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What’s happening at York Residents’ Festival 2023? Find out where to go here

YORK Residents’ Festival 2023 combines more than 100 attractions, events and offers this weekend.

Organised by Make It York, this annual event returns on Saturday and Sunday, when historical attractions such as York Minster, Jorvik Viking Centre, Fairfax House, York Castle Museum, Barley Hall and The Guildhall will be opening their doors for free to residents.   

They also can enjoy free wizard golf at The Hole In Wand, Coppergate Walk, free river cruises with City Cruises and free chocolate tours at York’s Chocolate Story, King’s Square. Theatre lovers can go behind the scenes at York Theatre Royal and experience virtual reality with Pilot Theatre’s Monoliths, featuring sweeping soundscapes and poetic monologues by Hannah Davies, Carmen Marcus and Asma Elbadawi at York Explore Library.  

Offers across York eateries and restaurants include 22 Yards Wine, Ambiente Tapas, Brew York, Forest and Trio Mezze Bar. Plus. Look out for retail offers exclusively for residents at Avorium, The Yorkshire Soap Company, Dean’s Garden Centre, The Hat Shop and more besides.   

For those preferring to explore the city on foot, plenty of free and discounted walking tours are available. York Photo Walks’ free walks provide the chance to learn and improve photography skills while learning more about the history of York. The Wizard Walk of York promises spellbinding family-friendly walks.

To participate in York Residents’ Festival, you must present a valid York Card, student card or identity card that proves York residency. If presenting an identity card, this must clearly state ‘York’ (such as a driving licence or older person’s bus pass). 

Sarah Loftus, Make It York’s managing director, says: “We’re delighted that we have more than 100 attractions, events and offers for Residents’ Festival weekend. This is a great opportunity for residents to rediscover some of the brilliant attractions, retail and food and drink offers on their doorstep. A huge thank-you to our Visit York members for their excellent offers and to our main sponsor, Grand Central.”  

Councillor Keith Aspden, leader of City of York Council, says: “I’m delighted that York Residents’ Festival is once again back this year. The weekend is a great way to enjoy our city and support our businesses. There is a lot explore and discover, with I hope something for everyone on offer during this fun-packed weekend of activities. 

“Our thanks go to all the partners around the city who have come together to make sure that more than 100 attractions, events and offers are available for residents.” 

The full list of offers for York Residents’ Festival can be found at: www.visityork.org/resfest. Please note, some venues require pre-booking. 

Alternatively, wade your way through this comprehensive guide!

Attractions 

Barley Hall, 2 Coffee Yard, off Stonegate, YO1 8AR 

barleyhall.co.uk/01904 615505 

Saturday and Sunday, 10am – 4pm. Free entry after 2pm. 

Barley Hall is a medieval townhouse, tucked away down one of the oldest streets in York. The exhibition The Bard At Barley Hall features costumes worn by famous actors. Pre-booking is required online or by phone. Select the “Free Adult” or “Free Child” option or by calling 01904 615505. 

Bedern Hall Bartle Garth, St Andrewgate, York, YO1 7AL 

info@bedernhall.co.uk/bedernhall.co.uk 

Saturday and Sunday, 10.30am to 3.30pm. Free entry. 

Discover one of York’s true hidden medieval gems – from butchers to bakers and pork pie makers, chorals to squirrels – as Bedern Hall continues its centuries-old tradition of good food, good friend, and good times. Pre-booking is not required. 

Beningbrough Hall, Gallery and Gardens, Beningbrough, YO30 1DD 

beningbrough@nationaltrust.org.uk/nationaltrust.org.uk/beningbrough/01904 472027 

Saturday and Sunday, 10am to 3.30pm.

Grab your calling cards as you explore the garden and uncover the fascinating stories of the people who shaped Beningbrough with never-been-told-before stories from the latest research, voices from the past, interactive elements and family trail. Pre-booking is not required. 

Black Swan Folk Club 23, Peasholme Green, York, YO1 7PR  

blackswanfolkclub@yahoo.co.uk/Blackswanfolkclub.org.uk/01904 679131  

Sunday only.

Winter Folk Day performances by folk musicians. Two sessions 2pm to 5.30pm and 7.30pm to 10.30pm in the Black Swan Inn’s Wolfe Room. Pre-booking is not required.   

Brew York, Unit 6, Enterprise Complex, Walmgate, York YO1 9TT 

bars@brewyork.co.uk/brewyork.co.uk/01904 848448 

Saturday only. Free 30-minute brewery tour and tasting at 1pm and 2pm. 

Founded in Walmgate in 2016, Brew York boasts a £2million state-of-the-art production facility and global distribution. See where it all began with a mini-tour of the original brewery as you enjoy a fresh beer on them. Pre-booking is required via email. 

City Cruises, King’s Staith Landing and Lendal Bridge Landing 

info@citycruises.com/cityexperiences.com/york/city-cruises/ 

Saturday and Sunday.  Free cruise. 

Set sail with City Cruises for a free cruise at 11am, 12 noon, 1pm, 2pm or 3pm. No pre-booking; first-come, first-served. 

Clifford’s Tower, Tower Street, York, YO1 9SA 

Cliffords.Tower@english-heritage.org.uk/01904 646940 

Saturday and Sunday, 10am to 4pm. Free entry 

Immerse yourself in history at this iconic site and experience views over the city. A new roof deck, walkways and staircases have opened up parts of the tower, where a new interpretation brings the tower’s history to life. Pre-booking is not required. 

DIG: An Archaeological Adventure, St Saviour’s Church, St Saviourgate, YO1 8NN 

Digyork.co.uk/01904 615505 

Saturday and Sunday, 10am to 4pm. Free entry after 2pm.

Discover exciting artefacts from 2,000 years of York history at DIG. Children can grab a trowel and dig up the clues that show how people lived in Roman, Viking, medieval and Victorian times. Pre-booking is required online or by phone. Select the “Free Adult” or “Free Child” option or by calling 01904 615505 

Fairfax House, Castlegate, York, Y01 9RN 

info@fairfaxhouse.co.uk/fairfaxhouse.co.uk/01904 655543 

Saturday and Sunday, 11am to 2pm. Free entry. 

Numbers are limited and places need to be pre-booked online on a timed ticket basis to visit this furnished 18th century historic house museum.  

Get Cycling, 22 Hospital Fields Road, Fulford, YO10 4DZ 

shop@getcycling.org.uk/getcycling.org.uk/01904 636812 

Saturday and Sunday, 10am to 4pm.

Free half-day bike hire (for five hours). One hire per person. Deposit necessary. Pre-booking is required via telephone or email quoting Residents’ Festival. 

Holgate Windmill, Windmill Rise, Holgate, York YO26 4TX.

For parking use YO24 4AE (Acomb Road). 

chair@holgatewindmill.org/holgatewindmill.org/07926 151132 

Saturday and Sunday, 11am to 4pm. Free entry. 

Visit York’s only surviving windmill, built in 1770, now restored and in full working order. Stoneground wholemeal and spelt flour milled here is available for sale. Pre-booking is not required. 

Jorvik Viking Centre, Coppergate, YO1 9WT 

Jorvikvikingcentre.co.uk/01904 615505 

Saturday and Sunday, 10am to 4pm. Free entry after 2pm. 

Discover York’s Viking legacy at the award-winning Jorvik Viking Centre. Meet a Viking of Coppergate, be up close with rare artefacts and take in the sights, sounds and smells of Viking York. Pre-booking is required online or phone. Select the “Free Adult” or “Free Child” option or by calling 01904 615505. 

LNER Community Stadium (York RLFC), Kathryn Avenue, Monks Cross Drive, Huntington, York, YO32 9AF 

j.bullock@yorkrlfc.com/yorkrlfc.com/ 01904 670880 

Sunday only. Free tours at 11am, 12pm, 1pm, 2pm (12 people maximum per tour) 

Head inside the inner sanctum of North Yorkshire’s premier rugby league teams. The LNER Community Stadium hosts the York Knights and Valkyrie, who offer residents the chance to join them on stadium tours, sharing the full matchday journey of the players and taking in the club’s history. Meet at the York RLFC club shop 15 minutes before your booked tour time. Pre-booking is required by filling out this form:  https://docs.google.com/forms/d/e/1FAIpQLSc-rW6csfuGUuWpc2otzeB0_PdMUp4sqkB2bf6v-xH_4U1X4g/viewform?usp=sf_link 

Lost Earth Adventures, Brimham Rocks, Summerbridge, Harrogate, HG3 4DW 

info@lostearthadventures.co.uk/lostearthadventures.co.uk/01904 500094 

Saturday and Sunday. Free three-hour taster session. 

Try rock climbing and abseiling at Brimham Rocks. Suitable for all abilities and anyone aged 7+. All equipment included. Maximum two people per booking. Pre-booking is required via email. 

Merchant Adventurers’ Hall, Fossgate, York, YO1 8XD 

Merchantshallyork.org/enquiries@merchantshallyork.org/01904 654818 

Saturday, 10am to 4pm. Free entry. 

Fascinating tales, awe-inspiring architecture and intriguing, rare artefacts to be explored at this timber-framed building. The Merchants’ Coffee House will be open, serving food and drinks. Pre-booking is not required. 

Merchant Taylors’ Hall, Aldwark, York, YO1 7BX 

events@merchant-taylors-york.org/merchant-taylors-york.org/01904 624889 

Sunday, 10am to 4pm. Free entry. 

Merchant Taylors of the City of York members will be on hand to explain the many colourful facets and intriguing 600-year history of this medieval hall. Pre-booking is not required. 

National Centre for Early Music, St Margaret’s Church, Walmgate, York, YO1 9TL 

boxoffice@ncem.co.uk/ncem.co.uk/01904 658338 

Sunday, 2pm to 4pm. Free session. 

A Residents’ Festival weekend special taster for the NCEM’s monthly singing session, Cuppa & A Chorus. No experience necessary; only a willingness to sing. Hot drinks and cakes too. Pre-booking is required online. 

Pilot Theatre – Monoliths VR, at York Explore Library, Library Square, Museum Street, York YO1 7DS 

info@pilot-theatre.com/rebrand.ly/monoliths/01904 635755 

Saturday and Sunday, 10am to 12:30pm and 1.30pm to 5pm. Free event. 

A chance to experience virtual reality with York company Pilot Theatre’s Monoliths, exploring three northern environments with sweeping soundscapes and poetic monologues, in an event sponsored by York BID. Monoliths is an arresting testament to the inextricable link between person and place.

The Guildhall, St Martin’s Courtyard, Coney Street, York, YO1 9QL 

conferences@york.ac.uk/york.ac.uk/business/theguildhall/01904 328431 

Saturday and Sunday, 10am to 4pm. Free entry. 

Residents will have access to all areas of The Guildhall, with a self-guided interactive tour of the 15th century medieval hall, historic council chamber and committee room. All cakes and coffees will have 10 per cent off at the Riverside Cafe for the weekend, and those who complete the quiz will be in with a chance of winning  a £20 voucher for the Cafe Lounge. The venue’s wedding coordinators will also be on hand to show any newly engaged couples around. York Gin will be running free gin tastings and talks for residents from 11am on both days. Pre-booking is not required. 

The Grand, York, Station Rise, York, YO1 6GD 

info@thegrandyork.co.uk thegrandyork.co.uk/01904 380038 

Saturday to Monday. Free tour.  

Step inside York’s only five-star hotel, previously the head offices for the North Eastern Railway HQ, for a guided tour of bedrooms, old railway offices, event spaces. Even meet the resident bees! Pre-booking is required online via Eventbrite: https://www.eventbrite.co.uk/e/tour-of-yorks-only-five-star-hotel-and-former-ner-hq-the-grand-york-tickets-463708734307 

The Hole In Wand, 14-16 Coppergate Walk, York YO1 9NT 

york@theholeinwand.com/theholeinwand.com/york/01904 890135 

Saturday and Sunday, ,3pm to 9pm. Free entry. 

Visit “the world’s most magical golf course” in the heart of York. This Wizard-style adventure will see you tackle a bubbling cauldron and become part of a giant picture while you search for Grobblenook! Entry only; excludes potion. Pre-booking is required online. Use code RESFEST2023. 

William’s Den, Castle Farm, Wold Hill, North Cave, East Riding, HU15 2LS 

rachel@williamsden.co.uk/Willliamsden.co.uk/01430 472230 

Saturday and Sunday, 10am to 4pm. Free entry (but small booking fee).

Custom-built family adventure playscape with indoor play areas, climbing ropes and zip lines, woodland walks and pizza dining. Pre-book your free tickets for William’s Den online using the promo code YKRES2829.  A booking fee of 50p is payable.  

York Army Museum, 3 Tower Street, York, YO1 9SB 

contact@yorkarmymuseum.co.uk/yorkarmymuseum.co.uk/01904 461010 

Saturday and Sunday, 10am to 4pm. Free entry. 

Discover the regiments’ stories from 1685 to the present day. Trails, crafts and object-handling. While here, collect a free mini-sketch book (made from recycled coffee cups), pencil and sketching guide to sketch your favourite parts of York as you go around the city. Pre-booking is not required. 

York Art Gallery, Exhibition Square, York, YO1 7EW 

yorkartgallery.org.uk/01904 687687 

Saturday and Sunday, 10am to 4pm. Free entry. 

The galleries of fine art and ceramics are free to enjoy. Discover a new display of treasures from the stores. See jewels of the collection in a new light plus rarely displayed works. Pre-booking is required online. Maximum group size of six. 

York BID – Reunion, St Sampson’s Square, York, YO1 8RR 

On show until February 6.

York’s winter nights are being brightened up by Kumquat Lab’s light art installation, Reunion. Brought St Sampson’s Square by York BID, this artwork represents connectedness and the act of gathering together. 

York Castle Museum, Eye of York, York, YO1 9RY 

Yorkcastlemuseum.org.uk/01904 687687 

Saturday and Sunday, 10am to 5pm. Free entry. 

Immerse yourself in 400 years of York’s history, whether the Victorian street Kirkgate, infamous prisoners in the spooky cells or the Swinging Sixties. Pre-booking is required online. Maximum group size of six. 

York Cemetery, Cemetery Road, York, YO10 5AJ  

yorkcemeteryvolunteers@gmail.com/yorkcemetery.org.uk/07908 221152  

Sunday, 10am to 4pm.

The Friends of York Cemetery will open the Pritchett Chapel for self-guided walking trails, catacomb tours, garden walks and much more. Discover the cemetery’s history and make a cone bird feeder, an activity ideal for children. Free tea/coffee and cake. Pre-booking is not required. 

York Cold War Bunker, Monument Close, York, YO24 4HT 

yorkbunker@english-heritage.org.uk/english-heritage.org.uk/visit/places/york-cold-war-bunker/01904 797935 

Saturday and Sunday, 10am to 4pm. Free entry. 

York Cold War Bunker uncovers the secret history of Britain’s Cold War. Enter the blast-proof doors and investigate the more unusual side of York’s heritage. In active service from the 1960s to the 1990s, the bunker was designed as a nerve-centre to monitor fallout in the event of a nuclear attack. Pre-booking is required online. Use code RESFES101 

York’s Chocolate Story, King’s Square, York, YO1 7LD 

info@yorkschocolatestory.com/yorkschocolatestory.com/01904 527775 

Saturday and Sunday, 9am to 6pm. Free entry for the first four tours each day.

This offer is for walk-ins only. Residents also will receive 20 per cent off the guided tours for the whole weekend. Pre-booking is not required. 

York Dungeon, 12 Clifford Street, York, YO1 9RD 

yorkguests@merlinentertainments.biz/ thedungeons.com/york or 01904 632599 

Saturday to Tuesday (31/1/2023). Free entry before 12 noon.  

Limited availability. Tickets must be pre-booked online using the promotional code ydresfest23. Prebooking is required online via: https://www.thedungeons.com/york/?promocode=complimentary  

York Explore Library: Map Attack! – Lego City of Wonder, Library Square, York, YO1 7DS 

york@exploreyork.org.uk/exploreyork.org.uk/01904 552828 

Saturday, 10am to 2pm.  

Drop in to use a range of Lego and Duplo to build the wonderful city of York. Take inspiration from historic maps of York from the city’s archives. What will you create? Pre-booking is not required. 

York Explore Library: Mapping Historic York Exhibition, Library Square, York YO1 7DS 

york@exploreyork.org.uk/ exploreyork.org.uk/01904 552828 

Saturday, 10am to 4pm. 

Explore the history of York’s built environment. Learn about York as it was, as it is, and as it might have been in this display of original material from the city’s archive. Pre-booking is not required. 

York Mansion House, St Helen’s Square, York, YO1 9QL 

mansionhouse@york.gov.uk/mansionhouseyork.com/ 01904 553663 

Saturday and Sunday, 10am to 5pm (last admission 4pm). Free entry. 

Walk in the footsteps of lords and ladies, cooks and butlers. Explore four floors, from the authentic Georgian kitchen below stairs to the 18th century splendour above, steeped in 300 years of scandal, secrets and superstition. Pre-booking is not required. 

York Medical Society, 23 Stonegate, York, YO1 8AW 

yorkmedicalsociety@gmail.com/yorkmedsoc.org/01904 849821 

Saturday and Sunday, 10am to 3pm 

York Medical Society has its own rooms within a beautiful Grade II listed building in Stonegate, providing a location for topical lectures, events and wedding receptions. Explore the building; refreshments will be available, with proceeds supporting York Foodbank. Pre-booking is not required. 

York Minster, Deangate, York, YO1, 7HH 

info@yorkminster.org/yorkminster.org/01904 557200 

Saturday and Sunday.

Experience panoramic views of York from the highest point in the city: York Minster’s Central Tower. See medieval stonework and gothic grotesques as you climb 275 steps to the top. You must be aged 8+ to climb the tower.

Trips run every 45 minutes, starting at 10.15am on Saturday, with the last taking place at 3.30pm. On Sunday, the first trip begins at 1.15 pm; the last at 2.45pm. Trips can only be booked in person on the day, are weather dependent and will be available on a first-come, first-served basis. Health and safety conditions apply; see website for details. 

York Steiner School, 33 Fulford Cross, York, YO10 4PB 

info@yorksteinerschool.org/yorksteinerschool.org/01904 654983 

Sunday. Tours at 9am, 10.30am, 12 noon or 1.30pm. 

A warm welcome awaits all York families at the seasonal craft day and tour. Experience the magic of a Steiner education over a hot drink in the cosy community room and find out why parents rate them so highly! Pre-booking is required via email or telephone. Numbers are limited to four families per session. 

Yorkshire Heart Vineyard & Brewery, The Vineyard, Pool lane, Nun Monkton, York, YO26 8EL 

office@yorkshireheart.com/yorkshireheart.com/01423 330716 

Sunday, 10am to 3.30pm. Free vineyard tour and wine tasting. 

Yorkshire Heart are offering wine tasting in their Winehouse café and a short vineyard and winery tour on the hour every hour from 11am until 2pm. Pre-booking is not required. 

Yorkshire Museum, Museum Gardens, Museum Street, York, YO1 7FR 

Yorkshiremuseum.org.uk/01904 687687 

Saturday and Sunday, 10am to 4pm. Free entry. 

Home to some of the greatest archaeological and geological finds in Britain. Explore York’s Roman, Viking and medieval past through a range of artefacts and meet our prehistoric predecessors in Yorkshire’s Jurassic World! For all the family. Pre-booking is required online. Maximum group size of six. 

York Theatre Royal, St Leonard’s Place, York, YO1 7HD 

boxoffice@yorktheatreroyal.co.uk/yorktheatreroyal.co.uk/01904 623568 

Sunday. Free tour.

Find out more about the fascinating history of the Theatre Royal, discover secrets about the backstage world and learn more about the building. Pre-booking is required via the box office. 

Tours 

Mountain Goat Tours, Duncombe Place, York 

tours@mountain-goat.com/mountain-goat.com/01539 445161 

Saturday and Sunday.

York residents will receive a 50 per cent discount. Pre-booking is required online using the promo code “YORK50”. 

York’s Hidden History, York city centre 

yorkshh@gmail.com/facebook.com/yorkshiddenhist/07725 040647 

Saturday and Sunday, 10am to 11am; 2pm to 3pm. 

Join York’s Hidden History and uncover the city’s ancient, natural and scientific secrets on their guided walks. For the Residents’ Festival, they will be offering a York Ice Walk in the morning and a Micklegate Meander in the afternoon. Pre-booking is required via the events section of their Facebook page: facebook.com/yorkshiddenhist 

York Photo Walks

Meet outside York Art Gallery. 

info@yorkphotowalks.uk/yorkphotowalks.uk/07950 882794 

Saturday, 10am to 4pm. Free walk. 

The photo walks involve learning and developing photography knowledge, while exploring York’s rich history, people, nature and architecture. The aim is to inspire you to stretch your creative legs when out and about with your camera. Walks will take two hours. Pre-booking is required via email or phone.  

Wizard Walk of York, Shambles, by the railings of St Crux Church, York. 

info@wizardwalkofyork.com/wizardwalkofyork.com/08454752124 

Saturday, 4pm. Free tour. 

Join The Wizard of York for family fun with spellbinding magic, comedy and a dash of history. Ideal for ages five to ten and their families. Pre-booking is required via email. Please include details of the total number of adults and children. 

Churches 

All Saints’ Church, North Street, York, YO1 6JD 

engagement.allsaintsnorth@gmail.com/allsaints-northstreet.org.uk/07709 191400 

Friday and Saturday, 10am to 4pm. 

All Saints’ Church has two days of events, with a coffee morning and church history talk on Friday,  followed by tours of the stained glass and anchorhold, fun family activities, and illuminated evensong and benediction on Saturday. All welcome. Pre-booking is not required. 

Central Methodist Church, St Saviourgate, York, YO1 8NQ 

centralmethodistyork.org.uk/01904 612171 

Saturday, 11am to 4pm. 

This Grade II-listed building, built in 1840, is one of the few chapels of its period still intact. See the horseshoe-shaped interior with gallery and box pews and listen to the organ, one of the finest in York. Pre-booking is not required. 

St Denys Church Welcome Day, Walmgate, York, YO1 9QD 

nationalchurchestrust.org/church/st-denys-york 

stdenyschurchyork@gmail.com/07941 246312 

Saturday, 10am to 4pm.

A warm community welcome is extended to allcomers with tea, tours, talks and entertainment under the theme of “Eat-Pray-Love…”, telling the history and ambition of St Denys Church, alongside refreshments both bodily and spiritual, while celebrating the refurbished church fabric and fabulous ‘Henry’ organ installation. 

Trinity Church York, St Anthony’s Hall, Peasholme Green, York, YO1 7PW  

trinitychurchyork.org.uk/contact@trinitychurchyork.org.uk/01904 651726  

Saturday and Sunday.

Visit the medieval hall to see timber bracing, 15th century carvings and the home of a thriving church. Mini-lectures at 10am, 11am and 1pm on Saturday on Medieval Motherhood, How York Became Christian and The York Conservation Trust. Pre-booking is required via email. 

For Food and Drink and Retail offers, go to: www.visityork.org/resfest.

Later in the year 

Goddards, 27 Tadcaster Road, York, YO24 1GG 

nationaltrust.org.uk/goddards/goddards@nationaltrust.org.uk/01904 472027 

March 4 and 5, 11am to 4pm. 

Explore the garden where the Terry chocolatier family lived on its opening weekend for 2023. Five acres of garden rooms surround their former home. Discover fragrant borders, wildlife areas and glasshouse, alongside a more formal pond and lawn. Pre-booking is not required. 

Treasurer’s House, Minster Yard, York, YO1 7JL 

treasurershouse@nationaltrust.org.uk/nationaltrust.org.uk/treasurershouse/01904 624247 

April 23 and 24, 11 am to 4pm. 

Behind York Minster, discover this intriguing house on a tour. See the collection of fine antiques, art and furniture created by the wealthy, eccentric Industrialist Frank Green, who gave it to the National Trust in 1930. Pre-booking is required online via the website. Select National Trust member option and type RESFEST when asked for a membership number. Bring valid York Card or residency ID on the day. 

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Your chance to be a ranger as dinosaurs invade Grand Opera House for one day

In the jaws of a Jurassic rampage: Dinosaur meets doctor in Jurassic Earth at Grand Opera House, York. Picture: Chris Thompson

JURASSIC Earth’s “live dinosaur show” roams York in an immersive experience for all ages at the Grand Opera House on January 28 at 1pm and 4pm.

State-of-the-art, animatronic, life-like dinosaurs feature in this 75-minute interactive story-telling show where audiences can not only laugh, scream and sing but also “talk to a Triceratops, roar with a T-Rex, look up to a Brontosaurus, scream with a Spinosaurus and run from a Raptor”.

Joined by a zany professor and an eccentric doctor, a team of rangers and dinosaurs brings the Jurassic era to life through a combination of entertainment and education.

Audiences are invited to “bring your biggest roar and your fastest feet as you take Ranger Danger’s masterclass to become an Official Dinosaur Ranger – gaining the skills you need to come face-to-face with the world’s largest walking Tyrannosaurus Rex, a big-hearted Brontosaurus, tricky Triceratops, uncontrollable Carnotaurus, vicious Velociraptors and sneaky Spinosaurus”.

Anything else? You can “feel the excitement of watching a dinosaur egg hatch in front of your eyes and experience the thrill of meeting the cutest Ankylosaurus, Pterodactyl and baby hatchlings”.

Jurassic Earth’s dinosaurs have featured on the BBC, ITV, Channel 4, Channel 5 and Sky, not least on ITV’s Dancing On Ice where the naughty Raptor snuck up on Holly Willoughby and Ashley Banjo.

For tickets, go to: atgtickets.com/york.

Dinosaur roar: The animatronic Tyrannosaurus Rex in Jurassic Earth
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Tom Bird bids farewell to York Theatre Royal after 5 years of momentous change

Tom Bird: Goodbye York Theatre Royal, hello Sheffield Theatres. Picture: Esme Mai

CHIEF executive Tom Bird is leaving York Theatre Royal after five years on February 3 to take up the equivalent post at Sheffield Theatres, England’s largest producing theatre complex outside London.

Head hunted for a post he “just couldn’t turn down”, he will migrate southwards to replace Dan Bates, who exited Sheffield last year after 13 years to become executive director of Bradford’s UK City of Culture 2025 programme.

From February 6, North Easterner (and Newcastle United fan) Tom he will be in charge of the South Yorkshire trio of Sheffield’s Crucible, Lyceum and Tanya Moiseiwitsch Playhouse (formerly the Studio), working closely with artistic director Robert Hastie and interim chief exec Bookey Oshin, who will stay on as deputy CEO, and the senior team.

He leaves behind a York Theatre Royal where he has overseen an emphasis on community productions and the showcasing of York talent; the departure of innovative artistic director Damian Cruden after 22 years and Britain’s longest-running pantomime dame, Berwick Kaler, after 41; the promotion of Juliet Forster to creative director with a programming team, and new partnerships with Emma Rice’s Wise Children company (and in turn the National Theatre) and Evolution Productions for the pantomime’s new chapter.

Such change could be planned, but then there was Covid, a shadow cast from March 2020, one that not only shut down the theatre in lockdown but led to redundancies and later the loss of £250,000 takings in a flash when the Christmas and New Year week of Cinderella last winter fell foul to a glut of positive tests.

York Theatre Royal chief executive Tom Bird, centre, with creative director Juliet Forster and Evolution Productions director and pantomime writer Paul Hendy

“We were on to our fourth Cinderella by then,” recalls Tom. “It was impossible to continue. It couldn’t have happened in a worse week. Losing those performances was awful, even though we  got going again for the last performances.”

Twelve months on, Tom bids farewell with the Theatre Royal in a healthy position. “There’s money in the bank; there’s a great team working here; the pantomime is reinvigorated; the programming is good; there are excellent partnerships in place. I’m really proud of everything we’ve done,” he says.

“I don’t think I’ve ever had a mission as such as I guess I wanted to learn that mission as I went along, and I certainly think the Theatre Royal is in a strong position. The relationship with Arts Council England is so important, and to still be on the NPO scheme [for National Portfolio funding for £1.8 million for 2023-2026) is so important.

“If I have one regret – and I couldn’t turn down the opportunity to run Sheffield – it is that it would have been nice to now have had two or three ‘normal’ years at York Theatre Royal as it’s such a wonderful place.”

Looking back on becoming the Theatre Royal’s executive director at 34 – he would later change the title to chief executive – after he and his family moved to York in December 2017, Tom says: “It was a massive change because my unofficial title at the Globe [Shakespeare’s Globe in London] was ‘Mr International’, producing a tour of Hamlet to 189 countries, but my personal circumstances had changed already.

A scene from The Coppergate Woman, York Theatre Royal’s 2022 community play. Picture: Jane Hobson

“We’d moved out to Kent; I’d been working as executive producer nationally and internationally, and though there was a lot of gloom about regional theatre at the time, I just thought, I’d love to get back north, to run a theatre.

“We’d co-produced plays to York, and there’s just something about the Theatre Royal, the building; the gorgeous auditorium.”

Nevertheless, Tom admits he was in for a surprise. “At first I thought, if you just transplanted London theatre here, it would work, but that was not the case,” he says. “York is a city of inequality, not the city that you would expect, and therefore not the theatre you would expect. You need to offer a cultural menu that caters for everyone. You have to fully fit in with the needs of the community, which is an exciting thing to do.

“After Damian left (in summer 2019), we wanted to make sure that we would be programming in a more collaborative way than we’d done before.  I think there’s since been the same amount of co-producing of shows, but we also said we wanted to do ‘very Yorkshire’ productions, like The Coppergate Woman community play and David Reed’s world premiere of Guy Fawkes last autumn.

“We’ve created the programming team, led by Juliet Forster, with associate director John R Wilkinson and resident artists, that naturally produces a wide range of voices and makes sure everything is rigorously tested as to what we will put on that stage and why.”

Wise Children’s co-production of Wuthering Heights with the National Theatre and York Theatre Royal

Community theatre is crucial, Tom says: “It’s what audiences want. It’s absolutely what people in the community say they want to see. The audiences for our community plays are phenomenal. July’s production of CJ Sansom’s Sovereign is already on track to sell out. York wants theatre shows that tell stories of the city and we’ve always tried to do that in an experimental way, which leads to us taking risks.”

For all the weight of its history, York needs to be averse to standing still. “The city has to make sure it’s always being dynamic in its culture and outlook, otherwise it will take on the profile of being frozen in aspic,” warns Tom.

“That’s why we did a hippy-trippy, Covid-influenced Viking story [The Coppergate Woman] and a dark comedy version of Guy Fawkes that people didn’t expect. You have to be ambitious and surprising. That’s a word we use all the time: the reward for York audiences is to be pleasantly surprised.”

As for the changing of the old guard in the pantomime, Tom says: “I’m conscious that it’s what I’ll be remembered for here, which is a shame. Bringing down the curtain on something is not what I want to be remembered for, but, to an extent, whoever had my job at the time, was going to have to deal with it in some way.

“Maybe someone else would have taken a different route, or taken it earlier, but I worked on three of Berwick’s pantomimes, so it wasn’t as though I didn’t know what I was dealing with, but there was an issue coming down the road in ten to 15 years’ time , maybe earlier: family audiences were not coming to the panto in2017-2018, so what was going to happen in future years?

“I’d grown an affinity with the company in those three years, as everyone does; you realise the exceptional quality of performers like David Leonard, but in all conscience, I could not responsibly leave the situation as it was.

Berwick Kaler playing Molly Motley in his last York Theatre Royal pantomime, The Grand Old Dame Of York, in 2018-2019. He co-directed and wrote the next year’s show, Sleeping Beauty, his last involvement with the Theatre Royal panto after 41 years

“I got a lot of public criticism – and a lot of private criticism too – and really there was a lack of understanding of what I was trying to achieve in making the change, which may have been my fault as I could have it explained it earlier, but everything I said at the time still stands.

“The audiences were declining and there was no obvious way of turning it around with that product still in place, and I would say that the decision to go into a partnership with Evolution Productions has been proved to be the right one.

“The new pantomime is still growing and we know there’s still work to do, but we’re really happy with how it’s going.”

After such highlights as The Travelling Pantomime’s socially distanced performances to York neighbourhoods in the first winter of Covid, the Love Bites and Green Shoots showcases for York professional theatre-makers, the Wise Children/National Theatre/York Theatre Royal co-production of Emily Bronte’s Wuthering Heights, and Tom’s groundwork for Kyiv City Ballet’s first ever British visit in June, he moves to Sheffield in the year he turns 40.

In the words of Lord Kerslake, chair of Sheffield Theatres Trust board: “We have appointed a driven, experienced and creative leader who will help shape the next chapter of this world-class organisation.”

Just as Tom Bird has shaped York Theatre Royal’s future too.

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Imgine if Charlie Chaplin and Stan Laurel had formed a double act…cue Told By An Idiot letting their imagination run free

Danielle Bird’s Charlie Chaplin, front, being lifted by Jerone Marsh-Reid’s Stan Laurel in a scene from Charlie & Stan with fellow cast members Sara Alexander (Charlie’s Mum and show pianist) and Nick Haverson (Fred Karno and show drummer). Picture: Matt Crockett

CHARLIE Chaplin and Stan Laurel could have been the greatest comedy double act that nearly was, and now they are in Told By An Idiot’s fantasia Charlie & Stan.

On tour from February 7 to March 4 after playing the 47th London International Mime Festival in a run at Wilton’s Music Hall, writer-director Paul Hunter’s silent comedy visits York Theatre Royal from February 14 to 18 in a poignant celebration of two Englishmen who changed the world of comedy

First told by Told By An Idiot in 2019, then revived by producer David Pugh for social-distanced performances and a run outdoors at Cornwall’s Minack Theatre under pandemic restrictions, Hunter’s “trueish” piece of magical storytelling returns in 2023 with its intertwining of real-life events with a fantastical reimagining of Chaplin and Laurel’s two years spent touring together before either became famous.

“The initial starting point was a friend of the company bringing us the idea of telling the story of the then unknown Charlie and Stan setting sail for New York in 1910 as part of Fred Karno’s music hall troupe, sharing a cabin and travelling around North America for 18 months with Stan as Charlie’s understudy,” says Paul, whose revival kickstarts Told By An Idiot’s 30th anniversary year.

“Stan got homesick and came home; Charlie received his invitation to go to Hollywood and within five years became one of the most famous faces in the world.”

 To make Charlie & Stan, Paul created a detailed storyboard structure and then fleshed out the scenarios with the actors, just as with Chaplin would eschew a script in favour of thinking, “the only thing I want to do is make something in a particular place” and then work from there.

Told By An Idiot writer-director Paul Hunter

“I knew I didn’t want to have mime or be experimental or avant-garde, but just tell the story without words but with the help of props and a jazz piano score by Zoe Rahman [played live by Sara Alexander] in a very captivating 85 minutes straight through to mirror the length of Chaplin’s films such as The Gold Rush.”

Paul may “play fast and loose with the facts” in his non-verbal, highly physical show but he did investigate into why a partnership failed to materialise. “Chaplin never mentioned Laurel even once in his autobiography, whereas Stan talked about Charlie, about him being our greatest comedian, until his dying day,” he says.

“Maybe this was the greatest double act that never was, but Chaplin was never going to share the spotlight with anyone, after his horrendous childhood. Maybe he was also jealous of Laurel because he was so talented too. Like when Stan had to go out on stage on his own when Karno refused to increase Charlie’s pay – and there was Charlie, sitting watching him from the fourth row!

“Ultimately, Laurel found his soul mate in Oliver Hardy, whereas Chaplin was a complete one-off, not only an extraordinary performer but also there’s an argument to say he was one of the greatest film directors, working in the dark with new skills as filmmaking changed.”

Paul’s show is based on fact, but “we refer to it as a true fantasy, where setting sail for New York leads us into the world of imagination with flash-forwards to Stan bumping into his future comedy partner and Charlie’s Little Tramp character evolving,” he says.

“We made a very conscious decision that all scenes should be completely inventions of our own, rather than taken from any film – and I love how we’ve been able to hoodwink people into thinking they are movie scenes!”

Setting sail for America: Jerone Marsh-Reid’s Stan Laurel, left, and Danielle Bird’s Charlie Chaplin. Picture: Matt Crockett

Chaplin was 21, Laurel a little younger, when they headed to America. “It’s a big thing, particularly for our two performers, that we wanted to cast them close to the ages that Charlie and Stan would have been,” says Paul.

“Danielle Bird (Charlie) and Jerone Marsh-Reid (Stan), who did the last tour too, are both in their early 20s. If cinema is a palace of dreams, then theatre is its own world of make-believe, and that’s reflected in the casting.

“When I was absorbed in the world of Chaplin, I was fascinated by his movement: he could have been a ballet dancer. Nijinsky even asked him where he trained as a dancer, but he didn’t, but Charlie had this feminine grace, which opened it up to a woman playing the role.

“At times the audience just see Chaplin and forget Dani is a woman. Every night Chaplin has to get a woman out of the audience to swim – and I think it would be more difficult if a man were playing him. There would  be more reluctance to go on stage but they trust a woman and that allows us to go further.”

Likewise, when picking Jerone for Stan, Paul says: “He’s mixed race, from Stafford, and again I thought there’s no point finding someone who can do an impression of Stan Laurel, but they had to capture the spirit.

“He’s being played by an actor who never thought he’d even be seen for the chance to play Stan, but that’s the nature of theatre: a world of imagination, rather than filling in the gaps for the audience, which makes the audience feel smarter – and all our work loves to do that!”

Told By An Idiot in Charlie & Stan, York Theatre Royal, February 14 to 18, 7.30pm plus 2pm, Thursday and 2.30pm, Saturday matinees. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Copyright of The Press, York

Creating a world of imgination: Told By An Idiot actors Jerone Marsh-Reid’s Stan Laurel, left, and Danielle Bird’s Charlie Chaplin in Paul Hunter’s “true fantasy” Charlie & Stan. Picture: Matt Crockett
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York Shakespeare Project to open new chapter with Edward III rehearsed reading

Tony Froud: Directing York Shakespeare Project’s rehearsed reading of the rarely performed Edward III

PHASE Two of York Shakespeare Project begins with a staged rehearsed reading of Edward III upstairs at the Black Swan Inn, Peasholme Green, York, on February 7.

This rarely performed 1592 history play is now widely accepted as a collaboration between William Shakespeare and Thomas Kyd, replete with its celebration of Edward’s victories over the French, satirical digs at the Scots and depiction of the Black Prince.

Rehearsed February readings will be a regular part of YSP’s broadened remit to include work by the best of Shakespeare’s contemporaries, alongside a second staging of all his works, over the next 25 years.

Tony Froud’s cast will be led by Pick Me Up Theatre luminary Mark Hird in the title role. “At short notice, I’ve been able to bring together a strong cast that mixes YSP stalwarts, such as Liz Elsworth and Emma Scott, with new faces to us, such as Mark,” says Tony.

Hird’s King Edward will be joined by Elsworth’s Derby and Queen Philippa; Scott’s Gobin de Grey, Villiers, Frenchman 3 and Captain; Ben Thorburn’s Prince Edward; Nell Frampton’s Warwick and Salisbury; Bill Laverick’s Audley and Messenger and Stuart Lindsay’s Lodowick, Frenchman 4 and King David.

Mark Hird: Cast as King Edward in Edward II, his York Shakespeare Project debut

In the company too are: Sally Mitcham’s William Montague, Jon Copland, Herald 1, Frenchman 2 and Earl Douglas; Joy Warner’s Squire, Artois and Frenchman 1; Tom Jennings’s Herald 2 and Prince Charles; Jodie Fletcher’s Herald 3, Lorraine, Mariner and Messenger 2; Harry Summers’ King John and Lara Stafford’s Prince Philip and Countess Salisbury.

“It will be a one-night-only show, following the pattern of Ben Prusiner’s season of John Fletcher comedies and Jim Paterson’s A Midsummer Night’s Dream, which showed the impressive quality of performance that can be achieved in a short time by a good cast,” says Tony.

“The rehearsed reading puts a great emphasis on the language, so do come along to meet some colourful characters and hear some fabulous language in a plot that will take you from London to Calais via Northumberland and Crecy.”

Tickets for the 7.30pm performance cost £5 on the door or at eventbrite.com/e/edward-iii-tickets-518511741577. 

Meanwhile, preparations are well under way for Dr Daniel Roy Connelly’s debut YSP production of Richard III at Friargate Theatre, Lower Friargate, York, from April 26 to 29. Auditions are in their “final phase”.

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More Things To Do in and around York in the jaws of a Jurassic invasion. Here’s Hutch’s List No. 4, courtesy of The Press, York

FROM giant dinosaurs to a heavyweight comedian, hardcore songs to a royal reading, Charles Hutchinson seeks to make life eventful.

Dinosaurs make a comeback: Jurassic Earth, Grand Opera House, York, January 28, 1pm and 4pm

JURASSIC Earth’s “live dinosaur show” roams York in an immersive, interactive, 75-minute, storytelling experience for all ages with state-of-the-art, animatronic, life-like creatures.

Audiences are invited to “bring your biggest roar and your fastest feet as you take Ranger Danger’s masterclass to become an Official Dinosaur Ranger – gaining the skills you need to come face-to-face with the world’s largest walking T Rex, a big-hearted Brontosaurus, tricky Triceratops, uncontrollable Carnotaurus, vicious Velociraptors and sneaky Spinosaurus”. Box office: atgtickets.com/york.

Tim Lowe: Cellist and York Chamber Music Festival director, performing Messiaen’s Quartet For The End Of Time at York Minster

 Holocaust memorial concert of the week: York Chamber Music Festival, Olivier Messiaen’s Quartet For The End Of Time, York Minster, Tuesday, 7pm

YORK Chamber Music Festival marks Holocaust Memorial Week – and the start of the festival’s tenth anniversary – with a performance of “one of the greatest pieces of music from the 20th century”, written and premiered in the German prisoner-of-war camp at Stalag VIIIa, Gorlitz, in 1941.

Olivier Messiaen’s Quartet For The End Of Time will be played by John Lenehan, piano, Sacha Rattle, clarinet, John Mills, violin, and festival director Tim Lowe, cello, in York Minster’s Lady Chapel under John Thornton’s restored 15th century Great East Window (the “Apocalypse Window”). Box office: tickets.yorkminster.org.

Lloyd Griffith: Comedy measured out as One Tonne Of Fun at The Crescent, York. Picture: Matt Crockett

Comedy gig of the week: Burning Duck Comedy Club presents Lloyd Griffith, One Tonne Of Fun, The Crescent, York, Thursday, 7.30pm

AFTER Covid stretched Lloyd Griffith’s last tour to “eight years or so”, he returns with his biggest itinerary to date, One Tonne Of Fun.

Since school, he has always been a show-off, and 20-odd years later, nothing’s changed, so expect stand-up, dubious impressions and a sprinkling of his (incredible) singing from the comic with Ted Lasso, 8 Out Of 10 Cats, Soccer AM, Question Of Sport, Not Going Out and House Of Games credits. Box office: thecrescentyork.com.

Ewa Salecka: Directing Prima Vocal Ensemble at the Joseph Rowntree Theatre

Choral concert of the week: Prima Vocal Ensemble, Lift Every Voice, Joseph Rowntree Theatre, York, January 29, 7.30pm

EWA Salecka directs Prima Vocal Ensemble in a life-affirming concert that weaves its way through diverse generations and genres with live accompaniment.

Living composers Lauridsen, Gjeilo, Whitacre and Jenkins sit alongside favourite numbers from Les Misérables and The Greatest Showman, complemented by songs by Annie Lennox, Elbow, the Gershwins and Cole Porter and a tribute to the people of Ukraine. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Frank Turner & The Sleeping Souls: Playing York Barbican at the end of January

Hardcore York gig of the month: Frank Turner & The Sleeping Souls, York Barbican, January 31, 8pm

FRANK Turner, punk and folk singer-songwriter from Meonstoke, Hampshire, will be accompanied by The Sleeping Souls in York as he draws on his nine studio albums from a 17-year solo career.

Last year, the former Million Dead frontman, 41, topped the UK Official Album Chart for the first time with FTHC (his anagram for Frank Turner Hardcore) after his previous four all made the top three. Support slots go to Lottery Winners & Wilswood Buoys. Box office: yorkbarbican.co.uk.

Rosemary Brown: Author gives an insight into the remarkable life of Nellie Bly at York Theatre Royal

Who was Nellie Bly? In Conversation With Rosemary Brown, York Theatre Royal, February 4, 5.15pm, free admission

YORK Theatre Royal and Tilted Wig’s touring adaptation of Jules Verne’s madcap adventure Around The World In 80 days features not only the fictional feats of Phileas Fogg but also the real-life story of Nellie Bly, American journalist, industrialist, inventor, charity worker and globe-crossing record breaker.

In a free talk, director and adaptor Juliet Forster will be in conversation with Rosemary Brown, author of Following Nellie Bly, Her Record-Breaking Race Around The World, a book inspired by this human rights and environmental campaigner’s aim to put female adventurers back on the map. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Tony Froud: Directing York Shakespeare Project’s rehearsed reading of Edward II

The second coming of…York Shakespeare Project, Edward III, rehearsed reading, upstairs at Black Swan Inn, Peasholme Green, York, February 7, 7.30pm

PHASE Two of York Shakespeare Project begins with a staged rehearsed reading of Edward III, the rarely performed 1592 history play now widely accepted as a collaboration between William Shakespeare and Thomas Kyd, replete with its celebration of Edward’s victories over the French, depiction of the Black Prince and satirical digs at the Scots.

Rehearsed readings in February will be a regular part of YSP’s revamped remit to include work by the best of Shakespeare’s contemporaries. Tony Froud’s cast includes Liz Elsworth, Emma Scott and Mark Hird, best known for his work with Pick Me Up Theatre. Tickets: on the door or via eventbrite.com.

Home work: Sara Howlett, Sophie Bullivant and Laura Castle in rehearsal for Rowntree Players’ spring production of Teachers Leavers ’22

Spring term school play: Rowntree Players in Teechers Leavers ’22, Joseph Rowntree Theatre, York, March 16 to 18, 7.30pm and 2.30pm Saturday matinee  

REHEARSALS are underway for Rowntree Players’ production of Teechers Leavers ’22, former teacher John Godber’s update of his state-of-education play, commissioned for £100 by Hull Truck Theatre in 1984.

Actor Jamie McKeller, familiar to York ghost-walk enthusiasts as Deathly Dark Tours spookologist Doctor Dorian Deathly, is working with a cast of Sara Howlett, Sophie Bullivant and Laura Castle as they “put in the hard work needed for this very physically demanding play”. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

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‘Who could she possibly want revenge on,’ ponders Linus Karp as drag show takes aim in Diana: The Untold And Untrue Story

Shooting from the lip: Linus Karp’s Diana telling untold untruths in Diana: The Untold And Untrue Story. Picture: Dave Bird

DO you know the story of Diana, Princess of Wales? Probably. But do you know writer-performer Linus Karp’s story of Diana?

“We very much doubt it,” says Linus, Swedish-born artistic director of Awkward Productions, the harbingers of theatrical chaos responsible for the revenge comedy Diana: The Untold And Untrue Story.

On tour at Theatre@41, Monkgate, York on February 3 and 4, this humorous, if tasteless, celebration of the people’s princess finds 6ft Iin Linus’s Diana in heaven as she shares the untold and untrue tale of her extraordinary life through a combustible combination of drag, multimedia, audience interaction, puppetry and “a lot of queer joy”.

Definitely not a Royal verité show, Diana marks Linus’s return to Monkgate, where he performed How To Live A Jellicle Life: Life Lessons From The 2019 Hit Movie Musical ‘Cats’, last February. “I had such a good time, I simply had to come back,” he says.

Linus Karp in the poster for last year’s tour show, How To Live A Jellicle Life

Here, Linus Karp discusses Diana, drag, truths and untruths with CharlesHutchPress

How did this latest performance at Theatre@41, Monkgate, come about?

“Alan [Park], who runs the venue, has been calling me daily to get me to come back. I finally said ‘yes’. It was a bit much really, but he is a sweetie, so why not?!”

What attracted you to the figure of Diana, Princess of Wales, who, like Marilyn Monroe, has never been allowed to rest peacefully?

“Probably just that – how today she is more myth and legend than an actual human who lived. It’s a very interesting thing to explore.”

Linus Karp’s Diana in a scene from Diana: The Untold And Untrue Story with a cardboard cut-out Prince Charles. Picture: Dave Bird

Does that mean venturing into the Untrue is inevitable or is it a chance for mischief-making on your part?

“If one had to stick to the truth, most stories would be a lot more boring. I don’t want the audience to know what’s coming next – there are more interesting ways to tell a story than to show what actually happened.”

Have you had to deal with libel laws? Scrap that, you can’t libel the dead, can you, but you can label them. Discuss…

“Diana had a great sense of humour and I’m convinced she’d enjoy the show and the loving way she’s portrayed.”

Do you buy into any of the conspiracy theories surrounding her death?

“Not really, except for that she lives on the moon with Elvis. That’s a fact.”

“Diana was an outsider who dared to speak her mind and go against her powerful husband and his family,” says writer-performer Linus Karp. Picture: Dave Bird

Where might a gun and a knife fit into the show?

“Well that would be giving out spoilers – but who could Diana possibly want revenge on…?”

What makes Diana ripe for a drag act?

“Drag is a queer performance form and Diana is a queer icon. Not only was she a glamourous and stylish woman who, despite her fame and privilege, was an outsider who dared to speak her mind and go against her powerful husband and his family, but she also had famous friendships with queer legends like Elton John, Gianni Versace and Freddie Mercury.

“Most importantly, she really helped shape the narrative around AIDS, showing that its victims are worthy of love and human affection. Her stance and bold support of AIDS and HIV victims have improved countless queer lives.

“Becoming a drag act is a big compliment, and though I’m obviously not the first, I am surprised there aren’t more drag Dianas.”

Diana in heaven: A drawing for Linus Karp’s show


Diana died (August 31 1997) before you were born (November 16 1999). What has led to your fascination with her?

“First of all: yes, I’m very young. I would have to thank my legend of a mother-in-law who really helped me step up my Diana interest to the next level.”

What do you enjoy about writing and performing a solo show?

“Mainly getting the chance to go to York and to be interviewed – even when the interviewer shares a first name with the antagonist of the story.”

What are your principal assets as a performer? London Pub Theatres reckon you are “naturally funny”. Or maybe is it that you are a waif-like chameleon, David Bowie style?

“Some people say I’m not just a pretty face. I disagree.”

Linus Karp: Swedish-born actor, drag act, writer and artistic director. Picture: Conor Harris

Last November, you ran a workshop at The Pleasance, London, on creating, funding, producing, marketing and performing a solo show and the unique challenges that come with it. What were the biggest challenges of putting together Diana: The Untold And Untrue Story?

“Money. The trickiest thing about making theatre is always making it work financially. The margins are always tight; even a production that does well rarely makes much profit and putting on a show is always a big financial risk.

“Making sure we support independent, new and diverse voices is key. We don’t want a landscape where only those with money or big companies can afford to create theatre.”

“If one had to stick to the truth, most stories would be a lot more boring,” says Linus, with a message for any naysayers. Picture: Dave Bird


As a Swede, what drew you to performing in Britain?

“My Diana references just wouldn’t land as well on a Swedish audience. I simply had to move.”

What’s your next project/production?

“I don’t know yet as I’m going to make the most of being Lady Di for as long as I can – but I promise it will be equally stupid, queer and joyful.”

What is there left to be told that hasn’t been told before?

“Trans rights are human rights and the Tories are destroying the country.”

Awkward Productions present Linus Karp in Diana: The Untold And Untrue Story, Theatre@41, Monkgate, York, February 3 and 4, 7.30pm.Box office: tickets.41monkgate.co.uk.

Back story: Linus Karp tells all about his drag princess to CharlesHutchPress. Picture: Dave Hird
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More Things To Do in York and beyond as 2023’s shoots start to poke through. Hutch’s List No. 3, courtesy of The Press

Linus Karp: Invitation to join Diana in heaven as she shares the untold and untrue tale of her extraordinary life at Theatre@41. Picture: Dave Bird

FROM a drag Diana to a DIY staging of Harry Potter, synth pop turned symphonic to a long-running Agatha Christie mystery, Charles Hutchinson goes in search of entertainment new and old.

Royal verité show? Probably not! Linus Karp in Diana: The Untold And Untrue Story, Theatre@41, Monkgate, York, February 3 and 4, 7.30pm

DO you know the story of Diana? Probably. But do you know writer-performer Linus Karp’s  story of Diana? “We very much doubt it,” say Awkward Productions, the harbingers of theatrical chaos responsible for this humorous, if tasteless, celebration of the people’s princess.

Join Diana in heaven as she shares the untold and untrue tale of her extraordinary life through a combination of drag, multimedia, audience interaction, puppetry and “a lot of queer joy”. Box office: tickets.41monkgate.co.uk.

Sketch of Lendal and street in progress by Steve Beadle, one of the Navigators Art artists exhibiting at Helmsley Arts Centre

Exhibition of the week: Navigators Art, Moving Pictures II, at Helmsley Arts Centre, until March 3; Tuesdays, Wednesdays and Fridays, 10am to 3pm; Thursdays, 11am to 3pm, and during event opening times

YORK collective Navigators Art are represented by seven artists at Helmsley: Kai Amafé, prints and 3D work; Steve Beadle, paintings and drawings; Michael Dawson, paintings; Richard Kitchen, prints and collages; Katie Lewis, textiles and paintings; Timothy Morrison, constructions, and Peter Roman, paintings.

“The title Moving Pictures is deliberately open to interpretation by the audience as well as the artists,” says co-founder Richard Kitchen, who will be stewarding an 11am to 3pm open day tomorrow (15/1/2023). Exhibition entry is free.

Textile art by Katie Lewis, another of the Navigators Art artists on show in Moving Pictures II at Helmsley Arts Centre

Fundraiser of the week: White Rose Theatre in A Gala Night (and day) Of Musical Theatre, Joseph Rowntree Theatre, York, today, 2.30pm and 7.30pm

THE Katie Ventress School of Dance, York Musical Theatre Company and guest soloists will be accompanied by a band under the musical direction of John Atkin in these uplifting gala concerts to blow away the post-Christmas blues.

Favourites from Les Miserables, Jesus Christ Superstar and Anything Goes are promised. All proceeds will go to the JoRo’s Raise The Roof campaign. Box office for the last few tickets: 01904 501935 or josephrowntreetheatre.co.uk.

Electrifying Eighties: Calling Planet Earth gives a symphonic coating to Duran Duran and co

Nostalgia of the week: Calling Planet Earth, A New Romantic Symphony, York Barbican, January 21, 8pm

A NEW Romantic Symphony heads out on a journey through the electrifying Eighties to revisit the songs of Duran Duran, Spandau Ballet, The Human League, Ultravox, Tears For Fears, Depeche Mode, Japan, ABC, Soft Cell and Orchestral Manoeuvres In The Dark.

Symphonic arrangements combine with “stunning vocals” in a parade of hits that defined a decade. Box office: yorkbarbican.co.uk.

Pottervision: Lukas Kirkby and Tom Lawrinson re-create first film Harry Potter And The Philosopher’s Stone with DIY props, wigs and charity-shop costumes

Magic with mayhem? Pottervision, Stephen Joseph Theatre, Scarborough, February 10, 7.45pm

LUKAS Kirkby and Tom Lawrinson gather up DIY props, charity-shop costumes and wizarding wigs for their “ridiculous re-creation” of Harry Potter And The Philosopher’s Stone, staged with multiple role-playing and limited resources after two fellow performers drop out.

What could possibly go wrong?! Find out in Pottervision, a fantastical spectacular for casual fan and avid squib alike. Please note: suitable for age 16 upwards on account of adult language and dark humour. Box office: 01723 370541 or sjt.uk.com.

Miles & The Chain Gang: New single to promote at Alne Village Hall

Back on the Chain Gang: Alne Music Club presents Miles & The Chain Gang, Alne Village Hall, Main  Street, Alne, February 11, 7.30pm

YORK band Miles & The Chain Gang head to their first gig of the year with an imminent new single in their locker, Charlie. Recorded last September at Young Thugs Studio in York, it features Miles Salter, guitar and vocals, Tim Bruce, bass, Daniel Bowater, keyboards, Steve Purton, drums, and Mat Watt, guitar.

“We’re filming the video in the next few days with our video guru Dave Thorp,” says Salter. Tickets: from  d.lepper27@btinternet.com or on 01347 838114. 

Dimitra Ananiadou: Violinist to peform recital with pianist Richard Whalley at NCEM

Take a bow: Dimitra Ananiadou & Richard Whalley, A Travel Through Time, National Centre for Early Music, York, February 25, 7pm

DIMITRA Ananiadou returns to York to travel back in time for a violin recital that explores the creation of Baroque, classical and 20th century music with the aid of her special bows.

Composer and pianist Richard Whalley will be accompanying her on the journey through JS Bach’s Violin Partita No. 2 in D minor (Ciaccona), Niccolò Paganini’s Caprice for Solo Violin No. 24 Op. 1, Beethoven’s Violin Sonata Op. 30 No. 2 and Fritz Kreisler’s Praeludium and Allegro in the style of Gaetano Pugnani. Box office: 01904 658338 or ncem.co.uk.

Todd Carty: Playing Major Metcalf in 70th anniversary tour of The Mousetrap

Mystery play in York:The Mousetrap, Grand Opera House, March 6 to 11, 7.30pm plus 2.30pm Wednesday and Saturday matinees

AGATHA Christie’s mystery The Mousetrap, “the longest running play in the world”, takes in more than 70 venues on its 70th anniversary tour, including a return to York’s Grand Opera House.

EastEnders’ duo Todd Carty, as Major Metcalf, and Gwyneth Strong, as Mrs Boyle, feature in Ian Talbot’s cast for this tale of intrigue and suspense set at Monkswell Manor, a stately countryside guesthouse where seven strangers find themselves snowed in as news spreads of a murder in London. When a police sergeant arrives, the guests discover – to their horror – that a killer is in their midst. Whodunnit? Box office: atgtickets.com/York.

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York ghost walk host Doctor Dorian Deathly to deliver five paranormal nights of ‘face melting horror’ at Theatre@41, Monkgate

The horror, the horror: Deathly Dark Tours guide Doctor Dorian Deathly in A Night Of Face Melting Horror! at Theatre@41, Monkgate

YORK spookologist and ghost botherer Doctor Dorian Deathly moves indoors for five fright nights at Theatre@ 41, Monkgate, York, from January 24 to 28.

Visit York’s New Tourism Business Award Winner for 2022 will be revelling in scary tales, spooks caught on film and ghost stories of England’s “most haunted city” at 8.30pm nightly in his return to the stage after a December spent on the dark side in another guise as the Sheriff of Nottingham in Rowntree Players’ pantomime, Babes In The Wood, at the Joseph Rowntree Theatre.

In a run rearranged from the Halloween season when Covid “did a right number” on deadpan Doctor Deathly, the Deathly Dark Tours host swaps walking the (ghost) walk for talking the (ghost) talk to present The Complete History Of Ghosts in A Night Of Face Melting Horror! through a combination of stories, paranormal sciences, horror, theatrical trickery, original music and perhaps the odd unexpected guest.

“Together we will huddle around the stage and explore spine-chilling tales of hauntings, both local and further afield, dissemble horrors captured on film and follow the ghost story through from its origins to the Victorian classics and modern-day frights,” says the Doctor, whose face-melting macabre amusements are suitable for age 13 plus as he considers what makes spines shiver and examines our obsession with tales of death, murder and hauntings.

Doctor Dorian Deathly: Ghost walker, ghost talker

Doctor Deathly had been struck by the idea of doing a show at Theatre@41 after seeing Pick Me Up Theatre in The Secret Diary Of Adrian Mole Aged 13¾ The Musical. “It sparked the bit of my brain that causes trouble!” he recalls.

“During lockdown, we’d done lots of online events, streamed on Facebook to thousands of people around the world. We came up with the show Tales From The Fireplace, where people would send in ghost stories and pictures and videos of encounters with ghosts. 

“It was essentially like a TV show, where we got a few funny ones sent in; we were coming at it from that angle, analysing them and breaking them down. Some were brilliantly well written.”

This prompted Doctor Deathly to construct A Night Of Face Melting Horror. “First and foremost, it’s entertainment. People love ghost stories and we thought, what if we flip it on its head and people have to come out to the theatre to celebrate ghost stories from the wild?” he says.

“Together we will huddle around the stage and explore spine-chilling tales of hauntings,” says Doctor Dorian Deathly

“The thread through the show is the history of the ghost story, talking about the origins of those stories, what they come from, their place in both texts and the imagination. Then we look at how it exploded in Victorian times with huge interest in these stories.”

Born in Scarborough, Deathly’s inventor, actor Jamie McKeller, moved to York in 2004/2005, first performing in A Christmas Carol at the Castle Museum and with Lee Harris and The Dreaming in Terry Pratchett’s Rincewind.

“I’d been to York on fleeting visits, then I was getting on the train here to rehearse. One day I was walking through York, and it was snowing, and I popped into a coffee shop. Looking out at the Minster, I remember thinking, ‘how can I not move here?’.”

For 15 years, he was a professional actor. “It’s exhausting, a grind,” he says, delighted to now have a constant, stable income as a ghost walker. “It’s my company too, so I can do these crazy things.”

“As it’s January now, a notoriously boring month, we really want to appeal to people’s love of Halloween and spice their post-festive season up a bit,” says Doctor Deathly’s co-star, Dede Deathly, operations manager for Deathly Dark Tours. “Halloween is for life, not just for October!”

Part of York’s Guild of Spookologists , alongside Mad Alice (Alicia Stabler), Shadows Of York (Mackenzie Crompton) and Damian Freddi’s Dark Chronicles, Doctor Dorian Deathly’s Deathly Dark Tours has taken on a second York tour guide to meet demand, Dorian being joined by Dafydd Deathly, from Wales.

“He ran virtual tours for us in Edinburgh and now he’s come back to York, I asked him if he would join me because the tour is so busy. We run six nights a week,” says Doctor Deathly, who set up his ghost walk in August 2020, having worked as a York tour guide for more than seven years until the pandemic intervened.

“It’s a very non-traditional ghost tour, very theatrical, very big, with magic tricks. It’s very tiring! 30-year-old Jamie doing that each night, fine; 42-year-old Jamie, maybe not!”

Why, Dorian, are we drawn to the horror, the horror, of ghost stories, especially in York? “It’s that obsession with fear, but why do we do that to ourselves?” he asks himself. “Why do we like putting ourselves in that situation?

The poster for Doctor Dorian Deathly’s horror show at Theatre@41, Monkgate

“The opening song in A Night Of Face Melting Horror poses a question: I directly ask, ‘what’s wrong with you, with all of us, in a world of The Great British Bake Off and The Great Pottery Throw Down, why are you here, for this show full of ghosts, in a world of such niceties? That’s the answer we’re looking for; the answer to that!”

Analysing why York so suits ghost storytelling, Dorian says: “I have friends who are tour guides around the country and sometimes I feel sorry for them because they have to talk about things that are no longer there in their city.

“But in York you can see a piece of wood dating from the 12th century, and you watch Americans blink as they take that in,” he says.

For tickets, go to: tickets.41monkgate.co.uk. For more information on Doctor Dorian Deathly’s walking tours, visit deathlydarktours.com or call 07851 032041.

Copyright of The Press, York

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Stephen Daldry’s thrilling version of JB Priestley’s An Inspector Calls returns to York roots for Grand Opera House run

A scene from Stephen Daldry’s production from J B Priestley’s An Inspector Calls, heading to the Grand Opera House, York, on tour. Picture: Tristram Kenton

STEPHEN Daldry’s radical take on Yorkshireman J B Priestley’s thriller An Inspector Calls will return next month to York, the city where he first staged his award-garlanded production.

His premiere came at the Theatre Royal in the autumn of 1989, three years before its triumphant London opening at the National Theatre. Nineteen major awards and five million theatregoers worldwide later, Inspector Goole will be arriving unexpectedly at the prosperous Birling family home once more, this time on tour at the Grand Opera House from February 7 to 11.

Written at the end of the Second World War and set before the First, Priestley’s time play opens with the Birlings’ peaceful dinner party being shattered by the inspector’s call and subsequent investigations into the death of a young woman.

Goole’s startling revelations will shake the very foundations of their lives and challenge us all to examine our consciences as Daldry highlights the enduring relevance of Priestley’s dramatisation of the dangers of casual capitalism’s cruelty, complacency and hypocrisy. 

Liam Brennan will reprise his role as Inspector Goole from past tours, joined by Christine Kavanagh as Mrs Birling, Jeffrey Harmer as Mr Birling, Simon Cotton as Gerald Croft, Evlyne Oyedokun as Sheila Birling, George Rowlands as Eric Birling and Frances Campbell as Edna. 

Here, 2022-2023 tour cast member George Rowlands addresses questions not asked by Inspector Goole but by an investigative journalist.

Did you study An Inspector Calls at school?

“I did read it at school, although I can’t really remember much of it. But I did always like it. I always think at school when you sit down and analyse every single word, it can make you go a bit crazy, and I always thought it ruined books and plays.”

Is your appreciation of the play different as an adult?

“Now that I’m an adult, or more importantly now that I’m an actor, I definitely have more of an appreciation for it. This production of An Inspector Calls is now 30 years old and yet still as popular as ever.”

What makes the play so timeless and this production so engaging?

“At the end of the day, at its centre it’s a play about somebody in distress, and that doesn’t get old, does it? I think at different points in time, when we’ve put it on over the last 30 years, it’s been relevant. And this time around I think it’s more relevant than ever because of what’s going on in terms of the strike action and housing crisis.”

A shattering moment in An Inspector Calls

Provide three facts about your character, Eric Birling…

“Eric is well educated because he’s been sent to public school. He enjoys a drink, probably a little bit too much. The third fact is that Eric really wants to be respected by his dad. Unfortunately, the combination of those three facts results in some pretty catastrophic things.”

What made you want to be an actor?

“I think it beat doing any other boring job. I did find out quite early on in Year 6, for the-end-of-school plays we did The Wizard Of Oz, and I completely rewrote the script because I thought it was rubbish and obviously made my parts the best.

“I like storytelling and I like the creative and artistic aspect of it. With this production, it has enabled that part of acting, and it’s been a really good creative process.”

What’s the best part of going on tour with a show?

“Being able to play in these amazing theatres – I’m really excited to do that – and bringing the story to people.”

What are the essentials for your dressing room?

“ I’m sharing a room with Simon [Cotton], who’s playing Gerald. I don’t know… I think a bottle of water goes a long way. A bottle of water and some Vaseline is not a terrible idea – for the lips, obviously. I get chapped lips.”

What’s the most challenging part of being a performer?

“With other jobs, you can put a direct amount of work in, you can work more, you can do this, this and this, and your results will be better because of it. Like, if you’re studying for an exam, the more you revise, the better the result.

“But with acting it doesn’t work like that because being good is so subjective. There’s no grade. I think that’s quite hard. Putting lots of work in and not knowing really how it will go.”

If you could swap roles for a performance, would you?

“If I could pick any character, I’d probably pick Edna. I would love to play that role. If you haven’t seen this production, there’s a special thing that Edna is part of – a little bit of magic. She’s amazing.

“My second choice would be Mrs Birling. I really like Mrs Birling; she’s got such sass and doesn’t have the insecurities that Eric is stuck with.”

The National Theatre and PW Productions present An Inspector Calls at Grand Opera House, York, from February 7 to 11, 7.30pm plus 2.30pm, Wednesday, Thursday and Saturday matinees. Box office: atgtickets.com/York.

George Rowlands’ Eric Birling and Christine Kavanagh’s Mrs Birling in rehearsal in 2022 for An Inspector Calls