Could the Silence Is Golden app be the answer to bad behaviour in theatres? Paul Engers and Tom Wilson make the case

Paul Engers, left, and Tom Wilson outside York Theatre Royal

COULD silence become golden in theatres once more in this auditorium age of crisp- packet crunching, omnipresent phones and boisterous behaviour?

York theatremaker, filmmaker, director and artist Tom Wilson and Londoner Paul Engers have been working on an initiative with third partner Dr Austen Jones to pilot a product that could “transform the behavioural standards of patrons”.

“We hope our system will revolutionise front-of-house protocol and address the deleterious impact of mobile phone technology on theatre etiquette,” says Tom. “We’re at an advanced stage with the technology, seeking to initiate a trial run at an auditorium in the next few months at venues interested in piloting our system.”

“We’ve known each other for  28 years,” says Paul, by way of introduction. “We met at Dartington College of Arts, in Totnes, where I’d done a degree in theatre and visual arts, and Tom came down to do a degree in theatre and performance writing,” recalls Paul.

“I’m now based in West London, out near Brentford, but I’ve worked in Leeds, among other places, setting up activity camps for pre-school and primary schoolchildren in West Yorkshire and North Yorkshire too.”

Tom has lived and worked in York for 18 years, writing and directing the anarchic farce The Local Authority at the Joseph Rowntree Theatre in August 2021 and presenting his punk expressionist exhibitions at St Bede’s, in Blossom Street, in September 2022 and City Screen Picturehouse in July 2023, as well as making the film Copraphagia with Paul.

Through all these years, they have shared a passion for theatre. “We both appreciate theatre in our own ways but we share a belief that there has to be an understanding of a collective or shared protocol for attending live performances,” says Paul.

“Over the last couple of years, we’ve both found it’s becoming impossible to enjoy going to the cinema, and we’ve also noticed poor protocol in theatres, with fights and people relieving themselves in the auditorium; the constant rustling of sweet wrappers; people talking into their phones during performances, and the distraction of lights from phones.”

Decrying the lack of intervention, Tom adds: “People have stopped going to the theatre because of this. And when you consider the demographic of who works as ushers, or front-of-house, they tend to be the younger demographic…and now venue managers want to protect young staff.”

When Tom and Paul saw Mark Rylance in Sean O’Casey’s Juno And The Paycock and Steve Coogan in Dr Strangelove in the West End, “we were disappointed how lacklustre front-of-house staff were to stop the use of phones, though they put up these cards saying ‘No vaping, no smoking, no mobile phones’,” says Tom.

“On my journey back , I was thinking ‘wouldn’t it be great if you could put a camera on as a monitor to capture when people vape or film the show when they’re not supposed to, and you know  their seat number. My George Orwell thinking was: could they be filmed and fined?’”

Paul rejoins: “This idea has now gone through a few iterations, looking initially at the idea of having a device at the back of each level of the auditorium that can record and identify any individuals who are infringing the established protocol of each theatre or a group of theatres.”

Paul and Tom ran their idea by Dr Austen Jones at me-too.net, specialists in performance improvement, based at Tingley, near Wakefield. “He liked the idea and wanted a slice of it,” says Tom.

“He’s provided the technical expertise,” says Paul. “That’s been the main benefit of his input to go with our initial creative idea to use infrared cameras, either to record all the time or to react to movements.

“But over many conversations, we looked at the best equipment and Austen has shown there are better ways than infrared. The key is that he’s developed this software that’s contained in an app, rather than motion-activated cameras.

“This makes it easier in terms of GDPR (General Data Protection Regulation), so venues can sign up to the system, and there will be no recorded data unless someone’s phone lights up with a message.”

Paul continues: “The Silence Is Golden system will be bespoke. The app has been tested by Austen and his me-too.net team in different iterations, and we now need a decent-sized venue to pilot it.

“No-one would be filmed. For each venue, we would need to map out the grid of the auditorium, and then the app would be able, by area, to identify the seat from the level of illumination.”

The system would be linked to the theatre box office. “If theatre groups embrace the idea, they will be able to monitor it from either the management office or from front of house, with management being in radio contact with front of house,” says Tom. “The flexibility in the system is that theatres can choose how they use it.”

Rather than “filming and fining, what we want is a deterrent”, says Tom, but is this a case of creeping authoritarianism? “We want to initiate a debate: how do people feel about this idea,” says Tom.

“Creeping authoritarianism? No,” says Paul. “The beauty of it is that people will not be filmed, Instead it’s the perfect interface of  modern digital technology with AI and a good, well balanced protocol for theatre audiences moving forward.

“We want to encourage greater attendance through eradicating poor protocol. We’ve always been about attracting greater audiences.”

Tom adds: “We don’t want it to be an elitist thing that shuts people out. We’re not asking people to sit quietly; we want them to engage with a show but there has been behaviour that has had a negative impact. That’s why we want to put out a call to theatres to test the Silence Is Golden app.”

“The key thing is that Austen has been running the testing of the app for a more than a few weeks now and the simulations work,” says Paul. “Now we need to pilot it, do a test run and take it to the next level.”

Interested theatres are asked to contact Tom via gingerorourke@hotmail.com.

More Things To Do in York & beyond when Pride comes before a full week of delights. Hutch’s List No. 25, from The York Press

Angels Of The North: Headlining the main stage on Knavesmire at York Pride 2025

YORK Pride and celebrations of Northern Soul and British comedy greats are right up Charles Hutchinson’s street for the week ahead.  

Festival of the week: York Pride, Parliament Street to Knavesmire, York, 12 noon to 6pm

NORTH Yorkshire’s largest LGBT+ celebration and York’s biggest free one-day festival, York Pride 2025, takes to the streets for its biggest, boldest and most fabulous event yet today, led off by the Pride Parade that will follow a new path through the streets from Parliament Street at midday.

On Knavesmire, the festival’s main stage will be headlined by Angels Of The North (6pm) and on the bill too will be Ryan Petitjean (1.10pm), tribute act Pet Shop Boys, Actually (1.35pm), Marcus Collins (2pm), Eva Iglesias (2.30pm), York drag superstar Janice D (3.35pm), La Voix (4pm), West End queen Kerry Ellis (5.15pm), The Cheeky Girls (5.35pm) and plenty more. Find the full line-up at yorkpride.org.uk/line-up.

Duncan Honeybourne: Performing the last concert of York Late Music’s 2024-2025 series this afternoon

Season’s finale: York Late Music presents Duncan Honeybourne, piano, Unitarian Chapel, St Saviourgate, York, today, 1pm

PIANIST Duncan Honeybourne performs new commissions commemorating the 100th anniversary of the death of the influential French composer Erik Satie, written especially for this afternoon’s programme by Philip Grange, Fred Viner, Sarah Dacey, Andrew Hugill, Steve Plews, Sarah Thomas, Simon Hopkins, Jenny Jackson and others, some of whom will be heard at Late Music for the first time.

Each composer has been asked to provide a new miniature piano solo influenced or inspired in some way by Satie and their works will be interspersed with a selection of Satie’s own pieces, such as Gnossiennes and Gympnopédies. Box office: latemusic.org/duncan-honeybourne-piano/ or on the door.

Film event of the week: John Barry From York With Love, Everyman York, York, today at 2.30pm and 4pm

JOHN Barry From York With Love, Sean Parkin’s unauthorised documentary of the early career of the York-born film composer, will have two private screenings at Everyman York this afternoon.

Private, yes, but tickets are available, although for copyright reasons, those tickets are for the after-viewing party at The Crescent community venue. The film viewing is free but there will be no entry without an after-show ticket. Doors open at Everyman at 2pm; the after-view party is at 3.45pm. All profits go to the Future Talent charity. A further screening follows at 4pm. Tickets: fienta.com.

Lady Nade: Paying tribute to Nina Simone at Helmsley Arts Centre

Celebration of a legacy: Lady Nade Sings Nina Simone, Helmsley Arts Centre, tonight, 7.30pm,

KNOWN for paying homage to those who have influenced her journey  profoundly, Lady Nade holds Nina Simone in high regard  for leaving behind a legacy of liberation, empowerment, passion and love through her extraordinary body of work.

As a black woman, Lady Nade acknowledges Simone’s trailblazing role in paving the way for artists of her generation. Her high-energy performance is a heartfelt dedication to recreating the transformative sound that blended popular tunes of the era into a distinctive fusion of jazz, blues, gospel, and folk music. Box office: 01439 771700 or helmsleyarts.co.uk.

The fez, the spectacles and the bow tie: Damian Williams’s Tommy Cooper, Bob Golding’s Eric Morecambe and Simon Cartwright’s Bob Monkhouse in The Last Laugh. Picture: Pamela Raith

Comedy legends of the week: The Last Laugh, Grand Opera House, York, June 10 to 14, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees

WHO will have The Last Laugh at the Grand Opera House, York, when British comedy triumvirate Eric Morecambe, Tommy Cooper and Bob Monkhouse reconvene in a dressing room in Paul Hendy’s play?

Find out in the Edinburgh Fringe, West End and New York hit’s first tour stop as Bob Golding, Damian Williams and Simon Cartwright take on the iconic roles in this new work by the Evolutions Productions director, who just happens to write York Theatre Royal’s pantomimes too. Box office: atgtickets.com/york.

Keeping the faith in Northern Soul: Chloe McDonald, left, and Martha Godber in John Godber’s Do I Love You?, on the dancefloor at York Theatre Royal from June 10

Weekender of the week: John Godber Company in Do I Love You?, York Theatre Royal, June 10 to 14, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees; post-show discussion on June 13

THE John Godber Company is on its third tour of John Godber’s hymn to keeping the faith in Northern Soul, with the same cast of Martha Godber, Chloe McDonald and Emilio Encinoso-Gil.

Inspired by Godber’s devotion to Northern Soul, Do I Love You? follows three twentysomethings, slumped in the drudgery of drive-through counter jobs, who find excitement, purpose and their tribe as they head to weekenders all over, from Bridlington Spa to the Tower Ballroom, Chesterfield to Stoke. Box office: 01904 623568 or yorktheatreroyal.co.uk

Making a last stand: Pickering Musical Society bids farewell to musicals in Hello, Dolly! Picture: Robert David Photography

Goodbye to musicals: Pickering Musical Society in Hello, Dolly!, Kirk Theatre, Pickering, June 10 to 14, 7.30pm plus 2.30pm Saturday matinee

PICKERING Musical Society is preparing to raise the curtain on its final full-scale musical production, after more than a century, citing rising production costs and falling membership.

Set in the energetic bustle of 1890s’ New York, Jerry Herman’s Hello, Dolly! follows the irrepressible Dolly Gallagher Levi (society favourite Rachel Anderson) – a witty matchmaker, meddler and “arranger of things” – as she decides to find a match for herself. Box office:  01751 474833 or kirktheatre.co.uk or in person from the box office on Tuesdays, 11am to 1pm.

Podcaster Blindboy Boatclub

Podcaster of the week: The Blindboy Podcast Live, York Barbican, June 10, 7.30pm

POLYMATH, author, screenwriter, songwriter, musician, producer and academic Blindboy Boatclub is on the biggest tour yet of his storytelling podcast, wherein he follows the Irish tradition of the Seanchaí, intertwining history, fiction, cultural critique and politics.

Drawing on his knowledge and chronic curiosity to democratise topics such as art, psychology, politics, science and music, Blindboy gives his insight into complex issues. Look out for a surprise special guest too. Box office: yorkbarbican.co.uk.

The invitation to Mark Hearld’s book signing on Thursday at Janette Ray Booksellers

Book signing of the week: Mark Hearld at Janette Ray Booksellers, 8, Bootham, York, June 12, from 4.30pm

YORK artist, ceramicist and York Open Studios stalwart Mark Heard will be signing copies of his book, Raucous Invention, The Joy Of Making, published in a beautiful new edition by Thames & Hudson. Mark will be on hand from 4.30pm to 7.30pm.

Released on June 5, the newly expanded edition of Hearld’s monograph bursts with more than 400 colour illustrations and fresh insights in a vivid journey into the heart of his creativity and love of the animal world.

Christopher Simon Sykes’s photograph of Mick Jagger in concert on the Rolling Stones’ Tour of the Americas in 1975, on show at Sledmere House from June 13

Exhibition launch of the week:  On Tour With The Rolling Stones 1975, A 50th Anniversary Exhibition of Photographs by Christopher Simon Sykes, Sledmere House, Sledmere, near Driffield, June 13 to July 6, except Mondays and Tuesdays, 10am to 5pm

IN June 1975, Christopher Sykes, of Sledmere House, joined the Rolling Stones Tour of the Americas, known as T.O.T.A ’75: his first rock’n’roll itinerary as a snapper after specialising in photographing stately home interiors.

“You know going on tour is not like country life, Chrissie,” advised Mick Jagger on his first day of accompanying the Stones on their three-month tour of North America and Canada, playing 40 shows in 27 cities. The photos were used in a tour diary published the following year, and this exhibition showcases a selection of the best of the behind-the-scenes and stage pictures in the Courtyard Room. Tickets: sledmerehouse.com.

In Focus: Chalky The Yorkie at No 84 Sandwich Bar, Micklegate Arts Trail, York

Artist Chalky The Yorkie stands behind his Tiki bar at No 84 Sandwich Bar, created for the Micklegate Arts Trail

ROVING, rock’n’roll-loving York artist Chalky The Yorkie has always had a canny eye for spotting locations for his installation pieces.

Raise a glass to his latest artwork, the outdoor, Polynesian-style Tiki bar at No 84 Sandwich Bar, Julian Smith’s deli and cafe in Micklegate, created for the 2025 Micklegate Arts Trail but destined to remain in place after the festival ends on June 15.

“Last year Julian had a conversation with me about how it would be great to have a bar out here, at the back, which was full of bins at the time,” recalls Chalky. “So the bar was the first idea, but then, when we were thinking about the Arts Trail, two friends had suggested I should  incorporate bikes, and another said it would be great to do something for the environment, repurposing things out of skips and the old bicycles.

Chalky The Yorkie’s Tiki bar installation poem on the plight of cyclists

“So what I’ve come up with is a bar built with scrap wood and salvaged wood  after I was donated some leftovers by a builder to create the Re-Cycle Tiki Bar, to give something back to the planet. David Burton gave me one bike, along with one from his childhood and another was provided by Recycle York, in Walmgate.

“I thought I should create a memorial, taking the term ‘Re-cycle’ to highlight the plight of cyclists who lose their lives in accidents or come off their bikes and get injured in cycle lanes.”

Artist Chalky The Yorkie with No 84 owner Julian Smith at the Tiki bar

Originally Chalky considered designing a 1950s’ bar but then settled on a colourful Tiki bar. “The primary  colours are there to match traffic lights, with red, amber, though it’s more yellow than amber, and green. I went for yellow, because it’s a more definitive colour,” he says. “The blues I use signify the pain of loss in a cycling accident.”

Incorporated in the installation too are Beaumont ceramics of exotic birds and figures, acquired from York Catering Supplies, in Walmgate, butterfly motifs, floral decorations and tinkling bells. “I like the Buddhist convention of chiming bells in remembrance of people as part of their memorial ceremonies,” says Chalky.

Welcoming Chalky’s installation, Julian says. “Chalky is part of the fixtures and fittings here. He even came around for our Christmas dinner!

It Can Happen To You – Take Care: Chalky The Yorkie’s Re-cycle memorial to cyclists

“We’re taking part in the Micklegate Arts Trail because it’s all about traders promoting local artists whose work they like, with Navigators Art giving us a platform to do that. Jasmine Foo has never exhibited  before, and  we picked her crochet work because my wife is a knitter. We’re delighted to be showing Sinead Corkery and Jude Redpath too – and Chalky’s cheeky Tiki bar is the icing on the cake.”

Inside the deli, look out too for Chalky’s day and night paintings of No 84, both featuring the family pet, Sid the dog, in the upstairs window.

Chalky The Yorkie’s painting of No 84 Sandwich Bar, Walmgate, York, at night

Micklegate Arts Trail combines art with music, spoken word and film from today to June 15 as part of York Festival of Ideas

Micklegate Arts Trail: 35 artists, 20 free events, one festival of art, music film and poetry

YORK creative collective Navigators Art launches the 2025 Micklegate Arts Trail today featuring works by 35 York artists on display in 14 shops, pubs, cafes and restaurants until June 15.

The launch day, running from 12 noon to 5pm, will present street buskers Joel Wilson (The Typing Poet), Borgia Trio, Jasmine Lowe and Nathan Kirby, along with music improvisations by Joe Allen, Desmond Clarke, Fin O’Hare, Tom Maynard (The Sounen Project) and Nick Walters at Holy Trinity Church, where Walters has coordinated the display of 3D sculptures and events.

Keep an eye out for the Extreme Knitting demonstration with giant needles by Hippystitch, alias Sally Stone in the church grounds. All these events are free.

Coordinated by Steve Beadle and George Willmore, Micklegate Arts Trail has expanded from last June’s inaugural Micklegate Art Trail – note the change from ‘Art’ to ‘Arts’ – to embrace music, film and poetry as well as art in a festival run in tandem with York Festival of Ideas that opens on the same day.

On show for the next fortnight will be works by:

Sinead Corkery: Work on show at No 84 Deli & Cafe

Raginie Duara at Lucius Books; Mark Kesteven at Old School Barber Shop; Barry Lewis, Desmond Clarke, Lu Mason, Nick Walters, Peter Baker, Richard Mackness, Sally Stone and Tom Maynard at Holy Trinity Church and Bill Oakey and Julia Leonard at Cads of Micklegate.

Look out for Nick Kobyluch, Sharon McDonagh and Sola at Skosh; Jane Dignum, Jo Rodwell and Lois Folkard at The Falcon; Chalky the Yorkie, Jasmine Foo, Jude Redpath and Sinead Corkery at No 84 Deli & Cafe; Susan Bradley at Divine Coffee Roasters; Fiona Kemp and Ali Hunter at Hudson Moody and Skulldog at Mack & Lawler Builders.

Isabel Bullon Benito and Marc Godfrey-Murphy (Marco Looks) can be found at Oxfam Bookshop; Chrissy Buse at Cafe Fleur; Elizabeth Smallman and Linda Combi at the Amnesty Bookshop and Melisaa Hill, Michael Campbell, Richard Thompson and Sarah Schiewe at The Hooting Owl in Rougier Street. Opening times may vary between venue.

“Micklegate Arts Trail is a rare community event of its kind in York,” says Navigators Art co-founder Richard Kitchen. “It’s been hard work to put it together, probably harder work than last year, because it’s not just an art trail now but we also have spoken-word and music events, taking place in three pubs, The Artful Dodger, The Falcon and The Hooting Owl.

“The great thing about the art trail is that all the work on show is chosen is chosen by the traders and shops themselves, and not by a panel. So the work is what they like and what suits their premises. That means there are no preconceptions about who will be chosen, and some quite big York names are missing out this year – the selection process is what makes it a true community event.”

Collage drop-in session at The Artful Dodger on June 8

Richard continues: “Our starting point for the festival is that Navigators Art likes Micklegate as a street, an historic street, but some people just see it as a cut-through, and some shops and traders are struggling, especially after the parking price increases, so we want to draw attention to what Micklegate has to offer.

“Hopefully the arts trail will attract pedestrians to visit the street. We’re very much doing this festival to support both Micklegate traders and the York artists they chose to display. That’s why it exists and we hope this second trail is a step to making it an annual event.”

Arts Trail events will include free live music sessions at The Falcon and The Hooting Owl on June 1, 8 and 15 at 2pm and 7pm featuring Andy Bowen and Liv Quigley, One Iota, Jasmine Lowe, Mike Amber and Will Martin.

Martin will return to The Falcon on June 4 and 11 at 7pm and further sessions will follow at The Hooting Owl on June 5 and 12 at 7pm.

The Falcon will play host to board game (in house or bring your own) on June 3 and 10. A spoken word, music and open-mic session will be held upstairs at The Artful Dodger on June 5 at 7.30pm when invited guests will include poets Janet Dean and Jessica Van Smith and singer Mike Amber. Bring your poem, an original song, guitar, or whatever, for the open-mic in a safe, supportive, non-discriminatory environment.

The poster for tonight’s YO Underground 3 bill of live & left-field music words & performance at The Basement, City Screen Picturehouse

Experimental short films by Timothy Marvell, Nick Walters and Tom Walters will be shown in the Nativity hut at Holy Trinity Church on June 7 from 9pm to 10pm.

To coincide with the arts trail launch, Navigators Art presents YO Underground 3, a night of live new music and words at The Basement, City Screen Picturehouse, tonight from 7.30pm to 10pm.  

Step forward Desmond Clarke, improvisers Joe Allen & Friends, Spartacus T ruth, University of York students Katie Laing and Dan Fishwick and The Jammingtons Experience  (Tom Nightingale and Mark Stokes), purveyors of idiosyncratic songs that take an ironic look at life. Tickets are on sale at bit.ly/nav-events or on the door.

In the first art demonstration, George Willmore will hold collage sessions on June 8 at 1.30pm and 3.30pm upstairs at The Artful Dodger. Two days later, upstairs at The Hooting Owl at 7.30pm, artist Melissa Hill and poet-researcher Becca Drake will team up for Creative Arrangements, where Melissa will discuss her three vases on display for the arts trail that inspired Becca to write and perform her new work.

You are invited to draw or write verses in response to the vases, poetry and talk. Free materials will be provided at both demonstrations but you can bring your own too.

Further details will follow on two more Navigators Art contributions to the Festival of Ideas: the Making Waves art exhibition at City Screen Picturehouse from June 8 to July 4 and About Time Too!, a concert of music and words to complement a day of free talks celebrating ‘Time’ at St Olave’s Church, Marygate, on June 14 at 7pm.

Navigators Art’s music programme for the Micklegate Arts Trail

Navigators Art’s inclusivity policy

NAVIGATORS Art rejects racism, misogyny and other forms of bigotry. “We strive to achieve gender balance and across-the-board inclusivity at all times,” says co-founder Richard Kitchen.

More Things To Do in York and beyond as wizards and Stars Wars take over. Here Hutch’s List No. 21 from The York Press

The Wizard of York, Dan Wood, sets his spellbinding WizardFest in motion for three magical days. Picture: The Story Of You

NOT only a new festival of wizardry, but Charles Hutchinson has plenty more wizard ideas too for the Bank Holiday weekend and beyond the wand.

Enchanting festival of the week:  WizardFest, waving a wand over York, today to Monday

ORGANISED by The Wizard of York, Dan Wood, York’s first ever festival of wizardry promises 25 activities, events, workshops and fantastical food and drink, featuring  the city’s most magical businesses.

Highlights include Wizard Walk of York walks; a Brick Magic LEGO workshop; screenings of the first three Harry Potter films at City Screen Picturehouse; Professor Kettlestring’s Puzzling World needing  help to defeat dark wizard Mortius Darktrix; The Cat Gallery’s Black Cat Trail and Make It York’s Owl Trail; Monday’s Magical Night Market at Shambles Market and a fancy dress parade between St Helen’s Square and York Minster at 3pm on Monday. Plan your magical itinerary and make bookings at wizardwalkofyork.com/wizardfest.

York Printmakers’ poster for the 2025 Festival of Print

“More than an exhibition” of the week: York Printmakers, Festival of Print, 22 High Petergate, York, until July 20, open every Friday and Saturday, 10am to 5pm, and Sundays, 10am to 4pm

YORK Printmakers celebrate creativity, craft and community in a curated exhibition of original prints, from linocut and etching to screenprint and collagraph, complemented by demonstrations, talks and workshops. Visitors can explore the stories and processes behind each piece and meet the makers behind the art.

“This year’s festival is more than an exhibition,” say the organisers. “It’s an invitation to discover, to ask questions and to support York artists keeping traditional and contemporary printmaking alive.” Entry is free.

Festival Of The Force: The Star Wars convention from another galaxy, here in York

Film convention of the week: Festival Of The Force, York Railway Institute, Queen Street, York, Sunday, 10am to 5pm

MAY the Force be with you for this Star Wars convention, Festival Of The Force, whose mission is to deliver an immersive experience in celebration  of the Star Wars universe while building a strong sense of community among collectors, fans, and cosplayers of all ages. Look out for a galaxy of merchandise, celebrity appearances and fan-led events. Box office: eventbrite.co.uk/e/festival-of-the-force-tickets.

Wanted in York: Julian Clary swaps guns for puns and putdowns in A Fistful Of Clary on Sunday

Camp sight of the week: Julian Clary in A Fistful Of Clary, Grand Opera House, York, Sunday, 7.30pm

JULIAN Clary goes Western as he saddles up for entendres at the double, sure that the men in the audience won’t be able to keep their hands off his Rawhide.

The lucky few will play with him on stage in the Hang‘em Low saloon, but life in the Old West was tough. Not all of Julian’s wild bunch will be around to witness the final shoot-out when he gives himself selflessly at high noon to the last man standing. Tickets update for Clary’s pun fight: still available at atgtickets.com/york.

Sophie Ellis Bextor: Disco nights at York Barbican and York Racecourse

Dancefloor diva at the double: Sophie Ellis Bextor, York Barbican, May 26, Spring Bank Holiday Monday, 7.30pm; York Racecourse Music Showcase Weekend 2025, July 25, after 8.23pm last race  

“IT will be wonderful to bring the disco fun to everyone,” says Sophie Ellis Bextor, lockdown queen of the Kitchen Disco online sessions, as she heads to York twice. Buoyed by Murder On The Dancefloor’s appearance in the final scene of Emerald Fennell’s film Saltburn returning her 2001 smash to number two in the UK charts, she takes to the road with a career-spanning set also featuring  Groovejet (If This Ain’t Love), Take Me Home (A Girl Like Me) and Freedom Of The Night.

The former lead singer of theaudience will be joined by special guest Natasha Bedingfield for the post-racing concert on Knavesmire in July. Box office: yorkbarbican.co.uk (last few tickets); yorkracecourse.co.uk.

Jon Mills’s cast for Miles Salter’s short play One Step Beyond, premiering at the Black Swan Inn next week

Premiere of the week: Yortk Settlement Community Players presents Miles Salter’s One Step Beyond, Black Swan Inn, Peasholme Green, York, May 26 to 28, 7.30pm

STEVE and Kerry have been married a long time. Steve’s vinyl collection may tear them apart. Luckily they have a counsellor…and Steve’s friend Boring Ryan on hand to help them out. It must be love, love, love. Jon Mills directs Stuart Green, Pamela Gourlay, Liz Quinlan, Chris Meadley and Jess Murray in York writer Miles Salter’s short play for YSCP’s Direct Approach project. Tickets to enter this House of Fun:  £5, pay on the door, cash or card.

Victoria Delaney, left, and Clare Halliday in rehearsal for York Actors Collective’s production of Tiger Country at Theatre@41, Monkgate

Hospital drama of the week: York Actors Collective in Tiger Country, Theatre@41, Monkgate, York, May 27 to 31, 7.30pm, Tuesday to Friday; 2.30pm and 6pm, Saturday

NINA Raine’s doctors-and-nurses drama, last performed at Hampstead Theatre, London, in 2014, is revived by Angie Millard’s company York Actors Collective.

This fast-paced play considers doctors’ dilemmas as a range of clinical and ethical issues come under the spotlight in a busy hospital. Professionalism and prejudice, turbulent staff romances, ambition and failure collide as Raine depicts an overburdened health service and the dedicated individuals that keep it going. Box office: tickets.41monkgate.co.uk.

Nick Mohammed’s alter-ego, Mr Swallow, in Show Pony, cantering into the Grand Opera House next week and in the autumn. Picture: Matt Crockett

Comedy gig of the week: Nick Mohammed Is Mr Swallow in Show Pony, Grand Opera House, York, May 28 and October 23, 7.30pm

COMEDIAN, writer, Ted Lasso regular and Taskmaster loser Nick Mohammed transforms into his alter-ego, Mr Swallow in Show Pony, a new show that will “cover everything from not having his own sitcom to not having his own sitcom… and everything in between (critical race theory). As per – expect magic, music and a whole load of brand-new mistakes”.  Box office: atgtickets.com/york.

Sir Tim Rice: Mulling over a life in musicals at the Grand Opera House, York

Musical knight of the week: Sir Tim Rice, My Life In Musicals – I Know Him So Well, Grand Opera House, York, May 29,7.30pm

LYRICIST supreme Sir Tim Rice reflects on his illustrious career at the heart of musical theatre, sharing anecdotes behind the songs, both the hits and the misses, complemented by stories of his life and live performances by leading West End singers and musicians, led by musical director Duncan Waugh. Box office: atgtickets.com/york.

Pocklington Arts Centre launches seat sponsorship scheme to celebrate milestone

Take a seat: Sponsorship opportunity at Pocklington Arts Centre

POCKLINGTON Arts Centre is marking its 25th anniversary by inviting patrons to sponsor a seat of their choosing through a seat plaque scheme.

This special opportunity will allow 150 supporters to leave a lasting legacy while helping to secure the future of the Market Place venue.

For a contribution of £200 for three years, individuals can dedicate a plaque on an auditorium seat, whether to commemorate a loved one, celebrate a special occasion or show support for the arts. A limited number of lifetime and business sponsorship opportunities will be available soon too.

Arts centre director Angela Stone says: “We’re thrilled to offer our supporters the opportunity to be part of Pocklington Arts Centre’s legacy. Sponsoring a seat is a fantastic way to celebrate our 25th anniversary while helping us secure the future of our creative work within the community.”

All proceeds from the scheme will be reinvested into ongoing improvements at the arts centre, including the establishment of a dedicated Community Fund to ensure the financial sustainability of creative engagement activities for young people and older adults.

For more information on how to be involved, visit pocklingtonartscentre.co.uk/support-us.

Pocklington Arts Centre: the back story

Not-for-profit arts and entertainment venue in the heart of East Yorkshire, delivering diverse programme of music, comedy, art, theatre and cinema.

Attracts world-class talent and creates opportunities for emerging artists in the intimate 200-seat auditorium in the market town’s former cinema.

REVIEW: Wise Children in Alfred Hitchcock’s North By Northwest, York Theatre Royal, until April 5 ****

Simon Oskarsson, left, Ewan Wardrop, Katy Owen, Patrycja Kujawska and Mirabelle Gremaud in Emma Rice’s production of Alfred Hitchcock’s North By Northwest for Wise Children. Picture: Steve Tanner

FOUR huge wooden moveable revolving doors dominate Emma Rice’s set for Alfred Hitchcock’s North By North West. Cocktail glasses and glinting bottles line each panel. Put the two together and heads will spin, and that is very much the feel of the world right now, spinning ever more out of control as Trump plays his hand.

The setting is still 1959, but come one last erudite turn of narration by Katy Owen’s remarkably adroit Professor, and the snap, crackle and pop of Rice’s psychodrama hits the gut as her best work does with a darkness that may some may crave for earlier but gives it a resonance amid the bloody mess of today. It may be the United Nations in Hitchcock’s plot, but it is no less NATO,  Trump, Putin, Israel, Gaza and the “Coalition of the Willing”.

On the case: Narrator Katy Owen. “Words dance from her lips, her voice mellifluous, her wit drought-dry, her manner as impish as Puck”. Picture: Steve Tanner

Rice and her cast have bags of fun on the way, especially in Act One, but not for the first time, the show becomes more mechanical, more methodical, over its second act, until that knockout final blow has you feeling as despairing and as angry as Rice.

Our guide is the nimble, balletic Owen’s Professor, in oversized coat and trilby, hectoring the audience to participate as if at a pantomime while equally badgering the cast to crack on too. Words dance from her lips, her voice mellifluous, her wit drought-dry, her manner as impish as Puck.

Through those revolving doors spins advertising executive Roger Thornhill (Ewan Wardrop), all too soon to be mistaken for George Caplan, who doesn’t really exist, yet is the fulcrum of Hitchcock’s Cold War conspiracy thriller.

Wise Children writer-director Emma Rice

You may think of Mischief’s mischievous mishaps or more likely, Patrick Barlow’s four-hander take on The 39 Steps (right down to actors making their coats billow in the wind), but Rice has her own style, a feminist perspective too, a desire too to bring more depth to character and motive, especially for Patrycja Kujawska’s femme fatale, Eve Kendall, with more than a bit of politics too. There is even meta-theatre here, a knowing nod to being in a theatre.

Rice, in her own whimsically witty way, is as stylish as Hitchcock: gorgeous clothes; cocktails agogo; dark glasses and Fifties’ panache; hat after hat, and a long, long row of suits behind those doors,as Mad Men meets bad men.

Rice conducts her six players with an elegant sleight of hand, aided by Etta Murfitt’s fabulous movement, Wardrop’s Thornhill drawing on his Matthew Bourne dancing days, all topped off by cast members miming deliciously to Fifties’ blues and jazz and novelty hits. Being fussy, at least one could be cut for a tighter focus post-interval.

Constantly on the move: Mirabelle Gremaud, left, Simon Oskarsson, Ewan Wardrop, Patrycja Kujawska and Karl Queensborough in Alfred Hitchcock’s North By Northwest. Picture: Steve Tanner

Her use of newspaper print, with messages in large, bold type, is a regular joy, so too the running joke where tiny writing on a card is immediately accompanied by a larger version held above it. Throughout, suitcases, 75 of them at the last count, act as props, or bear labels to denote a location, or even act as scenery (most memorably Mount Rushmore).

Above all, Rice is at her most inventive and imaginative in re-creating Hitchcock’s cinematic setpieces, especially, the crop duster plane with the flourish of a magician that brings the house down. Glamour, romance, tender truths are promised and delivered, less so the Hitchcockian jeopardy, but the finale makes it all worthwhile.

Wise Children, York Theatre Royal, HOME Manchester and Liverpool Everyman & Playhouse present Alfred Hitchcock’s North By North West, York Theatre Royal, until April 5. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Katy Owen’s Professor and Ewan Wardrop’s Roger Thornhill in Wise Children’s take on the iconic cornfield scene in Alfred Hitchcock’s North By Northwest. Picture: Steve Tanner

Mission “impossible”: How Emma Rice brought Alfred Hitchcock’s North By Northwest to York Theatre Royal stage

Wise Children writer-director Emma Rice

THE world premiere of Emma Rice’s theatrical take on Alfred Hitchcock’s North By North West is up and running at York Theatre Royal with a full week of previews before next Wednesday’s press night: a lead-up more associated with West End premieres.

Such is the scale and anticipation that surrounds Frome company Wise Children’s co-production with the Theatre Royal, HOME Manchester and Liverpool Everyman & Playhouse.

“The show’s ready for an audience,” said writer-director Emma last Friday morning, in a brief break from tech-week preparations for Tuesday’s first preview.

Five weeks of rehearsals at The Lucky Chance, Wise Children’s creative space in a converted Methodist church in Somerset, had preceded moving up to York on March 16.

“There’s a certain percentage of work you can’t do in the rehearsal room, especially when we have a very ambitious set with four revolving doors that are over four metres high and slide over the stage, and the cast has to learn how to move across the stage,” says Emma. “It’s quite mathematical as it’s such a mind-bending plot – and Maths is not my strong point!”

Quick refresher course: Hitchcock’s 1959 American spy thriller, the one starring Cary Grant, Eva Marie Saint and James Mason from cinema’s Golden Age, finds hapless advertising man Roger Thornhill (now played by Ewan Wardrop) being mistaken for George Kaplan when a mistimed phone call to his mother lands him smack bang in the middle of a Cold War conspiracy. Now he is on the run across America, dodging foreign spies, airplanes and a femme fatale, Eve Kendall, who might not be all she seems.

Rice duly turns Hitchcock’s smart thriller on its head in her riotously humorous reworking, replete with six shape-shifting performers, a fabulous 1950s’ soundtrack and a heap of hats, clothes, suitcases and newspapers in a topsy-turvy drama full of glamour, glitz, romance, jeopardy and a liberal sprinkling of tender truths. 

Where Rice’s vision of North By Northwest meets Hitchcock’s version is “sort of a surprising marriage, but I’ve loved it” she says of the creative process. “I love that it’s an impossible test. North By Northwest has a vast series of impossible problems to solve on stage, from Mount Rushmore to the plane, the crop duster, and you have to work your magic.

“We’ve come up with lots of fun ways to meet those challenges, those setpieces, while also matching Hitchcock’s vision, so it’s very stylish.”

Etta Murfitt’s contribution as movement director has been important. “It’s been fascinating because it’s an odyssey story and the thing you can’t do with the four-door set is travel much, so you have to find the energy to give that sense of travel,” says Emma.

Emma Rice at Wise Children’s creative space, The Lucky Chance, a converted Methodist church in Frome, Somerset

“We do that with fantastic choreography that, like Bob Fosse’s work, gives it humour as well as movement, and you think, ‘is it dance, is it theatre’? We have six actors who are incredibly virtuosic in their acting. Five of them have worked with me before, and the newcomer to the company is Simon Oskarsson, who’s Swedish but has been working in England for a long time.”

North By Northwest may be outwardly familiar, “but I would place a wager now that a lot people will have seen the film but if you ask them to tell the story they probably couldn’t,” says Emma. “I’ve taken months to complete all the beats of the story. I’ve not needed to have too many surprises but I’ve made it easier to understand.

“My experience of the film was that it was baffling, and we’ve been able to tell the story more clearly without losing the tension.”

To help her do so, she methodically made note cards of each plot point, placed on the floor to work through the machinations in her fourth conversion from screen to stage after The Red Shoes, A Matter Of Life And Death and Brief Encounter in her Kneehigh Theatre days.

“Nothing happens in Brief Encounter. Everything happens in North By North West, and it takes every iota of my theatre craft to present it. I have to be on the front of my toes. Like we now have over 70 suitcases in this show, each one with a different label and different things in it, after I swapped having lots of hats for more suitcases, though there are still many hats, but many more suitcases now!”

 Emma has homed in on the 1950s’ post-war setting too, not least to bring more depth to Hitchcock’s characters. “I’ve always been really fascinated by the Fifties,” she says. “My parents were small children in the war; my grandparents fought in the war. My parents were my family’s first generation to go university.

“Every character in the film would have just come out of the war; everyone making the film would have experienced it, so it’s been interesting to add that depth to it.”

In particular, she focuses on building up the back story of Eve Kendall, the femme fatale who helps Thornhill to avoid detection after they meet on a train. “I think Hitchcock made a great job of Eve; she’s the heroine of the piece, putting herself on the line with her bravery and her moral judgement  when facing the most jeopardy.”

Emma has given the narrator’s role to Katy Owen’s Professor. “I’ve used a lot of Hitchcock’s dialogue in the play, but the Professor’s narration is very much in my language though I’ve also used stage directions from Ernest Lehman’s film script, which was a masterpiece. They’re beautifully written; the language is virtuosic and humorous and elegant too.”

Wise Children in Alfred Hitchcock’s North By North West, York Theatre Royal, until April 5, 7.30pm plus 2pm, March 26 and April 3; 2.30pm, March 29 and April 5Box office: 01904 623568 or yorktheatreroyal.co.uk.

The poster for Wise Children’s world premiere of Alfred Hitchcock’s North By Northwest, on stage at York Theatre Royal from this week

Jodie Comer to revive Prima Facie “one last time” on 2026 tour. Grand Opera House, York, awaits next Feb in only Yorkshire run

Jodie Comer in the role of defence barrister Tessa Ensler in Suzie Miller’s Prima Facie, heading for the Grand Opera House, York, in February 2026. Picture: Helen Murray

NEWSFLASH: 26/3/2025

GONE in a flash. Tickets have sold out already for Jodie Comer’s “one last time” return to Prima Facie at the Grand Opera House, York. On pre-sale to members at 10am this morning and the general public at 12 noon, The York Press reports that only 20 minutes later, the last seat was filled.

JODIE Comer will revive her Olivier and Tony Award-winning solo performance in Suzie Miller’s sexual assault drama Prima Facie “one last time” on a 2026 tour booked into the Grand Opera House, York, from February 17 to 21.

The Killing Eve star last appeared on a North Yorkshire stage in her professional debut as spoilt, mouthy but bright, privately educated Ruby, playing opposite York actor Andrew Dunn in the world premiere of Fiona Evans’s The Price Of Everything, at the Stephen Joseph Theatre, Scarborough, in November 2010.

Tickets will go on sale at midday on Tuesday, March 25 at atgtickets.com/york for criminal lawyer-turned playwright Miller’s Olivier Award winner for Best Play, wherein Comer will play thoroughbred Tessa Ensler, a young, brilliant barrister who loves to win.

Ambitious Tessa has worked her way up from Liverpool and Luton council estates, via Cambridge University, to be at the top of her game in her early 30s as a criminal defence barrister for an esteemed London chambers: defending the accused, cross examining and lighting up the shadows of doubt in any case.

However, an unexpected event forces her to confront the lines where the patriarchal power of the law, burden of proof and morals diverge.

Jodie Comer in her professional debut role as Ruby in Fiona Evans’s The Price Of Everything at the Stephen Joseph Theatre, Scarborough, in April 2010. In the background is York actor Andrew Dunn. Picture: Tony Bartholomew

“She played by the rules, but the rules are broken,” as the sleeve to Miller’s script puts it, when Tessa, the woman who defends men accused of rape, is assaulted herself.

Liverpool-born Comer, who turned 32 on March 11, won the Olivier Award for Best Actress for her 2022 performance as Tessa in her sold-out West End debut at the Harold Pinter Theatre, London, repeating that feat in the Tony Awards when Miller’s play transferred to Broadway in 2023.

The NTLive (National Theatre) and Empire Street Productions live capture of Prima Facie has enjoyed two record-breaking cinema releases, with streaming on National Theatre At Home too, and Comer also has recorded an audiobook adaptation by Miller.

Looking forward to reprising Miller’s monologue on tour, Comer says: It is a huge privilege to return to Prima Facie for one last time and take this important play on tour across the UK & Ireland. The resonance of Suzie Miller’s writing, both in London and New York, exceeded anything we could have imagined.

“I’m so thrilled to have the opportunity to get the team back together and take the production to theatres around the country, including my hometown of Liverpool. On a personal note, I can’t think of a better finale to what has been such an incredible and deeply rewarding chapter in my life.”

“It is a huge privilege to return to Prima Facie for one last time,” says Jodie Comer. Picture: Helen Murray

In her play, Miller, who was a lawyer for 15 years before focusing on writing since 2010, drew on research from trials at the Old Bailey to address how the legal system conducts sexual assault cases.

“It’s almost impossible to actually run a sexual assault case and win it,” she told a 2022 roundtable with Comer, DSI Clair Kelland and barrister Kate Parker, hosted by Emily Maitlis (as reported by the Guardian, April 22 2022).  “It’s almost like the forum of the court is not fit for purpose for sexual assault.”

“I couldn’t be more thrilled about the Prima Facie 2026 tour,” says the Australian playwright, screenwriter, librettist, visual artist, novelist and human rights lawyer, who has degrees in both science and law. “This play has already achieved more than we all could have dreamed, and Jodie’s commitment to the story reaching so many new venues and communities means more people can be part of the conversation, and the solution.”’

Empire Street Productions producer James Bierman has announced that partnerships with the Schools Consent Project and Everyone’s Invited charities will continue on next year’s tour.

Set up in 2014 by barrister Kate Parker, the Schools Consent Project sends lawyers into schools to teach 11 to 18 year olds the legal definition of consent and key sexual offences.

The poster for the 2026 tour of Prima Facie

Their aim is to normalise these sorts of conversations among young people; to empower them to identify and communicate their boundaries, and to respect them in others.  To date, they have spoken to more than 80,000 young people across the country.

Throughout the tour, the production will be working with each venue to support the charity’s work in educating young people in the UK about consent.

Everyone’s Invited’s mission is to expose and eradicate rape culture with empathy, compassion and understanding. The charity offers a safe space for all survivors to share their stories completely anonymously. 

Everyone’s Invited allows many survivors a sense of relief, catharsis, empowerment, and gives them a feeling of community and hope. 

Conversations with friends and personal experiences throughout school and university revealed to founder Soma Sara how widespread the issue is, whereupon she began sharing her experiences of rape culture on Instagram.

Prima Facie playwright Suzie Miller. Picture: Sarah Hadley

In light of the overwhelming response from those who resonated with her story, Soma founded Everyone’s Invited in June 2020, later gaining charitable status in 2022 alongside the launch of the Everyone’s Invited education programme. So far, the programme has reached more than 50,000 students across the UK.

James Bierman says: “All of us involved in Prima Facie are honoured to be able to highlight and support the essential and brilliant work that Everyone’s Invited and The Schools Consent Project do up and down the country.

“Creating safe spaces for people to share their stories and be heard is vital, and to try and change the horrific levels of sexual assault we have in this country we have to change the way we as a society see and talk about consent. By educating young people the Schools Consent Project team are making the future a better place.”

The nine-city UK and Ireland tour will open at Richmond Theatre, London, on January 23 2026 and will visit the Gaiety Theatre, Dublin; Royal Lyceum, Edinburgh, New Theatre, Cardiff; The Grand Opera House, York, in its only Yorkshire dates; Marlowe Theatre, Canterbury, and Birmingham Rep before closing with Comer’s home run at Liverpool Playhouse from March 17 to 21.

Prima Facie is helmed by Olivier Award-winning director Justin Martin, who is joined in the creative team by Rotherham-born composer Rebecca Lucy Taylor, the Brit Award-nominated singer and songwriter otherwise known as Self Esteem; set and costume designer Miriam Buether; lighting designer Natasha Chivers; sound designers Max and Ben Ringham; video designer Willie Williams for Treatment Studio and vocal coach Kate Godfrey.

Jodie Comer: the back story

Jodie Comer

BORN on March 11 1993 in Liverpool, Merseyside. Made professional stage debut in Fiona Evans’s The Price Of Everything, Stephen Joseph Theatre, Scarborough, April 2010.

Best known for playing psychopathic assassin Villanelle in cult BBC America spy thriller Killing Eve (2018–2022).  Won Emmy Award for Lead Actress in a Drama Series and BAFTA Award for Best Leading Actress in 2019. Later nominated again for Emmy Award, BAFTA Award and Critics Choice Award, as well as Screen Actors Guild Award.

Made West End debut at Harold Pinter Theatre, London, in 2022 and Broadway debut at John Golden Theatre, New York, in 2023 in Suzie Miller’s legal drama Prima Facie. Won Olivier Award for Best Actress in a Play, Tony Award for Best Performance by a Leading Actress in a Play and Drama Desk, Outer Critics Circle and Theatre World awards. Nominated for Drama League Award too.

Starred in Channel 4’s Covid film drama Help, opposite Stephen Graham, marking her executive producer debut too. Won BAFTA for Leading Actress; Help won BAFTA for Single Drama. 

Further television credits include: Thirteen (BAFTA Award and RTS Programme Award nominations); Talking Heads; Doctor Foster; The White Princess; Rillington Place; Lady Chatterley’s Lover; My Mad Fat Diary and Remember Me.

Made feature film debut in Shawn Levy’s $300 million-grossing action comedy Free Guy, alongside Ryan Reynolds and Joe Kerry, in 2021. That year too, she appeared alongside Ben Affleck, Matt Damon and Adam Driver in Ridley Scott’s historical drama The Last Duel, premiered at 78th Annual Venice International Film Festival.

In January 2024, she starred in The End We Start From, Mahalia Belo’s survival thriller based on Megan Hunter’s novel about the trials and joys of new motherhood in the midst of devastating floods that swallow up London.

Last year too, she joined Tom Hardy and Austin Butler in The Bikeriders, Jeff Nichols’s account of a fictional 1960s’ Midwestern motorcycle club, based on the photo-book of the same title by Danny Lyon.

Coming next, from June 20, will be 28 Years Later, Danny Boyle’s latest instalment in the 28 Years Later trilogy, where she stars alongside Aaron-Taylor Johnson, Ralph Fiennes and Jack O’Connell, followed by Kenneth Branagh’s The Last Disturbance Of Madeline Hynde.

Now filming The Death Of Robin Hood, playing opposite Hugh Jackman, directed by Michael Sarnoski.

REVIEW: Rowntree Players in Glorious!, Joseph Rowntree Theatre, York, 2.30pm and 7.30pm today ***

Neil Foster’s Cosme McMoon Jackie Cox’s Florence Foster Jenkins and Mike Hickman’s St Clair Bayfield in the Rowntree Players poster for Glorious!, mirroring the composition of the poster for Stephen Frears’ film, by the way

GLORIOUS! is the true story of 1940s’ New York socialite heiress Florence Foster Jenkins, “the worst singer in the world”, yet cherished by Cole Porter and Tallulah Bankhead, no less.

You may recall Meryl Streep’s Oscar-nominated tour de force in Stephen Frears’ 2016 film or Hull actress Maureen Lipman in the West End premiere of Peter Quilter’s 2005 play with music. Now is the turn of Jackie Cox in Martyn Junter’s elegant production for Rowntree Players.

Meanwhile, as chance would have it, across the Pennines, Wendi Peters is playing Florence in a revised version of Quilter’s joyous drama at the Hope Mill Theatre in Manchester until March 30.

In her day, bemused audiences would great the screeching warbling of the deluded Florence with mocking laughter, but in Glorious! the laughter is reserved for Quilter’s script, whose wit is even sharper than Florence’s ever-enthusiastic but far-from-pitch-perfect singing.

We first encounter Cox’s flamboyant Florence in her grand hotel suite abode, where her constantly supportive manager and long-time companion, failed British Shakespearean actor St Clair Bayfield (Mike Hickman), has arranged for dapper Cosme McMoon  (Neil Foster) to be her new piano accompanist.

Apparently, St Clair has been cut from the streamlined Manchester production, but Hickman makes you wonder why as he continues his run of impressive performances with this arch, dry-humoured fixer.

Foster’s McMoon takes his place behind assorted grand pianos through the show, his face a picture of alrm when he first encounters the shocking noise of “the First Lady of the sliding scale”.

It becomes a running joke how McMoon’s eloquence allows him to seemingly flatter Florence by leaving out the exact word that would insult her and yet impart that meaning to the audience. Here Quilter’s delicious, mischievous writing is at its best, along with the moment he plays a delightful trick on the audience in a funeral scene, turning sombre repose to chuckles.

Florence loves to sing, loves to dress up, loves to entertain, loves to raise money for charity, loves music, but she does not take kindly to criticism, vetting her potential audiences by restricting entry to invitation only to her notorious balls.

She is shielded from the truth by kindly/sycophantic friends, such as Dorothy (Jeanette Hunter in a double act with a stuffed dog), but in Cox’s hands you cannot but warm to her passion for performing, even if you cover your ears when another high note falls off the cliff edge.

What’s more, like comedian Les Dawson’s deliberately maladroit piano playing, it takes skill to sing always tantalisingly either side of the right note. Director Hunter encouraged Cox to worsen her singing in rehearsal, advice that pays off in Cox’s indestructible performance.

Her Madame is neither an operatic diva, nor a circus freak show, more a singing equivalent to Olympian ski jumper Eddie “The Eagle” Edwards in still giving pleasure for all the faults in her technique. Quilter brings so much heart her character and to his storytelling, summed up in a poignant finale where we are invited to think how Florence, by now in angel wings for her triumphant Carnegie Hall farewell, thought she sounded when she sang.

That angelic frock is but one of many striking costume choices by Julie Fisher and Cox herself, matched by the set design with yellow walls and green doors for Florence’s hotel apartment.  Abundant flowers adorn the stage, courtesy of Robert Readman and cast members, and if Cox’s singing puts teeth on edge, the soothing recorded piano arrangements by Sam Johnson are of the highest order.

Martyn Hunter pops up in dapper dinner jacket to play a CBS news reporter, Graham Smith has a cameo as the Undertaker, and Quilter’s skill at crafting humorous characters is further affirmed by Moira Tait’s Maria, Florence’s Mexican maid, who sticks stoically to speaking Spanish  – aside from “sandwiches” – but understands every English utterance in another running gag.

Chris Higgins draws boos for her performance as Mrs Verrinder-Gedge, not for the quality of her acting, be assured, but for her music snob’s rude, mean-spirited interruption of Madame’s concert.

Not boos, but cheers, even tears, accompany Florence’s swan song – fitting for Rowntree Players’ polished, amusing, ultimately poignant show. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Ewan Wardrop dances with delight at playing Roger Thornhill in Emma Rice’s take on Alfred Hitchcock’s North By Northwest

Ewan Wardrop in rehearsal at The Lucky Chance, Frome, for his role as Roger Thornhill in Wise Children’s production of Alfred Hitchcock’s North By Northwest, premiering at York Theatre Royal from March 18 to April 5. Picture: Steve Tanner

EWAN Wardrop returns to the Wise Children ranks for the world premiere of Emma Rice’s adaptation of Alfred Hitchcock’s North By Northwest at York Theatre Royal from March 18.

After appearing in artistic director Rice’s productions of Bagdad Café (Old Vic Theatre, London) and The Buddha Of Suburbia (Royal Shakespeare Theatre, Swan Theatre, Stratford-upon-Avon and Barbican Theatre, London), he will take the lead role of Roger Thornhill in the Somerset company’s co-production with York Theatre Royal, HOME Manchester and Liverpool Everyman & Playhouse.

Mistaken for another man, Thornhill finds himself smack bang in the middle of a Cold War conspiracy after a mistimed phone call to his mother. Now the reluctant hero is on the run, dodging spies, airplanes and a femme fatale who might not be all she seems.

“Emma told me about her production plans getting on for two years ago,” says Ewan. “We did two sets of workshop at The Lucky Chance [Rice’s creation space and venue in the refurbished and repurposed Portway Methodist Church in Frome], where we just threw ideas around because it’s such a filmic Hitchcock film with the setpieces and the plane scene and you’re thinking ‘how do you do that on stage?’.

Simon Oskarsson’s Valerian, left, Ewan Wardrop’s Roger Thornhill, Katy Owen’s Professor and Mirabelle Gremaud’s Anna rehearsing a scene for Emma Rice’s production of Alfred Hitchcock’s North By North West. Picture: Steve Tanner

“The producers had sought Emma to do this production as she’s the best at doing this kind of adaptation.”

For the rehearsal process, “Emma writes the script with her ideas for stage directions, but it’s moveable, thinking ‘oh, this will work better visually’, where she’ll come in with a better idea overnight,” says Ewan. “Or Etta [choreographer and movement director Etta Murfitt] might come up with a new movement sequence.

“You learn your lines, you do the lines, cuts are made, and Emma is very good at thinking on her feet, making changes right up to the eve of the show, always looking for the best way to portray something.”

The resulting production will become as much Emma Rice’s 2025 North By Northwest as Alfred Hitchcock’s 1959 North By Northwest in this fifth collaboration between Wise Children and York Theatre Royal after productions of Angela Carter’s Wise Children, Malory Towers, Wuthering Heights and Blue Beard.

Wise Children writer-director Emma Rice

As the Theatre Royal brochure promises: “Emma Rice takes on film legend Alfred Hitchcock in this riotously funny reworking that turns the original thriller on its head. With just six shape-shifting performers, a fabulous ’50s soundtrack and a lot of hats, this dazzling production plays with the heart, mind and soul. Join us for a night of glamour, romance, jeopardy and a liberal sprinkling of tender truths.”

“With this sort of show, it’s about striking the right balance,” says Ewan. “Audiences want to see scenes from the film they recognise, and it would be difficult not to have a nod to those, like the plane swooping down. We’re not re-creating the film but people will be happy to see scenes they love.

“It’s a question of scale how you transfer it to the stage, so for some things you have to rely on the audience’s imagination, which is the most powerful tool theatre has – and I prefer to use the imagination rather than see something where I don’t quite buy it.

“The film is a box of tricks but its emotional heart is maybe quite slight, so Emma has looked into how we present the ‘baddies’, looking deeper into that to make them more three-dimensional.

Emma is bringing more depth to Roger’s relationship with Eve Kendall,” says Ewan Wardrop, pictured in rehearsal with Patrycja Kujawska. Picture: Steve Tanner

“She’s also bringing more depth to Roger’s relationship with Eve Kendall. In essence, he’s quite a shallow character, but he’s been through the war – like the actors in the film had – so Emma has written new sections to explore that.

“She’s been pretty faithful to the film, to the characters and the dialogue, but she’s added to the dialogue without changing the storyline.”

Ewan is an Alfred Hitchcock devotee. “I’ve always loved his films. They’re visually compelling, and I was a dancer before I was an actor, so I’ve always responded to his visual flair. With Hitchcock, there are so many memorable scenes that go by without dialogue that are beautifully framed,” he says.

Ewan worked previously with choreographer Etta Murfitt in Matthew Bourne’s company and loves the movement element to Wise Children’s shows. “Emma (CORRECT) uses more and more dance in her productions, so she casts actors who aren’t necessarily great dancers but who move well, which can be more interesting than actual dancers.

Leaping into action: Ewan Wardrop, left, and Simon Oskarsson in the Wise Children rehearsal room. Picture: Steve Tanner

“Emma casts really well as she knows people so well and she’s very instinctive to make you do things that I wouldn’t come up with or go as far as that, and you think, ‘how does she know that?’. 

“She will use your great strengths and that’s one of her great assets: her emotional intelligence and empathy, as well as her theatricality.”

North By Northwest marks Ewan’s return to York. “I’ve been coming here for years,” he says. “I did my one-man George Formby show, Formby, in the Theatre Royal Studio and I play the baritone ukulele with the Ukulele Orchestra of Great Britain, performing at the Theatre Royal,” he recalls.

Wise Children in Alfred Hitchcock’s North By Northwest, York Theatre Royal, March 18 to April 5, then on tour. Box office: 01904 623568 or yorktheatreroyal.co.uk