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More Things To Do in York and beyond in the north country. Discover the importance of reading List No 97, from The Press

A MUSICAL with Bob Dylan songs, Wilde wit with chart toppers, heavenly disco and Sunday fairytales promise intrigue and variety in Charles Hutchinson’s diary.

Boarding house tales: Girl From The North Country, the musical with Bob Dylan songs at York Theatre Royal. Picture: Johan Persson

Musical of the week: Girl From The North Country, York Theatre Royal, Tuesday to Saturday

WRITTEN and directed by Irish playwright Conor McPherson, with music and lyrics by Bob Dylan, Girl From The North Country is an uplifting and universal story of family and love that boldly reimagines Dylan’s songs “like you’ve never heard them before”.

In 1934, in an American heartland in the grip of the Great Depression, a group of wayward souls cross paths in a time-weathered guesthouse in Duluth, Minnesota. Standing at a turning point in their lives, they realise nothing is what it seems as they search for a future, hide from the past and find themselves facing unspoken truths about the present. Box office: 01904 623 568 or yorktheatreroyal.co.uk.

Story Craft Theatre: A giant leap for storytelling in Once Upon A Fairytale at Stillington Mill

Children’s show of the week: Once Upon A Fairytale, At The Mill, Stillington, near York, Sunday, 10am to 12 noon

IN York company Story Craft Theatre’s new show for children aged two to eight, Sunday’s audience will travel through a host of favourite fairytales and meet familiar faces along the way: Little Red Riding Hood, The Gingerbread Man and some hungry Bears to name but a few.

Storytellers Janet-Emily Bruce and Cassie Vallance say: “You’re welcome to arrive any time from 10am as we’ll be running craft activities until 10.45am. The interactive adventure will begin at 11am under the cover of our outdoor theatre, and there’ll be colouring-in sheets and a scavenger hunt you can do too.” Box office: atthemill.org.

From drag queen to society dragon: Daniel Jacob, alias Vinegar Strokes, rehearses for his role as Lady Bracknell in The Importance Of Being Earnest at Leeds Playhouse. Picture: Sharron Wallace

A walk on the Wilde side to a different beat: The Importance Of Being Earnest, Leeds Playhouse, Monday to September 17

DANIEL Jacob swaps his drag queen alter ego Vinegar Strokes for the iconic Lady Bracknell at the heart of Denzel Westley-Sanderson’s Black Victorian revamp of Oscar Wilde’s sharpest and most outrageous comedy of manners.

Premiering in Leeds before a UK tour, this Leeds Playhouse, ETT and Rose Theatre co-production “melds wit with chart-toppers, shade and contemporary references in a sassy insight into Wilde’s satire on dysfunctional families, class, gender and sexuality”. Box office: 0113 213 7700 or leedsplayhouse.org.uk.

Tavares: Close harmonies and disco classics revisited at York Barbican

Disco nostalgia of the week: Tavares, Greatest Hits Tour 2022, York Barbican, Wednesday, 7.30pm

GRAMMY Award-winning, close harmony-singing R&B brothers Chubby, Tiny and Butch Tavares, from Providence, Rhode Island, bring their Greatest Hits Tour to York.

At their Seventies peak, accompanied by their Cape Verdean brothers Ralph and Pooch, they filled disco floors with It Only Takes A Minute Girl, Heaven Must Be Missing An Angel, She’s Gone and More Than A Woman, from the Saturday Night Fever soundtrack. Box office: yorkbarbican.co.uk.

Every witch way: The poster for Northumberland Theatre Company’s all-female Macbeth, heading to North Yorkshire

Something wicked this way comes: Northumberland Theatre Company in Macbeth, Stillington Village Hall, near York, Thursday; Pocklington Arts Centre, September 29, both 7.30pm

YORK actor Claire Morley stars in Chris Connaughton’s all-female, three-hander version of Shakespeare’s “very gruesome” tragedy Macbeth, directed by Northumberland Theatre Company associate director Alice Byrne for this autumn’s tour to theatres, community venues, village halls and schools.

This streamlined, fast-paced, extremely physical production with original music will be told largely from the witches’ perspective, exploring ideas of manipulation through the media and other external forces. Expect grim, gory grisliness to the Mac max in two action-packed 40-minute halves. Box office: Stillington, 01347 811 544 or on the door; Pocklington, 01759 301547 or pocklingtonartscentre.co.uk.

Jess Steel: Soulful leading light of A Night To Remember. Picture: Duncan Lomax

Charity concert of the week: A Night To Remember, York Barbican, Thursday, 7.30pm

BIG Ian Donaghy’s charity fundraiser returns 922 days after he last hosted this fast-moving assembly of diverse York singers and musicians.

Taking part will be members of York party band Huge; Jess Steel; Heather Findlay; Beth McCarthy; Simon Snaize; Gary Stewart; Graham Hodge; The Y Street Band; Boss Caine; Las Vegas Ken; Kieran O’Malley and young musicians from York Music Forum, all led by George Hall and Ian Chalk.

Singer and choir director Jessa Liversidge presents her inclusive singing group, Singing For All, too. Proceeds will go to St Leonard’s Hospice, Bereaved Children Support York and Accessible Arts and Media. Tickets update: still available at yorkbarbican.co.uk.

Glass work by Crispian Heath: Selected for the Contemporary Glass Society’s Bedazzled show at Pyramid Gallery, York

Exhibition launch of the week: Contemporary Glass Society, Bedazzled, Pyramid Gallery, Stonegate, York, September 10 to October 30

THE Contemporary Glass Society will celebrate its 25th anniversary of exhibiting at Pyramid Gallery with a show featuring 60 works by 25 glass artists, chosen by gallery owner Terry Brett and the society’s selectors.

For this landmark exhibition in Pyramid’s 40th anniversary year, the society wanted a theme and title that suggested celebratory glitz for its silver anniversary. Cue Bedazzled.

The styles and techniques span engraving, blowing, fusing, slumping, casting, cane and murine work, flame working, cutting, polishing, brush painting and metal leaf decoration. A second show, Razzle Dazzle, will include small pieces that measure no more than five by five inches by 60 makers.

KT Tunstall: New album, new tour

Gig announcement of the week: KT Tunstall, York Barbican, February 24 2023

SCOTTISH singer-songwriter KT Tunstall will return to York for the first time since she lit up the Barbican on Bonfire Night in 2016 on next year’s 16-date tour.

The BRIT Award winner and Grammy nominee from Edinburgh will showcase songs from her imminent seventh studio album, Nut, set for release next Friday on EMI. Box office: kttunstall.com and yorkbarbican.co.uk.

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Fringe First winner Happy Meal to serve up Millennial meets Gen X rom-com story of transition at York Theatre Royal Studio

Sam Crerar in the Fringe First-winning Happy Meal

FRESH from winning a Fringe First at the Edinburgh Fringe, Tabby Lamb’s joyful trans romantic comedy Happy Meal visits the York Theatre Royal Studio from tonight to Saturday.

Lamb invites the audience to “travel back to the quaint days of dial-up and MSN, where you’ll follow two strangers on their journeys to become who they always were, in a funny, moving and nostalgic story of transition: from teen to adult, from My Space to TikTok, from cis to trans”.

Sam Crerar and Allie Daniel reprise their roles from the Traverse Theatre run in Edinburgh, directed by Jamie Fletcher, whose 2022 production of Hedwig And The Angry Inch drew five-star reviews at Leeds Playhouse.

Allie Daniel and Sam Crerar: “Capturing the intensity of the onlife life of 21st century teenagers”

In a story where Millennial meets Gen Z and change is all around, transgender teenagers Alex and Bette find one another on the internet, become close friends, but then experience whole worlds of estrangement, as relatively middle-class Alex makes a transition to student life as Alec, while Bette struggles to come out as trans to anyone except her online best friend.

As described by the Fringe First judges, Happy Meal “fully captures the intensity of the online life of 21st century teenagers in a simple one-hour tale of young love made complicated by society’s attitudes to shifting gender, but now free enough to find a true happy ending”.

Played out on a witty Ben Stones set, this Roots and Theatre Royal Plymouth co-production in association with English Touring Theatre (ETT) and Oxford Playhouse is suitable for age 12 upwards. Tickets for the 7.45pm evening performances and 2.45pm Saturday matinee are on sale on 01904 623568 or at yorktheatreroyal.co.uk.

Sam Crerar and Allie Daniel in Tabby Lamb’s funny, moving and nostalgic story of transition
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More Things To Do in York and beyond when questions needs answering. Such as? Find out in List No. 96, from The Press

Barrel of laughs: Al Murray, the Pub Landlord, has the answer, whatever the question

FOOD and food for thought, pub concert and Pub Landlord, outsider comedy and  family drama whet Charles Hutchinson’s appetite.

Comedy gig of the week in York: Al Murray: The Pub Landlord, Gig For Victory, Grand Opera House, York, Thursday, 7.30pm

“AS the dust settles and we emerge blinking into the dawn of a new year, the men and women of this great country will need answers,” reckons the Guvnor, Al Murray. “Answers that they know they need, answers to questions they never knew existed.”

When that moment comes, who better to show the way, to provide those answers, than the people’s man of the people, Murray, The Pub Landlord? Cue his pugnacious bar-room wisdom in the refurbished Grand Opera House. Box office: 0844 871 7615 or atgtickets.com/York.

Miles and The Chain Gang: New territory tonight

Pub gig of the week: Miles and The Chain Gang, The New Smithy Arms, Malton Road, Swinton, near Malton, tonight (27/8/2022), 9pm

YORK band Miles and The Chain Gang are heading to the New Smithy Arms gastro pub this weekend.

“It’s our first time performing in the Malton area,” says songwriter and singer Miles Salter. “We’ll be playing a selection of our own songs, plus some old classics from Bob Dylan, Joni Mitchell and The Rolling Stones.”

Latest single Love Is Blind has been aired 400 times on radio stations around the world, YouTube views of the band have topped 50,000 and their 2022 gig diary has taken in Doncaster, Harrogate and Helmsley.

Three-day event: Malton Summer Food Lovers Festival

Festival of the week: Malton Summer Food Lovers Festival, today (27/8/2022) and tomorrow from 9am, Bank Holiday Monday, from 10am.

THIS is the second Malton Food Lovers Festival of 2022, taking over the streets of “Yorkshire’s food capital” for three days in a celebration of fine produce and cooking.

Expect artisan stalls, street food, talks, tastings, celebrity chefs, cookery and blacksmith demonstrations, a festival bar, buskers, brass bands and Be Amazing Arts in the Creativitent.

Look out for Tommy Banks, from The Black Swan, Oldstead, and Roots, York, on the festival demo stage today at 1pm. Festival entry is free.

Daniel Kitson: Wanting a word with you Outside

Comedy gigs of the week outside York: Daniel Kitson: Outside, At The Mill, Stillington Mill, near York, Monday (29/8/2022) to Wednesday, 7.30pm

DENBY Dale stand-up comedian Daniel Kitson had not been on stage for two years when he contacted At The Mill promoter Alexander Flanagan Wright to say “hello, could I come and do a show?”.

Not one show, but six work-in-progress gigs, performed in two sold-out blocks from May 23 to 25 and June 8 to 10. He enjoyed the Mill outdoor experience so much, he has added a third run for August’s dying embers.

Tickets have flown again for the latest chance to watch Kitson “find out whether he can still do his job and what, if anything, he has to say to large groups of people he doesn’t know”. For returns only, contact atthemill.org.

That’ll be Mel Day: Guest star for The Story Of Soul. Picture: Entertainers

History show of the week: The Story Of Soul, Grand Opera House, York, Wednesday, 7.30pm

FROM the producers of Lost In Music and The Magic Of Motown comes The Story Of Soul with special guest Mel Day, “The Soul Man” from Britain’s Got Talent.

This journey through the history of sweet soul music takes in the songs of Aretha Franklin, Earth Wind And Fire, James Brown, Wilson Pickett, Sam & Dave, Chaka Khan, Tina Turner, The Pointer Sisters, Luther Vandross, Whitney Houston, Ben E King, Barry White and plenty more. Box office: 0844 871 7615 or atgtickets.com/York.

Foy Vance: Showing Signs Of Life at York Barbican

Blues gig of the week: Foy Vance, Signs Of Life Tour, York Barbican, Wednesday, 7.50pm

NORTHERN Irish singer-songwriter Foy Vance plays York Barbican in support of his fourth studio album, Signs Of Life, in a gig rearranged from March 25.

The redemptive record finds Bangor-born Vance – husband, father, hipster, sinner, drinker – belatedly coming to terms with his demons in his late-40s.

The storytelling bluesman, survivor, rocker and folk hero calls Signs Of Life “an album of dawn after darkness, hope after despair, engagement after isolation, uplift after lockdown”. Box office: yorkbarbican.co.uk.

One for the Family Album: Writer-director Alan Ayckbourn, left, Jude Deeno and David Lomond in rehearsal for his 87th play, premiering at the SJT. Picture: Tony Bartholomew

Play launch of the week: Alan Ayckbourn’s Family Album, Stephen Joseph Theatre, Scarborough, Friday to October 1

FAMILY Album, his 87th full-length play, is written, directed and sound designed by Alan Ayckbourn for its world premiere in The Round at the SJT.

Ayckbourn tenderly chronicles the trials, tribulations and temptations of three generations of one family across 70 years in the same home. 

Join RAF veteran John and housewife Peggy as they proudly move into the first home they can really call their own in 1952; daughter Sandra, frantically negotiating the challenges of a ten-year-old’s birthday party without her AWOL husband in 1992, and granddaughter Alison, finally escaping the house she has somewhat unwillingly inherited in 2022. Box office: 01723 370541 or sjt.uk.com.

The poster for In The Name Of Love, The Diana Ross Story tribute show

Tribute show of the week: In The Name Of Love, The Diana Ross Story, York Barbican, September 3, 7.30pm

IN the wake of Diana Ross headlining the Platinum Party At The Palace at 78 and playing Leeds First Direct Arena in June with a 14-piece band, here comes the tribute show.

In a chronological set list, Cheri Jade takes on The Supremes’ catalogue before Tameka Jackson handles the solo Diana years.

Here come Where Did Our Love Go, Baby Love, Stop In The Name Of Love, Reflections, You Keep Me Hanging On, You Can’t Hurry Love, Stoned Love, Ain’t No Mountain High Enough, Touch Me In The Morning, Upside Down, My Old Piano, I’m Coming Out and Chain Reaction. Box office: yorkbarbican.co.uk.

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REVIEW: Alan Ayckbourn’s All Lies, Esk Valley Theatre, Robinson Institute, Glaisdale, near Whitby, until August 27

Luke Dayhill’s Sebastian Goodfellow and Saskia Strallen’s Posy Capstick in All Lies. Picture: Steven Barber

ALAN Ayckbourn wrote five plays in the lockdown lull for live theatre, says Esk Valley Theatre director Mark Stratton. Or six, according to Sheila Carter, when CharlesHutchPress chatted with the producer pre-show.

Is it five? Or is it six? What’s the truth? Well, All Lies is definitely Scarborough knight Sir Alan’s 86th full-length play, soon to be followed by his 87th, Family Album, opening at the Stephen Joseph Theatre on September 2.

His 84th, Anno Domino, took the form of an audio play performed by Ayckbourn and his wife, Heather Stoney, in an online fundraiser for the SJT during the first 2020 lockdown, and later that year he played three principal roles in an online audio reinvention of Haunting Julia.

Why mention this? Because All Lies equally would have suited being presented as a radio play, given its somewhat static style of performance, where the focus falls on the to and fro of letters until the finale when the play’s young lovers are seen sitting together for the first time, albeit at opposite ends of a coffee-bar table.

For so long a supporter of Esk Valley Theatre’s small-scale but highly professional summer productions in a village hall on the North York Moors, writer-director Ayckbourn offered All Lies to Stratton and Carter to complement the initial May run at The Old Laundry Theatre, Bowness, with Stratton taking on the assistant director’s role for the EVT run.

In tight, Covid-shadowed financial times, it fitted the bill with its cast of three and shared costs, and not least the kudos of staging an Ayckbourn world premiere. As ever, EVT devotees have been turning up by the busload, on this occasion for an enjoyable triangular drama, but not one with Ayckbourn’s usual visual flair.

Alan Ayckbourn: Prolific play-writing in lockdown. Picture: Tony Bartholomew, May 2020

Roger Glossop’s set design amounts to three chairs, each facing the audience, two to the side at the front, the other central and raised, at the back. They look socially distanced, but that feeling may just be a hangover from Covid restrictions.

Here, the magical flourishes and application of the imagination must come from Luke Dayhill’s Sebastian Goodfellow and Saskia Strallen’s Posy Capstick, who both gild the lily when trying to present the best of themselves to each other. Or tell little white lies, if you you want to be brutally honest.

In Ayckbourn’s sparse presentation, they are not shown doing this directly to each other, but in letters that they read out as they write them: Posy to a friend; Sebastian to his frank, eventually exasperated family-outcast sister Sonia (Rhiannon Neads, occupier of the central third seat), who in turn shares her thoughts with sceptical, scathing gay lover Bobbie and then responds to Sebastian.

Letters, you say? Yes, the setting is 1957-1958, when people still took to pen and paper. It puts the emphasis on the verbal on stage, with Ayckbourn letting the audience enjoy being one step ahead of the two young lovers, later joined by the letters’ recipients being likewise.

Ayckbourn is writing in the age of fake news, Trumipian alternative truths, Johnsonian obfuscation, social-media misinformation, government disinformation. “The sad thing is there’s a lot of lying going on these days,” he says in his programme notes.

Ayckbourn has always been about truths, home truths, especially about the domestic lie of the land. Hence, rather than “the massive lies (allegedly) told every day by presidents and prime ministers”, he focuses on “those harmless, rather pathetic little everyday lies we tell, usually about ourselves, to improve our image”.

To and fro of letters: Luke Dayhill’s Sebastian Goodfellow, Saskia Strallen’s Posy Capstick, right, and Rhiannon Neads’s Sonia in All Lies. Picture: Steven Barber

Today, that “slight make-over” would involve photoshopping pictures on social media or falsehoods on (Love Me) Tinder. In 1957, the “unattainable handsome boy”, Sebastian Goodfellow, and “the unreachable beautiful girl”, Posy Capstick, do it brazenly face to face, although we see it only in reportage, in those letters, before the curtain falls on chair number three.

The effect is somewhat distancing, keeping the characters at one step removed until the wit, wisdom and warmth of Ayckbourn’s ever-astute writing permeates the rigid surface, as he weighs up the pros and cons of lies, whether they can ever be innocent or are destined to haunt you.

This is not one of his darker pieces, nor one of his more substantial works, but a sage one with a note of forgiveness and understanding, one with a smile on its face, a lightness of step, as lie trumps lie, after Posy’s Last Night of the Proms outing turns into a first night of a new romance with trouser salesman Sebastian, who claims to be a cellist with the Halle Orchestra and later a spy. He bluffs, she bluffs, and the lies become ever more elaborate, but ultimately these love birds are naughty but nice.

“The truth is out there somewhere,” says Ayckbourn, but is the truth in there too in All Lies?In this instance, love is more powerful than all the nervous, desperate-to-please fantasies the lovers spin. Does that ring true? You decide, but how lovely to see the old romantic at work in Sir Alan, helped enormously by his making jack-the-lad, reticent Sebastian and the more assured, clipped Posy such young charmers for Dayhill and Strallen to embellish with relish. Neads adds amusement aplenty with Sonia’s rising bemusement.

Black-and-white kitchen-sink dramas of the late-Fifties and early Sixties would tell a different truth, a darker one, not least through Billy Liar’s Billy Fisher. He was the schemer; Sebastian and Posy are a midsummer night’s dreamers.

Box office: 01947 897587 or eskvalleytheatre.co.uk.

Review by Charles Hutchinson

The plotting thickens: Saskia Strallen’s lady of letters in All Lies. Picture: Steven Barber
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More Things To Do in York and beyond in the rave new world of bingo and festivals à gogo. List No. 96, courtesy of The Press

Wynne Evans: Vocal power amid the Pomp and Circumstance at tonight’s Castle Howard Proms

FROM Proms fireworks to rave bingo, prog-rock veterans to village-green art, Charles Hutchinson seeks variety for the diary.  

Pomp and circumstance concert of the week: Castle Howard Proms, Castle Howard, near York, this evening; gates open at 5pm 

OPERA star, insurance advert institution beyond compare and BBC Radio Wales presenter Wynne Evans returns to the Castle Howard Proms this weekend.

West End singer Marisha Wallace will be his fellow soloist at tonight’s classical concert, where the London Gala Orchestra will be conducted by Stephen Bell. Expect picnics, Prom classics, songs from the musicals, flag-waving favourites, a Spitfire flyover, laser displays and a firework finale. Box office: lphconcertsandevents.co.uk/events/castle-howard-proms-2022.

Life of Bryan: Roxy Magic pay tribute to the Ferry man

Tribute show of the week: Roxy Magic, Joseph Rowntree Theatre, York, tonight, 7.30pm

AHEAD of reunited art-rock legends Roxy Music playing Glasgow, Manchester and London in October on their 50th anniversary tour, here comes Roxy Magic’s tribute in York.

Led by Bryan Ferry doppelganger Kevin Hackett since 2004, the show lovingly recreates four decades of Roxy music, from art-school retro-futurism, to classic standards via sophisticated, adult-oriented rock. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Abba Symphonic: All the hits, with a bigger band, at Castle Howard

Does your mother know this is happening? Abba Symphonic, Castle Howard, near York, Sunday; gates open at 5pm

ROB Fowler and Sharon Sexton will be among the star performers from the West End production of Mamma Mia! at Sunday’s Abba Symphonic concert.

They will be backed by a full rock band, together with the Heart of England Orchestra, in a greatest hits concert conducted by Grammy Award winner Steve Sidwell. Irish singer-songwriter, performer, raconteur Jack Lukeman will be the support act. Again, take a picnic. Box office: lphconcertsandevents.co.uk/events/abba-symphonic-castle-howard/.

Sam Lee: Not-so-ordinary folk amid the chamber music programme at Welburn Manor. Picture: Andre Pattenden

Folk event of the week: Sam Lee, Songlines, at North York Moors Chamber Music Festival, Welburn Manor marquee, near Kirkbymoorside, Monday, 7pm

FOLK pioneer Sam Lee brings a new perspective to this summer’s North York Moors Chamber Music Festival when performing his Songlines set on Monday.

The festival is built around world-class classical musicians, performing repertoire on the theme of Soundscapes. This year, however, singer, song collector and conservationist Lee and his band will be broadening the focus after he met festival director Jamie Walton at the new Ayriel Studios, in Westerdale, near Whitby, late last year. Box office: 07722 038990 or northyorkmoorsfestival.com.

Spot the difference: The 1975 replace Rage Against The Machine as Leeds Festival headliners. Picture: Samuel Bradley

Last big gathering of the summer: Leeds Festival, Bramham Park, near Wetherby, August 26 to 28

OUT go Friday’s American headliners Rage Against The Machine (leg injury to frontman Zack de la Rocha), Italy’s 2021 Eurovision winners, Maneskin, and American rapper Jack Harlow (both preferring to play at MTV’s Video Music Awards ceremony in America instead). In come English indie combo The 1975, for their first gig in two years, and pop star Charli XCX on Friday and London rapper AJ Tracey on the Sunday.

Friday offers Halsey, Run The Jewels and Bastille; Saturday,  Dave, Megan Thee Stallion, Little Simz, Glass Animals and Joy Crookes; Sunday, Arctic Monkeys, Bring Me Horizons, Wolf Alice and Fontaines DC. Box office: leedsfestival.com.

Re-building Colosseum: Prog-rockers parade their latest line-up at The Crescent

Re-formed legends of the week: Colosseum, The Crescent, York, August 27; doors, 7.30pm

PROG rock giants Colosseum have reunited, fronted by legendary lead singer Chris “Out Of Time” Farlowe, who is joined by fellow long-time members Clem Clempson, on lead guitar, and Mark Clarke, on bass and vocals.

In the line-up too will be new recruits Nick Steed, keyboards, Kim Nishikawara, saxophones, and Malcolm Mortimore, drums, in a gig staged by TV’s Over, York promoters with a flair for the retro.

Colosseum date back to, if not Roman times, but still long-ago 1969, when debut album Those Who Are About To Die Salute You established their compound of rock, jazz and classical music. Box office: thecrescent.com.

Taking shape: Making pots at Fangfest in Fangfoss

Art, not Dracula: Fangfest, Fangfoss Festival of Practical Arts, Fangfoss, near Pocklington, September 3 and 4, 10am to 4pm

MORE than 20 jewellery designers, potters, glass artists, sculptors, felters, handbag makers, painters, photographers, illustrators, printmakers, candle makers, willow weavers and wood carvers are taking part in Fangfest on its return after a pandemic-enforced two-year hiatus.

Look out too for Forest Craft and Play’s drop-in craft activities; acoustic musicians; archery; classic cars; a scarecrow trail and the St Martin’s Church flower festival with the theme of Our Queen. Admission to this outdoor event is free.

John Bramwell: Heading to Ellerton Priory next month. Picture: Ian Percival

If you book for one low-key gig, make it: John Bramwell, Ellerton Priory, near York, September 24; doors, 7pm

FROM the team behind shows by Super Furry Animals’ Gruff Rhys and The Beta Band’s Steve Mason in Stockton on the Forest Village Hall comes a “super-intimate” gig by I Am Kloot’s John Bramwell.

Ellerton Priory, should you be wondering, is the Parish Church of St Mary, a beautiful, small, 16th century church in the East Riding village of Ellerton, between York, Selby and Pocklington. Tickets are on sale via thecrescentyork.com.

Rave on! Welcome to the new age of bingo in Bongo’s Bingo at York Barbican

House music with a difference: Bongo’s Bingo, York Barbican, October 8; doors, 6pm; last entry, 7:30pm; first game of bingo, 8pm

MAKING its York debut this autumn in the shadow of the demolished Mecca Bingo, Bongo’s Bingo “rejuvenates a quintessentially quaint British pastime with an immersive live show featuring rave rounds, nostalgia-soaked revelry, dance-offs, audience participation and crazy prizes in a night of pure and unadulterated escapism”.

Looking for a full house, promoter Jonny Bongo says: “We’ve been waiting to come to York for a long time, so this is really special for us. We’ve heard the locals are really up for a party, so this is going to be a lot of fun.”

Magic and music, mischief and mayhem combine in this bingo rave experience. Box office: bongosbingo.co.uk.

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Here’s Jonny! Weldon joins York Theatre Royal pantomime adventure after landing hush-hush House Of The Dragon role

Jonny Weldon: York Theatre Royal pantomime debut as Starkey in All New Adventures Of Peter Pan

“SOCIAL media sensation” Jonny Weldon is the latest addition to York Theatre Royal’s pantomime cast for All New Adventures Of Peter Pan.

Although he would if he could, he can’t say too much about his character other than his name – Starkey – because writer Paul Hendy is working on the script.

“I know Paul quite well and have worked with him before,” says Jonny. “I don’t doubt we’ll sit down soon and work out the character.”

He can reveal little about his imminent television role too. “It’s very frustrating. I’m not allowed to tweet about it,” explains the actor and sketch humorist, whose videos went viral on Twitter.

He does confirm he will be appearing in the highly anticipated Game Of Thrones spin-off House Of The Dragon, but the series is being kept a closely guarded secret in the run-up to the first episode premiering on August 22 on Sky.

Jonny has “a little part” in the series but that is all he is saying. Even his character is a mystery, although rumoured to be called Samwell.

This summer, he can be found playing one half of Cruella de Ville’s comic henchman double act Casper and Jasper in a musical version of 101 Dalmatians at Regents Park Open Air Theatre in London.

July’s record-temperature heatwave took its toll on performers acting outdoors under the sun. “It was far too hot!” says Jonny. “We were doing shows with heat spaces for ice packs and dressers throwing cold water over us to cool us down.”

Jonny Weldon: Actor, sketch humorist and pantomime star

Nevertheless, doing the show has been “interesting but fun”. “I’ve never worked before at Regents Park, which is just down the road from where I live. It’s nice to work near where you live. It’s a big family show and that kind of theatre is great to do,” he says.

Jonny, who has 16 years in the business to his name, owes his entry into performing to his parents. Not that he had a stereotypical pushy stage mother. “I was a terrible show-off and my mum decided to see if she could harness my need to show off,” he recalls. “She took me to a big national audition – and I got the part.”

At the age of 11, Jonny had landed the role of Michael Banks, one of the children under the care of a flying nanny in the stage musical version of Mary Poppins.

Another West End musical role followed: Gavroche, the boy who dies on the barricade in Les Miserables. Next stop was the National Theatre for Jeanine Tesori and Tony Kushner’s musical, Caroline, Or Change. Soon a place at the prestigious Sylvia Young Theatre School, in Marble Arch, was his.

His local paper wrote a story championing his acting success with the headline Well Done, Weldon! “I loved doing Mary Poppins. I found school boring and it meant I didn’t have to go into school,” Jonny says.

“At that point, I didn’t really have a real understanding of what I was doing. It was just play and fun. I got to die on the barricade [in Les Miserables] – what kid doesn’t like a gory death?

“At no point have I found what I’m doing strange or lost my enthusiasm for performing. I’ve always enjoyed it. There are ups and downs but I’ve never found myself wanting to do anything else.”

Jonny has done theatre aplenty but the past two years have seen him branch out into television with roles in Stephen Merchant’s BBC One series The Outlaws, Channel 4’s Stath Lets Flats and now House Of The Dragon.

Jonny Weldon in the latest poster for York Theatre Royal’s All New Adventures Of Peter Pan

Along the way, he has become, more by accident than design, a “social media sensation”, on account of a succession of viral videos on Twitter. “As with every actor, I was bored and fed up in the lockdowns and decided to create my own sketches about the uphill battle of the life of an actor,” says Jonny.

“I didn’t do much on social before but decided to put it on Twitter. 100,000 people watched and shared and laughed.

“This week I put one out about the Edinburgh Fringe. There are always things like that – an actor has an audition, an actor gets cut from a TV programme or an actor tries to socialise.

“I started to film ones on Zoom with celebrities coming in to play themselves. The likes of Russell Tovey, Tracy-Ann Oberman, the cast of Ted Lasso. It’s just been a very fun and unexpected thing.”

Jonny will carry on making videos but, given that he is busy with work, he will do it “as and when I want to”. Long term, he hopes to work on “something bigger than just social media”, explaining: “I want to try and create my own stuff and a vehicle for myself in television. I write relentlessly and am constantly trying to make bigger work for myself and having meetings about that.”

After 101 Dalmatians concludes, he will film a TV show, and once more he has to be hush-hush over what lies in store. “I’ll probably be in trouble if I say anything as I don’t think the show is going out until next year,” he reasons.

Come November, Jonny will start rehearsals for creative director Juliet Forster’s third York Theatre Royal pantomime, All New Adventures Of Peter Pan, joining the already confirmed Maddie Moate, from CBeebies, and three returnees Faye Campbell, Robin Simpson and Paul Hawkyard. The actor playing Peter Pan will be announced next.

Playing Starkey will be Jonny’s latest panto credit after such roles as Will Scarlett in Robin Hood, Jack in Jack And The Beanstalk and Muddles in Snow White twice. Add to that a week in Canterbury in the comic role after an asbestos-related problem forced his show at St Albans Arena to close mid-season. But that’s another story.

Jonny Weldon will star in All New Adventures Of Peter Pan at York Theatre Royal from December 2 to January 2 2023. Box office: 01904 623568 or at yorktheatreroyal.co.uk. Follow Jonny on Twitter:  @jonnyyweldon

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Corrie soap bad lad Nigel Pivaro reports back for stage duty in The Commitments after turning his hand to journalism

Father and son: Nigel Pivaro’s cynical Jimmy’s Da and James Killeen’s dreamer Jimmy Rabbitte in The Commitments. Picture: Ellie Kurttz

AFTER switching to the fourth estate for a decade and more, Coronation Street bad lad Nigel Pivaro is putting down the notepad to star in the 2022-2023 tour of The Commitments.

“I’m thrilled to be marking my return to the stage in this production,” he says, ahead of visiting the Grand Opera House, York, from November 7 to 12 in the role of Jimmy Rabbitte’s Da in the Irish musical.

“It’s an iconic story that resonates across the years, about people who, though distant from the music’s origins, find communion and expression in the Motown style. A musical genre which was borne out of oppression and which the characters embrace as their own. The Motown Sound is as vibrant today as it was when it first burst through in the Sixties.”

Thirty-five years have passed since The Commitments first leapt from the pages of Roddy Doyle’s best-selling novel with its story of the hardest-working and most explosive soul band from the northside of Dublin,

The 1991 film and a stage musical ensued. Now comes the latest nine-month British and Irish tour, running from next month to July, directed by Andrew Linnie, who played Dean, the saxophonist, in the original West End production in 2013.

The headline news in his cast list is Pivaro’s stage return at 62. “It came about from [playwright] Jim Cartwright saying, ‘how about coming back in? We miss you, mate,’” says Nigel, who forever will be best known for playing lovable Corrie rogue Terry Duckworth from 1983 to 2012.

Nigel Pivaro: Returning to the stage after a long hiatus when investigative journalism became his primary career

“After Jim said that, I started doing some plays for BBC Radio 4, like The Corrupted with Toby Jones, and some commercials, and then the role of Da was offered to me two and a half years ago. I was chomping at the bit: the chance to stretch my theatre legs again in my first theatre role since Bouncers [in 2003].

“But then the first Covid lockdown stopped it for a year, and then more lockdowns put it back another year. Just great! It had been a bit of a slow start for me getting back in, then just as it was gaining momentum, something extraordinary scuppered it.”

Roll on to autumn 2022 for Pivaro’s first appearance at the Grand Opera House since September 2003, when his hot-headed doorman Judd clashed with a fellow soap bad boy, EastEnders’ John Altman’s pontificating yet pugilistic Lucky Eric in John Godber’s nightclub comedy Bouncers.

“I was away from the business for 15 years after that, training as a journalist after doing a Masters degree in International Relations,” recalls Nigel. “I did my NCTJ [National Council for the Training of Journalists) course in Liverpool, my work experience at the Manchester Evening News, and my first staff job was at the Tameside Reporter.”

Freelance reporting ensued for the Daily Star, the Sunday Mirror, the Daily and Sunday Express, and not least Jane’s Defence and Intelligence Review, reporting on military and security topics.

The poster for the 2022-2023 tour of The Commitments, announcing Coronation Street legend Nigel Pivaro as the star attraction

“I travelled to Ukraine in the first war in 2014 and did three tours there,” says Nigel. “So I did my journalism from the bottom up, pushing my specialist knowledge into my reporting.

“Over the years, I’ve done everything from interviewing ex-Corrie colleagues and stars from other shows to doing research for a Newsnight feature last year on the shortcomings of the Manchester police.”

Hold the front page, Pivaro has a musical to perform in a new commitment to the stage. “I did see The Commitments film, attracted to it by the music, not knowing what to expect, other than it was an Alan Parker movie, and I’d always liked him as a director,” he says.

“I was just knocked out by how the music and the story were woven together, when often musicals are, ‘right, let’s do another song now’. The Commitments has a strong narrative, with the music weaved into that story without it kicking you in the face.”

Pivaro has read Doyle’s book too, “but I’ve not seen the play, so I’ve got no preconceptions about the stage show,” he says.

“What I can say is there’s dramatic tension, there’s humour, and there’s music. What’s not to like?! There’s a big band with loads of characters, sexy girls, sexy boys, with all that tension that can happen between band members, even in a band on the back streets of Dublin, as much as between John, Paul, George and Ringo.”

Roddy Doyle: Writer of The Commitments. Picture: Anthony Woods

For sure, the show will feature such soul staples as Try A Little Tenderness, In The Midnight Hour, Save Me, Mustang Sally, I Heard It Through The Grapevine and I Can’t Turn You Loose.

“This is the music that has provided the soundtrack to our lives, as hits in the Sixties and Seventies, and then being re-played and re-played at weddings and funerals and parties ever since. They are the standards,” says Nigel, who admits to having preferred Sweet, Mud and Gary Glitter, “anything that harked back to rock’n’roll”, in his youth.

Will he be singing in the show? “No, I don’t think I get to sing a song, but Jimmy’s Da is a big Elvis fan, so I do get to do a few bars of Can’t Help Falling In Love, but that’s it,” he says.

The Irish accent will be key too. “I’ve done accents all over the place. That’s my job!” he says. “There are certain accents you find you can do off pat, like Liverpool, being a Manchester kid. This Dublin accent had better be there because we have two weeks there at the Olympia!”

Tickets for the York run: 0844 871 7615 or at atgtickets.com/York. For Hull New Theatre’s October 31 to November 5 run: 01482 300306 or hulltheatres.co.uk.

Copyright of The Press, York

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Latest score: Two Big Egos In A Small Car podcast hits Episode 100. Listen here

Kristy Matheson: Creative director of Edinburgh International Festival 2022

TWO Big Egos In A Small Car culture-vulture podcasters Graham Chalmers and Charles Hutchinson celebrate clocking up their 100th episode with an Edinburgh International Film Festival special as the loquacious, if argumentative, duo head to Scotland, squeezed into Hutch’s compact mobile.

Under discussion too are two festivals, Deer Shed 12 and Doncaster’s ArtBomb 22. To listen, head to: https://www.buzzsprout.com/1187561/11125928

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More Things To Do in York and beyond when a circus of dreams and cricket skipper pitch up. List No. 95, courtesy of The Press

Rootsy rockin’ psychedelia: The Slambovian Circus Of Dreams at The Crescent

THIS is the holiday season, but not everyone is away, as Charles Hutchinson keeps one eye on August attractions, the other on autumn additions.

Woodstock vibe of the week: The Slambovian Circus Of Dreams, supported by Stan, The Crescent, York, Wednesday (17/8/2022), doors, 7.15pm

THE Slambovian Circus Of Dreams, purveyors of rootsy rockin’ psychedelia from Sleepy Hollow, New York, stretch the borders of Americana folk rock with their fantastic stories and performances.

Often described as “the Hillbilly Pink Floyd”, they visit The Crescent for the first time in support of their sixth album, A Very Unusual Head, released last January. Elements of Bob Dylan, David Bowie, The Incredible String Band, Syd Barrett and The Waterboys flavour their psychedelic sound. Box office: thecrescentyork.com.

York River Art Market: Arts and crafts by the riverside this weekend

Art event of the weekend: York River Art Market, Dame Judi Dench Walk, by Lendal Bridge, River Ouse, York, today (13/8/2022) and tomorrow (14/8/2022), 10am to 5.30pm

YORK River Art Market’s seventh summer season is heading for a sunny finale by the Ouse as York’s answer to the Parisian Left Bank welcomes up to 30 artists and makers on both days this weekend. This open-air market provides the chance to browse and buy directly from those showcasing their creative wares along the riverside railings; entry is free.

Look out for paintings, prints, jewellery, textiles, glass work and ceramics. Among today’s artists will be regular participant Richard Smith with his Point Paper Art; tomorrow, Here Be Monsteras ceramicist Kayti Peschki and Cuban artist Leo Morey, who moved to York in 2018.

Phil Toms and his band: Performing Tubular Bells note for note at the JoRo

Tribute show of the week: Tubular Bells Live! with Phil Toms, Joseph Rowntree Theatre, York, tonight (13/8/2022), 7.30pm

PHIL Toms and his 12-piece band perform music from Mike Oldfield’s landmark 1973 record Tubular Bells – the one that launched Richard Branson’s Virgin Records label – complemented by highlights from his 50-year career, such as Moonlight Shadow, To France and Guilty.

Enjoy selections from Oldfield’s instrumental albums too, including Ommadawn, Return To Ommadawn, Islands, The Songs Of Distant Earth and Tubular Bells 2 and 3. Ticket update: limited availability on 01904 501935 or at josephrowntreetheatre.co.uk.

The poster for Mychael Barratt’s print exhibition at Pyramid Gallery, York

AS part of Pyramid Gallery’s 40th anniversary celebrations, curator Terry Brett made his regular trip to the Clink Press duo Mychael Barratt and Trevor Price’s studio, near Rotherhithe, London, returning north in a car filled with Barratt’s Beyond Bruegel and Price’s Bottles, Pots, Dots series of original prints. All works are for sale.

Fully Fest: Live music galore at The Fulford Arms

York festival of the week: Fully Fest 2022, The Fulford Arms, Fulford Road, York, August 20, 2pm (doors) to 11pm

THE Fully Fest welcomes Captain Starlet, The Rosemaries, Everything After Midnight, Tommyrot, City Snakes, The Rosettas, The Wreck Liners, Percy, Heartsink and Pat Butcher for a full-on day and night of live music at the Fulford Arms. Box office: thefulfordarms.com.

Derren Brown: “Remembering what’s important” in Showman at Leeds Grand Theatre

Mind games of the month: Derren Brown: Showman, Leeds Grand Theatre, August 23 to 27, 7.30pm and 2.30pm Saturday matinee

DERREN Brown, master of mind control and psychological illusion, is on tour with his first new theatre show in six years, Showman, in the wake of his Broadway debut.

The content remains a closely guarded secret, but Brown says: “The heart of the show is about remembering what’s important. Like how the very things that we find most isolating in life – our fears and difficulties – actually connect us. Framed with what I think will be some extraordinary demonstrations of my voodoo.” Box office: leedsheritagetheatres.com.

Gretchen Peters: Sharing stories and songs at Leeds City Varieties

Americana gig of the month: Gretchen Peters, Leeds City Varieties Music Hall, August 29, 7.30pm

2022 marks the 25th anniversary of Nashville Songwriters Hall of Fame inductee Gretchen Peters first setting foot on a British stage. To honour this landmark, she returns this month with long-time musical partner and special guest Kim Richey in tow. 

Coinciding with the August 19 release of her live album The Show: Live From The UK – recorded in 2019 with a Scottish female string quartet – Peters will be sharing stories and songs from her early touring days in the UK, complemented by favourites from later works. Box office: leedsheritagetheatres.com.

Aggers & Cook: An evening of cricket chat with the correspondent and the captain

Cricketing double act: An Evening With Aggers & Cook, Grand Opera House, York, October 3, 7.30pm

BBC cricket correspondent Jonathan Agnew teams up with former England captain, record run-scorer, Test Match Special summariser and farmer Sir Alastair Cook for a night of willow-on-leather chat in in aid of the Professional Cricketers’ Association.

Aggers, who has partnered Sir Geoffrey Boycott, Phil Tufnell and Michael Vaughan in past chat shows, will encourage Cook to lift the lid on life in the England dressing room. Audience members can tweet the pair with questions for the second half. Box office: 0844 871 7615 or atgtickets.com/York.

Hitting their stride: John Smith and Katherine Priddy will tour together for the first time this autumn

Autumn fruitfulness at the double: John Smith & Katherine Priddy, Selby Town Hall, November 3, 8pm

SONGWRITERS John Smith and Katherine Priddy will hit the road together for the first time in a November collaboration after a fortuitous encounter in a Kansas City hotel lobby earlier this year.

Since then, Devonian Smith and Birmingham-born Priddy have been testing the musical waters together in a galvanising new venture set to bloom on tour, when they will perform a mix of their own original songs. Box office: selbytownhall.co.uk.

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REVIEW: Brief Encounter at Stephen Joseph Theatre, Scarborough *****

Higher love: Anne-Marie Piazza’s enraptured Laura in Brief Encounter. All pictures: Tony Bartholomew

Noel Coward’s Brief Encounter, Stephen Joseph Theatre, Scarborough, on the right track until August 27. Box office: 01723 370541 or at sjt.uk.com

THIS is SJT artistic director Paul Robinson’s take on Emma Rice’s stage adaptation of Noel Coward’s buttoned-up story of destiny, temptation and forbidden love, Brief Encounter, presented in a co-production with Theatre by the Lake, Keswick, and Octagon Theatre, Bolton.

In Kneehigh Theatre’s 2007 premiere, hosted by the West Yorkshire Playhouse, writer-director Rice favoured black-and-white cinema scenes; mock adverts and puppetry; music-hall song and Rachmaninoff; utterly sincere playing of the thwarted love affair, and post-modern send-ups of the beloved 1945 film’s clipped vowels and love-a-duck supporting characters. She had a band and a trampoline too (hidden away in a railway coal heap). A case of Rice’s crisp snap, crackle and pop.

In the Round, Robinson foregoes film scenes and clipped vowels, but plays to one of the SJT’s strongest suits from the previous artistic directorship of Chris Monks: the use of actor-musicians, as well as pulling out all the stops that worked so well in the SJT’s account of Patrick Barlow’s The 39 Steps.

Briefs encounter: Pete Ashmore’s Alec and Anne-Marie Piazza’s Laura

Not only are the magnificent cast of seven the jack and jill of all trades; they are the masters and mistresses too. All but the two leads take on at least two roles; between them, they play 11 instruments.

Musical director Alex Weatherill – you may remember him as the dame in York Stage’s 2020 pantomime Jack And The Beanstalk – takes to the piano with double bassist Shelagh Revell at his side to set the scene with familiar jaunty songs from the Forties.

As with David Lean’s film, Rice begins at the end of the love affair, the return home to decent but dull husband Fred Jesson (Robert Jackson), telling the dream-crushed Laura (Anne-Marie Piazza), “you’ve been a long way away…thank you for coming back to me”.

Well, it’s been a long time since 2007, so thank you, Paul Robinson, for bringing Rice’s Brief Encounter back to us.

Dance of delight: Joey Hickman’s Stanley courting Lara Lewis’s Beryl in the tea room

Rice likes her theatre to walk the trapeze wire, live more than a little dangerously. Robinson’s version is more carefully measured, beautifully balanced, witty and tangy, nostalgic but utterly true to Coward’s underlying story of his own repression that still resonates. Hence the tug of melancholia, even desolation, too.

All the while, Robinson and his cast revel in Rice’s sense of fun and high jinks, adding a shot of magic realism into the heady cocktail as Laura and doctor Alec (Pete Ashmore) are thrown backwards when first passing each other – as if a fateful field force is at play – to convey how their chance meeting at a railway station will “hurl them headlong into a whirlwind romance that threatens to blow their worlds apart”.

Later, Laura is suddenly held aloft, capturing her state of rapture, in Erin Carter’s inspired movement direction. Choreography would be more apt for the credit, given the regular interjection of Coward’s musical numbers, arranged with a jazz age flair by composer and sound designer Simon Slater, whether for the familiar Any Little Fish, Mad About The Boy, Go Slow, Johnny and A Room With A View, or his musical settings of Coward poems, from No Good At Love to So Good At Love, Romantic Fool to Always.

“All the romance of the original – with added tea and buns!” promises the programme’s centrespread, but that very much undersells the full zest of what Robinson has brought to what he calls “Coward’s Chekhovian portrayal of relationships and matters of class”.

“Hurling headlong into a whirlwind romance that threatens to blow their worlds apart”: Anne-Marie Piazza’s Laura and Pete Ashmore’s Alec

Not only all that delightful song and dance, but also a greater variety of regional accents and his decision to switch the station setting to Yorkshire, platform announcements et al that hint at York.

Rice drew on both Coward’s script for Brief Encounter and its original source, Still Life, his short play in five scenes from 1938, for a romantic comedy-drama that highlights three love stories: the forlorn, clandestine illicit love of Alec and Laura, married but not to each other; the Wife of Bath shenanigans of “the couple who’ve been around the block”, Natasha Lewis’s tea-room queen bee,  Myrtle, and Jackson’s chirpy station manager, Albert; and the first blushing pangs of love for Lara Lewis’s waitress, Beryl, and Joey Hickman’s cheeky young porter, Stanley.

In his CharlesHutchPress interview, Robinson talked of “really exploding all those emotions of being in love, making it not only visually explosive but tonally too”, and his production’s combination of the physical and the mental, the visual and the verbal, does exactly that.

There is both darkness and light at play; Piazza and Ashmore’s Laura and Alec make their love at once heightened but painfully real too. By way of contrast to all their tortured seriousness, yet giddiness of love that must stay secret, comes the joyous malarkey of the rude mechanicals around them: the comic interplay of the unguarded flirting of Myrtle and Albert and Beryl and Stanley.

On the pull: Natasha Shaw’s Beryl outdoes Robert Jackson’s Albert in their musical wooing

Robinson’s cast, attired in period detail to the T, are all terrific, whether the two leads with that ever-so-English restraint or Jackson’s diverse trio of roles or Lewis’s boundless energy.

Two moments define why this Brief Encounter demands a trip to the coast. Firstly, when Jackson’s Albert serenades Myrtle with a saxophone, she trumps him with a honking trombone. Glorious fun!

And, finally, the finale. Rice had described her reading of Coward’s texts as “slightly more feminist”. “Laura is trapped and I’ve given her some romantic hope,” she said in 2007. “She doesn’t run away, but I think you will feel that something has happened to her. I can’t condemn her to a dull life with husband Fred, I just can’t.”

The look on Piazza’s face in the lingering, silent coda says it all: note perfect, in keeping with Robinson’s touch throughout.

By Charles Hutchinson