The art beat of YORKshire
THE University of York Choir, The 24, and the University of York Symphony Orchestra will perform at York Minster on Saturday, June 8.
Under the direction of Robert Hollingworth and John Stringer, the 7.30pm programme will feature Mozart’s Mass in C minor and a selection of Bruckner’s works, celebrating the 200th anniversary of his birth, including the Te Deum, a composition he described as “the pride of his life”. Box office: 01904 322439 or yorkconcerts.ticketsolve.com.
FROM landscape sculptures to community cinema screenings, a circus company’s novel assignment to a soap star’s heavenly musical role, Charles Hutchinson’s week ahead is taking shape.
Exhibition of the week: Tony Cragg at Castle Howard, near York, until September 22
SCULPTOR Tony Cragg presents the first major exhibition by a leading contemporary artist in the house and grounds of Castle Howard. On show are new and recent sculptures, many being presented on British soil for the first time, including large-scale works in bronze, stainless steel, aluminium and fibreglass.
Inside the house are works in bronze and wood, glass sculptures and works on paper in the Great Hall, Garden Hall, High South, Octagon and Colonnade. Tickets: castlehoward.co.uk.
World premieres of the week: York Late Music, Unitarian Chapel, St Saviourgate, York, Mike Sluman, oboe, and Jenny Martins, piano, Saturday (4/5/2024), 1pm; The Lapins, Saturday (4/5/2024), 7.30pm
MIKEY Sluman highlights the range of the oboe family – oboe, oboe d’amore, cor anglais and bass oboe – in his lunchtime programme of Lutoslawski, Talbot-Howard and Poulenc works and world premieres of Desmond Clarke’s Five Exploded Pastorals and Nick Williams’s A Hundred Miles Down The Road (Le Tombeau de Fred).
The Lapins examine ideas of space, place and time in an evening programme that extols the joys of travel, exploration and adventure through the music of Brian Eno, Stockhausen and Erik Satie, the world premiere of James Else’s A Tapestry In Glass and the first complete performance of Hayley Jenkins’s Gyps Fulvus. Tickets: latemusic.org or on the door.
Film event of the week: The Groves Community Cinema, Theatre@41, Monkgate, York, May 5 to May 11
THE third Groves Community Cinema film festival promises a wide variety of films, from cult classics and music to drama and animated fun. Supported by Make It York and City of York Council, the event opens with Sunday’s Arnie Schwarzenegger double bill of The Terminator at 6.30pm and T2 Judgement Day at 8.45pm.
Monday follows up Marcel The Shell With Shoes at 2.30pm with Justine Triet’s legal drama Anatomy Of A Fall at 6.30pm; Tuesday offers Ian McKellen’s Hamlet at 7.30pm; Wednesday, Yorkshire Film Archives’ Social Cinema, 6.30pm, and Friday, cult classical musical Hedwig And The Angry Inch, 8pm. To finish, next Saturday serves up the animated Spider-Man: Into The Spider-Verse at 2.30pm and Jonathan Demme’s concert documentary Talking Heads: Stop Making Sense at 7.30pm. Box office: tickets.41monkgate.co.uk.
Nostalgic gig of the week: Steve Cassidy Band & Friends, Joseph Rowntree Theatre, York, Sunday (5/5/2024), 7.30pm
VETERAN York frontman Steve Cassidy leads his band in an evening of rock, country and ballads, old and new, with songs from the 1960s to 21st century favourites in their playlist.
Cassidy, a three-time winner of New Faces, has recorded with celebrated York composer John Barry and performed in the United States and many European countries. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Musical of the week: Sister Act, Grand Opera House, York, May 6 to 11, 7.30pm plus 2.30pm, Wednesday and Saturday
SUE Cleaver takes holy orders in a break from Coronation Street to play the Mother Superior in Sister Act in her first stage role in three decades. Adding Alan Menken songs to the 1992 film’s storyline, the show testifies to the universal power of friendship, sisterhood and music in its humorous account of disco diva Deloris Van Cartier’s life taking a surprising turn when she witnesses a murder.
Placed in protective custody, in the disguise of a nun under the Mother Superior’s suspicious eye, Deloris (Landi Oshinowo) helps her fellow sisters find their voices as she unexpectedly rediscovers her own. Box office: atgtickets.com/york.
“Bold new vision” of the week: Ockham’s Razor in Tess, York Theatre Royal, May 8 to 11, 7.30pm
CIRCUS theatre exponents Ockham’s Razor tackle a novel for the first time in a staging of Thomas Hardy’s Tess Of The D’Urbervilles that combines artistic directors Charlotte Mooney and Alex Harvey’s adaptation of the original text with the physical language of circus and dance.
Exploring questions of privilege, class, consent, agency, female desire and sisterhood, Tess utilises seven performers, including Harona Kamen’s Narrator Tess and Lila Naruse’s Memory Tess, to re-tell the Victorian story of power, loss and endurance through a feminist lens. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Funkiest gig of the week: Jah Wobble & The Invaders Of The Heart, Pocklington Arts Centre, May 9, 8pm
SUPREME bassist Jah Wobble’s two-hour show takes in material from his work with John Lydon in Public Image Ltd and collaborations with Brian Eno, Bjork, Sinead O’Connor, U2’s The Edge, Can’s Holger Czukay, Ministry’s Chris Connelly and Killing Joke’s Geordie Walker.
Born John Wardle in 1958, he was renamed by Sex Pistol Sid Vicious, who struggled to pronounce his name correctly. Wobble combines dub, funk and world music, especially Africa and the Middle East, in his songwriting. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Half-term show announcement of the week: There Was An Old Lady Who Swallowed A Fly, Stephen Joseph Theatre, Scarborough, May 28, 2.30pm
FIRST written as a song in 1953, There Was An Old Lady Who Swallowed A Fly was a chart-topping hit for singer and actor Burl Ives before being adapted into a best-selling book by Pam Adams a few years later, one still found in schools, nurseries and homes across the world.
To mark the nursery rhyme’s 50th anniversary, children’s author Steven Lee has created a magical musical stage show for little ones to enjoy with their parents that combines the charming nonsense of the rhyme with his own “suitably silly twists”. Box office: 01723 370541 or sjt.uk.com.
AUTHOR Laurie Lee’s extraordinary story is to be told in a captivating weave of music and his own words in Red Sky At Sunrise at the Grand Opera House, York, on May 26.
Actors Anton Lesser (from Endeavour, Wolf Hall and Game Of Thrones) and Charlie Hamblett (Killing Eve, Ghosts and The Burning Girls) play the role of Laurie Lee, older and younger, along with a rich array of other characters.
Together, they celebrate Lee’s engaging humour, as well as portraying his darker side, in a performance that has startling resonance with modern events.
Red Sky At Sunrise follows Stroud-born Laurie Lee through his much-loved trilogy, Cider With Rosie, As I Walked Out One Midsummer Morning and A Moment Of War, when Lee famously walked out of the Slad valley one midsummer morning and ended up fighting with the International Brigades against General Franco’s forces in the Spanish Civil War.
Devised as a show by Judy Reaves, the text by Lee has been adapted by Deirdre Shields, to be accompanied by David Le Page’s musical programme for Orchestra Of The Swan.
His programme weaves around Lee’s writing, from the lush Gloucestershire countryside that Lee made famous in Cider With Rosie, to the dry landscapes of Spain, via the music of Vaughan Williams, Walton, Holst, Elgar, Britten, Grainger, Albeniz, Turina and De Falla. Guitarist Mark Ashford will be performing Asturias, Sevilla and Spanish Romance too.
Anton Lesser reflects: “It has been a joy to discover more of Laurie Lee’s sublime writing. In many ways, his account of what was happening in Spain in the 1930s is prescient of what is playing out now in Europe.
“There is a heartbreaking moment when Lee writes: ‘Did we know, as we stood there, our clenched fists raised high, and scarcely a gun between three of us, that we had ranged against us the rising military power of Europe, and the deadly cynicism of Russia? No, we didn’t. We had yet to learn that sheer idealism never stopped a tank.”
Red Sky At Sunrise, Laurie Lee in Words and Music, starring Anton Lesser, Charlie Hamblett and Orchestra Of The Swan, Grand Opera House, York, Sunday, May 26. Box office: atgtickets.com/york.
What do you enjoy about Laurie Lee?
“I enjoy a sweet resonance I feel with Laurie Lee’s writing, a kind of recognition of something apparently difficult to access, but which mysteriously becomes available through great storytelling.”
What can the audience expect from Red Sky At Sunrise?
“The audience can expect to be taken on a journey, (which reflects Laurie’s actual travels from rural Gloucestershire to Spain, but also his inner journey from boyhood to maturity), all in the company of great musicians playing sublime music.”
How does performing a combination of words and music work for an actor?
“To be asked to read great writing, and to read it aloud is a privilege. To read it aloud supported by magnificent music is something more-I would call it a blessing. The words and the music combine, hopefully deepening and enriching the experience for both audience and practitioners.”
Can you be carried away by the music?
“Yes, I’m often so carried away by the musicians that I’m a bit of a liability – sometimes needing a bit of a nod or nudge to come in on cue!”
You played the villainous advisor Qyburn in the HBO fantasy drama Game Of Thrones. Do you enjoy playing villains?
“It’s not so much that I enjoy playing ‘villains’ – I like to think that I approach every role without limiting their identity to a single label like good or bad – but I think it’s more that those characters tend to be more complex and interesting.”
True or false? When you did your first day’s shoot on Endeavour, Shaun Evans could not stop laughing?
“Yes, Sean did have a problem with me – for some reason in the first episode he couldn’t look at me without laughing. I like to think this was a manifestation of love, respect and huge professional admiration; sadly I suspect it had more to do with the ridiculous hat I was made to wear.”
On Endeavour, you and Roger Allam were renowned for being cheeky together?
“Roger and I got away with a modicum of bad behaviour simply because we were very old. Two theatre actors in gentle competition for the best ‘light’ or close-up must have been a sad and sorry spectacle, and an example for younger actors how not to behave on set – but it was great fun and all in the best possible taste!”
Favourite roles?
“My favourite role is usually the one I’m currently working on, but I can point to one or two which I remember as being particularly enjoyable. Feste in Twelfth Night (working with the wonderful Richard Briers), Serge in Art and more recently Benedict in The Two Popes. Vernon Marley in the TV series Better was especially fulfilling – a great character.”
THE Friargate Creative Hub will be launched at 6pm this evening (2/5/2024) at Friargate Theatre, Lower Friargate, York.
This new space for York’s creative community to connect, collaborate and create will be hosted by Riding Lights Theatre Company and fellow York theatre-makers Four Wheel Drive.
An initial two-week phase will run from May 4 to 18, when the hub will be open daily at Friargate Theatre as a free-to-access creative workspace, complemented by a programme of workshops and evening events, all tailored to emerging artists in York.
“The Creative Hub comes at a poignant time for our city, offering a much-needed space for emerging creatives to develop their craft and work,” says Four Wheel Drive’s Joly Black. “At this evening’s launch, we want your input, support and collaboration, creating spaces to develop and retain creative talent in York.”
The flexible workspace for creatives offers “space to focus on your script, find creative inspiration or get something up on its feet. All centred around collaboration.
“Enjoy the cafe space with creative break-out areas for free. Tea, coffee and snacks will be available to purchase if you’d like.” Opening hours will be Tuesday to Saturday, 11am to 6pm, and Sundays, 11am to 4pm.
Workshops run by professionals will have a Pay What You Feel charge; community workshop sessions will be held for free.
Creative Hub highlights in the fortnight ahead at Friargate Theatre include: Grab The Mic Night, Saturday, 6.30pm; Theatre: A Setting Up Surgery, May 8, 6pm; Stand-Up Comedy Beginners Workshop, May 12, 1pm, and Vocal Workshop, May 15, 6pm.
See the full programme and book tickets at https://www.ticketsource.co.uk/whats-on?q=friargate%20theatre
SUE Cleaver is taking the holy orders in a break from Coronation Street to play the Mother Superior in the 2024 tour of Sister Act in her first stage role in three decades.
Swapping the cobbles for the convent, the Rovers Return for rosary beads, after 23 years as Eileen Grimshaw in Corrie, she will play the Grand Opera House, York, from May 6 to 11.
‘‘I’m thrilled to be stepping into the habit and joining the incredible company of Sister Act on tour,” says Sue, 60. “It’s been over 30 years since I’ve been on stage, but theatre has always been my first love. A chance to take on a role like this feels like heaven.”
Based on Emile Ardolino’s 1992 American comedy film starring Whoopi Goldberg, Sister Act is a testament to the universal power of friendship, sisterhood and music in its story of Deloris Van Cartier, a disco diva whose life takes a surprising turn when she witnesses a murder.
Placed under protective custody, Deloris Van Cartier (Landi Oshinowo) is hidden in the one place she should not be found: a convent. Disguised as a nun and under the suspicious watch of Cleaver’s Mother Superior, Deloris helps her fellow sisters find their voices as she unexpectedly rediscovers her own in a joyous show replete with original music by Alan Menken and songs inspired by Motown, soul and disco.
“I’m loving it,” says Sue of her stage return that opened in Brighton and has since taken her to Manchester, Cork, Belfast and Glasgow. “Theatre is where I started. I played lots of different reps [repertory theatres] early in my career, and then TV and film took over, but I’m very happy to be back.
“Just having a live audience there, the adrenaline and fear that goes with that, and getting a great response from them – that’s what most actors would say is why they do it. Actually, thinking about it, it’s adrenaline, rather than fear. Every night is different; every performance is different.”
Sue had never seen the musical. “I was going in blind, but I decided I wasn’t going to see other performers, as you want to create your own version,” she says. “Because of my [Coronation Street] schedule, I had only four and a half days’ rehearsal with the musical director and director [Bill Buckhurst] and two members of the cast, so I’m pretty proud of myself, going on after one run-through.
“It’s a big thing to take on in that short amount of time, but you get through that initial feeling of fear and just get on with it.”
Now eight weeks into the run, Sue has been comparing notes with Lesley Joseph, who preceded her in the Mother Superior’s role on tour before switching to playing Sister Mary Lazarus alongside Ruth Jones’s Mother Superior in the West End production at the Dominion Theatre. “We often do a WhatsApp catch-up in the interval in our habits!” she says.
“I’ve not played a nun before, but the Mother Superior is just a great character. She’s a traditional, stern character who cares about the sisters and the convent, so it’s a clash of different worlds with Deloris as they navigate their way around each other and learn from each other. It’s a journey of discovery for both of them.”
Reflecting on diving into the deep end with Sister Act, Sue continues: “I feel it’s really important to take risks, to get out of your comfort zone. It’s why I said ‘yes, I’ll do it’. The timing was right for me, having concentrated very much on Corrie and bringing up my son, who’s now flown the nest. Hitting 60, this decade is about having fun!”
Fun to be had by all: “It’s just lovely to see audiences up on their feet and dancing. Right now, people are looking to go out and have a good time, and musicals provide that for all ages,” says Sue. “We all need that after the last few years. The world isn’t a great place at the minute, but if you can escape for a few hours of fun on stage, why not?”
Sue will be returning to the Coronation Street studios next month. “Eileen’s just popped off to see Thailand – it’s very useful to have a son in the show who’s gone off to the other side of the world!” she says. “I’m back in Corrie as soon as I finish this tour, going back to filming in June.”
Sister Act, Grand Opera House, York, May 6 to 11, 7.30pm plus 2pm, Wednesday and Saturday. Box office: atgtickets.com/york.
Copyright of The Press, York
“I ALWAYS said ‘No, I’ll never do it’, and then I said, ‘why am I saying ‘No’?’. It was only fear – and that wasn’t a good enough answer.
“So I did it! It was very tough, but we had a good group of people, who are still in touch, making friends for life. You can’t do that kind of show without making deep connections.”
Editing versus reality?
“The viewer sees 19 minutes out of every 24 hours, and we have absolutely no say in how things are knitted together. None of us have watched it because it will be the edited version and all that entails.
“We know what our journey was. You couldn’t re-create it. We all lived it. I lost two stone; some of the lads lost three stone.”
Daily food rations in the jungle
“Three table spoons of beans, three table spoons of rice, and then you win everything else. You’re getting up at six in the morning and your food doesn’t fly in until eight at night, so you’re very tired at the end of the day, which is the aim of it.
“We were lucky that we were a very solid group: it was a world of grown-ups in there.”
Lessons learnt in the Aussie jungle?
“Well, I never went back to putting salt on food because I had way too much salt before. I don’t miss it. Now I’m completely off it. I don’t even put it on chips.
“I never want to eat wholegrain rice again either.
“I came back thinking, ‘I’ll never sleep in a jungle in a little camp bed again’, but as long I can take my own packed lunch I’d go back to sleeping in a camp bed.
“I’ve done my fair share of camping. Occasionally we have a camping trip from Corrie, though we’ve not done that yet this year.”
JUST a normal week? No, paranormal, more like, as a ghost story pumps up the spooks. Fear not, a hope-filled musical, dances of love, loss and legacy and soul, folk and funk gigs are Charles Hutchinson’s picks too.
New ghost to haunt “Europe’s most haunted city”: 2:22 – A Ghost Story, Grand Opera House, York, spooking until Saturday, 7.30pm fright-nightly; 2.30pm today (1/5/2024) and Saturday; 3.30pm, Friday
JENNY believes her new London home is haunted, hearing a disturbance every night at the same time, but husband Sam isn’t having any of it. They argue with their first dinner guests, old friend Lauren and new partner Ben.
Belief and scepticism clash, but something feels strange and frightening, and that something is drawing closer, so they decide to stay up… until 2:22 in the morning… and then they’ll know in The Battersea Poltergeist podcaster Danny Robins’s paranormal thriller, wherein secrets emerge and ghosts may, or may not, appear. Fiona Wade, George Rainsford and Vera Chok join The Wanted singer Jay McGuiness in Matthew Dunster & Isabel Marr’s cast. Box office: atgtickets.com/york.
Musical of the week: Come From Away, Leeds Grand Theatre, running until May 11, 7.30pm plus 2.30pm Thursday and Saturday matinees
IRENE Sankoff and David Hein’s four-time Olivier Award-winning musical tells the remarkable true story of 6,579 air passengers from around the world being grounded in Canada in the wake of 9/11. Whereupon the small Newfoundland community of Gander invites these ‘come from aways’ into their lives with open hearts.
As spirited locals and global passengers come together to forge friendships, we meet first female American Airlines captain, the quick-thinking town mayor, the mother of a New York firefighter and the eager local news reporter in a celebration of hope, humanity and unity. Box office: 0113 2430808 or leedsheritagetheatres.com.
Farewell tour of the week: Alexander O’Neal, Time To Say Goodbye, York Barbican, Friday, 7.30pm
AFTER nearly five decades, Mississippi soul singer Alexander O’Neal is hitting the road one final time at 70 on his Time to Say Goodbye: Farewell World Tour, accompanied by his nine-piece band.
O’Neal will be undertaking a journey through his career with the aid of never-before-seen-photos, testimonies and tributes, all set to the tune of such hits as Criticize, Fake and If You Were Here Tonight. Box office: yorkbarbican.co.uk.
Dance show of the week: Phoenix Dance Theatre in Belonging: Loss. Legacy. Love, York Theatre Royal, Friday, 7.30pm; Saturday, 2.30pm and 7.30pm
YORK Theatre Royal is the final venue on Leeds company Phoenix Dance Theatre’s first British tour since 2022 with a visceral triple bill of works by international dance makers Dane Hurst, Miguel Altunaga and Phoenix artistic director Marcus Jarrell Willis.
Belonging: Loss. Legacy. Love opens with South African choreographer and former Phoenix artistic director Hurst’s reimagining of Mozart’s Requiem in response to pandemic-induced grief. Two world premieres follow: Afro-Cuban choreographer Altunaga’s first Phoenix commission, the daring Cloudburst, and Texas-born Jarrell Willis’s Terms Of Agreement. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Workshop of the week: Comedy vs Climate Change, Milton Rooms, Malton, Saturday and Sunday
THIS weekend Comedy vs Climate Change hosts a brace of workshop projects for 18 to 30-year-olds from North Yorkshire with the aim of raising awareness of climate issues and funds for environmental causes, as well as finding hope in climate humour that shapes a greener, better and fairer future.
Saturday’s 2pm to 5pm session provides an introduction to stand-up and joke writing; Sunday’s 10am to 1pm session focuses on improv and character development. Both use humour to explore environmental issues based around local rivers. Ring 01653 696240 or go to themiltonrooms.com to book a place.
Funkiest gig of the week: Jah Wobble & The Invaders Of The Heart, Pocklington Arts Centre, May 9, 8pm
SUPREME bassist Jah Wobble’s two-hour show takes in material from his work with John Lydon in Public Image Ltd and collaborations with Brian Eno, Bjork, Sinead O’Connor, U2’s The Edge, Can’s Holger Czukay, Ministry’s Chris Connelly and Killing Joke’s Geordie Walker.
Born John Wardle in 1958, he was renamed by Sex Pistol Sid Vicious, who struggled to pronounce his name correctly. Wobble has combined elements of dub, funk and world music, especially Africa and the Middle East, in his songwriting and has written books on music, politics, spirituality and Eastern philosophy too. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Folk gig of the week: Gigspanner Trio, Helmsley Arts Centre, May 10, 7.30pm
IN the wake of his departure from Steeleye Span, fiddle player Peter Knight has turned his full attention to the Gigspanner Trio, a ground-breaking force on the British folk scene.
Knight, who first performed with the fledgling Steeleye line-up in 1970, is joined in his trio by percussionist Sacha Trochet and guitarist Roger Flack. Together, they combine self-penned material with arrangements of music rooted in the British Isles and beyond. Box office: 01439 771700 or helmsleyarts.co.uk.
Half-term show announcement of the week: There Was An Old Lady Who Swallowed A Fly, Stephen Joseph Theatre, Scarborough, May 28, 2.30pm
FIRST written as a song in 1953, There Was An Old Lady Who Swallowed A Fly was a chart-topping hit for singer and actor Burl Ives before being adapted into a best-selling book by Pam Adams a few years later, one still found in schools, nurseries and homes across the world.
To mark the nursery rhyme’s 50th anniversary, children’s author Steven Lee has created a magical musical stage show for little ones to enjoy with their parents that combines the charming nonsense of the rhyme with his own “suitably silly twists”. Box office: 01723 370541 or sjt.uk.com.
TEVYE will always be Steve Tearle’s most treasured role, his programme note reveals, as the North Easterner plays the Russian village milkman for the third time in celebration of Fiddler On The Roof’s 60th anniversary.
That enthusiasm is writ large in both his performance and his direction of the 1964 Broadway musical, less showy than usual in both cases, still with his familiar twinkle in the eye in his engagement with the audience but graver in disposition too, as demanded by the shadow of anti-Semitism that darkens Joseph Stein’s book for the nine-time Tony Award winner.
The result is his most rounded production for NE Theatre York, one that plays to his Busby Berkeley-style convention of using a big cast but does everything in the cause of the musical, rather than imposing on it mischievously or allowing himself to adlib.
Given what is unfolding in Gaza and Israel, this is a time of heightened division and global political tension to be staging a musical with a pogrom – an act of persecution against Russian Jews in 1905 – at its heart.
Fiddler is set in the Pale Of Settlement of Imperial Russia, where Tevye must cope not only with three daughters’ strong will to marry for love – each one’s choice of husband moving further away from the customs of his faith – but also with the Tsar’s edict to evict the Jewish community from their small village of Anatevka.
Rooted in Sholem Aleichem’s story Tevye And His Daughters (or Tevye The Dairyman) and other tales, Fiddler finds the traditionalist Tevye facing changes to his simple family life from all sides: from daughters rebelling against the convention of arranged marriages, as they take matters into their own hand, to the climactic decree to evacuate the village.
Stein’s book and the songs of Jerry Bock and lyricist Sheldon Harnick richly establish Tevye’s tormented, if humorous character and his role as narrator/commentator, swimming against the tide of change and female empowerment, and this is where Tearle excels, bringing such personality to If I Were A Rich Man and Tradition.
Not only Tearle impresses. Perri Ann Barley’s stoic wife Golde and the rebel treble of Maia Stroud’s Tzeitle, Rebecca Jackson’s Hodle and Elizabeth Farrell’s Chava give moving performances too, while Finlay Butler’s Motel, Kit Stroud’s Perchik and Callum Richardson’s Fyedka play their part resolutely.
Melissa Boyd’s choreography hits the mark in the show’s hot spots, Matchmaker, Matchmaker, To Life, Sunrise, Sunset and Tevye’s Dream, the production’s high point.
Praise too for Tearle’s costume design and musical director Joe Allen’s orchestra, so integral to the moods and changing tones of Fiddler On The Roof.
As for the Fiddler of the title, whether by Tevye’s side or perched on the roof, Alice Atang is a nimble symbol of both joy and melancholia.
NE Theatre York’s Fiddler On The Roof ran at Joseph Rowntree Theatre, York, from April 23 to 27.
JUST a normal week? No, paranormal, more like, as a ghost story pumps up the spooks. Fear not, a Led Zeppelin legend, country-town teen days, a hope-filled musical and dances of love, loss and legacy are Charles Hutchinson’s picks too.
New ghost to haunt “Europe’s most haunted city”: 2:22 – A Ghost Story, Grand Opera House, York, Tuesday to Saturday, 7.30pm fright-nightly; 2.30pm Wednesday and Saturday; 3.30pm, Friday
JENNY believes her new London home is haunted, hearing a disturbance every night at the same time, but husband Sam isn’t having any of it. They argue with their first dinner guests, old friend Lauren and new partner Ben.
Belief and scepticism clash, but something feels strange and frightening, and that something is drawing closer, so they decide to stay up… until 2:22 in the morning… and then they’ll know in The Battersea Poltergeist podcaster Danny Robins’s paranormal thriller, wherein secrets emerge and ghosts may, or may not, appear. Fiona Wade, George Rainsford and Vera Chok join The Wanted singer Jay McGuiness in Matthew Dunster & Isabel Marr’s cast. Box office: atgtickets.com/york.
Gig of the week outside York: Robert Plant’s Saving Grace, Harrogate Royal Hall, Tuesday, 8pm
ERSTWHILE Led Zeppelin singer and lyricist Robert Plant, now 75, leads the folk, Americana and blues co-operative Saving Grace, featuring Suzi Dian (vocals), Oli Jefferson (percussion), Tony Kelsey (mandolin, baritone, acoustic guitar, and Matt Worley (banjo, acoustic/baritone guitars, cuatro), on their 15-date Never Ending Spring itinerary. South Carolina singer-songwriter Taylor McCall supports. Box office: 01423 502116 or harrogatetheatre.co.uk.
Touring play of the week: Henry Madd’s Land Of Lost Content, Theatre@41, Monkgate, York, Sunday, 7.30pm
NIC Connaughton, the Pleasance’s head of theatre, directs Land Of Lost Content, Henry Madd’s autobiographical insight into friendship, adolescence, forgiveness and life not going to plan in an empowering coming-of-age story about the trials of growing up in a small country town and its ongoing effects on two estranged mates.
Henry (Madd) and Jake (Marc Benga) were bored friends who grew up in Ludlow, where friendships were forged in failed adventures, bad habits and damp raves as they stumbled through teenage days looking for something to do. Then Henry moved away. Now he is back, needing to face up to the memories and the people he left behind. Box office: tickets.41monkgate.co.uk.
Musical of the week: Come From Away, Leeds Grand Theatre, Tuesday to May 11, 7.30pm plus 2.30pm Thursday and Saturday matinees
IRENE Sankoff and David Hein’s four-time Olivier Award-winning musical tells the remarkable true story of 6,579 air passengers from around the world being grounded in Canada in the wake of 9/11. Whereupon the small Newfoundland community of Gander invites these ‘come from aways’ into their lives with open hearts.
As spirited locals and global passengers come together to forge friendships, we meet first female American Airlines captain, the quick-thinking town mayor, the mother of a New York firefighter and the eager local news reporter in a celebration of hope, humanity and unity. Box office: 0113 243 0808 or leedsheritagetheatres.com.
Battle of the sexes, round two: York Shakespeare Project in The Tamer Tamed, Creative Arts Centre Auditorium, York St John University, tomorrow (28/4/2024), 5pm
YORK Shakespeare Project complements this week’s run of Shakespeare’s The Taming Of The Shrew at Theatre@41, Monkgate, with a rehearsed reading of John Fletcher’s Jacobean riposte to the Bard’s most controversial comedy, directed by Claire Morley.
In Fletcher’s sequel, the widowed Petruchio has a new wife and a new challenge as he discovers that he is not the only one who can do the taming. Fletcher borrows characters from Shakespeare and Ben Jonson and a key plot device from Ancient Greek dramatist Aristophanes’s Lysistrata for his exploration of marriage and relationships. Box office: parrabbola.co.uk or yorkshakes.co.uk.
Farewell tour of the Week: Alexander O’Neal, Time To Say Goodbye, York Barbican, May 3, 7.30pm
AFTER nearly five decades, Mississippi soul singer Alexander O’Neal is hitting the road one final time at 70 on his Time to Say Goodbye: Farewell World Tour, accompanied by his nine-piece band.
O’Neal will be undertaking a journey through his career with the aid of never-before-seen-photos, testimonies and tributes, all set to the tune of such hits as Criticize, Fake and If You Were Here Tonight. Box office: yorkbarbican.co.uk
Dance show of the week: Phoenix Dance Theatre in Belonging: Loss. Legacy. Love, York Theatre Royal, May 3, 7.30pm; May 4, 2.30pm and 7.30pm
YORK Theatre Royal is the final venue on Leeds company Phoenix Dance Theatre’s first British tour since 2022 with a visceral triple bill of works by international dance makers Dane Hurst, Miguel Altunaga and Phoenix artistic director Marcus Jarrell Willis.
Belonging: Loss. Legacy. Love opens with South African choreographer and former Phoenix artistic director Hurst’s reimagining of Mozart’s Requiem in response to pandemic-induced grief. Two world premieres follow: Afro-Cuban choreographer Altunaga’s first Phoenix commission, the daring Cloudburst, and Texas-born Jarrell Willis’s Terms Of Agreement. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Gig announcement of the week: The Cult, The 8424 Tour, York Barbican, October 29
SINGER Ian Astbury and guitarist Billy Duffy mark the 40th anniversary of The Cult, the Bradford band noted for their pioneering mix of post-punk, hard rock and melodramatic experimentalism, by heading out on The 8424 Tour.
Once dubbed “shamanic Goths”, Astbury and Duffy will perform songs from The Cult’s 11-album discography, from 1984’s Dreamtime to 2022’s Under The Midnight Sun, in a set sure to feature She Sells Sanctuary, Rain, Love Removal Machine, Wild Flower and Lil’ Devil. Box office: yorkbarbican.co.uk.
SAY Owt associate artist Bram David Jarman is ready to shake South Bank, York, with his fusion of spoken word, poetry and music in the guise of Jarmouse in a May 11 gig.
York poet, playwright, songwriter and musician Bram has been a key voice at the loveably gobby gang of performance poets’ high-energy nights of words and verse since 2014, whether performing his brand of sharp spoken word or being the friendly face on the door cheering on poets.
This month Jarmouse has released the EP Flush on York label Young Thugs Records. “Featuring a combination of beats, loops, synths and sounds, stories and politics, this experience is for fans of Sleaford Mods, Benefits or Yard Act, but far more anarchic, genre-bending, furious and fun,” says Bram.
To celebrate next month’s release of stories and songs, Jarmouse will perform a dynamic set of “rave poetry, grief beats and disco fiction” at May 11’s intimate performance at Young Thugs Studio, South Bank Social Club, Ovington Terrace, in the spirit of DIY punk gigs. “Expect a few surprises along the way!” says Bram.
Support acts will be poet Minal Sukumar and electro riot grrrl act Doberwoman. Sukumar is a writer, performance poet and feminist researcher, who was aged “around ten” when she decided to enter the business of telling stories, a “phase” some are still waiting for her to outgrow.
Co-founder of the poetry collective Mouth Of Word in 2017, Sukumar has performed original spoken-word poetry in India, Ireland and the United Kingdom and her writing has appeared in several publications, most notably South Asia’s leading literary magazine, The Bombay Review.
Her work sits at the intersection of feminism, postcolonialism and mental health – or, in other words, is a medley of all the things she was never supposed to say out loud.
Doberwoman is the digital noise-based side project of folk-punk protest musician and songwriter Alice Nicholls. A far cry from her usual multi-instrumental set-up, armed with MIDI [Musical Instrument Digital Interface] and a megaphone, she creates an explosion of intense harmonies paired with lyrics of expressive, yet eloquent, rage.
“Doberwoman is electro riot grrl: a screaming, yelling, tantrum-throwing brainchild; a gnashing-toothed musical response to a world that expects girls to shut up,” says Say Owt host Henry Raby. “What happens when women let loose their anger after being told they should be quiet? What happens when we get fed up of being afraid? Doberwoman happens.”
Doors open at 7.30pm for the 8pm start. Tickets are available at eventbrite.co.uk/e/say-owt-presents-jarmouse-ep-launch-doberwomen-minal-sukumar-tickets-879734990037?aff=oddtdtcreator
A FEAST of Shakespeare, a musical’s 60th anniversary, Motown magic, smalltown teenage troubles and a Yorkshire rock band’s birthday bash hit the mark for Charles Hutchinson.
Festival of the week: York International Shakespeare Festival, until Sunday
SHAKESPEAREAN Identity is the theme of the sixth York International Shakespeare Festival, now an annual event, run by director Philip Parr. Sponsored by York St John University, it features shows, lectures by internationally recognised academics, exhibitions and workshops presented by Shakespeare enthusiasts from all over the world.
Among the highlights will be Footsbarn Theatre’s first British visit in 15 years with Twelfth Night on Saturday and Sunday and York Explore’s exhibition of 300 years of representations of Othello. Tickets and full programme details are available at yorkshakes.co.uk/programme-2024.
Musical of the week: NE Theatre York in Fiddler On The Roof, Joseph Rowntree Theatre, York, running until Saturday, 7.30pm and 2.30pm Saturday matinee
STEVE Tearle directs NE Theatre York in Jerry Bock, Sheldon Harnick and Joseph Stein’s musical, taking the role of Tevye, the humble village milkman, for the third time too in this 60th anniversary production.
When three of Tevye’s five daughters rebel against the traditions of arranged marriages by taking matters into their own hands, mayhem unfolds as he strives to maintain his Jewish religious and cultural creeds, against the backdrop of the Tsar’s pogrom edict to evict all Jews from his Russian village in 1905. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Double bill of the week: 1812 Theatre Company in Baby Dolls and Contractions, Helmsley Arts Centre, Thursday to Saturday, 7.30pm
HELMSLEY Arts Centre’s Young Arts Leaders Charlotte Mintoft and Amelia Featherstone direct the 1812 Theatre Company in Tamara von Werthern’s Baby Dolls and Mike Bartlett’s Contractions respectively. The first is a futuristic comedy about conception, state control and rebellion, wherein three women meet at a baby shower but darker things than cupcakes and babygrows are on their mind.
The second, an ink-black comedy, focuses on the boundaries between work and play. Whereas Emma thinks she’s in love with Darren, her boss thinks she’s in breach of contract. The situation needs to be resolved. Box office: 01439 771700 or helmsleyarts.co.uk.
Breaking down the Bard barrier in the north: Barrie Rutter: Shakespeare’s Royals, York Theatre Royal Studio, Friday, 7.45pm; Ripon Theatre Festival, Ripon Cathedral, July 4, 7.30pm
BARRIE Rutter, founder and former director of Northern Broadsides, celebrates the Bard’s kings and queens – their achievements, conquests and foibles – with tales, anecdotes and memories from a career of playing and directing Shakespeare’s Royals.
Told he could never play a king on account of his Yorkshire accent, Hull-born Rutter, now 77, created his own theatre company in 1992 in Halifax to use the northern voice for Shakespeare’s kings, queens and emperors, not only the usual drunken porters, jesters or fools. Box office: York, 01904 623568 or yorktheatreroyal.co.uk; Ripon, ripontheatrefestival.org.
Ryedale tribute show of the week: Soul Satisfaction, The American Four Tops Motown Show, Milton Rooms, Malton, Friday, 8pm
DIRECT from the United States, Soul Satisfaction combine powerful vocals, sweet harmonies and high-stepping dance routines in the American Four Tops Motown Show.
This celebration of Motown’s golden era revels in Reach Out (I’ll Be There), Walk Away Renee, It’s The Same Old Song, Loco In Acapulco, I Can’t Help Myself and Bernadette, complemented by The Temptations, Smokey Robinson and The Miracles, Marvin Gaye and Ben E King hits. Box office: 01653 696240 or themiltonrooms.com.
Touring play of the week: Henry Madd’s Land Of Lost Content, Theatre@41, Monkgate, York, Sunday, 7.30pm
NIC Connaughton, the Pleasance’s head of theatre, directs Land Of Lost Content, Henry Madd’s autobiographical insight into friendship, adolescence, forgiveness and life not going to plan in an empowering coming-of-age story about the trials of growing up in a small country town and its ongoing effects on two estranged mates.
Henry (Madd) and Jake (Marc Benga) were bored friends who grew up in Ludlow, where friendships were forged in failed adventures, bad habits and damp raves as they stumbled through teenage days looking for something to do. Then Henry moved away. Now he is back, needing to face up to the memories and the people he left behind, as Madd draws on themes of mental health and substance abuse in rural areas in his blend of theatre and spoken word. Box office: tickets.41monkgate.co.uk.
Troubadour of the week: Joe Martin, Milton Rooms, Malton, Sunday, 8pm
INDEPENDENT singer-songwriter and modern-day troubadour Joe Martin captures stories of people and encounters picked up on the road in his tales of friends, strangers and his own experiences.
Before his solo venture, Lancashire-born Martin fronted a country band while studying at university in Leeds, opening for The Shires and appearing at the Country to Country festival. Now he performs in Europe and the United States, such as at the Bluebird Cafe in Nashville, Tennessee. Box office: 01653 696240 or themiltonrooms.com.
Gig announcement of the week: The Cult, The 8424 Tour, York Barbican, October 29
SINGER Ian Astbury and guitarist Billy Duffy mark the 40th anniversary of The Cult, the Bradford band noted for their pioneering mix of post-punk, hard rock and melodramatic experimentalism, by heading out on The 8424 Tour.
Once dubbed “shamanic Goths”, Astbury and Duffy will perform songs from The Cult’s 11-album discography, from 1984’s Dreamtime to 2022’s Under The Midnight Sun, in a set sure to feature She Sells Sanctuary, Rain, Love Removal Machine, Wild Flower and Lil’ Devil. This year they have begun a vinyl reissue series. Box office: yorkbarbican.co.uk.
