More Things To Do in and around York in the jaws of a Jurassic invasion. Here’s Hutch’s List No. 4, courtesy of The Press, York

FROM giant dinosaurs to a heavyweight comedian, hardcore songs to a royal reading, Charles Hutchinson seeks to make life eventful.

Dinosaurs make a comeback: Jurassic Earth, Grand Opera House, York, January 28, 1pm and 4pm

JURASSIC Earth’s “live dinosaur show” roams York in an immersive, interactive, 75-minute, storytelling experience for all ages with state-of-the-art, animatronic, life-like creatures.

Audiences are invited to “bring your biggest roar and your fastest feet as you take Ranger Danger’s masterclass to become an Official Dinosaur Ranger – gaining the skills you need to come face-to-face with the world’s largest walking T Rex, a big-hearted Brontosaurus, tricky Triceratops, uncontrollable Carnotaurus, vicious Velociraptors and sneaky Spinosaurus”. Box office: atgtickets.com/york.

Tim Lowe: Cellist and York Chamber Music Festival director, performing Messiaen’s Quartet For The End Of Time at York Minster

 Holocaust memorial concert of the week: York Chamber Music Festival, Olivier Messiaen’s Quartet For The End Of Time, York Minster, Tuesday, 7pm

YORK Chamber Music Festival marks Holocaust Memorial Week – and the start of the festival’s tenth anniversary – with a performance of “one of the greatest pieces of music from the 20th century”, written and premiered in the German prisoner-of-war camp at Stalag VIIIa, Gorlitz, in 1941.

Olivier Messiaen’s Quartet For The End Of Time will be played by John Lenehan, piano, Sacha Rattle, clarinet, John Mills, violin, and festival director Tim Lowe, cello, in York Minster’s Lady Chapel under John Thornton’s restored 15th century Great East Window (the “Apocalypse Window”). Box office: tickets.yorkminster.org.

Lloyd Griffith: Comedy measured out as One Tonne Of Fun at The Crescent, York. Picture: Matt Crockett

Comedy gig of the week: Burning Duck Comedy Club presents Lloyd Griffith, One Tonne Of Fun, The Crescent, York, Thursday, 7.30pm

AFTER Covid stretched Lloyd Griffith’s last tour to “eight years or so”, he returns with his biggest itinerary to date, One Tonne Of Fun.

Since school, he has always been a show-off, and 20-odd years later, nothing’s changed, so expect stand-up, dubious impressions and a sprinkling of his (incredible) singing from the comic with Ted Lasso, 8 Out Of 10 Cats, Soccer AM, Question Of Sport, Not Going Out and House Of Games credits. Box office: thecrescentyork.com.

Ewa Salecka: Directing Prima Vocal Ensemble at the Joseph Rowntree Theatre

Choral concert of the week: Prima Vocal Ensemble, Lift Every Voice, Joseph Rowntree Theatre, York, January 29, 7.30pm

EWA Salecka directs Prima Vocal Ensemble in a life-affirming concert that weaves its way through diverse generations and genres with live accompaniment.

Living composers Lauridsen, Gjeilo, Whitacre and Jenkins sit alongside favourite numbers from Les Misérables and The Greatest Showman, complemented by songs by Annie Lennox, Elbow, the Gershwins and Cole Porter and a tribute to the people of Ukraine. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Frank Turner & The Sleeping Souls: Playing York Barbican at the end of January

Hardcore York gig of the month: Frank Turner & The Sleeping Souls, York Barbican, January 31, 8pm

FRANK Turner, punk and folk singer-songwriter from Meonstoke, Hampshire, will be accompanied by The Sleeping Souls in York as he draws on his nine studio albums from a 17-year solo career.

Last year, the former Million Dead frontman, 41, topped the UK Official Album Chart for the first time with FTHC (his anagram for Frank Turner Hardcore) after his previous four all made the top three. Support slots go to Lottery Winners & Wilswood Buoys. Box office: yorkbarbican.co.uk.

Rosemary Brown: Author gives an insight into the remarkable life of Nellie Bly at York Theatre Royal

Who was Nellie Bly? In Conversation With Rosemary Brown, York Theatre Royal, February 4, 5.15pm, free admission

YORK Theatre Royal and Tilted Wig’s touring adaptation of Jules Verne’s madcap adventure Around The World In 80 days features not only the fictional feats of Phileas Fogg but also the real-life story of Nellie Bly, American journalist, industrialist, inventor, charity worker and globe-crossing record breaker.

In a free talk, director and adaptor Juliet Forster will be in conversation with Rosemary Brown, author of Following Nellie Bly, Her Record-Breaking Race Around The World, a book inspired by this human rights and environmental campaigner’s aim to put female adventurers back on the map. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Tony Froud: Directing York Shakespeare Project’s rehearsed reading of Edward II

The second coming of…York Shakespeare Project, Edward III, rehearsed reading, upstairs at Black Swan Inn, Peasholme Green, York, February 7, 7.30pm

PHASE Two of York Shakespeare Project begins with a staged rehearsed reading of Edward III, the rarely performed 1592 history play now widely accepted as a collaboration between William Shakespeare and Thomas Kyd, replete with its celebration of Edward’s victories over the French, depiction of the Black Prince and satirical digs at the Scots.

Rehearsed readings in February will be a regular part of YSP’s revamped remit to include work by the best of Shakespeare’s contemporaries. Tony Froud’s cast includes Liz Elsworth, Emma Scott and Mark Hird, best known for his work with Pick Me Up Theatre. Tickets: on the door or via eventbrite.com.

Home work: Sara Howlett, Sophie Bullivant and Laura Castle in rehearsal for Rowntree Players’ spring production of Teachers Leavers ’22

Spring term school play: Rowntree Players in Teechers Leavers ’22, Joseph Rowntree Theatre, York, March 16 to 18, 7.30pm and 2.30pm Saturday matinee  

REHEARSALS are underway for Rowntree Players’ production of Teechers Leavers ’22, former teacher John Godber’s update of his state-of-education play, commissioned for £100 by Hull Truck Theatre in 1984.

Actor Jamie McKeller, familiar to York ghost-walk enthusiasts as Deathly Dark Tours spookologist Doctor Dorian Deathly, is working with a cast of Sara Howlett, Sophie Bullivant and Laura Castle as they “put in the hard work needed for this very physically demanding play”. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

‘Who could she possibly want revenge on,’ ponders Linus Karp as drag show takes aim in Diana: The Untold And Untrue Story

Shooting from the lip: Linus Karp’s Diana telling untold untruths in Diana: The Untold And Untrue Story. Picture: Dave Bird

DO you know the story of Diana, Princess of Wales? Probably. But do you know writer-performer Linus Karp’s story of Diana?

“We very much doubt it,” says Linus, Swedish-born artistic director of Awkward Productions, the harbingers of theatrical chaos responsible for the revenge comedy Diana: The Untold And Untrue Story.

On tour at Theatre@41, Monkgate, York on February 3 and 4, this humorous, if tasteless, celebration of the people’s princess finds 6ft Iin Linus’s Diana in heaven as she shares the untold and untrue tale of her extraordinary life through a combustible combination of drag, multimedia, audience interaction, puppetry and “a lot of queer joy”.

Definitely not a Royal verité show, Diana marks Linus’s return to Monkgate, where he performed How To Live A Jellicle Life: Life Lessons From The 2019 Hit Movie Musical ‘Cats’, last February. “I had such a good time, I simply had to come back,” he says.

Linus Karp in the poster for last year’s tour show, How To Live A Jellicle Life

Here, Linus Karp discusses Diana, drag, truths and untruths with CharlesHutchPress

How did this latest performance at Theatre@41, Monkgate, come about?

“Alan [Park], who runs the venue, has been calling me daily to get me to come back. I finally said ‘yes’. It was a bit much really, but he is a sweetie, so why not?!”

What attracted you to the figure of Diana, Princess of Wales, who, like Marilyn Monroe, has never been allowed to rest peacefully?

“Probably just that – how today she is more myth and legend than an actual human who lived. It’s a very interesting thing to explore.”

Linus Karp’s Diana in a scene from Diana: The Untold And Untrue Story with a cardboard cut-out Prince Charles. Picture: Dave Bird

Does that mean venturing into the Untrue is inevitable or is it a chance for mischief-making on your part?

“If one had to stick to the truth, most stories would be a lot more boring. I don’t want the audience to know what’s coming next – there are more interesting ways to tell a story than to show what actually happened.”

Have you had to deal with libel laws? Scrap that, you can’t libel the dead, can you, but you can label them. Discuss…

“Diana had a great sense of humour and I’m convinced she’d enjoy the show and the loving way she’s portrayed.”

Do you buy into any of the conspiracy theories surrounding her death?

“Not really, except for that she lives on the moon with Elvis. That’s a fact.”

“Diana was an outsider who dared to speak her mind and go against her powerful husband and his family,” says writer-performer Linus Karp. Picture: Dave Bird

Where might a gun and a knife fit into the show?

“Well that would be giving out spoilers – but who could Diana possibly want revenge on…?”

What makes Diana ripe for a drag act?

“Drag is a queer performance form and Diana is a queer icon. Not only was she a glamourous and stylish woman who, despite her fame and privilege, was an outsider who dared to speak her mind and go against her powerful husband and his family, but she also had famous friendships with queer legends like Elton John, Gianni Versace and Freddie Mercury.

“Most importantly, she really helped shape the narrative around AIDS, showing that its victims are worthy of love and human affection. Her stance and bold support of AIDS and HIV victims have improved countless queer lives.

“Becoming a drag act is a big compliment, and though I’m obviously not the first, I am surprised there aren’t more drag Dianas.”

Diana in heaven: A drawing for Linus Karp’s show


Diana died (August 31 1997) before you were born (November 16 1999). What has led to your fascination with her?

“First of all: yes, I’m very young. I would have to thank my legend of a mother-in-law who really helped me step up my Diana interest to the next level.”

What do you enjoy about writing and performing a solo show?

“Mainly getting the chance to go to York and to be interviewed – even when the interviewer shares a first name with the antagonist of the story.”

What are your principal assets as a performer? London Pub Theatres reckon you are “naturally funny”. Or maybe is it that you are a waif-like chameleon, David Bowie style?

“Some people say I’m not just a pretty face. I disagree.”

Linus Karp: Swedish-born actor, drag act, writer and artistic director. Picture: Conor Harris

Last November, you ran a workshop at The Pleasance, London, on creating, funding, producing, marketing and performing a solo show and the unique challenges that come with it. What were the biggest challenges of putting together Diana: The Untold And Untrue Story?

“Money. The trickiest thing about making theatre is always making it work financially. The margins are always tight; even a production that does well rarely makes much profit and putting on a show is always a big financial risk.

“Making sure we support independent, new and diverse voices is key. We don’t want a landscape where only those with money or big companies can afford to create theatre.”

“If one had to stick to the truth, most stories would be a lot more boring,” says Linus, with a message for any naysayers. Picture: Dave Bird


As a Swede, what drew you to performing in Britain?

“My Diana references just wouldn’t land as well on a Swedish audience. I simply had to move.”

What’s your next project/production?

“I don’t know yet as I’m going to make the most of being Lady Di for as long as I can – but I promise it will be equally stupid, queer and joyful.”

What is there left to be told that hasn’t been told before?

“Trans rights are human rights and the Tories are destroying the country.”

Awkward Productions present Linus Karp in Diana: The Untold And Untrue Story, Theatre@41, Monkgate, York, February 3 and 4, 7.30pm.Box office: tickets.41monkgate.co.uk.

Back story: Linus Karp tells all about his drag princess to CharlesHutchPress. Picture: Dave Hird

Re-live The Seahorses’ rise and fall with Chris Helme as Two Big Egos podcast marks Do It Yourself’s 25th anniversary

Chris Helme: Frontman at the helm of The Seahorses from 1996 to 1999...alongside the guitar pyrotechnics of Stone Roses old boy John Squire

IN this special extended edition, Two Big Egos In A Small Car podcast duo Graham Chalmers and Charles Hutchinson interview York musician Chris Helme, co-founder of The Seahorses with Stone Roses guitarist John Squire.

As he marks 25 years since their debut, Do It Yourself, by revisiting the songs on a DIY solo acoustic tour, Chris spills the beans on his journey from busker to Glastonbury-playing frontman, Hollywood recording sessions with Tony Visconti, a top two album and a parting of the ways brought on by that familiar curse, musical differences.

Ahead of tonight’s gig at Pocklington Arts Centre, listen to Chris’s candid recollections at: https://www.buzzsprout.com/1187561/12037830

The artwork for The Seahorses’ album Do It Yourself

More Things To Do in York and beyond as 2023’s shoots start to poke through. Hutch’s List No. 3, courtesy of The Press

Linus Karp: Invitation to join Diana in heaven as she shares the untold and untrue tale of her extraordinary life at Theatre@41. Picture: Dave Bird

FROM a drag Diana to a DIY staging of Harry Potter, synth pop turned symphonic to a long-running Agatha Christie mystery, Charles Hutchinson goes in search of entertainment new and old.

Royal verité show? Probably not! Linus Karp in Diana: The Untold And Untrue Story, Theatre@41, Monkgate, York, February 3 and 4, 7.30pm

DO you know the story of Diana? Probably. But do you know writer-performer Linus Karp’s  story of Diana? “We very much doubt it,” say Awkward Productions, the harbingers of theatrical chaos responsible for this humorous, if tasteless, celebration of the people’s princess.

Join Diana in heaven as she shares the untold and untrue tale of her extraordinary life through a combination of drag, multimedia, audience interaction, puppetry and “a lot of queer joy”. Box office: tickets.41monkgate.co.uk.

Sketch of Lendal and street in progress by Steve Beadle, one of the Navigators Art artists exhibiting at Helmsley Arts Centre

Exhibition of the week: Navigators Art, Moving Pictures II, at Helmsley Arts Centre, until March 3; Tuesdays, Wednesdays and Fridays, 10am to 3pm; Thursdays, 11am to 3pm, and during event opening times

YORK collective Navigators Art are represented by seven artists at Helmsley: Kai Amafé, prints and 3D work; Steve Beadle, paintings and drawings; Michael Dawson, paintings; Richard Kitchen, prints and collages; Katie Lewis, textiles and paintings; Timothy Morrison, constructions, and Peter Roman, paintings.

“The title Moving Pictures is deliberately open to interpretation by the audience as well as the artists,” says co-founder Richard Kitchen, who will be stewarding an 11am to 3pm open day tomorrow (15/1/2023). Exhibition entry is free.

Textile art by Katie Lewis, another of the Navigators Art artists on show in Moving Pictures II at Helmsley Arts Centre

Fundraiser of the week: White Rose Theatre in A Gala Night (and day) Of Musical Theatre, Joseph Rowntree Theatre, York, today, 2.30pm and 7.30pm

THE Katie Ventress School of Dance, York Musical Theatre Company and guest soloists will be accompanied by a band under the musical direction of John Atkin in these uplifting gala concerts to blow away the post-Christmas blues.

Favourites from Les Miserables, Jesus Christ Superstar and Anything Goes are promised. All proceeds will go to the JoRo’s Raise The Roof campaign. Box office for the last few tickets: 01904 501935 or josephrowntreetheatre.co.uk.

Electrifying Eighties: Calling Planet Earth gives a symphonic coating to Duran Duran and co

Nostalgia of the week: Calling Planet Earth, A New Romantic Symphony, York Barbican, January 21, 8pm

A NEW Romantic Symphony heads out on a journey through the electrifying Eighties to revisit the songs of Duran Duran, Spandau Ballet, The Human League, Ultravox, Tears For Fears, Depeche Mode, Japan, ABC, Soft Cell and Orchestral Manoeuvres In The Dark.

Symphonic arrangements combine with “stunning vocals” in a parade of hits that defined a decade. Box office: yorkbarbican.co.uk.

Pottervision: Lukas Kirkby and Tom Lawrinson re-create first film Harry Potter And The Philosopher’s Stone with DIY props, wigs and charity-shop costumes

Magic with mayhem? Pottervision, Stephen Joseph Theatre, Scarborough, February 10, 7.45pm

LUKAS Kirkby and Tom Lawrinson gather up DIY props, charity-shop costumes and wizarding wigs for their “ridiculous re-creation” of Harry Potter And The Philosopher’s Stone, staged with multiple role-playing and limited resources after two fellow performers drop out.

What could possibly go wrong?! Find out in Pottervision, a fantastical spectacular for casual fan and avid squib alike. Please note: suitable for age 16 upwards on account of adult language and dark humour. Box office: 01723 370541 or sjt.uk.com.

Miles & The Chain Gang: New single to promote at Alne Village Hall

Back on the Chain Gang: Alne Music Club presents Miles & The Chain Gang, Alne Village Hall, Main  Street, Alne, February 11, 7.30pm

YORK band Miles & The Chain Gang head to their first gig of the year with an imminent new single in their locker, Charlie. Recorded last September at Young Thugs Studio in York, it features Miles Salter, guitar and vocals, Tim Bruce, bass, Daniel Bowater, keyboards, Steve Purton, drums, and Mat Watt, guitar.

“We’re filming the video in the next few days with our video guru Dave Thorp,” says Salter. Tickets: from  d.lepper27@btinternet.com or on 01347 838114. 

Dimitra Ananiadou: Violinist to peform recital with pianist Richard Whalley at NCEM

Take a bow: Dimitra Ananiadou & Richard Whalley, A Travel Through Time, National Centre for Early Music, York, February 25, 7pm

DIMITRA Ananiadou returns to York to travel back in time for a violin recital that explores the creation of Baroque, classical and 20th century music with the aid of her special bows.

Composer and pianist Richard Whalley will be accompanying her on the journey through JS Bach’s Violin Partita No. 2 in D minor (Ciaccona), Niccolò Paganini’s Caprice for Solo Violin No. 24 Op. 1, Beethoven’s Violin Sonata Op. 30 No. 2 and Fritz Kreisler’s Praeludium and Allegro in the style of Gaetano Pugnani. Box office: 01904 658338 or ncem.co.uk.

Todd Carty: Playing Major Metcalf in 70th anniversary tour of The Mousetrap

Mystery play in York:The Mousetrap, Grand Opera House, March 6 to 11, 7.30pm plus 2.30pm Wednesday and Saturday matinees

AGATHA Christie’s mystery The Mousetrap, “the longest running play in the world”, takes in more than 70 venues on its 70th anniversary tour, including a return to York’s Grand Opera House.

EastEnders’ duo Todd Carty, as Major Metcalf, and Gwyneth Strong, as Mrs Boyle, feature in Ian Talbot’s cast for this tale of intrigue and suspense set at Monkswell Manor, a stately countryside guesthouse where seven strangers find themselves snowed in as news spreads of a murder in London. When a police sergeant arrives, the guests discover – to their horror – that a killer is in their midst. Whodunnit? Box office: atgtickets.com/York.

Terry Hall: a Special reflection

Terry Hall, centre, with his fellow long-time members of The Specials, Lynval Golding and Horace Panter

IN Episode 119, Two Big Egos In A Small Car arts podcasters Graham Chalmers and Charles Hutchinson look back on the life, music and cultural impact of Terry Hall RIP.

Under discussion too are the future (or not) of Edinburgh International Film Festival and contrasting music memoirs by errant Englishman Peter Doherty and Barabra Charone, American PR legend for the biggest names in rock.

To listen, head to: https://www.buzzsprout.com/1187561/11991653

York Ceramics Fair confirms 2023 return for March 4 and 5 event at York Racecourse

AFTER a short break to find a new venue, York Ceramics Fair will  return on March 4 and 5 indoors at York Racecourse.

The springtime show promises an “impressive line-up of ceramicists for this fourth instalment of the popular fair”, complemented by new public engagement activities, events, talks and more besides.

“This event will offer something for all,” says publicist Lotte Inch, the York curator and arts consultant, who is one of the fair’s planners. “Whether you’re a seasoned collector or just want to explore anew the wonderful world of ceramics and pots, why not drop in and support this fantastic event and all the talented makers involved in the show?”

A free shuttle bus will run between York Racecourse, on Kavesmire Road, and the Memorial Gardens Coach Park, in Station Road, York. Opening hours will be 10am to 5pm, March 4, and 10am to 4pm, March 5.

Tickets are priced from £6.13 on Eventbrite: https://www.yorkceramicsfair.com/ticket-info/

York ghost walk host Doctor Dorian Deathly to deliver five paranormal nights of ‘face melting horror’ at Theatre@41, Monkgate

The horror, the horror: Deathly Dark Tours guide Doctor Dorian Deathly in A Night Of Face Melting Horror! at Theatre@41, Monkgate

YORK spookologist and ghost botherer Doctor Dorian Deathly moves indoors for five fright nights at Theatre@ 41, Monkgate, York, from January 24 to 28.

Visit York’s New Tourism Business Award Winner for 2022 will be revelling in scary tales, spooks caught on film and ghost stories of England’s “most haunted city” at 8.30pm nightly in his return to the stage after a December spent on the dark side in another guise as the Sheriff of Nottingham in Rowntree Players’ pantomime, Babes In The Wood, at the Joseph Rowntree Theatre.

In a run rearranged from the Halloween season when Covid “did a right number” on deadpan Doctor Deathly, the Deathly Dark Tours host swaps walking the (ghost) walk for talking the (ghost) talk to present The Complete History Of Ghosts in A Night Of Face Melting Horror! through a combination of stories, paranormal sciences, horror, theatrical trickery, original music and perhaps the odd unexpected guest.

“Together we will huddle around the stage and explore spine-chilling tales of hauntings, both local and further afield, dissemble horrors captured on film and follow the ghost story through from its origins to the Victorian classics and modern-day frights,” says the Doctor, whose face-melting macabre amusements are suitable for age 13 plus as he considers what makes spines shiver and examines our obsession with tales of death, murder and hauntings.

Doctor Dorian Deathly: Ghost walker, ghost talker

Doctor Deathly had been struck by the idea of doing a show at Theatre@41 after seeing Pick Me Up Theatre in The Secret Diary Of Adrian Mole Aged 13¾ The Musical. “It sparked the bit of my brain that causes trouble!” he recalls.

“During lockdown, we’d done lots of online events, streamed on Facebook to thousands of people around the world. We came up with the show Tales From The Fireplace, where people would send in ghost stories and pictures and videos of encounters with ghosts. 

“It was essentially like a TV show, where we got a few funny ones sent in; we were coming at it from that angle, analysing them and breaking them down. Some were brilliantly well written.”

This prompted Doctor Deathly to construct A Night Of Face Melting Horror. “First and foremost, it’s entertainment. People love ghost stories and we thought, what if we flip it on its head and people have to come out to the theatre to celebrate ghost stories from the wild?” he says.

“Together we will huddle around the stage and explore spine-chilling tales of hauntings,” says Doctor Dorian Deathly

“The thread through the show is the history of the ghost story, talking about the origins of those stories, what they come from, their place in both texts and the imagination. Then we look at how it exploded in Victorian times with huge interest in these stories.”

Born in Scarborough, Deathly’s inventor, actor Jamie McKeller, moved to York in 2004/2005, first performing in A Christmas Carol at the Castle Museum and with Lee Harris and The Dreaming in Terry Pratchett’s Rincewind.

“I’d been to York on fleeting visits, then I was getting on the train here to rehearse. One day I was walking through York, and it was snowing, and I popped into a coffee shop. Looking out at the Minster, I remember thinking, ‘how can I not move here?’.”

For 15 years, he was a professional actor. “It’s exhausting, a grind,” he says, delighted to now have a constant, stable income as a ghost walker. “It’s my company too, so I can do these crazy things.”

“As it’s January now, a notoriously boring month, we really want to appeal to people’s love of Halloween and spice their post-festive season up a bit,” says Doctor Deathly’s co-star, Dede Deathly, operations manager for Deathly Dark Tours. “Halloween is for life, not just for October!”

Part of York’s Guild of Spookologists , alongside Mad Alice (Alicia Stabler), Shadows Of York (Mackenzie Crompton) and Damian Freddi’s Dark Chronicles, Doctor Dorian Deathly’s Deathly Dark Tours has taken on a second York tour guide to meet demand, Dorian being joined by Dafydd Deathly, from Wales.

“He ran virtual tours for us in Edinburgh and now he’s come back to York, I asked him if he would join me because the tour is so busy. We run six nights a week,” says Doctor Deathly, who set up his ghost walk in August 2020, having worked as a York tour guide for more than seven years until the pandemic intervened.

“It’s a very non-traditional ghost tour, very theatrical, very big, with magic tricks. It’s very tiring! 30-year-old Jamie doing that each night, fine; 42-year-old Jamie, maybe not!”

Why, Dorian, are we drawn to the horror, the horror, of ghost stories, especially in York? “It’s that obsession with fear, but why do we do that to ourselves?” he asks himself. “Why do we like putting ourselves in that situation?

The poster for Doctor Dorian Deathly’s horror show at Theatre@41, Monkgate

“The opening song in A Night Of Face Melting Horror poses a question: I directly ask, ‘what’s wrong with you, with all of us, in a world of The Great British Bake Off and The Great Pottery Throw Down, why are you here, for this show full of ghosts, in a world of such niceties? That’s the answer we’re looking for; the answer to that!”

Analysing why York so suits ghost storytelling, Dorian says: “I have friends who are tour guides around the country and sometimes I feel sorry for them because they have to talk about things that are no longer there in their city.

“But in York you can see a piece of wood dating from the 12th century, and you watch Americans blink as they take that in,” he says.

For tickets, go to: tickets.41monkgate.co.uk. For more information on Doctor Dorian Deathly’s walking tours, visit deathlydarktours.com or call 07851 032041.

Copyright of The Press, York

Navigators Art artists follow up Coney Street intervention with Helmsley Arts Centre and City Screen shows

Ana Alisia, Big Issue Seller, by Peter Roman, from the Navigators Art exhiibition at StreetLife

YORK collective Navigators Art will conclude the extended run of their mixed-media exhibition at StreetLife’s project hub in Coney Street, York, on Sunday.

The 13 artists taking part in Coney St Jam: An Art Intervention will hold a sale of works on Saturday, when artists will be on site to meet visitors from 11am to 5pm.

Meanwhile, seven Navigators Art artists are exhibiting at Helmsley Arts Centre from this week to March 4 in a follow-up to last spring’s City Screen Picturehouse exhibition, Moving Pictures, and a further exhibition is to be held at City Screen from March 19 to April 22.

Drawing inspiration from the city’s rich heritage and vibrant creative communities, the StreetLife project explores new ways to revitalise and diversify Coney Street, York’s premium shopping street but one blighted with multiple empty premises.

In a creative response to Coney Street’s past, present and future, Navigators Art have made new work designed to enhance and interpret StreetLife’s research for a project involving the University of York, City of York Council, Make It York, My City Centre, York Civic Trust, York Music Venues Network and Thin Ice Press.

On show are paintings, drawings, collages, photography, textiles, projections, music, poetry and 3D work. Entry to the exhibition space is accessible by one set of stairs. 

Taking part are Steve Beadle, figurative painting and drawing; Michael Dawson, mixed-media painting; Alfie Fox, creative photography; Alan Gillott, architectural and scenic photography; Oz Hardwick, creative photography, and Richard Kitchen, collage, abstract drawing, prints and poetry.

So too are Katie Lewis, textiles; Tim Morrison, painting and constructions; Peter Roman, figurative painting; Amy Elena Thompson, prints and tattoos; Dylan Thompson, composer; Simon AG Ellwood, sculptures, and Nick Walters, painting, video and sculpture.

“The arts are essential to public, cultural and personal wellbeing, despite efforts to ignore, undermine, underfund and generally devalue them to a shocking and highly unintelligent extent,” says Navigators Art co-founder Richard Kitchen.

“The arts should be central to every decision-making process in government and to education at every level.

Artwork by Amy Elena Thompson at StreetLife, Coney Street, York

“In the times we’re living through, we need creative solutions on a gigantic scale, and we need the sheer energy of the arts to help us survive and adapt. Those things aren’t going to be provided by bureaucracy or petty squabbling between political parties.

“I’d say give artists the kudos they deserve and let us help to turn things around. Pay us. Give us space to work in: let us use those empty buildings! Art isn’t just about old monuments. There are many living artists in York who could successfully take on social responsibilities because of the nature of what they do. We’re an asset to the city and should be valued and promoted as such.”

Richard continues: “Make Coney Street a flagship enclave for creatives and independent small retailers and an affordable, inspiring resource for the public to enjoy.

“That’s something we provided when we were based at Piccadilly [Piccadilly Pop Up] and we came to realise more and more how much that environment meant to people and benefited them. Offer that on a much wider scale and we’ll see real change for the better in society.”

Mixed-media artist Michael Dawson’s work is an homage to “all the words that poured out of Coney Street”, conjured since his move from Edinburgh to York last January. “I generally make dense, vibrant paintings and images on paper, wood, and canvas with mixed media, mainly acrylic and oil paint sticks,” he says.

“They often combine expressionistic, graphic and romantic elements that may be considered ‘outsider’ in style. Some are simple in layout, and some are busy and complex, but all have an air of the confessional; they are deeply personal.

“However raw the composition, I do always strive to bring poetry and aesthetics to the mix. My connection to the theme of ‘printing’ is ‘words’; words that once sprang from the Yorkshire Herald newspaper and words that continue to help define a new era for the area.” 

Peter Roman likes to “use everything” in his works, not only oils, acrylics, pastels and charcoal, but even a repurposed cupboard door and a chipboard for his painting of Big Issue seller Ana Alisia.

“It features the issue I bought from her that day, using paper from that edition, the one with Alan Ayckbourn on the front,” says Peter.

“Ana is always on the corner of Coney Street and Market Street, and she’s there pretty much every day. I moved out to Elvington three years ago, but when I come into York, she’s still there, and she’s always smiling.

“When I talked to her, she told me she’s originally from Rumania and now lives in Leeds.”

Torrents Willow Herald Speak, by Mike Dawson

Amy Elena Thompson, who studied illustration at York St John University, is presenting prints and tattoo designs rooted in the history of the now-demolished George Inn at Number 19, Coney Street, where Charlotte and Anne Bronte once stayed.

“I was interested in seeing how I could use designs from there in my own practice, given how decorative they were and how similar they were to tattoos, which I’m hoping to get into as a career, starting with an apprenticeship, working with a tattooist as my mentor to pass on the necessary knowledge.”

Amy’s research led her to learning about an artist who provided illustrations for coaching inns, depicting both the buildings and the life on the street.

Favouring 3D designs in her work, Amy uses calligraphy pens. “You have to think about the pressure you apply with them, like you do with a tattoo, but it gives  a natural flow to each work.”

Participating in the Moving Pictures II show at Helmsley Arts Centre are Kai Amafé, prints and 3D work; Steve Beadle, paintings and drawings; Michael Dawson, paintings; Richard Kitchen, prints and collages; Katie Lewis, textiles and paintings; Timothy Morrison, constructions, and Peter Roman, paintings.

“The title Moving Pictures is deliberately open to interpretation by the audience as well as the artists,” says Richard.

“Looking ahead, we hope to be working with York Archaeology in 2023 and are planning a series of themed events in and around the city.”

Coney St Jam: An Art Intervention by Navigators Art, at StreetLife Project Hub, 29-31 Coney Street, York, is open 10am to 5pm, Thursday to Saturday, 11am to 4pm, Sunday. Free entry.

Navigators Art’s Moving Pictures II exhibition runs at Helmsley Arts Centre until March 3; open Tuesdays, Wednesdays and Fridays, 10am to 3pm; Thursdays, 11am to 3pm, as well as during event opening times. Artist Richard Kitchen will be stewarding an 11am to 3pm opening on Sunday, January 15. Admission is free.

Stephen Daldry’s thrilling version of JB Priestley’s An Inspector Calls returns to York roots for Grand Opera House run

A scene from Stephen Daldry’s production from J B Priestley’s An Inspector Calls, heading to the Grand Opera House, York, on tour. Picture: Tristram Kenton

STEPHEN Daldry’s radical take on Yorkshireman J B Priestley’s thriller An Inspector Calls will return next month to York, the city where he first staged his award-garlanded production.

His premiere came at the Theatre Royal in the autumn of 1989, three years before its triumphant London opening at the National Theatre. Nineteen major awards and five million theatregoers worldwide later, Inspector Goole will be arriving unexpectedly at the prosperous Birling family home once more, this time on tour at the Grand Opera House from February 7 to 11.

Written at the end of the Second World War and set before the First, Priestley’s time play opens with the Birlings’ peaceful dinner party being shattered by the inspector’s call and subsequent investigations into the death of a young woman.

Goole’s startling revelations will shake the very foundations of their lives and challenge us all to examine our consciences as Daldry highlights the enduring relevance of Priestley’s dramatisation of the dangers of casual capitalism’s cruelty, complacency and hypocrisy. 

Liam Brennan will reprise his role as Inspector Goole from past tours, joined by Christine Kavanagh as Mrs Birling, Jeffrey Harmer as Mr Birling, Simon Cotton as Gerald Croft, Evlyne Oyedokun as Sheila Birling, George Rowlands as Eric Birling and Frances Campbell as Edna. 

Here, 2022-2023 tour cast member George Rowlands addresses questions not asked by Inspector Goole but by an investigative journalist.

Did you study An Inspector Calls at school?

“I did read it at school, although I can’t really remember much of it. But I did always like it. I always think at school when you sit down and analyse every single word, it can make you go a bit crazy, and I always thought it ruined books and plays.”

Is your appreciation of the play different as an adult?

“Now that I’m an adult, or more importantly now that I’m an actor, I definitely have more of an appreciation for it. This production of An Inspector Calls is now 30 years old and yet still as popular as ever.”

What makes the play so timeless and this production so engaging?

“At the end of the day, at its centre it’s a play about somebody in distress, and that doesn’t get old, does it? I think at different points in time, when we’ve put it on over the last 30 years, it’s been relevant. And this time around I think it’s more relevant than ever because of what’s going on in terms of the strike action and housing crisis.”

A shattering moment in An Inspector Calls

Provide three facts about your character, Eric Birling…

“Eric is well educated because he’s been sent to public school. He enjoys a drink, probably a little bit too much. The third fact is that Eric really wants to be respected by his dad. Unfortunately, the combination of those three facts results in some pretty catastrophic things.”

What made you want to be an actor?

“I think it beat doing any other boring job. I did find out quite early on in Year 6, for the-end-of-school plays we did The Wizard Of Oz, and I completely rewrote the script because I thought it was rubbish and obviously made my parts the best.

“I like storytelling and I like the creative and artistic aspect of it. With this production, it has enabled that part of acting, and it’s been a really good creative process.”

What’s the best part of going on tour with a show?

“Being able to play in these amazing theatres – I’m really excited to do that – and bringing the story to people.”

What are the essentials for your dressing room?

“ I’m sharing a room with Simon [Cotton], who’s playing Gerald. I don’t know… I think a bottle of water goes a long way. A bottle of water and some Vaseline is not a terrible idea – for the lips, obviously. I get chapped lips.”

What’s the most challenging part of being a performer?

“With other jobs, you can put a direct amount of work in, you can work more, you can do this, this and this, and your results will be better because of it. Like, if you’re studying for an exam, the more you revise, the better the result.

“But with acting it doesn’t work like that because being good is so subjective. There’s no grade. I think that’s quite hard. Putting lots of work in and not knowing really how it will go.”

If you could swap roles for a performance, would you?

“If I could pick any character, I’d probably pick Edna. I would love to play that role. If you haven’t seen this production, there’s a special thing that Edna is part of – a little bit of magic. She’s amazing.

“My second choice would be Mrs Birling. I really like Mrs Birling; she’s got such sass and doesn’t have the insecurities that Eric is stuck with.”

The National Theatre and PW Productions present An Inspector Calls at Grand Opera House, York, from February 7 to 11, 7.30pm plus 2.30pm, Wednesday, Thursday and Saturday matinees. Box office: atgtickets.com/York.

George Rowlands’ Eric Birling and Christine Kavanagh’s Mrs Birling in rehearsal in 2022 for An Inspector Calls

Jon Boden & The Remnant Kings to open tour at The Wardrobe in Leeds on Feb 1

Jon Boden: Playing The Wardrobe in Leeds with The Remnant Kings

JON Boden & The Remnant Kings open next month’s five-date tour at The Wardrobe, Leeds, on February 1 at 8pm.

Joining boundary-stretching folk heavyweight Boden will be fellow Bellowhead musician Sam Sweeney, Leveret’s Rob Harbron, Ben Nicholls, from Kings Of The South Seas, and M G Boulter.

Lead singer and main arranger for the reactivated progressive folk juggernaut Bellowhead – who played Harrogate Convention Centre on their Broadside 10th Anniversary Tour on November 25 – Boden founded The Remnant Kings in 2009 to perform his album Songs From The Floodplain.

Those initial performances combined the album’s post-climate change concept with other songs that might survive the apocalypse, taking in folk songs, Bach, pop and jazz, all rubbing shoulders with his own compositions. All this was augmented by the use on stage of two wax cylinder players, playing specially recorded material.

The Remnant Kings went into hibernation for several years while Bellowhead hit top gear but were reunited and relaunched to record Boden’s 2017 album, Afterglow, followed by the more traditional Rose In June in 2020, before contributing to Last Mile Home, the final album of Boden’s post-apocalyptic trilogy, in 2021.

Tickets are on sale at thewardrobe.seetickets.com. Doors open at 7pm.

The artwork for Last Mile Home, the third album in Jon Boden’s post-apocalyptic trilogy