Elio Pace to showcase The Billy Joel Songbook in York, Sheffield and Hull gigs

Elio Pace at the piano performing The Billy Joel Songbook

ELIO Pace and his band will present “the greatest love letter ever to the genius that is Billy Joel” at York Barbican on March 27 2024.

Further Yorkshire performances of The Billy Joel Songbook tribute show are booked into Sheffield City Hall for March 26 and Hull City Hall for April 4 on the 18-date British and Irish tour.

Tour tickets will go on sale at 10am on Friday at eliopace.com/tours; York, yorkbarbican.co.uk; Sheffield, sheffieldcityhall.co.uk or 0114 256 5593; Hull, hulltheatres.co.uk or 01482 300306.

Devised by piano-playing Southampton singer-songwriter, producer and arranger Pace and Matt Daniel-Baker, this homage rounds up more than 30 of Joel’s songs, including The Longest Time, She’s Always A Woman, An Innocent Man, Uptown Girl, Tell Her About It, The River Of Dreams, We Didn’t Start The Fire and Piano Man.

After two sold-out tours, Pace enthuses about next year’s return: “We all get such a buzz touring this show so we absolutely cannot wait to get back out on the road. We have an amazing tour in place, returning to theatres while also visiting some for the first time, and to be starting in my hometown and then ending in London’s West End is going to be pretty incredible.

“The music of Billy Joel is timeless. He is a genius composer and, in my humble opinion, the greatest singer/songwriter of all time. I really do feel humbled that so many people want to see us perform his music.

“We can’t wait to celebrate this incredible music once again and we’ll now look forward to travelling across the country next spring.”

In 2010 Pace was the musical director for BBC Radio 2’s Weekend Wogan, playing as the featured artist on all 35 shows broadcast that year.

He has performed with Brian May, Huey Lewis, Glen Campbell, Gilbert O’Sullivan, Lulu, Mike Rutherford, Don McLean, Tom Chaplin, Debbie Reynolds and Martha Reeves.

His performing skills have taken him to Elstree Studios, the Queen Elizabeth Hall, BBC Radio 2’s Elvis Forever, Proms In The Park, The Bitter End in New York and BBC Radio Theatre in London.

In 2013 and 2014 he was invited to “‘fill Billy Joel’s shoes” by appearing in five reunion concerts in the United States with Joel’s original 1971-72 touring band, whereupon Pace embarked on the debut tour of The Billy Joel Songbook.

In 2018 he released the double CD and DVD The Billy Joel Songbook Live; in June 2019 his concert film of The Billy Joel Songbook Live won an award at the 17th Annual Independent Music Awards for Best Overall Long Form Music Video in New York City.

In 2019 he released his second live double CD album and DVD within a year, Elio Pace Presents Elvis Presley: The World Premiere, 16 August 2017.

Did you know?

ELIO Pace featured in Sky Sports’ coverage of the 2015 Ashes cricket series between England and Australia with two specially re-written versions of Billy Joel’s We Didn’t Start The Fire.

Did you know too?

ELIO Pace has appeared on the BBC children’s show ZingZillas as “the greatest boogie woogie player in the land”, turning him into a household name…“well, at least to every CBeebies-loving under five-year-old and their parents”.

More Things To Do in York and beyond when everything stops for tea. Hutch’s List No. 35 for 2023, from The Press, York

Night glow: Yorkshire Balloon Fiesta to light up Castle Howard grounds

EVERYTHING is up in the air for Charles Hutchinson in his search for cultural entertainment and enlightenment as balloons take to the Yorkshire skies. Tea is on the menu too.

Festival of the week: Yorkshire Balloon Fiesta, Castle Howard, near York, today until Bank Holiday Monday

THE Yorkshire Balloon Fiesta has left the green expanse of York’s Knavesmire for the country air of Castle Howard, its new (stately) home. The family-friendly extended weekend features mass balloon launches, tethered balloons and night-glow displays that light up the evenings against the backdrop of Castle Howard’s grounds and architecture.

Look out for headline 9pm live sets from Sister Sledge tonight, Eurovision star Sam Ryder tomorrow and Joel Corry on Monday. For family entertainment, here come The Raver Tots Big Top each afternoon, Andy And The Odd Socks (tomorrow, 2.30pm); CBeebies’ Justin Fletcher (Monday, 1.30pm); Dick & Dom DJ Battle (Monday, 3pm) and street-dancers Diversity (Monday, 4.30pm).

Activities include a fun fair, TV character meet-and-greets and the world’s largest inflatable assault course, culminating in a spectacular finale on Monday evening. Box office: yorkshireballoonfiesta.co.uk.

Teddy at teatime: Joseph Rowntree Theatre fundraiser takes over a country garden tomorrow afternoon

Tea time part one: Joseph Rowntree Theatre Summer Garden Party, Trinity House, Stockton on the Forest, near York, tomorrow, 3pm

FIRST held in 2021, the Joseph Rowntree Theatre Summer Garden Party returns this weekend, taking over the private garden of Trinity House. A choice of teas with home-made plain or cheese scones will be on the menu, complemented by a raffle and cake stall. 

Special guests The Notebook, an acoustic duo, will be performing two sets spanning soul, ambient jazz and “live lounge-type” pop. Proceeds will go to the JoRo’s fundraising appeal. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Janet Bruce and Cassie Vallance of Story Craft Theatre: Summer fun in the Stillington Mill garden

Children’s activity of the week: Story Craft Theatre’s Summer Fun Garden Party, At The Mill, Stillington, near York, Monday, 10am to 12 noon

STORY Craft Theatre and At The Mill join forces on Bank Holiday Monday for a magical event celebrating the joys of being in the garden. 

Suitable for two to eight-year-olds, York duo Janet Bruce and Cassie Vallance’s morning party fun includes craft making, a scavenger hunt, a word search, lawn games and an enchanting interactive theatre show. Box office: athemill.org.

Sam Thorpe-Spinks’ Jack Barak, left, and Fergus Rattigan’s Matthew Shardlake in a legal pickle in Sovereign, York Theatre Royal’s community play at King’s Manor

Film screening of the week: Sovereign, York Theatre Royal, Wednesday, 7pm, and Thursday, 2pm and 7pm

CAMERAS recorded the July 23 evening performance of York Theatre Royal’s 2023 community play, York playwright Mike Kenny’s adaptation of C J Sansom’s Tudor-set political thriller, Sovereign, at King’s Manor, Exhibition Square. This film can be viewed at three free screenings in the Theatre Royal’s main house with a booking limit of four tickets per person.

In 1541, lawyer Matthew Shardlake (Fergus Rattigan) and his assistant Jack Barak (Sam Thorpe-Spinks) are sent to York to await the arrival of Henry VIII on his mission to sort out northern rebels. Cue intrigue, mystery, murder and North v South shenanigans. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Sleeper: Reviving Britpop hits at The Crescent on Wednesday

Britpop memories of the week: Sleeper, The Crescent, York, Wednesday, 7.30pm

THE Crescent has teamed up with the National Lottery and Music Venue Trust for a United By Music summer show with Britpop legends Sleeper.

Louise Wener’s reawakened band are back on the road, where fellow founder members Jon Stewart (guitar) and Andy Maclure (drums) are joined by bassist Kieron Pepper, previously of The Prodigy, to reactivate Inbetweener, What Do I Do Now?, Sale Of The Century, Nice Guy Eddie, Statuesque et al. Honey Moon support. Tickets update: Sold out; for returns only, check the crescentyork.com.

The Rocket Man: Jimmy Love at the piano for his band’s tribute show to Sir Elton John

Tribute show of the week: The Rocket Man, A Tribute To Sir Elton John, Grand Opera House, York, Thursday, 7.30pm

MISSING Sir Elton after that Glastonbury finale? Step forward Jimmy Love and his band, ready to head down the Yellow Brick Road for two hours of Elton John hits, from Saturday Night’s Alright For Fighting and Crocodile Rock to Philadelphia Freedom and I’m Still Standing, plus many, many more.

Love’s tribute show takes a journey through Elton’s life and career, the highs and the lows, with many a laugh too. Box office: atgtickets.com/york.

How do you do: Millie Robins’ Sophie meets Benjamin Stone’sTiger in The Tiger Who Came To Tea, on tour at York Theatre Royal

Tea time part two: The Tiger Who Came To Tea, York Theatre Royal, September 1, 2pm and 4.30pm, and September 2, 11am, 2pm and 4.30pm

COMMEMORATING the centenary of author Judith Kerr’s birth, The Tiger Who Came To Tea is back on the road in a 55-minute musical production adapted and directed by David Wood.

This slice of teatime mayhem serves up singalong songs, oodles of magic and interactive fun suitable for children aged three upwards when the doorbell rings just as Sophie (Millie Robins) and her mum (Katie Tripp) sit down to tea. Who could it possibly be? Enter a big, furry, stripy, tea-guzzling Tiger (Benjamin Stone). Scott Penrose, former president of the Magic Circle, provides the magical illusion designs. Box office: 01904 623568 or yorktheatreroyal.co.uk.

York jewellery designer Mo Burrows: Demonstrating the Japanese technique of kumihimo braiding at Fangfest next weekend

Art event of the week: Fangfest, Fangfoss, near Pocklington, September 2 and 3, 10am to 4pm each day

NEXT weekend’s Fangfest, the Fangfoss Festival of Practical Arts, features 30 artists and craft makers demonstrating and exhibiting their work, from woodworking, rocking horse-making, felting and painting to wire sculpture, medieval tile techniques, jewellery and peg loom-weaving.  

A mixed-media pattern design workshop and drop-in craft activities, such as children’s card marking, pot-throwing on the wheel, pottery painting and a collaborative mixed-media mural, will be taking place too. A charity sunflower trail, classic car collection, pantomime-themed flower festival in St Martin’s Church, fairground rides, archery sessions and busking spots for ukuleles, a shanty crew, young celloists and a pop choir are further attractions. Entry is free.

Jo Whiley: Revelling in 1990s’ anthems at York Barbican next month

Nostalgia afoot: Jo Whiley’s 90s Anthems, York Barbican, September 9, 7.30pm

BBC Radio 2 presenter, DJ and producer Jo Whiley, the voice of a Brit generation, is heading for York after rummaging through her record bag to dig out the very best of 1990s’ anthems.

Whiley was on the cutting-edge, leading the charge as Britpop blew up, dance music exploded and indie went wild. Now comes the chance to re-live those magical memories on a dancefloor, from Oasis to Blur, The Chemical Brothers to The Prodigy. Box office: yorkbarbican.co.uk.

More Things To Do in York and beyond from festive folk to hot Chilean rhythms. Hutch’s List No. 33 for 2023, from The Press

The Magpies: Hosting their folk festival at Sutton Park today

ART and cinema outdoors, folk and classical festivals, nostalgic gigs and ant adventures on a theatre terrace prompt Charles Hutchinson into arts action.

Heading to the park: The Magpies Festival, Sutton Park, Sutton-on-the-Forest, near York, today. Gates open at 10am; live music from 12 noon

TRANSATLANTIC folk trio The Magpies head into the final day of their open-air festival of music, activities, stalls and food and drink. They will be among today’s main stage acts (at 8pm), along with Liz Stringer, Honey & The Bear, Blair Dunlop, Rachel Sermanni and Edward II.

The Brass Castle Stage plays host to Jack Harris, Megan Henwood, Tom Moore & Archie Moss, Gilmore & Roberts and Bonfire Radicals, concluding with a Ceilidh with Archie Moss. Box office: themagpiesfestival.co.uk.

York River Art Market: Up to 30 artists and makers per day down by the riverside

Art in the open air: York River Art Market, Dame Judi Dench Walk by Lendal Bridge, York, today and tomorrow, then August 19 and 20, 10am to 5.30pm

YORK River Art Market returns for its eighth summer as York’s answer to the Left Bank in Paris. Organised by founder, director and artist Charlotte Dawson, the weekend event showcases a different variety of more than 30 independent artists and makers from all over Yorkshire and beyond each day.

Boom, by Evie Measor, from New Visuality’s exhibition project, Colour, at Bar Convent Living Heritage Centre

Easels at the ready: Sketching in the Garden, Bar Convent Living Heritage Centre, Blossom Street, York, until September 23, 10am to 5pm daily

THE Bar Convent invites artists and those who would like to give it a go to use its easels free of charge in the garden, where art and heritage combine to create an outdoor sketch space.

This opportunity coincides with the Bar Convent’s exhibition run of Colour, featuring works by young York artists, who have used photography skills and innovative AI technology to reinterpret York’s heritage buildings and landmarks. Why not draw inspiration from the exhibition to create your own artistic interpretations?

The Greatest Showman Sing-A-Long: Part of the Outdoor Cinema season at Castle Howard

Screen on the green: Outdoor Cinema at Castle Howard, near York today and tomorrow

THIS outdoor cinema experience in the grounds of Castle Howard presents Matilda The Musical (PG) today at 2pm, Grease (PG) tonight at 8pm, The Greatest Showman (PG) Sing-A-Long tomorrow at 2pm and Top Gun: Maverick tomorrow at 7pm.

Gates open at 12 noon for the afternoon screenings; 6pm for The Greatest Showman; 5pm for Top Gun: Maverick. Picnics and drinks are welcome at all screenings but no glassware. Blankets and camping chairs are allowed. Under-16s must be accompanied by an adult. Box office: castlehoward.co.uk.

Pianist Katya Apekisheva: One of 30 international musicians playing at North York Moors Chamber Music Festival

Classical festival of the week: North York Moors Chamber Music Festival, Welburn Manor marquee, near Kirkbymoorside, and assorted churches, Sunday to August 26

THE 15th North York Moors Chamber Music Festival ventures Into The Looking Glass for a fantastical fortnight with 30 international musicians, including pianist Katya Apekisheva, French horn virtuoso Ben Goldscheider and violinists Charlotte Scott and Benjamin Baker.

Directed by cellist Jamie Walton, the festival takes inspiration from Lewis Carroll’s 1872 novel to “explore the psychology of the mind through the prism of music, conveying its various chapters with carefully curated music that takes the audience on an adventurous journey through many twists and turns”. For the programme and tickets, head to: northyorkmoorsfestival.com. Box office: 07722 038990.

The Searchers & Hollies Experience: Sixties’ nostalgia at the double at the JoRo

Tribute show of the week: The Searchers And Hollies Experience, Joseph Rowntree Theatre, York, Sunday, 7.30pm

IN The Searchers & Hollies Experience: The Best Of Both Worlds, The FOD Band celebrate the magical, haunting hits of these legendary Sixties’ harmony bands from Liverpool and Manchester respectively. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Newen Afrobeat: Chile meets Fela Kuti at The Crescent

Chilean gig of the week…in York: Newen Afrobeat, The Crescent, York, Thursday, 7.30pm

NEWEN Afrobeat, a 13-piece Chilean orchestra, make music inspired by the legacy of Nigerian musician Fela Kuti. Applying a Latin stamp, they unify the African rhythms with a colourful and energetic staging, embedded in a deep social message that talks about their roots and cultural awareness.

In a ten-year career of four albums and eight international tours, Newen Afrobeat have performed at Montreal International Jazz Festival, WOMEX, Africa Oyé and Felabration Lagos. Box office: thecrescentyork.com.

Janet Bruce, left, and Cassie Vallance: Hosting Story Craft Theatre’s The Secret Life Of The Garden

Children’s event of the week: Story Craft Theatre in The Secret Life Of The Garden, Friday, 11am and 1pm

HAVE you ever imagined shrinking down to the size of an ant to go on an awesome adventure through a garden? York company Story Craft Theatre’s Janet Bruce and Cassie Vallance provide that opportunity in their magical new show, packed full of fun and wonder on the Theatre Royal patio.

This interactive production for two to eight-year-old children combines visual storytelling tools, such as puppets and Makaton signs and symbols, with games and dancing, plus crafting and colouring sheets beforehand. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Herman’s Hermits: Hits, hits, hits at Pocklington Arts Centre

Retro gig of the week: Herman’s Hermits, Pocklington Arts Centre, August 19, 8pm

FORMED in 1964, Manchester band Herman’s Hermits chalked up 23 hits, hitting the peak straightaway with the chart-topping I’m Into Something Good.

Producer Mickie Most oversaw their glory days with such smashes as No Milk Today, There’s A Kind Of Hush, Silhouettes, Mrs Brown, You’ve Got A Lovely Daughter, Wonderful World, I’m Henry VIII, I Am, Just A Little Bit Better, A Must To Avoid, Sleepy Joe, Sunshine Girl, Something’s Happening, My Sentimental Friend and Years May Come, Years May Go. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Joshua Burnell ponders human fragility on Glass Knight folk album as he turns 30

Joshua Burnell, York folk-prog singer-songwriter. Picture: Elly Lucas

YORK folk-prog singer-songwriter Joshua Burnell releases his fifth album, Glass Knight, today.

He is marking the launch date with a performance at Fairport Convention’s Cropredy Festival, near Banbury, before a series of Yorkshire shows in the months ahead.

In the diary are Driffield Moonbeams Festival on August 16; The Greystones, Sheffield, November 3; The Live Room, at Caroline Social Club, Saltaire, November 12, and St Nicholas’s Church, Beverley, November 18, but not York. Not yet anyway. “There will be one,” Joshua promises. “Watch this space.”

Newly turned 30, Joshua combines his magical music-making with a part-time teaching post of Year Five and Six pupils at Fishergate Primary School and weekend shifts on the piano at Bettys Café Tea Rooms in St Helen’s Square.

“It’s such a contrast: all that noise in the school room, as opposed to being brought a glass of spring water on a silver salver in the quiet hum at Bettys,” says Joshua. “It’s like chalk and cheese!”

Does he play any of his own material at Bettys? “Oh yeah, definitely. At the end,” he reveals. “Now I’m doing more piano-based music, it’s easier to fit them in.”

Glass Knight, available from Bandcamp and Spotify, is his first album since September 2020’s Flowers Where The Horses Sleep, the one described by the Guardian as “theatrical with lashings of Peter Gabriel stylings”.

It is his first since the Covid pandemic too. “This album was kind of a lockdown project. I’ve wanted to do this project for a long time, but I’d been frustrated while it just remained in my head. So I finally recorded the demos in lockdown, with a few relics of those sessions still there on the record, including vocals for the closing track, Moonlighter’s Child,” says Joshua.

Joshua Knight with the Glass Knight. Picture: Elly Lucas

He also has been re-recording his 2013 debut EP Lend An Ear – that project is on-going – but the focus turned to completing Glass Knight, with Joshua taking on the producer’s role for the first time.

“This spring, I spent every day of the school holiday – except for my 30th birthday – working on it, even putting in all-nighters,” he says.

“I’d already recorded with the string section at Young Thugs Studio in York and some of the guitar parts, played by Nathan Greaves at Fishergate School. Hats off to head teacher Tina Clarke for letting us use the space.

“At the exact moment Nathan was recording the electric guitar solo for Lucy [Burnell’s ‘biography of a rock star’], the sun shone through the window, giving off this amazing light. It was like a scene in a movie. You couldn’t make it up. It was incredible.”

Reflecting on Nathan’s guitar parts, Joshua says: “Something wasn’t working in the guitar recordings in my own studio – and it was the feedback that was missing. You need that for the rock songs, and we realised we needed to find somewhere where we could achieve more volume and more acoustics, and the school hall was perfect for feedback.

“Nathan recorded his guitar part for Moonlighter’s Child while walking around the hall, where the reverb was incredible, and you will hear some of that on the track Glass Knight too. It’s the same technique that David Bowie used on Heroes, with Robert Fripp’s feedback on guitar.”

The string section plays a significant role too. “I need to give a name check to my patrons on Patreon, whose support meant there were funds in my account to be able to use string players, rather than programmed strings,” says Joshua.

“I knew Kathleen [violinist Kathleen Ord] from her having played on my last album, and she arranged to bring six string players to Young Thugs Studio. Six! I was like a kid in a candy shop, and they were really good at interpreting my ‘mistakes’ as I’d last used sheet music when studying my Music A-level. They were so good, they finished two hours early – and I’ll definitely be working with string sections again.”

Guitarist Nathan Greaves recording at the sun-lit Fishergate Primary School

For now, strings are confined to Joshua’s studio recordings, but “down the line, I’d love to have them play live with me.” he says. “Now I’m more piano-based in my writing, it lends itself to having string players.

“My ultimate goal would be to play the Royal Albert Hall, so maybe they could play with me there!”

From a songwriter and multi-instrumentalist with a love of fantasy, science-fiction, folklore and fairy tales, heroes and villains, sorcery and the supernatural, Glass Knight has been three years in the making. 

Moonlighter’s Child was the first song to emerge, its theme having first arisen in a novel-writing project in 2014 that was later abandoned. “The character from that story inspired the idea of an album about a character seeking redemption, after falling into an in-between world in the opening song, Where Planets Collide,” says Joshua.

A god-like figure emerges in the second track, Out Of These Worlds, who says “I can’t provide you with the answers”, encouraging the listener to take a solo journey through the album instead.

“I like the idea that you can read into that it’s a concept album, without a concept, like Bowie’s Ziggy Stardust, but equally the ten tracks can have individual meanings, and those interpretations are just as valid as my own interpretation,” says Joshua.

The metaphor of glass, representing human fragility, is key to Glass Knight too. “We build people up only to knock them back down,” says Joshua. “People just love to be in a mob, with the mob mentality where they like to see someone fall in a horrible way, which we’ve always loved in Western culture, where social media operates as an extension of the guillotine.”

The song Glass Knight was a late addition to Joshua’s song cycle but ended up defining the album and providing its title. “It’s a story from Saffron Walden, in Essex, where a basilisk – [a mythical creature, reputed to be a serpent king, that brings death to those who look into its eyes] – is terrorising the community and they need a solution,” says Joshua.

Joshua Burnell and Kathleen Ord’s string players recording at Young Thugs Studio

“I decided to use the Glass Knight as the perfect metaphor for how we treat people. In this story, the [glass] armour can reflect back both the basilisk and the people – which is something we see when we find ways of trashing someone – as I hold up the mirror to reflect on modern society.

“If those judgemental people found themselves in the spotlight, I’m sure they wouldn’t like not being seen as squeaky clean as they end up being trashed too.”

Social media is a double-edged sword for Joshua. “As a musician, I have to be on there. Without it, it would be game over, but you do get judged,” he says.

Joshua’s song writing combines past, present and future. “I write about whatever interests me,” he says. “People interest me, and what they do, what they did, and what they might do next interests me, ” he says.

“There is this desperate desire to connect with people from times past, and it’s the same with the future, wanting those people to be nearer than they are.”

Living, working and writing in an historical city influences Joshua too. “It’s very stimulating being in York. It’s comforting that there are stories everywhere, including more recent social history, such as the Rocking Horse Project at Fishergate Primary School, where funds were raised to repair the antique rocking horses found in the cellar,” he says.

“But the interesting thing is not the rocking horses themselves, but the stories surrounding them and the people in those stories.”

Come the autumn, Joshua will be touring with Nathan Greaves, Ed Simpson, Kat Hurdley, Oliver Whitehouse and Frances Sladen, who is carving out her own niche as So Fe with an album in the works, by the way.

Joshua Burnell: Throwing up a mirror to the modern world on the reflective Glass Knight. Picture: Elly Lucas

“The new music definitely lends itself much better to the band set-up, rather than me just trying to fit in with what I though the folk scene wanted. Now it’s me being me, and we just do it! It sounds the best it’s ever sounded on stage.”

It will be his first tour since turning 30. “I’m looking forward to my 30s a lot,” says Joshua. “Your twenties are about figuring things out. Your thirties are doing what you want to do, and that’s why this is the perfect album to be released now.

“All that baggage, that process, is there on the album and it’s a relief it’s out! It’s the first album I’ve produced myself: I’ve learnt so much from those I’ve worked with before, but this is the one where it sounds like I think it should.

“Ed Simpson, who worked on the last album, has mentored me on how to use the equipment, and this is the first album where I’ve really been able to work on the vocals to be exactly as I want them to be.”

Looking to the future, will writing a musical be on the agenda, as suggested to him by others? “I’ve written a musical before and there’s definitely another musical in me because I’ve done one already,” Joshua ventures.

“I wrote one for my brother Tim when he was in a musical theatre club, and he wanted it to be like The Decemberists crossed with Rick Wakeman! He was 13 at the time. Now he’s doing an acting course in France and he’ll be releasing some music of his own soon.

“He’s written this amazing song, Lazy Susan Lives In Fontainebleu, which is where he’s doing his course.”

Meanwhile, Joshua’s Glass Knight rides this way today. Let’s avoid saying it will be a smash hit, but it is his best work yet.

REVIEW: Black Sheep Theatre Productions in Falsettos, Joseph Rowntree Theatre, York, until Saturday ***

Hospital drama: Dan Crawfurd-Porter’s bed-ridden Whizzer with Helen Spencer’s Dr Charlotte, left, Rachel Higgs’s Cordelia, Chris Mooney’s Marvin, James Robert Ball’s Mendel, Nicoloa Holliday’s Trina and Matthew Warry’s Jason (seated)

FALSETTOS, William Finn and James Lapine’s “very Jewish, very gay” 1992 Tony Award winner, had been made unavailable for the British stage after a London production met with opposition over a lack of authenticity and accuracy.

However, negotiations spanning two years have paid off for “art with a point” York company Black Sheep Theatre Productions, whose director, Matthew Clare, has acquired exclusive UK rights to present the off-Broadway hit.

It would be good to see such persistence rewarded at the box office, but York theatregoers’ resistance to try out unfamiliar works is long established. Nevertheless, the support from Wednesday’s audience was admirably vocal from start to finish.

Matthew Warry’s Jason makes a move on the chess set. Is he a pawn in a game between his father, Chris Mooney’s Marvin, and his mother, Nicola Holliday’s Trina?

Falsettos pairs 1981’s March Of The Falsettos, a humorous study of men’s immaturity, with 1990’s Falsettoland, a graver piece penned in reaction to the devastating impact of the Aids epidemic on New York’s gay community.

In 1979, New Yorker Marvin (Chris Mooney) leaves his wife Trina (Nicola Holliday) and son Jason (Matthew Warry, aged 13) to live with Whizzer (Dan Crawfurd-Porter), his younger lover. They have known each other for nine months, says Whizzer; ten, insists the older, more hooked Marvin. They are arguing already.

Naively, Marvin expects to retain a tight-knit family. A subject he has discussed with his psychiatrist, the neurotic, insomniac Mendel (James Robert Ball), who in turn becomes a listening ear for latest client Trina. So much so, they marry, setting up the family unit Marvin had envisaged.

Nicola Holliday’s Trina with James Robert Ball’s Mendel mid-exercise

All this is expressed in song in a sung-through musical full of Sondheim emotional truths and vexatious Woody Allen humour (especially in Ball’s Mendel). All have their say, not only Marvin and the fast-exiting, exasperated Whizzer, but Trina and Jason too. Mendel listens and listens, cross-legged and looking as awkward as the conversations.

On opening night, sound balance favoured band over voice in this first act, meaning not everything was clear to the ear, for all the heart-felt, often beautiful singing. Such a hindrance to comprehending fully what was going on was detrimental to the show’s impact at this juncture, and the standalone March Of The Falsettos number in luminous white only added to that sense of bafflement.

Ollie Kingston’s choreography was fun here, but that scene came and went like a ghost. Such are the limitations of a sung-through structure, where more narrative would be helpful.

Fresh impetus in Falsettoland: Rachel Higgs’s Cordelia. left, and Helen Spencer’s Dr Charlotte

Post-interval, frustration vanishes. The voices can be heard far better; the singing is more dramatic; the songs are superior, as two storylines play out two years later in 1981: Jason’s preparation for his bar mitzvah and Whizzer’s reunion with Marvin under the spreading cloud of Aids.

Into the story, and very welcome too, come Marvin and Whizzer’s lesbian neighbours, Dr Charlotte (Helen Spencer), struggling with the rising tide of Aids patients, and girlfriend Cordelia (Rachel Higgs), forever cooking up another nibble.

Just as Marvin and his family learn to grow up, so Falsettoland is a far more mature piece than March Of The Falsettos. It is better balanced too with the presence of Charlotte and Cordelia being all important. Spencer brings gravitas; Higgs, puppyish devotion, amid the “hospital bed humour”.

Performances all round settle down as the night progresses to match the high quality of the singing. Ball’s Mendel is the comic driving force; Jarry delights as Jason, being pulled hither and thither but remaining single-minded too; Holliday’s resolute Trina handles the big ballads with aplomb.

Black Sheep Theatre’s poster for Falsettos

In a heightened drama without conventional heroes and villains, the gay characters of Marvin and Whizzer are depicted with three-dimensional complexity, devoid of any stereotyping. They play chess, they play squash, they bicker, they learn, their love blossoms, and in turn the stage chemistry of Mooney and Crawfurd-Porter grows too.

Staging Falsettos has been a passion project for Matthew Clare, who leads his four-piece band with suitable conviction from the keyboards, while Kingston’s choreography is alive to both humour and dramatic effect and the building-block set design is practical and amusingly adaptable.

Art with a point? Yes, indeed. Black Sheep Theatre Productions and the JoRo are to be commended for bringing Falsettos to York’s attention. The more variety there is to the city’s theatre portfolio, the better, when playing safe would be the easier path.

Black Sheep Theatre Productions perform Falsettos at 7.30pm tonight and tomorrow;  2.30pm and 7.30pm, tomorrow. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

More Things To Do in York & beyond, from musical mischief to hen night shenanigans. Here’s Hutch’s List No.32, from The Press

Bull: Headlining The Boatyard Festival at Bishopthorpe Marina today

SHAKESPEARE in gardens, music and magic by the riverside, an LGBTQ musical premiere and a riotous hen party on stage are among Charles Hutchinson’s eye-catchers for upcoming entertainment.

Festival of the week: The Boatyard Festival, The Boatyard, Bishopthorpe Marina, Ferry Lane, Bishopthorpe, York, today, 10am until late

THIS family-friendly music festival will be headlined by ebullient York band Bull. Look out too for Bonneville, Tymisha, London DJ Zee Hammer, Yorky Pud Street Band, The Plumber Drummer, City Snakes, Rum Doodle and Hutch.

Further attractions will be stilt walkers, a hula-hoop workshop, a giant bubble show, magic, face painting, fayre games, stalls, food and drink, with free admission for accompanied children. Box office: head to the-boatyard.co.uk/events/ for the QR code to book.

Four Wheel Drive director Alfie Howle and cast member Alison Gammon park up at the National Centre of Early Music for a garden of delights in A Midsummer Day’s Dream

Crazy chaos of the week: Four Wheel Drive presents A Midsummer Day’s Dream, National Centre for Early Music, York, today at 11am, 12.30pm and 2.30pm

FOUR Wheel Drive, producers of “off-road theatrical experiences” in York, invite children aged seven to 11 and their families to a musical, magical and mystical diurnal reimagining of William Shakespeare’s romcom in the NCEM gardens (or indoors if wet).

Four Athenians run away to the forest, only for the sylvan sprite Puck to make both the boys fall in love with the same girl while also helping his master play a trick on the fairy queen. Will all this crazy chaos have a happy ending? Anna Gallon and Alfie Howle’s interactive 45-minute adaptation will allow children to engage in the mischief-making Midsummer action, performed by Gallon, Katja Schiebeck and Esther Irving. Grab a boom-wacker and book tickets on 01904 658338 or necem.co.uk.

Three in one: Esk Valley Theatre writer, director and actor Mark Stratton

Debut of the week: Esk Valley Theatre in Deals And Deceptions, Robinson Institute, Glaisdale, Whitby, until August 26

IN artistic director Mark Stratton’s first play for Esk Valley Theatre, Danny and Jen leave London and head to an isolated cottage in the North York Moors. City clashes with country, dark forces are at work and humorous situations arise.

“We may think we know the person we are married to, but do we?” asks Stratton, who is joined in the cast by Clare Darcy and Dominic Rye. “What someone chooses to show the world is not always who they are. If they trade in deals and deceptions, then a day of reckoning will surely come.” Box office: 01947 897587 or eskvalleytheatre.co.uk.

Is this the hen party from hell? Will best friends fall out in Bridesmaids Of Britain? Find out tomorrow night

Hen party comedy heads to hen party haven: Bridesmaids Of Britain, Grand Opera House, York, tomorrow, 7pm

BILLED as “the girls’ night out to remember”, welcome to Diana Doherty’s Bridesmaids Of Britain. Becky is the overly loyal maid-of-honour whose life unravels as she leads best friend Sarah on a wild ride down the road to matrimony.

Things go awry, however, as competition between Becky and Tiffany – Sarah new BFF (best friend forever, obvs) – over who is the bride’s bestie threatens to upend the wedding planning that has been in the making since primary school. Be prepared for dance-offs, sing-offs and eventually shout-offs at the “hen do of the year”, held in a caravan. Will this wedding story have a happy ending, or will these best friends rip each other apart? Box office: atgtickets.com/york.

Dan Crawfurd-Porter’s Whizzer and Chris Mooney’s Marvin in rehearsal for Black Sheep Theatre Productions’ Falsettos, opening at the JoRo on Wednesday

York premiere of the week: Black Sheep Theatre Productions in Falsettos, Joseph Rowntree Theatre, York, Wednesday to Saturday, 7.30pm plus 2.30pm Saturday matinee.

YORK company Black Sheep Theatre Productions has been granted an exclusive British licence by Concord Theatricals and composer/lyricist William Finn to stage Finn and James Lapine’s “very gay, very Jewish” musical Falsettos, thanks to the persistence of director Matthew Clare.

In its late-Seventies, early-Eighties American story, set against the backdrop of the rise of Aids, Marvin has left his wife Trina and son Jason to be with his male lover Whizzer, whereupon he struggles to keep his Jewish family together in the way he has idealised. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Pennine Suite: Topping Friday’s bill of York bands at The Crescent

York music bill of the week: Northern Radar presents Pennine Suite, Sun King, Everything After Midnight and The Rosemaries, The Crescent, York, Friday, 7.30pm to 11pm

PENNINE Suite play their biggest headline gig to date in an all-York line-up on a rare 2023 appearance in their home city. The five-piece draws inspiration from the alternative rock movements of the 1980s and 1990s, interlaced with shoegaze and pop melodies, typified by the singles Far and Scottish Snow. Box office: thecrescentyork.com.

Garden secrets: Which character will York Shakespeare Project veteran Frank Brogan play in Sonnets At The Bar? It’s all hush-hush until August 11

Bard convention: York Shakespeare Project in Sonnets At The Bar, Bar Convent Living Heritage Centre, Friday to August 19 (except August 14), 6pm and 7.30pm plus 4.30pm Saturday performances

YORK Shakespeare Project returns to the secret garden at Bar Convent for another season of Shakespeare sonnets, this time directed by Tony Froud. Reprising the familiar format, the show features a series of larger-than-life modern characters, each with a secret to reveal through a sonnet.

Inside writer Helen Wilson’s framework of the comings and goings of hotel staff and guests, the characters will be played by Diana Wyatt, Judith Ireland, Sarah Dixon, Frank Brogan, Maurice Crichton, Nigel Evans, Harold Mozley, Froud and Wilson. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Ceridwen Smith in Next Door But One’s The Firework-Maker’s Daughter . Picture: James Drury

Talking elephants of the week: Next Door But One in The Firework-Maker’s Daughter, York Theatre Royal patio, August 12, 11am and 2pm

YORK theatre-makers Next Door But One’s adventurous storyteller travels to Lila’s Firework Festival in this intimate, inclusive, accessible and fun stage adaptation of Philip Pullman’s novel, replete with talking elephants, silly kings and magical creatures.

As Lila voyages across lakes and over mountains, she faces her biggest fears and learns everything she needs to know to become the person she has always wanted to be. Makaton signs and symbols, puppetry and audience participation play their part in Ceridwen Smith’s performance. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Grace Petrie: Switching from folk musician to stand-up comedy act on tour in York, Leeds and Sheffield

Change of tack: Burning Duck Comedy Club presents Grace Petrie: Butch Ado About Nothing, The Crescent, York, September 17, 7.30pm

FOLK singer, lesbian and checked-shirt-collector Grace Petrie has been incorrectly called “Sir” every day of her adult life. Now, after finally running out of subject matter for her “whiny songs”, she is putting down the guitar to work out why in her debut stand-up show, Butch Ado About Nothing, on her return to The Crescent.

Finding herself mired in an age of incessantly and increasingly fraught gender politics, the Norwich-based Leicester native explores what butch identity means in a world moving beyond labels, pondering where both that identity and she belong in the new frontline of queer liberation. Petrie also plays Old Woollen, Leeds, on August 31 (8pm) and The Leadmill, Sheffield, on September 10 (7.30pm). Box office: gracepetrie.com; York, thecrescentyork.com; Leeds, oldwoollen.co.uk; Sheffield, leadmill.co.uk.

How York company Black Sheep Theatre secured the exclusive UK rights to “unavailable” American musical Falsettos

Take a seat: James Robert Ball, left, in the role of Marvin and Trina’s psychiatrist, Mendel Weisenbachfeld, with Chris Mooney’s Marvin James 

YORK company Black Sheep Theatre Productions is running a list of Eight Reasons Not To Miss Falsettos in emphatic block capitals on Facebook ahead of next week’s York premiere at the Joseph Rowntree Theatre.

One reason: the limited availability. “Falsettos is a show that is not available for licence in the United Kingdom for normal theatre companies to perform,” it reads. “Falsettos is only available by special agreement with the composer, William Finn, and Concord Theatricals for production by Black Sheep Theatre Productions and is very unlikely to be done in the UK any time soon.

“If you miss this production, you won’t be able to find another one any time soon,” it re-emphasises.

For a barrier-breaking LGBTQ+ American musical where “love can tell a million stories”, that statement only tells half the story. Let director Matthew Clare fill in the rest as Black Sheep stick to their mission of making “Art with a point”.

“It’s been done only once before in the UK by a semi-pro company, off-West End, in London. It lasted for a week – there was a big backlash against it as a very gay and very Jewish musical,” he says.

“No-one in the cast was Jewish and lot of the Hebrew in it was pronounced wrongly, leading to a letter being signed by prominent members of the Jewish community and published in the Guardian. Miriam Margolyes and David Baddiel spoke on the matter, and in the light of that letter, pressure was put on to close the production. That’s what happened.

“Subsequently, the performing right were not available in the UK and that’s still the case, but now I have attained exclusive rights for Falsettos in the UK.”

Father and son in conversation in Falsetttos: Chris Mooney as Marvin with Matthew Warry as 12-year-old Jason

How come? “Concord Theatricals have the rights in America, so I contacted them. That was nearly three years, during Covid, saying when everything gets back to normal, how could I make a production happen?” recalls Matthew.

“They initially said, ‘No, there are no rights in the UK’, but I kept pushing and through thatI got in touch with William Finn, the composer.”

First by email, then in conversation. “I talked openly with him, saying I wanted to be faithful to the piece. He’s Jewish, and we have Jewish representation on the production team,” says Matthew.

“My vision for our production was discussed by Concord with William, and they then said, ‘that’s fine, we agree for you to do it’.”

Permission was granted in spring 2022, a rights fee was agreed and paid, and Matthew then dealt directly with Concord in the UK. “It’s still heavily managed by them,” he says. “I’ve talked to them about twice a month, as I also did Elegies For Angels, Punks And Raging Queens through them, and because of that they’ve now kind of backed off over the last two months.

“They did stipulate that the child in the show – Jason – has to be male and there could be flexibility with other casting, though it all has to be as stated for gender. The cast also has to have an understanding of Jewish customs, such as  bar mitzvahs, and we made sure the cast was au fait with everything by day one of rehearsals.”

Written by Finn and James Lapine, Falsettos is a Tony Award-winning sung-through musical that combines 1981’s March Of The Falsettos and 1990’s Falsettoland  in its late-Seventies, early-Eighties story of Marvin (played by Chris Mooney), who has left his wife, Trina (Nicola Holliday) and 12-year-old son, Jason (Matthew Warry), to be with his male lover, Whizzer (Dan Crawfurd-Porter), and struggles to keep his Jewish family together in the way he has idealised.

Nicola Holliday rehearsing the role of Trina, Marvin’s ex-wife and mother of Jason

“It’s a beautiful and heart-breaking story that explores the definitions of maturity and masculinity through this non-traditional family, and via a character who is immature at the start, as the AIDS pandemic comes to light,” says Matthew.

The cast of seven is completed by James Robert Ball as psychiatrist Mendel Weisenbachfeld, Helen Spencer as Dr Charlotte and Rachel Higgs as her girlfriend Cordelia. Together they must “bring their characters to life and present them in the most realistic and emotionally impactful ways”, as championed in another of the aforementioned eight reasons to see Falsettos.

“In this show, we have a fairly large representation of LGBTQ+ people in the cast and production team, and that brings with it an understanding of the roles and how to play them,” says Matthew of a musical whose characters and roles have played “a significant role in promoting diversity and inclusivity in the theatre community”.

“It’s important that these characters are presented in a realistic and sensitive manner, hooking audiences and ensuring the best possible show for you to watch!

“The themes are timeless, delving into the importance of acceptance, the strength of chosen families, defining masculinity and maturity, and the resilience needed to face life’s challenges. Its messages of love, compassion and unity resonate across the generations and continue to be relevant in our ever-changing world.

“That’s why we did Elegies For Angels, Punks And Raging Queens too. Theatre with a point is the best kind of theatre, and I want people to think and reflect on what they’ve just seen after the show.”

Black Sheep Theatre Productions in Falsettos, Joseph Rowntree Theatre, York, August 9 to 12, 7.30pm plus 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Copyright of The Press, York

Black Sheep Theatre’s poster for Falsettos

In profile: James Robert Ball, who is playing Mendel Weisenbachfeld

SUMMING up his role in Falsettos, James Robert Ball says: “Mendel is a middle-aged Jewish psychiatrist, an intellectual, but he’s a nervous wreck, trying to solve his own problems by solving everyone else’s.

“He’s treating the main character, Marvin, who has left his wife, Trina, because he’s gay and has stopped the charade of living a married life with a woman. Mendel starts treating Trina too, meddles his way into the family, then marries her and becomes the new father figure to Marvin and Trina’s son, Jason.”

Assessing Falsettos’ characters, James says: “They’re all very fleshed out. No-one is the hero. No-one is the villain. They each have their own neuroses and manipulate someone else but they all have heart too.

“The show is kind of a close observation of family dynamics and messy modern dynamics at that.”

James is a musical theatre composer and lyricist, musical director, actor, author, piano and singing teacher, pianist, accompanist and “Sondheim obsessive”. “I’m a freelance professional musician,” says the piano, trombone and clarinet player. “When I’m in shows as a musician, I’m a professional; when I’m doing a show like this, I’m an amateur.”

Director Matthew Clare originally had James in mind to be the rehearsal pianist, but his performances for York Stage as Mr Mushnik in Little Shop Of Horrors in July 2022 and Baron Bomburst’s spy Goran in a Vulgarian double act with Jack Hooper’s Boris in Chitty Chitty Bang Bang in April demanded further roles. Step forward James’s Mendel Weisenbachfeld.

James Robert Ball’s psychiatrist Mendel in conversation with Nicola Holliday’s Trina in Falsettos

“The core of what I’m good at as an actor is that there isn’t much acting required, because Mendel is quite like me, and it’s a ‘schticky’ character again, having done Mr Mushnik with a similar vibe and similar characteristics,” he says.

Broad, physical humour marked out his double act with Jack Hooper in Chitty Chitty Bang Bang. “We put a lot of work into that partnership, and particularly for the kids in the audience, it was perfect old-time vaudeville humour,” says James.

“I had a great time working with Jack – it takes loads of effort to look that silly and get that beat going.”

Humour of a different dynamic is at play in Finn and Lapine’s “emotionally truthful” musical, one rooted in verbal volleyball before gradually turning into “hospital/deathbed humour” (or gallows humour, to use a more familiar term). “It’s all about the awkwardness in the moment, like in Woody Allen’s films,” says James.

“Stephen Sondheim is a useful reference here. It’s similar to Into The Woods in how the patter of chatter is translated into song, and how there’s a contrast in song styles with the ballads being more melodic.”

Did you know?

JAMES Robert Ball’s debut novel, A Botanical Daughter, will be published in March 2024. He teaches singing and performance at York Stage School.

Did you know too?

JAMES Lapine has collaborated frequently with Stephen Sondheim, as well as William Finn, in his career as a stage director, playwright, screenwriter and librettist, not least on Into The Woods.

Why doesn’t York have a good arts festival, asks Miles Salter. Here comes York Alive, full of music, comedy and the spoken word

Miles Salter: Director of the new York Alive festival

THE inaugural York Alive festival of comedy, spoken word and music will be held in late-September and October in the city’s theatres, music venues and pubs.

Director Miles Salter and his team are working with venues throughout York to deliver an “exciting and dynamic” programme of events this autumn.

Ending a seven-year itch, York Alive marks Miles’s return to co-ordinating festivals in York, where he programmed York Literature Festival from 2008 to 2016.

“I learned a huge amount running York Literature Festival: how to put on engaging events, how to make sure people heard about it, and I’m still driven by the same desire, wanting to see York have an exciting, inspiring, great arts festival,” says the York published poet, storyteller, York Calling podcaster, broadcaster and songwriting frontman of Miles And The Chain Gang.

“We have so much to offer. Badging things together helps to raise awareness of the fantastic arts scene in York.”  

Helen Mort: Poet and novelist, performing at York Alive on October 10 at the Victoria Vaults, York

Under the York Alive banner, the festival acts will perform at venues across York, including York Barbican, the Grand Opera House, National Centre for Early Music and Victoria Vaults pub. 

Among the contributing acts will be musicians Howard Jones, Paul Carrack and Gabrielle; comedian, author and presenter Ruby Wax; poet Helen Mort, spoken word performer Luke Wright and Miles himself in myriad guises.

For blues lovers, York band DC Blues, American guitar wizard Toby Walker and fast-emerging Belfast guitarist Dom Martin will be in action at the Victoria Vaults, in Nunnery Lane, where Miles is the gig programmer. 

“The team behind this new festival live and work in the city,” says Miles. “Friendly and intimate, York is one of the best places to live and work in the UK. Visitors love coming to our historic city, but York is more than Romans and Vikings.

“Today, it’s home to so many talented writers, artists, actors, comedians, filmmakers, musicians and dancers. That’s why we want York Alive to celebrate this talent, as well as our great venues and fantastic city, by showcasing some of the best art and culture that’s happening in York this October.

Paul Winn of York band DC Blues: Booked for York Alive on October 6

“There’ll be a brilliant mixture of music, comedy and spoken word, and we’re delighted to include some events run by other venues and promoters in York.” 

Miles has one regret. “Stopping my involvement in York Literature Festival in 2016 was a mistake really,” he says. “It was a bit like when Berwick Kaler said he was retiring from the Theatre Royal pantomime, but then wanted to go back to playing the dame again.

“I wish I hadn’t made the decision but I was in a bad place at the time, but my ambition was always to broaden it out to include other things: some theatre, comedy and music, some cross-artform combinations, like when we put on folk musician Martin Carthy with crime writer Peter Robinson at the NCEM. Now we can do that with York Alive.”

Miles has not sought any funding. “My passion is just to see a really good arts festival running in York. Why haven’t we got one already?” he says. “I thought what happened when Martin Witts’s Great Yorkshire Fringe came to an end in 2019 was an awful loss to the city.

“I must be crazy to try, but I hope that York Alive can become a regular yearly event.”

Ruby Wax: Opening show under the York Alive banner, presenting I’m Not As Well As I Thought I Was at Grand Opera House, York, on September 28

York Alive: Calendar of Events

September 28, 7.30pm, Ruby Wax: I’m Not As Well As I Thought I Was, Grand Opera House. October 2, 7pm, Toby Walker, guitar virtuoso, Victoria Vaults. October 4, 8pm Luke Wright, spoken word, Victoria Vaults. October 6, 7pm DC Blues, Victoria Vaults. October 8, 7.30pm, neo-classical Gifts From Crows Trio, National Centre for Early Music.

October 10, 8pm, Helen Mort and Miles Salter, poetry, Victoria Vaults. October 11, 7pm, Howard Jones: Celebrating 40 Years 1983 – 2023, York Barbican. October 12, 7.30pm, The Waterboys, York Barbican. October 14, 10.30am, Stories with Miles (Salter), children’s show for ages 6 to 10, The White Horse, The Green, Upper Poppleton, York.

October 15, 4pm, Miles And The Chain Gang, Victoria Vaults, free entry. October 19, 6pm to 7:30pm Dylan Thomas: 70 Years On, York Stanza’s Professor John Goodby in conversation with Miles Salter, Marriott Room. October 19, 7.30pm, Paul Carrack, York Barbican.

October 21, 7pm, Gabrielle: 30 Years Of Dreaming Tour, York Barbican. October 21, 7pm, The Very Grimm Brothers (poet Adrian Mealing and guitarist John Denton), plus Miles Salter, Victoria Vaults. October 24, 7pm, Samantha Fish & Jesse Drayton, American blues and rock, York Barbican. October 27, 8pm, Dom Martin, Buried In The Hail Tour, Victoria Vaults.

In quick succession, York Barbican has confirmed 1, 2, 3 new shows for 2024 in a booking bonanza that begins with ABC

Martin Fry fronting ABC with orchestral backing next January

A.

IN a new addition to The Lexicon Of Love Orchestral Tour, Sheffield’s ABC will play their classic 1982 album in its entirety with the Southbank Sinfonia at York Barbican on January 27.

Led as ever by Martin Fry, now 65, ABC will combine their chart-topping, million-selling debut with greatest hits cherry-picked from such later works as Beauty Stab, How To Be A Zillionaire and Alphabet City.

Fusing soul-powered dancefloor finesse with a post-punk attitude, The Lexicon Of Love spawned the gilded hit singles Tears Are Not Enough, Poison Arrow, The Look Of Love and All Of My Heart.

The Lexicon Of Love Orchestra first toured in 2009, prompted by the reaction to a one-off show at the Royal Albert Hall, where Fry donned his iconic gold lame suit once more.

Longtime collaborator Anne Dudley will conduct the Southbank Sinfonia on the newly extended January and February 2024 tour, marking the 15th anniversary of the partnership’s debut. Tickets will go on sale on Friday (4/8/2023) at 10am at ticketmaster.co.uk and yorkbarbican.co.uk.

B.

The Gilmour Project

THE Gilmour Project, an all-star band tasked with exploring the music of Pink Floyd and David Gilmour, will play York Barbican on February 3 on their debut tour.

In the line-up will be Jeff Pavar (lead guitar with Crosby, Stills & Nash, David Crosby/CPR, Phil Lesh); Kasim Sulton (bass and vocals with Todd Rundgren, Utopia, Meat Loaf); Prairie Prince (co-founder of The Tubes, original drummer with Journey, drummer for Todd Rundgren); Mark Karan (guitar and vocals with Bob Weir, RatDog, The Other Ones) and Scott Guberman (keyboards and vocals with Phil Lesh & Friends).

The Gilmour Project will combine songs from the Gilmour years of the Pink Floyd catalogue in all their complexity with highlights from Gilmour’s solo career.

C.

Whitney – Queen Of The Night: Returning to York Barbican next April

AFTER a sold-out gig in March 2023, tribute show Whitney – Queen Of The Night will return to York Barbican on April 13 next spring.

Elesha Paul Moses, from What’s Love Got To Do With It?, The Voice and The X Factor, will hit the vocal heights as she celebrates Whitney Houston with a live band, revelling in I Wanna Dance With Somebody (Who Loves Me), One Moment In Time, I’m Every Woman, I Will Always Love You and so many more.

The Gilmour Project and Whitney – Queen Of The Night tickets are available at ticketmaster.co.uk and yorkbarbican.co.uk.