Steve Tearle to play Tevye for third time in NE Theatre York’s Fiddler On The Roof

Steve Tearle’s Tevye and Perri Ann Barley’s Golde in NE Theatre York’s Fiddler On The Roof

DIRECTOR and lead actor Steve Tearle is at the helm of NE Theatre York’s revival of Fiddler On The Roof at the Joseph Rowntree Theatre, York, next Tuesday to Saturday to celebrate the American musical’s 60th anniversary.

Based on Sholem Aleichem’s story Tevye And His Daughters (or Tevye The Dairyman) and other tales, the nine-time Tony Award-winning 1964 musical has music by Jerry Bock, lyrics by Sheldon Harnick and book by Joseph Stein and is best known for the songs If I Were A Rich Man, Matchmaker, Miracle Of Miracles and Sunrise.

Set in the Pale of Settlement in Tsarist Russia in 1905, the story centres on Tevye, the humble milkman and family man, who lives a very simple life in the small village of Anatevka.

When three of his five daughters rebel against the traditions of arranged marriages and decide to take matters into their own hands, mayhem unfolds as he strives to maintain his Jewish religious and cultural creeds.

Steve Tearle’s Tevye and Alice Atang’s Fiddler, Tevye’s conscience, in NE Theatre York’s Fiddler On The Roof

Tevye must cope not only with his daughters’ strong will to marry for love – each one’s choice of husband moving further away from the customs of his faith – but also with the Tsar’s edict to evict the Jewish community from their village [in the story’s nod to the Kishinev pogrom, an act of persecution against Russian Jews in April 1903].

Tearle will be playing Tevye, forever associated with Israeli actor, singer and illustrator Topol in the Oscar-winning 1971 film, where he reprised the role he had originated on Broadway and went on to perform more than 3,500 times between 1967 and 2009.

Tearle, by comparison, will be chalking up a hattrick of turns as Tevye, a part he played previously for New Earswick Musicals at the JoRo in November 2016 under Ann McCreadie’s direction, when the York Press review praised him for his “limitless charisma and exemplary dad dancing”.

“Tevye is a dream role,” he says. “You get to go through so many emotions. It’s an honour to play this part again, bringing him to life with NE Theatre’s amazing cast. It’s a fab experience.

“The show may be 60 years old but it’s very relevant today with the empowerment of women as Tevye’s daughters rebel against faith and tradition by choosing who they want to marry. The story highlights the struggles of the Jewish community too.”

Fiddler in the woods: Alice Atang’s Fiddler, Perri Ann Barley’s Golde and Steve Tearle’s Tevye set the scene for NE Theatre York’s Fiddler On The Roof

NE Theatre also wanted to do the show as a tribute to the late Mavis Massheder, who made her first stage appearance for New Earswick Amateur and Dramatic Society (now NE Theare York) in 1954 in the chorus of The Gondoliers and was elected chair in 1969.

Mavis steered the company through the many ups and downs and difficult times the theatre industry experienced over the next 45 years. She died in 2020 aged 91.

Perri Ann Barley will play Tevye’s wife Golde, joined by Maia Stroud, Rebecca Jackson, Elizabeth Farrell, Alexa Lord-Laverick and Paige Sidebottom as his daughters, Ali Butler Hind as Yente and Alice Atang as The Fiddler, Tevye’s conscience.

The company will include Kit Stroud, Callum Richardson, Finley Butler, Geoff Seavers, Toby Jensen, James O’Neill, Scott Barnes, Chris Hagyard, Kelvin Grant, Pascha Turnbull, Aileen Hall, Carolyn Jensen and Greg Roberts too.

NE Theatre York in Fiddler On The Roof, Joseph Rowntree Theatre, Haxby Road, York, April 23 to 27, 7.30pm plus 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Rowntree Players to hold auditions for Grimm Tales on Sunday. Here’s how to apply

THE deadline to register for auditions for Rowntree Players’ summer production of Grimm Tales is Friday, March 22.

The auditions for the July 11 to 13 run at the Joseph Rowntree Theatre, York, are open to anyone aged 14 or over (on or before the audition date).

Auditions will be held on Sunday (24/3/2024) from 1pm to 4pm at Door 84, Lowther Street, York. To register your interest and to request an audition pack, send an email to info@rowntreeplayers.co.uk.

Adapted by Carol Ann Duffy and dramatised by Tim Supple, Grimm Tales takes a journey through six of the bizarre, whimsical stories collated by the Brothers Grimm: Snow White; The Golden Goose; Ashputtel; The Magic Table, The Good Donkey & The Cudgel In The Sack; Musicians Of Bremman and Hansel & Gretel.

The small cast will play numerous roles, each tale being introduced and linked by the Narrator, who will address the audience directly. Once each story begins, mush of the action will be narrated by the characters themselves, necessitating the performers to be able to deliver narrative clearly as well as perform dialogue and be confident with switching between the two.

All the cast will perform several characters, sometimes even in one story, so versatility and quirkiness are a must.

For the audition day, auditionees will not be required to prepare anything in advance. A script will be provided on the day and everyone will be expected to read a variety of characters, grouping performers in different combinations.

Casting will be for the Narrator, four male and four female roles, in each case one role aged 40 plus, two, 25 to 40, and one under 25.

Tickets for the 7.30pm performances are on sale at rowntreeplayers.co.uk.

Cocktails and torrid tales as Rowntree Players shake up Shakers for a Saturday night from hell bar none at the JoRo

In the mixer: Sophie Bullivant, Abi Carter, Holly Smith and Laura Castle in Rowntree Players’ Shakers

YORK ghost-walk host, actor, voiceover artist, filmmaker, tour guide and pantomime villain Jamie McKeller had not directed a play for 15 years when he took the reins for Teechers Leavers ’22 last March.

Among the Rowntree Players’ cast of three for former teacher John Godber’s state-of-the-nation’s-education play were Sophie Bullivant and radio presenter Laura Castle, who now return for another slice of Godber physical theatre, Shakers, this one co-written with his wife, Jane Thornton.

The sister to Godber’s northern nightclub comedy-drama Bouncers, Shakers dives head first into the worst bar in town, where everyone wants to be seen, at the Joseph Rowntree Theatre, York, from Thursday to Saturday.

Here, Sophie’s Carol, Laura’s Mel, company newcomer Holly Smith’s Niki and Abi Carter’s Adele face the Saturday shift from hell. Lights, neon; music, loud; trainers, not allowed. Smart shoes only.

Thornton and Godber expose nightlife both sides of the sticky-floored bar, not only the cocktail-bar waitresses but the clientele too. Here come the girls, the lads, the yuppies and the luvvies, all played by Bullivant, Castle, Smith and Carter.

“I think this play is funnier than Bouncers, though I’ll still be going to Bouncers when it comes to York Theatre Royal in April,” says Jamie, who can draw on his own experiences to make his comparison.

“I’ve done Bouncers three times! I played Judd when I was 21; Les in my late-20s. They were both professional productions; then I was Ralph in my mid-30s in an amateur one at the Westwood Theatre in Scarborough.

“So the idea is, in ten to 15 years’ time, when my panto dame days are done, I’ll finally do Lucky Eric to complete the full Bouncers set!”

Whereas Jamie decided to present Godber’s updated 2022 version of Teechers, he will stick with 1987 vintage Shakers, not the 2022 remix, Shakers: Under New Management!. 

“Initially we were looking at doing the final version of Bouncers, quite a grotesque version,” he recalls. “But once I read Shakers, I really wanted to do it, and do the earlier version, which even after more than 30 years still hits hard, when things aren’t necessarily better now…”

… “Things are just different,” says Laura. “This version of the play is a bit more spicy, and I like that!”

She is enjoying renewing her stage partnership with Sophie and teaming up with Abi and Holly too after they were picked from Jamie’s auditions. “Me and Sophie – and Sara [Howlett] – created quite bond in Teechers, and having done Godber before and Godber under Jamie’s direction before, that’s made it slightly easier for the whole cast in rehearsals,” says Laura.

“That gave us a head start as to just how pacy it is. Abi and Holly are super-talented and picked up the style very quickly. They’ve learned things from us, we’ve learned things from them, which has worked out really well.”

Jamie has been struck by Shakers’ abiding relevance, its stark message, for all its humour. “That humour is grotesque and amplified. The piece changes gear very rapidly, but it’s all grounded in the four monologues, one for each of them, that are staged with naturalism, with each speech becoming more serious,” he says.

“Shakers stands up and makes its stand. As a bloke, you find yourself thinking, ‘how do I feel about this?’, and it’s been very interesting to draw on the cast’s own experiences.”  

Jamie will restrict the capacity to 100 per performance to lend his production a studio atmosphere in keeping with the play’s roots. “It will help to have the audience close up,” says Laura. “With everyone packed into the front, it will feel busy.” Like in a bar on a Saturday night.

Staging will be minimalist too, in Bouncers tradition, with four mini-bars on wheels on a neon and chrome set. “We’ve made the decision to mime most of the props, apart from a huge blow-up phone, but with little signifiers for the different characters we play, like shades or jackets, or a change of voice. We’ve chosen everything to make an impact.”

This complements the tone of Thornton and Godber’s play. “You won’t feel like you’ve bene lectured! What works is the contrast between being grotesque and comedic one moment, and then we hit you with real truths and that makes Shakers’ impact all the greater,” says Laura.

“Both this play and Teechers end on a downer, but that’s the harsh reality of life. We want you to have a good time but to leave thinking about the message we’ve put across in 80 minutes.”

Rowntree Players in Shakers, Joseph Rowntree Theatre, York, March 14 to 16, 7.30pm and 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

More Things To Do in Ryedale, York and beyond when comedy bites. Here’s Hutch’s List No 3, from Gazette and Herald

Deaf comedian Steve Day: Playing on the Hilarity Bites bill at Milton Rooms, Malton

A DEAF comedian and history-charting musicians, a classic thriller and a feminist fairytale, a community choir festival and a prog-rock legend make Charles Hutchinson’s list of upcoming cultural highlights.

Ryedale comedy gig of the week: Hilarity Bites Comedy Club, Steve Day, Ashley Frieze and Carl Jones, Milton Rooms, Malton, Friday (23/02/2024), 8pm

THE first Hilarity Bites bill of 2024 will be headlined by Steve Day, who describes himself as “Britain’s only deaf comedian and if there are any others he hasn’t heard them”! Actually, a couple of others have started since he wrote that joke, but it is only a joke after all.

On the bill too are guitar-toting funny man Ashley Frieze, with his charming, daft and warm brand of music-infused stand-up, and Midlands storytelling comedian Carl Jones, a football fanatic who interviews comedy cohorts for his ​Premier League nostalgia podcast When Football Began Again. Box office: 01653 696240 or themiltonrooms.com.

Chris Green and Sophie Matthews: 600 years of music crammed into 90 minutes at Pocklington Arts Centre

Musical tour of the week: Green Matthews: A Brief History Of Music, Pocklington Arts Centre, Friday, 8pm

STRING player Chris Green and woodwind player Sophie Matthews take in 600 years of musical history in 90 minutes, spanning the Middle Ages to the 20th century in a whistle-stop tour of Western music.

Featuring long-forgotten songs, tunes and jokes too, Green and Matthews paint a vibrant and vivid picture of our musical DNA, mixing the familiar and the obscure, the raucous and the reflective and the courtly and the commonplace. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Skylights: Lighting up York Barbican in November

Gig announcement of the week: Skylights, York Barbican, November 2

YORK band Skylights will play their biggest home-city show yet this autumn, with tickets going on sale on Friday at 10am at ticketmaster.co.uk in a week when latest release Time To Let Things Go has risen to number two in the Official Vinyl Singles Chart.

Guitarist Turnbull Smith says: ‘We’re absolutely over the moon to be headlining the biggest venue in our home city of York, the Barbican. It’s always been a dream of ours to play here, so to headline will be the perfect way to finish what’s going to be a great year. Thanks to everyone for the support. It means the world and we’ll see you all there.”

Rick Wakeman: Return Of The Caped Crusader at York Barbican

Catch him while you can: Rick Wakeman, Return Of The Caped Crusader, York Barbican, Saturday, 7.30pm

PROG-ROCK icon and Yes keyboard wizard Rick Wakeman, 76, is to call time on his one-man shows to concentrate on composing, recording and collaborating, but not before playing York. “I always planned to stop touring by my 77th birthday,” he says. “For those of you who wish to send me a card, it’s 18th May!”

Saturday’s show opens with Wakeman’s new arrangements of Yes material for band and vocalists, followed after the interval by his epic work Journey To The Centre Of The Earth. Box office for returns only: yorkbarbican.co.uk.

Jessa Liversidge: Directing Easingwold Community Singers’ performance at the York Community Choir Festival

Choirs galore: York Community Choir Festival 2024, Joseph Rowntree Theatre, York, February 25, 6pm; February 26 to March 1, 7.30pm; March 2, 2.30pm and 7.30pm

THE 8th York Community Choir Festival spreads 31 choirs across eight concerts over six days at the JoRo. On the opening evening, Easingwold Community Singers will be premiering director Jessa Liversidge’s arrangement of The Secret Of Happiness  from the American musical Daddy Long Legs, with permission of composer and lyricist Paul Gordon.

Choirs range from York Philharmonic Male Voice Choir to The Rolling Tones, Sounds Fun Singers to York Military Wives Choir, Selby Youth Choir to Track 29 Ladies Close Harmony Chorus. Six choirs from Huntington School perform next Friday, taking up all the first-half programme. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Todd Boyce, left, and Neil McDermott in Sleuth, on tour at Grand Opera House, York. Picture: Jack Merriman

Thriller of the week: Sleuth, Grand Opera House, York, Monday to Saturday, 7.30pm; 2.30pm Wednesday and Saturday

TODD Boyce, best known for playing Coronation Street’s notorious baddie Stephen Reid, will be joined by EastEnders soap star Neil McDermott in Anthony Shaffer’s dark psychological thriller about thrillers, directed by Rachel Kavanaugh.

What happens? A young man arrives at the impressive home of a famous mystery writer, only to be unwittingly drawn into a tangled web of intrigue and gamesmanship, where nothing is quite as it seems. Box office: atgtickets.com/york.

Emma Rice: Writer-director of Wise Children’s Blue Beard, playing York Theatre Royal from next Tuesday

Play of the week: Wise Children in Emma Rice’s Blue Beard, York Theatre Royal, February 27 to March 9, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees

BLUE Beard meets his match when his young bride discovers his dark and murderous secret. She summons all her rage, all her smarts and all her sisters to bring the curtain down on his tyrannous reign as writer-director Emma Rice brings her own brand of theatrical wonder to this beguiling, disturbing tale.

Applying Rice’s signature sleight of hand, Blue Beard explores curiosity and consent, violence and vengeance, all through an intoxicating lens of music, wit and tender truth. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Rob Auton: Star of The Rob Auton Show, full of firsts, from memories to girlfriends to jobs

Comedy gig(s) of the week: Rob Auton, The Rob Auton Show, Burning Duck Comedy Club, The Crescent, York, February 28, 7.30pm; Mortimer Suite, Hull City Hall, February 29, 7.30pm; The Wardrobe, Leeds, March 1, 7.30pm

ROB Auton, Pocklington-raised stand-up comedian, writer, podcaster, actor, illustrator and former Glastonbury festival poet-in-residence, returns north from London with his self-titled tenth themed solo show.

After the colour yellow, the sky, faces, water, sleep, hair, talking, time and crowds, Auton turns the spotlight on himself, exploring the memories and feelings that create his life on a daily basis. Box office: York, thecrescentyork.seetickets.com; Hull, hulltheatres.co.uk; Leeds, brudenellsocialclub.seetickets.com.

More Things To Do in York & beyond, when skies are dark or lights are bright. Here’s Hutch’s List No. 6 for 2024, from The Press

Neil Vincent, left, Clare Halliday, Chris Pomfrett, Victoria Delaney and Mick Liversidge in rehearsal for York Actors Collective’s Beyond Caring

A GLUT of York theatre companies, a nocturnal sky festival, a Yorkshire musical and a colourful installation light up the dark nights of February for culture guide Charles Hutchinson.

Social drama of the week: York Actors Collective in Beyond Caring, Theatre@41, Monkgate, York, Tuesday to Friday, 7.30pm; Saturday, 2.30pm and 5.30pm

DEVISED by Alexander Zeldin and the original Yard Theatre cast in London, this 90-minute play highlighting the social damage inflicted by zero-hours contracts forms York Actors Collective’s second production, directed by founder Angie Millard.

Performed by Victoria Delaney, Clare Halliday, Mick Liversidge, Chris Pomfrett and Neil Vincent, Beyond Caring follows meat-packing factory cleaners Becky, Grace and Sam on the night shift as they confront the reality of low wage employment, never sure whether their ‘job’ will continue. Box office: tickets.41monkgate.co.uk.

Robert Rice: Recital at Unitarian Chapel, St Saviourgate tonight


Late Music at the double: Steve Bingham, violin and electronics, 1pm today; Robert Rice, baritone, and William Vann, piano, 7.30pm tonight, Unitarian Chapel, St Saviourgate, York

PET Shop Boys’ It’s A Sin chills with Bach’s Allemande in D minor, while a tango from Piazzolla is thrown in for good measure, as Steve Bingham explores four centuries of solo violin music this afternoon. World premieres of David Power’s Miniatures, Wayne Siegel’s Salamander (violin and electronics) and Rowan Alfred’s Cuckoo Phase will be performed too.

York composer David Power has curated Robert Rice and William Vann’s evening recital, featuring the first complete performance of Power’s Three Char Songs (1985 and 2016). Works by Gerald Finzi, Cecil Armstrong Gibbs, Herbert Howells, Robert Walker, William Rhys Meek, Charlotte Marlow, Liz Dilnot Johnson, David Lancaster, Hannah Garton, Ruth Lee, Hayley Jenkins and Phillip Cooke. Power gives a pre-concert talk at 6.45pm with a complimentary glass of wine or juice. Tickets: latemusic.org or on the door.

Jonny Holbek as Sebastian in York Light Opera Company’s production of Disney’s The Little Mermaid. Picture: Matthew Kitchen

Nautical adventure of the week: York Light Opera Company in Disney’s The Little Mermaid, York Theatre Royal, February 7 to 17, except February 12

BASED on the classic 1989 Disney animated film, The Little Mermaid tells the enchanting story of Ariel, a mermaid who dreams of trading her tail for legs and exploring the human world. Aided by her mischievous sidekick, Flounder, and the cunning Ursula, Ariel strikes a bargain that will change her life forever.

Martyn Knight’s production for York Light features stunning projection, dazzling costumes, unforgettable musical numbers, such as Under The Sea and Kiss The Girl, and choreography by Rachael Whitehead. Box office: 01904 623568 or yorktheatreroyal.co.uk.

The poster for Colour & Light, soon to illuminate the facade of York Art Gallery

Installation launch of the week: Colour & Light, York Art Gallery, February 7 to 25

YORK BID is linking up with York Museums Trust for the return of Colour & Light: an innovative project that will transform the facade of York Art Gallery to counter the cold winter with a vibrant light installation.

This “high impact and large-scale visual arts project” uses 3D projection mapping to bring York’s iconic buildings to life, first York Minster last year, now York Art Gallery, where the projection will play every ten minutes from 6pm to 9pm daily in a non-ticketed free event.

Watching the detective: Steven Jobson’s Lieutenant Frank Cioffi in Joseph Rowntree Theatre Company’s Curtains. Picture: Jennifer Jones

It’s Curtains for…Joseph Rowntree Theatre Company, Joseph Rowntree Theatre, York, Wednesday to Saturday, 7.30pm and 2.30pm Saturday matinee

WHEN the leading lady of a new musical mysteriously dies on stage, a plucky local detective must solve this 1959 case at Boston’s Colonial Theatre, where the entire cast and crew are suspects in Kander & Ebb’s musical with a book by Rupert Holmes.

Cue delightful characters, a witty and charming script and glorious tunes in the Joseph Rowntree Theatre Company’s staging of Curtains. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Sunflower power: The Calendar Girls cast on tour at the Grand Opera House, York, from Tuesday to Saturday

Touring musical of the week: Calendar Girls The Musical, Grand Opera House, York, Tuesday to Saturday, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees

YOU know the story, the one where a husband’s death to leukaemia prompts a group of ordinary women in a small Yorkshire Women’s Institute to do an extraordinary thing, whereupon they set about creating a nude calendar to raise money for charity.

Premiered at Leeds Grand Theatre in 2015, Gary Barlow and Tim Firth’s musical is now touring with a cast of music, stage and television stars. Baring all will be Laurie Brett as Annie; Liz Carney as Marie; Helen Pearson as Celia; Samantha Seager as Chris; Maureen Nolan as Ruth; Lyn Paul as Jessie and Honeysuckle Weeks as Cora. Once more the tour supports Blood Cancer UK. Box office: atgtickets.com/york.

 Nicola Holliday (as Jean Tanner) and James Lee (as Charles Stratton) in rehearsal for Settlement Players’ Separate Tables. Picture: John Saunders

English manners of the week: York Settlement Community Players in Separate Tables, York Theatre Royal Studio, February 8 to 17, 7.45pm except Sunday and Monday, plus 2pm Saturday matinees

AFTER directing four Russian plays by Chekhov, Helen Wilson turns her attention to Separate Tables, two very English Terence Rattigan tales of love and loss, set in a shabby Bournemouth hotel in the 1950s.

Guests, both permanent and transient, sit on separate tables, a formality that underlines the loneliness of these characters in a play about class, secrets and repressed emotions. Chris Meadley, Paul French, Molly Kay, Jess Murray, Marie-Louise Feeley, Caroline Greenwood and Linda Fletcher are among the Settlement cast. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Festival of the month: North York Moors and Yorkshire Dales Dark Skies Festival, February 9 to 25

TEAMING up for the ninth time since 2016, the North York Moors and Yorkshire Dales National Park authorities celebrate the jewels of God’s Own Country’s night sky this month.

Discover nocturnal activities to heighten the senses such as the Dark Skies Experience (February 9 to 25) night navigation (February 16); trail run and yoga (February 17, sold out); canoeing; planet trail and constellation trail at Aysgarth Falls (February 9 to 25); astrophotography workshops at Castle Howard (February 22), stargazing safaris, children’s daytime trails, art workshops and mindful experiences. More details: darkskiesnationalparks.org.uk; yorkshiredales.org.uk/things-to-do/whats-on/shows/dark-skies-festival/.

Richard Ashcroft: Heading to the woods for Forest Live at Dalby Forest in June. Picture: Dean Chalkley

Outdoor gig announcement of the week: Richard Ashcroft, Forest Live, Dalby Forest, near Pickering, June 23

FORESTRY England completes its Forest Live return to Dalby Forest for the first time since 2019 with Richard Ashcroft, the two-time Ivor Novello Award-winning Wigan singer, songwriter and frontman of The Verve.

Canadian rocker Bryan Adams and disco icons Nile Rodgers & CHIC were confirmed already for June 21 and 22 respectively. New addition Ashcroft’s set list will draw on his five solo albums, along with The Verve’s anthems Bittersweet Symphony, The Drugs Don’t Work, Lucky Man and Sonnet. Leeds band Apollo Junction will be supporting. Box office: forestlive.com.

In Focus: York Ice Trail, City of Dreams, York city centre, today and tomorrow, from 10am

York Ice Trail: City of Dreams this weekend

THE theme for York Ice Trail 2024 transforms York into the City of Dreams, inviting visitors to dream big.

The last York Ice Trail, in February 2023, drew 40,000 visitors to York to view 36 sculptures. Organised by Make It York, the 2024 event again sees the “coolest” sculptures line the streets of York, each conceived and sponsored by businesses and designed and created by ice specialist Icebox.

Sarah Loftus, Make It York managing director, says: “York Ice Trail is one of the most-loved events in the city for residents and visitors alike, and we’re excited to be bringing it back for another year in 2024. 

“It’s a huge celebration of our city and businesses, and the concept will inspire everyone’s inner child, encouraging people to let their imagination run wild.” 

Icebox managing director Greg Pittard says: “Returning to York for the 2024 Ice Trail is a true honour for us. The York Ice Trail holds a special place in our hearts, and we are thrilled to bring this year’s theme to life.

“Our talented team of ice carvers pour their passion into crafting magnificent ice sculptures that will transport visitors to a world of wonder and delight.”

The 2024 ice sculptures:

Our City Of Dreams, provided by Make It York, Parliament Street.

A Field Of Dreams, Murton Park, Parliament Street.

A Journey In ice, Grand Central, Parliament Street.

City Of Trees, Dalby Forest, Parliament Street.

Chasing Rainbows, in celebration of York band Shed Seven topping the UK official album chart in January, York Mix Radio, Parliament Street.

I’m Late, I’m Late! For A Very Important Date!, Ate O’Clock, High Ousegate.

Sewing Like A Dream, Gillies Fabrics, Peter Lane.

Mythical Beasts: The Yeti, York BID, Walmgate.

Hop On Your Bike, Spark:York, Piccadilly (Spark:York will be open from 12 noon).

Belle Of The Ball, York Castle Museum, Eye of York.

Brolly Walks, The Coppergate Centre.

Supporting Our Armed Forces, Crombie Wilkinson Solicitors, Clifford Street.

Mythical Beasts: The Kraken, York BID, Micklegate (moved from King’s Staith on account of high river levels).

The Slithering Serpent, The Potions Cauldron, Middletons, Skeldergate.

Oompa Loompas, York’s Chocolate Story, Middletons, Skeldergate.

Wonkavision, City Cruises, Middletons, Skeldergate.

The Golden Ticket, filled with Terry’s Chocolate Oranges, Middletons, at Middletons, Skeldergate.

Mythical Beasts: The Phoenix, York BID, Micklegate.

Throne Of Dreams, Storage King, Station Road.

York Principal, The Principal York, Principal Gardens.

A Hat Full Of Dreams, The Grand, York, Station Rise.

Judges And Dragons, The Judge’s Lodging, Lendal.

Your Key To The National Park, North York Moors National Park, Exhibition Square.

Mythical Beasts: The Unicorn, York BID, Gillygate.

Mythical Beasts, The Hydra, York BID, Goodramgate.

The Big Bad Wolf, York Minster, Minster Piazza.

Train Of Dreams, National Railway Museum, High Petergate.

Bradley’s Jewellers’ Christmas Robin Egg, Bradley’s Jewellers, Low Petergate.

Floating Dreams, Lucia Bar, Grape Lane.

Fly Into York With P&R, York Park & Ride, St Helen’s Square.

RMS Queen Mary, Betts, Davygate.

Dreaming Of Cut And Craft, Cut And Craft, St Sampson’s Square.

Live Carving, Make It York, St Sampson’s Square.

Alex Schofield directs Joseph Rowntree Theatre Company for the first time in Kander & Ebb’s musical whodunit Curtains

Alex Schofield directing a rehearsal for Joseph Rowntree Theatre Company’s Curtains. Picture: Mike Darley

IT’S curtain up for Curtains, the Kander & Ebb musical comedy whodunnit to be staged by the Joseph Rowntree Theatre Company in York from February 7 to 10.

After playing grouchy feed-store proprietor Horace Vandergelder in Hello, Dolly! last year and assistant-directing The Producers in 2018, Kiss Me Kate in 2019, Made In Dagenham in 2020 and Kipps (The Half A Sixpence Musical) in 2022, Alex Schofield steps up to direct a JRTC show for the first time.

“By the time I did Hello, Dolly!,I’d already pitched to direct Curtains, after we secured the rights in spring 2022,” says Alex, who works in human resources at York Minster. “Initially, we’d looked at doing it last September but that couldn’t happen, and it’s one of those situations where it still won’t feel real until the opening night as I’ve been planning it for so long.

“I became aware of the show just before the pandemic when Jason Manford was leading the touring company in 2019 and then transferred into the West End. It came more into my provenance when it was one of those productions that could be streamed during lockdown with donations to arts funding, and that’s when I first saw it.”

Whodunit? All the cast members are suspects in Kander & Ebb’s musical Curtains. Picture: Jennifer Jones

This 2007 American musical, with glorious songs by Kander & Ebb and a witty and charming book by Rupert Holmes, is set in 1959 at Boston’s Colonial Theatre, where the entire cast and crew are suspects in a plucky local detective’s investigation into why the leading lady of a new musical mysteriously dropped dead on stage.

“It’s a really funny show, sending up murder mysteries and theatre groups, so that’s all three of my boxes ticked: I love comedy, I love musical theatre and I love whodunits!” says Alex, who first directed a show, The Pirates Of Penzance, for the now-defunct Jorvik Gilbert & Sullivan Company seven years ago.

“I think people should be attracted to Curtains by Kander & Ebb’s involvement. It’ll have the appeal of a classic musical; it’s very fast paced and very funny, but it has loads of tension as well, with all these characters who have different motives for murder.”

Steven Jobson as Lieutenant Frank Cioffi in Joseph Rowntree Theatre Company’s Curtains. Picture: Jennifer Jones

Scripted by Rupert Holmes, who was brought in after Peter Stone, the writer of the original concept and book, died in 2003, Curtains features a play within a play. A Western, cowboy accents and all, by the name of Robbin’ Hood.

“You think, ‘how extreme can I make it from real life?’, with the auditions needing to see if people could do both a generic American accent and Southwestern [American frontier] accent so that the audience can distinguish between characters in the play and characters in the play within the play,” says Alex.

Comedy is a key element in Curtains. “It doesn’t take itself seriously and in some ways it speaks more to the English sense of humour, in how it sends itself up, but what separates it from English humour is that what they say is much more direct, whereas in England, it’s all about what’s not being said!” says Alex.

Curtain call for a “show about theatre”

“Mind you, the director of the play within the play [Christopher Belling] is English and he’s very flamboyant, never holding back with his criticisms. I don’t think that if I took his approach there would be many people left in the company! I take a more compromising position.

“The director will be played by Ben Huntley, who’s been in our shows since Kiss Me Kate in smaller roles, so to give him this opportunity and see him shine in this principal role has been fantastic.”

Set up to raise funds for the Joseph Rowntree Theatre, JRTC has raised £23,000 from its productions so far, and once more proceeds will go the Haxby Road community theatre. “One of the advantages of this show, especially when we’re fundraising for the Rowntree Theatre, is that it’s a show about theatre, so we’ve made the theatre itself the set, with pretty minimal staging required for the play within the play,” says Alex.

Joseph Rowntree Theatre Company in Curtains, Joseph Rowntree Theatre, York, February 7 to 10, 7.30pm and 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Joseph Rowntree Theatre Company in rehearsal for Curtains. Picture: Mike Darley

Squash champ James Willstrop tackles ‘mad scientist’ role in Mel Brooks’s spoof horror musical Young Frankenstein in York

Following the science? James Willstrop as Dr Frederick Frankenstein, creator of the Creature in Pick Me Up Theatre’s Young Frankenstein. Picture: Jennifer Jones

YORK company Pick Me Up Theatre’s delayed northern premiere of Mel Brooks’s comedy horror musical Young Frankenstein opens at the Joseph Rowntree Theatre next Wednesday.

Unforeseen circumstances had forced the late postponement of last autumn’s run at the Grand Opera House, but rehearsals re-started in York in early December under the direction of Andrew Isherwood.

All the original principal cast chosen by Pick Me Up artistic director and designer Robert Readman was still available, not least former squash world number one James Willstrop in the lead role of mad scientist Dr Frederick Frankenstein, first played by Gene Wilder in Brooks’s 1974 horror-movie spoof of Mary Shelley’s 1818 novel Frankenstein.

“You hear of other shows where it’s happened, but it was a really sad feeling when we couldn’t do it as were just about to start our run,” recalls James.

“I was feeling pretty depressed afterwards, thinking ‘this show isn’t going to happen’ – and when people ask, ‘how are you feeling?’, it’s unusual to have to explain to anyone as it’s not ‘real life’, but you do feel really deflated.

Pick Me Up Theatre principals in Young Frankenstein: back row, from left, James Willstrop’s Dr Frederick Frankenstein, Helen Spencer’s Frau Blucher and Jennie Wogan-Wells’s Elizabeth Benning; front row, Jack Hooper’s Igor and Sanna Jeppsson’s Inga. Picture: Jennifer Jones

“But then we got this text from Bells [production management assistant and actress Helen Spencer] asking, ‘Can you do these dates?’, as Robert said we could go ahead with a new run.”

Out went Pick Me Up’s planned production of Chicago at the JoRo, replaced by Young Frankenstein. Rehearsals have been a matter of “going again”. “We had the best part of a month off when the last thing I was thinking of doing was listening to the soundtrack!” says James.

“It’s been a case of getting into the scenes again, with the choreography kept largely the same. Andrew has been really great on the detail, which actors love, and that’s been good. He’s trusted our instincts and he’s been very alive to the comedy.”

James, who made his Pick Me Up debut as Captain Von Trapp in The Sound Of Music in December 2022, has enjoyed becoming acquainted with Brooks’s parody songs.

“Going into the audition, I didn’t know a lot about the show, but I love Pick Me  Up and working with Robert, and I loved the opening number, The Brain, which I decided to learn for the audition.

James Willstrop: Men’s doubles squash gold medallist at the 2022 Commonwealth Games in Birmingham, his fifth Games

“A week out from the audition, I hadn’t been sure about the show, but by the time I did the audition, I was thinking, ‘this part is great, I’ve got to do it’!

“The first few times, listening to the soundtrack, it took me a while to get a feel for the songs, but then you realise they’re just great, simple songs. I love the tunes, they have a vaudeville quality, and the humour is always there.”

James, now 40, had first performed in “serious dramas” before branching out into musicals, and last year found him heading to the Cornish coast to play deluded mystery novel writer Charles Considine in Ilkley Playhouse’s production of Noel Coward’s supernatural comedy Blithe Spirit at the Minack Theatre.

“Doing that humorous role, and being tall [James is 6ft 4ins], with all the physicality that goes with that, just seemed to link perfectly to then playing Frederick Frankenstein,” he says.

. “It’s not subtle but it’s a great comedy genre,” says James Willstrop of Mel Brooks’s humour. Picture: Jennifer Jones

In Brooks’s spoof, the grandson of infamous scientist Victor Frankenstein, Dr Frederick Frankenstein, has inherited his family’s castle estate in Transylvania. Aided and hindered by hunchbacked sidekick Igor, Scandinavian lab assistant Inga, stern German Frau Blucher and needy fiancée Elizabeth, he strives to fulfil his grandfather’s legacy by bringing a corpse back to life.

Cue comedy in the bold Brooks style. “It’s lovely to be doing something silly, full of innuendos and jokes that some people might hate but are just daft,” says James. “It’s not subtle but it’s a great comedy genre,” 

James, whose father grew up in York, lives in Harrogate and now divides his time between coaching squash – and “still playing a bit” – at the Pontefract Squash and Leisure Club and performing on stage.

Coming next will be his role as recovering alcoholic Harry in Bingley Little Theatre’s production of Stephen Sondheim’s Company at Bingley Arts Centre, West Yorkshire, from July 1 to 6.

Pick Me Up Theatre in Young Frankenstein, Joseph Rowntree Theatre, York, January 31 to February 3 2024, 7.30pm plus 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk

Bev Jones Music Company branches out into classic rock with Steve Coates’s jukebox hits at Joseph Rowntree Theatre

The poster artwork for One Night Of Classic Rock at the Joseph Rowntree Theatre, York

THE BJMC [Bev Jones Music Company] is going into partnership with the newly formed Steve Coates Music Productions. First up will be January 20’s performance of One Night Of Classic Rock at the Joseph Rowntree Theatre, York.

“Steve is entering York’s amateur music scene with a sell-out show,” says delighted BJMC producer Lesley Jones. “The show has a waiting list for return tickets, such is its popularity. I think Steve simply came up with a brand new idea and it’s worked!”

Lesley first met Steve six years ago. “He’s not a music theatre fan, but after going to a show he said, ‘why can’t I do a rock show from my jukebox?’. After a few drinks he says I convinced him he could and the rest is history,” she says. “The next show is in the diary already and Steve is now contacting other venues in other towns.” 

Billed as a “one-of-a-kind production designed for true rock fans, featuring a passionate cast of singers and six-piece band, all paying tribute to their favourite rock heroes”, the 7.30pm show combines “an impressive sound and light show with thunderous anthems from everyone’s favourite rock bands”.

“Get ready to have your mind blown with the familiar classic riffs everyone remembers,” says Lesley. “The sound will be phenomenal with perfect harmonies, solid rock accompaniment and fabulous vocals.

For those about to rock: BJMC cast members in rehearsal

“All the songs are taken from Steve’s own jukebox – a real original – that includes AC/DC, Led Zeppelin, Meat Loaf, Tina Turner, Status Quo, Queen, Eagles, Fleetwood Mac, The Who, plus many more.”

The One Night Of Classic Rock band will be led by Mickey Moran, joined by fellow guitarists Eddie Oktay Stock and Liam Stevenson, keyboard player James Rodgers, saxophonist Sam Lightwing and drummer Jez Smith.

Moran will be among the lead vocalists too, alongside York Opera singer and dietician Annabel Van Griethuysen, Clare Meadley, Jack Storey-Hunter and Chris Hagyard, restored to full health after illness forced the last-minute cancellation of the BJMC’s Guy And Dolls last October.

The sixth principal vocalist will be former York Light Opera Company leading lady Ruth McNeil, who is a “massive rock performer” in her home city of Nottingham.

The backing singers will be Adele Barlow, Alison Laver, Linsey Dawn, Rosie King, James Noble and Sam Lightwing, when not on his saxophone. 

Annabel Van Griethuysen: Switching from opera to classic rock

Looking ahead, the BJMC’s partnership with Steve Coates will lead to performance programmes spanning a variety of music genres, from West End musicals to opera, jazz to cabaret, as well as this month’s newcomer: rock.

“Steve has also offered to produce our Les Miserables Youth Edition next January, which I’m looking forward to staging as a one-off youth production, open to all young singers in the North Yorkshire area, with no financial commitments required,” says Lesley.

The next BJMC classic rock night is booked for January 11 2025 at 7.30pm at the JoRo. “As this month’s show is holding a waiting list for any return tickets, maybe next January we’ll do a matinee as well or two nights,” says Lesley.

“Steve says that with the level of interest we’ve had, we must definitely consider extra dates. It’s a shame to have a list of disappointed potential audience members. However, he hopes to stage another show mid-year in another venue elsewhere in Yorkshire.” Watch this space.

As for January 20, ticketholders should “dig out those leathers and boots, grab a glass of beer or wine, and let’s rock the aisles,” says Lesley.

Pick Me Up Theatre to stage revived Young Frankenstein, now on the move to Joseph Rowntree Theatre after November call-off

Pick Me Up Theatre principals in Young Frankenstein: back row, from left, James Willstrop’s Dr Frederick Frankenstein, Helen Spencer’s Frau Blucher and Jennie Wogan-Wells’s Elizabeth Benning; front row, Jack Hooper’s Igor and Sanna Jeppsson’s Inga. All pictures: Jennifer Jones

YORK company Pick Me Up Theatre will stage the northern premiere of Mel Brooks’s musical Young Frankenstein  in the New Year after the late postponement of last autumn’s run at the Grand Opera House.

Andrew Isherwood has picked up the directorial reins for this stage conversion of Brooks’s comedy horror movie, produced in York by artistic director and designer Robert Readman.

Rehearsals re-started in early December for the January 31 to February 3 run at the Joseph Rowntree Theatre, York, with the original principal cast still in place and Helen Spencer assisting with production management.

“This show is by the creators of the record-breaking Broadway sensation The Producers,” says Robert. “The comedy genius Mel Brooks has adapted his legendary comedy film from 1974 into a brilliant stage show of Young Frankenstein. I saw the West End production and loved it.

Following the science: James Willstrop’s Dr Frederick Frankenstein in Young Frankenstein

“Every bit as relevant to audience members who will remember the original as it will be to newcomers, the musical has all the of panache of the screen sensation with a little extra theatrical flair added. Young Frankenstein is scientifically proven, monstrously good entertainment.”

In Brooks’s spoof, the grandson of infamous scientist Victor Frankenstein, Dr Frederick Frankenstein (pronounced “Fronk-en-steen”, he insists), has inherited his family’s castle estate in Transylvania.

Aided and hindered by hunchbacked sidekick Igor (pronounced “Eye-gore”), leggy lab assistant Inga (pronounced normally), devilishly sexy Frau Blucher (“Neigh”!) and needy fiancée Elizabeth (“Surprise”!), Frederick finds himself filling the mad scientist shoes of his ancestor.

After initial reluctance, his mission will be to strive to fulfil his grandfather’s legacy by bringing a corpse back to life. “It’s alive!”, he exclaims as his experiment yields a creature to rival his grandfather’s monster. Eventually, and inevitably, this new monster escapes.

Working in tandem with Thomas Meehan, Brooks gleefully reanimates his horror-movie send-up of Mary Shelley’s 1818 novel, Frankenstein, or The Modern Prometheus, with even more jokes, set-pieces and barnstorming parody songs that stick a pitchfork into good taste. Among those songs will be Puttin’ On The Ritz, Please Don’t Touch Me, He Vas My Boyfriend, The Transylvania Mania and There Is Nothing Like A Brain!, among many more Transylvanian smash hits.

Helen Spencer’s Frau Blucher and Jack Hooper’s Igor

Leading Pick Me Up’s cast will be former world squash champion James Willstrop, continuing his transfer from court to stage player as Dr Frankenstein after his Captain Von Trapp in Pick Me Up’s The Sound Of Music at Theatre@41, Monkgate, last Christmas.

Starring opposite him again will be Swedish-born Sanna Jeppsson (Maria in The Sound Of Music), here cast as Inga, while Jack Hooper, Mr Poppy in York Stage’s Nativity! The Musical in November 2022, will be Dr Frankenstein’s puppy dog of an assistant, Igor, “the classic Hammer Horror sidekick with a hump that keeps moving around”.

Helen Spencer (Mother Abbess in The Sound Of Music and Dolly Levi in Joseph Rowntree Theatre Company’s Hello, Dolly!) will play Frau Blucher, “the very stern housekeeper with surprising hidden depths”; Jennie Wogan-Wells, the Narrator in York Musical Theatre Company’s Joseph And The Amazing Technicolor Dreamcoat last May, will be ingenue Elizabeth Benning, Frankenstein’s fiancée from America. “Think Legally Blonde,” says Helen. “Very conscious of her image; very high maintenance, throwing a spanner in the works when she turns up.”

Craig Kirby (Tom Oakley in Pick Me Up’s Goodnight Mr Tom) will be in Monster mode and further roles will go to Tom Riddolls as Sgt Kemp, Sam Steel as Bertram Bartam and Andrew Isherwood, fresh from directing Agatha Christie’s And Then There Were None for Pick Me Up last September, can be spotted as The Hermit as well as directing.

Rivals for Dr Frankenstein’s affections: Jennie Wogan-Wells’s Elizabeth Benning, left, and Sanna Jeppsson’s Inga

A supporting ensemble will play Transylvanians, students and more besides. Choreography is by Ilana Weets and the orchestra will be led by musical maestro Sam Johnson.

Readman had to call off Pick Me Up’s Halloween double bill of Emma Reeves and Lucy Potter’s The Worst Witch and Young Frankenstein at the Grand Opera House due to unforeseen circumstances. It has not been possible to re-mount Rosy Rowley’s production of The Worst Witch, featuring a young cast, but Young Frankenstein will take over the JoRo slot allocated originally to Pick Me Up’s now jettisoned production of Chicago, whose principal casting was in place, but whose rehearsals were yet to start.

Helen Spencer is relishing the resumption of rehearsals for Young Frankenstein. “Ilana had already put us through a huge amount of tap-dancing work:  a very delayed return to tap in my case, having not done it since school, and she’s been very patient,” she says. “We’re having such fun again.

“Young Frankenstein is very silly with some brilliant numbers and really vibrant comedy, and we’re very lucky to have such amazing actors. Robert says it’s the best principal cast he could have wished for, such a safe pair of hands and so skilled that it would have been such a shame not to have done it. Thankfully we’re going ahead in January.”

Pick Me Up Theatre in Young Frankenstein, Joseph Rowntree Theatre, York, January 31 to February 3 2024, 7.30pm plus 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk

NEWSFLASHES…Curtains…The Hollywood Sisters…Joseph Rowntree Theatre Musical Theatre Awards…Musicals In The Multiverse…

Joseph Rowntree Theatre Company cast members for Curtains poke their heads out from beneath the JoRo curtain, which will fom part of the musical mystery whodunit’s set in February, along with the auditorium at large

JOSEPH Rowntree Theatre Company’s next show will be Curtains, the 2007 Broadway musical mystery comedy with a book by Rupert Holmes, lyrics by Fred Ebb, music by John Kander and additional lyrics by Kander and Holmes.

What’s the plot? Boston’s Colonial Theatre is host to the opening night performance of a new musical in 1959. When the leading lady – a fading Hollywood star and diva, who has no right to be one – dies mysteriously on stage, the entire cast and crew are suspects.

Enter a local detective – and musical theatre fan to boot – who tries to save the show, solve the case, and maybe even find love before the show reopens, all without being killed.

Delightful characters, a witty and charming script and glorious tunes await you from February 7 to 10 at 7.30pm nightly plus a 2.30pm Saturday matinee. In the cast will be Steven Jobson, Jennifer Jones, Jennie Wogan-Wells, Rosy Rowley, Jonathan Wells, Paul Blenkiron, Ben Huntley, Jennifer Payne, Anthony Gardner, Chris Gibson and Jamie Benson, among others.

Proceeds from ticket sales on 01904 501935 or at josephrowntreetheatre.co.uk will go to the JoRo.

The Hollywood Sisters: from left, Helen Spencer, Henrietta Linnemann, Rachel Higgs and Cat Foster

AFTER raising £1,000 for York Mind at their sold-out December 1 concert at Theatre@41, Monkgate, York close-harmony quartet The Hollywood Sisters – Helen Spencer, Cat Foster, Rachel Higgs and Henrietta Linnemann – will return there for another charity Christmas show with special guests next December. Watch this space for further details.

THE inaugural Joseph Rowntree Theatre Musical Theatre Awards will be launched formally in January. Watch this space.

Set up by the JoRo, the awards will run annually. “We’ve put out requests to all the companies that do full-book musicals in York, not specifically at the Joseph Rowntree Theatre,” says York actress, singer and director Helen Spencer, who is helping to run the awards with co-founder Nick Sephton. “At least seven companies have said they want to be involved.

“The way it works, each company nominates a judge; the judges will get together at the end of the year to decide who the winners are, with such categories as Best Actor, Best Actress, Best Director and Best Choreographer, and then the awards ceremony will be held at the Joseph Rowntree Theatre, Oscars style, in January.”

Explaining the concept behind the awards, Helen says: “The idea is to celebrate the amazing musical theatre scene we have in York and the amazing community we have that puts on these shows. This is a chance to celebrate all that creativity in our city.”

Scarlett Rowley in the first edition of Musicals In The Multverse at the Joseph Rowntree Theatre in June 2023

TO quote CharlesHutchPress, from the June 30 review,Musicals In The Multiverse turns out to be out of this world. A sequel will surely follow.”

Happy to report that this Joseph Rowntree Theatre Company revue will return to the JoRo in June 2024, dates yet to be confirmed.

Directed by Helen Spencer, the show’s modus operandi is “playful, radical too, and has the potential to be rolled out again,” as CharlesHutchPress wrote of June’s inaugural two-night run.

“Imagine alternative worlds – a multiverse – where musical favourites take on a new life with a change of gender, era, key or musical style, arranged with glee, joy and flourish after flourish by musical director Matthew Peter Clare for his smart band”. More details of the sequel will follow.