On the run: Pilot Theatre in Manjeet Mann’s teenage drama Run, Rebel. Picture: Pamela Raith
A TEENAGE rebel, a vintage murder mystery, panel games, circus and singing feats and a diverse women’s festival command Charles Hutchinson’s attention.
Play premiere of the week: Pilot Theatre in Run, Rebel, York Theatre Royal, 7pm, Tuesday, Wednesday and Friday; 1pm, Wednesday to Friday; 2pm, Saturday
SCHOOLGIRL Amber Rai is trapped by her family’s rules, their expectations, her own fears, but on the running track she is completely free. As her body speeds up, the world slows down, the tangled lines in her head becoming straighter.
York company Pilot Theatre combine physical theatre and mesmerising visuals in Manjeet Mann’s stage adaptation of her verse novel, suitable for age 11 upwards, as she addresses domestic violence, alcoholism, bullying and discrimination. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Blue diamond ceramic by Ilona Sulikova at Pyramid Gallery, York
Exhibition of the week: Abstract, Pyramid Gallery, Stonegate, York, until March 28, open 10am to 5pm, Monday to Friday; 10am to 5.30pm, Saturdays
CZECH-BORN York ceramacist Ilona Sulikova will be at Pyramid Gallery today from 12 noon to 2pm to meet gallery visitors and give an insight to her large, full-bodied raku-fired vessels , decorated with intricate geometric patterns that repeat, expand and contract as they progress. “The intention is to create sequences of rhythm and movement,” she says.
Abstract complements ceramics by Sulikova and Carolyn Genders with oil paintings by Kimbal Bumstead and glass sculptures by Crispian Heath, Yuki Kokai and Jon Lewis.
Elysian Singers: Psalms, sonnets and songs at the Unitarian Chapel
Concerts at the double: Late Music presents Ruth Lee, Harp Recital, March 4, 1pm to 2pm; Elysian Singers, Psalms, Sonnets And Songs, March 4, 7.30pm; both at St Saviourgate Unitarian Chapel, York
IN an afternoon concert of folk-inspired new music for harp, Ruth Lee premieres a David Lancaster work, visits Eleanor Turner’s Alice In Escher’s Wonderland and gives a rare performance of Hindemith’s Sonata for Harp (First Movement).
At night, the Elysian Singers present a tripartite modern take on the milestone publication of William Byrd’s Psalmes, Sonnets and Songs Of Sadness and Piety in 1588. Composer Nick Williams gives a pre-concert talk at 6.45pm ahead of the premiere of his new work. Tickets: latemusic.org or on the door.
Rachael Maskell MP: Taking part in York International Women’s Week
Festival of the week: York International Women’s Week, March 4 until March 12
UNDER the theme of Solidarity, York International Women’s Week embraces live and online events. A full programme is available at yorkinternationalwomensweek.wordpress.com or in print from community venues, libraries, cafés and independent shops.
Among the highlights will be End Period Poverty: A Community Conversation in the Priory Street Centre on March 10 from 6.30pm to 8.30pm. Confirmed for the panel are chair Justine Hughes, activist and period queen Anna Johnston, York Central MP Rachael Maskell, Freedom4Girls’ Tina Leslie and YorKits’ Janice Lawson.
I’m Sorry I Haven’t A Clue: Host Jack Dee and his panellists Tony Hawks, Pippa Evans, Marcus Brigstocke and Milton Jones at York Barbican
Spoilt for choice at York Barbican: Cirque, The Greatest Show, March 5, 1pm and 5pm; I’m Sorry I Haven’t A Clue, March 6, 8pm; Giovanni Pernice: Made In Italy, March 9, 7.30pm
MUSICAL theatre meets circus spectacle in Cirque, where West End and Broadway hits combine with aerialists, contortionists, and feats of agility and flair.
Droll Jack Dee hosts BBC Radio 4’s antidote to panel games, setting the challenges to Tony Hawks, Pippa Evans, Milton Jones and Marcus Brigstocke. Cue inspired nonsense, Mornington Crescent and musical accompaniment from Colin Sell.
Strictly Come Dancing 2021 professional champ Giovanni Pernice journeys to his homeland in Made In Italy, promising hot, hot, hot action with his ensemble of ballroom dancers and singers. Box office: yorkbarbican.co.uk.
Giovanni Pernice: Made in Italy, performing in York
Murder mystery in York: The Mousetrap, Grand Opera House, York, March 6 to Saturday, 7.30pm plus 2.30pm Wednesday and Saturday matinees
AGATHA Christie’s mystery The Mousetrap, “the longest running play in the world”, takes in a return to York’s Grand Opera House on its 70th anniversary tour.
Ian Talbot directs this twisting, turning tale of intrigue and suspense set at Monkswell Manor, a stately countryside guesthouse where seven strangers find themselves snowed in as news spreads of a murder in London. When a police sergeant arrives, the guests discover – to their horror – that a killer is in their midst, but whodunnit? Box office: atgtickets.com/york.
Conducting enquiries: Joseph Reed as Detective Sergeant Trotter in Agatha Christie’s The Mousetrap at Grand Opera House, York. Picture: Matt Crockett
Soulful musical journey of the week: Arsen Petrosyan, National Centre for Early Music, St Margaret’s Church, Walmgate, York, March 10, 7.30pm
ARMENIAN duduk specialist Arsen Petrosyan returns to the NCEM after his Making Tracks showcase there. This time he leads his quartet, featuring Astghik Snetsunts (on qanun), Avetis Keoseyan (dhol/percussion) and Vladimir Papikyan (santur), through Armenian traditional, early, classical and sacred music.
Hokin Janapar: My Soul’s Journeyis his nostalgic exploration of the music that has stirred his soul in turbulent times, reflecting the continued odyssey of his nation on the border between Europe and Asia. Box office: 01904 658338 or ncem.co.uk.
Arsen Petrosyan: Playing Armenian duduk music at NCEM, York
The great gig in the café: 50 Years of Dark Side Of The Moon: Vinyl Listening Party, FortyFive Vinyl Café, Micklegate, York, March 23, 6pm to 7pm
CELEBRATING 50 years of one of the greatest albums of all time, FortyFive Vinyl Cafe is marking this momentous occasion by inviting you to bask in an early second issue of the original 1973 pressing of Pink Floyd’s Dark Side Of The Moon.
“These copies were produced for a short time only, between first pressing and first repress,” explains Dom White, from FortyFive. A short break for drinks will bridge the gap between Sides 1 and 2, the other side of the ‘Moon’. Reissued vinyl copies of the album will be for sale, along with a new book detailing the vinyl pressing history. Entry is free.
Dark Side Of The Moon: Welcome to the Pink Floyd Listening Party at FortyFive Vinyl Café, York
Creature From The Bottom Of The Ouse, by Lincoln Lightfoot
ALIENS, dinosaurs and King Kong invade the Grand Opera House box office as York artist Lincoln Lightfoot explores surrealist concepts reminiscent of the absurdist poster art for the Fifties and Sixties’ B-movie fixation with comical science-fiction disasters.
Depicting unusual happenings with large beasts, staged in familiar settings and on iconic architecture, from York Minster to the Angel of the North, Lightfoot’s artwork escapes from everyday problems to tap into the fears perpetuated by the news media and politicians alike in a post Covid-19 world.
Lightfoot’s paintings parody religious apocalyptic scenes circa 1800, such as the work of John Martin, while his storybook illustrations explore detailed pen work and bright block colour.
Lightfoot’s journey into the fantastical began while studying Fine Art at York St John University. After achieving a PGCE in art, craft and design and leading an art & design department in a north-eastern school, he is pursuing his love for art and the surreal full time, showcasing his work in such York exhibitions as Under Siege and Revelation. Now his paintings are just the ticket for theatregoers in Cumberland Street.
York artist LIncoln Lightfoot with his alien artwork at his 2022 exhibition, Revelation, at Micklegate Social, York. Now his creatures from beyond are moving into the theatre world
As past and future collide in Lincoln Lightfoot’s art for today, CharlesHutchPress heads out into the maelstrom to track down the visionary artist among the marauding T-Rex
What inspired such nightmare visions of York and the north in your paintings, Lincoln?
“During the late B-Movie era, the Cold War kept us in perpetual fear of extinction from nuclear Armageddon until the fall of the Berlin Wall and the dissolution of the Soviet bloc.
“Today we have growing similarities re-emerging due to the conflict in the Ukraine, which threatens to spill over into the wider world. Through engagement with art, we can deal with these nightmares.
“Children confront and make sense of a dangerous world through stories and rhymes and are taught of danger through the safe spaces of literature and illustration, which deal with anecdote and myth.”
How does your art respond to that world?
“My artworks attempt to highlight these fears through a safe and comical lens. Juxtaposed with scenes of our storybook city, it’s not hard to imagine incredible things happening in this part of the world because they already have.
“Walking through York’s streets and passageways, our past heritage resonates in the present. Popular with shoppers and scholars alike, high art co-exists with popular culture.”
How did this Grand Opera House exhibition come about?
“I was fortunate enough to be approached by Allie Long, who works for the Opera House. She invited me to exhibit. She has a collection of my work at home, and when the opportunity arose to fill the box office with artwork, she thought my work would be a good fit. On show is a collection of three large oil paintings from my Revelation exhibition that showed at Micklegate Social last May.”
Close Encounters, by Lincoln Lightfoot
Do you go to the theatre…or are you more of a movie man, given that your images have a cinematic quality?
“As a child I attended a lot of theatre productions. My dad was heavily involved in theatrical groups and my brother and I attended Stagecoach, where we would have drama, dance and singing lessons.
“It opened many doors for me and I had the opportunity to perform as one of the Snow Children in Carousel at the Darlington Hippodrome Theatre and did some smaller production too.
“Unfortunately, it failed to make any sort of long-term impact, but I do still enjoy going to the theatre. I would say that I’m probably more of a movie man, but this may be down to the accessibility and what can be achieved in film. I still really enjoy the theatre and intend to attend more.”
What exhibitions are coming up for you in 2023? York Open Studios, perhaps?
“Yes, I’ll be taking part in York Open Studios 2023! This should be an opportunity for visitors to my studio, in Brunswick Street, to engage with some new large paintings!
“I’m hoping to have a large solo exhibition in the summer, which will debut a new series, alongside some old favourites and potentially some 3D pieces. I’m toying with a couple of venues but need a large space. Any one of the empty buildings in town would be amazing, so if anyone has any venue ideas, please get in touch via lincoln.lightfoot@hotmail.co.uk.
“I also have work exhibiting alongside two more York artists in The Arthouse [fellow artist Sharon McDonagh’s holiday let in a Victorian terraced house in Railway Terrace, Holgate, York].”
You are developing a new series of works created in oil on circular boards. What do you like about this design shape?
“I’ve chosen to pursue creating circular pieces as initially this was something new and exciting that I haven’t attempted before. I feel that the circle has certain biblical connotations and hope that it will lend itself to a heightened sense of mystery.
Land Of The Lost, by Lincoln Lightfoot
“I’m even toying with the idea of incorporating gold leaf into those sickly yellow skies but am yet to experiment with this. A lot of these pieces will involve writhing tentacles and the circular shape should complement the rhythm created within.
“I initially came up with the idea when studying Caravaggio’s Medusa’. I’m hoping to replicate some of the style without the violence. Any violence would merely be suggested. I’m still hoping to suggest science-fiction comedy.
“I’ve fallen in love with the 20,000 Leagues Under The Sea poster and now have the French version hanging in my bathroom. I’m sure this will inspire some of the imagery.”
How does the circular differ in impact from the rectangular?
“The use of circular boards breaks away from the expected. You’re immediately dealing with different rules of composition. What is aesthetically pleasing in a rectangle may not be in a circle and vice versa, for example.”
Will the design influence the subject matter too?
“I’m intending to return to and improve a successful line of illustrations, which I’ve informally entitled the ‘It Came From…’ series. So, there’ll be some familiar ideas and imagery but hopefully executed in a more compelling way. There’ll also be some new ideas too.”
Under what title will you exhibit these new works?
“I’m hoping to show them under the title ‘Encircled’ (inspired, I know!) this summer. I do have a number of venues in mind. I love the space in the Den at Micklegate Social and feel it fits the vibe of my work extremely well.
“It may be that these circular pieces make their debuts as Encircled and that my entire collection is exhibited in a large gallery setting alongside illustration, large murals and 3D pieces.”
Lincoln Lightfoot is exhibiting in the Grand Opera House box office, in Cumberland Street, York, until May 31. The box office is open 90 minutes before each show.
NEWSFLASH: 20/4/2023
LINCOLN Lightfoot will present a 90-minute Grand Opera House Creative Learning artist talk and workshop on May 4 at 6pm. Tickets can be booked at: atgtickets.com/shows/artist-talk-and-workshop-with-lincoln-lightfoot/grand-opera-house-york/.
THE cook, the dinosaurs, the pots and the mums serve up a week of cultural contrasts, as recommended by Charles Hutchinson.
Exhibition of the week: Lincoln Lightfoot, Grand Opera House, York, until May 31
ALIENS, dinosaurs, UFOs, even King Kong, invade the Grand Opera House box office as York artist Lincoln Lightfoot explores surreal concepts reminiscent of the poster art for the Fifties and Sixties’ B-movie fixation with comical science-fiction disasters.
Depicting unusual happenings with large beasts, staged in familiar settings and on iconic architecture, from York Minster to the Angel of the North, Lightfoot’s artwork escapes from everyday problems to tap into the fears perpetuated by the news media and politicians alike in a post Covid-19 world.
Artist LIncoln Lightfoot surveys his dinosaurs towering over York Minster in an earlier exhibition at The Den at Micklegate Social, York
The gig of the week: Courtney Marie Andrew, Leeds Brudenell Social Club, Wednesday, doors 7.30pm
PHOENIX singer, songwriter, poet and artist Courtney Marie Andrews initially approached making her latest album, Loose Future, by composing a song every day. Feeling “the sounds of summer” flowing through her writing in a Cape Cod beach house, she collected material imbued with romance, possibility and freedom for recording at Sam Evian’s Flying Cloud Recordings studio in the Catskill Mountains, New York State.
Dipping in the creek every morning before proceeding, she wanted to embody the feeling of letting love in after the break-up reflections of 2020’s Old Flowers. Hear the results in Leeds. Box office: brudenellsocialclub.co.uk.
Courtney Marie Andrews: Plunging into new love in her Loose Future songs at Leeds Brudenell Social Club
Topical monologue of the week: Black Treacle Theatre in Iphigenia In Splott, Theatre@41, Monkgate, York, Wednesday to Saturday, 7.30pm and 2.30pm Saturday matinee
GREEK myth meets modern reality in Gary Owen’s “horribly relevant” one-woman drama Iphigenia In Splott, set in contemporary Cardiff and rooted in the ancient tale of Iphigenia being sacrificed by her father to placate the gods.
Under the direction of Jim Paterson, York company Black Treacle Theatre presents Livy Potter in this 75-minute monologue about Effie, whose life spirals through a mess of drink, drugs and drama every night, and a hangover worse than death the next day, until one incident gives her the chance to be something more. Box office: tickets.41monkgate.co.uk.
Livy Potter: “Spiralling through a mess of drink, drugs and drama every night” in the role of Effie in Gary Owen’s monologue Iphigenia In Splott
Food for thought: Prue Leith: Nothing In Moderation, Grand Opera House, York, Thursday, 7.30pm
“I’M probably nuts to try it, but it’s huge fun,” says Dame Prue Leith as she mounts her debut tour at the age of 83. Nothing is off the menu as she shares anecdotes of the ups and downs of being a restaurateur, food writer, novelist, businesswoman and Great British Bake Off judge.
For the first time, Dame Prue tells tales of how she has fed the rich and famous, cooked for royalty and even poisoned her clients, while singing the praises of food, love and life. Audience questions will be answered post-interval. Box office: atgtickets.com/york.
Cook’s confessions: Prue Leith opens up in Nothing In Moderation on her debut theatre tour
The show that comes with strings attached: Chloe Bezer in The Slow Songs Make Me Sad, York Theatre Royal Studio, Friday, 7.45pm
CELLIST, writer and theatre maker Chloe Bezer’s “rollicking night of cabaret storytelling about post-natal depression” is her chance to make her mark, deal with the big stuff, and leave an inheritance before she is an ex-cellist and theatre maker.
Refusing to stay silent over the stuff usually kept quiet, and resolutely life affirming, Bezer addresses unrecognised hardships faced by new mothers, complicated relationships with making music and the question of what we leave behind. Cue clowning, heartfelt stories and raucous cello songs. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Writer, performer, musician and mother: Theatre and home maker Chloe Bezer in a whirl in The Slow Songs Make Me Sad
Mum’s the word: Mumsy, Hull Truck Theatre, Thursday to March 25
AS part of Hull Truck’s 50th anniversary programme, Hull playwright Lydia Marchant delivers the world premiere of Mumsy, wherein Sophie (Jessica Jolleys), her mum Rachel (Nicola Stephenson) and nan Linda (Sue Kelvin) battle through the friendship, drama and love of mother-daughter relationships.
“What a privilege to be directing this funny, warm, authentic new play,” says director Zoe Waterman. “Crammed into a one-bed flat in Hull with rising bills and decreasing wages, three generations of women push at their circumstances – and sometimes each other – to let their dreams soar.” Box office: 01482 323638 or hulltruck.co.uk.
Not keeping mum: Sue Kelvin, as nan Linda, in rehearsal for Hull Truck Theatre’s world premiere of Lydia Marchant’s Mumsy
Top of the pots: York Ceramics Fair, York Racecourse, March 4 and 5,10am to 5pm
THE Craft Potters Association has curated artworks from 60 prominent British ceramicists and potters, hailing from Cornwall to Scotland, for the return of York Ceramics Fair after a Covid-enforced short break.
Among the Yorkshire makers there will be Ruth King, Loretta Braganza and Emily Stubbs, from York, Katie Braida, from Scarborough, Penny Withers, from Sheffield, and fair chair Anna Lambert, from Keighley. Both Emily and Katie will be giving a demonstration. For tickets and a full list of exhibitors, go to: yorkceramicsfair.com.
Emily Stubbs: Taking part in the York Ceramics Fair at York Racecourse
High old time of the week: Attic Theatre Company presents James Rowland in Learning To Fly, Helmsley Arts Centre, March 4, 7.30pm
COMBINING theatre, comedy and music in his new show, James Rowland tells the story of a remarkable friendship he made when he was a lonely, unhappy teenager with the scary old lady who lived in the spooky house on his street.
“It’s about connection, no matter what the obstacles; about love’s eternal struggle with time; about music and its ability to heal,” says Rowland. “It’s also about her last wish: to get high once before she dies.” Box office: 01439 771700 or helmsleyartscentre.co.uk.
James Rowland: Winging it in Learning To Fly at Helmsley Arts Centre
Comedy coupling incoming: An Evening Shared With Jasper Carrott and Alistair McGowan, Grand Opera House, York, April 16, 7.30pm
COMEDIANS Jasper Carrott and Alistair McGowan join forces to “split the bill and your sides” with a night of stand-up and impressions.
Their pairing for a one-off festival appearance turned out to be a match made in comedy heaven, prompting the decision to tour together. They first played the Grand Opera House in November 2018, when McGowan’s opening set prompted Carrott to say, “I said ‘warm them up’, not boil them!”. Box office: atgtickets.com/york.
York ceramicist Emily Stubbs: Taking part in the 2023 York Ceramics Fair, where she will demonstrate her skills in a 3.30pm session on March 5
FOR next weekend’s York Ceramics Fair, the Craft Potters Association has curated artworks from 60 prominent British ceramicists and potters, hailing from Cornwall to Scotland.
Returning after a short break, the 2023 fair – the fourth so far – will be held in a “bigger and better space” indoors at York Racecourse, Knavesmire Road, York, on March 4 and 5 from 10am to 5pm each day.
Among the Yorkshire makers will be Ruth King, Loretta Braganza and Emily Stubbs, from York, Katie Braida, from Scarborough, and Penny Withers, from Sheffield.
Anna Lambert: Exhibitor and York Ceramics Fair chair, at work in her studio. Picture: Ben Boswell, copyright of Craft Potters Association
York Ceramics Fair is selected and run by and for the makers, who aim to provide an affordable platform that nonetheless showcases the finest makers working in clay today, all seeking to attract seasoned collectors, enthusiasts and home ornament seekers alike.
From porcelain to earthenware, vivacious to tranquil, minimal to complex, abstract to realism, traditional pots to contemporary designs, these hand-crafted artefacts come in all forms, media, shapes and sizes. No commission is taken on sales in this chance to buy directly from the maker.
Anna Lambert, Keighley ceramicist and fair chair, says: “We’re very happy to welcome new and returning visitors and collectors to our new larger venue, with more than 60 selected potters and ceramic artists from across the UK.
RAMP creative collaborators Roop Johnstone and Alice Hartford: Demonstration at 1.30pm on March 4
“York Ceramics Fair outgrew its original home in the Hospitium [Museum Gardens], and after spending some time looking for the right space, we’re happy to say it will be hosted at the iconic York Racecourse. This bright and open venue ticks all the boxes, with a broad range of ceramic artwork at all prices, ease of access and plenty of space for exciting demos, activities and trade stands to browse. Plus for the first time we can offer parking to guests.”
The exhibitors will be: Kirsty Adams; Justine Allison; Julie Ayton; Dee Barnes; Natalie Bell; Steve Booton; Fiona Booy; Loretta Braganza; Katie Braida; Ben Brierley; Jane Cairns; Rebecca Callis; Roger Cockram; Johanne Coker; Dianne Cross; Anthony Dix; Dennis Farrell; Lesley Farrell; Doug Fitch; Miche Follano; Laura Gibbs; Sharon Griffin; James Hake; Jaroslav Hrustalenko; Ruth King; Anna Lambert; Tony Laverick; Roger Lewis and Francis Lloyd-Jones.
Taking part too are: Sophie MacArthy; Juliet Macleod; Hannah McAndrew; Colin Milnes; Sara Moorhouse; Jenny Morten; Eric Moss; Sue Mundy; Stephen Murfitt; Jeremy Nichols; Patrick O’Donohue; Simon Olley; Rachel Peters; Adela Powell; RAMP; Elizabeth Renton; Micaela Schoop; Yuta Segawa; Tokes Sharif; Emily Stubbs; Hiro Takahashi; Joanna Terry; Iona Crawford Topp; Carolyn Tripp; Shirley Vauvelle; Josie Walter; Paul Wearing; Andrea Welsh; Douglas White; Richard Wilson; Penny Withers and Rachel Wood.
Katie Braida: Demonstrating hand-building techniques at 11.30am on March 4
Over the weekend, in the centre of the fair space, informal demonstrations will be held by exhibitors, showing techniques important to their work. On Saturday, at 11.30am, Katie Braida will demonstrate the hand-building techniques she uses for creating her sculptural vessels, as well as how she refines and textures the forms.
At 1.30pm, the slip-decorated earthenware and porcelain-making collaboration of RAMP duo Alice Hartford and Roop Johnstone will work on making and decorating their taller forms to become lamp bases.
Alice will demonstrate her slip decorating techniques, painting thin layers of slip, application of paper stencils and scraffito work. Roop will demonstrate making taller forms on the wheel, using a combination of assembling separate forms and throwing large coils to build a form.
Steve Beeton: Demonstrating how to facet a large moon jar on March 5 at 11.30am
At 3.30pm, Lake District ceramicist James Hake will show how to make a square vase on the wheel. His stoneware is embellished with oriental glazes made using natural materials gathered from the Cumbrian landscape. The firing process creates fluid and dynamic surfaces that draw together his experiments with colour and texture.
Steve Booton will open the Sunday sessions in an 11.30am demonstration that will cover texture and faceting small pots and a large moon jar. At 1.30pm, Hannah McAndrew will show how she slip-trails a piece of flatware while discussing her slip trailers and the way she lays out her designs.
The demonstrations will conclude at 3.30pm with York ceramicist Emily Stubbs, who draws inspiration from her 2D paper collages and sketches. She will demonstrate how she translates these into clay, building up layer upon layer of slips and glazes, using various decorating techniques in clay, such as under-glazing, sgraffito, mono-printing and mark making.
York ceramicist Ruth King: Dedicated more than 40 years to the art and process of making ceramic vessels
Her finished vessels have a similar graphic quality to them, with bold colour, strong line and intuitive mark making. Make a note to visit Emily’s studio in Ambrose Street during the 2023 York Open Studios, open on April 15, 16, 22 and 23, from 10am to 5pm.
Throughout the York Ceramics Fair weekend, a free shuttle bus service will run every 40 minutes from the Memorial Gardens coach stand on Leeman Road, close to the railway station, from 9.30am each day.
Tickets cost £5, under 16s free, at eventbrite.co.uk/e/york-ceramics-fair-2023-tickets-474142331477. For a full list of exhibitors and further details, head to: yorkceramicsfair.com.
Loretta Braganza: York hand-built sculptural potter
Author, illustrator and 2017-2019 Children’s Laureate Lauren Child at the opening of Marvellous & Mischievous: Literature’s Young Rebels at York Art Gallery. Picture: Anthony Chappel-Ross
PIPPI Longstocking. Jane Eyre. Zog. Matilda. Dennis the Menace. A doodling Latin student. All feature in the British Library’s touring exhibition Marvellous and Mischievous: Literature’s Young Rebels, booked into York Art Gallery until June 4.
Showcasing around 40 books, manuscripts and original artwork, this family-friendly show shines a spotlight on rebels, outsiders and spirited survivors from children’s literature spanning more than 300 years.
Drawn from the British Library’s vast collection, Marvellous and Mischievous celebrates cherished characters who break the rules and defy conventions in an invitation for young and old alike to rediscover their storybook favourites and meet new ones in their homes, schools and on journeys.
Bright idea: A child enjoying the activity room at the Marvellous and Mischievous exhibition. Picture: Anthony Chappel-Ross
Among the exhibition highlights are the first British edition of Lucy Maud Montgomery’s Anne Of Green Gables; the first version of George Cruikshank’s coloured illustrations for Charles Dickens’s Oliver Twist, along with artwork for Jacqueline Wilson’s Tracy Beaker (by Nick Sharratt), Lauren Child’s What Planet Are You From, Clarice Bean?, Julia Donaldson’s Zog (by Alex Scheffler), Judith Kerr’s When Hitler Stole Pink Rabbit and Sarah Garland’s Azzi In Between.
Lucy Evans, the British Library’s lead curator for this exhibition, says: “Marvellous And Mischievous is a fun, interactive exhibition all about exploring what makes a young ‘rebel’ in children’s stories.
“They could be a character that resists authority or breaks away from convention. Children’s literature over the past 300 years has shown that rebels come in all shapes and sizes, including children who may struggle to actually rebel and so their quest is more one of survival; these resilient characters are very much part of our story.”
An activity room with a sensory area and play kitchen complements the exhibition, with opportunities for young visitors to create their own rebel tales by dressing up as the Rebel of The School and reflecting on which cause they might back. In addition, they can enjoy a selection of books in a dedicated reading area.
Charlotte Bronte’s original manuscript for Jane Eyre, on display at York Art Gallery. Picture: Charlotte Graham
Fiona Burton, public engagement manager at York Museums Trust, says: “Marvellous and Mischievous is a fun-filled and interactive exhibition, perfect for the whole family. There’s a variety of books on display, and we hope visitors enjoy and feel inspired by their favourite characters, as well as any new ones that they’ll meet along the way.”
Alongside the exhibition, York Art Gallery is offering events and workshops tailored to all ages. Families can unleash their creativity through workshops and activities run in collaboration with Gemma Curry’s Hoglets Theatre, Curious Arts and Cassie Vallance and Janet Bruce’s Story Craft Theatre, purveyors of Wicked Wednesday interactive story-theatre workshops. Make a note, den building with recyclable materials will take place on Earth Day, April 22.
Adults may take part in events such as illustration masterclasses and storytelling workshops, suitable for those looking to develop new skills.
Reading time: A quiet moment with a book amid Literature’s Young Rebels at York Art Gallery. Picture: Antony Chappel-Ross
“York Art Gallery won the [Kids In Museums] Family Friendly Museum Award in 2016 after reopening [following its £8 million refurbishment], and post-pandemic we’re keen to encourage families back into the gallery,” says senior curator Morgan Feely. “For this exhibition, for example, we’re placing the plinths and the labelling lower, with captions for smaller children too.
“Marvellous and mischievous young rebels really appeal to children, and I can’t think of a better young rebel for our times than climate activist Greta Thunberg.”
The exhibition is divided into three sections, each denoted by a colour, yellow for Home, blue for School and green for Journeys. Home, for example, expresses how rebellion often begins in the home, where children may face the challenge of standing up to nasty grown-ups or the need to try to change their circumstances.
Look out too for cut-outs of tropical trees and flying ducks, seats stuck to the walls and bold wallpaper prints, courtesy of the British Library design team.
Act of rebellion: A chance to dress up in the school changing room as a favourite rebel at York Art Gallery. Picture: Charlotte Graham
Myriad rebels are to be spotted from Peter Pan to Heinrich Hoffmann’s The English Struwwelpeter (Shock-headed Peter), David Walliams’s The Midnight Gang to David Roberts’s Dirty Bertie.
In the School Room can be found a John Aggs illustration for Malorie Blackman’s Noughts & Crosses; an animated Dennis the Menace; Charlotte Bronte’s manuscript for Jane Eyre in the most immaculate handwriting and a page from Roald Dahl’s hand-written first version of Matilda, accompanied by one from the type-written sixth version.
[We await the red pen version from the “sensitivity readers” at Dahl’s publishers with all their huffin’ and Puffin over removing language deemed to be offensive to 2023 sensitivities!).
Dahl goes from a nascent Matilda’s “very naughty and not at all nice” hatching of a plot to put itching powder in her classmates’ pants to version six’s more recognisable characteristics of facing up to headmistress Miss Trunchbull and playing pranks on her horrible parents as she challenges adults in charge.
“Dare to be a shining light!”: An inspirational illustration for putative young rebels in the Home room at the Marvellous and Mischievous exhibition. Picture: Anthony Chappel-Ross
For the “tiniest” act of rebellion, seek out the 17th century Latin school textbook with a child’s doodle in the margin.
In the Green Room, journeys in books range from Robert Sabuda’s pop-up design for J M Barrie’s Peter Pan to a Japanese version of Alice In Wonderland in fashionable 1920s’ attire; Yu Rong’s illustration for Qin Wenjun’s Mulan to biographies of Eminent Chinse Woman from George III’s collection.
“What is a rebel?” the exhibition asks. “Is it someone who stands up for their beliefs or likes breaking the rules? Someone who is brave, trying to survive a difficult situation, or just enjoying some mischief?”
All of them, rebels with a cause and applause, as witnessed by diversity of stories writ large on York Art Gallery’s walls and floors.
Marvellous And Mischievous: Literature’s Young Rebels, York Art Gallery, Exhibition Square, York, until June 4. Tickets: yorkartgallery.org.uk. Opening hours: Wednesday to Sunday, 10am to 4pm.
The green room at the Marvellous and Mischievous exhibition: Full of stories of journeys, from Peter Pan to refugees. Picture: Anthony Chappel-Ross
Countering the winter blues: Doubletake Projections’ Colour and Light illumination at York Minster
DARKNESS and light, American and Scottish singers, Yorkshire brass players and a York comedian will draw the crowds in the week ahead, advises Charles Hutchinson.
Light show of the week: Doubletake Projections’ Colour and Light, York Minster, 6pm to 9pm nightly until February 23
DOUBLETAKE Projections are using projection mapping to re-imagine the facade of York Minster’s South Transept in a free public show visible from the South Piazza.
Brought to the city by the York BID (Business Improvement District) to illuminate the cathedral during winter’s dark nights, this immersive digital experience is running on an eight-minute loop. Viewers are invited to stay for as many showings as they wish. No booking is required.
In addition to paying homage to the cathedral’s construction and incorporating nods to local history, York Minster’s medieval stained glass is in the spotlight. Collaged compositions of biblical stories told through the glass is being animated and beamed onto the towering transept walls, shining a new light on the medieval window illustrations.
Using animation techniques and styles, the after-dark projection show showcases elements of the rich historical archives in a new way while emphasising the grandeur and ornate detail of York Minster’s architecture.
Chop chop! Demon barber Sweeney Todd (Neil Wood) and resourceful pie-maker Mrs Lovett ( Julie-Anne Smith) make a fast buck from their tasty venture in a cutthroat world in York Light’s Sweeney Todd. Picture: Matthew Kitchen
Dark show of the week: York Light Opera Company in Sweeney Todd, The Demon Barber Of Fleet Street, York Theatre Royal, Wednesday to March 4, 7.30pm, except February 26; 2.30pm, February 25 and March 4
YORK Light return to York Theatre Royal for a 70th anniversary production of “one of the darkest musicals ever written”, Stephen Sondheim’s noir thriller Sweeney Todd, directed by Martyn Knight with musical direction by Paul Laidlaw.
Neil Wood plays the Georgian-era misanthropic barber who returns home to London after 15 years in exile, seeking vengeance on the corrupt judge (Craig Kirby) who ruined his life. The road to revenge leads him to open new tonsorial premises above the failing pie shop run by Mrs Lovett (Julie-Anne Smith). Cue a very tasty meaty new ingredient to boost sales in this now cutthroat business. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Shepherd Group Brass Band: Performing with the Black Dyke Band at Grand Opera House, York
Fundraiser of the week: York Brass Against Cancer 2, Grand Opera House, York, Sunday, 2.30pm
YORK’S Shepherd Group Brass Band joins up with West Yorkshire’s world famous Black Dyke Band for a charity collaboration in aid of York Against Cancer. BBC Radio Leeds presenter David Hoyle hosts this two-hour concert. Box office: atgtickets.com/york
Belinda Carlisle: Revisiting her decades of hits at York Barbican
California calling: Belinda Carlisle, The Decades Tour, York Barbican, Monday, 7.30pm
NOW living in Bangkok and once the lead vocalist of The Go-Gos, “the most successful all-female rock band of all time”, Los Angelean Belinda Carlisle, 64, has enjoyed chart-topping solo success too with Heaven Is A Place On Earth.
At a gig rearranged from October 2021, hopefully The Decades Tour set list will be taking in Runaway Horses, I Get Weak, Circle In The Sand, Leave A Light On, Summer Rain, (We Want) The Same Thing, Live Your Life Be Free, In Too Deep and Always Breaking My Heart from her eight studio albums. Box office: yorkbarbican.co.uk.
Suzanne Vega: Songs and stories from New York in York on Wednesday night
Storyteller of the week: Suzanne Vega, An Intimate Evening Of Songs And Stories, York Barbican, Wednesday, 7.30pm
2022 Glastonbury acoustic stage headliner Suzanne Vega, 63, plays York Barbican as the only Yorkshire show of the New York singer-songwriter’s 14-date tour.
Emerging from the Greenwich Village folk revival scene of the 1980s, Vega has brought succinct, insightful storytelling to songs of city life, ordinary people and social culture. Her support act will be Tufnell Park folk singer and traditional song archivist Sam Lee. Box office: yorkbarbican.co.uk.
Rob Auton: Send in the crowds in York, Pocklington and Leeds
Crowd pleaser: Rob Auton, The Crowd Show, Theatre@41, Monkgate, York, February 24 (Burning Duck Comedy Club) , 8pm, sold out; Pocklington Arts Centre, May 27, 8pm; Hyde Park Book Club, Leeds, June 5, 7.30pm
CHARMINGLY offbeat York poet, stand-up comedian, actor and podcaster Rob Auton returns home from London on his 2023 leg of The Crowd Show tour. Next Friday’s show is crowded out already but space is available at his Pocklington and Leeds gigs.
After his philosophical observations on the colour yellow, the sky, faces, water, sleep, hair, talking and time, now he discusses crowds, people and connection in a night of comedy and theatre “suitable for anyone who wants to be in the crowd for this show”. Box office: Pocklington, 01759 301547 or pocklingtonartscentre.co.uk; Leeds, hydeparkbookclub.co.uk.
KT Tunstall: A nut in every soundbite on her latest album, showcased at York Barbican on Friday
Doing her Nut: KT Tunstall, York Barbican, February 24, 8pm
SCOTTISH singer-songwriter KT Tunstall returns to York on Friday for the first time since she lit up the Barbican on Bonfire Night in 2016. In her line-up will be Razorlight’s Andy Burrows, on drum duty after opening the gig with his own set.
The BRIT Award winner and Grammy nominee from Edinburgh will be showcasing songs from her seventh studio album, last September’s Nut, the conclusion to her “soul, body and mind” trilogy after 2016’s Kin and 2018’s Wax. Box office: kttunstall.com and yorkbarbican.co.uk.
A tale of love: Will Parsons as Davy and Kayla Vicente as Yvonne in Central Hall Musical Society’s Sunshine On Leith at the JoRo Theatre. Picture: Joly Black (jolyblack4@gmail.com)
You should walk 500 miles for: Central Hall Musical Society in Sunshine On Leith, Joseph Rowntree Theatre, York, February 23 to 25, 7.30pm plus 2.30pm Saturday matinee
SUNSINE On Leith, aka “the Proclaimers’ musical”, is a tale of love; love for family, love for friends, love for romantic partners and love for our homes, as one tight-knit family, and the three couples bound to it, experience the joys and heartache that punctuate all relationships.
Secrets will be revealed, relationships made and lost and broken hearts mended once more, all while singing the songs of Charlie and Craig Reid in this student production by the University of York’s musical theatre society, directed by Romilly Swingler. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
JONATHAN Smith’s exhibition of Landscapes From The Heart Of Yorkshire is running at Village Gallery, Colliergate, York, until March 4.
A self-taught painter based in the Yorkshire Dales, Jonathan paints exclusively in oils and focuses on how the land lies in Yorkshire and Northumberland.
“Art was one of Jonathan’s favourite subjects when he was at Ripon Grammar School, although this was the last time he would receive any formal training,” says gallery owner and curator Simon Main.
“After years as a hobby painter, he turned semi-professional in 2019, since when he has held several exhibitions across Yorkshire region, including in Doncaster, Ilkley, Harrogate, Skipton and Leeds. Last year, he received a Wild Card place on Sky’s Landscape Artist of the Year.”
Spring, Malham Cove, by Jonathan Smith
He is influenced by the 19th century English Romantic painters, the French Barbizon School and the Russian Itinerants, who drew inspiration from nature and sought to capture the beauty of the everyday in the landscapes around them.
In following this style, he adds the concept of “memory painting”, as espoused by American artist John F Carlson. “Once Jonathan has found a scene or motif that inspires, he will sketch and photograph it,” says Simon. “This material is used to outline the final composition in the studio but is then largely abandoned.
“From this point on, the painting is done from memory in the attempt to convey his own feelings directly through the painting. His main focus is to try to eke out the beauty of nature from his surroundings and to show how beauty exists all around us.”
Village Gallery’s opening hours are 10am to 4pm, Tuesday to Saturday.
A fierce-faced warrior at Jorvik Viking Festival, back in York from today
THOSE pesky Vikings are invading again, promising battles and big beards, as Charles Hutchinson wrestles with what to do in half-term week.
Festival of the week: Jorvik Viking Festival 2023, today until February 19
SWORDS and seaxes are being sharpened, shields reinforced, beards groomed and tents prepared as York braces itself for the annual invasion of 9th century raiders, Norse warriors, craftspeople and traders in half-term week.
Welcoming 40,000 visitors each year, Europe’s largest Viking festival takes over the city centre with living history encampments, a combat-and-display arena and a Battle Spectacular on February 18, inspired by Arab writer Ibn Fadlan’s accounts of Viking traders.
Among further highlights will be theBest Beard Competition, today, 11am; Strongest Viking Competition, February 18, 11.15am; March To Coppergate, February 18, 1.30pm, from Dean’s Park; talks and lectures; crafting workshops and a traders’ market. Full details at: jorvikvikingfestival.co.uk
Melanie Watson in Mythos: Ragnarok: Making its York Barbican debut on the Jorvik Viking Festival Fringe
Festival Fringe event of the week: Mythos: Ragnarok, Jorvik Viking Festival, York Barbican, Friday, 7.30pm
MYTHOS: Ragnarok retells mythical tales of the apocalypse through wrestling, yes, wrestling, in a Fringe event new to the 2023 Viking festival programme, presented by Mythological Theatre and Phil McIntyre Live.
Half-brothers Odin and Loki must overcome primordial giants, rivals gods and goddesses and their own ambitions in their quest to seize power over the Nine Worlds through the grappling sport in Mythos’s York Barbican debut. Warning: Contains strobe lighting, scenes of violence, references to death, indirect sexual references, occasional bad language and actors specialising in professional wrestling skills. Box office: yorkbarbican.co.uk.
A chance to dress up as rebel: One of the activities at the Marvellous And Mischievous, Literature’s Young Rebels exhibition at York Art Gallery. Picture: Charlotte Graham
Exhibition of the week: Marvellous And Mischievous, Literature’s Young Rebels, York Art Gallery, until June 4
OPENING just in time for half-term week, York Art Gallery presents the British Library’s touring exhibition of memorable characters from children’s literature.
Favourites such as Pippi Longstocking, Jane Eyre, Matilda, Dirty Bertie, Zog, Tracey Beaker, Peter Pan and Dennis the Menace feature in this exploration of characters who break the rules and defy conventions. Around 40 books, manuscripts and original artwork from 300 years of literary rebels, outsiders and spirited survivors will be complemented by an activity room with a busy programme of workshops and events.
Anastasia Bevan: Soprano soloist at York Guildhall Orchestra’s all-Beethoven concert tonight
Classical concert of the week: York Guildhall Orchestra, York Barbican, tonight, 7.30pm
YORK Guildhall Orchestra will be joined by Leeds Festival Chorus for the Angels’ Hallelujah Chorus, from the oratorio Christ On The Mount Of Olives in a wholly Beethoven night.
The Egmont Overture and Fidelio Overture and the Meeresstille und Glückliche Fahrt setting of two Goethe poems feature too before the climactic, gloriously melodious Symphony No. 9, “The Choral”, billed as “a real work out for orchestra, choir, and soloists” Anastasia Bevan, Sarah Winn, Sam Knock and Matthew Kellett. Box office: yorkbarbican.co.uk.
Dnipro Opera take to the York Barbican stage in Carmen
Ukrainians in York: Dnipro Opera inCarmen, York Barbican, Sunday, 7pm
DNIPRO Opera, from Ukraine, perform Georges Bizet’s opera of fiery passion, jealousy and violence in 19th century Seville in French with English surtitles (CORRECT), to the accompaniment of a 30-strong orchestra.
Carmen charts the downfall of Don José, a naïve soldier who falls head over heels in love with Carmen, a seductive, free-spirited femme fatale, abandoning his childhood sweetheart and neglecting his military duties, only to lose the fickle firebrand to the glamorous toreador Escamillo. Box office: yorkbarbican.co.uk.
The double act that nearly was…and now is: Danielle Reid’s Charlie Chaplin and Jerone Marsh-Reid’s Stan Laurel in Told By An Idiot’s Charlie & Stan
Double act of the week: Told By An Idiot in Charlie & Stan, York Theatre Royal, Tuesday to Saturday, 7.30pm, plus 2pm, Thursday and 2,30pm, Saturday
IN 1910 the unknown Charlie Chaplin and Stan Laurel set sail for New York on a voyage of discovery as part of Fred Karno’s music hall troupe, sharing a cabin and then spending two years together touring North America, with Stan as Charlie’s understudy.
In a fantastical reimagining that plays fast and loose with the facts, Told By An Idiot tells the story of “the greatest comedy double act that nearly was” in Paul Hunter’s homage to the English comedy legends pre-fame, played out by Danielle (CORRECT) Bird’s Chaplin and Jerone (CORRECT) Marsh-Reid’s Laurel in the style of a silent comedy to a Zoe Rahman piano score. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Katie Melia’s Charity Hope Valentine in York Stage’s Sweet Charity
Musical of the week: York Stage in Sweet Charity, Theatre@41, Monkgate, York, Tuesday to Sunday, 7.30pm, except Sunday; 2.30pm Saturday and Sunday matinees
THE John Cooper Studio will be transformed into a seedily seductive Fandango Ballroom from St Valentine’s Day for Sweet Charity, the 1966 Broadway musical with a book by Neil Simon, music by Cy Coleman and lyrics by Dorothy Fields.
Played by Katie Melia, Charity Hope Valentine fantasises about three things in life: romance, luxury and escaping the questionable ballroom clientele. Lovable, gullible and spirited, she longs to find a lover who can sweep her off her feet but Charity keeps handing over her heart and earnings to the wrong man. Hey big spender, box office: tickets.41monkgate.co.uk.
Velma Celli: On song in a night of drag diva belters at Pocklington Arts Centre
Drag show of the week: Velma Celli, Pocklington Arts Centre, Thursday, 8pm
YORK drag queen supreme Velma Celli, alias West End musical actor Ian Stroughair, promises an overindulgent diva fiesta in celebration of the songs, mannerisms and behaviour of Mariah, Whitney, Aretha, Cher, Britney and many more.
Cue cheeky impressions, belting singing and saucy banter from the international star and creator of A Brief History Of Drag, Me And My Divas, Equinox and Irreplaceable (in praise of David Bowie). Box office: 01759 301547 or pocklingtonartscentre.co.uk.
The Forest Awakens: The new hole at The Hole In Wand Yorkmagical golf course
In Focus: The Hole In Wand York on course for more magic at wizard visitor attraction
FORE! Watch out, The Hole In Wand York, the “World’s Most Magical Golf Course”, has a new woodland hole at the Potions Cauldron visitor attraction in the Coppergate Shopping Centre, York.
In a magical makeover, wands have been raised and spells cast to create The Forest Awakens hole and several additions for wizards to enjoy, including a new quest.
Opened last May, the award-winning mini golf venue also has upgraded the tavern area to help with the visitor flow and journey.
For The Forest Awakens, a hole based on the North York Moors National Park’s Dalby Forest, near Pickering, a new scent and soundtrack have been added to the room to create an immersive experience.
The hole places wizards among the trees as they aim for a hole in one, looked on by magical creatures of the darkened and mythical forest.
Chief Wizard Oliver Brayshaw says: “‘We’re excited to reveal the new holes; we know that our visitors are really going to enjoy them. Both Hole 6 and 7 are quite eerie but great fun.
“We have designed and built the holes and upgraded the tavern with the visitor journey in mind to ensure that everyone that visits has a fantastic experience.”
At The Hole In Wand York, in Coppergate Walk, wizard players take on nine magical golf holes. Along the “course” are bubbling cauldrons, magical portals and a giant picture frame where they become part of the painting. Visitors can do cast a Light Spell to illuminate the way in the dark hole and awaken the spirits.
At the end of the adventure, players will find out if they have the magical powers of a Serpent, Basilisk, Unicorn or Wizard. Every player will receive a magic potion gift to take home and hopefully find Grobblenook.
Wizard golf with a potion drink costs from £6.99 per person. The minimum age for players is three and the maximum group size is six wizards with wands. To book tickets, go to: theholeinwand.com/york
York Ice Trail: Taking the theme of A Journey Through Time in 2023
AS the new Ice Age dawns in the city centre, Charles Hutchinson has advice on winter warmers to discover.
Free event of the week: York Ice Trail, York city centre, today and tomorrow, from 10am
YORK Ice Trail’s theme for 2023 invites city-centre visitors to time-travel to prehistoric ages, walk through history and step into the future for A Journey Through Time.
Organised by Make It York, the free trail features ice sculptures sponsored and conceived by York businesses and designed and made by ice specialists Icebox for a second year. Look out for the National Railway Museum’s interactive sculpture in High Petergate celebrating Flying Scotsman’s centenary, one of 36 sculptures standing to attention in York’s streets this weekend. Icebox will be doing live ice carving at St Sampson’s Square.
Free trail maps will be available from the Visitor Information Centre on Parliament Street or can be downloaded online at visityork.org/ice.
The poster for Fool(ish)’s improvised comedy show Fooling Around
Hot date of the week: Fool(ish) in Fooling Around, Theatre@41, Monkgate, York, Tuesday, 7.30pm
JOIN Fool(ish) for Fooling Around, an improvised romantic comedy cum early Valentine’s evening of love, laughter and hand-crafted chaos. Taking audience stories and suggestions, the Chicago-trained York improvisers create a spontaneous series of inspired love-scenes.
From first dates to happy never afters, Fooling Around aims to sweep you off your feet in its off-the-cuff Yorkshire twist on American long-form comedy on the theme of dreams, desires and total disasters. Box office: tickets.41monkgate.co.uk.
Platform for song:Joseph Rowntree Theatre Company’s Hello, Dolly! cast members Jamie Benson as Barnaby Tucker, left, Helen Spencer as Dolly Levi and Stuart Sellens as Cornelius Hackl
Musical of the week: Joseph Rowntree Theatre Company in Hello, Dolly!, Joseph Rowntree Theatre, York, February 8 to 11, 7.30pm and 2.30pm Saturday matinee
KATHRYN Lay makes her JRTC directorial debut alongside musical director husband Martin Lay as the Joseph Rowntree Theatre’s in-house fundraising company kicks off the Haxby Road theatre’s spring season with glitz, glamour and a troupe of tap-dancing waiters in the Broadway classic Hello, Dolly!
Featuring Put On Your Sunday Clothes, It Only Takes A Moment and the title number, Jerry Herman and Michael Stewart’s musical is the JRTC’s most ambitious production to date. NHS psychiatrist Helen Spencer plays Dolly Levi, the strong-willed widow and self-proclaimed match-making meddler, who strives to woo tight-fisted millionaire Horace Vandergelder while spreading joy and confusion among everyone she encounters in 1885 New York. Box office:01904 501935 or josephrowntreetheatre.co.uk.
Reflective:Harry Baker will be feeling Unashamed at The Crescent, York
Poet of the week: Say Owt presents Harry Baker: Unashamed, The Crescent, York, Wednesday, doors, 7.30pm
WORLD poetry slam champion, poet and maths graduate Harry Baker likes to write about the “important stuff”. Hope, dinosaurs, German falafel-spoons and such like.
His work has been shared on TED.com and viewed millions of times worldwide, as well as being translated into 21 languages. Post pandemic lockdowns, he is delighted to be back on stage with his “most heartfelt, playful, unashamedly Harry Bakery” show to date. Box office: thecrescentyork.com.
Richard Dawson: The past, present and future is here at Selby Town Hall
One for the future: Mediale presents: Richard Dawson, Selby Town Hall, February 11, doors, 8pm; on stage, 8.30pm; no support act
AUDACIOUS Northumbrian psych-folk and exploratory rock singer-songwriter Richard Dawson is welcomed to Selby Town Hall for the opening night of Selby Creates’ winter arts programme.
Dawson will be showcasing his latest album, last November’s The Ruby Cord, a grim, sinister vision of times ahead that journeys into an immersive, solipsistic metaverse 500 years from now to complete a trilogy focused on the medieval past (on Peasant), the present (on 2020) and the sci-fi future. Box office: selbytownhall.co.uk.
Steve Knightley: New one-man show in Pocklington
Solo venture of the week: Steve Knightley, Pocklington Arts Centre, February 11, 8pm
ONE half of folk/roots duo Show Of Hands since 1992, Steve Knightley will be performing material that surfaced over two years of isolation and inactivity in his new one-man show.
Insights, anecdotes and a bunch of new songs will attempt to chronicle and draw a line under an “extra episode in all our lives”, alongside Knightley’s headline-refreshed renditions of Bristol Slaver and You’ll Get By and covers of Forever Young and The Boys Of Summer. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Resol String Quartet: Stepping in for the Fitzwilliam String Quartet tonight
Late replacement of the week: Late Music presents Music On The Edge: The Lapins, today, 1pm; Resol String Quartet, tonight, 7.30pm, both at Unitarian Chapel, St Saviourgate, York
AFTER the Fitzwilliam String Quartet unavoidably had to pull out of Late Music’s February evening concert, Fitzwilliam viola player Alan George has found a replacement quartet at very short notice. Step forward the Resol String Quartet, formed at the Royal Conservatoire of Scotland in 2018.
“They came up to St Andrews for a masterclass with us – plus a concert in the town a few weeks later – and everyone was very impressed,” says Alan. “We’ve already recommended them for our university series.”
Resol String Quartet’s alternative programme of string quartet music for tonight features works by Haydn, Julian Broughton and Beethoven and Alasdair Morton-Teng’s arrangements of traditional tunes.
Late Music’s February brace of concerts opens with The Lapins – Susie Hodder-Williams, flute, Chris Caldwell, saxophone, and James Boyd, guitar – performing Music On The Edge at lunchtime.
World premieres of David Lancaster’s Au Lapin Agile, Gwilym Simcock’s Suite for Solo Flute and new works by David Power and Hayley Jenkins will be complemented by the British premiere of Athena Corcoran-Tadd’s Confluence (Hope Is A Boat) and Bach and Tippett pieces. Box office: latemusic.org or on the door.
The Lapins: Performing Music On The Edge at Late Music’s afternoon concert today
Relaxing afternoon: Lillian Hetherington, Mille Mazzone and Michael Capecci,Dementia Friendly Tea Concert, St Chad’s Church, Campleshon Road, York, February 16, 2.30pm
UNIVERSITY of York music students Lillian Hetherington, Mille Mazzone and Michael Capecci play violin and piano works by Wieniawski, Schostakovich and Dvorak.
As usual, 45 minutes of music will be followed by tea and homemade cakes in the church hall in a relaxed afternoon gathering ideal for those who may not feel comfortable at a formal classical concert. No charge but donations are welcome for hire costs and Alzheimer’s charities.
Re-enchanted: Josie Long at the double at The Crescent. Picture: Matt Crockett
Longer time in York: Burning Duck Comedy Club presents Josie Long: Re-Enchantment extra matinee, The Crescent, York, February 18, 3pm
AFTER her 7.30pm gig sold out – as had her last appearance at The Crescent in Lefty Scum – comedian Josie Long has added a matinee performance of Re-Enchantment. Inspired by London feminist writer Lola Olufemi’s sentiment that “after defeat, re-enchantment is necessary”, Josie’s new stand-up set is infused with humanity, compassion and some brief political rants.
The triple Edinburgh Comedy Award nominee, underdog Fringe hero and delirious new mother returns with a show about the changes wrought by time, passion, moving to Scotland and loving the world under – let’s face it – difficult circumstances.
“Josie is one of our all-time favourite comedians, so we’re very excited to bring her new show to York and add an extra matinee show as well,” says Burning Duck promoter Al Greaves. Box office: thecrescentyork.com.
In Focus: York Ice Trail’s 36 sculptures this weekend
A Journey Through Time, Parliament Street – Make It York
Growing The Future, Parliament Street – Dalby Forest
Cash-asaurus T-Rex, Parliament Street – YorkMix Radio
York to London Skyline, Parliament Street – Grand Central
Atey Ate Miles Per Hour, High Ousegate – Ate O’Clock
121 years of making magic, Spurriergate – Grand Opera House, York
Every Moment Matters, North Street – Park Inn by Radisson
Where ever I lay my hat…. , Station Rise – The Grand, York
100 years of LNER, Station Road – LNER
York Quest App: The Roman, Micklegate – York BID
The Enchanted Unicorn, Middletons – The Hole In Wand
Ginny the Dragon, Middletons – York Gin
20,000 Leagues Under the Ouse, Middletons – City Cruises
The Monstrous Chimera, Middletons – Middletons
York Quest App: The Butcher, Kings Staith – York BID
Coppergate Viking, Coppergate Centre – Coppergate Centre
E.T. Comes Home, Piccadilly – Spark: York
York Quest App: Dick Turpin, Walmgate – York BID
Adventure Is Out There, The Stonebow – Hiscox
York’s Chocolate Story Clock, Kings Square – York’s Chocolate Story
Erupted Volcano, Grape Lane – Lucia Bar
The York Rose Diamond by Kay Bradley, Low Petergate – Bradley’s Jewellers
Minus 200 Degrees Coffee, Low Petergate – 200 Degrees Coffee
York Quest App: Anne Lister, Goodramgate – York BID
Gothic Grotesque, Minster Piazza – York Minster
Celebrating 100 years of Flying Scotsman, High Petergate – National Railway Museum
York Quest App: Guy Fawkes, Gillygate – York BID
The Pearly Cow, Clifton – No .1 Guesthouse
Layers of Time, Exhibition Square, St Leonard’s Place – North York Moors National Park
York Quest App: Wally Herbert, Museum Street – York BID
Ryedale Roman Hoard, Museum Gardens – Yorkshire Museums Trust
Greek Minotaur, Lendal – The Judge’s Lodging
Busloads To Love!, St Helen’s Square – York Park & Ride
The Bettys Express Train, Davygate – Bettys
Fire Breathing Dinosaur, St Sampson’s Square – Cut and Craft
Live Carving by Icebox, St Sampson’s Square – York Ice Trail
Fact File
THE last York Ice Trail took place in March 2022 after a pandemic-enforced one-year hiatus. More than 40 ice sculptures lined the city streets, with 25,000 people participating in the trail.
Post-pandemic, York Ice Trail appealed to more residents than pre-pandemic in 2020, increasing from 23 per cent to 39 per cent.
Highlights
THE grounds of Middletons Hotel will be transformed into a mystical world of mythology, including four ice sculptures and photo opportunities throughout the day. York Gin, City Cruises and The Potions Cauldron will be on site, with crafts, competitions and surprise creatures.
Sister proper The Judges Lodgings features an ice sculpture too. Check out the Thwaites Shire Horses in all their finery.
On the anniversary front, the National Railway Museum celebrates Flying Scotsman’s centenary with an interactive sculpture. The Grand Opera House marks 121 years of making musical magic and LNER highlights its 100-year milestone.
York’s chocolate heritage will be rendered in ice with York’s Chocolate Story’s working Terry’s Clock Tower with a hot chocolate twist.
Learn more about York’s history with York BID’s six sculptures, all inspired by York historical figures that can be found on the York Quest app.
Busloads To Love, by main sponsor York Park & Ride, offers the chance to be the driver and take a selfie. The sculpture, celebrating the importance of the bus in public transport, will be situated on St Helen’s Square.
Travel from York to London with Grand Central’s Skyline sculpture, or be transported into another space and dimension with Hiscox’s adventure-bound sit-on space shuttle. For those wanting to go back to the future, discover Ate O’Clock’s DeLorean-inspired Atey Ate Miles Per Hour sculpture.
Live ice carving across the weekend at St Sampson’s Square will show how Icebox’s sculptors bring the ice trail to life.
Quotes
Sarah Loftus, Make It York managing director, says: “York Ice Trail 2023 will spark imaginations, transporting visitors across time and dimension from sculpture to sculpture. Our ice partners at Icebox have done a phenomenal job at bringing the ideas to life and we can’t wait to see all 36 sculptures line the streets of York.”
Councillor Keith Aspden, City of York Council leader, says: “The York Ice Trail brings imaginative, ‘cool’ and unique sculptures to York’s streets and is much loved by residents and visitors, so it’s excellent to see the event return once again. This year’s theme and creations are paying a fitting tribute to York’s rich history and imagination of our local businesses.”
Greg Pittard, Icebox managing director, says: “It is our privilege to be returning as the sculptors for the second year for York Ice Trail 2023. From mammoths to DeLoreans, the carvers have been working non-stop since late-August to deliver A Journey Through Time. This year’s theme has inspired some incredible designs and we can’t wait to unveil all of this year’s ice creations.”
John Godfrey, of First Bus in York, says: “We would encourage everyone planning to come and enjoy the Ice Trail to think about sustainable travel to get here and consider leaving the car at home or using the Park and Ride network. This helps avoid congestion, which makes travel around York easier, especially with such an event creating a bustling and lively atmosphere.”
WHERE does Kentmere House Gallery owner Ann Petherick find her artists, she is often asked.
“The best ones always have to be searched out, and I think I first found John David Petty in Ripon Cathedral, showing a collection of wonderful paintings of doors and windows of Holderness churches,” she says.
Not gregarious by nature, Petty is more often to be spotted outdoors, among the flatlands of the East Riding, where he grew up before moving to the West Riding to become a graphic artist.
Moving back east when he took early retirement, he relishes the solitude, wide landscapes and skies in his artistic pursuits. The results can be seen at Ann’s gallery, in Scarcroft Hill, York, from February 3 to April 2 in his Lost And Found exhibition.
Channel, East End, by John David Petty
“Until I returned in 2008 after 30 years away, I hadn’t fully realised just how much I missed the East Riding and, especially, the River Humber,” says John. “The low-lying land is criss-crossed with drainage channels, and it’s those drains and ditches that keep the Holderness area in a condition that can be farmed.
“I feel a particular connection to these flatlands because it’s here that I grew up: my great grandmother was a servant girl in one of the big farmhouses in the area.”
In Holderness, the landscape is agricultural and intensively farmed, and Petty admits to having conflicting views about the monoculture that has given rise to this vast agricultural expanse.
His paintings are not naturalistically representative of Holderness. Rather, they connect with and communicate his experience of being in the flat and expansive landscape of his ancestors.
Towards The River From Crow Hill, by John David Petty
His paintings are made by applying, removing and disrupting many layers of colour, marks and materials: an archaeological process that echoes the changing ecology of the land itself; the changing light and weather, the changing seasons and the changes over the generations as the land was drained and reclaimed from the river and marshes.
“When I started to draw this landscape seriously, I was clear that the drawing skills I had at my disposal, which came from producing camera-ready artwork for print, were definitely not the direction I now wanted to go in and I had to explore different ways to work,” says John.
“The deeply scratched marks are sometimes structural – graphite or paint will tend to collect in the scratches to produce marks that I couldn’t easily make otherwise – and sometimes they are no more than disruptions which then gives something new for me to work around.”
St Wilfred’s, Otteringham, by John David Petty
Favouring oils, acrylics and charcoal, his church work uses the same techniques of deeply etched lines, with the addition of paper collage to capture the texture of ancient stonework
Petty uses Saunders Waterford paper for his drawings and Jackson’s Eco Paper for the acrylic paintings. Eco Paper is a very heavy rag paper and, being handmade, it has an irregular deckle-edge that Petty prefers to keep as he feels it contributes considerably to the work.
Kentmere House Gallery’s opening hours are: every Thursday evening, 6pm to 9pm, and the first weekend of each month (February 3 and 4, March 4 and 5 and April 1 and 2 for Petty’s show), 11am to 5pm. “The gallery is also open at any time by phoning 01904 656507 or 07801 810825, but please ring in advance if travelling any distance,” advises Ann.
