connor, from York St John University, in association with York Literature Festival.

Tickets are on sale at Waterstones, Coney Street, York or at waterstones.com/events/an-evening-with-tim-murgatroyd/york. The £5 admission qualifies buyers for a 20 per cent discount on the book price.

Lon Chaney and Mary Philbin in Rupert Julian’s 152-minute silent classic The Phantom Of The Opera, showing at City Screen Picturehouse later this month

The book launch trilogy will culminate in a night of romance, horror and suspense at a gala performance of the silent classic The Phantom Of The Opera (PG), with live improvised piano accompaniment from Neil Brand, at City Screen Picturehouse, Coney Street, on October 28 at 6pm.

Lon Chaney, “the man of a thousand faces”, gives his most famous performance in this first version of the oft-filmed tale, drawn from Gaston Leroux’s novel. Chaney’s Phantom haunts the catacombs beneath the Paris Opera, where he falls in love with the voice of a young opera singer (Mary Philbin). Infatuated, he kidnaps her, dragging her to the depths below, where she will sing only for him.

Directed by Rupert Julian, this lavish 1925 production launched the Hollywood Gothic style, one that can be appreciated all the more in the British Film Institute (BFI) Photoplay restoration that carefully reinstates the film’s dramatic colour techniques.

The screening will be preceded by a short Q & A with pianist and broadcaster Neil Brand and author Tim Murgatroyd about music in the silent cinema and its impact on audiences. Please note, a British Sign Language signer will be on hand at the Q & A; the BSL accessible viewing seating will be on the left-hand side of the auditorium.

Tickets can be booked at: picturehouses.com/movie-details/000/HO00012085/the-phantom-of-the-opera-1925-with-neil-brand?date=2022-10-28&cinema=018

Tim Murgatroyd: Author of The Electric

The author

TIM Murgatroyd was brought up in Yorkshire. He read English at Hertford College, Oxford University, and now lives with his family in York. He is the author of several novels of historical fiction, a poetry series and a trilogy of dystopian novels.

The verdict on The Electric

“AN evocative, almost poetic, love letter to 1920s’ York and the silent movie era. Poignant, charming and wryly funny, with a cast of beautifully drawn and unforgettable characters. Not to be missed.” Emma Haughton, author of The Dark.

“Fascinating…the ending was a lovely surprise – romantic but in a completely unexpected way.” Clare Chambers, author of Small Pleasures.

Did you know?

THE Electric Theatre, on the north-east side of Fossgate, was the first purpose-built cinema in York, opening in 1911 and later being renamed the Scala, closing in 1957. Converted into a furnishings store, Macdonalds, that shut in early 2016. Since 2017, it has housed the Cosy Club York bar and restaurant.

Who are the NEW artists in the 2021 York Open Studios? Meet the second sextet…

Minster Flypast, retro digital print, by York Open Studios 2021 artist Lincoln Lightfoot

AFTER the Covid-enforced fallow year of 2020, York Open Studios returns at the weekend for its 20th festival celebration of the city’s creative talent

Preceded by Friday’s preview evening, the event will see 145 artists and makers open 95 studios, homes and workplaces on July 10 and 11 and July 17 and 18, from 10am to 5pm.

Among them will be 43 debutants, prompting CharlesHutchPress to highlight six newcomers a day over the week ahead, in map guide order, as York prepares for a showcase of ceramic, collage, digital art, illustration, jewellery, mixed media, painting, print, photography, furniture, sculpture and textiles skills this month.

Pennie Lordan: Exploring the theme of Edgelands

Pennie Lordan, painting, Greenwood Barn Studio, Moor Lane, Copmanthorpe, York

PENNIE’S oil paintings explore the stark contrast and parallels that exist between loss and hope, sensitivity and brutality, isolation and connectedness through the theme of Edgelands.

“My paintings are developed from studies that come directly from location sketches, often on pre-prepared grounds that reference a sense of composition and atmosphere,” she says.

“These studies then develop into oil paintings, built on varied prepared grounds and developed through the process of multiple thin layers of oil paint and cold wax, often applied, wiped back and re-applied.”

Pennie Lordan

Her work is painted on linen, incorporating subtle stitching, or canvas or disregarded found materials, such as pitched pine, board or aluminium.

Londoner Pennie runs two creative businesses in York with her husband, having arrived here with a background in animation, art and education. She has completed three years of studying landscape painting at Leith School of Art in Edinburgh.

Day Of The Dinosaurs, oil painting, by Lincoln Lightfoot

Lincoln Lightfoot, digital prints and oil paintings, 118 Brunswick Street, South Bank, York. First weekend only

LINCOLN’S surreal images draw on the B-movie imagery of the 1950s and ‘60s, his broad theme being ridiculous and surreal encounters with beasts that appear to us in recognisable locations.

Not so much King Kong climbing the Empire State Building in New York as a tentacled dayglo Creature From The Bottom Of The Ouse attacking a bridge in York, as the ancient city’s heritage resonates in the present day.

“Walking through York’s streets, your creative mind can just let loose and go to work,” says Lincoln Lightfoot

What does the city of York conjure in Lincoln’s mind? “It’s a story-book city, conjuring up tales of the past. Walking through its streets, your creative mind can just let loose and go to work. It’s not hard to imagine incredible things happening there because they already have.”

In his artistic response to walking those city streets, the Fine Art graduate from York St John University questions what might be in store for 2021.

So, Lincoln, what exactly is in store this year for you and the rest of us? “Aliens, man, definitely aliens,” he warns. “There are more influential individuals making statements and releasing information by the day.” 

A textile design by Amy Stubbs

Amy Stubbs,textiles,51 Balmoral Terrace, York

RELOCATED to York in a return to her northern roots, pattern print designer Amy now works from the PICA Studios artist hub in Grape Lane.

This textile design graduate from Falmouth University draws inspiration “from a wealth of experience brought to her by her strong Yorkshire family heritage and the opportunity to experience varying cultures”.

Amy Stubbs: Strong mark-making, motifs and collaging

Consequently, Amy’s textile work combines manually drawn abstract elements with the aid of digital technology to create her surface pattern prints that feature strong mark-making motifs and collaging.

She will be sharing her York Open Studios space with Emily Stubbs, who creates hand-built sculptural ceramic vessels – cheeky, bright and full of life in character – that explore the relationship between colour, form and texture.

Two of Jilly Lovett’s one-of-a-kind dolls

Jilly Lovett, textiles, 212 Bishopthorpe Road, York

JILLY designs and sews one-of-a-kind dolls in a folk art style, using recycled felt, incorporating embroidery, applique and other vintage finds to create original works for display.

Since studying Fine Art at Edinburgh University, she has worked in creative industries variously as a botanical illustrator, editor, art director and now a textile artist.

Jilly Lovett: Creator of quirky, characterful dolls

Her main focus is on creating quirky, characterful art dolls with unique details, such as pearly kings with button-embellished coats and fearsome pirates armed with silver fish knives.

Private commissions give Jilly the chance to research new subjects and to experiment with different materials and patterns.

Joseph Rowntree Theatre, by Elliot Harrison

Elliot Harrison, illustration, 21 Finsbury Street, York 

ELLIOT creates architectural illustrations, prints and posters showcasing iconic York buildings and views, favouring a vibrant colour palette inspired by Art Deco design and vintage 20th century travel posters.

His distinctive retro York portfolio has been catching the eye for the past five years, whether at Frankie & Johnny’s Cookshop, Blossom Street Gallery or O & M at Snowhome or in exhibitions at York Hospital and the Rowntree Park Reading Café.

Among his most popular illustrations are Rowntree Park, Bishopthorpe Road, the Blossom Street Odeon cinema, the former Clifton Cinema, the former Terry’s factory, the Joseph Rowntree Theatre and York Minster.

Elliot Harrison: York’s future of retro art

His commissions include illustrations for York Theatre Royal, The Piece Hall, in Halifax, York Bunny Trail and home and shop-front portraits.

Elliot, who gained a degree in art and design from York St John University, has expanded his repertoire to take in running medals, mugs, coasters, cards, Christmas cards, York calendars and hand-pressed lino prints of York architecture.

Demonstrations will be available over the two weekends. In the meantime, check out his work via elliot@york360.co.uk.

Nicola Lee’s work combines drawing, photography and folding

Nicola Lee, drawing, Southbank Studios, Southlands Methodist Church, 97 Bishopthorpe Road, York

NICOLA has a quiet practice, wherein observation and encounter are fundamental aspects.
She uses drawing, folding and photography, exploring through process and the inherent voice of materials to record, respond and evoke her experience of looking.

Her practice has drawn from notions of traditional Japanese aesthetics found in Tanka poetry. Under the shadow of these influences, she uses a digital camera, plays with camera-less photographic methods and creates series of drawings and artist books.

Nicola Lee: Drawn to line, pattern and shape occurring in peripheral space

“My visual interest lies beyond the object,” Nicola says. “I’m drawn to line, pattern and shape occurring in peripheral space.  A space which is fluid, ambiguous and lacking in definition.  A space in which the peripheral becomes the object.

” I use process and material to play with ideas of repetition, reduction and abstraction in order to explore my encounter with the space between.”

NEXT UP: Caroline Utterson, Rebecca Mason, Henry Steele, Sarah Cornwall, Laura Masheder and Silva Rerum.

Joseph Rowntree Theatre launches virtual bucket shake fundraiser with rewards

The Theatres Trust poster for the virtual bucket shake initiative

THE Joseph Rowntree Theatre, in York, is taking part in the Theatres Trust national initiative to raise funds via a virtual bucket shake this festive season.

Donations will help to replace income lost in the grip of the pandemic. The Haxby Road theatre is asking supporters to help the JoRo to make sure it can welcome visiting performers and audiences to shows in 2021 by donating to a virtual bucket and then claiming a reward on the Crowdfunder page.

Dan Shrimpton, chair of trustees, says: “We’re facing an enormous loss of income from ticket sales, merchandise and ice creams, as well as missing out on the opportunity for a traditional bucket collection. This is why we’d like to invite you to take part in a virtual bucket collection this panto season.”

A retro-style illustration of the Joseph Rowntree Theatre, aptly an Art Deco building, by York artist Elliot Harrison (alias York 360), available as a greeting card and print as a reward in the virtual bucket shake

The virtual bucket shake has been launched in advance of the JoRo reopening this weekend for Oddsocks Productions’ A Christmas Carol on Saturday at 3pm and 7.30pm and the Steve Cassidy Band on Sunday at 7.30pm. For tickets, go to: josephrowntreetheatre.co.uk/whats-on/

Supporters can access the Crowdfunder page at crowdfunder.co.uk/virtual-bucket-shake-for-joseph-rowntree-theatre. Rewards on offer include teddy bears, theatre tote bags and greetings cards and prints of the JoRo.

You also can be a theatre elf or a theatre angel for a small donation, with donors being acknowledged on the theatre’s website.

No York Open Studios in April, but all that art still needs a new home, so look here…DAY TEN

A textile designer by Amy Stubbs

YORK Open Studios 2020, the chance to meet 144 artists at 100 locations over two April weekends, has been cancelled in the wake of the Covid-19 pandemic.

However, with doors sadly shut for the April 17 to 19 and April 25 to 26 event, CharlesHutchPress wants to champion the creativity of York’s artists and makers, who would have been showcasing their ceramics, collage, digital, illustration, jewellery, mixed media, painting, print, photography, sculpture and textiles skills.

Each day, in brochure order, five artists who now miss out on the exposure of Open Studios will be given a pen portrait on these pages, because so much art and craft will have been created for the event and still needs a new home. Addresses will not be included at this time.

Meanwhile, York Open Studios artists are finding their own way to respond to the shutdown by filling their windows with their work instead.  Look for #openwindowsyork2020 to locate them. “If you see one in your area while taking your daily exercise, take a picture and let us know,” they say.

Cielo, collage, by Gail Fox

Gail Fox, collage

AN artist for more than 40 years, London-born Gail co-founded York Open Studios in 2002 with Anne Hutchison.

For 30 years, she made and exhibited hand-built coil pots after gaining a first-class degree at Central School of Art in London in 1980, undertaking commissions for fashion designer Bruce Oldfield and Trisha Guild, of the Designers Guild, for Next Interiors.

Since a change of artistic tack, she has focused on painting and now 2D abstract collages: explorations of juxtapositions, composition and colour, made from painted or found papers.

York Open Studios co-founder Gail Fox

“The whole process is about tweaking and adjusting. It relies on intuition about what seems visually right,” says Gail. “It’s a process of adding to and taking away, a little more of this, a little less of that.

“It’s a bit like adjusting a recipe until you know the taste is right.  Hopefully, after the struggle, something emerges that has a beauty, a sense of resolution and balance.” Learn more at gailfox.co.uk.

Sculptural jewellery by Jane Atkin

Jane Atkin, jewellery

MODERN and sculptural in form, Jane’s functional jewellery incorporates unisex designs in predominantly one-of-a-kind pieces in silver and gold.

“I use cut, uncut semi-precious stones and jet, found by me on the Yorkshire coast, that are employed in modern and minimalist ways,” she says. “From growing up surrounded by good modern design and architecture, these influences filter through into my jewellery.”

Jane Atkin’s studio

Responding to the need to reduce single-use plastic, she has designed a silver drinking straw as an investment for the future. “Silver is naturally antibacterial and will last a lifetime, so this is perfect as a Christening gift as an example,” says Jane, who exhibited at Pyramid Gallery and Lotte Inch Gallery, in York, and the British Craft Trade Fair last year. For more info, head to janeatkinjewellery.com.

Amy Stubbs: heading back north

Amy Stubbs, textiles

RELOCATED to York in a return to her northern roots, pattern print designer  Amy now works from the PICA Studios artist hub in Grape Lane.

This textile design graduate from Falmouth University draws inspiration “from a wealth of experience brought to her by her strong Yorkshire family heritage and the opportunity to experience varying cultures”.

Consequently, Amy’s textile work combines manually drawn abstract elements with the aid of digital technology to create her surface pattern prints that feature strong mark-making motifs and collaging.

2020 would have marked her York Open Studios. Looking ahead, her new website, amystubbs.com, will be “coming soon”.

“Cheeky, bright and full of colour”: Emily Stubbs’s ceramics

Emily Stubbs, ceramics

EMILY creates hand-built sculptural ceramic vessels – cheeky, bright and full of life in character – that explore the relationship between colour, form and texture.

Born in Holmfirth, her first taste of clay was during her pre-BA foundation course at Batley School of Art and Design. Inspired by this medium, Emily studied ceramics at the University of Wales, Cardiff, graduating in 2007.

Emily Stubbs at work at PICA Studios, York

Moving to York in 2009, she has worked from PICA Studios, in Grape Lane, York, since 2017, taking Yorkshire and beyond by storm with her quirky ceramics in galleries and at art fairs, such as Ceramic Art London.  

Emily co-founded the Art& show at York Racecourse with Victoria Robinson and collaborated with Cooper King Distillery to create the artwork for their newly launched Herb Gin label last autumn. Head to emilystubbsceramics@gmail.com to learn more.

Inspired by 20th century travel posters: Elliot Harrison’s illustration of the York Odeon cinema building

Elliot Harrison, illustration

ELLIOT creates architectural illustrations, prints and posters showcasing iconic York buildings and views, favouring a vibrant colour palette inspired by Art Deco design and vintage 20th century travel posters.

His distinctive retro York portfolio has been catching the eye for the past few years, whether at Frankie & Johnny’s Cookshop, Blossom Street Gallery and Owl & Monkey or in exhibitions at York Hospital and the Rowntree Park Reading Café.

Among his most popular illustrations are Rowntree Park, Bishopthorpe Road, the Blossom Street Odeon cinema, the former Clifton Cinema, the Joseph Rowntree Theatre and York Minster.

Elliot Harrison surrounded by his evocative retro artwork

His commissions include illustrations for York Theatre Royal and The Piece Hall, in Halifax, and his repertoire has expanded to take in running medals, mugs, coasters, cards, Christmas cards and a 2020 York calendar that sold out.

Elliot, who gained a degree in art and design from York St John University, was selected for his York Open Studios in 2020. Check him out via elliot@york360.co.uk.

TOMORROW: Rosie Waring; Colin Black; Nicola Lee; Rebecca Mason and Donna Maria Taylor.