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REVIEW: Steve Crowther’s verdict on The Dream Of Gerontius, York Minster

Alex Ashworth: “Wonderful, resonant bass”. Picture: Debbie Scanlan

The Dream Of Gerontius, University of York Choir and Symphony Orchestra, York Minster, June 14

THE Dream Of Gerontius opened with a well-judged expansive orchestral Prelude; the ghost of Wagner ever present in the slowly unfolding haunting melodic lines.

The performance reminded me how surreal this instrumental journey is, quite radical really, as it closes in to greet Gerontius on his deathbed.

Joshua Ellicott’s dramatic opening Jesu, Maria, I Am Near To Death was imbued with both frailty and trepidation. Naturally, most of the vocal responsibility lies with the tenor role of Gerontius, and Mr Ellicott was simply imperious. He strove to deliver an unforgettable emotional and spiritual journey, one rich in dramatic effect and emotional depth.

The somewhat chilling opening aria was both passionate and persuasive, and the delivery of the later Sanctus Fortis, a musical statement of faith, was both powerful and compelling. Particularly musically pleasing was the way the opening aria bled into, seeped into the Kyrie Eleison.

It is not until the end of Part 1 that Gerontius is joined by the Priest, a wonderful, resonant bass, Alex Ashworth, who leads the processional Go Forth Upon Thy journey, Christian Soul. The closing…Through The Same, Through Christ Our Lord also had a wonderful, satisfying musical landing.

Part 2 opens with the Soul of Gerontius singing I Went To Sleep; And Now I Am Refreshed. Mr Ellicott delivered this beautifully, aided by the clarity of texture – muted strings, woodwind gentle, overlapping commentary.

Mezzo soprano Kitty Whately proved to be a worthy (female) Angel, the singer displaying a lovely, velvety tone. Her aria Softly And Gently was just heavenly. The dramatic highlight was, of course, when Gerontius sees God; a silence of shock and awe, orchestral explosion. Very effective indeed, particularly in this acoustic.

The orchestra and choir (often singing very demanding vocal lines such as Praise To The Holiest In The Height) were excellent throughout. The Minster acoustic is and was problematic; it tends to take more than it gives. Conductor John Stringer managed these huge forces plus soloists in this acoustic with exceptional musical skill, and a full-capacity audience seemed to agree.

Review by Steve Crowther

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York Mystery Plays Supporters Trust to perform The Barbours Play at Holy Trinity Church on Saturday and Sunday afternoon

Sally Maybridge’s John the Baptist and Michael Maybridge’s Jesus Christ with Helen Jarvis and Lydia McCudden’s angels in rehearsal for The Barbours Play at Holy Trinity Church

PAUL Toy directs the York Mystery Plays Supporters Trust community cast in The Barbours Play: The Baptism of Christ on Saturday at 2 pm and 4 pm and Sunday at 4.30pm.

This play from the York Cycle of Mystery Plays will be staged in a 20-minute performance of words and music in the garden of Holy Trinity Church, Goodramgate, York, as part of the St John’s Eve Festival.

Supporters Trust chair Linda Terry says: “We were delighted to respond to Holy Trinity’s invitation to stage a Mystery Play as part of the festival. In the church calendar, June 23 is the festival of St John the Baptist, hence our choice of play.  

“It is the only play in the cycle significantly featuring the Baptist. We hope to attract people to the performance who have not had chance to see a Mystery Play before, as well as those in the city already familiar with the tradition.”

In Toy’s cast will be Michael Maybridge as Jesus Christ and Sally Maybridge as John the Baptist, accompanied by Helen Jarvis and Lydia McCudden as angels.

Tickets cost £5, under-15s £2, with some availability at the gate on the day. Box office: ticketsource.co.uk/york-mystery-plays-supporters-trust/

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REVIEW: Martin Dreyer’s verdict on Véronique Gens & Susan Manoff at Leeds Leider Festival 2023

Soprano Veronique Gens and pianist Susan Manoff

Leeds Lieder Festival 2023: Véronique Gens & Susan Manoff, The Venue, Leeds Conservatoire, June 13

IT is a tribute to the stature of this festival that a soprano of the international calibre of Véronique Gens should wish to perform here. Her pianist Susan Manoff has partnered several French singers on a regular basis: her credentials in the mélodie repertoire are equally impressive. A purely French recital is extremely rare in these parts; for multiple reasons this was an unmissable event.

Half of the programme was devoted to early songs by Reynaldo Hahn, all written in the 1890s before he was 25. Three came from his cycle to poems from Leconte de Lisle, Études Latines (oddly titled, since most of the subjects are Greek). Néère had the feel of a rueful lament, whereas Lydé was a grand hymn to the softening pleasures of wine. In both, the piano was a little too obtrusive. Balance was better in Tyndaris, where Gens distilled eternity from its somnolent ending.

These three crystallised a problem that surfaced all evening: where Gens was undemonstrative, barely using her arms and leaving her shapely phrasing to provide atmosphere or drama, Manoff seemed determined to share her spotlight, often raising her hands above her shoulders by way of emphasis: she should let her fingers do the talking. Balance was too often not as smooth as it might have been, with Manoff over-emphatic; the piano lid might have been better on the short stick.

At the very end, Gens delivered a mighty climax to Hahn’s Le Printemps, giving a rare glimpse of what she delivers on the operatic stage. She had clearly been harbouring her resources until then. Naturally Manoff was with her every step of the way here.

Earlier we had heard two Gounod songs, including some fine coloratura in Où Voulez-Vous Aller? and a beautifully controlled ending to De Polignac’s Lamento, hoping against hope that a dear departed will return.

The duo excitedly conjured Chausson’s butterflies and cut loose in an ecstatic account of Fauré’s love-affair between butterfly and flower. His Ispahan roses were predictably fragrant too.

But the highlight was Duparc’s exquisite setting of Baudelaire’s L’invitation au Voyage. It contained everything that makes Gens a remarkable specialist in this repertoire. She made the words melt into the melodic line, caressing rather than stressing their optimistic evocation of hazy, lazy sunshine at the end of a voyage. The firmer second stanza enhanced the anticipation. Manoff’s rippling piano made an ideal underlay. This was mélodie perfection.

Later in the festival Graham Johnson delivered a compact, highly informative lecture-recital on Schubert’s song-cycle Die Schöne Müllerin. Extracts from more than a dozen songs were delivered with admirable clarity by the baritone George Robarts. Johnson accompanied these and played more examples besides, including glimpses of similarities in earlier Schubert songs.

It is fashionable to decry the poetic achievement of Wilhelm Müller in this cycle. Johnson not only demolished that argument by implication but more importantly showed how Schubert added layers of meaning to what is after all a tragic tale, the young lad drowning himself in the brook. It is doubtful whether any of his listeners will ever hear this cycle in quite the same way again.

Review by Martin Dreyer

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More Things To Do in York and beyond, in summer pumps and circumstances. Here’s Hutch’s List No.25 for 2023, from The Press

Opera singer Jennifer Coleman: Soprano soloist on song at York Proms

PROMS, outdoor festivals and carnivals, here comes the sun and summer fun as Charles Hutchinson reaches for the cream.

Outdoor event of the weekend: York Proms, Museum Gardens, York, Sunday, gates open at 5pm

BRITISH-IRISH soprano Jennifer Colemen, Opera North tenor Tom Smith and West End musical theatre singer, actress and TV presenter Shona Lindsay will be the soloists for Sunday’s York Proms.

Musical director Ben Crick conducts the 22-piece Yorkshire Festival Orchestra in a musical theatre tribute, from Rodgers and Hammerstein’s Carousel and Bernstein and Sondheim’s West Side Story through to Les Miserables and Wicked. The rousing Proms finale will be accompanied by The Fireworkers’ fireworks. Tickets update: sold out; waiting list for returns at yorkproms.com/contact.

Tom Smith: Tenor soloist at Sunday’s York Proms

Shakespeare Shorts: Twelfth Night, Barley Hall Great Hall, Coffee Yard, York, today, on the hour, every hour, from 11am to 3pm

SHAKESPEARE in only 15 minutes presents an immersive re-telling of Twelfth Night, the one with heaps of mistaken identities, cross-dressing and long-lost siblings.

Barley Hall’s costumed storyteller promises to “make simple a story that has even the characters confused, all while exploring themes of gender identity and the history of cross-dressing in theatre”. Barley Hall admission: barleyhall.co.uk.

Shakespeare Shorts: The artwork for the 15-minute Twelfth Night at Barley Hall

Strensall Community Carnival, Strensall Village Hall and Field, Northfields, Strensall, York, today, 12 noon to 5pm

BACK for its 8th year, Strensall Community Carnival has attractions for all the family, with a procession from Hurst Hall, a food court, 30-plus charity and business stalls and entertainment on the outdoor arena.

Look out for Ebor Morris, The Cadet Band, York Karaoke DoJo, Dynamics Band and Generation Groove in the arena; the Robert Wilkinson School Choir and Band and Mark’s Magic Kingdom Puppet Show in the main hall, and the Captivating Creatures animal show, medieval mayhem with the Knights of the Wobbly Table storytellers, Messy Adventures sensory play and Generate Theatre drama games in the outdoor space.

The Grand Old Uke of York: “Almost unplugged” at Stillington

Uke over there: The Grand Old Uke of York, At The Mill, Stillington, near York, tonight, 7.30pm

YORK collective The Grand Old Uke of York grace the At The Mill stage in an unusual twist to their norm: turning their usual set list on its head to bring gorgeous, pared-back vocals, buttery harmonies and ukuleles played with summery vibes – rather than their usual rock mode – to the garden.

Formed more than ten years ago, they love nothing more than to transform expectations of the ukulele’s bounds. Tonight is a rare chance to see the dynamic group stripped back and “almost” unplugged. Box office: tickettailor.com/events/atthemill/925922

 

Party time: Just Josh celebrates a decade of entertaining children’s parties with a JoRo show

Big kid of the weekend: Josh Benson: Just Josh’s 10th Birthday Party!, Joseph Rowntree Theatre, York, Sunday, 4pm

AFTER a decade of doing other kids’ parties, York family entertainer, magician and pantomime silly billy Josh Benson has decided he should have his own bash.

Expect all Just Josh’s usual mix of daft comedy chaos, magic, juggling, balloons, dancing and games, plus extra-special surprises. “It’s the perfect Sunday afternoon treat for the whole family,” he says. “Yes, even Dad. It is Father’s Day after all!” Ticket update: last few on 01904 501935 or at josephrowntreetheatre.co.uk.

The poster for York Printmakers’ summer showcase at Blossom Street Gallery

Exhibition of the week: York Printmakers: A Showcase, Blossom Street Gallery, Blossom Street, York, until July 31, open Thursdays to Sundays

SIXTEEN York Printmakers members demonstrate techniques and printing processes that date back hundreds of years through to those that push the boundaries of contemporary practice, with laser-cut plates, digital elements and 3D techniques.

Taking part are: Harriette Rymer; Lyn Bailey; Bridget Hunt; Carrie Lyall; Patricia Ann Ruddle; Jane Dignum; Jo Rodwell; Lesley Shaw; Phill Jenkins; Sally Parkin; Emily Harvey; Gill Douglas; Becky Long-Smith; Vanessa Oo; Sandra Storey and Rachel Holborow.

Two women up a hillside with ashes stuck to their trouser leg”: Terrain Theatre in Helen at Theatre@41

New play of the week: Helen, staged by Terrain Theatre/Theatre  503 at Theatre@41, Monkgate, York, Sunday, 7.30pm

HELEN is 40 when she loses her husband. Becca is 15 when her dad dies. Now it is only the two of them, what do they do next? From Maureen Lennon, the Hull-born writer of York Theatre Royal’s 2022 community play, The Coppergate Woman, comes Helen, a series of snapshots of their relationship’s joys and traumas, laughs and arguments over the next 40 years.

Presented by new northern company Terrain Theatre and directed by Tom Bellerby, this 85-minute play about love, death, grief, postnatal depression, eating disorders, alcoholism, dementia and cancer, and two women up a hillside with ashes stuck to their trouser leg, explores the thread that binds them together and the different ways they damage and save each other. Box office: tickets.41monkgate.co.uk.

The poster for the return of Mrs. Brown Rides Again: Heading to Hull in October

Comedy booking of the week: Mrs. Brown Ride Again, Hull Bonus Arena, October 27, 7.30pm, and October 28, 2pm and 7.30pm

BRENDAN O’Carroll and Mrs. Brown’s Boys will be back on stage in their “classic play” Mrs. Brown Rides Again from August to November. The only Yorkshire shows of the ten-venue tour with the television cast will be at Hull Bonus Arena in late-October.

Written by and starring O’Carroll as the beloved “Mammy”, the play finds Agnes Brown and her dysfunctional family romping their way through what seems to be her last days at home. After hearing of a plot by her children to have her put into a home, Agnes decides to prove them wrong by displaying a new lease of life. Box office: bonusarenahull.com.

The Prodigy: “Full attack mode, double barrel” at Leeds First Direct Arena this autumn. Picture: Andrea Ripamonti

Gig announcement of the week: The Prodigy, Army Of The Ants Tour, Leeds First Direct Arena, November 18

THE Prodigy’s Liam Howlett and Maxim will play Leeds on night three of their seven-date autumn arena tour after a spring and summer run of international festival headline dates. Support will come from Soft Play, the British punk duo of Laurie Vincent and Isaac Holman, formerly known as Slaves. 

“Army Of The Ants is a calling to The Prodigy peoples,” says Howlett. “We’re comin’ back for u the only way we know, full attack mode, double barrel.” Box office: tix.to/TheProdigy

Soft Cell’s Dave Ball and Marc Almond: Headlining Let’s Rock Leeds

Recommended but general and VIP admission sold out already: Let’s Rock Leeds, Temple Newsam, Leeds, today, gates 11am; 10.30pm finish

HOMECOMING Leeds duo Soft Cell and OMD top the bill at this retro festival. Tony Hadley, Midge Ure, Stray Cats’ Slim Jim Phantom, The Farm, The Real Thing, Roland Gift, Heatwave and Hue & Cry play too. For any form of tickets left, head to: letsrockleeds.com.

In Focus: York Light Opera Company in I Love You, You’re Perfect, Now Change, Theatre@41, Monkgate, York, June 27 to July 1

York Light Opera Company cast member Sanna Jeppsson

RIOTOUS, rude and relevant, Joe DiPietro and Jimmy Roberts’s off-Broadway musical comedy I Love You, You’re Perfect, Now Change looks at how we love, date and handle relationships.

In a revamp of the original 1996 production, York Light Opera Company stage this witty hit show with a cast of seven under the direction of Neil Wood, fresh from his menacing Sweeney in Sweeney Todd: Demon Barber Of Fleet Street. Martin Lay provides the musical direction for the two 7.30pm peformances and 2.30pm Saturday matinee.

Noted for its insights into human nature and catchy-as-a-Venus-flytrap songs,  I Love You, You’re Perfect, Now Change explores the joys and challenges of love in songs that chart the heart’s path from dating to marriage to divorce.

Guiding audiences through a series of comedic and poignant vignettes will be Richard Bayton, Emma Dickinson, Monica Frost, Emily Hardy, James Horsman, Sanna Jeppsson and Mark Simmonds.

Cue shocks, surprises and songs aplenty as our love lives are reflected in art, up close and personal. Box Office tickets.41monkgate.co.uk

The poster for York Light Opera Company’s I Love You, You’re Perfect, Now Change