REVIEW: Anything’s possible in a one-liner when Milton Jones spies a gag

Hair-raising: Milton Jones on a spying mission at York Barbican

REVIEW: Milton Jones: Milton Impossible, York Barbican, February 22

THE whole point of camouflage is not to be spotted, but in his new guise as an ex-MI5 spy, Milton Jones’s gaudy military fatigues looked like they hadn’t slept for days.

As for his fuchsia, frilly dress shirt, it would have guaranteed he had absolutely no fuchsia in spying, if blending into the background were a requirement. Definitely a case of Milton Impossible.

Mind you, Jones’s attire was not the only sartorial talking point of Saturday’s triple bill. Support act Tom Houghton was gently settling into revelations of being the Honourable Tom – now that his ex-Army chief father, General Sir Nicholas Houghton, was a Lord and the Constable of the Tower of London – when he was distracted by a Technicolor nightmare of a shirt making an even louder exit down the stairs.

“You’ve missed nothing,” said Houghton, lobbing a comedy bomb after the escapee. “Except fashion”. Boom, off went the bomb, as if he were sentencing him to the Tower for a fashion crime.

Cheeky, charming, posh-boy fledgling comic Houghton went on to define the rules of rugby – a game of backs and forwards and going backwards and forwards – with a wit that outwitted the well-worn tea towel trying to explain the laws of cricket.

Tom, a hawk: Tom Houghton was quick to spot fashion crimes in the York Barbican audience

“I always love to help underprivileged children,” said Jones drily later, but Houghton, one quarter of the improv comedy troupe The Noise Next Door, needs no leg-up through entitlement. Check out his upcoming tour at The Basement, City Screen, York, on June 12 or The Carriageworks, Leeds, the next night.  

Before Hon Tom, Milton’s waspish “grandfather” had opened the show, entering with a trampoline as his mobility aide, and combining a flat cap with a dressing gown for a dressing down on the real meaning of assorted familiar road signs.

If you could imagine a hopelessly ill-prepared learner driver trying to wing his written test with wild guesswork, Milton’s grandad goes even further. Rather than being merely daft or surrealist, however, the new meanings actually make weird sense, and the world would be a happier place if they were true.

Although, in this city of cycling, cyclists might not have enjoyed his dig at them not recognising the meaning of a red light.

Post-interval, Jones returned, his shock of hair madder than ever at 55, to go with the aforementioned psychedelic dress code. Seventy-five minutes of the matador of piercing one-liners ensued, ostensibly on his spying past, but ranging far and wide, his timing deadly, his manner deadpan. (Ideal qualities for a spy, you might say).

From his last tour, the Kew comedian revived his droll Brexit commentary through the novel format of national flags engaging in sparring conversations, each seeking the last word, and no Jones show would be complete without a run of “my other grandfather” gags.

Before the tour, Jones joked: “At a difficult time for our country, I believe there’s a chance this show could unite the nation. Admittedly quite a small chance.” True, but Milton is comedy paradise found, and you wish more could see the world through his eyes. It is a lovely place to be, warmly knowing but not devoid of a child’s sense of wonder, playful, not cynical, absurd yet spot on.

If you missed Milton Impossible in York, your next mission, and you really should accept it, is to make it to Hull City Hall on March 18 or Leeds Town Hall the next night, 19.30 on the dot. Box office: hulltheatres.co.uk; leedstownhall.co.uk.

Charles Hutchinson

“Who we think we are is not who we are,” says Mark Thomas in national identity show

Opinions this way: Mark Thomas welcomes you to his 50 Things About Us show

IN his new tour show, mischief-making activist comedian Mark Thomas is pondering “how we have come to inhabit this divided wasteland that some of us call the United Kingdom”.

On the road since January 23, the South London satirical writer, political agent provocateur, TV and radio presenter, journalist and podcaster is bringing 50 Things About Us: Work In Progress to The Crescent, York, on March 4.

“The Crescent has a certain ramshackle charm, and it’s run with absolute integrity,” says Mark, breaking away from cooking up a pot of a very British winter warmer, leek and potato soup, to take this interview call.

Introducing the show’s theme, he explains: “I was really struck by one thought: how on earth did we get to the point we’ve got to, and part of the answer is that we’ve never come to terms with who we are.”

Was he referring to the English or the British here? “Well, Great Britain is England, Scotland and Wales; the United Kingdom includes Northern Ireland too, and it’s been England that’s driven the creation of the union,” says Mark, whose show combines storytelling, stand-up, mischief and typically well-researched material.

“All these places have a very distinctive identity and culture, and it defies this binary, simplistic definition.

“The Irish language was kept alive by Presbyterians when the English buried it, and now the Irish language is being taught by Unionist women on the Falls Road [in Belfast], so it’s a fascinating place that defies your normal expectations.”

“People say, ‘can’t you say something positive?’, but there’s a load of positives in there ,” says Mark Thomas of his new show

Mark notes how “English culture is seen as part of the British empire, when Britain was ruling the world with this bombast, without understanding the implications of that”.

So, it may be a generalisation, Mark, but why is that people think the abiding negative aspects of the British empire are defined by Little Englander characteristics, not British ones?

“That’s the weird thing. Scotland joined England in the union in a time of fantastic prosperity, so Scotland doesn’t get out of its role in the empire,” he says.  “It’s fascinating that it’s about England adopting the empire as its nationalist cause, with everyone else slipping off.”

50 Things About Us is billed as “a show about money, history, identity, art, tradition, songs, gongs, wigs, guns, bungs, sods of soil and rich people”, as Thomas picks through the myths, facts and figures of our national identities to ask how we have so much feeling for such a hollow land”.

Summing up his night of story-telling, stand-up and subversion as a “sort of funny national edition of Who Do You Think You Are?”, Thomas says: ” It’s another slightly odd show, a sort of sweary, History Channel with laughs and creative mischief. If you’ve seen my shows before, this one’s in the vein of 100 Acts Of Minor Dissent.”

As a work in progress, the list of 50 Things is not set in stone. “It’s always being added to. You always do that. You keep going ‘b****y hell’ when you discover new things,” says Mark. “I found out the other day we’re the only nation that doesn’t have its name on its stamps.

“We have a picture of The Queen, not even a picture, but a silhouette, and there’s a certain weirdness about that. We won’t even say where we are! We say, ‘here’s The Queen, we’re better than everyone else’.”

Thomas, 56, has made his mark down the years by stopping arms deals; creating a manifesto and bringing the winning policy to parliament; walking the entire length of the Israeli wall in the West Bank and setting up a comedy club in the Palestinian city of Jenin.

“Just looking at who we think we are, this idea we can stand alone is completely myopic,” says Mark Thomas.

He has hosted six series on Channel 4, alongside several television documentaries and radio series; written books; grabbed a Guinness World Record; sold out numerous tours; won awards aplenty; nabbed himself a Medal of Honour and succeeded in changing some laws along the way. 

In other words, he is a man of both action and words. How are his latest words going down on tour? “People say, ‘can’t you say something positive?’, but there’s a load of positives in there, like Britain being one of only five countries that doesn’t have a [codified] written constitution. New Zealand is one other, Canada another,” says Mark.

“We have the Charter of the Forest, our economic charter that came in in 2017, which recognises that idea of shared assets of the country [the charter re-established for free men rights of access to the royal forest that had been eroded by William the Conqueror and his heirs] .

“It was there for our mutual benefit and no-one else has ever produced anything like it. It used to be read out four times a year in church, when the squirearchy were at the front, the peasants at the back.

“It was the statute that remained longest in force in England, but they just got rid of it in 1971 [when it was superseded by the Wild Creatures and Forest Laws Act]. But it’s something to be proud of as part of our history; there’s an historic part of our character that, since 1217, says we have the right to run things for our common benefit.”

Where does Brexit fit into Mark’s exploration of who we are? “I think that notion that we are a country that can go it alone is really that characteristic of English exceptionalism, where we believe we’re different, we’re superior, because we’re the cleverer than anyone else, reckoning we won two World Wars and a World Cup by playing fair, which is nonsense,” he says. “Just looking at who we think we are, this idea we can stand alone is completely myopic.

“I’m not a great supporter of the European Union, but I did vote Remain reluctantly, as I don’t want a move to the far right, which is what we’ve ended up with.”

Mark Thomas’s Gilbert & George-style poster for his 50 Things About Us tour

Mark continues: “I’m a Socialist and I think massive changes are needed but when you ignore democracy [the Brexit referendum vote], it will bite you on the backside. If I were a Leave voter, I’d be b****y angry. This idea that people got it wrong, and we should vote again and again until we get it right is extremely patronising. The way they’ve been treated is pretty awful, though I’m not defending the far right.”

Why does Mark call Britain “a hollow land”? “The fact that masses of our history is ignored at the expense of our identity, like the history of the NHS…that sense of absence, because we don’t tell parts of our history, is wrong,” he says.

And now for the big question, after all Mark’s research, can he define who we are? “It’s an important question to answer, because we’re changing all the time, as a collective, as individuals, as parents, grandparents, how we see ourselves,” he says.

“Though interestingly, who we think we are is not who we are.” Let’s leave that thought hanging in the air, the perfect enticement to find out more at The Crescent on March 4.

Mark Thomas’s 50 Things About Us: Work In Progress tour also takes in further Yorkshire gigs at Sheffield Memorial Hall, March 1; Wakefield Theatre Royal, March 5, and Leeds City Varieties Music Hall, April 9.

Box office: York, 01904 622510 or at thecrescent.com; Sheffield, 0114 278 9789 or sheffieldcityhall.co.uk; Wakefield, 01924 211311; Leeds, 0845 644 1881 or cityvarieties.co.uk.

Did you know?

Mark Thomas also broadcasts 50 Things About Us as a podcast.

Jimmy Carr to make York Barbican debut in Terribly Funny show in the autumn

Jimmy Carr: York Barbican debut

JOKER Jimmy Carr is Terribly Funny. Or at least that’s the title the dry-witted British-Irish comedian, presenter and writer has behest on this year’s York-bound travels.

Isleworth-born Carr, 47, has just added a York Barbican date on October 25, in doing so making a crosstown switch for the first time from his regular York stamping ground, the Grand Opera House.

Not that the urbane stand-up putdown specialist is not booked into the Opera House too on his 2020 tour. He is. Carr will be Terribly Funny there first, on June 21.

Arch cynic Carr first played York in 2003 at the inaugural York Comedy Festival and The Other Side Comedy Club at The Basement, City Screen, making his Grand Opera House debut with Public Displays Of Affection in November 2004.

He returned in October 2006 and April 2007 with Gag Reflex; a one-off Repeat Offender in March 2008; two nights of Joke Technician in September 2008, one in April 2009, and a brace of Rapier Wit dates in September 2009, another in March 2010 and yet another two months later.

Jimmy Carr will be Terribly Funny twice over in York

Laughter Therapy brought Carr back for two shows in October 2010 and one the next April; next came four performances of Gagging Order, one in June 2012, two that December, one more in September 2013, and two Funny Business gigs in October 2014. The Best Of, Ultimate, Greatest Hits Tour sent him north in September 2016, October 2016 and June 2017.

His last public appearance in York was as a guest at the York Minster wedding ceremony of pop star Ellie Goulding and North Yorkshire-born art dealer Casper Jopling last August.

Terribly Funny contains jokes about all kinds of terrible things, says Carr: “Terrible things that might have affected you or people you know and love. But they’re just jokes – they are not the terrible things. Having political correctness at a comedy show is like having health and safety at a rodeo. Now you’ve been warned, buy a ticket.”

York Barbican tickets for Carr, the Channel 4 host of The Friday Night Project, 8 Out Of 10 Cats and The Big Fat Quiz Of The Year, are on sale on 0203 356 5441, at yorkbarbican.co.uk or in person from the box office. Grand Opera House tickets, 0844 871 3024 or at atgtickets.com/york.  

“Fourth funniest” comedy duo Max & Ivan to fulfil Commitment at Selby Town Hall

Max & Ivan: Commitment to Selby

THE Guardian’s fourth best comedy show of 2019, Max & Ivan’s Commitment, will play Selby Town Hall on February 7.

“I’m delighted that Selby is the only Yorkshire date on their UK tour and am genuinely very excited to see the show in our little venue,” says Chris Jones, Selby Town Council’s arts officer.

“It’s one of the most talked-about comedy shows of last year, receiving a slew of four and five-star reviews for its Edinburgh Fringe debut, and an agent for an entirely different comedian told me last week that it was one of the best things she’d seen…and that doesn’t happen very often.”

Performed by comedy duo Max Olesker and Ivan Gonzalez, Commitment is the true story of how Max, as Ivan’s Best Man, attempted to reunite Ivan’s teenage band – Voodoo 7:2, the premier “art rock post-punk funk” group in mid-Noughties Liverpool – for one final gig.

“It’s a show about dreaming big, growing up, and trying – but ultimately very much failing – to make it in the band,” says Chris.

“Directed by multiple Edinburgh Comedy Award nominee Kieran Hodgson, it melds fast-paced visuals – including a wealth of embarrassing adolescent photos – with razor-sharp gag writing, classic double-act dynamics and a smattering of virtuoso multi-character performances.

“At its heart, the show is a storytelling hour about Max & Ivan’s real-life friendship and the lengths Max will go to in order to pull off the best night of Ivan’s life.” 

Olesker and Gonzalez have performed at the Melbourne International Comedy Festival; the SXSW (South By Southwest) festival in Austin, Texas; UCB Sunset in Los Angeles and Brooklyn’s Union Hall in New York, as well as touring throughout Britain.

Among their past work is the super-show The Wrestling, where the world’s best comedians step into the ring and wrestle alongside enormous professional wrestlers in Edinburgh and Melbourne.

At last year’s Edinburgh Fringe, they debuted Max & Ivan’s Prom Night, an anarchic, interactive, 1950s’ high-school prom show-cum-party, to a sell-out, thousand-strong crowd in Assembly High, a purpose-designed location. 

Max & Ivan created, wrote and starred in the BBC Radio 4 sitcom The Casebook Of Max & Ivan, attracting such guest stars as Matt Lucas, June Whitfield, Reece Shearsmith and Jessica Hynes, as well as appearing in BBC Two comedy W1A as Ben and Jerry.

“Max & Ivan’s Commitment tour is one of The Times’s picks of 2020,” says Chris. “I’m aware that Max & Ivan are not yet household names, but I would love as many people as possible to catch this 8pm show.”

Tickets cost £14 on 01757 708449 or at selbytownhall.co.uk or £16 on the door from 7.30pm.

What, again, Alan? Yes, Not Again, Alan! tour books third night at York Carrbican

Loud hailer ! Alan Carr announces a third night at York Barbican

WHAT, again, Alan? Tickets have sold so quickly for Alan Carr’s first tour in four years, that Not Again, Alan!, is now, Yes, Again and Again and…Again, Alan, at York Barbican.

Carr, ever-chatty son of former York City footballer Graham Carr, will play three successive Christmas nights in York, newly adding December 17 to December 18 and 19.

Tickets are on sale on 0203 356 5441, at yorkbarbican.co.uk or in person from the Barbican box office.

Since his last comedy travels, chat-show host Carr has “managed to find himself in all sorts of dramas”, apparently. Such as? “Between his star-studded wedding day and becoming an accidental anarchist, from fearing for his life at border control to becoming a reluctant farmer, three words spring to mind…Not again, Alan!” says his tour publicity. “Join Alan on tour as he muses upon the things that make his life weird and wonderful.”

Carr pile-up: Alan Carr to play York Barbican again and again and again

Not Again, Alan! will be Carr’s fourth UK solo show in four-year cycles in the wake of Yap, Yap, Yap’s 200 dates in 2015 and 2016, Spexy Beast in 2011 and Tooth Fairy in 2007. He last brought his chat, chat, chat to York on the Yap, Yap, Yap! itinerary on July 11 2015 at the Barbican.

Later this year, Carr will host Alan Carr’s Epic Gameshow on ITV, wherein five all-time favourite game shows will be supersized and reinvigorated for a new audience: Play Your Cards Right, Take Your Pick, Strike It Lucky, Bullseye and The Price Is Right. In 2020 too, Carr will return to the judges’ panel on the second BBC series of RuPaul’s DragRace UK.

Not again, Alan? Very much again, Alan, as comic Carr confirms York Barbican gigs

Loudhailer! Alan Carr announces a brace of York Barbican gigs for December

HOW does joker Alan Carr feel news of his first tour in four years will be received?

By calling it Not Again, Alan!, the son of former York City footballer Graham Carr supplies his own answer as he announces York Barbican gigs on December 18 and 19.

Since his last comedy travels, chat-show host Carr has “managed to find himself in all sorts of dramas”, apparently. Such as? “Between his star-studded wedding day and becoming an accidental anarchist, from fearing for his life at border control to becoming a reluctant farmer, three words spring to mind…Not again, Alan!” says his tour publicity. “Join Alan on tour as he muses upon the things that make his life weird and wonderful.”

Tickets go on sale on Wednesday at 10am on 0203 356 5441, at yorkbarbican.co.uk or in person from the Barbican box office.

Not Again, Alan! will be Carr’s fourth UK solo show in four-year cycles in the wake of Yap, Yap, Yap’s 200 dates in 2015 and 2016, Spexy Beast in 2011 and Tooth Fairy in 2007. He last brought his chat, chat, chat to York on the Yap, Yap, Yap! itinerary on July 11 2015 at the Barbican.

Later this year Carr will host Alan Carr’s Epic Gameshow on ITV, wherein five all-time favourite game shows will be supersized and reinvigorated for a new audience: Play Your Cards Right, Take Your Pick, Strike It Lucky, Bullseye and The Price Is Right. In 2020 too, Carr will return to the judges’ panel on the second BBC series of RuPaul’s DragRace UK.

10 QUESTIONS FOR GREAT YORKSHIRE FRINGE DIRECTOR MARTIN WITTS

Martin Witts in happier times at the Great Yorkshire Fringe. Picture: Steve Ullathorne

THE comedy is over for the Great Yorkshire Fringe after five summers in York, blaming “city-centre management” for the decision to exit stage left.

In a formal statement, founder and director Martin Witts said: “Our experience of sponsoring, curating and managing an event in this small city of ours has led to the conclusion that until a well-managed and efficient is implemented, a festival of our size cannot thrive and does not have a place in York.”

Here Martin, who also runs the Leicester Square Theatre and Museum of Comedy in London, answers Charles Hutchinson’s questions.

1.What made you take this decision, Martin?

“My patience with all the red tape ran out of time. It was the same things every year, no matter what you try to do to address the most critical things on the Parliament Street village green site. Access. Drainage. The licence. Security.  What we were required to do changed every year.

“Right from the start, there were frustrations. We wanted to start the festival in 2014, but it took a year to get the licence from the city council for Parliament Street.”

2.What would constitute a “well-managed and efficient city-centre management”?

The City of York Council, Make It York and York BID are all involved in how the city centre is run. Everyone has great intentions, but there are too many chiefs, not enough Indians, and it’s got too complicated. That’s the frustration.”

3.Sean Bullick, managing director of Make It York, says he would “welcome the opportunity to discuss options with you to bring the event back”. Will you have that discussion?

“I had a meeting with Sean and Charlie Croft [assistant director of communities and culture at City of YorkCouncil] last year to say this needs to be resolved, but we still had problems at last summer’s festival with the drainage provision for the toilets.”

4. Last summer, some people said the ticket prices were high; some reckoned the quality of the newer acts had lowered; others felt the same names kept returning.  Your thoughts?

“We had no complaints about the festival content or the programming or the pricing. There were no negative comments from patrons on our social media and in the box-office day book. Indeed, only positives. The average ticket price remained the same.

“But there was a drop in audience numbers certainly, when the Shakespeare’s Rose Theatre, running at the same time at the Castle car park, had an impact.”

5. Do festivals have a natural cycle, especially when the fickle world of comedy is prone to “the new rock’n’roll” going in and out of fashion?

“No, I disagree with that. Comedy always has a new audience and new acts. You only have to see the popularity of the New Comedian of the Year award we ran each year.

“Comedy is always changing, but people like to keep seeing their favourite comedian too.”

6.Emotionally, how do you feel about calling a halt to the Great Yorkshire Fringe after five years?

“I’m incredibly disappointed to be having to do this. You should see the messages I’ve had from the volunteers who worked for the Fringe saying it was the highlight of their career. It was the highlight of my career too.

“In an ideal world, if it had been easier, if there wasn’t the problem of the structure of the city-centre management, we would like to have continued the festival, but your patience runs out in the end when you want things to run smoothly.”

7. What did you achieve?

”We were committed to running the festival for five years and you hope that after those five years, you’ve covered your costs, broken even, and established yourself, which we had – and we proved Parliament Street could be a village green with shows and all the food and drink stalls.”

8. Would you consider taking the Great Yorkshire Fringe to another great Yorkshire city?

“No, absolutely not. I’m not planning to move it to Leeds. This festival was always designed for the city of York, the city where my family is from. York is the capital city of Yorkshire; the second city of the world.”

9. You say you will “continue to invest in the cultural scene of York”. In what ways will you do this?

“We’ll continue to do events in York, but not hold the festival, but do them in the spirit of the Great Yorkshire Fringe. We’ll probably have a year off but we’ll support The Arts Barge by doing a couple of things with them in York this summer.”

10. What else is happening in the world of Witts right now?

“We’re opening a scenery workshop in Pocklington, and I’ve bought the contents of the Goole Waterways Museum after it went into liquidation. We might look at doing something with antiquities and artefacts there.”

Chief of mischief Mark Thomas has 50 Things About Us he wants to say on tour

Satire this way: mischief-maker Mark Thomas has 50 Things About Us he wants to get off his chest. Pictures: Steve Ullathorne

MISCHIEF-MAKING activist comedian, satirical writer, political agent provocateur, TV and radio presenter, journalist and podcaster Mark Thomas sets out on his 50 Things About Us: Work In Progress tour on January 23.

Among the 54 dates are The Crescent, York, on March 4 and Leeds City Varieties Music Hall on April 9 as the South Londoner combines his trademark mix of “storytelling, stand-up, mischief and really, really well researched material to examine how we have come to inhabit this divided wasteland that some of us call the United Kingdom”.

Thomas, 56, will be picking through the myths, facts and figures of our national identities to ask how we have so much feeling for such a hollow land. “Who do we think we are?” he ponders.

Mark Thomas: keeping an eye on the state of the nation

50 Things About Us is billed as “a show about money, history, songs, gongs, wigs, unicorns, guns, bungs, sods of soil and rich people, in the vein of The Manifesto-meets-sweary history channel”.

Thomas has made his mark down the years by stopping arms deals; creating a manifesto and bringing the winning policy to parliament; walking the entire length of the Israeli wall in the West Bank and setting up a comedy club in the Palestinian city of Jenin.

He has hosted six series on Channel 4, alongside several television documentaries and radio series; written books; grabbed a Guinness World Record; sold out numerous tours; won awards aplenty; nabbed himself a Medal of Honour and succeeded in changing some laws along the way. 

His Work In Progress tour also takes in further Yorkshire gigs at Hebden Bridge Trades Club, February 16; Sheffield Memorial Hall, March 1, and Wakefield Theatre Royal, March 5. Box office: York, 01904 622510 or at thecrescent.com; Leeds, 0845 644 1881 or cityvarieties.co.uk; Hebden Bridge, 01422 845265 or thetradesclub.com; Sheffield, 0114 278 9789 or sheffieldcityhall.co.uk; Wakefield, 01924 211311.

Look who’s coming to Selby Town Hall’s biggest ever spring season…

Be prepared for Lucy Porter: she is playing Selby Town Hall on June 6

SELBY Town Hall’s spring season will be its biggest ever with 27 live shows between February and the start of June, plus a trio of Edinburgh Fringe previews in July.

“There’s the usual mix of folk, Americana, stand-up, pop, rock, theatre and more with chart-toppers, cult indie royalty, a Grammy winner, the radio voice who guided my teenage pop dreams, a primetime impersonator tinkling the ivories and even a 13-piece orchestra,” says Selby Town Council arts officer Chris Jones.

“We had a good end to 2019 with a surprise listing in the Guardian as one of the UK’s best tiny venues and that seems to have spilled over into 2020 with strong early sales. It’s full steam ahead.”

The programme’s headline stars include punk princess, actor, television presenter and Top Ten hit maker Toyah with her stripped-back Acoustic, Up Close & Personal show on February 21; Mark Radcliffe: Loser?, a solo show of words and songs from the BBC6 Music and Radio 2 presenter, on April 2, and impersonator Alistair McGowan, in his new-found guise as a classical pianist, in The Piano Show on May 22.

Guitarist Gordon Giltrap’s re-scheduled date is confirmed for February 29; cult Eighties’ indie icon, John Peel favourite, Scouse maverick and The Mighty Wah! frontman Pete Wylie presents a duo show of hits and stories on March 14, and Dire Straits founding member David Knopfler, now plying his trade as a singer-songwriter, performs with Harry Bogdanovs on May 27.

Me and my mum: Arabella Weir in her debut stand-up show

On the comedy front, The Fast Show star turned bestselling author Arabella Weir plays the smallest date on her first ever stand-up tour, the confessional Does My Mum Loom Big In This?, on February 28; Paul Sinha, one-time Grand Opera House, York, pantomime villain, comic and quiz sensation from The Chase, performs Hazy Little Thing Called Love on March 21; and Jo Caulfield discusses unreasonable neighbours, call centres, snobby ghosts, prosecco drinkers, being married forever and rude children in Voodoo Doll on May 1.

BBC New Comedy Award winner, To Hull And Back sitcom writer and Hull native Lucy Beaumont spins surreal anecdotes about bubble wrap, boxing, boobs and believing in UFOs or not in Space Mam, her return to live stand-up after a four-year hiatus, on April 17.

Always space for Hull humorist Lucy Beaumont

“The season also includes one of the biggest successes from last year’s Edinburgh Fringe, comedy duo Max & Ivan, on February 7,” says Chris. “Their show Commitment was named the fourth best comedy performance of 2019 by the Guardian and has just been listed as one of the comedy highlights of 2020 by The Times.

“There’ll be more laughs from BBC Radio 4 favourite Lucy Porter in Be Prepared, her show on how ‘life turned out to be slightly more complicated than Brown Owl let on’, on June 6; classically moulded British eccentric Tim FitzHIgham in Pittancer Of Selby on April 8, and Nineties’ comedy pin-up turned philosophical raconteur Rob Newman in Rob Newman’s Philosophy Show: Work In Progress on May 16.

Rob Newman: philosophical work in progress

“Rob will be trying out material for the next series of his award-winning BBC Radio 4 stand-up philosophy programme Total Eclipse Of Descartes.”

Jones always has a strong hand of American folk and roots music acts each season. “This spring is no different with performances from Grammy-winning Californian bluegrass icon Laurie Lewis and her band The Right Hands on May 21; singer-songwriters Bronwynne Brent and Rachel Baiman on March 6 and May 28 respectively and the sunshine melodies and harmonies of Illinois indie-Americana quintet The Way Down Wanderers on April 10,” he says.

Tim FitzHigham and Duncan Walsh Atkins in their Flanders & Swann show

Selby Town Council commemorates the 75th anniversary of VE Day with a concert in Selby Abbey by the Grimethorpe Colliery Band on May 9, preceded by Tim FitzHigham and Duncan Walsh Atkins’s Flanders & Swann show, At The Drop Of A Hippopotamus, on May 8 at Selby Town Hall.

The venue plays host to its first ever orchestral performance when a 13-piece ensemble from the Northern Chamber Orchestra plays on April 7, with cellist, baritone and actor Matthew Sharp as the host.

Yorkston Thorne Khan, pictured right to left, playing Selby Town Hall in March

“As well as being our biggest ever programme of events, this spring season is also one of our most eclectic,” says Chris. “I’m particularly excited to welcome one of the most inventive and cool acts on the folk scene right now, Yorkston Thorne Khan, on March 20, when they promote their new album Navarasa: Nine Emotions.

“They mix an incredible array of sounds, from Scottish traditional to Indian classical, and are signed to the same label as Arctic Monkeys and Franz Ferdinand!

“We’re also delighted to open up the season on February 1 with a rare show for a great folk-rock supergroup, The Sandy Denny Project, brought together by Fotheringay MkII’s PJ Wright and The Poozies’ Sally Barker to celebrate one of Britain’s greatest ever singers.”

Nashville singer-songwriter Rachel Baiman

Further dates for the diary are Celtic band The Tannahill Weavers, with their ballads and lullabies on St Valentine’s Day, February 14, guitar duo Ezio on March 5; and Martin Turner: Ex Wishbone Ash, performing his former band’s 1971 album Pilgrimage in its entirety on March 28.

Reform Theatre present Midsommer, playwright David Greig and singer-songwriter Gordon McIntyre’s collaborative piece about two mid-30s, messed-up strangers – failing car salesman/poet Bob and divorce lawyer Helena – embarking on a lost weekend of debauchery, bridge-burning, car chases, wedding bust-ups, midnight trysts and hungover self-loathing, on April 25.

Key signing for Selby Town Hall: impressionist turned piano man Alistair McGowan

Edinburgh Fringe comedy previews with two comics each night will be held on July 11, 18 and 25, with tickets going on sale in the spring.

This season’s National Theatre Live screenings will be Cyrano de Bergerac, starring James McAvoy, on February 20, and Lucy Kirkwood’s bold new thriller The Welkin, starring Maxine Peake and Ria Zmitrowicz, on June 4.

Pete Wylie: singing Story Of The Blues and telling stories at Selby Town Hall on March 14

“From comedy to rock, bluegrass to theatre, orchestral to music hall and much, much more, there’s a huge array to choose from at Selby Town Hall this spring season,” concludes Chris.

Tickets are on sale on 01757 708449, at selbytownhall.co.uk or in person from the town hall.

OPINION: Is Martin at his Witts’ end or could the Great Yorkshire Fringe rise again?

EVERY gag has a punchline, but sometimes, as Morrissey once sang, that joke isn’t funny anymore, and so the Great Yorkshire Fringe has had its last laugh in York after five years.

Founder and director Martin Witts, a hugely experienced impresario who runs the Leicester Square Theatre and Museum of Comedy in London, but whose home and heart are in York, cuts a frustrated figure in his reasoning.

“Our experience of sponsoring, curating and managing an event in this small city of ours has led us to the conclusion that until a well-managed and efficient city-centre management is implemented, a festival of our size cannot thrive and does not have a place in York,” he said in his formal statement.

Loosely translated, that means red tape, whether applied by the City of York Council or its cultural ambassador, Make It York.

Were his grievances insurmountable? Did they leave him at his Witts’ end? Or is there more to it than that?

Last summer, there was no longer enough room at the St Sampson’s Square end of Parliament Street to accommodate The Turn Pot tent to complement the White Rose Rotunda spiegeltent and The Teapot tent on the festival village green, and so the festival spread out to more locations than ever before across the city. On the one hand, that increased the festival profile; on the other, crucially it dissipated its central meeting ground.

Some people said the ticket prices were high, some reckoned the quality of the acts had lowered, especially among the newer, burgeoning acts making their way to the Edinburgh Fringe; others felt the same names kept returning.  

In other words, festivals have a natural cycle, and the fickle world of comedy is particularly prone to “the new rock’n’roll” going in and out of fashion.

Could Martin Witts take the Great Yorkshire Fringe to another Yorkshire city? Possibly, but more likely he will deliver on his promise to continue to invest in the cultural scene of York with high-quality individual events, although a spiegeltent festival would be most welcome too.

Charles Hutchinson

Copyright of The Press, York