Who’s taking part in York Open Studios 2023? Here are the new intake, the regulars and the returnees for York’s April artathon

Student Emma Yeoman: Displaying flora and fauna in sculptures and on canvas in the grounds of York St John University, Lord Mayor’s Walk, York, at York Open Studios

YORK Open Studios’ two April weekends are fast approaching.

More than 150 artists and makers within the city or a ten-mile radius of York will open their doors to visitors, presenting painting and print, illustration, drawing and mixed media, ceramics, glass and sculpture, jewellery, textiles, photography and installation art.

Opening hours will be 10am to 5pm on April 15 and 16, followed by April 22 and 23. In addition, a preview evening will be held on April 14, from 6pm to 9pm, with details of participating artists available at yorkopenstudios.co.uk and in the event directory distributed around the city.

Admission is free for these opportunities to view and buy art and gain an insight into artists and makers’ inspirations, creative processes and skills.

As ever, regulars will be taking part alongside York artists and students new to the annual event that is always keen to champion emerging talent.

Three bursary artists will showcase their work: Peter Baker, whose his site-specific installation in reclaimed wood, shards and shells on four floors responds to the quirks and constraints of Fishergate Postern Tower; Jade Blood, contributing to the “People’s Banner”, a community textile at Bootham School Arts Centre, Bootham, and Sam Edward, hiding tiny sculptures around the city centre to be found during the weekends.

Edward, from South Cottage Workshop, in Shipton Road, has scattered small concrete sculptures that he describes as “miniature monuments, resembling obelisks, monoliths and memorials, but scaled down, to memorialise moments from York”.

In his work, he has snatched overheard conversations and appropriated text to commemorate the time we are living in.

Bee Place, by John Hollington, at 68 Ouse Lea, York

In addition, in his studio, you will discover the production behind the monuments and see the process live as an ongoing work.

New participants are: realist watercolour painter Nduke Omeife, at 37 Baker Street, Clifton; furniture designer and maker John Green, 4 Compton Street; Joanne Edmonds, watercolour painter of architecture, interiors and decoration, at PICA Studios, Grape Lane; painter Rae George, sharing her experiences as a woman artist in her mid-30s inspired by art history, expressive colours and fleshy forms, at PICA Studios, and Lisa Power, who paints and draws 3D small cottages based on Irish vernacular architecture, also at PICA Studios.

Illustrator Sammy Davies, at 32 Emerald Street, focuses on mixed-media works on paper, inspired by nature and mind meanderings; Ali Hunter, at 52 Rose Street, creates pen and ink drawings on paper, drawn from home interiors, fashion, style and décor, inspired by Instagram; Gonzalo Blanco, at Rose Dene, Moor Lane, Strensall, paints perspectives of York and Yorkshire in oils through the seasons.

Marta Szulczewska, at Creative Studio York, Unit 14, Bull Commercial Centre, Stockton Lane, makes functional ceramics in stoneware clay, from mugs, vases and plant pots to dishes and ornaments, each finished off with a positive inscription. Printmaker Jen Dring, at 53 Burnholme Avenue, explores the name of God in her imaginative linocuts and experiments with collage printing triggered by small moments in daily life.

Painter Kerry Ann Moffat, at 33 Third Avenue, Heworth, works in oil on upcycled pieces of wood and handmade cotton rag, highlighting the contrast between light and shadows. Photographic artist Amy D’Agorne, at Apartment 4, 5a Hallfield Road, specialises in long-form research-based projects, shot on analogue film, pitched between documentary and fine art.

Lesley Peatfield, at The Studio, The Old School, Skirpenbeck, experiments with cameras, phone, techniques and approaches in her landscape, abstract and street photography of whatever catches her eye. Illustrator/artist Nick Ellwood, at 7 Lastingham Terrace, celebrates people, character and behaviour through his paintings, drawings and prints.

Relief printmaker Jon Haste, at Unit 15b, Danesmead Business Wing, York Steiner School, 33 Fulford Cross, creates hand-made limited editions inspired by  flora and fauna, natural habits and wild experiences in the outdoors. Printmaker Rachel Holborrow, at 69 Danum Road, Fulford, uses mostly lino in her exploration of botanical form and its tangled relationship with humanity, delving into surreal folklore and unpacking feminine archetypes.

Photographer Luke Downing’s series of film poetry, at 82 Ambrose Street, York, explores memory, longing and nostalgia in a combination of 8mm footage, original music and spoken word.

Lemonoadeshow, by Jade Blood, who will be contributing to the People’s Banner at Bootham School Arts Centre

Emma James, at 39 Copmathorpe Lane, Bishopthorpe, paints big skies, wild remote spaces and abandoned shelters in acrylics and inks, in response to the Yorkshire landscape and stories of people who lived there. Photographer Scott Dunwoodie, at The Homestead, Moor Lane, Bishopthorpe, creates his architectural and still-life prints using a hybrid of digital and traditional darkroom techniques.

Parkington Hatter, at 61 Sutherland Street, South Bank, makes freehand digital drawings, each containing a surprise for the eagle-eyed. Printmaker Stephen Bottrill, at 8 Middlethorpe Drive, favours etching, photo etching, linocut and serigraphy for his small and large images of current and historical political observations prompted by urban art. Intuitive mixed-media artist Lenka Pavuk, at 13 Vincent Way, uses a variety of materials and media, with the essential element of epoxy (resins) in her imaginative works.

Duncan McEvoy, of 22 Swinerton Avenue, photographs the working railway, frequently abroad, looking east, always hunting for anachronisms, seeking out industrial settings, people and place and everyday sights, “because the present moves constantly to the past,” he says. Leo Corey, at 27 Boroughbridge Road, explores Cuban identity in his paintings, using the human figure and its body language to connect the public with his culture and heritage.

Printmaker Bridget Hunt, at 5 Malvern Avenue, focuses on colour, form and texture in her abstract and representational prints of landscapes, still life, plants and animals. At the same location, Patricia Ann Ruddle combines printmaking and photography, fascinated by the Yorkshire coast’s human and organic aspects.

Watercolour painter Dianne Turner, at 19 Wetherby Road, Acomb, layers translucent colours in her atmospheric pieces inspired by architecture and nature. Digital printmaker Peijun Cao, at 60 Jute Road, creates surreal images from photographs using clouds, eyes and dandelions to produce striking images.

Textile artist Jo Yeates, at South Bank Studios, Southlands Methodist Church, Bishopthorpe Road, employs stitching, tearing, fraying and layering in her seascapes, landscapes and abstract pies, working with paper, fabric, paint and stitch, often using reclaimed and repurposed materials.

Among students showcasing their work are Harriet Fleetham, at South Cottage Workshop, Shipton Road, who combines York’s architecture and street names in her twist on traditional handmade books, and mixed-media artist Emma Yeoman, exhibiting her intricate display of fauna and flora in sculpture and on canvas in the grounds of York St John University, Lord Mayor’s Walk

Faith Noblet, at Phoenix Court, York St John, “challenges the inconspicuousness of the material matter of a photograph” through her analogue photography, realised by manipulation, distortion and deception of the image. Rebecca Mihill, at 13 Nunthorpe Grove, plays with line, symmetry and curves in her contemporary jewellery made from recycled silver.

Sunflower power: An artwork by Cuban artist Leo Moray at 27, Boroughbridge Road, York

Returning for the 2023 York Open Studios are: Chiu-I Wu; Frances G Brock; John Hollington; Lesley Birch; Gerard Hobson; Steve Williams; David Campbell; Jacqueline James; Sarah Raphael Balme; Emily Harper-Gustafson; Freya Horsley; Sarah K Jackson; Evie Leach; Ric Liptrot, Jess Mahy, Katrina Mansfield and Lesley Shaw.

So too will be: Ealish Wilson; Greg Winrow; Boxxhead; Robert Burton; Jo Walton; Charmian Ottaway; Lesley Williams; Poppy Burr; Anna Cook; Fiona Lane; Becki Harper; Anna-Marie Magson; Philip Magson; Ann Sotheran; Jo Ruth; Sarah King; Catherine Boyne-Whitelegg; Mo Burrows; Emma Frost; Richard Whitelegg; Cathy Needham, Rukshana Afia and Emma Whiting.

Returning too are: Sally Clarke; Adrienne French; Dylan Connor; Peter Park; Anna Vialle; Rosie Bramley; Liz Foster; Michelle Galloway; Kate Petitt; Reg Walker; Emma Welsh; Judith Glover;  Tim Pearce; Carrie Lyall; Linda Harvey; Jane Duke, Malcolm Ludvigsen; Cathy Denford; Chrissie Dell; Amy Stubbs; Emily Stubbs; Ruth Beloe; Milena Dragic and Marc Godfrey-Murphy (MarcoLooks).

Playing their part too will be: Laetitia Newcombe; Phil Reynolds; Claire Castle; Penny Phillips; Pamela Thorby; Elliot Harrison (York360);  Meredith Andrea; Lincoln Lightfoot; Carol Douglas; Kay Dower; Claire Morris; Kate Buckley; Colin Black; Carolyn Coles; Laura Duval; Nicola Lee; Donna Maria Taylor; Caroline Utterson; Karen Winship and Amanda Allmark.

Add to that list: Mick Leach; Sharon McDonagh; Jill Tattersall; Marie Murphy; Kate Semple; Lauren Terry; Marcus Jacka; Ruth King; Mark Hearld; Joanna Wakefield; Jo Bagshaw; Lucy McElroy; Simon Palmour; Ben Arnup; Toni Mayner; Emma Whitelock, Richard Frost; Constance Isobel; Jacqueline Warrington; Phil Bixby and Caroline Lewis.

Step forward too: Peter Donohue; Angela Anning; Lucie Wake; Anthea Peters; Derek Gauld; Pennie Lordan; Joanna Lisowiec; Nick Kobyluch; Michelle Hughes; Ted Schofield; Adele Karmazyn; Jane Dignum; Mark Druery; Ruth Claydon; Jane Atkin; Fran Brammer and Jo Rodwell.

Visit the website, at www.yorkopenstudios.co.uk for full details of all the artists, makers and locations and to access the York Open Studios interactive map. Alternatively, this year’s free printed directory can be picked up at tourist hubs and artist locations throughout York city centre and the wider city region.

More Things To Do in York and beyond at Easter. Hutch’s List No. 15, from The Press

Student Emma Yeoman: Displaying flora and fauna in sculptures and on canvas in the grounds of York St John University, Lord Mayor’s Walk, York, at York Open Studios

ART across the city canvas, acoustic gigs, Easter chocolates, a comedy double bill, a singing milkman and Brazilian rhythms shape Charles Hutchinson’s April days ahead.

York’s art fiesta of the year: York Open Studios, April 15 and 16, April 22 and 23, 10am to 5pm

MORE than 150 artists and makers at 100 locations within the city or a ten-mile radius of York open their doors to visitors over two weekends to give insights into their inspirations, creative processes and skills.

Painting and printmaking, illustration, drawing and mixed media, ceramics, glass and sculpture, jewellery, textiles, photography and installation art all will be represented, with works for sale. For full details, including who is participating in Friday’s 6pm to 9pm preview, go to: yorkopenstudios.co.uk.

Rick Witter and Paul Banks: Playing Shed Seven songs in an acoustic duo setting in Barnsley

Local heroes head south…well, to South Yorkshire: Rick Witter & Paul Banks Acoustic, Birdwell Venue, Birdwell, Barnsley, tonight (8/4/2023), 7.30pm

MR H, alias former Fibbers boss Tim Hornsby, promotes frontman Rick Witter and guitarist Paul Banks as they shed their Shed Seven cohorts for an acoustic set down the road from their York home in Barnsley.

Witter and Banks present a special night of Shed Seven material and a few surprises in a whites-of-their-eyes show with an invitation to “holler along to some of the best anthems ever”. Box office: seetickets.com/tour/rick-witter-paul-banks-shed-seven-acoustic.

Hitting the sweet spot: York Chocolate Festival

Choc absorbers: York Chocolate Festival, Parliament Street, York, today, 10am to 5pm

TO coincide with Eastertide, York Chocolate Festival returns to Parliament Street to showcase chocolate and all things sweet from independent businesses.

Tuck into a festival market with a selection of chocolatiers and confectioners; an activity area with chocolate lollipop-making, tastings and cookery workshops; a chocolate bar (not a bar of chocolate) and a taste trail on foot around the city to sample delicatessens, restaurants and suppliers. Entrance to the festival and market is free, with some activities being ticketed.

Buffy Revamped: Seven Seasons, Seventy Minutes, One Spike, as Brendan Murphy re-creates every episode of Buffy The Vampire Slayer

Fringe show of the week: Buffy Revamped, York Theatre Royal, Wednesday, 8pm

THIS Edinburgh Fringe 2022 award winner relives all 144 episodes of the hit 1990s’ television series Buffy The Vampire Slayer, as told through the eyes of the one person who knows it inside out…Spike.

Created by comedian Brendan Murphy, the satirical Buffy Revamped bursts with Nineties’ pop-culture references in a seven-seasons-in-seventy-minutes parody for Buffy aficionados and those who never enrolled at Sunnydale High alike. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Richard Galloway in Badapple Theatre Company’s 2023 tour of Eddie And The Gold Tops, doing the milk round from April 15

Theatre tour of the week and beyond: Badapple Theatre Company in Eddie And The Gold Tops, on tour from April 15 to June 13

GREEN Hammerton’s “theatre on your doorstep” company, Badapple Theatre, mark their 25th anniversary with a tour of Yorkshire and beyond in artistic director Kate Bramley’s revival of her joyous Swinging Sixties’ show Eddie And The Gold Tops.

York actress Emily Chattle, Zach Atkinson and Richard Galloway transport audiences back to the fashion, music and teenage optimism of the 1960s as village milkman Eddie becomes a pop star quite by accident. Hits flow like spilt milk, Top Of The Pops beckons, but when things take a ‘churn’ for the worse, how will he get back for the morning milk round in Badapple’s wry look at the effects of stardom? For tour and ticket details, go to: badappletheatre.co.uk or contact 01423 331304.

Badapple’s Yorkshire tour dates:

April 15, Aldborough Village Hall; April 16, Marton cum Grafton Memorial Hall; April 19,
Appletreewick Village Hall;  April 20, Kings Theatre, Queen Ethelburga’s School, Thorpe Underwood; April 26, Bishop Monkton Village Hall; April 27, Spofforth Village Hall; April 29,
Kirkby Malzeard Mechanics Institute.

May 4, Sheriff Hutton Village Hall; May 13, Sutton upon Derwent Village Hall; May 21, Cherry Burton Village Hall; May 24, Husthwaite Village Hall; May 25, Tunstall Village Hall; May 28, Otley Courthouse. June 9, North Stainley Village Hall, near Ripon; June 13, Green Hammerton Village Hall. All shows start at 7.30pm.

Hand in the air tonight: Chris Hayward performing his Seriously Collins tribute to Phil Collins

Tribute show of the week: Seriously Collins, Joseph Rowntree Theatre, York, Friday, 7.30pm

NOW in its fifth year, Seriously Collins features Chris Hayward and his musicians in  a two-hour tribute to singing drummer Phil Collins and Genesis. No gimmicks, no bald wigs, only the solo and band hits, re-created meticulously. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Back in York: Ryan Adams goes solo and acoustic at the Barbican

Solo show of the week: Ryan Adams, York Barbican, Friday, 8pm  

NORTH Carolina singer-songwriter Ryan Adams plays York for the first time since 2011 on his eight-date solo tour, when each night’s set list will be different.

Adams, who visited the Grand Opera House in 2007 and four years later, will be performing on acoustic guitar and piano in the style of his spring 2022 run of East Coast American gigs, when he played 168 songs over five nights in shows that averaged 160 minutes. Box office: ryanadams.ffm.to/tour.OPR and yorkbarbican.co.uk.

Scott Matthews: Restless lullabies in Selby

Singer-songwriter of the week: Scott Matthews, Restless Lullabies Tour, Selby Town Hall, Friday, 8pm; The Old Woollen, Sunny Bank Mills, Farsley, April 16, 8pm

EXPECT an intimate acoustic show from Scott Matthews, the 47-year-old Ivor Novello Award-winning folk-pop singer-songwriter and guitarist from Wolverhampton, who has supported Foo Fighters, Robert Plant and Rufus Wainwright on tour.

Mastered at Abbey Road Studios, his starkly bold April 28 album Restless Lullabies reincarnates songs from his 2021 record, New Skin, removing its electronic veil. Box office: Selby, 01757 708449 or selbytownhall.co.uk; Farsley, oldwoollen.co.uk.

Fernando Maynart: Joyful night of Brazilian samba and bossa nova in Helmsley

“The Brazilian Ed Sheeran”: Fernando Maynart, Helmsley Arts Centre, April 15, 7.30pm

BRAZILIAN singer-songwriter Fernando Maynart returns to Helmsley Arts Centre with a new band and more of his beautiful TranSambas music, rooted in South American culture.

Combining song-writing with traditional, tribal and modern Latin rhythms, Maynart presents a concert with joy at its heart and  a repertoire of rhythms embracing bossa nova and samba. Box office: 01439 771700 or helmsleyarts.co.uk.

Jasper Carrott and Alistair McGowan: Evening of comedy and impressions at Grand Opera House, York

Double bill of the week: An Evening Shared With Jasper Carrott and Alistair McGowan, Grand Opera House, York, April 16, 7.30pm

BRUMMIE comedian Jasper Carrott has shared bills in the past with impressionist Phil Cool and latterly with ELO drummer Bev Bevan. He first did so with impressionist Alistair McGowan at Reading Festival in 2017: a one-off that went so well that further shows ensued and now Jasper and Alistair are touring once more this spring.

The format involves McGowan taking to the stage first in each half, followed by Carrott’s stand-up combination of quickfire gags, sketches and stories. Box office: atgtickets.com/york.

More Things To Do in York and beyond for those about to rock…or put Spring in their step. Hutch’s List No. 13, from The Press

The return of RSJ: York metalcore band reconvene for one -off reunion at The Crescent

HEAVYWEIGHT comedy, hardcore rock, reshaped Shakespeare and a ‘roarsome’ children’s show fire up Charles Hutchinson’s enthusiasm for the week ahead.

Resurrection of the week: Mr H presents RSJ, The Crescent, York, tonight, doors 7pm

YORK’S mightiest metalcore groovers reunite for a special one-off show, fronted once more by Dan Cook, now of Raging Speedhorn. “RSJ were/are one of the most intense groove and hardcore noise monsters, not just in York but across the UK. It’s no wonder they stormed stages at Bloodstock, Knebworth and Hellfire,” says promoter Tim Hornsby.

RSJ’s spine-rattling polyrhythms and huge guitars will be preceded by the return of much-missed melodic hardcore band Beyond All Reason and Disinfo. Box office: thecrescentyork.com.

Justin Moorhouse: Plenty on his plate to get off his chest at Burning Duck Comedy Club night

Lancastrian in York of the week: Burning Duck Comedy Club presents Justin Moorhouse, Stretch And Think, The Crescent, York, Sunday, 7.30pm

MANCHESTER stand-up, radio presenter and actor Justin Moorhouse is back, “still funny, yet middle aged” (he’s 52), in a new suit for a new show that may contain thoughts on yoga, growing older, Madonna, shoplifters, Labradoodles, cyclists, the menopause, running, hating football fans but loving football…

…not drinking, funerals, tapas, Captain Tom, Droylsden, the environment, self-improvement,  horses, the odd advantages of fundamental religions, the gym and shop-door etiquette. “Come, it’ll be fun,” he says. Box office: thecrescentyork.com.

Royal Shakespeare Company: Linking up with York Theatre Royal for York Associate Schools Playmaking Festival

School project of the week: York Theatre Royal and Royal Shakespeare Company present York Associate Schools Playmaking Festival of The Merchant Of Venice, York Theatre Royal, Tuesday and Wednesday, 6.30pm

SHAKESPEARE’S play is told in six sections by six schools each night, using choral and ensemble approaches to relate Shylock’s story through multiple bodies and voices in a celebration of the joy of performance that explores themes of prejudice, friendship and self-interest.

Participating schools on March 28: Acomb Primary, Applefields School, Millthorpe School, Vale of York Academy, St Barnabas CE Primary; March 29, Clifton Green Primary, Poppleton Road Primary, Brayton Academy, Scarcroft Primary, Fulford School and Joseph Rowntree School. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Big in the Eighties: Andy Cryer in The Comedy Of Errors (More Or Less) at the SJT, Scarborough. Picture: Patch Dolan

Shake-up of the week: The Comedy Of Errors (More Or Less), Stephen Joseph Theatre, Scarborough, Thursday to April 15

ORIGINALLY by Shakespeare, now messed around with by Elizabeth Godber and Nick Lane, SJT director Paul Robinson’s vibrant new staging of the Bard’s most bonkers farce arrives  in a co-production with Prescot’s Shakespeare North Playhouse.  

The Comedy Of Errors (More Or Less) is brought to life in neon-lit 1980s’ Scarborough. Cue mistaken identities, theatrical chaos and belting musical numbers from the era of big phones and even bigger shoulder pads. Box office: 01723 370541 or sjt.uk.com. SEE REVIEW BELOW.

The poster artwork for Pick Me Up Theatre Company’s Oh! What A Lovely War

Revival of the week: Pick Me Up Theatre in Oh! What A Lovely War, Theatre@41, Monkgate, York, March 31 to April 8, 7.30pm, except April 2 and 3; 2.30pm, April 1, 2 and 8

PICK Me Up Theatre present a 60th anniversary production of Oh! What A Lovely War, a satirical chronicle of the First World War, told through songs and documents in the form of a seaside Pierrot entertainment.

Devised and presented by Joan Littlewood’s Theatre Workshop at the Theatre Royal, Stratford East in 1963 before being turned into a film by Richard Attenborough in 1969, now it is in the hands of Robert Readman’s York cast. Box office: tickets.41monkgate.co.uk.

Feeling hot, hot, hot: Zog is on fire in Freckle Productions’ show at York Theatre Royal

Children’s show of the week: Freckle Productions in Zog, York Theatre Royal, March 31, 4.30pm;  April 1,  10.30am, 1.30pm and 3.30pm 

JULIA Donaldson and Alex Scheffler’s Zog takes to the stage in a magical Freckle Productions show most suitable for age three upwards, although all ages are welcome. Zog is trying very hard to win a golden star at Madam Dragon’s school, perhaps too hard, as he bumps, burns and roars his way through Years 1, 2 and 3.

Luckily plucky Princess Pearl patches him up, ready to face his biggest challenge yet: a duel with knight Sir Gadabout the Great. Emma Kilbey directs; Joe Stilgoe provides the songs. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Roy “Chubby” Brown: Bluer than Stilton at York Barbican

Still in rude health: Roy “Chubby” Brown, York Barbican, March 31, 7.30pm

ROY “Chubby” Brown – real name Royston Vasey, from Grangetown, Middlesbrough – is on the road again at 78, 50 years into a blue comedy career that carries the warning: “If easily offended, please stay away”.

Chubby may not be everyone’s cup of tea but a lot of people like tea, he says. Thirty DVDs in 30 years, thousands of shows worldwide and four books testify to the abiding popularity of a profane joker full of frank social commentary, forthright songs and contempt for political correctness. Box office: yorkbarbican.co.uk.

In the doghouse: Ferocious Dog attack songs with bite at York Barbican

Where there is despair, may they bring Hope: Ferocious Dog, supported by Mark Chadwick, York Barbican, April 1, 7pm

FEROCIOUS Dog, a Left-leaning six-piece from Warsop, Nottinghamshire, slot somewhere between Levellers and early Billy Bragg in their vibrant vein of Celtic folk-infused punk rock.

Fifth album Hope came out in 2021, charting at number 31 in the Official UK Charts. Special guest will be Levellers’ leader Mark Chadwick, joined by Ferocious Dog violinist Dan Booth for part of his 7pm set. Box office: yorkbarbican.co.uk.

Artwork by Cuban painter Leo Morey, one of the new artists taking part in York Open Studios 2023

Early sighter of the week: York Open Studios 2023 Taster Exhibition, The Hospitium, Museum Gardens, York, April 1 and 2, 10am to 4pm

FOR the first time since 2019, York Open Studios will be launched with a taster exhibition next weekend featuring examples of work by most of the 150 artists and makers set to open their studio doors on April 15, 16, 22 and 23.

This free preview gives a flavour of what will be coming up at more than 100 venues next month.  Full details of this year’s artists and locations can be found at yorkopenstudios.co.uk. Look out for booklets around York.

In Focus: Luke Wright, The Remains Of Logan Dankworth, Selby Town Hall, March 30, 8pm

In the Wright place: Luke Wright making his political point in The Remains Of Logan Dankworth

PERFORMANCE poet Luke Wright returns to Selby Town Hall on Thursday to peform his 2022 Edinburgh Fringe political verse play The Remains Of Logan Dankworth.

Columnist and Twitter warrior Logan Dankworth grew up romanticising the political turmoil of the 1980s. Now, as the EU Referendum looms, he is determined to be in the fray of the biggest political battle for years.

Meanwhile, Logan’s wife Megan wants to leave London to better raise their daughter. As tensions rise at home and across the nation, something is set to be lost forever.

The third in Wright’s trilogy of lyrically rich plays looks at trust, fatherhood and family in the age of Brexit. Winner of The Saboteur Award for Best Show, it picked up four and five-star from the Telegraph, the Scotsman, the Stage and British Theatre Guide.

Wright was a founder member of poetry collective Aisle16, who shook up the spoken-word scene in the 2000s, helping to kick-start a British renaissance of the form. He is the regular tour support for John Cooper Clarke and often hosts shows for The Libertines.

He is a frequent guest on BBC Radio 4, a Fringe First winner for writing and a Stage Award winner for performance.

“Luke Wright is an astonishing performer and one of the best political writers around today, whose wonderful, lyrical writing translates really well to full-length plays,” says Selby Town Council arts officer Chris Jones.

“I was lucky enough to see The Remains Of Logan Dankworth in Edinburgh last summer and made sure I booked it for Selby Town Hall straight away. It’s a brilliantly told story by a powerhouse poet.”

For tickets: ring 01757 708449 or book online at selbytownhall.co.uk.

REVIEW: The Comedy Of Errors (More Or Less), Stephen Joseph Theatre, Scarborough *****

David Kirkbride’s Antipholus of Scarborough in a headlock with Claire Eden’s Big Sandra in The Comedy Of Errors (More Or Less). All pictures: Patch Dolan

Stephen Joseph Theatre and Shakespeare North Playhouse in The Comedy Of Errors (More Or Less), Stephen Joseph Theatre, Scarborough, until April 15, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees. Box office: 01723 370541 or sjt.uk.com

THIS Comedy Of Errors gets everything right. Not more or less. Just right. Full stop.

Shakespeare’s “most bonkers farce” has been entrusted to Nick Lane, madly inventive writer of the SJT’s equally bonkers pantomime, and Elizabeth Godber, a blossoming writing talent from the East Yorkshire theatrical family.  

How does this new partnership work? In a nutshell, Lane has penned the men’s lines, Godber, the female ones, before the duo moulded the finale in tandem.

SJT artistic director Paul Robinson, meanwhile, selected a criminally good play list of Eighties’ guilty pleasures, from Whitesnake’s Here I Go Again to Billy Joel’s Uptown Girl, Nik Kershaw’s Wouldn’t It Be Good to Toni Basil’s Mickey, Cher’s Just Like Jesse James to Kenny Loggins’ Footloose, to be sung in character or as an ensemble with Northern Chorus oomph.

Oh, Dromio, Dromio, wherefore art thy other Dromio? Oliver Mawdsley’s Dromio of Prescot in the SJT’s The Comedy Of Errors (More Or Less)

Aptly, the opening number is an ensemble rendition of Dream Academy’s one-hit wonder, Life In A Northern Town, that town being 1980s’ Scarborough, just as Lane always roots his pantomimes in the Yorkshire resort.

From an original idea by Robinson, Lane and Godber’s reinvention of Shakespeare’s comedy is not too far-fetched but far enough removed to take on its own personality and, frankly, be much, much funnier as a result. To the point where one woman in the front row was in the grip of a fit of giggles. Yes, that joyous.

For Ephesus, a city on the Ionian coast with a busy port, read Scarborough, a town on the Yorkshire coast with a fishing harbour, although all the fish and chip cafés were shut without explanation on the evening of the press night. Was something fishy going on?

Ephesus was governed by Duke Solinus; Scarborough is run by Andy Cryer’s oleaginous Solinus. Still the merry-go-round action is spun around outdoor public spaces on Jessica Curtis’s set, where protagonists bump into each other like dodgem cars. Just as Syracusans were subject to strict rules in the original play, now Lancastrians are given the Yorkshire cold shoulder in a new war of the roses, besmirched Eccles Cakes et al.

In with a shout: Claire Eden, right, meets a Scarborough greeting from Alyce Liburd, left, Valerie Antwi and Ida Regan in The Comedy Of Errors (More Or Less)

So begins a tale of two rival states and two sets of mismatched twins (Antipholus and Dromio times two) on one nutty day at the seaside. Cue a mishmash of mistaken identities, mayhem agogo, and merriment to the manic max, conducted at an ever more frenetic lick.

It worked wonders for Richard Bean in One Man, Two Guvnors, his Swinging Sixties’ revamp of Goldoni’s 1743 Italian Commedia dell’arte farce, The Servant Of Two Masters, setting his gloriously chaotic caper, as chance would have it, in another English resort: Brighton. Now The Comedy Of Errors evens up the mathematical equation for two plus two to equal comedy nirvana from so much division.

One ‘guvnor’, Lancastrian comic actor Antipholus of Prescot (Peter Kirkbride) crosses the Pennine divide to perform his one-man show. Trouble is, everyone has booked tickets for the talent show across the bay, starring t’other ‘guvnor’, the twin brother he has never met, Antipholus of Scarborough (David Kirkbride, different first name, but same actor, giving licence for amusing parallel biographies in the programme).

The two ‘servants’ of the piece, Dromio of Prescot and Scarborough respectively (Oliver/Zach  Mawdsley), are equally unaware of the other’s presence, compounding a trail of confusion rooted in Scarborough’s Antipholus owing money everywhere but still promising his wife a gold chain. He needs to win the contest to appease Scarborough’s more unsavoury sorts.

Comedy gold: Andy Cryer in The Comedy Of Errors (More Or Less)

Kirkbride takes the acting honours in his hyperactive double act with himself, Mawdsley a deux  is a picture of perplexity; Cryer, in his 40th year of SJT productions, is comedy gold as ever in chameleon roles; likewise, Claire Eden fills the stage with diverse riotous, no-nonsense character, whether from Lancashire or Yorkshire.

Valerie Antwi, Alyce Liburd and Ida Regan, each required to put up with the maelstrom of male malarkey, add so much to the comedic commotion, on song throughout too.

Under Robinson’s zesty, witty direction, everything in Scarborough must be all at sea and yet somehow emerge as comic plain sailing, breaking down theatre’s fourth wall to forewarn with a knowing wink of the need to suspend disbelief when seeing how the company will play the two sets of twins once, spoiler alert, they finally meet.

Who knew shaken-and-stirred Shakespeare could be this much fun, enjoying life in the fast Lane with Godber gumption galore too. Add the Yorkshire-Lancashire spat and those Eighties’ pop bangers, Wayne Parsons’ choreography and the fabulous costumes, and this is the best Bard comedy bar none since Joyce Branagh’s Jazz Age Twelfth Night for Shakespeare’s Rose Theatre in York in 2019.

When The Comedy Of Errors meets the 1980s, the laughs are even bigger than the shoulder pads. A case of more, not less.

Review by Charles Hutchinson




More Things To Do in York & beyond as everyday Buddy’s a gettin’ closer, goin’ faster than a roller coaster. Hutch’s list No. 12 for 2023, courtesy of The Press, York

Rave on: Hannah Price, left, Harry Boyd, Christopher Weeks, Rhiannon Hopkins, Joshua Barton and Ben Pryer in a scene from Buddy, The Buddy Holly Story

THE return of Buddy, Stewart Lee and English Touring Opera, a dream of an exhibition and a vintage DJ night of song top Charles Hutchinson’s diary highlights for the week ahead.

Musical of the week: Buddy, The Buddy Holly Story, Grand Opera House, York, Tuesday to Saturday, 7.30pm plus 2.30pm Wednesday and Saturday matinees

HOLLYLUJAH! Rock’n’roll musical Buddy, The Buddy Holly Story returns to York for the first time since 2017 with “The day the music died” tale of the bespectacled young man from Lubbock, Texas, whose meteoric rise from Southern rockabilly beginnings to international stardom ended in his death in a plane crash at only 22.

Christopher Weeks’s Buddy leads the cast of actor-musicians through two hours of music and drama, romance and tragedy, driven by all those hits, from That’ll Be The Day, Peggy Sue and Rave On to Big Bopper’s Chantilly Lace and Ritchie Valens’ La Bamba. Box office: atgtickets.com/york.

Michael McGoldrick, John McCusker and John Doyle: Playing The Crescent on Sunday night

Folk gig of the week: Michael McGoldrick, John McCusker & John Doyle, The Crescent, York, Sunday, 8pm

THE Black Swan Folk Club and Please Please You present the powerhouse triumvirate of musical magpies McGoldrick, McCusker and Doyle in a Sunday session of traditional, contemporary and original jigs, reels and ballads, as heard on their two albums, 2018’s The Wishing Tree and 2020’s The Reed That Bends In The Storm.

Their paths first crossing as teenagers before they joined separate bands (Lunasa, The Battlefield Band and Solas respectively), they line up with Mancunian McGoldrick on flute, whistles, Uileann pipes, bodhran, clarinet and congas; Glaswegian McCusker on fiddle, whistles and harmonium; Dubliner Doyle on vocals, guitar, bouzouki and mandola.

“The whole thing’s great fun,” says McCusker. “We have no agenda other than having a nice time and playing music. That’s the way we tour as well – we throw ourselves in a little car, instruments on our laps, and off we go. And the records? Well, I hope it’s the sound of three old friends, having a great time, making music together.” Box office: thecrescentyork.com.

Stewart Lee goes back to basic Lee at York Theatre Royal, but sold out, basically

Comedy at the treble: Stewart Lee: Basic Lee, York Theatre Royal, Monday to Wednesday, 7.30pm

AFTER recording last May’s brace of Snowflake and Tornado gigs at York Theatre Royal for broadcast on the BBC, Stewart Lee returns for three nights of his Basic Lee show.

Following a decade of high-concept shows involving overarched, interlinked narratives, Lee enters the post-pandemic era in streamlined stand-up mode. One man, one microphone, and one microphone in the wings in case the one on stage breaks. Pure. Simple. Classic. Basic Lee – but sold out, alas.  

Navigators Art collective explores the subconscious mind in Dream Time at City Screen Picturehouse

Exhibition launch of the week: Navigators Art, Dream Time, City Screen Picturehouse, York, on show until April 21

YORK collective Navigators Art’s Dream Time exhibition takes inspiration from dreams, visions, surrealism and the mysteries and fantasies of the subconscious mind. The official launch event will be held tomorrow (19/3/2023) in the café bar from 7.30pm to 9.30pm.

This mixed-media show features painting by Steve Beadle and Peter Roman; collage, prints and drawing by Richard Kitchen; photography and painting by Nick Walters and textiles by Katie Lewis.

The tour poster for Sounds Of The 60s with Tony Blackburn as host

Nostalgic show of the week: Tony Blackburn: Sound Of The 60s Live, York Barbican, Wednesday, 7.30pm

BBC Radio 2 disc jockey Tony Blackburn hosts an evening of 1960s’ classics, performed live by the Sound Of The 60s All Star Band and Singers. 

Listen out for the hits of The Everly Brothers, Dusty Springfield, The Kinks, Elvis Presley, Diana Ross and The Supremes, Otis Redding, The Beatles, The Who and many more. Box office: yorkbarbican.co.uk.

Paul Smith: Playing the Joker at York Barbican

Liverpool lip of the week: Paul Smith: Joker, York Barbican, Thursday, 7.30pm

JOKER is Paul Smith’s biggest and funniest tour show to date, wherein the Scouse humorist mixes his trademark audience interaction with true stories from his everyday life.

Resident compere at Liverpool’s Hot Water Club, Smith has made his mark online as well as on the gig circuit with his affable nature and savvy wit. Box office: yorkbarbican.co.uk.

Roddy Woomble: Songs old and new at Selby Town Hall

Indie gig of the week: Roddy Woomble, Selby Town Hall, Thursday, 8pm

RODDY Woomble, Scottish indie band Idlewild’s lead singer, is now a leading voice in the British contemporary indie folk scene. In Selby, he is joined by Idlewild band mate Andrew Wasylyk for a duo show of Idlewild favourites and solo works.

“This is a tour in between records, so a tour for exploring all the songs,” says Woomble. “Lo! Soul is going on two years old now, and although the songs still sound fresh to me when I play them, it’s time for something new – which there is. We’ll definitely be including some new material in the set.” Box office: selbytownhall.co.uk.

Paula Sides’s Lucrezia in English Touring Opera’s Lucrezia Borgia, on tour at York Theatre Royal

Two nights at the opera: English Touring Opera, York Theatre Royal, in Lucrezia Borgia, March 24, and Il Viaggio a Reims, March 25, both 7.30pm

LUCREZIA Borgia, Donizetti’s tragedy of a complex woman in a dangerous situation, is making its debut in the English Touring Opera repertoire in Eloise Lally’s ETO directorial debut production of this thrilling and moving meditation on power and motherhood.

Valentina Ceschi directs a cast of 27 in Il Viaggio a Reims, Rossini’s last Italian opera, in which intrigue, politics, romance and lost luggage all play their part as a group of entitled guests from all over Europe is stranded in a provincial hotel on the way to a great coronation. Period-instrument specialists The Old Street Band play for both operas. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Gig announcement of the week: Steve Earle, The Alone Again Tour, Grand Opera House, York, June 9

Steve Earle: Heading from New York to York in June for solo show

AS his tour title suggests, legendary Americana singer, songwriter, producer, actor, playwright, novelist, short story writer and radio presenter Steve Earle will be performing solo and acoustic in York: the only Yorkshire gig of a ten-date itinerary without his band The Dukes that will take in the other Barbican, in London, and Glastonbury.

Born in Fort Monroae National Monument, Hampton, Virginia, Earle grew up in Texas and began his songwriting career in Nashville, releasing his first EP in 1982 and debut album Guitar Town in 1986, since when he has branched out from country music into rock, bluegrass, folk music and blues. 

His colourful life prompted Lauren St John’s 2003 biography Hardcore Troubadour: The Life And Near Death Of Steve Earle, written with the rebel rocker’s exclusive and unfettered cooperation. “If I’d known I was going to live this long, I’d have taken better care of myself,” he once said.

Earle, 68, has been married seven times (including twice to the same woman) and been through drug addiction and run-ins with the law, serving a month in prison in 1994 for heroin possession. “Going to jail is what saved my life,” he said, after he was sent to rehab.

A protege of Townes Van Zandt and Guy Clark, Earle is a masterful storytelling songwriter in his own right, with his songs being recorded by Johnny Cash, Waylon Jennings, Joan Baez, Emmylou Harris, The Proclaimers and The Pretenders, among others.

Since the Millennium, he has released such albums as the Grammy-awarded The Revolution Starts…Now (2004), Washington Square Serenade (2007) and Townes (2009).

Restlessly creative across artistic disciplines, Earle has published a collection of short stories, Doghouse Roses (2002) ; a novel, I’ll Never Get Out Of This World Alive (2011), and a memoir, I Can’t Remember If We said Goodbye (2015).

He has produced albums for Joan Baez and Lucinda Williams, acted in films and on television, notably in David Simon’s The Wire, and hosts a radio show for Sirius XM.

In 2009, Earle made his off-Broadway theatre debut in the play Samara, contributing the score too. In 2010, he was nominated for a Primetime Emmy for Outstanding Music and Lyrics in the drama series Treme.

In 2020, he wrote music for and appeared in Coal Country, a docu-play by Jessica Blank and Erik Jensen that shines a light on the 2010 Upper Big Branch mine explosion, the most deadly mining disaster in United States history. A nomination for a Drama Desk Award came his way.

In 2020 too, Earle released the album Ghosts Of West Virginia and was inducted into the Nashville Songwriters Hall of Fame. His 21st studio album, J.T. in January 2021, was an homage to his late son, singer-songwriter Justin Townes Earle, who had died from an accidental drug overdose in August 2020. In May 2022 came Jerry Jeff, Earle’s tribute to cowboy troubadour Jerry Jeff Walker.

Tickets go on sale on Thursday morning (23/3/2023) at atgtickets.com/york.

The artwork for J.T., Steve Earle’s 2021 album of covers of songs by his late son, Justin Townes Earle

More Things To Do in York & beyond when time travel and hot dancing counters the chill. Hutch’s List No. 11, from The Press

The future, here they come: Amy Revelle, Dave Hearn, centre, and Michael Dylan in Original Theatre’s The Time Machine. Picture: Manuel Harlan

THE week ahead is so crammed with clashing cultural highlights, Charles Hutchinson wishes you could climb aboard a time machine.

Find time for: Original Theatre in The Time Machine, York Theatre Royal, Tuesday to Saturday, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees  

DAVE Hearn, a fixture in Mischief Theatre’s calamitous comedies for a decade, takes time out to go time travelling in John Nicholson and Steven Canny’s re-visit of H G Wells’s epic sci-fi story for Original Theatre.

“It’s a play about three actors who run a theatre company and are trying to put on a production of The Time Machine, with fairly limited success,” says Hearn. “But then a big event happens that causes the play to spiral out of control and my character [Dave] discovers actual time travel.” Box office: 01904 623568 or yorktheatreroyal.co.uk.

Curtains At Village Gallery, by Suzanne McQuade, marks the final exhibition at Simon and Helen Main’s art space in Colliergate, York

Farewell of the week: The Curtain Descends, Village Gallery, Colliergate, York, until April 15

AS the title indicates, The Curtain Descends will be the last exhibition at Village Gallery after 40 exhibitions showcasing 100-plus Yorkshire artists in five and a half years. “The end of the shop lease and old age creeping up has sadly forced the decision,” says gallery co-owner Simon Main.

Ten artists have returned for the farewell with work reduced specially to sale prices. On show are watercolours by Lynda Heaton, Jean Luce and Suzanne McQuade; oils and acrylics by Paul Blackwell, Julie Lightburn, Malcolm Ludvigsen, Anne Thornhill and Hilary Thorpe; pastels by Allen Humphries and lino and woodcut prints by Michael Atkin. Opening hours are 10am to 4pm, Tuesday to Saturday.

Singer PP Arnold: From The First Cut Is The Deepest to Soul Survivor, her autobiography is under discussion at York Literature Festival

Festival of the week: York Literature Festival, various venues, today until March 27

HIGHLIGHTS aplenty permeate this annual festival, featuring 27 events, bolstered by new sponsorship from York St John University. Among the authors will be broadcasters David Dimbleby and Steve Richards; political journalist and think tank director Sebastian Payne (on The Fall of Boris Johnson); The League Of Gentlemen’s Jeremy Dyson; Juno Dawson, thriller writer Saima Mir and York poet Hannah Davies.

On Music Memoir Day at The Crescent, on March 18, at 1.30pm American singer PP Arnold delves into her autobiography, Soul Survivor, at 1.30pm. At 4pm, writer/broadcaster Lucy O’Brien discusses her new book, Lead Sister: The Story Of Karen Carpenter, and the challenges of writing a biography. Go to yorkliteraturefestival.co.uk for the full programme.

Too hot to handle: Strictly’s Gorka Marquez and Karen Hauer in Firedance at the Grand Opera House, York

Hot moves amid the weekend chill: Gorka Marquez and Karen Hauer in Firedance, Grand Opera House, York, Sunday, 5pm

STRICTLY Come Dancing stars Gorka Marquez and Karen Hauer reignite their chemistry in Firedance, a show full of supercharged choreography, sizzling dancers and mesmerising fire specialists.

Inspired by movie blockbusters Baz Luhrmann’s Romeo & Juliet, Moulin Rouge, Carmen and West Side Story, Marquez and Hauer turn up the heat as they dance to Latin, rock and pop songs by Camilla Cabello, Jason Derulo, Gregory Porter, Gipsy Kings and Jennifer Lopez. Box office: atgtickets.com/york.

Suede: First appearance at York Barbican in a quarter of a century

Gig of the week: Suede, York Barbican, Wednesday, 7.45pm

ELEGANT London rock band Suede play York Barbican for the first time in more than 25 years on the closing night of their 2023 tour. Pretty much sold out, alas, but do check yorkbarbican.co.uk for late availability.

Last appearing there on April 23 1997, Brett Anderson and co return with a set list of Suede classics and selections from last September’s Autofiction, their ninth studio album and first since 2018. “Our punk record,” as Anderson called it. “No whistles and bells. The band exposed in all their primal mess.”

Sloane danger: Ben Weir’s psychopathic Sloane, left, playing siblings Kath (Victoria Delaney) and Ed (Chris Pomfrett) off each other in rehearsal for York Actors Collective’s Entertaining Mr Sloane

Debut of the week: York Actors Collective in Entertaining Mr Sloane, Theatre@41, Monkgate, York, Wednesday to Saturday, 7.30pm plus 2.30pm Saturday matinee

DIRECTOR Angie Millard launches her new company, York Actors Collective, with Joe Orton’s controversial, ribald comedy Entertaining Mr Sloane, the one that shook up English farce with its savage humour in 1964.

Living with her father, Dada Kemp (Mick Liversidge), Kath (Victoria Delaney) brings home a lodger: the amoral and psychopathic Sloane (Ben Weir). When her brother Ed (Chris Monfrett) arrives, the siblings become involved in a sexual struggle for Sloane, who plays one off against the other as their father is caught in the crossfire. Box office: tickets.41monkgate.co.uk.

Classrooom comedy: Sara Howlett, left, Laura Castle and Sophie Bullivant in rehearsal for Rowntree Players’ production of John Godber’s Teechers Leavers ’22

Education, education, education play of the week: Rowntree Players in Teechers, Joseph Rowntree Theatre, York, Thursday to Saturday, 7.30pm plus 2.30pm Saturday matinee

FAMILIAR to York’s streets at night as ghost-walk guide and spookologist Dr Dorian Deathly, actor Jamie McKellar is directing a play for the first time since 2008, at the helm of Rowntree Players’ production of former teacher John Godber’s state-of-the nation, state-of state-education comedy Teechers.

Updated for Hull Truck’s 50th anniversary celebrations as Teechers Leavers ’22, Godber’s class warfare play within a play features a multi role-playing, all-female cast of Laura Castle, Sophie Bullivant and Sarah Howlett as Year 11 school leavers Salty, Hobby and Gail put on a valedictory performance, inspired by their new drama teacher. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

David Ford: Songs and stories at The Crescent

The robots are coming: David Ford, Songs 2023, The Crescent, York, Thursday, 7.30pm

EASTBOURNE singer-songwriter David Ford might play solo stomps with loop machines and effects pedals or backed by a swish jazz trio or with a string quartet attached. Not this time.

For 2023, Ford has taken the rare decision to keep it simple, leave most of the crazy machines at home, play some of his favourite songs and share stories about where they came from. Oh, and he’ll be bringing his new DIY toy, a drum robot. Beat that. Box office: thecrescentyork.com.

Tuesday’s seated Crescent gig by The Go-Betweens’ Robert Forster, promoting his new album The Candle And The Flame, has sold out by the way.

Because he cared: Comedian Bilal Fafar reflects on working in a care home for the very wealthy in Care at Theatre@41, Monkgate

Caring comedian of the week: Burning Duck Comedy Club presents Bilal Zafar in Care, Theatre@41, Monkgate, York, March 19, 8pm

WANSTEAD comedian Bilal Zafar, 31, is on his travels with a new show about how he spent a year working in a care home for very wealthy people while being on the minimum wage.

Fresh out of university with a media degree, Bilal was dropped into the real world, where he was given far too much responsibility for a 21-year-old lad who had just spent three years watching films. Box office: tickets.41monkgate.co.uk; age limit,18 and over.

In Focus: Anders Lustgarten’sThe City And The Town, at Stephen Joseph Theatre, Scarborough, March 15 to 17

Gareth Watkins as Magnus in Anders Lustgarten’s The City And The Town. Picture: Karl Andre

LONDON playwright and political activist Anders Lustgarten’s new play, The City And The Town, heads to the Yorkshire coast next week. 

This funny, eclectic drama brings a fresh perspective to the political divides and problems facing Great Britain and Europe today.

By way of contrast to those schisms, the tour involves a hands-across-the-water partnership: a co-production by Riksteatern, the national touring theatre of Sweden, and Matthew Linley Creative Projects in association with Hull Truck Theatre.

Lustgarten’s play tells the story of brothers Ben and Magnus. Ben, a successful London lawyer, returns home for his father’s funeral after 13 years away, only to be confronted not only by family and old friends, but also by uncomfortable truths about the past, present and future of the provincial community and family he grew up in and left behind for the metroplis.

Lustgarten, by the way, is the son of progressive American academics and read Chinese Studies at Oxford: in other words, he is an internationalist (and an Arsenal supporter to boot).

Directed by Riksteatern artistic director Dritero Kasapi, The City And The Town features Gareth Watkins as Magnus, Amelia Donkor as Lyndsay and Sam Collings as Ben, with set design by Hannah Sibai and lighting design by Matt Haskins.

Amelia Donkor’s Lyndsay in The City And The Town. Picture: Karl Andre

Kasapi is at the helm of his first UK production since Nina – A Story About Me And Nina Simone. “Even from the very first draft Anders sent us, I knew that this was a play I wanted to direct,” he says. “In fact, I’d go as far as saying it’s the play I’ve wanted to direct for a very long time.

“By exploring the rise of the right, Anders is looking at something that is happening all over Europe. But this is not just a political play, it’s also a humane one. It explores the question of if and how we belong to society, what can happen when we lose that connection and how we perceive our common history as a society.”

Kasapi was educated as a stage director at the Faculty of Dramatic Arts in Skopje, Macedonia, but since the early years of his professional life he has been engaged as a cultural organiser.

From 2015 to 2018, he was the deputy artistic director at Kulturhuset Stadstetern in Stockholm. He took up his present post in November 2018. 

The City And The Town follows such Lustgarten plays as Lampedusa (Hightide/Soho Theatre), The Seven Acts Of Mercy (Royal Shakespeare Company), The Secret Theatre(Shakespeare’s Globe) and The Damned United (Red Ladder/West Yorkshire Playhouse, 2016, turning Brian Clough’s 44 days as Leeds United manager in 1974 into a Greek tragedy).

The City And The Town began its UK tour at Hull Truck on February 10 and 11 and has since played Northern Stage, Newcastle, Wilton’s Music Hall, London, Mercury Theatre, Colchester, and Norwich Playhouse before its Scarborough finale. It will then transfer to Sweden for an autumn tour.

The City And The Town, Stephen Joseph Theatre, Scarborough, March 15 to 17, 7.45pm plus 1.45pm Thursday matinee. Box office: 01723 370541 or www.sjt.uk.com

The tour poster for The City And The Town

Bolshee take part in York International Women’s Week with Dancefloor Project for safer dancing and Golden Ball open mic

Lizzy Whynes, left, Megan Bailey and Paula Clark: The Bolshee trio running the Dancefloor Project for safer spaces for women

NEWSFLASH 8/3/2023: Bolshee Dancefloor Project’s Listening Project session with Pilot Theatre at York Explore Library on March 9 has been cancelled due to unforeseen circumstances.

HAVE you ever felt unsafe on the bus? Or walking to work? Or on a night out? If so, Bolshee invite you to join their Dancefloor Project in York.

The York creative projects community interest company ran a pilot session at Brew York, in Walmgate, as part of York Design Week 2022 last October and is now delivering a series of nights around York in March and April on a “pop-up dancefloor where you make the rules”.

“Take up some space, soak up the vibes, bust a move, pick up a pen and tell us your demands,” say Bolshee creative director Paula Clark, associate director Lizzy Whynes and creative producer Megan Bailey. “When women don’t feel safe in so many spaces, what would make you feel safer on the dancefloor?

“The Dancefloor Project brings people together to explore ways we can make everyone feel safe and reduce sexual harm in public spaces – because everyone deserves to be free to be themselves and bust a move without fear.”

The first night, held at The Crescent community venue last Saturday with Lizzy on the decks, will be followed by a Saturday afternoon session at the StreetLife Hub, Coney Street, on April 1 from 1pm to 3pm, while a night at the University of York is being organised, hopefully in May.

Bolshee’s dancefloor for the Dancefloor Project, designed by Megan Bailey. Picture: Emily Richardson

In addition, as part of York International Women’s Week, Bolshee’s Dancefloor Project will be teaming up with York company Pilot Theatre for The Listening Project at York Explore Library and Archive, in Library Square, Museum Street, on March 9 from 5pm to 6.30pm.

Bolshee is running the Dancefloor Project in tandem with York St John University psychology researchers, in association with York St John University Institute for Social Justice, whose community research grant assists the project’s purpose of “creatively and collaboratively exploring prevalence and prevention of sexual harm in public spaces”.

The Dancefloor Project emerged from Megan’s ongoing studies for a Masters in Culture, Creativity and Entrepreneurship at the University of Leeds.

“We had a module where I had to come up with a project,” she recalls. Cue her “interactive pop-up dancefloor with a tiny dancefloor that can fit into the back of a van and Perspex walls that people can write on”.

“They can dress up, request a song, have a dance, chat to us, in a project that’s all about looking at sexual harm against women and girls in public spaces,” says Megan, who has designed the dancefloor space with its flashing walls.

Bolshee’s Lizzy Whynes DJing for the Dancefloor Project

“York St John is leading the research part of the project, under Dr Anna Macklin, which is basically an arts-based method of looking at sexual harm and prevention, where everyone can claim the dancefloor as their own, wear what they want, but also talk about these things that disproportionately affect women and girls in public spaces and nightclubs.

“The next step will be build on the research to work with partners to push for change. That’s what missing; everyone knows about the spiking of drinks and women being injected in nightclubs, but no-one knows what to do about it, so as part of my dissertation, I’m looking at embodied knowledge of women working collectively and individually to employ their own strategies.”

Paula says: “Why is it our responsibility as women? That’s why we want to discuss it. When you go on our dancefloor, you are asked: ‘what would you want in this space?’. Like, ‘don’t touch me’; ‘don’t spike me’, but also ‘can we make it brighter?’.

“The suggestions from what’s being written on the walls are coming in from women and from men too. Women are asking, ‘please give us more space’; ‘please don’t sit next to us when there’s loads of space on the bus’.”

Dotted around the dancefloor is a QR code to facilitate participants to write down their own experience, tell their story, that can then be submitted anonymously online to the project researchers.

Megan Drury and Alexander Flanagan Wright, from At The Mill, Stillington, dancing at the Dancefloor Project pilot session

The Dancefloor Project is methodical in making participants feel at home. “When they come in, we explain what the project is about, and they’re told what will be happening, with no photography allowed,” says Megan.

“Everyone has to consent to enter the space because of it being a research project, so it’s a closed space to anyone who doesn’t agree to provide that consent.”

Bolshee also will provide support on how to report an incident. Paula is a safeguarding lead on the York St John project, and Bolshee work with the York St John All About Respect team, wo train students and the university community to run campaigns on dealing with sexual violence and to signpost the support services that are available.

Among the questions asked most regularly by women relate to how they get home safely from a night out and how do they do so when walking home. “It’s something that tends to be overlooked by men, probably because they don’t experience those problems, but women do,” says Megan.

“Take up some space, soak up the vibes, bust a move, pick up a pen and tell us your demands” on the Dancefloor Project dancefloor. Picture: Emily Richardson

“That’s why we want to keep the Dancefloor Project open to men, so that they can see what’s being written on the walls, think about they can do, how they can contribute to ultimately make the quality of life better for everyone, not just women.”

In turn, the York St John researchers are exploring the psychology of how to make men be part of the conversation and not be mere bystanders.

Already in place nationwide is the Ask For Angela poster and window sticker scheme in bars, where, if someone feels unsafe, they can say that coded phrase to the bar staff to let them know they need help “getting out of their situation”.

Bolshee CIC would be delighted to partner with other organisations in schemes. “We’ve had a meeting with a chain of bars in Yorkshire, who have approached us and want to talk more,” says Paula.

“We’ve also been talking with The Egalitarian, an organisation at the University of Leeds, under the business strategy offices, where they run data-led training for venue and festival staff.”

Bolshee’s Paula Clark, left, Megan Bailey and Lizzy Whynes on hand at the Dancefloor Project

Bolshee noted how “no-one was reporting spiking of drinks because there was no formal information about it or what to do when it happened”. In the absence of such protocols, Bolshee can play their part in addressing such problems.

“Our projects are artistic, and we like to do things that are vibrant and make people talk about things,” says Lizzy.

“That’s why we’ll be taking it to both universities in York, as well as the Saturday late-night event at The Crescent and the afternoon pop-up at the StreetLife Hub.

“It’s not just nightclub culture, but safety for everyone, and this is a really good way to talk about it. It could be on the bus, but we’ve chosen a dancefloor because it should be a fun space.”

One collaboration already set in place is Bolshee’s one-off involvement in Pilot Theatre’s Listening Project on March 9, when the Bolshee dancefloor will be used in a workshop for 18 to 25-year-olds. “We’re doing a mash-up, with dancing, and then they’ll talk about what changes they would like to see in their city,” says Lizzy.

What is Bolshee? “Born out of the frustrations of trying to achieve autonomy and leadership roles in an industry that fears risk and, even more so, bolshie women, we champion women and girls by co-creating and producing projects that elevate the voice of and support those who identify as female,” say Bolshee. “We want to work with people of all ages, backgrounds and experiences, and collaborate with artists to produce vibrant multidisciplinary creative projects”

Bolshee will be receiving funding from the University of Leeds to expand the Dancefloor Project into Leeds as a result of Meghan winning the Equality, Diversity and Inclusion Student Award.

“We’ve also been asked to do regular DJing with the Arctic Piranha team of learning-disabled adults at ARC [the arts centre] at Stockton-on-Tees, putting on safe, accessible, fun club nights once a month with a theme, guest DJs, dancers and singers each time and the chance to send in suggestions for the set list,” says Lizzy.

“Again, this has been all about coming together in a safe environment, where people feel included and accepted.”

In a further contribution to York International Women’s Week, Bolshee CIC will be taking over the Golden Ball Open Mic Night at York’s first community pub in Cromwell Road, Bishophill Senior, tonight (6/3/2023) at 8pm.

“Run by Hannah Hutchinson, it’s a very old pub that’s very supportive of York artists, spoken-word performers and musicians, with lots of creative people meeting there; it’s also inter-generational and it’s our local,” says Paula.

“Our projects are artistic, and we like to do things that are vibrant and make people talk about things,” says Lizzy Whynes, left, pictured with Bolshee co-founders Megan Bailey and Paula Clark

“Every week the pub runs an open-mic night, but usually not that many women perform. We wanted to do something for International Women’s Week last year but we’d only just started, and so now we’re doing it for this year’s festival.

“We’re encouraging all self-identifying women and non-binary people to take the mic, and everyone is welcome to join us for a night of music, spoken word, delicious pints and Bolshee women. It’s coming at a really busy time for us and just something we’re doing for everyone to have fun.

Lizzy adds: “It’s great to be part of International Women’s Week, doing things with people we love, and there’s no need to book to perform. You can just come along and sign up on the night to perform.

“It’s a nice way to celebrate female talent, whether they perform for fun, or professionally, or just want to try it out for the first time.” As a further incentive, there will be a  free drink for each performer and a Bolshee badge. Entry is free of charge.

Definitely taking part will be women who attended The Bolshee Women autobiographical Perform Yourself course last October to December, now making their Open Mic debut.

Paula Clark: New post in Kirklees

What Paula did next after leaving York Theatre Royal

PAULA Clark has taken on a new full-time post as head of programming at Creative Scene in Kirklees, West Yorkshire.

Based at Brigantia Creative in Dewsbury, this project to “bring arts to the people and make art part of everyday life” commissions and produces arts and cultural activities and events in and around Dewsbury, Batley, Mirfield, Cleckheaton and Heckmondwike.

All the work is shaped by the people that live there, who become involved as co-commissioners, co-producers and participants.

Creative Scene puts on gigs and shows in pubs and libraries, family-friendly performances in community centres and rugby clubs, film screenings in old mills and outdoor arts events in town centres, parks and at festivals.

At the Brigantia creative meeting and making space, Creative Space hosts creative groups and activities and brings people together for creativity and learning, collaboration and conversations.

Creative Scene is a project of Brigantia Creative, a charitable organisation that supports positive social change through arts and culture.

“Spaces may be plentiful around Kirklees but they’re not always accessible or safe because of being left derelict,” says Paula. “We’re doing a learning research project for Arts Council England to see what works where. Already there’s been a load of involvement in Creative Scene projects going into housing estate communities that might otherwise feel excluded.”

Fellow Bolshee founder Megan Bailey is working for Creative Scene too.

More Things To Do in York and beyond for rebels and revellers alike. Here’s Hutch’s List No. 10 for 2023, from The Press, York

On the run: Pilot Theatre in Manjeet Mann’s teenage drama Run, Rebel. Picture: Pamela Raith

A TEENAGE rebel,  a vintage murder mystery, panel games, circus and singing feats and a diverse women’s festival command Charles Hutchinson’s attention. 

Play premiere of the week: Pilot Theatre in Run, Rebel, York Theatre Royal, 7pm, Tuesday, Wednesday and Friday; 1pm, Wednesday to Friday; 2pm, Saturday

SCHOOLGIRL Amber Rai is trapped by her family’s rules, their expectations, her own fears, but on the running track she is completely free. As her body speeds up, the world slows down, the tangled lines in her head becoming straighter.

York company Pilot Theatre combine physical theatre and mesmerising visuals in Manjeet Mann’s stage adaptation of her verse novel, suitable for age 11 upwards, as she addresses domestic violence, alcoholism, bullying and discrimination. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Blue diamond ceramic by Ilona Sulikova at Pyramid Gallery, York

Exhibition of the week: Abstract, Pyramid Gallery, Stonegate, York, until March 28, open 10am to 5pm, Monday to Friday; 10am to 5.30pm, Saturdays

CZECH-BORN York ceramacist Ilona Sulikova will be at Pyramid Gallery today from 12 noon to 2pm to meet gallery visitors and give an insight to her large, full-bodied raku-fired vessels , decorated with intricate geometric patterns that repeat, expand and contract as they progress. “The intention is to create sequences of rhythm and movement,” she says.

Abstract complements ceramics by Sulikova and Carolyn Genders with oil paintings by Kimbal Bumstead and glass sculptures by Crispian Heath, Yuki Kokai and Jon Lewis. 

Elysian Singers: Psalms, sonnets and songs at the Unitarian Chapel

Concerts at the double: Late Music presents Ruth Lee, Harp Recital, March 4, 1pm to 2pm; Elysian Singers, Psalms, Sonnets And Songs, March 4, 7.30pm; both at St Saviourgate Unitarian Chapel, York

IN an afternoon concert of folk-inspired new music for harp, Ruth Lee premieres a David Lancaster work, visits Eleanor Turner’s Alice In Escher’s Wonderland and gives a rare performance of Hindemith’s Sonata for Harp (First Movement).

At night, the Elysian Singers present a tripartite modern take on the milestone publication of William Byrd’s Psalmes, Sonnets and Songs Of Sadness and Piety in 1588. Composer Nick Williams gives a pre-concert talk at 6.45pm ahead of the premiere of his new work. Tickets: latemusic.org or on the door.

Rachael Maskell MP: Taking part in York International Women’s Week

Festival of the week: York International Women’s Week, March 4 until March 12

UNDER the theme of Solidarity, York International Women’s Week embraces live and online events. A full programme is available at yorkinternationalwomensweek.wordpress.com or in print from community venues, libraries, cafés and independent shops.

Among the highlights will be End Period Poverty: A Community Conversation in the Priory Street Centre on March 10 from 6.30pm to 8.30pm. Confirmed for the panel are chair Justine Hughes, activist and period queen Anna Johnston, York Central MP Rachael Maskell, Freedom4Girls’ Tina Leslie and YorKits’ Janice Lawson.

I’m Sorry I Haven’t A Clue: Host Jack Dee and his panellists Tony Hawks, Pippa Evans, Marcus Brigstocke and Milton Jones at York Barbican

Spoilt for choice at York Barbican: Cirque, The Greatest Show, March 5, 1pm and 5pm; I’m Sorry I Haven’t A Clue, March 6, 8pm; Giovanni Pernice: Made In Italy, March 9, 7.30pm

MUSICAL theatre meets circus spectacle in Cirque, where West End and Broadway hits combine with aerialists, contortionists, and feats of agility and flair.

Droll Jack Dee hosts BBC Radio 4’s antidote to panel games, setting the challenges to Tony Hawks, Pippa Evans, Milton Jones and Marcus Brigstocke. Cue inspired nonsense, Mornington Crescent and musical accompaniment from Colin Sell.

Strictly Come Dancing 2021 professional champ Giovanni Pernice journeys to his homeland in Made In Italy, promising hot, hot, hot action with his ensemble of ballroom dancers and singers.  Box office: yorkbarbican.co.uk.

Giovanni Pernice: Made in Italy, performing in York

Murder mystery in York: The Mousetrap, Grand Opera House, York, March 6 to Saturday, 7.30pm plus 2.30pm Wednesday and Saturday matinees

AGATHA Christie’s mystery The Mousetrap, “the longest running play in the world”, takes in a return to York’s Grand Opera House on its 70th anniversary tour.

Ian Talbot directs this twisting, turning tale of intrigue and suspense set at Monkswell Manor, a stately countryside guesthouse where seven strangers find themselves snowed in as news spreads of a murder in London. When a police sergeant arrives, the guests discover – to their horror – that a killer is in their midst, but whodunnit? Box office: atgtickets.com/york.

Conducting enquiries: Joseph Reed as Detective Sergeant Trotter in Agatha Christie’s The Mousetrap at Grand Opera House, York. Picture: Matt Crockett

Soulful musical journey of the week: Arsen Petrosyan, National Centre for Early Music, St Margaret’s Church, Walmgate, York, March 10, 7.30pm

ARMENIAN duduk specialist Arsen Petrosyan returns to the NCEM after his Making Tracks showcase there. This time he leads his quartet, featuring Astghik Snetsunts (on qanun), Avetis Keoseyan (dhol/percussion) and Vladimir Papikyan (santur), through Armenian traditional, early, classical and sacred music. 

Hokin Janapar: My Soul’s Journey is his nostalgic exploration of the  music that has stirred his soul in turbulent times, reflecting the continued odyssey of his nation on the border between Europe and Asia. Box office: 01904 658338 or ncem.co.uk.

Arsen Petrosyan: Playing Armenian duduk music at NCEM, York

The great gig in the café: 50 Years of Dark Side Of The Moon: Vinyl Listening Party, FortyFive Vinyl Café, Micklegate, York, March 23, 6pm to 7pm

CELEBRATING 50 years of one of the greatest albums of all time, FortyFive Vinyl Cafe is marking this momentous occasion by inviting you to bask in an early second issue of the original 1973 pressing of Pink Floyd’s Dark Side Of The Moon.

“These copies were produced for a short time only, between first pressing and first repress,” explains Dom White, from FortyFive. A short break for drinks will bridge the gap between Sides 1 and 2, the other side of the ‘Moon’. Reissued vinyl copies of the album will be for sale, along with a new book detailing the vinyl pressing history. Entry is free.

Dark Side Of The Moon: Welcome to the Pink Floyd Listening Party at FortyFive Vinyl Café, York

REVIEW: Martin Dreyer’s verdict on Charlotte Scott, Jamie Walton & Daniel Lebhardt, St Hilda’s Church, West Cliff, Whitby, March 4

Jamie Walton: Cellist and festival director. Picture: Matthew Johnson

OUTSIDE, a chill wind rattled in off the North Sea, but inside St Hilda’s this piano trio recital promoted by North York Moors Chamber Music was more like the first cuckoo in spring, heralding warmer times, especially the NYMCM’s own festival in August.

Trios by Beethoven and Mendelssohn were prefaced by duos featuring the violin and cello in turn. Charlotte Scott’s succulent violin put everyone in the mood straight away. Svendsen’s popular Romance, Op 26 of 1881, originally for violin and orchestra, can easily sound hackneyed. In her hands, it came up fresh and new, moving from dreamy elegy to full-blown romanticism. Daniel Lebhardt’s piano kept in close attendance.

Beethoven’s Piano Trio Op 70 No 2 in E flat has suffered by comparison with its companion piece, the ‘Ghost’ trio, if only because it lacks a nickname. Its generally warm aura reflects the friendship Beethoven enjoyed with the Hungarian Countess Erdödy, to whom Czerny claimed it was secretly dedicated.

The ensemble found tranquillity in its opening Poco sostenuto, where each instrument suggests a different key before it settles into E flat. There was a lovely transparency in the recapitulation, the quiet opening echoed magically. In the second movement’s double theme and variations – a device much favoured by Haydn but rarely by Beethoven – we heard the two dances, major and minor, coolly differentiated.

The succeeding, song-like Allegretto was notable for the conversation between unaccompanied strings and piano at its heart. The finale’s stormy centre had a powerfully symphonic feel, reaching a majestic climax. Donald Tovey describes it as “stupendous”. It certainly was here.

Jamie Walton brought his most mellow string tone to bear on Mendelssohn’s last Song without Words, Op 109 in D, written for cello and piano. He was particularly sumptuous in its central section and there was a nice tenuto before the recall of the opening.

Mendelssohn’s Second Piano Trio, No 2 in C minor, benefited especially from Lebhardt’s light-fingered pianism. The merging of the two themes in the energetic first movement was cleanly done and the outer sections of the ‘fairy’ Scherzo were extremely nimble.

In a hell-for-leather finale, however, the trio sounded as if in combat with one another and the triumphant chorale emerged with less clarity than it deserved. But one could only admire the commitment this represented, a virtue in evidence throughout the programme.

Review by Martin Dreyer

North York Moors Chamber Music Festival will run from August 13 to 26. Box office: 07722 038990 or northyorkmoorsfestival.com.

National Centre for Early Music marks International Women’s Day with premiere of Sarah Cattley’s Rossignolet on March 8

Ensemble Moliere: Premiering Sarah Cattley’s Rossignolet on International Women’s Day

THE National Centre for Early Music, in York, is celebrating International Women’s Day on March 8 – and throughout the year.

A new composition, Rossignolet, by 2019 NCEM Composer Award joint winner Sarah Cattley, commissioned by BBC Radio 3, will be presented by the all-female instrumentalists Ensemble Moliere in a broadcast at 1.30pm on Wednesday.

The concert will be available on catch-up on BBC Sounds at: https://www.bbc.co.uk/programmes/m001jlp3.

Looking ahead, women composers will be highlighted within this summer’s York Early Music Festival, led off by a new work by Lithuanian composer and NCEM alumna Juta Pranulyte, commissioned jointly by NCEM, The Marian Consort and the Rose Consort of Viols.

Three miniature operas by the late-17th century French composer Élisabeth-Claude Jacquet de La Guerre, telling the heartrending stories of three Biblical women, will be sung by Carolyn Sampson, RPS Vocal Award 2023 winner Anna Dennis and Alys Mererid Roberts. BBC New Generation Artist Helen Charlston will present her award-winning Battle Cry!.

York Early Music Festival 2023 will run from July 7 to 14 with a theme of Smoke & Mirrors. Tickets will go on sale on March 6 at ncem.co.uk and on 01904 658338.