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Drag diva Velma Celli to reign over York Theatre Royal in God Save The Queens celebration of British pop royalty

Velma Celli: Celebrating British pop icons past and present in God Save The Queens at York Theatre Royal. Picture: Sophie Eleanor Photography

YORK vocal drag diva Velma Celli is to return to York Theatre Royal for one night only, introducing her latest cabaret concoction of music, risqué comedy and generally fabulous entertainment on September 15.

God Save The Queens will be a celebration of British music icons, from “the obvious ones”, Adele and Amy Winehouse, to Florence Welch, Leona Lewis and the Spice Girls. Dua Lipa too.

“Since I first announced the show, I’ve added more favourites: Cilla Black, Shirley Bassey, Dusty Springfield, Bonnie Tyler, Kate Bush, Annie Lennox, so I now have some older pop royalty to go with my modern regulars,” says Velma, the flamboyant creation of West End musical actor and cruise ship star turn Ian Stroughair. “I’ll be doing a tribute to Sinead O’Connor too. Poor Sinead. Bless her.”

God Save The Queens: that’s a great show title, Ian. “Thank you so much! I came up with it on the latest sea cruise, going around the Caribbean and South America in March, because you have to keep finding new ones, but it’s still just a gig with a theme!” he says.

Velma Celli will be completing a hattrick of Theatre Royal shows after Me And My Divas last September and A Brief History Of Drag in May 2021.

Ian Stroughair: The face behind Velma Celli’s powder, paint and pop bangers

“This time I’ll have a band led by musical director Scott Phillips on keyboards, with bass, drums and two guitars, and my special guests will be York singer Jessica Steel and guitarist extraordinaire Stuart Allan, doing an acoustic set together. It will be lovely to be back at the Theatre Royal, which I love playing,” says Ian.

After 14 years of shows taking her to Australia, New York, the Edinburgh Fringe and London’s Hippodrome, Velma’s diary looks busy, busy, busy for the months ahead.

“I’ll be back at Yorktoberfest [York’s traditional Bavarian beer festival] at York Racecourse on two weekends in October; I’ll be performing on a cruise ship to Singapore, Bangkok and Thailand in November and touring Australia for four to five weeks, starting in January, playing the Karnidale Circus Festival, in Karridale, near Margaret River, in Western Australia, about three hours from Perth,” says Ian.

“Then the Perth Fringe World festival for ten dates, maybe Melbourne and finally Sydney for a couple of dates. There’s loads of ex-pats over there who love drag!”

Every other month too, Velma has been performing at Crazy Coqs, an intimate Art Deco cabaret and jazz space at Brasserie Zedel, Piccadilly, London, staging Me And My Divas and Velma Celli Goes Gaga, her tribute to Lady Gaga and her influences, such as David Bowie, Prince and Whitney Houston. “Next up will be a little preview of God Save The Queens on September 7,” says Ian.

Drag diva Velma Celli serves up song, comedy and sartorial fabulousness in regal style on September 15. Picture: Sophie Eleanor Photography

In York, meanwhile Velma Celli’s Drag Brunch shows are ongoing upstairs at Impossible York, St Helen’s Square, with upcoming dates on the first Saturday in September, October and November at 1pm and 4pm.

“I’ll be hosting Velma’s Christmas Roast there too on December 2, 3, 16 and 17 with sittings at 1pm and 4pm,” says Ian. “It’s ‘Christmas Roast’ with a double meaning of roast, allowing me to be ‘mean’ with what I say!”

Another December show will feature Velma Celli too: Castellana, the Cardiff Castle Christmas Festival, promising “sensuous, smooth and seductive” fun in a spiegeltent in Sophia Gardens from December 6 to 24.

“I’ll be the master of ceremonies for half the shows, and I’m casting and directing it as well, with contortionists, aerialists, jugglers and hula-hoopists – if there’s such a word – on the bill,” says Ian.

Castellana and South Wales can wait. For now, the focus is on York’s drag diva deluxe and her parade of pop royalty at the Theatre Royal.

Velma Celli’s God Save The Queens, York Theatre Royal, September 15, 7.30pm. Box office: 01904 623568 or yorktheatreroyal.co.uk. Age guidance: 14 plus.

Copyright of The Press, York

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Exit Velma Celli for one night only as Ian Stroughair fronts up for revealing show without make-up at Grand Opera House

York musical theatre actor, dancer and vocal drag artiste Ian Stroughair sans make-up

IAN Stroughair, creator of flamboyant York vocal drag artiste Velma Celli, will reveal The Man Behind The Make-Up at the Grand Opera House, York, on September 9.

For one night only, international award-winning cabaret and musical theatre star Ian will shed his Velma alter-ego to present his brand of fabulous, revealing entertainment “complete with a live big band and a lot of laughs”.

Returning to his roots, he will serve up a one-off concert as himself, celebrating the music that inspired him to sing. From George Michael to Freddie Mercury, Elton John to David Bowie, York’s West End performer promises an evening of musical theatre and anecdotes from his varied career in show business, from cruise ships to pantomime, Cats, Fame, Rent and Chicago on the London stage to Funny Girls in Blackpool. Oh, and a cameo on EastEnders.

Ian Stroughair in Velma Celli mode at the Impossible Wonderbar

In the guise of Velma Celli, Ian has presented such shows as A Brief History Of Drag; Irreplaceable, his Bowie tribute; Velma Celli’s Equinox, “the one with witches, creeps and freaks”, and Outlaw Live!, his York Gin night at the National Centre for Early Music.

Velma has a residency at the Impossible Wonderbar, in St Helen’s Square, where upcoming shows include Velma Celli’s Equinox on October 31 and Velma Celli’s West End Christmas on December 16, as well as The Velma Celli Show on July 29, September 30 and November 25.

Here in York, Ian also has presented the Ian Stroughair Jazz Band’s jazz and blues gigs at Nola, the 1920s’ Art Deco-themed restaurant and bar in Lendal, and starred in York Stage’s debut pantomime, playing the villainous Flesh Creep in Jack And The Beanstalk at Theatre@41, Monkgate, in December 2020.

Tickets for September 9 cost £22.90 upwards on 0844 871 7615 or at atgtickets.com/York.

Ian Stroughair as Flesh Creep in York Stage’s 2020 pantomime Jack And The Beanstalk. Picture: Charlie Kirkpatrick

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Velma Celli turns drag outlaw for alternative Guy Fawkes night at NCEM. Just add gin

Raising a glass to outlaws: Velma Celli evokes the spirit of Guy Fawkes at the National Centre for Early Music tonight

YORK drag diva deluxe Velma Celli invites you to “release your inner outlaw” at his outre Outlaw Live cabaret soiree tonight.

Hosted by York Gin at the National Centre for Early Music, in Walmgate, York, the night promises song, laughter and gin as Velma and friends “unleash a riot of glamorous outrage”.

“York is a city of outlaws: Guy Fawkes was born here. Dick Turpin was hanged here,” says York Gin Company events coordinator Harri Marshall. “It’s even home to the super-strength York Gin Outlaw, which comes with a warning: ‘Drink, with ice, tonic … and care’.

“Now – for one night only – one of the UK’s ‘baddest’ drag queens will be celebrating all that’s naughty, villainous and defiantly outrageous about York and its outlaws.”

Since returning home from a month of Royal Caribbean Cruise Ships shows, Velma Celli already has played a “banging show” at York Theatre Royal, presenting Me And My Divas, a celebration of “the songs and behaviour of all your favourite divas” with York singer Jess Steel and West End leading lady Gina Murray, at York Theatre Royal last Saturday.

Velma Celli in the WonderBar at Impossible York

That cabaret night of impressions and banter celebrated Whitney, Aretha, Bassey, Streisand, Garland, Cilla, Dolly, Madonna, Adele, Sia and latest addition Jessie J.

Tomorrow’s new show will raise a glass to the outlaw spirit of Guy Fawkes and Dick Turpin and general naughtiness at large in York with a riot of rebellious songs and a gin cocktail on arrival.

“If you love drag, gin, and being just a little bit naughty, this one’s definitely for you,” says Velma, the vocal drag creation of West End musical actor Ian Stroughair, 39.

“It’ll be my first time at the NCEM., and the gig came about after I popped into York Gin in the week when I’d been doing Funny Girls in Blackpool, and it turned out the woman serving me had seen Funny Girls the night before,” says Ian.

“This led to the idea of doing this Outlaw Live show with me, a small band, Guy Fawkes-inspired songs; songs from Six, the musical about Henry VIII’s wives; songs related to baddies in history, and the opportunity for everyone to drink nice cocktails.

The poster for Velma Celli’s Outlaw Live concert with a dash of York Gin

“I’ll be in kind of Guy Fawkes mode, and the plan is that we’ll see how this one goes and then look at doing a night with a different York Gin theme.”

Meanwhile, Ian is spreading Velma’s wings at the drag diva’s regular haunt of Impossible York, in St Helen’s Square, adding to the repertoire of shows in the WonderBar.

He has resumed performing The Velma Celli Show at 8pm on the last Friday of each month (except this month, when the gig moved to last night (24/3/2022).

Two sittings of Velma’s Drag Brunch are held on the first Saturday of each month, to be joined on the second Saturday by the new Movie Musical Brunch from April 9, when Ian’s special guest will be West End musical star Zoe Curlett, who played Christine in The Phantom Of The Opera and Corsette in Les Miserables.

Velma also launched a new Back To The 80s night in the WonderBar on March 18, when the 8pm set gloried in the songs of David Bowie,  George, Michael, Wham! and more Eighties’ favourites besides.

Velma Celli in David Bowie mode for Irreplaceable

At the planning stage is a QNY (Queer Night York) regular night. “The idea behind it is that there isn’t an essentially gay venue in York that’s been successful, and what’s needed is a safe space for LGBTQIA+ people,” says Ian.

“QNY won’t be a Velma Celli night; there won’t be a performance; I’ll be hosting the night and DJing, and again it will be monthly in the WonderBar, with the starting date yet to be confirmed.”

One Velma Celli show fell by the wayside last month: the February 26 performance of Irreplaceable, a celebration of David Bowie, was cancelled at Theatre@41, Monkgate.

We must wait for that gift of sound and vision, but one day, hopefully, Irreplaceable will be added to Velma’s portfolio of York performances. “So far, I’ve done it in a week’s run of four shows in Southampton,” says Ian.

“It came about because my friend Sarah Walker is obsessed with Bowie, and I’ve created the show for her.”

Velma Celli’s A Brief History Of Drag: Playing Pocklington Arts Centre this summer

Ian shares that passion. “There are so many amazing David Bowie songs, and in my case it was the Labyrinth era that I first loved, and also how he’s been so influential. Look at Lady Gaga, for example,” he says.

“In the show, my make-up is inspired by Aladdin Sane and my look is kind of androgynous: I wear a black suit jacket and a long, hooped skirt.

“I do a section about how Bowie was gender-bending before anyone else came out doing that, skipping around Manhattan in a catsuit, and there’s also a bit about RuPaul in there, who was such a big, big fan.”

Irreplaceable is yet to replace its scrapped Theatre@41 show, but one further show in the diary is Velma Celli’s A Brief History Of Drag at Pocklington Arts Centre on June 30.

Velma Celli: Outlaw Live, presented by York Gin, at National Centre for Early Music, York, tonight (25/3/2022); doors, 7pm; show, 8pm to 10.30pm. Box office: tickettailor.com/events/yorkgin/590817/. For Pocklington, 01759 301547 or at pocklingtonartscentre.co.uk. For Impossible York shows and brunches, visit impossibleyork.com.

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Drag diva Velma Celli is just the tonic as York Gin hosts ‘outrageous’ Outlaw Live cabaret at National Centre for Early Music

Velma Cellli: A night of song, laughter and York Gin

YORK drag diva Velma Celli invites you to “celebrate your inner outlaw” at York Gin’s outrageous cabaret soiree at the National Centre of Early Music, Walmgate, York, on March 25.

“York is a city of outlaws: Guy Fawkes was born here. Dick Turpin was hanged here,” says York Gin Company events coordinator Harri Marshall. “It’s even home to the super-strength York Gin Outlaw, which comes with a warning: ‘Drink, with ice, tonic … and care’.

“Now – for one night only – one of the UK’s ‘baddest’ drag queens will be celebrating all that’s naughty, villainous and defiantly outrageous about York and its outlaws.”

Back home in York from America after a month of shows on Atlantis Gay Cruise ships, Velma Celli promises a night of song, laughter and York Gin as Velma and friends “unleash a riot of glamorous outrage”.

Ingredients for Outlaw Live: Velma Celli + York Gin + Cabaret + NCEM

Tickets are selling fast at tickettailor.com/events/yorkgin/590817/ and admission includes a gin cocktail on arrival.

“If you love drag, gin, and being just a little bit naughty, this one’s for you,” says Velma, the vocal drag creation of West End musical actor Ian Stroughair, 39.

In Velma’s diary too is a March 19 performance of Me And My Divas at York Theatre Royal at 7.30pm and a June 30 performance of A Brief History Of Drag at Pocklington Arts Centre at 8pm. Box office: York, 01904 623568 or at yorktheatreroyal.co.uk; Pocklington, 01759 301547 or at pocklingtonartscentre.co.uk.

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Velma Celli marks birthday with Impossible York gig before American cruise ship shows

Velma Celli in the Wonderbar at Impossible York

YORK drag diva supreme Velma Celli is heading off to America for a month of cruise-ship shows, but not before a birthday bash at Impossible York.

Velma, the fabulous cabaret creation of West End musical actor Ian Stroughair, will mark Ian’s birthday on Thursday (13/1/2022) with an 8pm performance of The Velma Celli Show in the Wonderbar.

Then come those cruise-ship engagements for Atlantis Gay Cruises, whose publicity proclaims: “Gonna be FUN! Get on board the biggest event of 2022 for Atlantis’s 30th anniversary! 

“5,500 guys. Superstar performers. Cutting-edge productions. Legendary concerts. Mind-blowing parties. And you! All on the world’s largest and most spectacular ship.

“We’re finally turning 30 with the greatest production in Atlantis history as we sail the best of the Caribbean for the perfect start to 2022.” 

Here, CharlesHutchPress sets Velma/Ian the challenge of firing off quick answers to quick questions in a short break from packing for the travels ahead.

Velma Celli’s new show, God Save The Queens, will be premiered on the Atlantis Gay Cruises

How old will you be on Jan 13?

“Twenty-one. It’s a New Year miracle!”

What would be the perfect birthday present?

“World peace.” 

What songs will you be performing at Impossible York?

“It’ll be a mixture of mine and the audience’s favourite from years gone by. A mixture of Whitney [Houston], Amy [Winehouse], Queen, Judy [Garland] and many more. Lots of impressions, banter and general camp fun! Doors at 7pm; show at 8pm.”

What show will you perform on the cruise ships and how often on each cruise?

“I’m performing two shows, A Brief History Of Drag and my new show, God Save The Queens, which is a celebration of British female recording artists. Adele. Annie Lennox. Amy. Dua Lipa. Four shows a week.”

Where will the two cruises sail to? 

“OOOOO, so many places! Miami, Bahamas, Mexico, Honduras, Costa Rica, Puerta Vallarta and many more!”

Have you worked with Atlantis Gay Cruises before? 

“I’m on contract number five. There should have been so many more but bl***y ‘Rona’ entered our lives, didn’t she!”

Any update on plans to present Irreplaceable, your David Bowie show, in York? 

“YES! February 26th at Theatre@41 Monkgate, 8pm, when I’ll be celebrating Bowie and the artists he inspired.”

Velma Celli’s Aladdin Sane sash for Irreplaceable, the Bowie tribute show

What’s coming up for you in York after that?

“Me And My Divas on March 19th on my return to York Theatre Royal, where I sold out A Brief History Of Drag last May. Line-up to be announced, but you can expect ‘an overindulgent diva fest celebrating the songs and behaviour of all your favourite divas: Céline, Mariah, Whitney, Aretha, Cher, Britney (maybe not!) and many more.”

Of all those divas in that show – 2021 Best Cabaret winner at the Perth Fringeworld in Australia – who is your favourite vocalist and why? 

“Whitney Houston! Hands down the greatest singer of all time, in my humble opinion.” 

What else is in your diary for 2022?

“SO many more gigs at Impossible York, including my Drag Brunches and solo shows. We’re starting a new evening show called Back To The 80s and another brunch called Matinee Musicals Brunch! Tickets go live soon!” 

What are your hopes for this year? 

“No more ‘Rona’, lots of laughter and PEACE!” 

What are your hopes for the arts world at large this year?

“A thriving community and lots of new writing! We all love a ‘Les Mis’ etc, but ’tis time to shine a light on new writing, artists, creatives and producers. A shout-out to Lambert Jackson Productions, who have been smashing compelling and fantastic new work pre and throughout this pandemic. Proud!”

The Velma Celli Show, Impossible York, St Helen’s Square, York, Thursday, January 13; doors at 7pm; show, 8pm. Box office: ticketweb.uk/event/the-velma-celli-show-impossible-york-tickets/11662445.

Velma Celli: Irreplaceable, Theatre@41, Monkgate, York, February 26, 8pm. Box office: tickets.41monkgate.co.uk.

Velma Celli: Me And My Divas, York Theatre Royal, March 19, 7.30pm. Box office: 01904 623568 or at yorktheatreroyal.co.uk.

PS. Ian Stroughair will turn 39 on January 13.

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REVIEW: Drag diva Velmi Celli at York Theatre Royal and Impossible, York

Velma Celli: York’s queen of vocal drag in the age of RuPaul’s Drag Race. PIcture: Kirkpatrick Photography

Velma Celli, Love Is Love: A Brief History Of Drag, The Love Season, York Theatre Royal, 29/5/2021; Velma Celli’s Impossible Drag Brunch, Impossible Wonderbar, Impossible, York, 5/6/2021

IT takes balls to be a drag act.

Velma Celli knows it, shows it and indeed sometimes them too in a leg-crossing, leg-uncrossing, let’s-sit-and-chat-on-the-stage-lip moment at York Theatre Royal.

In York drag diva deluxe Velma’s case, it takes more than balls, however. Pointedly, the fabulous, fruity, funny creation of musical actor Ian Stroughair bills herself as “the queen of vocal drag”.

“I can sing,” says Velma, throwing a ta-da shoulder shrug as she calls out the parade of kitch’n’synch acts that strut and pout on RuPaul’s Drag Race conveyor belt.

Velma Celli’s regular poster for international hit A Brief History Of Drag

Velma, or rather Ian, first sang on his home-city Theatre Royal stage in a musical version of Kes – that sounds camp!  – at the age of 14. Twenty-four years later, coinciding with theatre’s return from a long Covid quarantine, Ian/Velma is back on this stage at last, and not before time, bitches, as Velma is wont to address the throng.

“Can I just say, it must be such a privilege for you to be here tonight,” says Velma, who has wrapped a clingy, plunging little black number over his very tall, leggy frame. Although this night is not all glamour: off come the false eyelashes when they start playing up in the stinging heat.

The drag persona of Velma Celli emerged 13 years ago when Ian was playing Mary Sunshine in Chicago in the West End. Wednesday was meet-up night for the boys from Chicago, Priscilla etc at Madame Jojo’s, the legendary Soho home of burlesque and cabaret, dressing up glam to sing.

Ian went as Chicago’s nightclub star and murderess Velma Kelly, slurped on his vermacilli dish, and took to the stage. Velma Celli was born, or rather, “unleashed”, as Ian puts it.

“When you’re good to Velma, Velma’s good to you,” promises Velma Celli in her signature showstopper

This is but one story from A Brief History Of Drag, a show that Ian put together when stuck in Tanzania and has since taken to Australia and the USA, as he celebrates “burlesque, debauchery, defiance and…shoes”. Velma duly points to a silvery pair that glisten even more than Dorothy’s heel-clickers in The Wizard Of Oz.

“Unleashed” is exactly the right word for a Velma Celli performance: a tornado, a toreador in vocal form, here stirred to ever greater heights by super-talented musical director Ben Papworth, high-heeled boots tucked beneath his keyboards.

This is a proper, proper show: Velma, up front and out there; three-piece band (Papworth, keys, Clark Howard, drums and gold lamé jacket; Al Morrison, guitar); two backing singers, Kimberley Ensor and rising York talent Grace Lancaster; two guests, soul queen Jessica Steel, York partner in lockdown streamed concerts, and musical actor Jordan Fox, partner in pantomime for York Stage’s Jack And The Beanstalk.

When Velma takes the stand beneath a rockabilly quiff, she can not only sing the sing and dance the dance, she can talk the talk too, witty and waspish, as we learn of drag’s history, Velma and Ian’s past, her staging posts, the abiding influence of unloving mothers and the importance of the Stonewall riots in Greenwich Village, New York in 1969 and the Stonewall LGBT charity over here.

The poster for the first Impossible Drag Brunch on a York Saturday afternoon

For the Theatre Royal’s Love Season, love is in the air and in the one-off prefix to the show title: Love Is Love. Omnipresent is the love of song and those who take risks: for example, Tim Curry (The Rocky Horror Show’s Sweet Transvestite); Freddie Mercury and David Bowie – the latter, Velma’s astute choice for her next show – for a spectacular Under Pressure and La Cage Aux Folles’ Albin for the climactic I Am What I Am.

Mind you, Velma can be picky, not liking Culture Club’s hits, but loving Boy George’s musical, Taboo, and its signature number, Stranger In This World. Gorgeous, Georgeous.

Velma loves a duet too, taking a seat side by side with Jess for a stand-out Always Remember Us This Way (from Lady Gaga’s A Star Is Born), accompanied on guitar by Stuart Allan. Later, in the latest update to the show in a nod to the impact of Russell T Davies’s devastating series It’s A Sin, Velma is joined by Fox for the Pet Shop Boys’ anthem, poignant yet celebratory too.

Velma’s voice warms, expands, stretches and strengthens as the show progresses, shown off to the max in a set-piece send up of lip-synching acts on RuPaul’s Drag Race, mimicking their physical impersonations while accentuating the vocal tics and mannerisms of Britney, Bjork, Bassey, Gabrielle, Cher et al.

Ending with an encore medley from Priscilla, Queen Of The Desert, Velma/Ian will surely not have to wait for another 24 years to return to the Theatre Royal.

Fancy a Shambles Mule? The cocktails list at the Impossible Drag Brunch

In the meantime, Velma is bedding in a new monthly residency for The Velma Celli Show in the big-windowed first-floor Wonderbar at Impossible, York, and last Saturday afternoon Velma Celli’s Drag Brunch was launched there too. Covid-safe; socially distanced; no masks needed when seated, but yes if you want to stand to dance around.

Judging by the support for the two sittings at 12.30pm and 2.30pm, it is likely to become a monthly fixture too as part of Impossible’s cabaret and comedy portfolio.

The show is fast-moving, fizzy and fun, with “bottomless cocktails, small plates and a side order”  (Halloumi Bites and Truffle Chips for CH) and two sets by Velma, introduced by DJ Zoe on afternoon release from Funny Girls in Blackpool, armed with a potty mouth, party-igniting disco classics and the backing tracks for Velma’s vocal tour de force.

It may not surprise you to learn that, looking around, the debut Drag Brunch partygoers are predominantly female, but the smattering of men are having a fab time too (but need to be willing to be the butt of DJ Zoe’s bawdy humour).

York, 3.50pm, June 5: Velma Celli and her ladies at the climax to the Impossible Drag Brunch

The Wonderbar, with its profusion of plants, wood and glass, recalls the conservatories and cocktail bars of the 1930s and makes for a fabulous cabaret setting. The cocktails list embraces the classics and the up to date (Salted Caramel Espresso), the Mojito and the No-jito (for the mocktail option).

General manager Stephanie Powell’s staff are everywhere, busy, busy, busy with their table service of drinks and choice of Chicken Skewers/Halloumi Bites/Cauliflower Wings/Hotdog (mini-version) with Skinny Salted Fries/Truffle Chips/Salad.

Gliding down the stairs, Velma is in sparkly black and silver, topped off in the second set with a shimmering silvery bob wig, and as she promises: “When you’re good to Velma, Velma’s good to you”. From Feeling Good to the obligatory Divas-meets-Drag Acts setpiece, I Want To  Break Free to “torches out” for Bowie’s Starman and a ruder lyric for Queen’s Somebody To Love, Velma walks the room as she works the  crowd. Everything is drag, nothing drags.

Girls, and boys, make sure to be in Velma’s camp for your Saturday afternoon pleasure.

Cheers! Another “bottomless” cocktail hits the rocks at the Impossible Drag Brunch
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Twenty four years after Kes, Ian Stroughair returns home to York Theatre Royal stage in guise of drag diva alter ego Velma Celli

“I feel over-excited! I cannot wait! Get me on that stage!” says Ian Stroughair/Velma Celli ahead of Saturday’s Love Is Love: A Brief History Of Drag show at York Theatre Royal. Picture: Kirkpatrick Photography

YORK musical actor Ian Stroughair will return to the York Theatre Royal stage for the first time in 24 years on Saturday, in the guise of his cabaret alter ego, drag diva deluxe Velma Celli.

“I last performed there in Kes, appearing in the ensemble, and sadly I’ve never been back,” says Ian, 38, who has settled back into his home city since Lockdown 1, leaving London behind.

“I’ve tried to do shows at the Theatre Royal but it’s never happened, so it’s great to be back now. I love what Tom [chief executive Tom Bird] is doing there.”

Love is the drag for Ian this weekend when Velma Cella takes part in the Theatre Royal’s spring-reawakening Love Season, performing one of Velma’s regular shows, re-titled Love Is Love: A Brief Of History Of Drag specially for the 8pm occasion.

Ian has taken A Brief History Of Drag to New York and Australia and on a British tour, as well as staging performances in London and York. “I’ve been doing it for four years now on and off, and I’m so glad the Theatre Royal wants the show,” he says. “I feel over-excited! I cannot wait! Get me on that stage!”

Ian created the show when he was in “stuck in Africa for a few weeks”. “I was in Dar Es Salam, in Tanzania,” he recalls. “I thought, ‘let’s write a show’ and it ended up being about how I got into drag and a celebration of the impact of drag in theatre, music, film and popular culture.

The regular poster for Velma Celli’s A Brief History Of Drag, retitled with the precursor Love Is Love for The Love Season at York Theatre Royal

“It’s part-story, but most definitely a celebration, and it’s an ever-changing show. I find new nuggets and add them in all the time. There’s so much stuff to cover in our story.”

Should you be wondering how and why the term “drag” was coined, let Ian explain: “Shakespeare! It’s a script/stage direction abbreviation. ‘Man enters stage dressed as a girl’. D.R.A.G.”

The drag persona of Velma Celli emerged 13 years ago when Ian was playing Mary Sunshine in the West End run of Chicago. Did she arrive fully fledged or bloom gradually?  “Progression. Like developing any role or idea, time is needed,” says Ian, who remembers exactly how he felt when he first took to the stage in drag. Confident? Nervous? Born to play the role? “Unleashed,” he says.

Velma Celli, who made a sassy cameo appearance in EastEnders, draws inspiration from “the greats”. “Lily Savage, Dame Edna Everage, Bowie, the movies, musicals and many unknown queens who blazed the trail,” he says.

Velma Celli in David Bowie’s Aladdin Sane trademark make-up

Now, he is planning a Velma Celli show built around David Bowie: singer, songwriter, actor, artist, cultural icon, iconoclast, fashion shaper and androgynous shape-shifter.

“I think Bowie is a master at illusion and character development but also reinvention. Something I completely relate to as an artist,” says Ian, whose “Irreplaceable. The Almighty Who Inspired Legends” show will “celebrate Bowie and the artists he inspired”.

Meanwhile, Velma Celli’s regular York residency is on the move. Out goes the Covid-suspended monthly camp cabaret Friday nights at The Basement, City Screen, York.

“Velma loves the limelight; Ian enjoys the anonymity,” says Ian Stroughair, who “repels fame”

In comes a resplendent residency from last Friday at Impossible, York, Tokyo Industries’ new tea-room, cocktail bar, restaurant and speakeasy enterprise in the old Terry’s café in St Helen’s Café, latterly home to Carluccio’s restaurant.

“The first show was incredible,” says Ian. “The atmosphere was electric. I’ll never forget it. The new venue is so plush and the staff are excellent.”

The Velma Celli Show residency will not be Velma’s only gig in the first-floor Impossible Wonderbar. “On June 5, we’ll be holding the first Drag Brunch, with Velma, surprise guest drag queens, bottomless cocktails and brunch,” says Ian, looking forward to hosting the “ultimate diva brunch in homage to all the queens”, from Whitney to Tina Turner plus many more besides.

That day, there will be two 90-minute sittings, the first from 12 noon, the second from 2.30pm. Tickets are on sale via info@impossibleyork.com or on 01904 864410.

Last year, Ian had to forego a long run in Funny Girls in Blackpool, thwarted by Killjoy Covid, and the pandemic strictures put paid to his international travels too.

Already he has had his two Covid-19 vaccine jabs to enable Ian to take a week’s travel to Mexico for a Velma Celli show in Cancun, however. “Thank god for that because the next cruise is not until October. I lost all the cruise-ship shows last year, and I’d already lost five cruise bookings this year, when in one day I lost three more cruise bookings,” he reveals.

Ian Stroughair on the balcony outside his new abode In York after moving back to his home city from London

The ships may be down, but Ian has shown resilience throughout the pandemic, streaming Velma Celli concerts, first from a Bishopthorpe kitchen and later from a riverside abode by the Ouse Bridge. Last December was spent playing the villainous Flesh Creep in York Stage’s debut pantomime, Jack And The Beanstalk, at Theatre @41, Monkgate.

Just as this interview moves freely between Ian and Velma, where does Ian, son of Acomb, stop and Velma, drag diva alter ego, start? “She arrives during the make-up process and getting into costume. But human interaction is where it clicks in,” says Ian. “I need my audience.”

Repelling fame, Ian defines the distinction as “Velma loves the limelight; Ian enjoys the anonymity”. “Fame isn’t necessary for me,” he says. “In fact it makes me uncomfortable. I like my private life with my loved ones and I’m very protective of that and mostly them. A stage: that’s where I come alive.” 

Tickets for Velma Celli’s Love Is Love: A Brief History Of Drag can be booked at yorktheatreroyal.co.uk or on 01904 623568. For the latest Velma Celli trailer, go to: https://www.youtube.com/watch?v=a005o6eGZWI. Hit it!

Just One More Thing…

What do you think of the RuPaul’s Drag Race TV shows? Good news for drag?
“It’s made it more mainstream but I don’t think it’s the essence of drag. Gentrification, for sure, but a celebration, of course. That can only be a good thing.”

Copyright of The Press, York

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Mission Impossible! Velma Celli finds new wonderbar home for York drag residency

“It’s happening!” says Velma Celli as York cabaret star moves residency to Impossible, York, from next month. Picture: Charlie Kirkpatrick, Kirkpatrick Photography

YORK’S drag diva deluxe Velma Celli is on the move.

Out goes the Covid-suspended monthly camp cabaret Friday nights at The Basement, City Screen, York.

In comes a resplendent residency from next month at Impossible, York, Tokyo Industries’ new tea-room, cocktail bar, restaurant and speakeasy enterprise in the old Terry’s café in St Helen’s Café, latterly home to Carluccio’s restaurant.

“It’s happening!” says an excited Velma Celli, the exotic international drag alter ego of musical actor Ian Stroughair, last seen on a York stage in December as the villainous Fleshius Creepius in York Stage’s debut pantomime, Jack And The Beanstalk, at Theatre @41, Monkgate.

“Velma has a new residency!! My very first live gig at the utterly fabulous Impossible, York. May 21st.  Doors 7pm. Show 8pm! My very special guest is [York soul sister] Jessica Steel (obvs). More special West End guests to be announced! Grab those tickets as it will sell out!”

Take that advice, Velma insists. “50 per cent of tickets have gone! If you want to come to opening night, don’t wait to book! This baby is flying!!!!”

Tickets are on sale at https://www.ticketweb.uk/event/the-velma-celli-show-impossible-york-tickets/10900325, priced at £22 for VIP front cabaret table seats and £16.50 for reserved seating.

“Basically, it’s replacing the shows at The Basement, where we don’t know when it will reopen for shows under Covid guidance as it’s a small space,” says Ian, as he switches from the impossible to Impossible, York.

“I met the Impossible manager, Stephanie, in December, meeting her between Jack And The Beanstalk shows, and then five weeks ago she knocked on the window saying, ‘I’ve been trying to contact you!’.

How the other half lives: Exit alter ego Velma Celli, enter Ian Stroughair, musical actor, playing Fleshius Creepius in York Stage’s pantomime Jack And The Beanstalk

“And so the first Velma Celli Show there will be on May 21, up the stairs, in the fabulous Impossible Wonderbar setting overlooking the square, with more shows to be announced later. This one will be fun, comedic, with stand-up, impressions, the usual mix of rock, pop and the blues, plus Jess and guests.”

Ian first moved back to York for Lockdown 1 when the pandemic sent him home from a Velma Celli Australian tour and he plans to settle back in his home city permanently from May, travelling to London for three days a week when necessary.

Streamed concerts, first from a Bishopthorpe kitchen and latterly from a riverside abode by the Ouse Bridge, have kept Velma Celli’s voice in spectacular working order, sometimes accompanied by Jessica Steel, leading light of Big Ian Donaghy’s fundraising A Night To Remember shows at York Barbican.

“Jess is reopening her salon [Rock The Barnet in Boroughbridge Road] from Monday, so we did our last stream together last night, Last Online – A Grand Finale, that ticket holders can see until Sunday,” says West End star Ian, who has appeared in such musicals as Cats, Fame, Chicago and Rent, but had to forego a long run in Funny Girls in Blackpool last year, thwarted by Killjoy Covid.

For the latest Velma Celli trailer, go to: https://www.youtube.com/watch?v=a005o6eGZWI. Hit it!

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Velma Celli and Jess Steel to serve up streamed show from Earl Grey Tea Rooms

LOCKDOWN cabaret streaming duo Velma Celli and Jess Steel are going on location to the Earl Grey Tea Rooms for their Showbizzy Shambles show in York tomorrow (5/2/2021).

After the camply nautical, naughty fun of their water-themed Fabulously Flooded online gig last week, they are vacating the riverside abode of Ian Stroughair, drag diva Velma’s creator, by Lendal Bridge for light relief and camp cabaret belting.

“We’re getting the keys to the Earl Grey Tea Rooms in Shambles and filming it there,” says Ian/Velma. “We’ll be going vintage, so join in with your apparel, peeps, if ya feel like it. Not essential but fun.”

Tickets for Showbizzy Shambles grant access to the streamed show any time from 5pm tomorrow to Sunday evening (7/2/2021). Go to http://bit.ly/3pAtBAF for all the details. “Please feel free to invite all your mates,” says Ian/Velma.

Here, everything stops for tea questions and more besides as Charles Hutchinson grills Ian Stroughair/Velma Celli.

How is your house now, post-flooding?  Fully recovered?

“Yes! Thank RuPaul (God)! It took a lot of scrubbing, but I got there!” 

Where did you end up recording your January 22 show when water had seeped in through the front door and back door?

“Still in the house. The kitchen is lower than the living room, so we were cool.” 

What songs on a water theme did you perform in last week’s Fabulously Flooded show? Something by The Waterboys?  Peter Gabriel’s Here Comes The Flood?  (Lendal) Bridge Over Troubled Water, maybe? So many possibilities!

“Ha ha, so many! It’s Raining Men (obvs). Waterloo. River Deep Mountain High. Cry Me A River. You get the drift.” 

No! No song by The Waterboys featured in Velma and Jess’s water-themed cabaret show

How has the streamed gig at the Earl Grey Tea Rooms come about?

“Clare and Howard [Proctor] are very good old friends and they’re fabulous supporters of all my Velma and Ian appearances.

“I adore this place as much as its owners and it’s been a real struggle over the past year, as you’d imagine, so I wanted to raise them up.

“Not only because it’s such a fabulous tea room – to get you all chomping at the bit to visit, as soon as we move tiers – but also to highlight just how hard it is right now, not just in my sector of live performance but in the hospitality industry too!

“Clare and Howard have worked so hard for years, so I wanted to use my platform to shine a spotlight on them.”

Velma Celli and Jess Steel’s social-media artwork for their Fabulously Flooded show last week

In which room will you record the show?

“Undecided. Each one is so quaint. Will depend on lighting, darling.”

Water theme last week.  Any tea and cake songs this week? Can’t think of a crumpet song….

“We are going vintage. From the 1940s, but all the way up to Lady Gaga and everything in between.

“Why not prepare yourself an afternoon tea with scones, finger sandwiches, tea pots filled with fizz, and let us entertain you, direct and safely in your own home.”

What is your perfect afternoon tea and where? 

“Earl Grey Tea Rooms of course! Best scones ever. I love their Coronation Chicken jacket, followed by a cream tea with English brekky! You must all go as soon as they reopen. Such quality and atmosphere.”

Jess Steel: Showbizzy Shambles will be the sensational singing hairdresser’s last streamed concert with Velma Celli “for a few weeks”

Earl Grey, Darjeeling or Lapsang Souchong?

“All. But my favourite is English Breakfast in the morning and Orange Pekoe on an afternoon.” 

Cream first or jam first on a scone?

“Cream!!!!!!!!” 

Favourite cake?

“Traditional Victoria Sponge.” 

Have you ever left a cake out in the rain, a la MacArthur Park?

“No. Come rain or shine, Velma never neglects confection.” 

What’s coming next?

“Tomorrow is the last show with Jess and me for a few weeks as I have some solo live- stream bookings to perform.”

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Come Hell or, in this case, high water, Velma Celli and Jess Steel WILL play streamed gig

Jess Steel and Ian Stroughair (aka Velma Celli) will defy a flooded house to perform their streamed gig in York

NOT even a flooded house will stop York drag diva divine Velma Celli and sensational singing hairdresser Jess Steel from recording their latest streamed gig.

“Streamed”…what an ironic word that is right now, as Velma’s creator, musical actor and international cabaret star Ian Stroughair, and “work bubble” Jess survey the “carnage” in Ian’s riverside pad by the Ouse.

Exit Storm Christoph, re-enter the defiant duo, who will follow up last Friday’s double bill with the second instalment of An Evening With Velma & Jess, put back from today (22/1/2021) to tomorrow, with the recording having had to be delayed.

Tickets are on sale at https://www.ticketweb.uk/event/an-evening-with-velma-and-live-stream-tickets/10829655 until 5pm tomorrow, when the link to watch the show will arrive moments later. Please note, the recording will remain available for viewing for 48 hours.

The show must go on for Velma Celli, even when the floodwater calls for wellies

Looking forward to still making a splash this weekend, Ian/Velma wades through Charles Hutchinson’s snappy questions.

How are you coping in the flood, Ian? What’s the latest state of play?

“It’s been a long, semi-sleepless couple of days. Fortunately, it hasn’t increased overnight but the kitchen is flooded and I cannot leave by either door. The back door is up to five feet in water and the front is inaccessible. It’s windows and wellies at the moment.”

Without giving the precise location, where is your riparian abode?

“I am right by Ouse Bridge. So, pretty much at the worse possible area but I have food and gin, so I’m gooooood!”

In which room will you now record the streamed gig?

“I think we may be OK to stick to the living room. If not, the four-poster master suite will be perfect!” 

Will you adjust the setlist to take in songs about rain and flooding?

“Ha ha! Of course! Titanic meets Babs meets Abba.” [Water-loo?, editor ponders].

Have you ever had to cancel a gig (other than for killjoy Covid) and, if so, what was the best reason for a gig not going ahead?

“It’s never fun to cancel. I did once get stuck in Oz longer than expected and had to cancel a London date.”

Can you say anything at this stage of your plan to play gigs in York restaurants?

“Not too much yet! We are sorting the finer details. As soon as York goes into a tier where we can eat in restaurants, I’ll be shouting it from the rooftops.”