More Things To Do in York and beyond the first Christmas show of the season already. Here’s Hutch’s List No 46, from The Press

Brushing up on her art: Lindsey Tyson, one of the Wednesday Four exhibiting at Pyramid Gallery, York

FROM the Wednesday Four to the sold-out Barbican four, a Sondheim musical to John Godber making history, Charles Hutchinson puts the ‘yes’ into November’s calendar.

Last chance to see: The Wednesday Four, Pyramid Gallery, Stonegate, York, today and Monday, 10am to 5pm

THE Wednesday Four, a group of four artist friends who gather in Scarborough each week – busy schedules permitting – are exhibiting together for the first time in York.

Shirley Vauvelle (ceramic sculpture and paintings), Gillian Martin (paintings and prints), Katie Braida (ceramics) and Lindsey Tyson (paintings) have been meeting for three years but have known each other much longer.

Tarot: Performing sketches in nighties in Shuffle at Theatre@41, Monkgate, York. Picture: PBJ Management

Sketch show of the week: Tarot: Shuffle, Theatre@41, Monkgate, York, tonight, 8pm

“THEY (our parents, partners, children) say ‘sketch is dead’, but if it’s dead then where’s all our money going?” ask Tarot, a sketch troupe featuring members of Gein’s Family Giftshop and Goose, Adam Drake, Ed Easton and Kath Hughes.

What lies in store in Shuffle? “Joyously silly and uproariously live and in-the-room, we would call it ‘improv’ but we’ve got some self-respect: this is sketch in nighties. Come watch a new tour of big, daft and, above all, live comedy being conjured up in front of your very eyes.” Box office: tickets.41monkgate.co.uk.

Rise Up To Empower Women: Fundraiser for York charity IDAS at the Joseph Rowntree Theatre, York

Fundraiser of the week: Rise Up To Empower Women, Joseph Rowntree Theatre, York, tomorrow, 7.30pm

YORK and Leeds  performers come together to “raise the roof to end gender-based violence”, sharing inspiring and moving stories of female survivors of abuse in a night of musical theatre organised by Hannah Winbolt-Lewis. Proceeds will go to IDAS, the Blossom Street, York-based domestic abuse and sexual violence support charity, and to aid the recovery of Leanne Lucas, a survivor of July’s Southport stabbings.

Performing arts student Daisy Winbolt-Robertson

Performing arts students Kate Lohan, Daisy Winbolt-Robertson, Sara Belal, Rose Scott, Chloe Amelie Lightfoot, Erin Childs, Annie Dunbar, Jasmine Lowe, Declan Childs and Oliver Lawery will sing songs from shows that depict survivors’ stories: Heathers, Spring Awakening, Waitress, The Color Purple, SIX The Musical and the newly premiered SuperYou. Donations can be made via idas.co.uk. Box office: O1904 501935, josephrowntreetheatre.co.uk or bit.ly/RiseUpToEmpowerWomen.

Simon Brodkin:  Ripping into celebrity culture, social media, the police, Putin, Prince Andrew and God in Screwed Up

Comedy gig of the week: Simon Brodkin, Screwed Up, Grand Opera House, York, tomorrow, 8pm

SIMON Brodkin, world-famous prankster, Lee Nelson creator and most-watched British stand-up comedian on TikTok, brings his outrageous stand-up show back to York.

In Screwed Up, Brodkin rips into celebrity culture, social media, the police, Putin, Prince Andrew and God. Nothing is off limits, from his own mental health and family to his five arrests and how he once found himself at an underground sex party. Box office: atgtickets.com/york.

Irish Christmas celebrations in song and dance in Fairytale Of New York

What? Christmas in old York already : Fairytale Of New York – The Ultimate Irish-Inspired Christmas Concert, Grand Opera House, York, November 11, 7.30pm

FROM the producers of Seven Drunken Nights – The Story Of The Dubliners comes a rich tapestry of Irish singers, musicians and dancers performing Driving Home For Christmas, Step Into Christmas, Oh Holy Night, Fairytale Of New York and Irish sing-along favourites The Galway Girl, The Irish Rover, Dirty Old Town and The Black Velvet Band. Box office: atgtickets.com/york.

Sarah Millican: “Lots of stuff about dinners and lady gardens” at York Barbican

Recommended but sold out alas: next week’s shows at York Barbican

BBC Gardeners’ World presenter Monty Don kicks off a particularly busy week at York Barbican when he shares his passion for gardens and the  role they play in human  inspiration and wellbeing on Monday night (7.30pm).  Jazz pianist, songwriter and BBC Radio 2 presenter Jamie Cullum will be supported by Northampton pianist  and singer Billy Lockett on Tuesday (doors 7pm).

On Thursday (8pm), in her Late Bloomer show, South Shields comedian Sarah Millican mulls over her transition from being quiet at school with not many friends and an inability to say boo to a goose to being loud with good friends and goose-booing outbursts aplenty, “plus lots of stuff about dinners and lady gardens,” she says. On Friday (doors 7pm), in her Rockin’ On show, queen of rock’n’roll Suzi Quatro rolls out Can The Can, Devil Gate Drive, Stumblin’ In, 48 Crash, The Wild One et al. “It’s my 60th year in the business and it still feels like I’ve just started,” she says.

The York Stage poster for their “new version” of Stephen Sondheim and George Furth’s American musical comedy Company

Musical of the week: York Stage in Company, Theatre@41, Monkgate, York, November 13 to 16, 7.30pm plus 2.30pm Saturday matinee

ON Bobby’s 35th birthday, his friends all have one question on their mind. Why is he not married? Stephen Sondheim and George Furth’s bold , sophisticated and insightful  revolutionary musical comedy follows Bobby as he navigates the world of dating and being the third wheel to all of his now happily (and unhappily) married friends as he explores the pros and cons of settling down and leaving his single life behind.

Nik Briggs directs a York Stage cast featuring Gerard Savva as Bobby, Florence Poskitt, Julia Anne Smith, Alexandra Mather, Joanne Theaker, Dan Crawfurd-Porter and Jack Hooper, among others. Box office: tickets.41monkgate.co.uk.

The Highwayman cast of Dylan Allcock, left, Emilio Encinoso-Gil, Matheea Ellerby and Jo Patmore in John Godber’s new historical play. Picture: Ian Hodgson

New play of the week: John Godber Company in The Highwayman, York Theatre Royal Studio, November 14 to 16, 7.45pm plus 2pm Friday and Saturday, sold out

AFTER more than 70 plays reflecting on modern life, John  Godber goes back in history for the first time in The Highwayman. “It’s 1769 and Yorkshire’s population has exploded, the races at York are packed, the new theatre in Hull is thriving, and the Spa towns are full,” he says.

“Everyone is flocking north. Yorkshire is the place to be; a region drunk on making money, social climbing, gambling and gin, but with wealth in abundance, the temptation is great.” Enter the highwayman, John Swift and his partner, Molly May. Box office for returns only: 01904 623568 or yorktheatreroyal.co.uk.

In focus: Paterson Joseph, Sancho & Me, York Theatre Royal, November 14, 7.30pm, with post-show discussion

Paterson Joseph and Charles Ignatius Sancho: Storyteller and subject in Sancho & Me at York Theatre Royal

CHARLES Ignatius Sancho, born on a slave ship on the Atlantic Ocean in 1729, became a writer, composer, shopkeeper and respected man of letters in 18th century London – the first man of African heritage to vote in Britain.

Actor, author and Chancellor of Oxford Brookes University Paterson Joseph tells his story, accompanied by co-creator and musical director Ben Park, built around Joseph’s book The Secret Diaries of Charles Ignatius Sancho.

Joseph explores ideas of belonging, language, education, slavery, commerce, violence, politics, music, love and where these themes intersect with his own story of growing up Black and British

Joseph says: “Ignatius Sancho (1729-1780) had a most extraordinary life. Born of enslaved African parents, he rose to a position of great influence in British society. A polymath with a talent for music, his vote in 1774 and 1780 made him the first person of African descent to vote in a British Parliamentary election.

“I first came across Charles Ignatius Sancho in 1999. Born and raised in London, by my mid-thirties I had no idea there were thousands of Black Britons in the UK long before the famous ‘Windrush Generation’ who arrived in the 1940s/’50s and ’60s. I cannot overstate the powerful sense of belonging this knowledge brought me.

“My desire is to spread that sense of rootedness through spreading the word far and wide: Britain has always been a multi-ethnic country and Black People have been a major part of that story.”

The show incorporates Sancho’s compositions and original music by composer and musician Ben Park. In the words of Sancho: Friendship is a plant of slow growth, and, like our English oak, spreads, is more majestically beautiful, and increases in shade, strength and riches, as it increases in years.”

Paterson Joseph: the back story

Born: Willesden, London on June 22 1964 to parents from St Lucia. Educated at Cardinal Hinsley RC High School. Worked briefly as catering assistant. Trained at Studio ’68 of Theatre Arts, London (South Kensington Library), from 1983 to 1985, later attending London Academy of Music and Dramatic Art (LAMDA).

Theatre roles: Oswald in King Lear, Dumaine in Love’s Labours Lost and Marquis de Mota in The Last Days Of Don Juan, Royal Shakespeare Company, 1990. Title role in Othello, Royal Exchange, Manchester, 2002. Lead roles in The Royal Hunt Of The Sun and The Emperor Jones, Olivier Theatre, National Theatre, London, 2006. Brutus, in Royal Shakespeare Company’s Julius Caesar, set in Africa, 2012. Ebenezer Scrooge in A Christmas Carol, Old Vic Theatre, London, 2019 into 2020.

Undertook documentary project My Shakespeare, filmed for Channel 4 in 2004, directing version of Romeo & Juliet that used 20 young non-actors from deprived Harlesden area of London.  

On television: Mark Grace in Casualty (1997–1998); Alan Johnson in Channel 4 sitcom Peep Show (2003–2015); Lyndon Jones in Green Wing (2004–2006); Greg Preston in Survivors (2008–2010); DI Wes Layton in Law And Order: UK (2013–2014); “Holy Wayne” Gilchrest in The Leftovers (2014–2015); DCI Mark Maxwell in Safe House (2015–2017); Connor Mason in Timeless (2016–2018); Home Secretary, then Prime Minister Kamal Hadley in Noughts + Crosses (2020-2022); Samuel Wells in Boat Story (2023).

Films include: Benbay in In The Name Of The Father (1993); Keaty in The Beach (2000); Greenfingers (2001), Giroux in Æon Flux (2005), The Other Man (2009) and Arthur Slugworth in Wonka (2023).

His debut play as a writer, Sancho: An Act Of Remembrance, was first co-produced and performed at Oxford Playhouse in 2011, then twice toured United States of America, including Kennedy Center in Washington and Brooklyn Academy of Music, New York. Performed by Joseph in London in 2018 at Wilton’s Music Hall; published by Bloomsbury.

Debut novel The Secret Diaries Of Charles Ignatius Sancho was published in 2022 by Dialogue Books in UK and Henry Holt in USA, charting Sancho’s life through fictionalised diary entries, letters and commentary. Nominated for six literary awards, winning Royal Society of Literature’s Christopher Bland Prize and Historical Writers Association Debut Novel Prize in 2023.

First book, Julius Caesar And Me: Exploring Shakespeare’s African Play, published by Bloomsbury.

Appointed Chancellor of Oxford Brookes University in 2022.

Paterson Joseph, Me & Sancho, York Theatre Royal, November 14, 7.30pm. Box office: 01904 623568 or yorktheatreroyal.co.uk.

What’s On in Ryedale, York and beyond in the season of ghosts in gardens. Here’s Hutch’s List No. 41, from Gazette & Herald

Livy Potter as Katy, left, and Alice Rose Palmer, as mum Natalie, in Louise Beech’s How To Be Brave at Gilling East Village Hall and Helmsley Arts Centre

FROM a devilish yet dotty canine musical to comedians having their moment, a film festival to glowing ghosts, Charles Hutchinson spots plenty to light up dark days ahead.

Touring play of the week: Other Lives Productions in How To Be Brave, Gilling East Village Hall, tomorrow, 7.30pm, and Helmsley Arts Centre, Friday, 7.30pm

IN 1943, Merchant Seaman Colin Armitage’s cargo ship was torpedoed by an Italian Navy submarine in the South Atlantic. He scrambled aboard a life raft. Fifty days later, HMS Rapid rescued him.

Colin was the grandfather of How To Be Brave playwright Louise Beech. Sixty-four years after his ordeal, Louise’s daughter, Katy, was diagnosed with Type 1 diabetes. In order to distract her during insulin injections Louise began to tell the story of Colin’s bravery and determination to survive. 

Scenes in this resulting play alternate between the life raft and a house in Hull as York actors Jacob Ward and Livy Potter take the lead roles in Kate Veysey’s production. Box office: Gilling East, gillinjgeastevents@hotmail.co.uk; Helmsley, 01439 771700.

Man of The Moment: Ali Woods, playing York Barbican on his debut stand-up tour

Comedy men of The Moment:  Mo Gilligan, In The Moment, York Barbican, tomorrow,8pm; Ali Woods, At The Moment, York Barbican, Friday, 8pm

THE moment has arrived for two comedy tour dates with similar show titles, first up the host of Channel 4’s The Lateish Show With Mo Gilligan, Londoner Mo Gilligan, on his In The Moment World Tour 2024.

The following night, half-English, half-Scottish comedian, podcaster and content creator Ali Woods plays York on his debut stand-up tour. At 30, this viral online sketch sensation has finally fallen in love with an amazing lady. “Come on an embarrassing and cathartic journey of teenage angst, relationship fails and learning how to live in the moment,” he says. Tickets update: available for both shows, whereas An Audience With Monty Don (November 11), Jamie Cullum (November 12), Sarah Millican: Late Bloomer (November 14) and Suzi Quatro ( November 15) have sold out already. Box office: yortkbarbican.co.uk.

Artist CJP with his work The Majestic Oak at Art Of Protest Gallery, York

Exhibition of the week: From Little Acorns Grow Mighty Hopes: An Exhibition of Hand-drawn Natural Wonders, Art of Protest Gallery, Walmgate, York, until November 16

ART Of Protest is the first gallery to show CJP’s work The Majesty Oak in an exhibition of original and rare limited-edition artwork. Look out for the Art Of Protest York Special Edition, only available to be ordered until November 16, featuring the River Ouse-dwelling Tansy Beetle, an elusive insect featured on a resplendent mural near York railway station.

“This is an amazing opportunity to own a truly unique celebration of British fauna with a very special York twist,” says gallery owner Craig Humble. “CJP will add a Tansy Beetle to each piece, along with the gold leafing of the branches.”

Very definitely Pride Of Prejudice * (*Sort Of), sending up Jane Austen affectionately in Isobel McArthur’s play at York Theatre Royal

Theatrical flourish of the week: Pride And Prejudice* (*Sort Of), York Theatre Royal, until Saturday, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees

MEN, money and microphones will be fought over in Pride And Prejudice* (*Sort Of), the audacious retelling of a certain Jane Austen novel, where the stakes couldn’t be higher when it comes to romance but it’s party time, so expect the all-female cast to deliver such emotionally turbulent pop gems as You’re So Vain and Young Hearts Run Free.

Writer Isobel McArthur directs this new production of her West End hit, Olivier Award winner for best comedy. Box office: 01904 623568 or yorktheatreroyal.co.uk.

In the driving seat: Kym Marsh’s Cruella De Vil in 101 Dalmatians The Musical. Picture: Johan Persson

Dog show of the week: 101 Dalmatians The Musical, Grand Opera House, York, until Saturday, 7pm plus 2pm today, Thursday and Saturday matinees

KYM Marsh’s Cruella De Vil leads the cast for this musical tour of Dodie Smith’s canine caper 101 Dalmatians. Written by Douglas Hodge (music and lyrics) and Johnny McKnight (book), from a stage adaptation by Zinnie Harris, the show is re-imagined from the 2022 production at Regent’s Park Open Air Theatre, London. 

When fashionista Cruella De Vil plots to swipe all the Dalmatian puppies in town to create her fabulous new fur coat, trouble lies ahead for Pongo and Perdi and their litter of tail-wagging young pups in a story brought to stage life with puppetry, choreography, humorous songs and, yes, puppies. Box office: atgtickets.com/york. 

3 Missing 10 Hours, directed by Fanni Fazakas, showing in the Animation programme at Aesthetica Short Film Festival 2024

York festival of the week: Aesthetica Short Film Festival, York city centre, today to Sunday, and UNESCO City of Media Arts EXPO, Guildhall, York, Thursday to Saturday

THE BAFTA-Qualifying Aesthetica Short Film Festival returns for its 14th year under the direction of Cherie Federico, this time integrating the tenth anniversary of York’s designation as Great Britain’s only UNESCO City of Media Arts. Fifteen venues will play host to 300 film screenings in 12 genres, Virtual Realty and Gaming labs, plus 60 panels, workshops and discussions. For the full programme and tickets, head to asff.co.uk.

The UNESCO EXPO will showcase the region’s creative sector, working in film production, games development, VFX (visual effects), publishing and design, with the chance to try out new projects and speak to creatives. Entry to the Guildhall is free.

Ghosts After Dark: New nocturnal complement to the Ghosts In The Gardens installation in York Museum Gardens

Nocturnal event of the week: Ghosts After Dark, York Museums Gardens, tomorrow to Sunday, 6.30pm to 9.30pm; last entry, 8.30pm

YORK Museums Trust and the York BID present the inaugural Ghosts After Dark, showcasing York’s rich tapestry of historical figures with light, sound and storytellers for four nights only.

Ticketholders will have the exclusive chance to experience York Museum Gardens like never before, by choosing their own path to explore 46 ghostly sculptures, hidden around the gardens and lit dynamically against an atmospheric background of smoke and sound. Box office: yorkshiremuseum.org.uk/ghosts-after-dark/.

Fishermen’s Friends: Playing York Barbican this week, then returning next October

Gig announcements of the week: Fisherman’s Friends, York Barbican, October 3 2025

IN celebration of performing sea shanties for more than 30 years across the world, Fisherman’s Friends will head out from the Cornish fishing village of Port Isaac to play a British tour split between 2025 and 2026.

York will come early, booked for night number two next October on a 32-date itinerary announced even before they have played their sold-out Barbican gig on Friday this week on their Rock The Boat tour, promoting fifth album All Aboard. Box office: yorkbarbican.co.uk.

More Things To Do in York & beyond when ghosts light up gardens & dogs can be spotted. Hutch’s List No. 46, from The Press

Skylights: York band headline York Barbican for the first time tonight

FROM  Skylights to Ghosts After Dark, a fiesta of film to a musical dog show, Charles Hutchinson spots plenty to light up these November nights.

York gig of the week: Skylights, York Barbican, tonight, doors 7pm

ANTHEMIC York indie band Skylights play their biggest home-city gig to date this weekend with support from Serotones and Pennine Suite.

Guitarist Turnbull Smith says: ‘We’re absolutely over the moon to be headlining the Barbican. It’s always been a dream of ours to play here. So to headline will be the perfect way to finish a great year. Thanks to everyone for the support. It means the world and we’ll see you all there.” Box office update: Standing tickets still available at ticketmaster.co.uk.

Rob Rouse: Headlining Laugh Out Loud Comedy Club at The Basement, City Screen Picturehouse, tonight

Comedy gig of the week: Laugh Out Loud Comedy Club, Rob Rouse, Peter Brush, Faizan Shan and Damion Larkin, The Basement, City Screen Picturehouse, York, tonight, 8pm

PEAK District comedian, television regular, Upstart Crow actor and self-help podcaster Rob Rouse, who trained as a geography teacher at the University of Sheffield, makes a rare York appearance with his hyperactive, loveable brand  of comedy.

Harrogate Comedian of the Year 2012 Peter Brush combines a slight, bespectacled frame and scruffy hair with quirky one-liners and original material, delivered in an amusingly awkward fashion. Manchester comic Faizan Shah’s material makes light of growing up in an immigrant household with the mental health challenges it brings. Organiser Damion Larkin hosts as ever. Box office: 01904 612940 or lolcomedyclubs.co.uk.

Artist CJP with his work The Majestic Oak at Art Of Protest Gallery, York

Exhibition of the week: From Little Acorns Grow Mighty Hopes: An Exhibition of Hand-drawn Natural Wonders, Art of Protest Gallery, Walmgate, York, until November 16

ART Of Protest is the first gallery to show CJP’s work The Majestic Oak in an exhibition of original and rare limited-edition artwork. Look out for the Art Of Protest York Special Edition, only available to be ordered until November 16, featuring the River Ouse-dwelling Tansy Beetle, an elusive insect featured on a resplendent mural near York railway station.

“This is an amazing opportunity to own a truly unique celebration of British fauna with a very special York twist,” says gallery owner Craig Humble. “CJP will add a Tansy Beetle to each piece, along with the gold leafing of the branches.”

Pride And Prejudice * (*Sort Of): Making merry mayhem with Jane Austen’s novel at York Theatre Royal. Picture: Mihaela Bodlovic

Theatrical high spirits of the week: Pride And Prejudice* (*Sort Of), York Theatre Royal, November 4 to 9, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees

MEN, money and microphones will be fought over in Pride And Prejudice* (*Sort Of), the audacious retelling of a certain Jane Austen novel, where the stakes couldn’t be higher when it comes to romance but it’s party time, so expect the all-female cast to deliver such emotionally turbulent pop gems as Young Hearts Run Free, Will You Love Me Tomorrow and You’re So Vain.

Writer Isobel McArthur directs this new production of her West End hit, Olivier Award winner for best comedy and Emerging Talent Award winner in the Evening Standard Theatre Awards, now featuring University of York alumna Georgia Firth in the cast. Box office: 01904 623568 or yorktheatreroyal.co.uk.

On the spot: 101 Dalmatians The Musical takes up canine residence at the Grand Opera House from Tuesday. Picture: Johan Persson

Dog show of the week: 101 Dalmatians The Musical, Grand Opera House, York, November 5 to 9, 7pm plus 2pm Wednesday, Thursday and Saturday matinees

KYM Marsh’s Cruella De Vil leads the cast for this musical tour of Dodie Smith’s canine caper 101 Dalmatians. Written by Douglas Hodge (music and lyrics) and Johnny McKnight (book), from a stage adaptation by Zinnie Harris, the show is re-imagined from the 2022 production at Regent’s Park Open Air Theatre, London. 

When fashionista Cruella De Vil plots to swipe all the Dalmatian puppies in town to create her fabulous new fur coat, trouble lies ahead for Pongo and Perdi and their litter of tail-wagging young pups in a story brought to stage life with puppetry, choreography, humorous songs and, yes, puppies. Box office: atgtickets.com/york. 

3 Missing 10 Hours, directed by Fanni Fazakas, showing in the Animation programme at Aesthetica Short Film Festival 2024

York festival of the week: Aesthetica Short Film Festival, York city centre, November 6 to 10, and UNESCO City of Media Arts EXPO, Guildhall, York, November 7 to 9

THE BAFTA-Qualifying Aesthetica Short Film Festival returns for its 14th year under the direction of Cherie Federico, this time integrating the tenth anniversary of York’s designation as Great Britain’s only UNESCO City of Media Arts. Fifteen venues will play host to 300 film screenings in 12 genres, Virtual Realty and Gaming labs, plus 60 panels, workshops and discussions. For the full programme and tickets, head to asff.co.uk.

The UNESCO EXPO will showcase the region’s creative sector, working in film production, games development, VFX (visual effects), publishing and design, with the chance to try out new projects and speak to creatives. Entry to the Guildhall is free.

Ghosts After Dark: New nocturnal complement to the Ghosts In The Gardens installation in York Museum Gardens

Nocturnal event of the week: Ghosts After Dark, York Museums Gardens, November 7 to 10, 6.30pm to 9.30pm; last entry, 8.30pm

YORK Museums Trust and the York BID present the inaugural Ghosts After Dark, showcasing York’s rich tapestry of historical figures with light, sound and storytellers for four nights only.

Ticketholders will have the  exclusive chance to experience York Museum Gardens like never before, by choosing their own path to explore 46 ghostly sculptures, hidden around the gardens and lit dynamically against an atmospheric background of smoke and sound. Box office: yorkshiremuseum.org.uk/ghosts-after-dark/.

Rag’n’Bone Man: Returning to Scarborough Open Air Theatre next summer

Gig announcements of the week: TK Maxx presents Scarborough Open Air Theatre, UB40 featuring Ali Campbell, July 6, and Rag’n’Bone Man, July 11 2025

“I THINK I’ve got the best reggae band in the world,” says UB40 legend Ali Campbell, who last played Scarborough OAT in 2021. “They are all seasoned musicians, who have spent all their lives in professional bands, and I feel so confident with them.” Support acts will be Bitty McLean and Pato Banton.

Triple BRIT Award and Ivor Novello Award winner Rag’n’Bone Man, alias Rory Graham,  will follow up his 2023 Scarborough OAT show with a return next summer in the wake of his third album, What Do You Believe In? entering the charts at number three last Friday. His special guest will be Elles Bailey. Box office: ticketmaster.co.uk.

Show announcement of the year: Gary Oldman in Krapp’s Last Tape, York Theatre Royal, April 14 to May 17 2025

Gary Oldman reflecting on his first steps in professional theatre in the York Theatre Royal dressing rooms on his March visit

OSCAR winner Gary Oldman will return to York Theatre Royal, where he began his career as a pantomime cat, to direct himself in Krapp’s Last Tape next spring: his first stage appearance since the late-1980s.

The April 14 to May 17 2025 production of Samuel Beckett’s one-act monodrama was set in motion when Slow Horses star Oldman paid a visit to the St Leonard’s Palace theatre in March, when he met chief executive Paul Crewes.

“When Gary visited us at the beginning of the year, it was fascinating hearing him recount stories of his time as a young man, in his first professional role on the York Theatre Royal stage.,” says Paul.

“In that context when we started to explore ideas, we realised Krapp’s Last Tape was the perfect project. I am very happy that audiences will have this unique opportunity to see Gary Oldman return to our stage in this brand new production.”

Making plans: Actor and director Gary Oldman in discussion with York Theatre Royal chief executive Paul Crewes in the York Theatre Royal main house auditorium

Ticket prices start at £25, with priority booking for the York Theatre Royal Director’s Circle opening on November 6, YTR Members’ priority booking from November 11 and public booking on November 16, all from 1pm. To become a member and access priority booking, head to: https://www.yorktheatreroyal.co.uk/support-us/.

After graduating from Rose Bruford College of Speech and Drama, Londoner Oldman started out in the repertory ranks at York Theatre Royal in 1979 in such plays as Privates On Parade and She Stoops To Conquer and playing the Cat in Berwick Kaler’s third York pantomime, Dick Whittington, that Christmas.

Dame Berwick later told the Guardian in an interview in 2018: “Gary has gone on to become one of our greatest screen actors but I’m afraid he was a bit of a lightweight when it came to pantomime.

“He kept fainting inside the costume. On at least three occasions I had to turn to the audience and say, ‘Oh dear, boys and girls, I think the poor pussy cat has gone to sleep’!”

Gary Oldman as the Cat with dame Berwick Kaler, centre, in the 1979-1980 York Theatre Royal pantomime Dick Whittington. Picture: York Theatre Royal

Oldman, now 66, posted on Instagram: “My professional public acting debut was on stage at the York Theatre Royal. York, for me, is the completion of a cycle. It is the ‘where it all began’. York, in a very real sense, for me, is coming home.

“The combination of York and Krapp’s Last Tape is all the more poignant because it is ‘a play about a man returning to his past of 30 years earlier’.”

After cutting his teeth in York, New Cross-born Oldman went on to act at the Glasgow Citizens Theatre, the Royal Court, London, and the Royal Shakespeare Company. He then swapped theatre for film with break-our roles as Sid Vicious in Sid And Nancy (1986), Lee Harvey Oswald in JFK (1992) and Dracula in Bram Stoker’s Dracula (1992).

He later played Sirius Black in the Harry Potter film franchise and Commissioner Jim Gordon in Batman Begins, The Dark Knight and The Dark Knight Rises, won the 2018 Oscar, BAFTA and Golden Globe awards for Best Actor for his portrayal of Winston Churchill in Darkest Hour, and is now starring as obnoxious MI5 boss Jackson Lamb in the latest Apple+ series of British spy thriller Slow Horses.

Gary Oldman (third from the left in hat and glasses) in Privates On Parade at York Theatre Royal in 1979: one of his first professional performances after graduating from Rose Bruford College of Speech and Drama, in Sidcup, Kent, with a BA in Acting. Picture: York Theatre Royal

Oldman has been considering going back to the stage for a long time. “I have never been far from the theatre and, in fact, have been discussing plays and my return to the theatre for nearly 30 years,” he posted.

What happens in Krapp’s Last Tape, Samuel Beckett at his most theatre of the absurd? Each year, on his birthday, Krapp records a new tape reflecting on the year gone by.

On his 69th birthday, Krapp, now a lonely man, is ready with a bottle of wine, a banana and his tape recorder. Listening back to a recording he made as a young man, Krapp must face the hopes of his past self. 

The melancholic, tragicomic role was premiered in 1958 by Patrick Magee and has been played by the likes of Albert Finney, Harold Pinter, John Hurt, Stephen Rea and Kenneth Allan Taylor, the long-running Nottingham Playhouse pantomime dame, writer and director, at York Theatre Royal in 2009.

Gary Oldman’s Cat in the 1979-1980 York Theatre Royal pantomime Dick Whittington. Picture: York Theatre Royal

Samuel Beckett (1906 – 1989): the back story

IRISH writer, dramatist and poet, specialising in theatre of the absurd. Wrote in English and French. Principal works for the stage included Endgame, Krapp’s Last Tape and Waiting For Godot. Awarded Nobel Prize for Literature in 1969.

Gary Oldman: Further screen appearances

TINKER, Tailor, Soldier, Spy (Academy Award and BAFTA nominations); Mank (Academy Award and Golden Globe Award nominations); Oppenheimer; The Book Of Eli; Meantime; The Firm;  Prick Up Your Ears; Rosencrantz And Guildenstern Are Dead; State Of Grace;  Romeo Is Bleeding; True Romance; Leon/The Professional; The Fifth Element; Immortal Beloved and Dawn Of The Planet Of The Apes, among many others.

Worked with directors Stephen Frears, Oliver Stone, Frances Ford Coppola, Luc Besson, Alfonso Curon, Chris Nolan, Tony Scott, Ridley Scott, Steven Soderbergh, David Fincher and Paulo Sorrentino.

Did you know?

IN 1995 Gary Oldman and producing partner Douglas Urbanski founded a production company, producing Oldman’s screenwriting and directorial debut, Nil By Mouth, winner of nine majot awards from 17 nominations.

Selected to open the main competition for the 1997 50th Anniversary of the Cannes Film Festival, where Kathy Burke won Best Actress. The same year, Oldman won Channel Four Director’s Prize at Edinburgh International Film Festival, British Academy Award (shared with Douglas Urbanski) for Best Film and BAFTA for Best Original Screenplay.

In Focus: Other Lives Productions in How To Be Brave, Theatre@41, Monkgate, York, Sunday, 7.30pm, and on tour

Livy Potter as Katy, left, and Alice Rose Palmer as mum Natalie in Louise Beech’s How To Be Brave

ON March 19 1943, just after midnight, Merchant Seaman Colin Armitage’s cargo ship, the Lulworth Hill,  was torpedoed by an Italian Navy submarine in the South Atlantic. He scrambled aboard a life raft. Fifty days later HMS Rapid rescued him.

Colin was the grandfather of How To Be Brave playwright Louise Beech. Sixty-four years after his ordeal, Louise’s daughter, Katy, was diagnosed with Type 1 diabetes. In order to distract her during insulin injections Louise began to tell the story of Colin’s bravery and determination to survive. 

The story inspiring ten-year-old Katy to be brave in the face of her diabetes is a true one. She has said that Grandad Colin’s experience made her determined to carry on when she wanted to give up and die: “If Grandad Colin can survive an ordeal like that, I can do anything. I can do these injections,” she said. And she has never faltered.

Director Kate Veysey with Rose’s seagull Gilbert

“We hope that by presenting this story we can inspired audiences in the East Riding and beyond,” says director Kate Veysey, a familiar name from both York Theatre Royal Youth Theatre and Next Door But One productions.

Scenes alternate between the life raft and Katy’s house in Hull as York actors Jacob Ward and Livy Potter take the roles of Colin Armitage and Rose (Katy, given a pseudonym), joined by Lex Stephenson as carpenter Ken Cooke, on the raft, Alice Rose Palmer as Natalie (alias mum Louise) and Alison Shaw as nurse Shelley. Age guidance: ten upwards (the show contains moderate bad language). Box office: tickets.41monkgate.co.uk.

Lex Stephenson, as Ken Cooke, left, and Jacob Ward, as Colin Armitage, in Other Lives Productions’ How To Be Brave

What’s On in Ryedale, York & beyond, from fantastical tiger’s tale to ghostly goings-on. Hutch’s List No. 40, from Gazette & Herald

Balancing act: M6 Theatre Company in Mike Kenny’s A Tiger’s Tale at Helmsley Arts Centre

A TIGER adventure and a boy with a stammer, two ghost stories and a pioneering DJ are in the spotlight in Charles Hutchinson’s entertainment tips for the week ahead.

Ryedale children’s show of the week: M6 Theatre Company, A Tiger’s Tale, Helmsley Arts Centre, today, 2.30pm

ROCHDALE company M6 Theatre presents York playwright Mike Kenny’s fantastical, riotous adventure A Tiger’s Tale, the extraordinary story of Fenella, the Holmfirth Tiger, in a high-spirited balancing act of circus, puppetry, live music and song.

From a circus train in South Africa, to a steamboat on the Atlantic Ocean and onward to West Yorkshire, the ramshackle travelling troupe of Titch, Ma and Pa relates the unbelievable true story of a family of acrobats and their adopted tiger cub. Suitable for ages four to 11. Box office: 01439 771700 or helmsleyarts.co.uk.

Hilson Agbangbe’s Sonny in Bristol Old Vic’s Wonder Boy, on tour at York Theatre Royal. Picture: Steve Tanner

Play of the week: Wonder Boy, York Theatre Royal, until Saturday; evenings, 7.30pm, tonight and Friday; matinees, 2pm, Wednesday, Thursday; 2.30pm, Saturday

OLIVIER Award winner Sally Cookson directs Bristol Old Vic’s touring production of Wonder Boy, Ross Willis’s exploration of the power of communication, told through the experiences of 12-year-old Sonny and his imaginary friend Captain Chatter.

Playful humour, dazzling visuals and thrilling original music combine in this innovative show that uses live creative captioning on stage throughout as Sonny, who lives with a stammer, must find a way to be heard in a world where language is power. When cast in a school production of Hamlet by the head teacher, he discovers the real heroes are closer than he thinks. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Victoria Delaney as Mrs Morland and Tony Froud as Mr Morland in York Actors Collective’s production of J M Barrie’s Mary Rose at York Theatre Royal Studio. Picture: Clive Millard

Theatre Royal debut of the week: York Actors Collective in Mary Rose, York Theatre Royal Studio, tonight to Saturday, 7.45pm plus 2.30pm Thursday and 2pm Saturday matinees

YORK Actors Collective make their York Theatre Royal debut with a revival of Peter Pan and Quality Street playwright J M Barrie’s Mary Rose, adapted and directed by Angie Millard.

“Barrie uses dimensions of time to great effect,” she says. “His treatment of love, loss and unwavering hope draws in an audience and gives it universality. I’ve adapted the script to appeal to modern thinking but his themes are intact. The strange and ghostly atmosphere fits beautifully into our autumn slot, which includes Halloween and is a time for considering other worldliness.” Box office: 01904 623568 or yorktheatreroyal.co.uk.

Helmsley company Clap Trap Theatre in the ghost story The Room Upstairs at Helmsley Arts Centre

Haunted drama for Halloween week: Clap Trap Theatre in The Room Upstairs, Helmsley Arts Centre, Friday, 7.30pm

WHEN a young woman answers an advertisement for a trusted house-sitter, she arrives at a beautiful house in the middle of nowhere. It should be the perfect job but with one proviso. Please do not go into the room upstairs.

A mysterious cloaked figure narrates and commentates as two young people strive to unravel the long-held mystery of a haunted house in this new 55-minute black comedy by BAFTA-nominated television writer Tom Needham, performed by Cal Stockbridge, Florrie Stockbridge and Helmsley Arts Centre artistic director and Youth Theatre director Natasha Jones. Box office: 01439 771700 or helmsleyarts.co.uk.

Skylights: York band headline York Barbican for the first time this weekend

York gig of the week: Skylights, York Barbican, Saturday, doors 7pm

ANTHEMIC York indie band Skylights play their biggest home-city gig to date this weekend with support from Serotones and Pennine Suite.

Guitarist Turnbull Smith says: ‘We’re absolutely over the moon to be headlining the Barbican. It’s always been a dream of ours to play here. So to headline will be the perfect way to finish a great year. Thanks to everyone for the support. It means the world and we’ll see you all there.” Box office: ticketmaster.co.uk.

Rob Rouse: Headlining Laugh Out Loud Comedy Club at The Basement. Picture: Andy Hollingworth

Comedy gig of the week: Laugh Out Loud Comedy Club, Rob Rouse, Peter Brush, Faizan Shan and Damion Larkin, The Basement, City Screen Picturehouse, York, Saturday, 8pm

PEAK District comedian, television regular, Upstart Crow actor and self-help podcaster Rob Rouse, who trained as a geography teacher at the University of Sheffield, makes a rare York appearance with his hyperactive, loveable brand  of comedy.

Harrogate Comedian of the Year 2012 Peter Brush combines a slight, bespectacled frame and scruffy hair with quirky one-liners and original material, delivered in an amusingly awkward fashion. Manchester comic Faizan Shah’s material makes light of growing up in an immigrant household with the mental health challenges it brings. Organiser Damion Larkin hosts as ever. Box office: 01904 612940 or lolcomedyclubs.co.uk.

Andy Kershaw: “Two-hour explosion of irresistible tropical dance music” at Milton Rooms, Malton

Declaring war on musical mediocrity: Andy Kershaw’s African, Caribbean & Latin Dance Night, Milton Rooms, Malton, November 8, 8pm

ANDY Kershaw, DJ pioneer, evangelist and Old Grey Whistle Test presenter, has brought global music to British audiences over more than three decades of programmes on BBC Radio 1 and Radio 3. His obsession with finding new music has resulted in a 7.5 ton record collection garnered from visits to 97 countries in pursuit of new and exciting sounds.

His one-man war on musical mediocrity promises a two-hour explosion of irresistible tropical dance music. Folk-infused York buskers and party, pub and festival covers’ band Hyde Family Jam support. Box office: 01653 692240 or themiltonrooms.com.

Rag’n’Bone Man: Returning to Scarborough Open Air Theatre next summer

Gig announcements of the week: TK Maxx presents Scarborough Open Air Theatre, UB40 featuring Ali Campbell, July 6, and Rag’n’Bone Man, July 11 2025

“I THINK I’ve got the best reggae band in the world,” says UB40 legend Ali Campbell, who last played Scarborough OAT in 2021. “They are all seasoned musicians, who have spent all their lives in professional bands, and I feel so confident with them.” Support acts will be Bitty McLean and Pato Banton.

Triple BRIT Award and Ivor Novello Award winner Rag’n’Bone Man, alias Rory Graham,  will follow up his 2023 Scarborough OAT show with a return next summer in the wake of his third album, What Do You Believe In? entering the charts at number three last Friday. His special guest will be Elles Bailey. Tickets for both shows go on sale at 9am on Friday at ticketmaster.co.uk.

More Things To Do in York and beyond when a rebellious sea dog makes the news. Hutch’s List No. 44, from The Press

The Whitby Rebels cast on a boat trip in Scarborough’s South Bay: from left, Keith Bartlett, Duncan MacInnes, Jacky Naylor, Jacqueline King, Louise Mai Newberry and Kieran Foster. Picture: Tony Bartholomew

FROM a motley crew all at sea to Eighties’ pop and rock stars, a beehive buzz of a campaigning American teen to a boy with a stammer, Charles Hutchinson’s week promises both adventure and misadventure.

World premiere of the week: The Whitby Rebels, Stephen Joseph Theatre, Scarborough, until November 2, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees

IN Whitby Harbour, in the summer of 1991, something extraordinary happened. A humble pleasure boat set sail for the Arctic crewed by misfits, pensioners and the vicar for Egton and Grosmont, North Yorkshire.

This motley crew was assembled by Captain Jack Lammiman to complete a daring mission: to erect a plaque honouring Whitby whaling Captain William Scoresby senior on a volcanic island hundreds of miles north of Iceland. Bea Roberts’s new play tells their true story, boat on stage et al. Box office: 01723 370541 or at sjt.uk.com.

Ayana Beatrice Poblete and Reggie Challenger in Black Sheep Theatre Productions’ Songs For A New World

Song cycle of the week: Black Sheep Theatre Productions presents: Songs For A New World, National Centre for Early Music, Walmgate, York, today, 2.30pm and 7.30pm  

ON the heels of last week’s The Last Five Years, Black Sheep Theatre perform another Jason Robert Brown work, 1995’s Songs For A New World.

Defying conventional musical theatre formats, Brown and original director Daisy Prince say the non-linear show is “neither musical play nor revue”, but exists as a “very theatrical song cycle” that explores such universal themes as hope, faith, love and loss in its emotionally charged songs. Box office: ticketsource.co.uk/blacksheeptheatreproductions/.

While & Matthews: Playing Hunmanby on closing night of 30th anniversary tour

Folk gig of the week: While & Matthews, Hunmanby Village Hall, near Filey, Sunday, 7.30pm

THE 30th anniversary tour of the longest-lasting female folk duo, singer-songwriters Chris While and Julie Matthews, concludes this weekend at Hunmanby Village Hall, where they sold out two years ago. Together they have played more than 2,500 gigs, appeared on 100 albums, written hundreds of original songs and reached millions of people around the world.

Chris (vocals, guitar, banjo, dulcimer and percussion) and Julie (vocals, piano, guitar, mandolin and bouzouki) released their 13th studio album, Days Like These, on Fat Cat Records last month. Box office: ticketsource.co.uk.

Arthur Smith: Grumpy old man of comedy at Helmsley Arts Centre

Comedy turn of the week: An Audience With Arthur Smith, Helmsley Arts Centre, Sunday, 7.30pm

COMPERE, playwright, panellist, performer and Edinburgh Fringe stalwart Arthur Smith worked previously as a road sweeper, dustman, market researcher and teacher. He even advertised chicken burgers in supermarkets dressed as a fox.

A career in stand-up comedy was the only one that could follow a build-up like that, he decided, since when he has appeared on quiz shows and Loose Ends, been a regular Grumpy Old Man and Countdown wordsmith and presented BBC Radio 4’s Excess Baggage and Radio 2’s The Smith Lectures. Box office: 01439 771700 or helmsleyarts.co.uk.

Chrissie Hynde: Fronting The Pretenders at a sold-out York Barbican on Thursday

What an Eighties’ week at York Barbican: The Cult, Tuesday, sold out; Adam Ant, AntMusic 2024, Wednesday, limited ticket availability; The Pretenders, Thursday, sold out

THE Cult’s 8424: 40th Anniversary Tour brings Ian Astbury and Billy Duffy’s band to York with their pioneering fusion of post-punk, hard rock, and experimentalism. Pop icon Adam Ant performs his chart-topping hits and personal favourites in his AntMusic 2024 show on his return to the Barbican.

Chrissie Hynde leads The Pretenders in York, one of three additions to their extended 2024 tour,  combining new tracks with classics such as Brass In Pocket and Back On The Chain Gang. Last year they released their 12th studio album, Relentless. Box office: yorkbarbican.co.uk.

Katie Brice’s Tracy Turnblad and Neil Hurst’s Edna Turnblad in Hairspray The Musical, on tour at the Grand Opera House, York

Musical of the week: Hairspray, Grand Opera House, York, October 28 to November 2, 7.30pm plus 2.30pm Wednesday and Saturday matinees

BASED on cult filmmaker John Waters’ 1988 American movie, Hairspray The Musical follows the progress of  heroine Tracy Turnblad, with her  big hair, big heart and big dreams to dance her way on to national television and into the heart of teen idol Link Larkin.

When Tracy (Katie Brice/Scarborough actress Alexandra Emerson-Kirby in her professional debut) becomes a local star, she uses her newfound fame to fight for liberation, tolerance, and interracial unity in Baltimore. Look out for Yorkshireman Neil Hurst as Tracy’s mum, Edna, and Strictly Come Dancing’s Joanne Clifton as villainous Velma Von Tussle. Box office: atgtickets.com/York.

Ciaran O’Breen as Captain Chatter and Hilson Agbangbe as Sonny in Wonder Boy, on tour at York Theatre Royal

Children’s story of the week: Wonder Boy, York Theatre Royal, October 29 to November 2; evenings, 7.30pm, Tuesday, Wednesday, Friday; matinees, 2pm, Wednesday, Thursday; 2.30pm, next Saturday

OLIVIER Award winner Sally Cookson directs Bristol Old Vic’s touring production of Wonder Boy, Ross Willis’s exploration of the power of communication, told through the experiences of 12-year-old Sonny and his imaginary friend Captain Chatter.

Playful humour, dazzling visuals and thrilling original music combine in this innovative show that uses live creative captioning on stage throughout as Sonny, who lives with a stammer, must find a way to be heard in a world where language is power. When cast in a school production of Hamlet by the head teacher, he discovers the real heroes are closer than he thinks. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Victoria Delaney and Tony Froud in J M Barrie’s Mary Rose, next week’s production by York Actors Collective. Picture: Clive Millard

Theatre Royal debut of the week: York Actors Collective in Mary Rose, York Theatre Royal Studio, October 30 to November 2,  7.45pm plus 2.30pm Thursday and 2pm Saturday matinees

YORK Actors Collective make their York Theatre Royal debut with a revival of Peter Pan and Quality Street playwright J M Barrie’s Mary Rose, adapted and directed by Angie Millard.

“Barrie uses dimensions of time to great effect,” she says. “His treatment of love, loss and unwavering hope draws in an audience and gives it universality. I’ve adapted the script to appeal to modern thinking but his themes are intact. The strange and ghostly atmosphere fits beautifully into our autumn slot, which includes Halloween and is a time for considering other worldliness.” Box office: 01904 623568 or yorktheatreroyal.co.uk.

What’s On in Ryedale, York & beyond when two plays go to sea & AI comes to dance. Hutch’s List No. 39, from Gazette & Herald

The Whitby Rebels cast on a boat trip in Scarborough’s South Bay: from left, Keith Bartlett, Duncan MacInnes, Jacky Naylor, Jacqueline King, Louise Mai Newberry and Kieran Foster

A NAUTICAL Yorkshire drama, a scene-stealing Shakespearean dog, a long-lasting folk duo and a “bit of rough” comedian spark Charles Hutchinson’s interest for the week ahead.

World premiere of the week: The Whitby Rebels, Stephen Joseph Theatre, Scarborough, until November 2, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees

IN Whitby Harbour, in the summer of 1991, something extraordinary happened. A humble pleasure boat set sail for the Arctic crewed by misfits, pensioners and the vicar for Egton and Grosmont, North Yorkshire.

This motley crew was assembled by Captain Jack Lammiman to complete a daring mission: to erect a plaque honouring Whitby whaling Captain William Scoresby senior on a volcanic island hundreds of miles north of Iceland. Bea Roberts’s new play tells their true story, boat on stage et al. Box office: 01723 370541 or at sjt.uk.com.

Nick Patrick Jones’s Proteus, left, and Mark Payton’s Duke of Milan in rehearsal for York Shakespeare Project’s The Two Gentlemen Of Verona. Picture: John Saunders

Comedy play of the week: York Shakespeare Project in The Two Gentlemen Of Verona, Theatre@41, Monkgate, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee

 ‘TWO Gents’: possibly Shakespeare’s first play and definitely the only one with a part for a dog. But can the newly employed performers at Monkgate Music Hall pull off their production?

Under-rehearsed knife throwers, strongmen, musicians and comedians must pool their skills in Tempest Wisdom’s dazzling take on this rarely performed comedy, delivered by York Shakespeare Project. “Book now for the event of the 19th century!” says Tempest. Box office: tickets.41monkgate.co.uk.

York musical actress Rachel Higgs in the poster for Black Sheep Theatre Productions’ Songs For A New World

Unconventional musical of the week: Black Sheep Theatre Productions presents: Songs For A New World, National Centre for Early Music, Walmgate, York, tomorrow to Saturday, 7.30pm plus 2.30pm Saturday matinee

ON the heels of last week’s debut NCEM collaboration with fellow York company Wharfemede Productions, The Last Five Years, Black Sheep Theatre perform another Jason Robert Brown work, 1995’s Songs For A New World.

Defying conventional musical theatre formats, Brown and original director Daisy Prince say the non-linear show is “neither musical play nor revue”, but exists as a “very theatrical song cycle” that explores such universal themes as hope, faith, love and loss in its emotionally charged songs. Box office: ticketsource.co.uk/blacksheeptheatreproductions/.

Our Star Theatre Company cast members outside York Minster on October 15, when the Ledbury company staged Death(s) At Sea at the Joseph Rowntree Theatre. On Friday they will be in Pickering

Sea, sailors and seriously bad acting: Our Star Theatre Company in Death(s) At Sea, Kirk Theatre, Pickering, Friday, 7.30pm

A SMALL theatre company is performing its new murder mystery Death At Sea, but despite the cast’s best efforts, everything goes wrong in the telling of a thriller set on a small ship carrying only five passengers and its captain.

When one passenger, Mr Inus, is found dead, the others speculate and turn on each other until the real murderer is caught…but that isn’t how this play (within a play) goes! Props fail, the set falls down, actors get drunk and suffer concussion, and conversations in the wings reveal too much. Can they make it to the end before one of them really kills someone? Find out in Eleanor Catherine Smart’s nautical drama on Friday. Box office: 01751474833or kirktheatre.co.uk.

Company Wayne McGregor in Autobiography, on tour at York Theatre Royal. Picture: Andrej Uspenski

Dance show of the week: Company Wayne McGregor, Autobiography, V102 and V103, York Theatre Royal, Friday and Saturday, 7.30pm

GENETIC code, AI and choreography merge in a Wayne McGregor work that reimagines and remakes itself anew for every performance. Layering choreographic imprints over personal memoir and in dialogue with a specially created algorithm that hijacks McGregor’s DNA data,Autobiography “upends the traditional nature of dance-making as artificial intelligence and instinct converge in creative authorship”.

Now, AISOMA, a new AI tool developed with Google Arts and Culture – “utilising machine-learning trained on hundreds of hours of McGregor’s choreographic archive – overwrites initial configurations to present fresh movement options to the performers, injecting unfamiliar and often startling content into the choreographic ecosystem”. “Life, writing itself anew,” explains McGregor. Box office: 01904 623568 or yorktheatreroyal.co.uk.

While & Matthews: Playing Hunmanby on closing night of 30th anniversary tour

Folk gig of the week: While & Matthews, Hunmanby Village Hall, near Filey, Sunday, 7.30pm

THE 30th anniversary tour of the longest-lasting female folk duo, singer-songwriters Chris While and Julie Matthews, concludes this weekend at Hunmanby Village Hall, where they sold out two years ago. Together they have played more than 2,500 gigs, appeared on 100 albums, written hundreds of original songs and reached millions of people around the world.

Chris (vocals, guitar, banjo, dulcimer and percussion) and Julie (vocals, piano, guitar, mandolin and bouzouki) released their 13th studio album, Days Like These, on Fat Cat Records last month. Once again they cover a wide range of topics and the full spectrum of human emotions on 12 tracks. Box office: ticketsource.co.uk.

Arthur Smith: Grumpy old man of comedy at Helmsley Arts Centre

Comedy turn of the week: An Audience With Arthur Smith, Helmsley Arts Centre, Sunday, 7.30pm

COMPERE, playwright, panellist, performer and Edinburgh Fringe stalwart Arthur Smith worked previously as a road sweeper, dustman, market researcher and teacher. He even advertised chicken burgers in supermarkets dressed as a fox.

A career in stand-up comedy was the only one that could follow a build-up like that, he decided, since when he has appeared on quiz shows and Loose Ends, been a regular Grumpy Old Man and Countdown wordsmith and presented BBC Radio 4’s Excess Baggage and Radio 2’s The Smith Lectures. He describes himself as Radio 4’s “bit of rough”. Box office: 01439 771700 or helmsleyarts.co.uk.

Pat Fulgoni Blues Experience: Returning to Milton Rooms, Malton

Blues gig of the week: Ryedale Blues Club, Pat Fulgoni Blues Experience, Milton Rooms, Malton, October 31, 8pm

SINGER Pat Fulgoni returns to Ryedale Blues Club with his band of Jacob Beckwith on guitar, Rory Wells on bass, Sam Bolt on keys and Zebedee Sylvester on drums.

Expect soaring soulful vocals over vibey guitar and piano-orientated blues in a set originals complemented by renditions of Ray Charles, BB King, Stevie Ray Vaughan, Sonny Boy Williamson, John Lee Hooker, Jimi Hendrix and Robert Johnson. Box office: 01653 692240 or themiltonrooms.com.

In Focus: The English Civil War comes to Nunnington Hall this half-term

Nunnington Hall: Recalling the English Civil War over the autumn half-term. Picture: Andrew Davies

VISITORS to Nunnington Hall, near Helmsley, can dive back in history to the time of the English Civil War throughout the autumn half-term.

From Saturday, October 26 to Friday, November 1, you can train up to become a soldier, with family games such as archery and hobby-horse races, or become a spy for the Royalist side by cracking the secret message in a code breaker trail.

For one weekend only, on November 2 and 3, the grounds of the National Trust property will be turned into an English Civil War encampment by the United Kingdom’s longest-running re-enactment society, The Sealed Knot.

Families will be invited to try on armour, chat to costumed re-enactors and watch show-stopping musket drills happening throughout the day.

Inside the house, children can enjoy playing with the shadow puppet theatre and the Civil War-themed crafts.

Sarah Nolan, visitor experience officer at Nunnington Hall, says: “We’re delighted to bring the UK’s oldest, and Europe’s biggest, re-enactment society to Nunnington and allow our visitors to experience history at its most immersive.

The Sealed Knot: Taking part in the English Civil War activities at Nunnington Hall. Picture: Levitt Parkes

“There’s a fantastic link between Nunnington Hall and the English Civil War, as it’s where Roundhead soldiers lived during the siege of nearby Helmsley Castle, 380 years ago!

“We’ve put together a host of children’s activities to choose from, offering a fun day out for all the family.”

In addition, Nunnington Hall is decorated for autumn and a range of seasonal treats is available in the tearoom.

Normal admission applies for access to the house, gardens and all activities; entry is free for National Trust members and under fives.

Nunnington Hall is open every day until Sunday, November 3, from 10.30am to 5pm, with last entry at 4.15pm. Normal admission applies with free admission for National Trust members and under fives.

For more information or to plan a visit, go to: www.nationaltrust.org.uk/nunnington-hall,

REVIEW: Freida Nipples presents…The Exhibitionists, The Old Paint Shop, York Theatre Royal Studio, October 5

On a highway to hell: Freida Nipples’ nun in The Exhibitionists

THE Old Paint Shop season of burlesque, comedy, improv, jazz, folk and more in York’s newest cabaret nightspot is under way in the York Theatre Royal Studio.

So named in a nod to the Studio’s former status as the theatre workshop, the new venture is the brainchild of chief executive Paul Crewes, who took pleasure in a bustling Saturday night, where the American coming-of-age tale Little Women was playing in the main house as not-so-little women and men formed the first Freida Nipples presents…The Exhibitionists bill next door.

A buoyant full house, gathered around tables beneath a sky of lampshades, two mirror balls and The Old Paint Shop neon sign, greeted York queen of burlesque Freida’s parade of fabulous artistes from around the UK.

First, here’s your saucy host in high heels and rhinestones, Leicester’s Deeva D, international Neo Burlesque/Bearlesque performer, go-go dancer, compere and co-founder of Boudoir. Queer, South Asian and Hindu to boot. Hair aglow, like an angel in an Italian Renaissance painting. Impromptu singer too, as he filled a temporary black hole with a karaoke-style singalong Spirit In The Sky.

The black-box Studio makes for a compact cabaret locale. Performers are within touching distance, but this is a “Look, but don’t touch” joint, rightly so. And no flash. Flesh, yes, of course, but flash, no, if you must insist on taking out your distracting phone camera.

The Exhibitionists gather on stage at the close of the first night of The Old Paint Shop: left to right, compere Deeva D, promoter, producer and performer Freida Nipples, stage manager Trixie Blue, Ebony Silk, Kiki Lovechild and Lady Wildflower

Acts enter either by swishing through the cabaret crowd, like a boxer’s ring walk, or through a black door, halfway up the back wall, and down a metallic stairwell, take your pick.

Here come The Exhibitionists, one by one, one act each per half: Ebony Silk, full of circular motions at every turn; northern burlesque icon and Hebden Bridge festival founder Lady Wildflower; then clown-faced and skilled “professional idiot” Kiki Lovechild (aka Jack Smart), with audience participation to the max in Bonnie Tyler’s Total Eclipse Of The Heart.

Totally eclipsing everything else? Not so. Freida Nipples emerges in a sparkling nun’s habit to the rallying call of AC/DC’s Highway To Hell. Line by line, garment removal by garment removal, she will reveal the devil inside. 6, 6, 6 placed you know where, and a tail, likewise, at the back. Nun better to conclude the first half.

Post-interval, Deeva D re-emerges as the first sighting of Santa Claus in 2024; his fancy-dress frippery will never last until Christmas, and sure enough the red threads don’t survive even five minutes here.

Ebony Silk throws more shapes; Freida pops balloons at bathtime; Kiki turns into a puppeteer with strangely hot chanteuse Jessica Blue, all topped off by Lady Wildflower doing her wild thing, spinning her titillating tassles to eye-popping effect in a catherine wheel blur.

The Exhibitionists’ roster of performance artistes – named in honour of York Theatre Royal’s proximity to Exhibition Square – will return for a Hallowe’en Special on October 26 when Freida Nipples presents more burlesque, drag and cabaret acts with the promise of the three Gs: glamour, gags and giggles. Both the 6pm and 9pm performances have sold out already, the bare cheek of it.

What’s coming up at The Old Paint Shop?

Not Gonna Lie: Fool(ish) Improv’s night of “Unbelievable Comedy” in The Old Paint Shop

October 10, Fool(ish) Improv present Not Gonna Lie

THE message from Paul Birch and co’s York comedy troupe Fool(ish) Improv is: “Come confess and unburden yourselves of some silly secrets, tales of the office and childhood memories and we will shape them into surreal sketches and sensational scenes.”

Not so much Who’s Line Is It Anyway as Who’s Lie Is It anyway, these North Yorkshire improvisers, trained by Chicago’s best, promise a playful night of joy, nonsense and completely making things up.

Saxophonist Brendan Duffy

October 11, The Brendan Duffy Quartet

SAXOPHONIST and vocalist Brendan Duffy is joined by Tom Townsend on drums, Christian Topman on double bass and Karl Mullen, “the hardest-working pianist in York”, on upright piano for an eclectic and exciting cabaret night of jazz through the ages. Everything from Louis Armstrong and singalong fun to John Coltrane and Charles Mingus.

October 12, Jess Gardham, cancelled.

AWARD-WINNING York blues singer-songwriter and musical theatre actress Jess Gardham’s show has been scuppered by ill health.

Debs Newbold in Dauntless – Grace O’Malley, Pirate Queen

October 17, Dauntless – Grace O’Malley, Pirate Queen

IN a night of performance storytelling by Debs Newbold, presented by the Crick Crack Club, she gleefully delivers the boisterous, remarkable and inspirational story of her heroine: Grainne ni Mhaille (Grace O’Malley), legendary Irish clan chief and queen of the sea.

Stowing away aboard her father’s ship aged eight, Grace became a 16th century force of nature:  a multilingual, seafaring weapons expert, leader of 2,000 men, rebel, politician, kingmaker and slayer, prodigious lover, avenging hero and notorious pirate.

From the west of Ireland to the court of Elizabeth I, from wild youth to even wilder old age, Dauntless is an epic celebration of uproarious storytelling, high drama and one fascinating 16th century feminist.

Bay Bryan in The Meadow. Picture: Brendan Ashmore

October 19, Bay Bryan: The Meadow

AS heard on BBC 2’s The Folk Show with Mark Radcliffe, Bay Bryan’s music is accessible yet complex with a philosophical edge akin to 1970s’ Labi Siffre. Existential in nature, The Meadow is heavily influenced by Bryan’s upbringing in the Rockies of Colorado. In performance, Bryan draws on skills as an actor and storyteller.

The Not So Ugly Sisters, a theatre show for which Bryan co-composed songs, was named in the Guardian as one of the Top 25 shows to book for Christmas 2021. The short film Egg Party, with music scored by Bryan, won the Audience Choice awards at both the Coven and Cinequest Film Festivals that year. Acting credits include The Gifting (Leeds, 2023) and Napoleon (Apple TV).

Hyde Family Jam, fronted by Will Dreyfus, at The Old Paint Shop

October 24, Hyde Family Jam

SINCE 2014, this York band has appeared in many forms, to delight and entertain on the streets, in clubs, castles, tipis, tapas bars, stately homes and even on film sets. This October they finally set foot in York Theatre Royal, where Will Dreyfus will be on front man duty. Prepare for a fusion of irreverent covers, folk instruments and punk energy in a set of pop bangers that adds up to a “one-of-a-kind musical journey”.

Pete Selwood. Stand-up’s debut show. Picture: Andy Hollingworth

October 25, Pete Selwood: Uninspiring

UNINSPIRING is the debut show from stand-up comedian Pete Selwood (as seen on Comedy Central Live and The Emily Atack Show), spotlighting the pitfalls of being a disabled man coming to terms with his limitations after becoming a parent. Last seen at York Theatre Royal supporting Guz Khan, he is a regular tour support for Jack Carroll.

October 26, Freida Nipples presents…The Exhibitionists, Hallowe’en Special, 6pm and 9pm, both sold out.

All shows start at 8pm except Freida Nipples’ Hallowe’en Special. Box office: 01904 623568 or yorktheatreroyal.co.uk.

York Theatre Royal chief executive Paul Crewes on setting up The Old Paint Shop

York Theatre Royal chief executive Paul Crewes. Picture: Charlie Kirkpatrick

“THE idea is to turn the Studio into a cabaret space, The Old Paint Shop, twice a year for three or four-week sessions of one-night shows with a range of acts from York and from further afield, hosted by the Theatre Royal, presenting music, theatre, burlesque and stand-up comedy.

“I did something similar in Los Angeles and it became so popular that people were contacting me to perform in it.”

Did you know?

THE inaugural Old Paint Shop season is dedicated to Terry Bounds, who worked as stage carpenter at York Theatre Royal for more than 30 years before retiring in 2013.

What’s On in Ryedale, York and beyond amid murder mysteries times two. Hutch’s List No. 37, from Gazette & Herald

Ed Gamble: No mention of hot dogs at the Grand Opera House, York, despite the show title and tour publicity photo. Picture: Matt Crockett

IT would not be a Gamble to the see the comedian of that surname, Peter Hook’s Joy Division and New Order excavations, a Miss Marple mystery or a new Rebus play, advises Charles Hutchinson.

Comedy gig of the week: Ed Gamble, Hot Diggity Dog, Grand Opera House, York, tonight, 7.30pm

ED Gamble is promising “all your classicGamble ranting, raving and spluttering, but he’s doing fine mentally. Promise”. After all, he co-hosts the award-winning podcast Off Menuwith James Acaster, is a judge on Great British Menu and Taskmaster champion, hosts Taskmaster The Podcast and The Traitors: Uncloaked and has his own special, Blood Sugar, available on Amazon Prime. Box office: atgtickets.com/york.

Not Gonna Lie: Fool(ish) Improv conjure comedy from audience stories at The Old Paint Shop, York Theatre Royal

Improv gig of the week: Fool(ish) Improv present Not Gonna Lie, The Old Paint Shop, York Theatre Royal Studio, tomorrow, 8pm

THIS show by Paul Birch and co will take the truth to task by using real stories from the audience to improvise “unbelievable comedy”. Not so much Who’s Line Is It Anyway but more Who’s Lie Is It Anyway, Fool(ish) welcome you to a playful night of joy, nonsense and completely making things up.

“Come confess and unburden yourselves of some silly secrets, tales of the office and childhood memories and we will shape them into surreal sketches and sensational scenes,” say the Yorkshire improvisers trained by the best in Chicago Long-Form improv. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Peter Hook: Revisiting Joy Division and New Order with The Light at York Barbican. Picture: Mark McNulty

York rock gig of the week: Peter Hook & The Light, Substance World Tour, York Barbican, tomorrow, doors 7pm; start 8pm; curfew 11pm

PETER Hook & The Light compare and contrast his bands Joy Division and New Order’s Substance compilation albums, playing both Manchester groups’ vinyl versions in full, complemented by 12 tracks featured on CD editions.

Hook will be joined by David Potts, his regular companion from Monaco and Revenge, on guitar and vocals, new addition Martin Rebelski, from Doves, on keyboards, Paul Kehoe on drums, and Paul Duffy, from The Coral, deputising for Hooky’s son, Jack Bates, on bass. Box office: yorkbarbican.co.uk.

Martin Stephenson: Back with The Daintees in Malton

Ryedale gig of the week: Martin Stephenson & The Daintees, Milton Rooms, Malton, October 13, 8pm

MARTIN Stephenson’s focus will be on You Belong To Blue, the February 2023 album that saw original Daintees’ members Gary Dunn, Anthony Dunn and Charlie Smith, plus a selection of special guests, joining up with the Durham-born singer-songwriter once again.

His Malton set will feature Daintees and Stephenson solo favourites stretching back to his 1986 debut Boat To Bolivia as he dips into country, folk, jazz, blues, skiffle and reggae. Box office: 01653 696240 or themiltonrooms.com.

Billy Mitchell and Bob Fox: In tandem at the Milton Rooms

Duo of the week: Billy Mitchell and Bob Fox, Milton Rooms, Malton, October 15, 7.30pm

THIS is a rare opportunity to see North Eastern masters of vocal harmony and musicians Billy Mitchell and Bob Fox perform once again as a duo after several years of individual work. Actor, singer and songwriter Mitchell founded Jack The Lad in the 1970s and was Lindisfarne’s the front man for eight years until their retirement in 2003.

He has undertaken two tours of The Lindisfarne Story and performs in The Pitmen Poets with Fox, Jez Lowe and Benny Graham, presenting songs and stories of Durham and Northumberland’s coal mining communities. Fox interprets traditional and modern songs, played the Songman in the National Theatre’s Warhorse and first toured with Mitchell in 2006, leading to their studio album of Tyne and Wear songs Back On City Road. Box office: 01653 696240 or themiltonrooms.com.

Gray O’Brien as Inspector John Rebus in Rebus: A Game Called Malice, on tour at York Theatre Royal. Picture: Nobby Clark

York play of the week: Rebus: A Game Called Malice, York Theatre Royal, October 15 to 19, 7.30pm; 2pm, Wednesday, Thursday; 2.30pm, Saturday

SCOTTISH crime writer Ian Rankin’s much-loved detective, John Rebus, takes to the stage in a new storyco-written with Simon Reade. Gray O’Brien, from Coronation Street, Casualty and Peak Practice, plays Rebus in a cast also featuring Abigail Thaw and Billy Hartman.

When a splendid Edinburgh mansion dinner party concludes with a murder mystery game created by the hostess, suddenly a murder needs to be solved. However, guests have secrets of their own. Among them is Inspector John Rebus, but is he Is playing an alternative game, one to which only he knows the rules? Rankin will attend the October 18 post-show discussion with the cast. Box office: 01904 623568 or yorktheatreroyal.co.uk.

1812 Theatre Company’s poster for The Mirror Crack’d, a Miss Marple mystery, at Helmsley Arts Centre

Ryedale play of the week: 1812 Theatre Company in Agatha Christie’s The Mirror Crack’d, Helmsley Arts Centre, October 16 to 19, 7.30pm

1812 Theatre Company presents Rachel Wagstaff’s adaptation of Agatha Christie’s 1962 thriller, wherein Hollywood star Marina Gregg has moved into Gossington Hall and has been persuaded to host the village fête.  

When the harmless Heather Badcock, a St John’s Ambulance volunteer with not one enemy in the world, is poisoned by a drink meant for Marina, Chief Inspector Craddock quickly realises the wrong person has died. Fortunately, his aunt, Miss Marple, lives in the village, ever ready to unravel the truth behind the killing as seven suspects face investigation. Box office: 01439 771700 or helmsleyarts.co.uk.

Strictly between us: Husband and wife Aljaž Škorjanec and Janette Manrara announce A Night To Remember tour for 2025

Show announcement of the week: Aljaž Škorjanec and Janette Manrara: A Night To Remember, York Barbican, June 1 2025

STRICTLY Come Dancing favourites Aljaž Škorjanec and Janette Manrara – married since 2017 – will be touring next year with A Night To Remember, featuring an ensemble of “some of the UK’s very best dancers and singers”.

 Aljaž, partnering Tasha Ghouri in the 2024 series, and It takes Two presenter Janette will “perform stunning routines to an eclectic array of music”, spanning the Great American songbook through to modern-day classics, backed by their own big band, fronted by boogie- woogie star Tom Seal. Tickets go on sale on Friday at 10am at yorkbarbican.co.uk/whats-on/aljaz-and-janette-a-night-to-remember.

In Focus: Pickering Musical Society in Wonders Of The West End, Kirk Theatre, Pickering, October 10 to 13

Paula Paylor, left, and Danille Long in Pickering Musical Society’s Wonders Of The West End. Picture: Robert David Photography

CURTAIN up tomorrow, Pickering Musical Society is in full swing, putting the final touches to its highly anticipated autumn concert Wonders Of The West End.

This year’s production promises to be a spectacular event, featuring not only the society’s talented performers but also more than 40 dancers from the Sarah Louise Ashworth School of Dance.

In a dazzling programme of classic and contemporary show tunes, selections include iconic hits from Gigi, Half A Sixpence, Oliver! and Waitress, to name but a few.

Colin Wragg in Wonders Of The West End. Picture: Robert David Photography

The cast and dancers have been working hard under the expert guidance of resident musical director Clive Wass, who will be conducting the orchestra each night.

“The combination of live music, powerful vocals, and stunning choreography promises an unforgettable night of theatre,” says director Luke Arnold. “The carefully curated programme offers something for everyone, whether you’re a fan of the golden age of musicals or the latest West End sensations.

“It would be remiss to reflect on the music without a special mention to the society’s rehearsal pianist, Carl Schofield, who has worked tirelessly with the cast over the past three months to help deliver a stunning performance.” 

Under the parasol: Alice Rose in Wonders Of The West End. Picture: Robert David Photography

This year’s concert marks the debut of regular principal actress Courtney Brown as assistant director under Luke’s stewardship.

“It has been a privilege working with Courtney,” he says. “I could not have wished for a better assistant. We have got on fantastically well from day one and our interest and taste in musical theatre is very similar, which has helped us create a unified production. I look forward to working with Courtney again and seeing her develop as a director.”

Pickering Musical Society presents Wonders Of The West End, Kirk Theatre, Pickering, October 10 to 13, 7.30pm nightly. Box office: 01751 474833 or online at Wonders of the West End (littleboxoffice.com).

Pickering Musical Society’s full company for Wonders Of The West End. Picture: Robert David Photography

No hot dog (or jumping frog) in comedian Ed Gamble’s Hot Diggity Dog show on Off Menu host’s return to Grand Opera House

Ed Gamble in his promotional picture for the Hot Diggity Dog tour. Picture: Matt Crockett

CHART-TOPPING Off Menu podcaster, Great British Menu judge, Taskmaster champion and The Traitors: Uncloaked and Taskmaster podcast host Ed Gamble is back on the road in his extended UK and Irish stand-up comedy tour, Hot Diggity Dog.

Next stop on a second leg running from September 26 to January 20 2025 will be the Grand Opera House, York, tomorrow night (9/10/2024), having played there in February 2022 on his Electric travels.

The Hit Diggity Dog tour now adds up to the south-west Londoner’s longest-ever itinerary at 38. Not without irony for a comedy turn who confesses: “A lot of the show is about – and I don’t know how the audience feels about this – how I would rather be at home with my wife [producer Charlie Jamison], after all those years spent becoming a comedian who travels the road.

“I got married in 2021, and there’s a lot of stuff about my honeymoon in 2022 in the show, after all the Covid restrictions got lifted [having forced three postponements of his wedding].

“Look, when I’m on the road, I complain I’m not at home, but then when I’m at home, I complain I’m not on the road. It’s addictive to get a response on stage night after night, when you don’t know how things will go down, or whether it will be different from one part of the country to another, though it’s rare that a joke that goes down well one night is met with silence the next, but it’s always a highwire act.

“On a tour, the main story beats and the big punchlines stay the same, but I can never resist chatting to ther audience, reacting to the vibe each night.”

In a nod to the title of Hot Diggity Dog, the tour publicity proclaims “Ed Gamble has minced a load of meat (thoughts), piped it into a casing (show) and it’s coming to a bun (venue) near you. There will be all your classic Gamble ranting, raving and spluttering but he’s doing fine mentally. Promise.”

“Gamble is my real name,” says Ed Gamble. “I was told by someone that a good comedian’s name has a one-syllable first name and a two-syllable second name.” Picture: Matt Crockett

So much so, he says: “I’m absolutely delighted to do so many dates and that so many people want to see it. I just do as many shows as I can because when you start out, you write a show for the Edinburgh Fringe, then just do Edinburgh and maybe ten more shows after that. But with Hot Diggity Dog, I’m now hoping to do international dates next year.”

Hot Diggity Dog, Ed? Explain yourself. “I’m told it’s a Mickey Mouse thing [The Hot Dog Song, with its lyric “Hot Dog, Hot Dog, Hot Diggety Dog”], but it’s pretty difficult because you always have to come up with a tour title well before you do the tour, and by the time you do the shows, the title probably should have changed!” he admits.

“I only said ‘Hot Diggity Dog’ once in the show and now I don’t even mention it – but it was good for the promotional picture!” Except in London, where Ed found himself caught up in “Cucumbergate”.

His show poster of a hot dog fell foul of Transport for London’s ban on junk food advertising on the London Underground, whereupon the Off Menu co-presenter replaced the off-menu item with a similarly shaped but healthier cucumber.

Ed has been busier than ever, having brought his Off Menu podcast with co-host James Acaster to the stage, written his first book, the memoir Glutton: The Multi-Course Life Of A Very Greedy Boy (published by Penguin Books last October]; hosted BBC Two’s The Traitors: Uncloaked podcast and been crowned series nine champion of Taskmaster (Dave/Channel 4).

Add to that list featuring on the second Champions of Champions episode of Taskmaster in 2022; hosting the Taskmaster podcast; competing in The Great Celebrity Bake Off for Stand Up To Cancer and earlier appearing in more than 30 episodes of the satirical panel show Mock The Week between 2015 to 2021.

The show poster image that fell foul of Transport for London’s ban on junk food advertising on the London Underground

On top of all that, he has been a judge on BBC Two’s Great British Menu, co-hosts a Sunday morning show on Radio X with Matthew Crosby and has served as one of six rotating guest-hosts for Pointless on BBC One.

“It’s good that comedians get picked up to do other stuff, being trusted to do it, because I love to keep a variety of things going on that feed into the live shows,” says Ed.

What’s next? “The Traitors will be back and I’ll be back doing The Traitors: Uncloaked podcast on BBC Two; Off Menu rumbles on and I’ll be recording a Taskmaster podcast every week for the current series that started last month,” he says. “Then there’s filming for Great British Menu series 20, for broadcast next year.”

Any last words on tomorrow’s show in York, Ed? “Just come and see it. We’ve been having a lot of fun on tour. We have a laugh, and the shows have been going great,” he says. “We’d love to have as many people there as possible.”

Ed Gamble: Hot Diggity Dog, Grand Opera House, York, October 9, 7.30pm. Box office: atgtickets.com/york. Also playing: St George’s Hall, Bradford, October 19, 7.30pm. Box office: bradford-theatres.co.uk. Age guidance: 14 upwards.

Did you know?

ED Gamble began his comedy career performing with the Durham Revue while studying Philosophy at Durham University, where he met fellow comedians Nish Kumar, Nick Mohammed and Tom Neenan. He came to prominence playing Georgie Carlton in two series of Almost Royal (BBC America/E4/Netflix) and co-wrote series three and four of Greg Davies’s sitcom Man Down (Channel 4), as well as appearing in two episodes.

More Things To Do in York & beyond when doors open and cabaret nights launch. Hutch’s List No. 41, from The Press, York

YORK unlocks for the weekend. Charles Hutchinson unlocks the door to multiple other delights too.

Festival of the week: York Unlocked 2024, today and tomorrow from 10am

IN its third year, York Unlocked welcomes residents and visitors to experience York’s architecture and open spaces with the chance to discover, explore and enjoy around 50 sites.

This year’s new addition is a children’s trail book; families can pick up a free copy from York Explore Library, All Saints’ Church, North Street, or The Guildhall. Full details of the participating locations, from Spark: York to City Screen Picturehouse, Terry’s Factory Clock Tower to Bishopthorpe Palace, Holgate Windmill to York Railway Station, can be found at york-unlocked.org.uk. Entry is free, including those requiring booking.

Rachel Croft: Heading back to York to play The Crescent

Return of the week: Black Deer Live in association with TalentBanq presents Rachel Croft Live, supported by Tom Sheldon Trio, The Crescent, York, tonight, doors 7.30pm

AFTER relocating to London almost three years ago, thunderous alt-rock singer-songwriter Rachel Croft returns to York for an explosive hometown show, backed by a full band.

Caffe Nero Artist of the Month in February 2024, she has performed at The O2 Arena Blue Room, Bush Hall and Camden Assembly in London, the Bitter End in New York and Bluebird Cafe in Nashville and such festivals as Cambridge Folk Festival, Secret Garden Party and Black Deer. Her cinematic songs have featured on Netflix, the BBC and in rotation in Tesco, Waterstones and Centre Parcs stores. Box office: thecrescentyork.com. 

Much more than stripping assets: York’s queen of burlesque, Freida Nipples, hosts The Exhibionists in The Old Paint Shop

Cabaret night of the week: Freida Nipples presents…The Exhibitionists, The Old Paint Shop, York Theatre Royal Studio, tonight, 8pm; Halloween Edition, October 26, 6pm and 9pm

YORK’S award-winning burlesque artiste Freida Nipples launches the Theatre Royal’s new Old Paint Shop cabaret season with some of her favourite fabulous performance artists from across Great Britain.

“From burlesque to drag and beyond, be sure to expect the unexpected,” she says. “Get ready to be dazzled, shocked and in awe. Only a few things are guaranteed: glamour, gags and giggles.” Tickets update: all three shows have sold out. For returns only, call 01904 623568.

Frankenstein (On A Budget): One man, one monster, one glorious dream at Friargate Theatre, York

“Comedy musical Hammer Horror homage you didn’t know you needed”: Frankenstein (On a Budget), Friargate Theatre, York, tonight, 7.30pm

ONE man, one monster, one glorious dream to singlehandedly tell the most famous cult horror story of all time on absolutely no budget whatsoever. What could possibly go wrong?  Inspired by Mary Shelley and Boris Karloff, Frankenstein (On a Budget) features one actor, some decidedly dodgy backdrops, new music, weather-based based puns, cardboard props, gore and flashing lights. 

Can the ill-fated doctor build his monstrous creation, play 25 characters, sing songs aplenty, attempt accents from across the world, perform a dance routine, and ultimately save the day in only 60 minutes? Find out tonight. Age guidance: 14 upwards. Box office: ridinglights.org/friargatetheatre.

The Shires: Playing York on intimate acoustic tour

Country gig of the week: The Shires: The Two Of Us Tour, Grand Opera House, York, tomorrow, 7.30pm

GREAT Britain’s biggest country music export, The Shires, return to York on their intimate acoustic tour, where Ben Earle and Crissie Rhodes play songs from 2015 debut, 2016’s My Universe, 2018’s Accidentally On Purpose, 2020’s Good Years and 2022’s 10 Year Plan.

The Shires have achieved three consecutive UK Top Three albums, four UK Country album chart toppers, more than 100 million streams, two gold-certified records and two CMA Awards, headlining the Royal Albert Hall too. Box office: atgtickets.com/york.

Aein Nasseri (Alland) and the CAPA College Chorus (Vox) in Red Ladder Theatre Company’s Sanctuary. Picture: Robling Photography

Play of the week: Red Ladder Theatre Company in Sanctuary, Selby Abbey, October 7, 7.30pm; Hull Truck Theatre, Hull, October 8, 7.30pm; Wesley Centre, Harrogate, October 12, 7.30pm

DIRECTED by new Red Ladder artistic director Cheryl Martin, this timely premiere by Sarah Woods and musician Boff Whalley tells the vital story of Alland, a young Iranian man who begs to be given sanctuary at St Mary’s Church in a northern town, sparking a community to react in all the ways each member believes to be right.

Featuring a chorus of Wakefield’s CAPA College students, Sanctuary mixes hard-hitting ideas with melodic tunes and harmonies, asking the question: do we want safety and freedom for only ourselves, or for us all? Box office: Selby, 01757 708449 or selbytownhall.co.uk; Hull, 01482 323638 or hulltruck.co.uk; Harrogate, 01423 502116 or harrogatetheatre.co.uk.

Carrie Hope Fletcher: Love Letters in song form at York Barbican

Musical theatre revue of the week: Carrie Hope Fletcher, Love Letters, York Barbican, October 8, doors 7pm

WEST End musical theatre actress, author and vlogger Carrie Hope Fletcher explores all forms of love, from romantic to maternal, unrequited to obsessive, all told through a concert of musical theatre favourites, accompanied by specially written letters about each song by Carrie.

She is best known for playing Éponine and Fantine in Les Misérables, Veronica in Heathers, Wednesday in The Addams Family, Cinderella in Andrew Lloyd Webber’s Cinderella on the London stage. Her special guest will be Bradley Jaden, her West End co-star in Les Miserables. Box office: yorkbarbican.co.uk.

Ed Gamble: Not discussing hot dogs in Hot Diggity Dog at the Grand Opera House. Picture: Matt Crockett

Comedy gig of the week: Ed Gamble, Hot Diggity Dog, Grand Opera House, York, October 9, 7.30pm

ED Gamble is promising “all your classicGamble ranting, raving and spluttering, but he’s doing fine mentally. Promise”. After all, he co-hosts the award-winning podcast Off Menuwith James Acaster, is a judge on Great British Menu and Taskmaster champion, hosts Taskmaster The Podcast and The Traitors: Uncloaked and has his own special, Blood Sugar, available on Amazon Prime. Box office: atgtickets.com/york.

Not Gonna Lie: Fool(ish) Improv use audience true stories to improvise “unbelievable comedy”

Improv gig of the week: Fool(ish) Improv present Not Gonna Lie, The Old Paint Shop, York Theatre Royal Studio, October 10, 8pm

PAUL Birch and co will take the truth to task by using real stories from the audience to improvise “unbelievable comedy”. Not so much Who’s Line Is It Anyway but more Who’s Lie Is It Anyway, Fool(ish) welcome you to a playful night of joy, nonsense and completely making things up.

“Come confess and unburden yourselves of some silly secrets, tales of the office and childhood memories and we will shape them into surreal sketches and sensational scenes,” say the Yorkshire improvisers trained by the best in Chicago Long-Form improv. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Sharleen Spiteri: Leading Texas at Scarborough Open Air Theatre next summer

Gig announcement of the week: Texas, Scarborough Open Air Theatre, July 26 2025

SCOTTISH band Texas, fronted as ever by Sharleen Spiteri, will return to Scarborough Open Air Theatre for the first time since July 2018 to showcase five decades of songs, from I Don’t Want A Lover, Say What You Want and Summer Son to Inner Smile, Mr Haze and Keep On Talking next summer. Irish rock band The Script are confirmed already for July 5. Box office: scarboroughopenairtheatre.co.uk and ticketmaster.co.uk.