Fangfest celebration of arts, crafts, pots and gelato returns to Fangfoss next month

Fangfoss Pottery potter Gerry Grant demonstrating raku dunking in water

FANGFEST, the Fangfoss Festival of Practical Arts, will be held on September 3 and 4.

The event will take place from 10am to 4pm each day in the village four miles from Pocklington, co-ordinated by illustrator and designer Sarah Relf, the committee’s newest member, who trades as The Magpie’s Cabinet.

Now in its 22nd year, Fangfest was started by woodworker and carver Tony Dew, who owned the Rocking Horse Shop, in Fangfoss, until recently. He remains on the committee, alongside his wife, artist Shirely Davis Dew; Fangfoss Pottery potters Lyn and Gerry Grant; Mark Gibbins, from Jubilee Park; Sally Murray, landlady of The Carpenter’s Arms and acting treasurer; St Martins Church representative Maureen Trigg and the aforementioned Sarah.

More than 20 jewellery designers, potters, glass artists, sculptors, felters, handbag makers, painters, photographers, illustrators, printmakers, candle makers, willow weavers and wood carvers will be taking part.

Among the confirmed participants are Alec Allison (Yorkshire Orchards); Anna Byelova (handbags); Claire Bingham (chocolates); Dave Atkin (Woodwyrm); David and Jonathan Bird (Guggle & Torquith); Gwen Wilson (crafts); Heather Young (Resin Revery/knitwear) and Helen Whitehead (glass).

Making pots at Fangfest

So too are: Keith Pollitt (Taste of Yorkshire); Laura Thompson (illustrations); Lesley Peatfield (photography); Liz Riley (felt art); Mo Burrows (jewellery); Neil and Clare (Swirlz Gelato) and Pete Thompson (Spirit of the Wood).

In the line-up too will be: Richard Gibson (wire sculptures); Richard Moore (tiles); Rosie Scott-Massie (Glow Soap); Sarah Relf (illustrations); Sarah Willmott (wood crafts); Sheila Downing (Crafty Alfredo) and Steven Southcoat.

“Last year we had to reinvent ourselves as a result of the Rocking Horse Shop being sold and the land we formerly used not being available,” says Lyn.

“On top of that, the pandemic had forced us to cancel two years, and we were wondering whether to call it a day after 20-plus years. But we decided to have another go, so we went back to our roots: a more arts and crafts-based festival rather than the ‘village fete’ that Fangfest was becoming.”

The revamp was successful, says Lyn. “Everyone who was exhibiting had to demonstrate or talk about their work. Stalls were arranged down the long garden at Shirley and Tony’s (the founder of the Rocking Horse Shop) and around the village green. We had the classic cars in the middle of the green and had stalls in the churchyard too,” she explains.

Forest Craft and Play at Fangfest

“We had a scarecrow trail and put a marquee out in the pottery garden for the free children’s pottery activities. The layout and revamp worked well, so we’re doing a similar thing this year.”

Lyn and Gerry are as keen as ever to encourage participation in the arts and crafts, especially by children. “One of our first aims was to increase awareness of the arts, so this year we’ve asked Forest Craft and Play to come,” says Lyn. “They’ll be running drop-in craft activities for a small charge, while ‘Have a go on the wheel’ and ‘Paint a pot’ will be free.”

What else? “We’ve arranged for some acoustic musicians to come along and play to add some atmosphere to the event,” says Lyn. “St Martin’s Church is holding a flower festival over the weekend with the theme of Our Queen to celebrate the Platinum Jubilee.

“The church will be running a slide show on the events we had in the village in 2002 to mark The Queen’s 50th jubilee. A bit of nostalgia! We’ve still got the classic cars, scarecrow trail and archery too.”

Entry to this outdoor event is free.

Latest score: Two Big Egos In A Small Car podcast hits Episode 100. Listen here

Kristy Matheson: Creative director of Edinburgh International Festival 2022

TWO Big Egos In A Small Car culture-vulture podcasters Graham Chalmers and Charles Hutchinson celebrate clocking up their 100th episode with an Edinburgh International Film Festival special as the loquacious, if argumentative, duo head to Scotland, squeezed into Hutch’s compact mobile.

Under discussion too are two festivals, Deer Shed 12 and Doncaster’s ArtBomb 22. To listen, head to: https://www.buzzsprout.com/1187561/11125928

More Things To Do in York and beyond when a circus of dreams and cricket skipper pitch up. List No. 95, courtesy of The Press

Rootsy rockin’ psychedelia: The Slambovian Circus Of Dreams at The Crescent

THIS is the holiday season, but not everyone is away, as Charles Hutchinson keeps one eye on August attractions, the other on autumn additions.

Woodstock vibe of the week: The Slambovian Circus Of Dreams, supported by Stan, The Crescent, York, Wednesday (17/8/2022), doors, 7.15pm

THE Slambovian Circus Of Dreams, purveyors of rootsy rockin’ psychedelia from Sleepy Hollow, New York, stretch the borders of Americana folk rock with their fantastic stories and performances.

Often described as “the Hillbilly Pink Floyd”, they visit The Crescent for the first time in support of their sixth album, A Very Unusual Head, released last January. Elements of Bob Dylan, David Bowie, The Incredible String Band, Syd Barrett and The Waterboys flavour their psychedelic sound. Box office: thecrescentyork.com.

York River Art Market: Arts and crafts by the riverside this weekend

Art event of the weekend: York River Art Market, Dame Judi Dench Walk, by Lendal Bridge, River Ouse, York, today (13/8/2022) and tomorrow (14/8/2022), 10am to 5.30pm

YORK River Art Market’s seventh summer season is heading for a sunny finale by the Ouse as York’s answer to the Parisian Left Bank welcomes up to 30 artists and makers on both days this weekend. This open-air market provides the chance to browse and buy directly from those showcasing their creative wares along the riverside railings; entry is free.

Look out for paintings, prints, jewellery, textiles, glass work and ceramics. Among today’s artists will be regular participant Richard Smith with his Point Paper Art; tomorrow, Here Be Monsteras ceramicist Kayti Peschki and Cuban artist Leo Morey, who moved to York in 2018.

Phil Toms and his band: Performing Tubular Bells note for note at the JoRo

Tribute show of the week: Tubular Bells Live! with Phil Toms, Joseph Rowntree Theatre, York, tonight (13/8/2022), 7.30pm

PHIL Toms and his 12-piece band perform music from Mike Oldfield’s landmark 1973 record Tubular Bells – the one that launched Richard Branson’s Virgin Records label – complemented by highlights from his 50-year career, such as Moonlight Shadow, To France and Guilty.

Enjoy selections from Oldfield’s instrumental albums too, including Ommadawn, Return To Ommadawn, Islands, The Songs Of Distant Earth and Tubular Bells 2 and 3. Ticket update: limited availability on 01904 501935 or at josephrowntreetheatre.co.uk.

The poster for Mychael Barratt’s print exhibition at Pyramid Gallery, York

AS part of Pyramid Gallery’s 40th anniversary celebrations, curator Terry Brett made his regular trip to the Clink Press duo Mychael Barratt and Trevor Price’s studio, near Rotherhithe, London, returning north in a car filled with Barratt’s Beyond Bruegel and Price’s Bottles, Pots, Dots series of original prints. All works are for sale.

Fully Fest: Live music galore at The Fulford Arms

York festival of the week: Fully Fest 2022, The Fulford Arms, Fulford Road, York, August 20, 2pm (doors) to 11pm

THE Fully Fest welcomes Captain Starlet, The Rosemaries, Everything After Midnight, Tommyrot, City Snakes, The Rosettas, The Wreck Liners, Percy, Heartsink and Pat Butcher for a full-on day and night of live music at the Fulford Arms. Box office: thefulfordarms.com.

Derren Brown: “Remembering what’s important” in Showman at Leeds Grand Theatre

Mind games of the month: Derren Brown: Showman, Leeds Grand Theatre, August 23 to 27, 7.30pm and 2.30pm Saturday matinee

DERREN Brown, master of mind control and psychological illusion, is on tour with his first new theatre show in six years, Showman, in the wake of his Broadway debut.

The content remains a closely guarded secret, but Brown says: “The heart of the show is about remembering what’s important. Like how the very things that we find most isolating in life – our fears and difficulties – actually connect us. Framed with what I think will be some extraordinary demonstrations of my voodoo.” Box office: leedsheritagetheatres.com.

Gretchen Peters: Sharing stories and songs at Leeds City Varieties

Americana gig of the month: Gretchen Peters, Leeds City Varieties Music Hall, August 29, 7.30pm

2022 marks the 25th anniversary of Nashville Songwriters Hall of Fame inductee Gretchen Peters first setting foot on a British stage. To honour this landmark, she returns this month with long-time musical partner and special guest Kim Richey in tow. 

Coinciding with the August 19 release of her live album The Show: Live From The UK – recorded in 2019 with a Scottish female string quartet – Peters will be sharing stories and songs from her early touring days in the UK, complemented by favourites from later works. Box office: leedsheritagetheatres.com.

Aggers & Cook: An evening of cricket chat with the correspondent and the captain

Cricketing double act: An Evening With Aggers & Cook, Grand Opera House, York, October 3, 7.30pm

BBC cricket correspondent Jonathan Agnew teams up with former England captain, record run-scorer, Test Match Special summariser and farmer Sir Alastair Cook for a night of willow-on-leather chat in in aid of the Professional Cricketers’ Association.

Aggers, who has partnered Sir Geoffrey Boycott, Phil Tufnell and Michael Vaughan in past chat shows, will encourage Cook to lift the lid on life in the England dressing room. Audience members can tweet the pair with questions for the second half. Box office: 0844 871 7615 or atgtickets.com/York.

Hitting their stride: John Smith and Katherine Priddy will tour together for the first time this autumn

Autumn fruitfulness at the double: John Smith & Katherine Priddy, Selby Town Hall, November 3, 8pm

SONGWRITERS John Smith and Katherine Priddy will hit the road together for the first time in a November collaboration after a fortuitous encounter in a Kansas City hotel lobby earlier this year.

Since then, Devonian Smith and Birmingham-born Priddy have been testing the musical waters together in a galvanising new venture set to bloom on tour, when they will perform a mix of their own original songs. Box office: selbytownhall.co.uk.

York musical comedy duo Fladam head to Edinburgh Festival Fringe for first time

“It’s been a long time coming,” say Fladam, as York musical comedy act make their Edinburgh Festival Fringe debut this summer

FLADAM, the York musical comedy duo of Florence Poskitt and Adam Sowter, are making their Edinburgh Festival Fringe debut all this month.

At 4pm each day until August 29 – except August 16 – they will be performing A Musical Comedy Hootenanny! at The Pleasance at The EICC [Edinburgh International Conference Centre].

Followers of York’s musical theatre and theatre scene will be familiar with Florence, wide-eyed northern character actress, comic performer, singer, dancer and multi-instrumentalist, and Adam, face-pulling character actor, comic performer, pianist, harmonica and ukulele player, singer, composer, comedy songwriter and cartoonist.

A couple both on and off stage, they have branched out into presenting their own heartfelt, humorous songs and sketches, tackling the topical with witty wordplay, uplifting melodies, a dash of the Carry On! comic spirit, admiration for the craft of Morecambe & Wise, Bernard Cribbins and Victoria Wood, and an old-school sense of charity-shop comedic fashion.

You may have heard them in their regular slot on Harry Whittaker’s Saturday show on BBC Radio York; or seen an early taster of A Musical Comedy Hootenanny! in Fladam & Friends at Theatre@41, Monkgate, last November, or spotted them among the five-minute showcases at York Theatre Royal’s Love Bites in May 2021 and Green Shoots in June this year.

Topical yet nostalgic: York musical comedy duo Florence Poskitt and Adam Sowter. Picture: Charlie Kirkpatrick

Now comes the giant leap: heading to the Scottish capital to be among more than 3,000 shows at the 75th anniversary Fringe on its return from Covid hibernation.

“It’s been a long time coming,” says Adam. “We’d planned to perform there in 2020, before Covid struck. We were going to do a small-scale show at a venue we knew, Greenside, but now we’ve ended up at one of the Pleasance venues this year: a cabaret spot they’ve opened at the EICC called the Lammermuir Theatre.”

The two-year delay has worked out well. “Our plan was to go back to Greenside, but then we saw that a bursary scheme was available through York Theatre Royal in association with the Pleasance,” says Adam.

“We had an interview with Juliet [Theatre Royal creative director Juliet Forster], and though we weren’t selected, they said, ‘we really like you’, and the Pleasance offered us a slot.”

Better still, York Theatre Royal paid for Fladam’s Fringe registration and the Pleasance waivered a deposit. “We’ve been extremely lucky because from the first ticket onwards that we sell, we take 50 per cent,” says Florence.

Fladam’s official poster for the 2022 Edinburgh Fringe Festival. Artwork design: Steph Pyne

“We’ve also had support from friends in York and we’ve received £400 from the Pleasance Debut Fund scheme to support debutant performers playing for more than a week in venues with fewer than 150 seats.”

Fladam’s Edinburgh bow is an introductory show that captures the spirit of their topical yet somehow nostalgic songs. “Our humour isn’t racy, but there’s a little hint of Carry On to it,” says Adam. “Well, there’s a dabbling of ‘racy’ in there,” interjects Florence.

“It’s sort of ‘Greatest Hits of Fladam’,” continues Adam. “We’re exploring different styles of performance, making sure it’s a varied hour, where we play lots of different characters, present familiar things in a new way and add new things.

“Like how we’ve re-written a country song that didn’t work as a country song. It now has new lyrics, which we’ll have to remember for a new version for the finale!

“I’m sure that the show we finish with on August 29 will be completely different from the first one as we’re still an evolving act and we’ll continue to evolve.”

Expect puppetry: Fladam add another dimension to their musical comedy act. Picture: Charlie Kirkpatrick

Fladam have progressed from bedroom beginnings to the stage. “We’ve gone from recording videos of songs on phones from the corner of our bedroom in lockdown to doing it live, first with one number at Love Bites and then last November’s show with friends, when we had to rehearse in the kitchen,” says Adam. “Now we’re developing again.

“Having a long run at the Fringe, we can try things out, playing to totally different audiences over so many performances – and with our shows being topical we may well have to update and re-write things. We’ve already adjusted our Boris Johnson song after what’s happened to him.”

Florence is relishing the Fringe experience. “What’s great is that so many people want to see musical comedy shows,” she says. “One of the joys of being here is that you never know who you might meet for future collaborations, which was one of the lovely things about doing Love Bites and Green Shoots at the Theatre Royal.”

Fladam will benefit from spreading their wings from York. “This is our first time playing to a ‘cold audience’ after playing mainly to our friends in York,” says Florence. “The advice from [York theatre director and actor] Maggie Smales was to talk to the audience to establish a connection with them, and I’ll be handing out biscuits and Adam will be playing the piano before we start.”

Spending a month in Edinburgh will be a learning curve for Adam and Florence. “We’re not producers, so we have to do our own publicity, organise the posters, build our props, do everything ourselves, and that’s where the Theatre Royal and the Pleasance have been really supportive when we’ve dropped them an email asking for their advice,” says Adam.

Whisking up gentle comedy: the comic craft of Florence Poskitt and Adam Sowter

“That’s all helped us to mount an Edinburgh show for the first time, when you know you’re going to make mistakes and it’s not just an easy home run.”

What definitely has worked is their Fringe poster with its combination of photography by Charlie Kirkpatrick and a design by Steph Pyne. “It’s a bit retro, a bit Morecambe & Wise,” says Adam. “The first design played too much on being like a Seventies’ tribute, so we’ve dialled that down to still be a little nostalgic but above all quirky and colourful.”

Florence is chuffed. “We’ve had do many people tell us, ‘that really captures you and what you’re all about’,” she says. “Our style of humour is gentle, like Morecambe & Wise’s humour was so warm and lovely. We like to do songs that are clever and make you smile at the same time.”

Fladam: A Musical Comedy Hootenanny, Lammermuir Theatre, The Pleasance at Edinburgh International Conference Centre (EIFF),Venue 150, 4pm daily, until August 29, except August 16. Box office: 0113 556 6550 or pleasanceco.uk.

Fladam also will do six 20-minute street-busking spots at St Andrew’s Square and Cathedral Square from August 19.

Fladam: Making their Edinburgh Festival Fringe debut with backing from York Theatre Royal and the Pleasance

Review: Martin Dreyer’s verdict on Royal Northern Sinfonia at Ryedale Festival

Lucienne Renaudin Vary: “Brought the house down”

Ryedale Festival: Royal Northern Sinfonia, Hovingham Hall, July 31

WE were powerfully reminded, with this now traditional festival finale at Hovingham, how fortunate we are to have this country’s only full-time chamber orchestra within such easy reach.

A slightly scaled-down orchestra, directed from the violin by co-leader Kyra Humphreys, played a concerto and a symphony by Haydn, one at the end of each half, leavened by three more recent pieces by English composers. It made a heady mix.

Malcolm Arnold’s troubled life is sometimes reflected in his music, but thankfully not too often. His Second Sinfonietta, Op 65 – he wrote three, in addition to nine numbered symphonies – has a dark threnody at its centre, but both the winding Andante at the start and the boisterous finale were positive, nicely coloured by pairs of flutes and horns.

Finzi’s Romance for strings, Op 11 was beautifully controlled, with a post-Elgarian sweep that was intoxicating.

Errollyn Wallen’s Photography is a 2007 piece in three movements that uses techniques from three centuries earlier. There was a catchy momentum in the idiomatically fugal opening and a strong bass line à la Baroque, quoting Bach indeed, in the more acerbic central movement.

An intriguingly slow pulse in the finale, over a drone bass, picked up pace thanks to the solo double bass – strongly delivered here – before a stirringly rhythmic finish.

But Haydn dominated the evening. It is doubtful that anyone in the audience had ever encountered a concerto soloist playing barefoot. Until now. Lucienne Renaudin Vary skipped onto the platform like a sprite and conducted the concerto herself.

But her demeanour belied the seriousness she gave to the score. Her tone, for example, in the opening Allegro was bright and brittle, similar to a high Bach trumpet, with tight trills and immaculate chromatics. In the slow movement, it was as if she had changed instrument: her tone was now velvety and mellow, allied to long-breathed lines and ultra-smooth control.

The finale used a combination of the two colours. At considerable speed it buzzed with energy, which the orchestra was only too happy to complement. She threw in a bluesy encore for good measure. It all but brought the house down.

Symphony No 93 in D was the first of Haydn’s 12 ‘London’ symphonies, all of them premiered there in the first half of the 1790s. With Humphreys back at the helm, there was a polished clarity in the opening fanfares. But it was the slow movement, introduced gently by a solo quartet, which brought Haydn’s humour to the fore, with a rude bassoon solo poking fun at prim flutes and violins.

After a far from polite minuet, the closing rondo was frankly scintillating. The festival could hardly have ended more brilliantly.

Review by Martin Dreyer 

What is the future of local journalism? Here comes the Sheffield Tribune’s new age

Sheffield Tribune’s logo

IN Episode 99, Two Big Egos In A Small Car culture podcasters Graham Chalmers and Charles Hutchinson ponder the way forward for news delivery with Sheffield Tribune arts writer Liz Ryan at the dawn of the substack.

Under discussion too are the community play 122 Love Stories at a ghostly Harrogate Theatre; Irish comedian Jason Byrne’s upcoming Unblocked tour show and Bob Dylan’s auction value as a one-off recording is sold as a “work of art”.

To listen, head to: https://www.buzzsprout.com/1187561/11013649

REVIEW: Martin Dreyer’s verdict on Siân Dicker/Krystal Tunnicliffe, Ryedale Festival

Soprano soloist Sian Dicker

Ryedale Festival: Siân Dicker/Krystal Tunnicliffe, Looking West, All Saints’ Church, Hovingham, and Church of St Peter & St Paul, Pickering, July 30

THE penultimate day of Ryedale Festival was mainly concerned with voices.

The mid-morning song recital in Hovingham by the soprano Siân Dicker and the pianist Krystal Tunnicliffe was A Tale Of Two Cities, while the evening in Pickering featured the world premiere of a “concert-theatre” work, Looking West, with music by Julian Philips to a libretto by Rebecca Hurst.

The recital flitted back and forth between London and Paris, cities that clearly excited both performers as they explained early on. Dicker sang in both English and French, clearly enunciating and distinguishing her tone between the two, and Tunnicliffe stayed with her every step of the way. We relished their relish.

Poulenc’s enthusiasm verged on the frenetic, but had its moments of thoughtfulness, and he was touching too about the lovers carrying on while the preachers in Hyde Park were on their soap boxes.

We dipped into Butterworth’s song cycle, Love Blows As The Wind Blows, as we imagined the lover travelling up to Kew from Richmond, and enjoyed Madeleine Dring’s evocation, via Betjeman, of business girls enjoying a hot soak in Camden Town, one of five settings she made of the poet in the year before her death (1977).

We had Debussy evoking beautiful Parisiennes, balanced by Weill’s lament over the hidden depths of the Seine. Walton’s pomp and circumstance at the Lord Mayor’s table was countered by Errolyn Wallen’s pensive London’s Burning.

Mezzo soprano soloist Rebecca Afonwy-Jones. Picture: Robert Workman

Finzi’s jovial setting of Hardy’s Rollicum-Rorum, plus an encore of Richard Rodney Bennett’s Let’s Go And Live In The Country (where the grass is not necessarily greener), rounded off a happy divertissement that was enhanced by four poems, well projected, including James Fenton’s In Paris With You. Dicker has a versatile charisma that should take her a very long way.

The 150th anniversary of the birth of Vaughan Williams was celebrated with the commission of Looking West by the Nova Music Trust and the Presteigne Festival. The latter will show the Welsh premiere but the world premiere was Ryedale’s honour.

The story exists on three historical levels, primarily the life of Saint Bega, an Irish princess who escaped marriage by crossing to St Bees and eventually settling in Northumbria as an anchorite, probably in the mid-9th century. Interest in her was revived by Melvyn Bragg’s novel Credo (1996), based on her life.

A second strand deals with the work of the Cumbrian artist Winifred Nicholson (1893-1981), who apparently left some memorable paintings of St Bees Head. The story is given contemporary relevance by a young pilgrim who makes his way across country starting from there, sharing his travails with the audience. “The spiritual enrichment we can find in the natural world” – a theme dear to the heart of Vaughan Williams – lies at the heart of Philips’ work.

In Nova Music Opera Ensemble’s production, directed by Sally Ripley, the actor Alexander Knox stole the show as the traveller, charting his day-to-day progress in various rambling outfits in an engaging, Jack-the-lad manner.

St Bega was cleanly, smoothly and spiritually sung by mezzo Rebecca Afonwy-Jones, clad in a purple habit tied with a rope, while soprano Rebecca Bottone, in a white smock, played the artist, not quite so clearly which was understandable given the high tessitura of many of her lines. Maddie Purefoy had a less clearly defined role speaking from the pulpit.

The orchestra of eight players played their hearts out under George Vass. Cello and double bass had important roles in some darker textures, but the upper strings came into their own near the end in something like folk style when our traveller danced in jubilation at having completed his journey.

At regular intervals we heard a tape of crashing waves streaked with the cries of seabirds. But the most affecting, intimate moment was a mezzo solo over cello and harp, especially when the instruments turned to pizzicato. The dramatic content was not as powerful as it might have been: most of the drama was left to the orchestra. But the influence of Vaughan Williams was undeniable.

Review by Martin Dreyer

More Things To Do in and around York on walls, in parks, by water, on stage and in future. List No. 94, courtesy of The Press

The Cure’s Robert Smith backstage, by Alison O’Neill, from her debut exhibition of 1980s’ music photos at City Screen, York. Copyright: Alison O’Neill

FROM The Cure’s Eighties’ photos to Ayckbourn’s lies, folk, riverside and walls festivals to folk’s future, Charles Hutchinson picks his highlights of the week ahead and beyond.

Exhibition launch of the week: Trapped In The Light, 1980s Music Photos by Alison O’Neill, Sky Lounge, City Screen Picturehouse, York, Sunday to September 10

ALISON O’Neill loved photographing The Cure, Echo & The Bunnymen, The Jesus & Mary Chain and The Cramps in the 1980s, but those black-and-white concert and backstage images have been in hibernation for more than three decades, never exhibited until now.

Why? “Shyness,” she says, but with the encouragement of a photographer friend in Berlin, she is letting those nocturnal photographic encounters see the light of day at last at City Screen.

Play of the week: Alan Ayckbourn’s All Lies, Esk Valley Theatre, Robinson Institute, Glaisdale, near Whitby, until August 27

When the little white lies start: Luke Dayhill and Saskia Strallen as the young couple in Alan Ayckbourn’s All Lies at Esk Valley Theatre. Picture: Steven Barber

FOLLOWING its initial run at the Old Laundry Theatre, Bowness-on-Windermere, in May, Esk Valley Theatre presents the world premiere production of writer-director Alan Ayckbourn’s 86th full-length play.

The setting is 1957/1958, when a  when a chance meeting elicits love at first sight! The person of your dreams! But will they feel the same? Once you tell the truth about yourself, will you even be worthy of them? Do you take the plunge and reveal all? Or choose the dangerous alternative and tell them…All Lies?!

Questions, questions, so many Ayckbourn questions, in a play where it may be all lies but the truth is in there somewhere. Box office: 01947 897587.

Inside a tipi at the Boatyard York Festival

New festival of the week: The Boatyard York Summer Festival, Ferry Lane, Bishopthorpe, York, today, 11am to 7pm

THE Boatyard plays host to its first summer riverside festival this weekend, featuring live music from York bands and musicians, such as Up In Smoke, and an array of street food to suit meat eaters and vegetarians alike.

Organised by Eva Brindley, this family-orientated day promises a Punch & Judy show, face-painting, fare stalls and games, ping pong and volleyball, plus canoe, kayak and day boat hire. Look out for the Bosun’s Oven café, wood-fired pizzas and summery drinks from the horsebox bar. Dogs are welcome; entry is free.

Lewis Capaldi: First visit to Scarborough Open Air Theatre since 2019

Outdoor gig of the week; Lewis Capaldi, supported by Wild Youth and Aine Deane, Scarborough Open Air Theatre, Thursday, gates 6pm. CANCELLED

UPDATE: 10/8/2022

LEWIS Capaldi has pulled out of his August 11 gig at Scarborough Open Air Theatre. The reason? Illness.

Ticket holders will be reimbursed fully.

SCOTTISH singer-songwriter Lewis Capaldi spent ten weeks at the top of the charts with his May 2019 debut album, Divinely Inspired To A Hellish Extent. Alas, the wait goes on for the follow-up, and all the while you will find such questions as “Is Lewis Capaldi quitting?” and “What has happened to Lewis Capaldi” on the internet.

In July, the 25-year-old Glaswegian told his Latitude festival audience “I have no new music to play you”, calling himself “horribly lazy” when faced with “needing to finish my new album”. Looks like you will have to make do with Before You Go, Grace, Hollywood, Bruises et al once more on Thursday; the heartbeat of his first visit to Scarborough OAT in 2019 . Box office: scarboroughopenairtheatre.com.

Much ado about Nothing & Everything Else…and Z Is For Zelda at Theatre@41

Double bill of the week: Black Sheep Theatre in Nothing & Everything Else/Z Is For Zelda, Theatre@41, Monkgate, York, August 10 to 13, 7.30pm plus 2.30pm Saturday matinee

SHOWCASING the work of playwright and director Bethany Shilling, the first play is an offbeat comedy about a young woman performing at her very first stand-up comedy open-mic night where she uses the time to check in with herself mentally. 

The second is an attempt by Zelda Fitzgerald to share her life story. In doing so, she flits between her polished, performed self and the obscure ramblings that consume her mind. Is she mad or is this the final act of Zelda’s undeniable character? Box office: tickets.41monkgate.co.uk.

Seth Lakeman: Next Saturday’s main-stage headliner at The Magpies Festival. Picture: Tom Griffiths

Folk festival of the week: The Magpies Festival, Sutton Park, Sutton-on-the-Forest, near York, August 12, music from 6pm; August 13, music from 12.30pm

THE Magpies Festival has expanded from one day at last summer’s inaugural event to two in 2022, hosted again by The Magpies’ transatlantic folk trio of Bella Gaffney, Kate Griffin and Holly Brandon, ahead of this autumn’s release of their new album, Undertow.

Next Friday’s line-up will be: Jaywalkers; Elanor Moss; John Smith; Chris Elliott & Caitlin Jones and headliners Rob Heron & The Tea Pad Orchestra. Next Saturday presents Honey & The Bear; Dan Webster Band; Katie Spencer; The People Versus; David Ward Maclean; The Jellyman’s Daughter; Rory Butler; The Magpies plus guests; The 309s; The Drystones and main-stage headliner Seth Lakeman. Look out too for the food market and craft fair. Box office: themagpiesfestival.co.uk/tickets

The poster for York Walls Festival 2022

Heritage event of the week: York Walls Festival 2022 Summer Weekend, August 13 and 14

THE Friends of York Walls will be partnering with York organisations and community groups to tell stories and promote “our shared community, history and heritage” next weekend.

The Friends look after the 500-year-old Fishergate Postern Tower on behalf of City of York Council and it is sure to feature in the festival, along with the Bar walls and Red Tower. For festival updates, head to: yorkwallsfestival.org.

Joshua Burnell & Band: Autumn tour takes in The Crescent in his home city of York. Picture: Elly Lucas

The future of folk: Joshua Burnell & Band, The Crescent, York, October 16, 8pm

JOSHUA Burnell & Band will play a home-city gig at The Crescent on his nine-date folk-fused baroque’n’roll autumn tour.

Multi-instrumentalist singer Burnell will be joined by globe-trotting violinist Frances Archer, guitarist Nathan Greaves, multi-instrumentalist Oliver Whitehouse, drummer Ed Simpson and vocalist Frances Sladen. “Think The War On Drugs meets Seth Lakeman on Ziggy Stardust’s spaceship,” he suggests. Tickets: joshuaburnell.co.uk/tour or ticketweb.co.uk.

Edinburgh International Film Festival 2022 is full on for 75th anniversary celebrations

Kristy Matheson: New creative director of Edinburgh International Film Festival

EDINBURGH International Film Festival marks its 75th anniversary with a return to a full programme from August 12 to 20 under the leadership of a new creative director.

Back in tandem with the Scottish capital’s myriad festivals this month, the world’s oldest continually running film festival presents 87 new features, 12 short film programmes and two retrospectives in a resumption of a full-on, in-person event after the restrictions and challenges of the pandemic.

Newly at the helm is Kristy Matheson, a creative director looking to make her mark as she follows a raft of artistic directors that established and grew Edinburgh International Film Festival’s global clout.

Among those who contributed to the festival’s long-running success since its foundation in 1947 were journalist and film critic Hannah McGill, artistic director from 2006 to 2010; Mark Cousins, who made a big impact in all-too-brief tenure from 1996 to 1997 before blossoming into an award-winning documentary filmmaker, and Jim Hickey, who steered a golden era from 1981 to 1988.

Before that came Linda Myles, who ran EIFF with remarkable success on a small budget from 1973 to 1980, when she was first woman to occupy such a role at any film festival worldwide.

Not only did she pioneer screenings of the cream of the “New Hollywood” filmmakers of the day, such as Martin Scorsese, but Myles also initiated reappraisals and new viewpoints, most notably “The Women’s Event”, organised in tandem with Claire Johnston and Laura Mulvey at the 1972 EIFF.

This year marks the 50th anniversary of the women’s film festival presented by Myles to showcase films made by female directors. In recognition of this ground-breaking event, this summer’s EIFF will play host to Reframing The Gaze, a retrospective programme curated by Kim Knowles.

Kristy Matheson, previously director of film at Australia’s national museum of screen culture, ACMI, is thrilled to be propelling EIFF’s milestone anniversary year. “For our 75th anniversary, we’ve embraced the very essence of cinema: from its production to its exhibition, it’s a truly collective pursuit,” says the creative director.

“Working alongside a talented team of programmers and festival producers to craft our 2022 programme has been joyous. I look forward to welcoming audiences back to EIFF this August.”

The opening gala screening on August 12 will be a home-made product: Aftersun, the debut from Scottish filmmaker Charlotte Wells starring Normal People’s Paul Mescal, that heads homewards buoyed by prize-winning success at Cannes Film Festival.

Further highlights to note are Armağan Ballantyne’s comedy Nude Tuesday, picked for the inaugural Central Gala on August 16, and  After Yang, an American metaphysical science-fiction drama written and directed by Kogonada, starring Colin Farrell and Jodi Turner-Smith in the closing gala on August 20.

Look out too for Peter Strickland’s latest work, Flux Gourmet, featuring Asa Butterfield and Gwendoline Christie in the darkly comic tale of a performance art trio participating in an artist residency at the Sonic Catering Institute.

Screenings will take place at the festival’s home on Lothian Road, the Filmhouse, the Cameo Picturehouse, Everyman Edinburgh and Vue Edinburgh Omni.

The second major retrospective will focus on the work of performer and film director Kinuyo Tanaka (1909-1977), who played a key role in the history of Japanese cinema.

Further recommendations are Still Working 9 To 5, a documentary wherein Dolly Parton, Jane Fonda and Lily Tomlin reunite to investigate the fight for women’s rights they kickstarted half a decade ago, and Nothing Compares, Kathryn Ferguson’s documentary about iconoclastic Irish singer Sinead O’Connor.

Renowned for its commitment to internationalism and cultural engagement, EIFF embraces more than film screenings, taking in performances and industry dialogues too.

Presented as a special live performance, The Ballad Of A Great Disordered Heart is a new collaborative film by Lau folk musician Aidan O’Rourke, Becky Manson and former EIFF artistic director Mark Cousins about Edinburgh’s Old Town and the Irish communities who have called it home.

The 2022 festival sees the return of Film Fest In The City in St Andrew’s Square, where the open-air programme offers classics such as Crouching Tiger, Hidden Dragon, Shrek and 2001: A Space Odyssey.

This year’s programme has been brought together by a team of programmers led by Matheson, working alongside Manish Agarwal, Anna Bogutskaya, Rafa Sales Ross, Kate Taylor; animation programmer Abigail Addison; short film programmers Jenny Clarke (narrative) and Rohan Crickmar (non-fiction); black box programmer  Lydia Beilby and retrospective curator (2022 Theme) Kim Knowles.

Edinburgh International Film Festival is supported by Screen Scotland; the PLACE Programme (a partnership between the Scottish Government, City of Edinburgh Council and the Edinburgh Festivals); the Scottish Government, through the Festivals Expo Fund and the PLACE Resilience Fund; City of Edinburgh Council; EventScotland, part of VisitScotland’s Events Directorate, and the BFI Audience Fund, awarding National Lottery funding.

For tickets and programme details, head to www.edfilmfest.org.uk/

Two Big Egos In A Small Car culture vulture podcasters Graham Chalmers and Charles Hutchinson will preview the 2022 Edinburgh International Film Festival in the next episode before squeezing their egos into that compact automobile to head to Scotland next week.

Who’s better? Picasso or Warhol? Here’s the verdict of acerbic New Yorker Fran Lebowitz in arts podcast Two Big Egos…

Fran Lebowitz: Opinions aplenty at Grand Opera House, York

CULTURE vultures Graham Chalmers and Charles Hutchinson mull over American writer and Netflix documentary acerbic wit Fran Lebowitz’s night with bite at the Grand Opera House, York, in Episode 98 of Two Big Egos In A Small Car.

Under discussion too are Steve Coogan and Hugh Grant talking politics, The Smile’s detour from Radiohead and the new Suicide compilation.

Final thought: is the writing on the wall for Eng. Lit studies at university? To listen, head to: https://www.buzzsprout.com/1187561/11013535