Move over Night Fever, here comes Day Fever daytime dancing at York Barbican

Jonny Owen and Vicky McClure: Two of the co-founders of the Day Fever daytime dancing phenomenon that hits York Barbican tomorrow

LET Line Of Duty and Trigger Point star Vicky McClure introduce Day Fever, tomorrow’s disco-dancing destination of choice at York Barbican from 3pm to 8pm. Yes, you read that right, 3pm to 8pm.

“It feels like a massive house party at your nan’s. No drama, no egos, just people acting daft, getting dressed up, and having the best time,” says Nottingham actress Vicky, who launched this daytime clubbing phenomenon with filmmaker and broadcaster husband Jonny Owen, Reverend & The Makers frontman Jon McClure (no relation), his brother Chris McClure and Sheffield businessman James O’Hara at Christmas 2023.

From its debut in the Sheffield City Hall Ballroom to a nationwide tour that sees thousands hit the dancefloor each month, the message remains the same: people everywhere are craving a space to let loose, laugh and dance, all before 8pm

“It started as a WhatsApp idea,” says Jon McClure. “Jonny [Owen] just said, ‘A daytime disco, how good would that be?’ We’re all a bit nuts, so we just said, ‘Come on then’!”

What began as a spark of an idea among friends has turned into a full-blown national movement, and after a record-breaking September, the good times are rolling into November before the team turns up the tinsel for a Christmas takeover when Day Fever will transform into Sleigh Fever.

Should you feel that your clubbing days are behind you, think again with Day Fever. No dress code, no pressure, and the hangover is optional; just wall-to-wall feel-good tunes and an open invitation to dance like nobody’s watching.

Looking forward to this weekend, Jonny says: “It’s our first one ever in York. It’s been a city that we’ve been looking to come to for quite a long time. Jim (O’Hara), our business partner on this, has worked hard to make it happen. He was a big fan of coming to York. He said it’s a great city to go for a day out and a night out.

“Obviously a famous tourist city too; I’ve been there myself, so the idea was to take it to York and the ticket sales have been fantastic, so it was the right decision.”

Jonny partly puts Day Fever’s popularity down to Vicky’s impact. “She has an amazing following, because of her acting and the work she does with the Dementia Choir, so Vicky’s brought a lot to it and people trust her. It’s just something that’s really connected,” he says.

“There are a myriad of reasons, I think, why people really enjoy it, from people wanting to go out earlier in the day, if they’re a bit older, to the fact that you’re going out dancing and socialising and listening to great music, but I do think at the very apex of it all is definitely Vicky and her connection with people. Her  mantra is always that music is medicine.”

Vicky says: “When we started, it was addressed to people over 30 but we very quickly scrapped that.  People came and they came with their families, mothers and daughters and aunties and nieces. The thing is, the hits are still the hits today. Motown or disco, those kind of tracks, they’re known across the world as songs that will never die.

“Then we’ve got a great Nineties’ section as well, which hits a slightly younger audience, so from my nephew, who’s 18, to people in their late-80s; it really is for everybody.”

From Nottingham to Newcastle, Glasgow to York today, every Day Fever event has its own flavour. Local DJs who know their crowds keep the energy high with a nostalgic mix of Northern Soul, disco, indie and Nineties’ classics. “If Vicky’s there, we have to play Whitney, it’s non-negotiable!” says Jon.

“With our DJs, it sounds like a football team,” says Jonny. “We’ve got a stable of people who are very good and they do tend to be more localised; often we use local presenters…people who are very experienced, who know how to speak to a crowd, play the right music.

“We encourage people to come up on stage and dance, a bit like the old days on Top Of The Pops used to be, right in the centre of it. We know that these events are going to go off brilliantly if people play the right stuff.”

What you wear is all part of the fun. “What I love about Day Fever is that some people will get absolutely dressed up to the nines,” says Vicky. “Some people will do fancy dress; somebody came to Day Fever in London not so long ago in an inflatable giraffe! They got in without any bother!

“Basically, it’s not really got a dress code, and I think people love having the option of not being forced into feeling you’ve got to be dressed up. I always wear trainers, and I wanna dance, and I can’t dance in heels. So it’s joggers, a T-shirt, some trainers. I’m super-comfy.

“I don’t care if I look silly or people are taking pictures. I get lost in the music – and it’s not just me, it’s everybody getting lost in it.”   

From December, Day Fever will don its festive finery for its rebrand as Sleigh Fever, a run of special Christmas editions that promise all the usual joy, dancing and daftness, sprinkled with extra sparkle, singalongs and seasonal surprises.

Expect glitter, Santa hats, Mariah moments, and maybe even a mince pie or two on the dancefloor. As Jon puts it: “It’s like a wedding party where everyone actually wants to be there, only this time, Santa’s invited too.”

Day Fever, York Barbican, tomorrow (22/11/2025), 3pm to 8pm. Box office:  https://www.yorkbarbican.co.uk/whats-on/day-fever/ 

There’s no place like this home as Castle Howard goes down the Yellow Brick Road for The Wonderful Wizard Of Oz

York actress Maria Gray puts on a dazzling display of green in Emerald City High Street in the Long Gallery at Castle Howard. Picture: Tom Arber

CLW Event Design began working on The Wonderful Wizard Of Oz as long ago as January, and now the Yellow Brick Road is stretching through the rooms and corridors of the transformed North Yorkshire country house to dazzling effect.

Headed up by Charlotte Lloyd Webber and York-based Adrian Lillie, working in tandem with Leeds theatre company Imitating The Dog, this immersive experience is on the grandest scale yet since Castle Howard first partnered with CLW Design in 2017.

Huge set pieces were fabricated and built on the Castle Howard Estate before being moved into the house in an installation process that took ten days to complete, requiring 30,000 baubles to be put on display, while the creative team has reused and recycled products where possible and favoured more sustainable materials such as paper and glass.

There really is no place like this home, now dressed in set pieces, decorations, floristry, projections, lighting and soundscapes that culminate in the show-stopping Emerald City High Street in the Long Gallery, with its life-size fabricated shop fronts inspired by York and Malton’s  Shambles (or Harry Potter’s Diagon Alley, if you insist).

The Wonderful Wizard Of Oz creative team in the Great Hall at Castle Howard, led by CLW Event Design’s Charlotte Lloyd Webber and Adrian Lillie. Picture: Tom Arber

Look out too for Castle Howard’s famous 28-foot Christmas tree that sparkles in the Great Hall, installed by a team of 30 using a specialist forklift and winch system. 

Unique musical compositions accompany each room in the house, alongside the soundscapes that bring the narrative from the original book to life.

The momentum provided by Wicked and now this week’s opening  of Wicked: For Good made The Wizard Of Oz the ideal choice for the 2025 show; momentum further buoyed by Castle Howard receiving the Historic House Restoration of the Year award at Sotheby’s for its 21st Century Renaissance project, topped off by the unveiling of the lost Tapestry Drawing Room.

The journey down the yellow brick road is all the more magnificent for this once-in-a-generation transformation as Castle Howard enters its busiest time of the year, when as many as 100,000 visitors will enter the building: one third of the year’s total, condensed into the Christmas season.

The Wicked Witch of the West in Christmas at Castle Howard with The Wonderful Wizard Of Oz. Picture: Celestine Dubruel

“We’re very much thinking about the house whenever we decide what to do, and this time we’ve gone back to L Frank Baum’s original 1900 story, which seems to fit really well with the house, designed by playwright John Vanbrugh,” says Adrian.

“So some things will be new to you that differ from the 1939 film. Like the slippers being silver, not ruby, and we feature all four witches [whereas the film combined the Good Witch of the North and Glinda the Good Witch of the South into one character, Glinda].

“We’ve also played with colours, so each territory has a tone, such as blue for the Munchkins, yellow for the Winkies [as opposed to green in the Judy Garland film], red for the Quadlings, and white for Glinda, the Good Witch of the North.”

In the original story too, everything looked green in the Emerald City as everyone was equipped with green glasses to look through, another detail acknowledged amid The Wonderful Wizard Of Oz props.

The Wicked Witch Of The West in an Andy Warhol-style portrait in The Wonderful Wizard Of Oz at Castle Howard. Picture: Celestine Dubruel

CLW Event Design continues to set itself ever bigger challenges for the Christmas season, this year expanding its portfolio from three to six sites: Castle Howard, Bamburgh Castle; Kensington Palace, Polesden Lacey, Beaulieu, and Chiswick House.

Castle Howard remains the jewel in the crown. “We are always developing our team, and in the week leading up to Castle Howard, we had 18 people working here, and 23 on the night before we opened, including the Imitating The Dog team,” says Adrian. “What I’m most proud of is that our team has really delivered. I was nervous at the beginning as to whether we could do it, but we’ve pulled it off.”

Charlotte adds: “I have to say the most spectacular achievement is the Emerald City High Street that transforms the Long Gallery into The Wizard Of Oz’s Shambles.”

Detail is important and so is humour, typified by Imitating The Dog’s soundscape. “We do have our Dorothy with a North American accent, but just as we had a Yorkshire-voiced Peter Pan, we now have a Good Witch of the North with a Yorkshire accent,” says Charlotte.

There’s no place like home: Dorothy’s bedroom in The Wonderful Wizard Of Oz at Castle Howard. Picture: Celestine Dubruel

The Wonderful Wizard Of Oz draws on source material aplenty. “There are more than 14, maybe 17 books in L Frank Baum’s series. I got through four books, then I stopped,” says Adrian. “You have to extrapolate and you have to make sure all the magic parts are in there, but it’s good to go back to the roots and look at how it would fit into the house.

“The thing that we were very clear about from the start was that we really wanted to embrace this year’s redecoration of the house to integrate it into our design and we have certainly done that.”

Summing up this year’s wizard show, and the creativity that went into it, Adrian says. “Out of the six Christmas shows that we’ve done this year, this would always be the project that we would be working on up to the last minute. It’s just the scale of this house and our ambition as artists that demands we do that.”

CLW Event Design’s The Wonderful Wizard Of Oz dazzles at Castle Howard, near York, until January 4. Tickets: castlehoward.co.uk.  

The poster for Christmas at Castle Howard with The Wonderful Wizard Of Oz

Christmas at Castle Howard events

Christmas at Castle Howard with the Wonderful Wizard Of Oz, in the House, until January 4

Father Christmas in the Castle, in the House, November 22 to December 24

Santa’s Grotto in the Boathouse, December 6 to 24

Oz Twilight Tours, November 28, December 5, December 12 and December 19

Wreath Making Workshops, in the Garden Centre, available selected Thursdays and Fridays, November 20, 21 and 28; December 11 and 12

Christmas Afternoon Tea, in the House, until December 31

Accessible Events

CASTLE Howard is offering an expanded series of accessible events to open The Wonderful Wizard Of Oz immersive experience to even more people, including British Sign Language- interpreted shows and Calm Sessions.

Calm Sessions

Saturday, November 15, 9.30am to 10.30am

Tuesday, November 25, 2.30pm to 3.30pm

Friday, December 19, 5.30pm to 6.30pm

Thursday, January 1, 3.30pm to 4.30pm

BSL Interpreted Session

Saturday, December 13, 11am and 3pm

Follow the Yellow Brick Road through Castle Howard with The Wonderful Wizard Of Oz. Picture: Tom Arber

Touch Boxes

AVAILABLE in select rooms as part of the Christmas at Castle Howard with The Wonderful Wizard Of Oz experience. Touch boxes are sensory objects creatively designed to tell the story of the space and are available for anyone who would like to use them as part of their experience. Available to everyone on the day of their visit.

Father Christmas in the Castle

Relaxed performance: Friday, December 19, 6.30pm

Santa’s Grotto in the Boathouse

Relaxed performance: Saturday,  December 6, 4.40pm

BSL-interpreted performance:  Saturday, December 13, 10am

Did you know?

CASTLE Howard has employed 100 additional Christmas staff from the area to facilitate its Christmas event, on top of their year-round staff. They are supported by a team of 200 volunteers too.

Did you know too?

CASTLE Howard  is hosting a Bettys shop in the Stable Courtyard for the duration of the Christmas event, selling confectionery, chocolates, teas and coffees. alongside Castle Howard’s Farm Shop with Christmas food-to-order service, Courtyard Café with seasonal winter menu, Garden Centre selling British-grown Christmas trees and marshmallow fire pit are open too for Christmas shoppers.

And finally

A DOCUMENTARY film crew has followed the Christmas creative team, CLW Event Design, as they prepare Castle Howard’s Christmas experience. The documentary will be broadcast in the Christmas At… spotlight on Channel 4 this winter, although the dates are yet to be confirmed.

REVIEW: Paul Rhodes’s verdict on Sons Of Town Hall, Selby Town Hall, November 14  

Sons Of Town Hall become the Sons Of Selby Town Hall for one night only. All pictures: Paul Rhodes

LIKE a pair of salty stormcocks, the duo Sons Of Town Hall seem to like singing in a gale. Two years ago they sang in the snow in Robin Hood’s Bay. Last Friday, with Storm Claudia sheeting down outside, this well-travelled pair produced what must be one of the gigs of the year at this fine old venue where the sound is always immaculate.

Ben Parker and David Berkeley are frequent autumn visitors to these shores. Their act (it is far more than a set of 15 songs) combines wonderfully timed humour with thoughtful, varied songs that are part heartbreak and part brothel and tavern.

They talked and sang about their hardships on the sea and the land (a fair metaphor for any working musician in the 21st century), but time and time again they find their moment in the sun on stage.

Tall tales in Sons Of Town Hall’s concert at Selby Town Hall

While Sons Of Town Hall seem to operate largely under the commercial radar, they find their audience by word of mouth (and the behind-the-scenes efforts by promoters such as Hurricane Promotions’ James Duffy).

Parker and Berkeley are more business-savvy than they let on, of course, and they have crowd-funded a very popular podcast and produced an album made to the highest production standards.

Audiences love them: this pair are twinkle-toed heartbreakers. The boots and hats may be old, but the concept still feels fresh as a night breeze.

Sons Of Town Hall delivering “new jokes (finally!) and, even better, fresh songs, newer even than those on their latest record”

This concert had something for everyone. For the uninitiated, there was the camaraderie, the bromance, the vaudevillian humour and the tall tales and heart-stopping songs.

For those who have seen them before in different times, under different skies, there were new jokes (finally!) and, even better, fresh songs, newer even than those on their latest record (Of Ghosts And Gods, out this month, finally!).

These newer tunes seem to be pulling in a more commercial direction, Bossman being the pick (and better than the Gordon Lightfoot song of the same name).

“There was the camaraderie, the bromance, the vaudevillian humour and the tall tales and heart-stopping songs,” says reviewer Paul Rhodes of Sons Of Town Hall’s performance

Parker and Berkeley have jostled with the setlist since they played in Ripon in May. Antarctica, their “hit” from the 1910s, was present and timeless, and older tunes such as Poseidon made welcome returns.

While their close-knit harmonies are their trademark, their musicianship is also of the highest order. How To Build A Boat was a good example. With their interlocking, separate vocal lines and clever use of their guitar necks and bodies to mimic the build, they inject magic. They also work themselves into a lather, never better than on the old gospel number I Saw The Light

We ended as is their custom, without microphones and up close on Cobbler’s Hill, their voices reaching upwards into the storm.

Review by Paul Rhodes

What’s On in Ryedale, York and beyond. Hutch’s List No. 49, from Gazette & Herald

Adrian Lillie and Charlotte Lloyd Webber, of CWL Design, standing by the 28ftChristmas tree in the Great Hall at Castle Howard, where their Wonderful Wizard Of Oz immersive experience enchants until January 4. Picture: Tom Arber

SNOW storms with clowns, Castle Howard’s immersive Wonderful Wizard Of Oz and Count Arthur Strong and Adam Z Robinson’s solo takes on A Christmas Carol put the ‘yes’ into November for Charles Hutchinson.

Christmas transformation of the week: The Wonderful Wizard Of Oz, Castle Howard, near York, until January 4

CASTLE Howard becomes an immersive Christmas experience, dressed in set pieces, decorations, floristry, projections, lighting and sound for The Wonderful Wizard Of Oz, set to delight tens of thousands of visitors over a seven-week period.

Created by CLW Event Design, headed up by Charlotte Lloyd Webber and Adrian Lillie, the show-stopping Emerald City High Street in the Long Gallery is a highlight of this winter’s transformation, with life-size fabricated shop fronts inspired by York’s Shambles, while the 28ft Christmas tree sparkles in the Great Hall. Leeds theatre company Imitating The Dog has provided the projections and soundscapes. Tickets: castlehoward.co.uk.  

Slava’s SnowShow: Arrival in York coincides with forecasts of snow across the North

Weather forecast of the week: Slava’s SnowShow, Grand Opera House, York, 7.30pm, today to Saturday; 2.30pm, tomorrow and Saturday; Sunday, 2pm and 6pm

ENTER an absurd and surrealistic world of “fools on the loose” in Slava Polunin’s  work of clown art, wherein each scene paints a picture: an unlikely shark swimming in a misty sea; clowns and the audience tangled up in a gigantic spider’s web; heart-breaking goodbyes with a coat rack on a railway platform, and audience members being hypnotised by giant balloons. The finale is an “out-of-this-world snowstorm”. Box office: atgtickets.com/york.

Kerry Godliman: Welcome to the life of a middle-aged woman who has outsourced her memory to her phone in Bandwidth. Picture: Aemen Sukka, of Jiksaw

Straight-talker of the week: Kerry Godliman: Bandwidth, York Theatre Royal, tonight, 7.30pm

WHILE parenting teenagers, bogged down with knicker admin and considering dealing HRT on the black market, Kerry Godliman can’t remember what was in her lost mum bag after outsourcing her memory to her phone. Welcome to the life of a middle-aged woman who lacks the bandwidth ​for any of this.

Godliman, comedian, actor, writer, podcaster and broadcaster, from Afterlife, Taskmaster and Trigger Point, builds her new stand-up show on straight-talking charm and quick wit. Box office: 01904 623568 or yorktheatreroyal.co.uk.

York artist Lesley Birch at work in her studio for her Flower Power exhibition at Pyramid Gallery, York. Picture: Esme Mai Photography

Blooms of the week: Lesley Birch: Flower Power and Jacqui Atkin: Ceramics, Pyramid Gallery, Stonegate, York, until mid-January 2026, Monday to Saturday, 10am to 5pm  

LESLEY Birch is showing 22 paintings from her Flower Power series in an exhibition that coincides with the publication of her small artbook of the same title by independent York publisher Overt Books, also featuring Esme Mai’s photographs of Lesley’s home studio and the York artist’s free-verse musings. On show too are Pottery Showdown potter Jacqui Atkin’s ceramics.

Dickens of a good show: Count Arthur Strong Is Charles Dickens in A Christmas Carol, York Barbican, tomorrow, 8pm; Whitby Pavilion Theatre, November 23, 7.30pm; Scarborough Spa Theatre, November 27, 8pm  

IN response to public pressure, doyen of light entertainment and raconteur Count Arthur Strong is extending his fond farewell with new dates aplenty for his one-man interpretation of A Christmas Carol, performing his own festive adaptation in the guise of literary great and travelling showman performer Charles Dickens. Box office: York, yorkbarbican.co.uk; Whitby, whitbypavilion.co.uk; Scarborough, scarboroughspa.co.uk.

Gerard Hobson: Cut out for three days of Christmas art

Christmas exhibition of the week: Gerard Hobson, 51, Water Lane, Clifton, York, Friday and Saturday, 10am to 4pm; Sunday, 12 noon to 4pm

YORK printmaker Geard Hobson’s artwork comprises hand-coloured, limited-edition linocut prints and cut-outs focused on nature and wildlife, inspired by the countryside around where he lives in York.

As well as prints and bird, animal, tree and mushroom cut-outs, he creates anything from cards, mugs, cushions and coasters to chopping boards, lampshades, tea towels, notepads and wrapping paper. This week’s festive exhibition focuses on Christmas gifts, cards, prints and cut-outs.

Mexborough poet Ian Parks holding a copy of his new book The Sons Of Darkness And The Sons Of Light. The Basement at City Screen Picturehouse awaits on Friday

Word-and-song gathering of the week: Navigators Art presents An Evening with Ian Parks and Friends, The Basement, City Screen Picturehouse, York, Friday, 7.30pm

YORK arts collective Navigators Art plays host to An Evening with Ian Parks and Friends, where Parks reads from his new collection, The Sons Of Darkness And The Sons Of Light, and will be in conversation with Crooked Spire Press publisher Tim Fellows.

Joining Parks will be award-winning York novelist and poet Janet Dean, poet and critic Matthew Paul and singer-songwriter Jane Stockdale, from York alt-folk trio White Sail. Tickets: £5 in advance at bit.ly/nav-events or £8 on the door from 7pm.

Rant: Scottish quartet of fiddle players heads for Helmsley Arts Centre

Fiddlers of the week: Rant, Helmsley Arts Centre, Friday, 7.30pm

SCOTTISH chamber-folk fiddlers Rant return to the road after releasing third album Spin last year, featuring their ambitious, bold and reflective reinterpretation of influential tracks by bands and players from across the globe from their formative years.

In the line-up are Bethany Reid, from Shetland, Anna Massie and Lauren MacColl from the Highland peninsula of the Black Isle, and Gillian Frame, from Arran, whose live set reflects years of honing their sound together and their love for the music of each home region through their writing, repertoire and stories. Box office: 01439 771700 or helmsleyarts.co.uk.

Adam Z Robinson: Playing Scrooge and 27 more characters in A Christmas Carol at Helmsley Arts Centre

Ryedale solo show of the week: The Book of Darkness & Light Theatre Company in A Christmas Carol, Helmsley Arts Centre, Saturday, 7.30pm

MARLEY was dead.. to begin with. So starts The Book of Darkness & Light Theatre Company’s ghostly staging of Charles Dickens’s festive tale, performed by Adam Z Robinson, whose solo adaptation “teases out the gothic aspects” and requires him to play 28 characters.

Join miserly misery Ebenezer Scrooge on a supernatural journey into the past, present and yet-to-come. The chilly atmosphere of Victorian London is brought to life and the spirits of Christmas return from the dead, all through the spellbinding art of storytelling that combines gripping narration with eerie recorded voices and an immersive soundscape. Box office: 01439 771700 or helmsleyarts.co.uk.

Becky, left, and Rachel Unthank: Playing All Saints Church, Pocklington, this weekend

Recommended but sold out already: The Unthanks At 20, All Saints Church, Pocklington, Saturday, 7.30pm

POCKLINGTON’S Hurricane Promotions bring North Eastern folk band The Unthanks to All Saints Church as part of their 20th anniversary scaled-back, intimate series of shows in support of “today’s best small venues”.

 The Unthanks play Pocklington fresh from singing sisters Rachel and Becky Unthank and pianist Adrian McNally being part of the cast of eight for the October 22 to November 2 theatre piece for Bradford UK City of Culture 2025, creating and performing the music for Javaad Alipoor’s staging of York author Fiona Mozley’s Booker Prize-shortlisted novel, Elmet.

The show poster for The Sounds Of Simon at the Kirk Theatre, Pickering

Tribute show of the week: The Sounds Of Simon, The Music of Paul Simon and Art Garfunkel, Old Friends, Kirk Theatre, Pickering, Saturday, 7.30pm

THE Sounds Of Simon, the UK’s longest-running tribute to Paul Simon and Art Garfunkel, takes a musical journey from their years as Simon and Garfunkel to the successes of their solo careers, as they explore the friendship that led to songs such as Mrs Robinson, The Sound Of Silence and Bridge Over Troubled Water,   onwards to You Can Call Me Al, Graceland and Garfunkel’s Bright Eyes.

The show incorporates elements of the duo’s famously fractious relationship, as well as replicating their beautiful harmonies, complemented by video clips, stories and memories from more than 50 years. Box office: 01751 474833 or kirktheatre.co.uk.

Scott Bradlee’s Postmodern Jukebox to play York Barbican on The Future Is Vintage tour next May. When do tickets go on sale?

Scott Bradlee’s Postmodern Jukebox

SCOTT Bradlee’s Postmodern Jukebox will return to York Barbican on May 29 2026 on The Future Is Vintage world tour across the UK, Europe, Australia and New Zealand.

Tickets go on sale at 11am on Friday (21/11/2025) at https://www.yorkbarbican.co.uk/whats-on/pmj-2026/.

Founded by New York-based pianist Scott Bradlee in 2011, his rotating collective of singers, dancers and instrumentalists will perform a new retro-futurist show in the troupe’s signature time-twisting style.

After playing York Barbican on their Moonlight & Magic World Tour on May 7 this spring, Postmodern Jukebox will put a retro spin on everything from 1970s’ rock classics and Britpop hits to present-day chart toppers and movie and video game soundtracks in The Future Is Vintage. 

Combining a heavy dose of danceable numbers with jaw-dropping showstoppers, the show “works equally well as the perfect date night or family outing”.

Founder and arranger Scott Bradlee says: “In the midst of the AI hype all around us, some folks have gone so far as to proclaim that in the not-so-distant future, all of the music that we listen to will be AI generated.

“We’ll gladly take the other side of that wager. On the 2026 Postmodern Jukebox UK tour, we’re humbly presenting our own unique vision of a spectacular future; one that is built upon the timeless musical genres of the past and the authentically human spirit of creativity that inspired them.”

Dress in your vintage best for the full time-travel experience, Bradlee advises.

Ian Parks tops Navigators Art & Crooked Spire Press line-up at The Basement, City Screen. Who else is on November 21 bill?

Poet Ian Parks with his new collection The Sons Of Darkness And The Sons Of Light

YORK arts collective Navigators Art plays host to An Evening With Ian Parks and Friends on November 21 at The Basement, City Screen Picturehouse, York, presented in  tandem with Crooked Spire Press.

“This is one for lovers of poetry and folk music,” says organiser Richard Kitchen. “Ian is a widely published and much admired poet from Mexborough, described as ‘the finest love poet of his generation’, although his work vigorously addresses the political as well as the personal.”

Parks will be reading from his new collection, The Sons Of Darkness And The Sons Of Light, published in October. In addition, he will be in conversation with Crooked Spire Press publisher Tim Fellows.

Joining Parks will be his chosen guests, award-winning York novelist and poet Janet Dean, poet and critic Matthew Paul and singer-songwriter Jane Stockdale, from York alt-folk trio White Sail.

Navigators Art’s poster for An Evening with Ian Parks and Friends

Parks is the author of Selected Poems 1983-2023 and the editor of Versions Of The North: Contemporary Yorkshire Poetry. He has run the Read To Write Project in Doncaster for a decade.

His translations of the modern Greek poet Constantine Cavafy were a Poetry Book Society Choice.He has been a Hawthornden Fellow since 1991 and has held residencies at Gladstone’s Library, De Montfort Leicester and Hawkwood College, Stroud.

His poems have appeared in The Times, Poetry Review, the Independent On Sunday, Morning Star and Poetry (Chicago) and have been broadcast on BBC Radio 3.

Poet and novelist Janet Dean/Janet Dean Knight explores contemporary themes through the prism of history. She is widely published in anthologies and magazines in print and online.

Poet and critic Matthew Paul

Poet and critic Matthew Paul, originally from South London, now lives in South Yorkshire. His second poetry collection, The Last Corinthians, was published by Crooked Spire Press this year, following The Evening Entertainment (Eyewear Publishing) in 2017.

Paul is the author of two haiku collections, The Regulars (2006) and The Lammas Lands (2015) , and co-writer/editor (with John Barlow) of Wing Beats: British Birds In Haiku (2008) a Guardian book of the year, all published by Snapshot Press.

He co-edited Presence haiku journal, has contributed to the Guardian’s Country Diary column and posts blogs at www.matthewpaulpoetry.blog.

Singer-songwriter and poet Jane Stockdale is a skilled multi-instrumentalist who loves performing a cappella too.

Crooked Spire Press is a new independent publisher based in Chesterfield. Edited by Tim Fellows, it focuses on poetry pamphlets, collections and anthologies.

York singer-songwriter and poet Jane Stockdale

In 2025, it has published an anthology of poems from The Fig Tree as well as  Matthew Paul’s The Last Corinthians and Ian Parks’s The Sons Of Darkness And The Sons Of Light, and will publish a further anthology of poems, based around coal mining.

Published every two months in the north, The Fig Tree is a vibrant online poetry magazine that reflects the diversity of modern life while looking back on childhood memories, working life, the natural world and family history.

The Fig Tree encourages poems in all forms that explore the relationship between poetry and the visual arts, poems that explore the tensions inherent in politics and the nature of the human condition.

“The bar will be open on Friday night and we hope to adjourn for a chat after the show with anyone who’d like to join us,” says Richard. Books will be available to buy. Tickets for this 7.30pm event cost £5 in advance at bit.ly/nav-events or £8 on the door from 7pm.

Navigators Art’s Folk & Words at The Artful Dodger, Micklegate, York, November 20

Navigators Art’s poster for this autumn’s series of Folk & Word events

ON Thursday (20/11/2025) – and on the third Thursday of each month – Navigators Art play host to Folk & Word in The Artful Dodger’s function room, in Micklegate, York, at 7.30pm.

“This is a low-key and warmly welcoming open-mic night where writers and acoustic folk musicians can present new and original work,” says Richard Kitchen. “Each month we invite a poet and a musician to co-host the evening and bring a guest performer; then the floor is open to the audience. 

“Come and enjoy the safe, calm, friendly vibes of this unique monthly event. Entry is free with a purchase from the bar. Sign up from 7pm if you’d like to speak or play. Access is by the stairs only as it’s a listed building.” 

Explaining the modus operandi of Folk & Word, Richard says: “Time and ethos-wise, it fits somewhere between the long-running York Spoken Word, held monthly at The Exhibition, in Bootham, and the bi-monthly Howlers sessions at the Blue Boar, in Castlegate, with the bonus of a musical element.

“Although open-mic events are everywhere these days, not many highlight poetry and acoustic sounds, so we’re focusing on people with words to perform, whether spoken or sung – and spoken word can include stand-up comedy as well as poems! 

“It’s developing into a small cosy club. Everyone is supportive of each other and it feels good for one’s mental health. People leave feeling at peace, even if they move on to the bigger, noisier Thursday events elsewhere!”

Navigators Art co-founder Richard Kitchen

Navigators Art: back story


LOOSE collective of York creatives that embraces visual art, spoken and written word, live music and community projects.

“We’re passionate about giving emerging artists and performers the opportunity to shine alongside more established names,” says co-founder Richard Kitchen.

“We oppose bigotry in any form and strive to achieve gender balance and across-the-board inclusivity in all our events and activities. Since 2020, we’ve worked with more than 200 individuals and organisations.

“We welcome commissions and new collaborations with artists, writers, musicians and performers of all genres.

“Our YO Underground events offer a platform for new work and experimentation. For details of all our events, visit https://www.ticketsource.co.uk/navigators-art-performance.”

Richard Shephard Music Foundation reports best year yet in providing weekly lessons in Yorkshire and Tees Valley

The joy of making music with support from the Richard Shephard Music Foundation

THE Richard Shephard Music Foundation (RSMF) is celebrating its most successful year to date.

More than 8,685 children have received weekly music lessons through partnerships with 34 schools across Yorkshire and Tees Valley.

This milestone marks significant progress towards the York foundation’s goal of teaching 10,000 children every week by 2026: a target that will mean almost one in seven primary-aged children in the region will have regular access to high-quality music education.

Andrea Hayes, foundation trustee and former head teacher, says: “Music inspires, unites and empowers. The foundation brings that power into classrooms, ensuring every child, whatever their background, can access high-quality music teaching.”

Here are the key highlights from the RSMF’s 2024–25 Impact Report:

• 8,685 children received weekly music lessons, totalling 8,250 hours of high-quality music education.

• 34 partner schools participated, including new additions in East Yorkshire, Saltburn, Darlington, Richmond and Selby.

• 450 children joined the foundation’s biggest-ever Make Music Day, celebrating creativity and collaboration through live workshops and performances.

• Ten free Music Explorers holiday clubs reached 263 children, with an average of 57 per cent eligible for free school meals, rising to 85 per cent in Scarborough.

• 1,943 children took part in foundation-led events, concerts, and community performances.

Revelling in the power of music for schoolchildren

Independent evaluations and teacher feedback revealed transformative results:

• 99 per cent of staff reported improved confidence among pupils.

• 97 per cent saw enhanced musical knowledge.

• 92 per cent observed improvements in wellbeing.

• 94 per cent said their school’s standard of music teaching had improved.

A teacher from Crayke C of E Primary School says: “The love of music you are instilling in children is wonderful. It’s breathing life back into the curriculum.”

Reaching communities that need it most

HALF of the RSMF’s partner schools have more than 30 per cent of pupils eligible for free school meals, and 12 are based in Arts Council England’s Priority Places. By focusing on these areas, RSMF is ensuring access to the social, emotional and educational benefits of music for children who might otherwise miss out.

How you can be involved

WHETHER you are a parent, musician or member of the public passionate about music education, RSMF would like to invite you to be involved. “Please consider becoming a Friend of the Foundation by committing to a monthly donation – as small or large as suits you,” requests the RSMF. “You’ll receive updates from the foundation and invitations to events.” For more details, visit: donate.rsmf.org.uk.

Young players in unison

Cathy Grant, the foundation’s chief executive, says: “Research highlights time and time again that music education is not an equal playing field. The Child of the North* report found that 93 per cent of children are being excluded from arts and cultural education due to a lack of funding in state schools, with almost half (42 per cent) of secondary schools no longer entering pupils for GCSE Music.

“The same report outlined how participation in arts activities also correlates strongly with socioeconomic status, with children from the most affluent backgrounds being three times more likely to sing in a choir or play in an orchestra than those in deprived areas.

Cathy continues: “Our work directly addresses these inequalities, aiming to level the playing field for children across our region. We’re encouraged by the Government’s recent curriculum review report, which commits to ensuring that ‘the arts are an entitlement within the national curriculum for every pupil, not an optional extra’. We think our work in the region is a practical example of how this can be delivered.”

For more information about the Richard Shephard Music Foundation and its work supporting schools, visit www.rsmf.org.uk. View the RSMF’s Music Is A Key video at: https://youtu.be/jdJGf3fCvbg.

* N8 Research Partnership produced the Child of the North report, an evidence-based approach to creating a culture of inclusive opportunity through arts and creativity, in March 2025.

Upcoming Richard Shephard Music Foundation events:

Saturday, November 29 2025 to Monday, January 5 2026: York Minster Christmas Tree Festival, featuring RSMF Christmas tree.

Saturday, November 29, Scarborough Sparkle: School choir from Overdale Primary School singing from 11am to 12 noon.

Wednesday, December 3: Acomb Primary School Christmas busking, York Railway Station, 9.45am to 10.30am.

Thursday, December 4 2025:  Christmas Celebration, St Olave’s Church, Marygate, York, 1.30pm to 3pm. Tickets: https://www.eventbrite.com/e/rsmf-christmas-music-celebration-tickets-1756681294039?aff=oddtdtcreator.

More Things To Do in York and beyond when a snowstorm spells theatrical joy. Hutch’s List No. 49, from The York Press

Slava’s SnowShow: Bringing joy to children and drawing out the inner child in adults at Grand Opera House, York

SNOW storms and Count Arthur Strong’s Scrooge; dancing full of Momentum and Jon Ronson’s latest psychopath tests put the ‘yes’ into November for Charles Hutchinson.

Weather forecast of the week: Slava’s SnowShow, Grand Opera House, York, November 19 to 23, 7.30pm, Wednesday to Saturday; 2.30pm, Thursday and Saturday; Sunday, 2pm and 6pm

ENTER an absurd and surrealistic world of “fools on the loose” in Slava Polunin’s  work of clown art, wherein each scene paints a picture: an unlikely shark swimming in a misty sea; clowns and the audience tangled up in a gigantic spider’s web; heart-breaking goodbyes with a coat rack on a railway platform, and audience members being hypnotised by giant balloons. The finale is an “out-of-this-world snowstorm”. Box office: atgtickets.com/york.

London City Ballet in Alexei Ratmansky’s Pictures At An Exhibition at York Theatre Royal

Dance show of the week: London City Ballet: Momentum, York Theatre Royal, today, 2.30pm and 7.30pm

LONDON City Ballet, former resident company of Sadler’s Wells, returns to York Theatre Royal with Momentum, a new repertoire that showcases artists and works rarely seen in the UK.

Here come George Balanchine’s Haieff Divertimento; New York City Ballets artist-in-residence Alexei Ratmansky’s Pictures At An Exhibition; Liam Scarlett’s Consolations & Liebestraum and Paris Opera Ballet premier danseur and emerging choreographer Florent Melac’s new work. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Jason Manford’s show poster for A Manford All Seasons, returning to York Theatre Royal this weekend

Comedy gig of the week: Jason Manford in A Manford All Seasons, York Barbican, tonight, 7.30pm

SALFORD comedian, writer, actor, singer and radio and television presenter Jason Manford makes his second York in his 2025 stand-up show. He cites Billy Connolly as his first inspiration and he cherishes such family-friendly entertainers as Eric Morecambe, Tommy Cooper and Les Dawson. Box office: yorkbarbican.co.uk.

Pictish Trail: Expect psychedelic goo at Rise@Bluebird Bakery on Monday

Rising to the occasion: Blair Dunlop, Rise@Bluebird Bakery, Acomb, York, tonight, 7.30pm; Pictish Trail, Rise@Bluebird Bakery, November 17, 7pm

CHESTERFIELD folk musician, singer, songwriter, storyteller and actor Blair Dunlop performs traditional and contemporary songs from his five albums, released between 2012 and 2024, this weekend.

Known for his wildly inventive electro-acoustic pysch-pop, crafted on the Isle of Eigg in the Scottish Hebrides, Pictish Trail, alias Johnny Lynch, has completed work on his new album, a sticky, shimmering swirl of sound and slime. To celebrate, he previews songs at Monday’s intimate show, performing in raw, exploratory mode, armed with acoustic guitar, sampler and his warped imagination. Expect tenderness, weirdness and generous dollops of goo. Box office: bluebirdbakery.co.uk/rise. 

Chris Wood: Seeking the truth in song at the NCEM

Folk gig of the week: Chris Wood, National Centre for Early Music, York, Sunday, 6.30pm 

REFLECTIONS on minor league football, empty nest syndrome, learning to swim and the Gecko as a metaphor for contemporary society add up to a typically wise and soulful Chris Wood set. Tom Robinson and Squeeze’s Chris Difford are fans, while The Unthanks look to him as an influence, and he has played with the Royal Shakespeare Company and in The Imagined Village project with Billy Bragg and Eliza Carthy.

In a world of soundbites and distractions, six-time BBC Folk Awards winner Wood is a truth seeker, whose uplifting and challenging writing is permeated with love and wry intelligence as he celebrates “the sheer one-thing-after-anotherness of life”. Box office: 01904 658338 or ncem.co.uk.

King For A Day: Paying tribute to Nat King Cole at York Theatre Royal

Nostalgia of  the week: King For A Day: The Nat King Cole Story, York Theatre Royal, November 17, 7.30pm

VOCALIST Atila and world-class musicians take a fresh, thoughtful and entertaining look at the life and work of Alabama pianist, singer and actor Nat King Cole, whose jazz and pop vocal styling in songs such as Nature Boy, Unforgettable and When I Fall In Love define a golden era of 20th century American music.

Cole’s most celebrated songs and stylish re-workings of his lesser-known gems are complemented by projections of rare archive images and footage, weaved together by narration. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Kerry Godliman: Welcome to the life of a middle-aged woman who has outsourced her memory to her phone in Bandwidth. Picture: Aemen Sukka, of Jiksaw

Straight talker of the week: Kerry Godliman: Bandwidth, York Theatre Royal, November 19, 7.30pm

WHILE parenting teenagers, bogged down with knicker admin and considering dealing HRT on the black market, Kerry Godliman can’t remember what was in her lost mum bag after outsourcing her memory to her phone. Welcome to the life of a middle-aged woman who lacks the bandwidth ​for any of this.

Godliman, comedian, actor, writer, podcaster and broadcaster, from Afterlife, Taskmaster and Trigger Point, builds her new stand-up show on straight-talking charm and quick wit. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Jon Ronson: Hosting Psychopath Night at York Barbican, where he will welcome questions from the audience

Mind-bending insights of the week: Jon Ronson: Psychopath Night, York Barbican, November 18, 7.30pm

WHAT happens when a psychopath is in power? Could you learn to spot a psychopath? Are you working for a psychopath? Is there a little bit of psychopath in all of us? Sixteen years since journalist, filmmaker and author Jon Ronson embarked on The Psychopath Test, he reopens the case.

Expect exclusive anecdotes and fresh reflections in Ronson’s exploration of madness and the elusive psychopathic mind, re-booted with mystery special guests whose tales were not in the original book. Box office: yorkbarbican.co.uk.

Recommended but sold out already at York Barbican: Adam Ant  in Ant Music, November 19, doors 7pm.

Count Arthur Strong: Telling Ebenezer Scrooge’s tale in Charles Dickens guise at York Barbican

Dickens of a good show: Count Arthur Strong Is Charles Dickens in A Christmas Carol, York Barbican, November 20, 8pm; Whitby Pavilion Theatre, November 23, 7.30pm; Scarborough Spa Theatre, November 27, 8pm  

IN response to public pressure, doyen of light entertainment and raconteur Count Arthur Strong is extending his fond farewell with new dates aplenty for his one-man interpretation of A Christmas Carol, performing his own festive adaptation in the guise of literary great and travelling showman performer Charles Dickens. Box office: York, yorkbarbican.co.uk; Whitby, whitbypavilion.co.uk; Scarborough, scarboroughspa.co.uk.

Mexborough poet Ian Parks holding a copy of his new book The Sons Of Darkness And The Sons Of Light

Word-and-song gathering of the week: Navigators Art presents An Evening with Ian Parks and Friends, The Basement, City Screen Picturehouse, York, November 21, 7.30pm

YORK arts collective Navigators Art plays host to An Evening with Ian Parks and Friends, where Parks reads from his new collection, The Sons Of Darkness And The Sons Of Light, and will be in conversation with Crooked Spire Press publisher Tim Fellows.

Joining Parks will be award-winning York novelist and poet Janet Dean, poet and critic Matthew Paul and singer-songwriter Jane Stockdale, from York alt-folk trio White Sail. Tickets: £5 in advance at bit.ly/nav-events or £8 on the door from 7pm.

In Focus: Lesley Birch: Flower Power and Jacqui Atkin: Ceramics, Pyramid Gallery, Stonegate, York, until mid-January 2026, Monday to Saturday, 10am to 5pm  

Lesley Birch at her Flower Power exhibition opening with Pyramid Gallery owner and curator Terry Brett

YORK artist Lesley Birch is showing 22 paintings from her Flower Power series in an exhibition at Pyramid Gallery that coincides with the blooming of her small art book of the same title.

The book is published by Overt Books, the independent York publisher set up by York Creatives creator Ben Porter.

“I’ve always meant to publish an art book and never quite got around to it, but with Ben’s help, I was able to pull together this small volume,” says Lesley. “There are beautiful photographs of my home studio from Esme Mai Photography, more photos by Eloise Ross, and some of my free verse musings to accompany photographs of the paintings.

Lesley Birch in her studio. Picture: Esme Mai Photography

“There are only 50 copies available at this time. I’m thrilled to say that there is a foreword from my generous PICA Studios studio mate Mark Hearld

Lesley is sharing space at Pyramid Gallery with ceramicist Jacqui Atkin, who works with The Pottery Showdown programme. “I love the combination of my flower paintings with Jacqui’s ceramics,” she says.  “They sit beautifully together and it was lovely to hear her details about making these exquisite pieces.”

Lesley’s Flower Power paintings were painted in response to abundant summer blooms in her garden and from Shambles Market in York.

Lesley Birch’s book cover for Flower Power

Sunflowers, from Lesley Birch’s Sunflower series

“I’m often keen on certain pots and vases too and I like to set up lots of bouquets here and there, playing with colour, texture and shape,” she says.

“I find myself immersed in a world of pure discovery and concentration.  These works I’ve been developing for the past ten months and they’re now finally ready to go out on show.”

The Flower Power book is priced at £12 plus £3 postage and packaging. Contact Lesley via lesleybirch@icloud.com for a copy.

Lesley Birch with summer blooms in her garden

REVIEW: Big Ian’s A Night To Remember, York Barbican, November 12

Jess Steel, left, Heather Findlay, Annie Rae Donaghy and Beth McCarthy committing to Murder On The Dancefloor big style. Picture: David Harrison

THIS was the 12th edition of Big Ian’s A Night To Remember, the eighth to fill York Barbican en route to raising more than £200,000 for York charities.

Early signs are that a record sum may have been collected from Wednesday’s three-hour fundraiser to boost  St Leonard’s Hospice, Bereaved Children Support York, Accessible Arts & Media and York dementia projects. (UPDATE: 18/11/2025. £30, 249.70p was raised.)

You will know Big Ian, HUGE party band frontman Ian Donaghy, who won the Outstanding Contribution Award at the 2025 York Community Pride Awards, organised by The York Press, in recognition of his extensive charity work and efforts to tackle loneliness and raise dementia awareness in the city.

A Night To Remember master of ceremonies Big Ian Donaghy with Shed Seven’s Rick Witter, Big Ian’s pick for “the new Duke of York”

This is one ID who doesn’t need ID, but A Night To Remember really isn’t about Ian, even if he organises the event and finds sponsors to cover all the costs,so that all the ticket money goes to the charities, along with donations and raffle proceeds on the night.

Oh, and he secured an opening message on screen from  Newcastle United legend Alan Shearer, arranged all the myriad participants – a hush-hush appearance by Shed Seven’s Rick Witter et al – in a late-changing set-list order, hosted the show with patter and swagger, and sung his lungs out too. No wonder he walked 17 kilometres on Wednesday.

He is frontman, showman, show opener too with Uptown Funk, but A Night To Remember is Big Ian’s night every two years for putting York’s diverse world of music on one stage: a night of York Helping York, a night of celebrating why music can be made by everyone for everyone. Where we became one big family, in unison for the finale of Sister Sledge’s We Are Family, as Ian sang “I’ve got all my sisters with me”. Sisters in soul and much more besides, brothers too.  

Making A Night To Remember exactly that: Many, but not all, of the musicians who took part on Wednesday night. Picture: David Kessel

There are plenty of familiar performers that return each time: Las Vegas Ken, now 78, still in jeans, stiffer in leg, joined by fiddler Kieran O’Malley for a singalong Wild Rover; Graham Hodge, now 75,  replacing his standard guitar with bow tie and suit for crooning Cry Me A River with full band accompaniment in Las Vegas manner; George Hall, leading the band from the keyboards; the HUGE brass section; Rob Wilson and Simon Snaize on guitar,

And Ian Chalk leading the bright young talents of York Music Forum, now so important to fledgling talent in the city when schools are finding it more and more difficult to fulfil that role.

Participants young and old had their moment in the spotlight. Responding to Big Ian’s challenge, Easingwold-based choir leader Jessa “Hurricane” Liversidge assembled the 10 Decade Choir, aged from seven to Shirley in her nineties, bonding in the joy of Labi Siffre’s Something Inside So Strong, a hymn to the power of music.

York Music Forum brass and woodwind players in action at A Night To Remember. Picture: David Harrison

Annie Rae Donaghy: Solo rendition of Maneater at A Night To Remember. Picture: David Kessel

On the run: Beth McCarthy giving everything to Bat Out Of Hell in A Night To Remember. Picture: David Harrison

Suits you, sir: Graham Hodge taking on Las Vegas cabaret crooner mode for Cry Me A River at A Night To Remember. Picture: David Kessel

The ever-watchful young keyboard player in York Music Forum’s rendition of Dave Kemp’s Fryin, I learnt later, was playing his first ever gig at nine. Keep an eye on him.

Likewise, Big Ian had asked nascent talents to put themselves forward for a solo slot: he picked 12-year-old singer Lacey Hart, performing I Have Nothing to 1,400 people to the accompaniment of the full band, one mightily impressive debut after warm-up slots at a handful of HUGE gigs. Tackling Houston, Lacey had no problem matching Whitney’s dramatics.

North Eastern classical singer Sam Holden hit the heights early on in You’ll Never Walk Alone, ironically performed solo – but spectacularly – to a backing track, and later Y Street Band, their members peppered through other songs throughout, relished the spotlight in Peter Gabriel’s Sledgehammer, immediately followed by Scissor Sisters’ Take Your Mama.

Arms held aloft: Lacey Hart, 12, with A Night To Remember host Big Ian Donaghy, left, and her father, James Hart, after singing I Have Nothing. Picture: David Kessel

Back to those sisters in soul, who are so integral to A Night To Remember: Jess Steel, the singing hairdresser; Beth McCarthy, back in York after playing Glastonbury and an American tour; Annie Rae Donaghy, soon to appear in Next Door But  One’s Christmas show When Robins Appear, and Heather Findlay, long-standing folk and prog-rock queen.

They took solo turns, they sang backing vocals, all except Annie changed costumes more often than Cher. Jess’s Running Up That  Hill set a high bar; Annie revamped Hall & Oates’s Maneater; Beth surpassed her Mr Brightside with Bat Out Of Hell, preceded by her duet with Annie, Britney at the double for Baby One More Time. 

A Night To Remember master of ceremonies Big Ian Donaghy keeping eye on proceedings from the side of the stage, resting on a donations bucket for York charities. Picture: David Kessel

Best of all was Heather’s rendition of Led Zeppelin’s Stairway to Heaven, a stairway she not so much climbed as glided up with elan. It was only right they should do a climactic number together, Murder On The Dancefloor, and they nailed it.  

What of Mr Witter, crowned the new Duke of York by Big Ian? The man in black might have been expected to conclude the show given his status in York, but no, just like Ian, he said the show was the star, not him.

Instead, his appearance kept quiet until the last minute, he ended the first half, singing It Takes Two with Jess, who has cut his hair all these years (“I’ve lived my dream,” she said “I’ve sung with Rick Witter”), followed, inevitably, by Sheds’ anthem  Chasing Rainbows,  brass accompaniment and all. Rick may not have closed the show, but he closes this review.

Shed Seven’s Rick Witter duetting with Jess Steel on It Takes Two, the 1966 Kim Weston & Marvin Gaye hit. Picture: David Harrison