CHALMERS & Hutch apply Southgate’s template for an all-inclusive future in the latest Two Big Egos In A Small Car podcast.
Under discussion too are Nadine Shah and the streaming dilemma; Alan Ayckbourn vs Harold Pinter; why British avant-garde novelists fall behind their progressive counterparts, and the future of York’s Pop Up Piccadilly artists.
BE pepped up by the one and only arts club badinage from Two Big Egos In A Small car podcasters Chalmers & Hutch, as they discuss Grewelthorpe’s jewel, the Himalayan Gardens; Velma Celli’s Drag Brunch; Metronomy’s English Riviera landmark; the “Top 20 Most Inspirational Novels”; York’s strange version of The Masked Singer and Cruella & Disney reboots.
EUROS 2020? What Euro 2020? The sun is out and so is Charles Hutchinson’s diary as he points you in the direction of curious CBeebies favourites, acoustic concerts, a dockyard Romeo & Juliet, a large painting, Clough v Leeds United and more ideas aplenty.
Children’s show of the week: Twirlywoos Live!, York Theatre Royal, tomorrow at 1.30pm and 4pm; Saturday, Sunday, 10am and 2pm
TOODLOO, Great BigHoo, Chick and Peekaboo set sail for York on board their Big Red Boat for their Theatre Royal theatrical adventure Twirlywoos Live!.
Curious, inquisitive and eager to learn about the world, these small, bird-like characters from the CBeebies television factory will be brought to life with inventive puppetry, mischief, music and plenty of surprises.
Written by Zoe Bourn, the 55-minute show is recommended for ages 1+; babes in arms are welcome too. Box office: 01904 623568 or at yorktheatreroyal.co.uk.
Outdoor gigs of the week ahead: Songs Under Skies 2, National Centre for Early Music churchyard, York June 14 to 16
SONGS Under Skies returns to the NCEM’s glorious gardens at St Margaret’s Church, Walmgate, York, for acoustic double bills by Katie Spencer and Joshua Burnell on June 14, Zak Ford and Alice Simmons, June 15, and Epilogues and Sunflower Thieves, June 16.
As with last September’s debut series, season two of the open-air, Covid-safe concerts is presented by the NCEM in tandem with The Crescent community venue, the Fulford Arms and the Music Venues Alliance.
Gates open at 6.30pm for each 7pm to 8.30pm concert with a 30-minute interval between sets. Tickets must be bought in advance, either in “pods” for family groups or as individuals at tickets.ncem.co.uk.
Biggest painting of the week award: Corrina Rothwell’s Subterranea Nostalgia, in The Cacophany Of Ages at Pyramid Gallery, York, until July 1
CORRINA Rothwell’s exhibition of abstract works features the largest canvas painting in the near-30 years that Terry Brett has run Pyramid Gallery in York.
“Subterranea Nostalgia measures 1600mm by 1600mm. That was fun, getting it upstairs!” says Terry, whose gallery is housed in a National Trust-owned 15th century building in Stonegate. “The painting has a real impact. If you know anyone with really big walls, it would be perfect for them!”
Nottingham artist Corrina favours mixed media and acrylic on canvas for the paintings, on show at Pyramid and online at pyramidgallery.com.
Football, football, football, not on the box but in a theatre: Red Ladder Theatre Company in The Damned United, York Theatre Royal, June 16
THE choice is yours: Italy versus Switzerland at the Euro 2020 on ITV at 8pm or the inner workings of Brian Clough’s troubled mind at Elland Road in 1974 at York Theatre Royal, kick-off 7.30pm.
Adapted from Yorkshireman David Peace’s biographical novel by Anders Lustgarten, The Damned United is a psychodrama that deconstructs Old Big ‘Ead’s 44 days as manager of Leeds United, whose Don Revie-tutored players he despised as much as they loathed him.
The double act of Luke Dickson’s flawed Clough and David Chafer’s avuncular Peter Taylor are joined by Jamie Smelt as everyone else in a story of sweat and booze, fury and power struggles, demons and defeats.
Festival of the month: York Festival of Ideas 2021, running until June 20
THIS year marks the tenth anniversary of York’s bright idea of a festival dedicated to educating, entertaining and inspiring.
Under the banner of Infinite Horizons to reflect the need to adapt to pandemic, the Festival of Ideas is presenting a diverse programme of more than 150 free online and in-person events.
The best idea, when needing more info on the world-class speakers, performances, family activities and walking trails, is to head to yorkfestivalofideas.com/2021/.
Outdoor play outside York announcement of the month: Hull Truck Theatre in Romeo & Juliet, Stage@The Dock, Hull, July 15 to August 7
AFTER John Godber Company’s Moby Dick completes its run at the converted Hull dry dockyard this Saturday, next comes Hull Truck Theatre’s al-fresco staging of Shakespeare’s tragic love story.
The title roles in Romeo & Juliet will be played by Hull-born husband and wife Jordan Metcalfe and Laura Elsworthy, who appeared in The Hypocrite and The Last Testament Of Lillian Bilocca in 2017 as part of Hull’s year as UK City of Culture celebrations.
Metcalfe and Elsworthy, who married in the summer of 2018 after bonding when working on The Hypocrite, will play a stage couple for the first time, performing on a traverse stage to emphasise Verona’s divided society. Box office: hulltruck.co.uk.
Looking ahead to the autumn: Wise Children in Emma Rice’s Wuthering Heights, York Theatre Royal, November 8 to 20
EMMA Rice’s Wise Children company is teaming up with the National Theatre, York Theatre Royal and the Bristol Old Vic for her elemental stage adaptation of Emily Bronte’s Yorkshire moorland story of love, vengeance and redemption.
In an intoxicating revenge tragedy for our time shot through with music, dance, passion and hope, Rice’s company of performers and musicians will be led by Lucy McCormick’s Cathy.
“Emboldened and humbled by the enforced break, I feel truly lucky,” says Rice. “I cannot wait to get back to doing what I love most and to share this thrilling and important piece with the world. It’s time.”
Veterinary appointment in 2022: An Evening With Julian Norton, Pocklington Arts Centre, January 18
JULIAN Norton, author, veterinary surgeon and star of Channel 5’s The Yorkshire Vet, will share amusing anecdotes from his work with animals in North Yorkshire, bringing to life all the drama and humour in the daily routine of a rural vet.
Following in the footsteps of James Herriot author Alf Wight, Norton has spent most of his working life in Thirsk. His latest book, All Creatures: Heart-warming Tales From A Yorkshire Vet, was published in March. Box office: pocklingtonartscentre.co.uk.
HAPPY49th birthday today to Julian Norton, star of Channel 5’s The Yorkshire Vet, who has a booking in the diary for January 18 2022 at Pocklington Arts Centre.
In An Evening With…show at 7.30pm, the Castleford-born author and veterinary surgeon will share amusing anecdotes from his work with animals in North Yorkshire, true stories that bring to life all the drama and humour in the daily routine of a rural vet.
Following in the footsteps of James Herriot author Alf Wight, Norton spent most of his working life at the Skeldale practice in Thirsk, before working in Boroughbridge and opening an independent vet practice in Wetherby.
This spring, he has returned to the North Yorkshire market town to open the Thirsk Veterinary Practice with his wife, fellow vet Anne, as a sister practice to Wetherby.
Pocklington Arts Centre director Janet Farmer says: “We’re delighted to be welcoming Julian Norton to PAC for what will be a fun and fascinating evening for fans of the hit TV series The Yorkshire Vet, animal lovers looking to be inspired, or simply those who want to share in Julian’s passion and commitment to his work.
“An Evening With Julian Norton follows two previous, highly popular shows at PAC by Yorkshire Shepherdess Amanda Owen, so we know ticket are likely to sell fast.”
Norton has featured prominently in The Yorkshire Vet on Channel 5, now in its 12th series of recording the day-to-day work of vets in rural North Yorkshire.
Norton has written six books about his life as a vet. His latest, All Creatures: Heart-warming Tales From A Yorkshire Vet, was published by Hodder & Stoughton in March.
Tickets for An Evening With Julian Norton go on sale at £18.50 tomorrow (4/6/2021) at pocklingtonartscentre.co.uk.
IF you are seeking a delightfully arty present for Mothering Sunday this weekend, Kentmere House Gallery owner Ann Petherick has a recommendation for you.
Books from niche publisher Mascot Media are available exclusively in York via her gallery in Scarcroft Hill.
“Mascot Media is a small Norfolk publisher specialising in beautifully illustrated books featuring paintings by living artists, mostly of animals, birds or gardens,” says Ann. “The books are priced from £10 to £25; delivery within five miles of York can be arranged before the weekend.”
Yorkshire artists include Emerson Mayes; Janis Goodman; Hester Cox; the former President of the Printmakers’ Society, Hilary Paynter; linocut printmaker H.J. Jackson and many more.
The gallery stock of paintings and prints is available too. “Just email me with your requirements; examples can be emailed to you, shown to you at our door or delivered to your door,” says Ann, who can be contacted at email@example.com or on 01904 656507.
SNOWHERE to go in freezing-cold Lockdown 3, except for yet another regulation walk and Chai Latte, as the live arts remain in pandemic hibernation, Charles Hutchinson looks online and ahead to bolster his sparse diary.
Online half-term fun, part one: Story Craft Theatre’s Crafty Tales, The Worrysaurus, February 17 to 20, 10am to 11am
YORK children’s theatre company Story Craft Theatre are running four storytelling and craft-making sessions on Rachel Bright’s The Worrysaurus on Zoom over half-term.
Janet Bruce and Cassie Vallance will begin each session for two to seven-year-old children with the Crafty Tales song and a butterfly craft-making session, followed by the interactive story of the little Worrysaurus dealing with butterflies in the tummy. Cue songs, games, dancing and fun galore.
The February 17 session is fully booked; prompt booking is advised for the other three at bookwhen.com/storycrafttheatre.
Online half-term fun, part two: Magic Carpet Theatre, The Wizard Of Castle Magic, streaming from February 18
MAGIC Carpet Theatre and Pocklington Arts Centre (PAC) are teaming up for a free online streaming event for the February half-term.
The Hull company’s family show The Wizard Of Castle Magic will be shown on PAC’s YouTube channel from Thursday, February 18 at 2.30pm, available to view for 14 days until March 4.
Filmed live at PAC behind closed doors by Pocklington production company Digifish last autumn, director Jon Marshall performs an enchanting show based on the traditional Sorcerer’s Apprentice tale for children aged three to 11 and their families with a script packed with comedy, illusion and special theatrical effects.
Opera North goes home: ONe-to-ONe personal live performances on Zoom, February 15 to February 27
OPERA North is launching ONe-to-ONe, a digital initiative to bring live performance into homes across the country during Lockdown 3.
ONe-to-ONe will provide personal online performances delivered by members of the Chorus and Orchestra of Opera North, with slots available to book at operanorth.co.uk.
From a cappella arias and folk songs to Bach cello suites and a marimba solo, the recipient will be treated to a free virtual solo at a time of their choice, performed by a professional musician over Zoom.
Online exhibition of the season: Revive, curated by Blue Tree Gallery, Bootham, York, until March 13
BLUE Tree Gallery’s latest online show, Revive, is bringing together paintings by artist-in-residence Giuliana Lazzerini, Steve Tomlinson, James Wheeler and Giles Ward.
Memory and imagination come to interplay in Lazzerini’s landscapes; the sea and the “associated physical and emotional experiences it brings” inform Tomlinson’s work; memory and desire in the light and atmosphere mark out Glaswegian Wheeler’s landscapes; the natural world inspires Giles Ward’s experimental, other-worldly paintings.
Revive can be viewed online at pyramidgallery.com, and artworks are being displayed in the gallery and gallery windows for those passing by.
Rearranged gig: Courtney Marie Andrews, Pocklington Arts Centre, June 17
PHOENIX country singer Courtney Marie Andrews has moved her Pocklington gig from June 17 2020 to exactly one year later, on the back of being newly crowned International Artist of the Year at the 2021 UK Americana Awards.
Courtney, 30, will perform the Grammy-nominated Old Flowers, her break-up album released last July, on her return to Pocklington for the first time since December 2018.
In the quietude of an emptied 2020 diary, she completed her debut poetry collection, Old Monarch, set for publication by Simon & Schuster on May 13.
Down by the river: York River Art Market call-out for artists
YORK River Art Market 2021 is issuing a call-out to artists for this summer’s riverside event on Dame Judi Dench Walk, Lendal Bridge, York.
After a barren 2020, the organisers have announced plans to return for markets on June 26; July 3, 24, 25 and 31, and August 1, 7, 14, 21 and 28, when 30-plus artists will be selling original art and hand-crafted goods at each stalls day.
Applications to take part should be emailed to firstname.lastname@example.org with three quality images of your work; a few sentences about your art; links to your digital platforms, and your preferred choice of dates, listed in the YRAM biography on its Facebook page.
Making plans for next year: Glenn Tilbrook, The Crescent, York, March 13 2022
SQUEEZE up, make room for Glenn Tilbrook, freshly booked into The Crescent for next March.
One half of the Tilbrook-Difford song-writing partnership known as Deptford’s answer to Lennon and McCartney, singer, songwriter and guitarist Tilbrook, 63, can draw on a catalogue boasting the likes of Take Me I’m Yours; Cool For Cats; Goodbye Girl; Up The Junction; Pulling Mussels; Another Nail In My Heart; Tempted; Labelled With Love and Black Coffee In Bed.
Expect picks from his solo works, The Incomplete Glenn Tilbrook, Transatlantic Ping-Pong, Pandemonium Ensues and Happy Ending, too.
And what about?
DISCOVERING debut albums by rising British stars Celeste (the chart-topping Not Your Muse on Polydor Records) and Arlo Parks (Collapsed In Sunbeams on Transgressive Records). Revelling in the soundtrack while crying your way through Russell T Davies’s five-part mini-series It’s A Sin on Channel 4. Savouring Joe Root’s batting against spin in the return of Test Match Cricket to Channel 4 as England take on India.
THE Delines, Willy Vlautin’s retro country-soul band from Portland, Oregon, have rearranged their Covid-postponed February 23 gig at Pocklington Arts Centre.
They will head to East Yorkshire on February 15 2022 instead, with the promise of new material on their first British travels since their sold-out 2019 itinerary.
Looking forward to The Delines’ 8pm gig with a full band line-up, Pocklington Arts Centre (PAC) director Janet Farmer says: “We’re delighted that we’ve been able to reschedule The Delines to perform live here as part of their delayed European tour.
“We know they’ll absolutely be worth the wait and we’re very much looking forward to welcoming the band and our audiences back for an evening of superb live music. We know our audiences cannot wait to experience live music once again, so I’d encourage you to book your tickets now to avoid disappointment.”
The Delines – Vlautin and Sean Oldham, both formerly of Richmond Fontaine, vocalist Amy Boone, Cory Gray and Freddy Trujillo – were working on new songs in the months before lockdown and expect to finish their follow-up to 2019’s The Imperial shortly.
Meanwhile, award-winning novelist Vlautin, 54, will be releasing his sixth book, The Night Always Comes, on April 6 (or June 6 in Harper Collins paperback, according to another website).
Nevada-born Vlautin, who was Richmond Fontaine’s lead singer, guitarist and songwriter from 1994 to 2016, was inspired by a Paul Kelly song, based on Raymond Carver’s So Much Water So Close To Home, to start writing stories.
In his latest, he explores the impact of trickle-down greed and opportunism of gentrification on ordinary lives. At the core of his story is the dangerously tired Lynette, who is caught between looking after her brother, working two low-paid jobs and trying to take part-time college classes.
Every penny she has earned for years, she has put into savings, striving to scrape together enough to take out a mortgage on the house she rents with her mother.
Tickets for The Delines cost £20 at pocklingtonartscentre.co.uk. The support act that night will be Los Angeles singer-songwriter Jerry Joseph, 59, who released the album This Beautiful Madness last August.
YORK poet, storyteller, journalist, songwriter and radio presenter Miles Salter has come up with his Fix for a seven-year hiatus.
He has released a poetry book of that name on his own new imprint, Winter & May – “it’s a way of saying ‘for all seasons’, reasons Miles – after a burst of writing in the pandemic ended the lull since his second collection, Animals.
In his apocalyptic, sometimes discomfiting yet hopeful miniature narratives and prose poems, Miles’s observational writing spans climate change; the rise and fall-out of love; loneliness and grief; rock’n’roll; the rites of passage through childhood, adolescence and beyond, and life’s flow being put on hold in pandemic lockdown, his tone ranging from deeply dark to darkly witty, quizzical to surrealist.
CharlesHutchPress fixes it for Miles to answer Charles Hutchinson’s frank questions on Fix and more besides.
Why the seven-year hiatus between volumes two and three: had it become a seven-year glitch or itch over that time, Miles?
“I’m a bit of a tortoise. I find that, generally, it takes a while for a project to come to fruition. I can be a real perfectionist. I always think I can do better.
“But the long gap wasn’t intentional. I went through a seismic mid-life crisis. That really slowed everything down. My life was a mess for a while. Some of the poems came out of that. I had a couple of years where I didn’t do much at all, no writing or anything. Just tried to look after myself and keep going. It was very grim.”
At the epicentre of that crisis was the end of your marriage in 2016…
“It took a long time to recover. I was devastated, and suicidal for a while. One of the poems that wasn’t included in the book was about looking for ways to end my life. There was a period in 2017 when I wanted to die. A friend of mine said, ‘You cannot do this to the kids’, and they were absolutely right.
“One poem, Said, details exchanges between me and my ex-wife at the time of our separation. It was a very difficult time; I wanted to save the marriage but it wasn’t possible. That poem reflects what happened. Let’s say I was trying to capture two different voices.”
Given your frankness about your marriage coming to an end, and your subsequent suicidal thoughts, is there anything too personal for poetic expression?
“Fix is very confessional. It’s a risk to write about personal things. Some people have read the book and found it a little uncomfortable, because of the subject matter, although they also said it was moving.
“I feel that vulnerability is important in all art. Otherwise, how are you going to touch people? Overall, I think the balance is about right. Those poems are a record of something traumatic. There are funny poems in the book too!
“I talked about it with Carole Bromley, who’s a friend and mentor, and I reeled off a list of confessional poetry books like Stag’s Leap (about the end of Sharon Olds’ marriage), and Carole said, ‘Well, you’ve just listed my favourite poetry book’. That was very heartening.”
How have you changed as a poet over the past seven years?
“I think I’m becoming more careful in the writing, perhaps a bit more lyrical and subtle. I like to think that is a sign of maturity. I always liked muscular writers like Philip Larkin, Carol Ann Duffy and Simon Armitage. They all were ‘zero bullshit’ in their writing. But you can have impact without raising your voice too loudly. I think I’m getting better at that.”
How have you changed as a person in that time?
“Good question. There’s a very long answer to that, but a succinct response would be: more mature, a little older, a little less naive about the world. I know myself better. A bit more determined to not mess about, and keener to be more successful than before. Life is short. I want to make the next few years count.”
How do you define what constitutes a poem: once it was rhyme and rhythm; is it now line breaks and a sense of timing for the content’s maximum impact?
“There are a lot of definitions of poetry; I’m not sure I have a definitive one. For me, it would be ‘tell a story with heart and precision, as fast as you can’. But that reflects my tendency to write stories in my poems. A lot of the poems in Fix are miniature narratives and prose poems.”
Does being a songwriter have an impact on your writing of poetry? How do poems differ from lyrics?
“I do find them to be very different things. My songs are more sloppy and more impressionistic. The poems are more crafted. Paul Simon sang once about ‘words that tear and strain to rhyme’, and he was spot on.
“With songs, you’re trying to match ‘rain’ with ‘pain’ or ‘again’. My poems dispense with that, most of the time, so the poems are much more liberated. I’d like to get closer to Del Amitri’s Justin Currie and Leonard Cohen in their song-writing, closing the the gap between poems and songs.”
Why did you choose “Fix” for the title? The word has multiple meanings: to mend a problem; to fasten; to “fix” a sports result; to be “in a fix”; to decide or settle on a date; to fix your eyes on someone; a drug “fix”. Which “Fix” is it for you?
“The big theme of the book is living in an imperfect world. The title was an allusion to addiction, to being in a fix, to trying to make things better. I liked the ambiguity. [Fellow York poet] Antony Dunn had a book called Bugs, which has three meanings. Maybe that was in the back of my mind.”
If you could fix one problem to improve the world, what would it be?
“Climate change. We’re all in big trouble. I have two children and I am scared for them. It’s very frightening. I keep writing about it, as if warding off a bad dream that keeps coming back.”
Dark humour has its place, but what else drives you in your writing. Is it cathartic?
“The humour is important, because life is funny and ridiculous as well as difficult and sad. Thomas Merton once said, ‘I want to write a book that contains everything’. I know what he means.
“There’s a Justin Currie song called At Home Inside Me, which has a similar feeling. As an artist, you want to encompass everything. There’s something universal about art. It’s funny, beguiling, unsettling, inspiring…”
Does something make more sense to you by the end of a poem than at the beginning?
“The best poems, usually, are the ones where you don’t know where you are going. You just follow an idea, and it takes you down a little rabbit warren. It’s a very exploratory thing. Was it Picasso who said ‘If you knew what you were doing at the start, what would be the point?’ Can’t remember. Somebody like that!”
When do you know a poem is finished? Artists often find it difficult to decide when a work is complete. What about you?
“Fix was exhausting at the end. Multiple revisions and then more, and more. It went through 16 drafts. I’m a bit of perfectionist. I just want stuff to be really, really good. Some of the poems I thought were finished, but I showed them to writer friends and would always try to revise them in light of what people said. I’ve learnt that a dodgy phrase is ‘That will do’. Revision is important. Do it again!”
Writers are outsiders, whose observations make us look differently at the world around us. Discuss…
“Yes, absolutely. Writers are outsiders, and sometimes they are difficult, prickly people. But we need their perspective, the way they hold a mirror up to the world. What would literature be without George Orwell, Margaret Atwood, Philip Larkin, D H Lawrence, Ernest Hemingway? We need outsiders sometimes. They show us how life is, and how it could be different.”
You name your influences as Larkin, Duffy, Armitage. Why that trio?
“They didn’t pull any punches; they talked about life in such an uncompromising way, and they were all brilliant with language. Larkin’s The Whitsun Weddings is one of the greatest poems of the last hundred years, I think. It’s so moving.
“He has a bad reputation as a human but the writing is wonderful. I used to stand outside his house in Pearson Park in Hull and go ‘that’s where he was’.
“I always admired Larkin for the way he was so honest about the more unpleasant aspects of life – he wrote beautifully but was never sentimental. Like him, I try to balance the dark elements with some humour, too. I didn’t want Fix to be unremittingly bleak. I really wanted it to feel life-affirming.”
…and Duffy and Armitage?
“I worked with Carol and Simon when I ran the York Literature Festival. I put Carol on three times. That was a buzz.
“Armitage’s Seeing Stars was a big influence on me; it’s an amazing book. He walks a tightrope between humour and horror. Beyond Huddersfield – a bear in a recycling plant. It starts light and funny and gets really dark. Brilliant.”
Your candour within Fix takes in expressing frustration with men being portrayed in a negative light in the poem Shed. Over to you, Miles…
“In the wake of Me Too, there’s been a lot of anger about male behaviour. Some of that is entirely justified – abuse is unacceptable. However, I also see lots of comments that demonise men, and some of that takes place in the poetry world.
“Shed is about toxic masculinity, but there’s a redemptive aspect to it: men can be better, we can move on. I’d like to see that reflected in the discourse, instead of ‘aren’t men awful?’ I feel very strongly about it.
“The highest risk category of suicide in the UK is men aged 45 or under, and I was nearly one of those statistics. Voices that demonise men are not helping, frankly. There’s a lot of shame – and shaming – going on out there, and we need to find a more rounded way of talking about things.”
Your poems stretch from realism to surrealism. What draws you to fantasy: a need to escape; a wish for change?
“I like that space where you take a real situation and twist it a little, so it becomes more surreal. I like to have one foot in the real world and one in a place that is much less familiar.
“I always had a slight feeling of guilt about fantasy and escapism, until I saw [artist] Grayson Perry talk about escapism, and how it’s OK and important. That really helped me a lot. I think imagination is hugely important. We need, as a culture and society, to be more imaginative. I hate the way technology is making us less imaginative, I find it really depressing.”
Is that why you have given your book imprint Winter & May the tagline “Books for Humans”?
“In an age of technological dependence, the motto stands as an attempt to reach for human creativity and independence. It scares me how we’ve all been sucked into thinking like machines.
“Part of me longs for a Utopia where we’re much closer to the earth, and much less attached to technology. One of the apocalyptic poems in the book, Witness Statement, foresees a society where machines take over from humanity.”
Despite the stultifying frustrations and uncertainties of the pandemic cycle of Government-enforced lockdowns, how have you been keeping artistically busy, aside from publishing Fix?
“My band, Miles And The Chain Gang, released a couple of videos in 2020, When It Comes To You and Drag Me To The Light, and we’re working towards making an album.
“We’ve been going two years, and it’s been a slow burn. That’s partly because of Covid, but the songs are really strong and the band are brilliant. I’m optimistic about what we can do in the future.”
How is your regular Wednesday night slot on Jorvik Radio, hosting The Arts Show, going?
“I’ve interviewed luminaries such as cookery book writer Nigel Slater, young adult author Melvin Burgess and Barnsley bard Ian McMillan.
“Talking to Ian was great. He’s one of those writers who really inspired me; he’s so good at wearing different hats, but it’s always about communication and connecting with people. That’s where I feel happiest. Communicating makes me feel more alive.”
How do people respond when you say you are a poet?
“Ha! I don’t really say that. I say I’m a communicator.”
Musician, poet, broadcaster, communicator: why is communication so important to you?
“I just feel happy when I’m using words or music to make a connection with people, tell a story, create an atmosphere, impart information. It makes me happy. I’m getting better at it. It’s taken a while, but I’m improving.”
Should you be wondering…
Why has Miles Salter called his publishing imprint Winter & May?
“It was a joke. It was a way of saying ‘for all seasons’. It’s a made-up name, I just liked the way it sounded. Weidenfeld and Nicholson. Winter and May.”
Is this new venture mere vanity publishing for you? “I really hope not. I always had an inkling that I might go into publishing, in some way. I’ve always adored books. The feel of them, the smell, the potential held inside pages. I’ve got ideas for possible projects with other writers, so I hope it’s not just a bit of ego.”
UNIQUE vintage photographs depicting Woodend, in its days as the private Scarborough summer home of the Sitwell literary family, have been donated to Scarborough Museums Trust by a descendant, journalist William Sitwell.
William is the grandson of writer Sacheverell Sitwell, who, together with brother Osbert and sister Edith, spent many summers at the house in The Crescent in the late 19th and early 20th centuries.
The most famous of the three siblings, William’s great-aunt Edith, was born at Woodend in 1887. William writes for The Daily Telegraph, among other publications, and is a judge on BBC1’s MasterChef.
When clearing out family belongings, he came across photos that show Woodend, now a creative industries centre, in its heyday as a family home, with a spacious entrance hall, busy living rooms and a palm-filled glasshouse.
William Sitwell says: “I’ve visited Scarborough on many occasions and have always relished a trip to Woodend, now a creative hub run by a collection of talented people my ancestors would be proud of.
“But it’s always strange walking around a museum and wondering what it must have been like as a home, with the presence of my eccentric forebears. When I came across these old photographs, the settings looked familiar and then I realised they were of Woodend, fully furnished and looking very Victorian.
“I knew at once that they should be sent to Andrew Clay [chief executive of Scarborough Museums Trust], who would cherish them and share them with visitors. They bring a wonderful insight to a lost era.”
Clay says: “The vintage photographs of Woodend are delightful. We have often wondered what these rooms looked like when the Sitwell family lived here and now we have a tantalising glimpse of Woodend in that era.
“It is fascinating to see the beautiful furnishings that once adorned these spaces. They conjure up a long-lost age of elegance and remind us today how sophisticated life on The Crescent really was. We are very grateful to William Sitwell for making this gift and we look forward to keeping in touch.”
Scarborough Museums Trust’s venues – Scarborough Art Gallery, the Rotunda Museum and the Woodend Gallery – are closed during Lockdown 3, but the trust hopes to be able to put the photographs on public display as soon as possible.