Ralf Little’s British intelligence officer Alec Leamas in The Spy Who Came In From The Cold. Picture: Johan Persson
FOR the first time, a novel by John le Carré, master of the modern spy genre, is being brought to life on stage in a thrilling adaptation of The Spy Who Came In From The Cold.
Ralf Little, best known for playing Detective Inspector Neville Parker in Death In Paradise, Antony Royle in The Royle Family and Jonny Keogh in Two Pints Of Lager And A Packet Of Crisps, will lead the cast as Alec Leamas in Second Half Productions and The Ink Factory’s tour of the Chichester Festival Theatre production.
“It is a huge privilege to be stepping into the shoes of one of John le Carré’s great literary creations, Alec Leamas, as we bring the murky world of his Cold War masterpiece to life on stage,” says Oldham-born actor, writer, presenter, narrator and former semi-professional footballer Little, 46. “I first read The Spy Who Came In From the Cold when I was 16 and it has stayed with me ever since.
Ralf Little: Touring 21 venues in the role of Alec Leamas in The Spy Who Came In From The Cold.Picture: Michael Wharley
“Reading David Eldridge’s brilliant script, I once again found myself drawn into the story’s unexpected twists and turns, its high-stakes game of cat-and-mouse between East and West, which David has captured so thrillingly in the play. Despite being written in the Sixties, it feels startlingly relevant to the times we are living in now. I can’t wait to share this story with audiences old and new as we take it to cities right across the UK.”
Named in TIME Magazine’s All-Time Greatest 100 Novels and still a best seller after more than six decades, The Spy Who Came In From The Cold takes a journey through the fog-shrouded terrain of Cold War espionage, deception and moral compromise, adapted by Eldridge (Beginning; Middle; End, all National Theatre) from the work of Le Carré, creator of Tinker, Tailor, Soldier, Spy and The Night Manager.
Disillusioned, weary and hardened, British intelligence officer Alec Leamas is ready to come in from the cold, until veteran agent George Smiley persuades him to take one final mission —dangerous, deceptive and deeply personal — against the East German Secret Service. Despatched into enemy territory, deep undercover, he finds his convictions tested and his defences breached by Liz Gold, a quietly defiant librarian, whose compassion threatens to thaw his frostbitten heart.
Ralf Little’s Alec Leamas, left, in a scene from The Spy Who came In From The Cold. Picture: Johan Persson
After a sold-out run at Chichester Festival Theatre and a West End premiere at @sohoplace in a14-week run from November 2025 to February 2026, the play is on a 21-venue tour from March 21 to August 22, under the direction of Jeremy Herrin (Grace Pervades; A Mirror; People, Places & Things; Long Day’s Journey Into Night).
Little’s Alec Leamas is joined by Grainne Dromgoole as Liz Gold, Tony Turner as George Smiley, Nicholas Murchie as Control and Peter Losasso as Hans-Dieter Mundt. Completing the cast are Eddie Toll as Fielder, Melody Chikakane Brown as Miss Crail/President of the Tribunal, Jeff D’Sangalang as Ashe, Jonny Burman as Riemeck/Kiever and Jo Servi as Pitt/Ford, with Clara Wessely and James Burman in the ensemble.
The creative team includes designer Max Jones, lighting designer Azusa Ono, sound designer Elizabeth Purnell, composer Paul Englishby, movement director Lucy Cullingford and tour director Joe Lichtenstein.
Second Half Productions and The Ink Factory presents Chichester Festival Theatre in John le Carré’s The Spy Who Came In From The Cold, Grand Opera House, York, June 9 to 13, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees. Box office: atgtickets.com/york.
The poster for Ralf Little’s appearance in John le Carré’s The Spy Who Came In From The Cold
Who’s who and what’s what at York Pride 2026 at Knavesmire
FESTIVALS full of Pride, ideas and comedy are the headline acts in Charles Hutchinson’s selection of culture in colourful bloom as May turns to June.
Putting the unity into community, love and equality: York Pride 2026, Knavesmire York, today, 11am to 7.30pm
THE 90-munite York Pride parade sets off from Parliament Street to Knavesmire at 12 noon for a full day of Pride, protest, visibility, music, cabaret, family entertainment and community celebration.
The main stage line-up features Nadine Coyle, Joe McElderry, Urban Cookie Collective, Nicki French, Michael Marouli, Roxanne Cooper, Sweet Like Sabrina, Heavenly Bodies, Jordan Smart, DJ Rory Hoy and York Stage’s cast of Everybody’s Talking About Jamie. For full festival details, go to: yorkpride.org.uk. Entry is free.
Alexander McCall Smith: Discussing his books at York Festival of Ideas on June 7 at 6.30pm in Room PZA/103 in the Piazza Building, Campus East, University of York. Picture: Alexander McCall Smith Portraits
Festival of the fortnight: York Festival of Ideas, Place & Space, today until June 12
YORK Festival of Ideas 2026 explores Place and Space in more than 200 mostly free in-person and online events designed to educate, entertain and inspire.
Led by the University of York, the event features world-class speakers (such as Nicola Sturgeon, Clive Myrie, Dame Kelly Holmes, Alexander McCall Smith, Sally Wainwright and Sian Williams), performances, exhibitions, tours, family-friendly activities, a Michael Morpurgo celebration day and much more, with topics ranging from archaeology to art, history to health, politics to psychology, football to Manchester’s Music Soul. For the full programme, go to: yorkfestivalofideas.com.
Kiri Pritchard-McLean: Hosting the finale to Pocklington Arts Centre one-day Comedy Festival today
Comedy event of the week: Pocklington Comedy Festival, today, from 1pm
POCKLINGTON Arts Centre’s Comedy Festival opens with Seeta Wrightson’s work-in-progress (WIP) Fringe Preview of Middling at 1pm, followed by Out Of The Box at 2pm and Brennan Reece’s WIP Fringe Preview of New Jokes at 2.45pm.
Marcel Lucont presents Les Enfants Terribles – A Game Show For Awful Children at 4pm. Then come Tom Neenan’s WIP Fringe Preview at 4.30pm; Sarah Roberts’ WIP Fringe Preview at 6.15pm and the Mixed Bill finale at 8pm, bringing together Lou Wall, Marcel Lucont, Tal Davies, Pravanya Pillay and Raj Poojara, hosted by Kiri Pritchard-McLean. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
“You sit here,” says Pierre Novellie, who will be standing over there at Theatre@41, Monkgate
Novellie idea of the week: Pierre Novellie, You Sit Here, I’ll Stand There, Theatre@41, Monkgate, York, today, 5pm, tickets available, and 8pm, sold out
IT’S time for Pierre Novellie to do stand-up! It’s time for you to watch! “Why not just embrace that, for God’s sake?” he ask on his return to Theatre@41, Monkgate. “All earthly glories fade!
Novellie is co-host of the Frank Skinner, Budpod and Button Boys podcasts and has been seen and heard on World’s Most Dangerous Roads (Dave), The Mash Report (BBC2), Stand Up Central (Comedy Central), The Now Show and The News Quiz (BBC Radio 4). Box office: tickets.41monkgate.co.uk.
The ELO Experience: Celebrating 50 years of Jeff Lynne songs at York Barbican
Tribute gig of the week: The ELO Experience, York Barbican, tonight, 7.30pm
IN 2025 Jeff Lynne’s ELO performed their last live shows on the Over & Out Tour. Now tribute act The ELO Experience are mounting their own 20th anniversary tour with a set of greatest hits and album gems spanning more than 50 years of Lynne’s music.
Between 1972 and 1986, ELO achieved more combined UK and US Top 40 hits than any other band, including 10538 Overture, Evil Woman, Living Thing, The Diary Of Horace Wimp, Don’t Bring Me Down and Mr Blue Sky. Box office: yorkbarbican.co.uk.
The book cover artwork for Fiona Mozley’s new novel, Awake Awake
Book event of the week: An Evening with Fiona Mozley, Awake, Awake, Waterstones, Coney Street, York, June 4, 7pm
“WHAT if you can no longer trust your memories,” asks York author Fiona Mozley in her third novel, Awake Awake, published on June 4 by John Murray.
Booker-Shortlisted for her debut Elmet, and now resident in Edinburgh, Fiona returns to her home roots to discuss her new meditation on memory, loss and moral courage in a York-located story that revolves around a woman haunted by vivid memories of things she suspects never could have happened.
Her hour-long talk will be followed by a Q&A between Fiona and the audience and a book-signing session will be held afterwards. Tickets: £6, Waterstones Plus Card members £5, at https://www.waterstones.com/events/an-evening-with-fiona-mozley-at-waterstones-york/york.
Molly Whitehouse and Dan Poppitt in rehearsal for Black Sheep Theatre Productions’ premiere of Love At First Bite
Premiere of the week: Black Sheep Theatre Productions in Love At First Bite, Theatre@41, Monkgate, York, June 4 to 6, 7.30pm plus 2.30pm Saturday matinee
JOSH Woodgate directs Dan Poppitt and Molly Whitehouse’s seductive new work Love At First Bite, wherein dating can be hell, but what if one of them were a creature of the night?” What happens when Alan and Minnie meet at a speed-dating night? A spark flickers. Dates follow. Laughter lingers.
“Yet beneath the rhythms of a familiar rom-com, something waits in the dark,” say Poppitt and Whitehouse, who play the lovers in York company Black Sheep’s premiere. “One of them is a vampire – but the secret shifts. Each night, the actors trade fangs and the audience is left to wonder who is hunter, who is prey.” Blending sharp-fanged wit with a brush of gothic shadow, their play toys with romance, rewrites folklore and invites audiences to consider what it means to love…and to hunger! Box office: tickets.41monkgate.co.uk.
Charlotte Hanna-Williams, left, Jamie-Rose Monk, Seán Carey, Holly Sumpton and Christian Andrews in SplitLip’s Operation Mincemeat: A New Musical. Picture: Matt Crockett
Musical of the week: SplitLip in Operation Mincemeat: A New Musical, Grand Opera House, York, June 2 to 6, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees
THE year is 1943 and we are losing the war but, luckily, we can gamble all our futures on a stolen corpse. Singin’ In The Rain meets Strangers On A Train in SplitLip’s Operation Mincemeat, the Olivier and Tony award-winning musical take on the unbelievable true story of the twisted secret mission that won us the Second World War.
Bursting at the seams with chaos beyond invention, the question is: how did a dead body, a fake love letter and MI5 operative Ian Fleming come together to wrong-foot Hitler? Let Christian Andrews, Holly Sumpton, Seán Carey, Charlotte Hanna-Williams and latest recruit Jamie-Rose Monk tell the tale. Box office: atgtickets.com/york.
Sofia Romano in Silver Stage’s murder mystery Club Mistero, on tour at Helmsley Arts Centre
Immersive murder mystery of the week: Silver Stage & Solent University presents Club Mistero, Helmsley Arts Centre, June 5, 7.30pm
LOSE yourself inside the dazzling but dangerous Club Mistero in 1920s’ New York City, where a flighty barman, outspoken diva, secretive showgirl, neglected wife and an owner with eyes on every corner all become suspects when someone is, seemingly, nowhere to be found. Clutch your pearls, ol’ sport, murder is afoot.
In the heart of a speakeasy, surrounded by deception and secrets, a web of betrayal, revenge and power is spun, whereupon tensions rise as the line between friend and foe is blurred, but who will survive the night? Silver Stage’s Evelyn Foy, George Mclean, Niamh Boyle, Sofia Romano and Borna Vitlov will keep you guessing to the very end. Box office: 01439 771700 or helmsleyarts.co.uk.
Navigators Art’s poster for On Location, on show at City Screen Picturehouse from June 7
Exhibition launch of the week: Navigators Art presents On Location, York Festival of Ideas, City Screen Picturehouse, York, June 7 to July 3, from 10.30am each day
ON Location, a free art exhibition of some of York’s finest visual artists, explores ideas of place and space, venturing widely beyond conventional landscapes. Open every day in the cafe and upstairs gallery from 10.30am, the show will be launched officially on June 8 from 6pm to 8.30pm in the gallery (free admission, no booking required, all welcome).
The Gold brick road leads to York Barbican for Shalamar on their 50th anniversary tour
Gig announcement of the week: Shalamar, The Gold Tour, Celebrating 50 Years, York Barbican, July 2, 7.30pm
FORMED in Los Angeles in 1976, Shalamar became a defining force in late-1970s and 1980s’ R&B, funk and dance music with 18 UK Top 75 hits, 11 Top 40 singles, four Top Ten hits and more than 25 million records sold worldwide.
Body-popping Jeffrey Daniel and Howard Hewett, from the classic 1982 line-up, are joined by Carolyn Griffey, the female lead vocalist since 2001, to perform A Night To Remember, Take That To The Bank, The Second Time Around, Make That Move, Dead Giveaway, There It Is, Friends and Dancin’ In The Sheets et al. Special guest will be Gwen Dickey, The Voice of Rose Royce. Box office: yorkbarbican.co.uk.
York Opera cast members for Die Fledermaus: back row, David Hartley, Olivia Turner and Stephanie Wong; front row, John Soper and Alexandra Mather. Picture: John Saunders
Birds of the week: Matt Sewell exhibition for RARE Collective at WET, Micklegate, York, from June 4 for six week
SHROPSHIRE artist, illustrator and author Matt Sewelll is the latest street art luminary to be showcased in RARE Collective’s collaboration with WET wine bar, in Micklegate, York, in aid of SASH (Safe and Sound Homes), the York youth homelessness charity.
“We’re really chuffed to have Matt return to York,” says RARE Collective exhibition organiser Sharon McDonagh. “If you came to the Vandalfest charity street art show last year, you would have seen his cracking bird mural on Floor 3 of the big disused office block in Low Ousegate.
“The exhibition opens on Thursday, June 4 at 5pm, but please note there is no preview party. Matt’s fabulous Riso prints will be on show and you can buy directly from the RARE online shop from Friday, June 5. A percentage of all sales will go to @sashyorks.”
Artist Matt Sewell
Sewell is an avid ornithologist, contributing regularly to the Caught By The River website and publishing the books Our Garden Birds, Our Songbirds, Our Woodland Birds, Owls, Penguins and A Charm Of Goldfinches And Other Collective Nouns.
He has illustrated for the Guardian, Barbour, V&A Museums, BBC, National Trust, Greenpeace, Big Issue and Levi’s and painted walls for Helly Hansen, Puma and the RSPB (Royal Society for the Protection of Birds). He has exhibited in Great Britain, New York, old York, Tokyo and Paris.
Under RARE Collective’s partnership with WET, artists and photographers exhibit their work in a six-week solo show. As well as at WET, work can be bought online both during and after the exhibition run at rarecollective.co.uk.
Sewell is also a musician, performing as Sewell &The Gong with Chris Tate and as the deep-cut compiler of the compilation series A Crushing Glow.
In Focus: York Opera in Die Fledermaus, York Theatre Royal, June 3 to 6, 7.30pm Wednesday to Friday; 4pm, Saturday
YORK Opera is marking not one but two milestones with John Soper and Elizabeth Watson’s production of Die Fledermaus next week.
This year is the company’s 60th anniversary and the 40th anniversary of its first appearance at York Theatre Royal: hence the summer production choice of Johann Strauss II’s party opera, wherein lavish host Prince Orlofsky seeks fresh amusement at his New Year’s Eve party. What better place for disguises, deception and revenge served with chilled champagne?
On an earlier occasion, Doctor Falke had been humiliated by his old friend Herr Eisenstein, who persuaded him to dress for a party as a bat [Die Fledermaus]. After much amusement and ridicule, eventually he was abandoned to wander the streets of Vienna.
Falke plots his revenge with a cocktail of hidden secrets, mistaken identities and a splash or two of champagne that leads to a comedy of errors that soon takes flight. Will the bat be revenged?
For an opera deemed the ideal introduction for those new to the genre, the cast includes an exciting mix of singers new to the group and familiar faces, singing an opera full of memorable tunes and comic moments in English.
Alexandra Mather and Olivia Turner will share the role of Rosalinda; likewise, Stephanie Wong and LaLa Marais both will play Adele, after the decision to double cast the lead roles was made in response to the high calibre of talent displayed at the auditions.
The cast also features Molly Raine (Orlofsky); India Ashberry (Ida); Hamish Brown (Eisenstein); Karl Reiff (Alfredo); Ian Thomson-Smith (Falke); Mark Simmonds (Frank); Alex Holland (Dr Blind);Helen Tomlinson (Melanie); Katie Cole (Faustine) and Lilah Payton (Felicity).
Directors Soper and Watson say: “Prince Orlofsky states ‘when you have seen one opera, you have seen them all’. This is definitely not the case with a York Opera production. Our Die Fledermaus bubbles with lively choruses, memorable music and revenge – served chilled – just like flowing champagne.”
They are joined in the production team by conductor Edward Venn. Box office: 01904 623568 or yorktheatreroyal.co.uk.
In Focus too: National Centre for Early Music presents Olivia Chaney, Sons Of Art: Purcell Revisited, York Festival of Ideas, NCEM, York, June 5, 7.30pm
Olivia Chaney
OLIVIA Chaney, York musician, Grammy nominee and haunting voice of Emerald Fennell’s “Wuthering Heights”, plays a sold-out concert for York Festival of Ideas tonight.
Olivia’s deep connection to the music of Henry Purcell runs throughout her life. Now comes Sons Of Art,her latest performance and album project highlighting the deep affinities between the Baroque composer and the modern singer-songwriter: a shared immediacy, a delight in word-setting and a fearless mix of high art and street culture.
For Olivia, this is not classical crossover but a radical reclamation – a conversation across centuries that feels startlingly fresh. Tonight’s show is part of a tour heralding the upcoming Purcell album, as this modern English songwriter, now 44, reimagines Purcell’s works in a refreshingly natural and contemporary way, alongside original compositions and a chamber ensemble.
“It’s kind of a home show, as I’ve lived in York for seven years,” says Olivia. “My now husband [George Younge] was a lecturer in medieval history at the university, but he’s quit to be a furniture designer and maker, with his workshop in Escrick, though we may be moving from York.
“For this concert, I’ve been corresponding with Delma (NCEM director Delma Tomlin] and thought how nice it would be to combine with the York Festival of Ideas.
“I’ve played a few shows in York before, but usually at the Sir Jack Lyons Concert Hall [at the University of York].”
Olivia, however, also took part in a poignant concert on February 28 at the NCEM, where Eliza Carthy and Special Guests performed The Songs of Martin Carthy in celebration of the Robin Hood’s Bay folk titan’s 60-year legacy.
“It was a really emotional night, and I did something – I wept,” she recalls. “We’d just done The Life & Songs of Martin Carthy, a huge event at EartH Theatre, in Hackney, in September put on with Jon Wilks, with all the great and good of the folk world, Maddy Prior, Billy Bragg, Peggy Seeger, Martin Simpson, Eliza, Martin, and video contributions by Paul Weller, Van Dyke Parks and Bob Dylan. That one was particularly moving, Dylan saying Martin was a huge influence on him.”
Since then, Olivia had been to America to record her next album. “I came home, jumped in the shower and headed to the NCEM to pay tribute to Martin. I hadn’t expected him to be there [given his health], but then I saw him shuffling out of the green room to watch the concert. It was such a moving night.”
Now, Sons Of Art finds Olivia renewing her creative partnership with New York producer-pianist Thomas Bartlett. “The first album I made with him was called Shelter,” she says. “I’d written it on the North York Moors at Hawnby – before I lived in Yorkshire – when I’d been touring heavily in America and wanted to get away from everything. I had a Bechstein piano that my friends helped me transport there, then I had this surreal experience of writing songs in this bucolic setting and then recording them in mid-Manhattan!”
The release of next album Circus Of Desire, was delayed by Covid’s intervention, being held back until 2024. In the hiatus, her Six French Songs EP emerged in 2023.
“My third album with Thomas [the aforementioned Sons Of Art] will come out next year, and this season’s shows are a signposting of the start of the project: one that I’ve wanted to do for more than a decade, revisiting Purcell.”
Meanwhile, Olivia’s profile has been heightened by the presence of her stark, haunting rendition of the 19th century traditional folk ballad Dark Eyed Sailor in a pivotal scene in Emerald Fennell’s outre film “Wuthering Heights”.
“In a sense, I can’t answer completely how it came about in that the director ‘stumbled across the song’, like how after I made Six French Songs, French director Andre Techine – who had Catherine DeNeuve in all his films – found my song Auprès de ma Blonde, one of the first things I put on YouTube, which I then re-recorded for him.” she says. “The film was premiered at Cannes but never got taken up, so I’ve never seen it.”
Back to Emerald… “Having seen other movies by both Andre and Emerald, I think they were each looking for music to drive their narrative, so maybe that’s why Emerld settled on Dark Eyed Sailor, which she decided would be in “Wuthering Heights” right from the beginning.”
What’s more, Emerald was insistent on using the version she had first heard, rather than a new recording. Namely, Olivia’s recording to harmonium accompaniment for BBC Radio 2’s The Folk Show, made on May 22 2013. “There’s something about the rawness of radio sessions, and that was my first ever live session for Mark Radcliffe’s show,” she says.
“I remember painting my nails on the way to the studio, and I guess that session was the beginning of me finding my sound, delving back into folk music.
“In a way it’s a surprise that Emerald hasn’t chosen something from my albums, but she ended up using the song twice, once when Cathy realises she has married the wrong man, and then later an instrumental version, orchestrating out my harmonium.”
How did Olivia react when she attended the premiere. “What was a big surprise was that I thought it might be a little bit imperceptible, or be swamped by all the other music [by Charli xcx], but I was struck by how spare it was, so that you could hardly hear my harmonium,” she says.
“Emily Brontë’s novel is in my top ten, and I thought, ‘how can they use this happy song?’, but Emerald uses it so cleverly, where it’s seven years since Heathcliff went away and has now returned, so the theme is fidelity, as so many songs about sailors and soldiers are.”
Olivia reckons Fennel’s previous work, Saltburn, is superior. ““Wuthering Heights” is so ambitious, so hard to pull off, but where it maybe fails is in its humour,” she says. “But then there is no humour in my work. I’m not into humour in my art. I like humour but I want to be moved by art.”
Olivia Chaney, Sons Of Art: Purcell Revisited, National Centre for Early Music, Walmgate, York, June 5, 7.30pm. SOLD OUT.
Olivia Chaney: back story
BORN in Florence to a writer and painter-turned-academic, Olivia grew up listening to everything from Prince to Joni Mitchell to Henry Purcell.
This eclectic mix of influences sparked a passion for song-writing that she nurtured at Chetham’s School of Music and The Royal Academy.
After showcasing at SXSW and a stint as lead singer for electronica outfit Zero 7, she signed with Nonesuch, leading to collaborations with Kronos Quartet and a Grammy nomination for Offa Rex, The Queen Of Hearts, a collection of Fairport Convention-era classics made with Portland, Oregon band The Decemberists in 2017.
Olivia’s first solo album, 2015’s The Longest River, produced by Leo Abrahams, was followed by 2018’s Shelter, recorded in New York City with producer-pianist Thomas Bartlett. Both explored inherited trauma, the clash of tradition and modernity and the paradoxes of love.
In 2023 came Six French Songs, her spontaneous set ofFrench chanson, from medieval ballad to 1960s’ pop, made over two summer evenings at Reservoir Studios with Bartlett and violinist Sam Amidon.
John Robb: Discussing his new memoir, Punk Rock Ruined My Life: And Other Stories, at Pocklington Arts Centre
WILDLIFE photography and nature-inspired poetry and music turn Charles Hutchinson’s thoughts to the sunnier days ahead.
Talk of the week: John Robb, Pocklington Arts Centre, tomorrow, 8pm
JOHN Robb is a multi-faceted creature: author, musician, journalist, Louder Than War music website boss, Louder Than Words and Louder Than War Live festivals boss, Eco champion, vegan behemoth and punk rock warlord, as well as TV and radio talking head, frontman of post-punk mainstays The Membranes and ambassador for home-town Blackpool.
To mark the May 12 publication of his memoir, Punk Rock Ruined My Life: And Other Stories, he is undertaking a spoken-word and book tour, where each show comprises a one-hour talk by Robb, followed by a conversation and Q&A with a special guest. Tomorrow, he welcomes Pauline Murray, Penetration singer and author of Life’s A Gamble, her 2023 autobiography. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Nobody puts Baby’s poster in the corner for Dirty Dancing In Concert at York Barbican
Film event of the week: Dirty Dancing In Concert, tomorrow, 7.30pm
RELIVE the film that stole the hearts of generations with this live-to-screen concert event featuring Emile Ardolino’s 1987 American romantic drama projected in full, accompanied by a live band and singers performing every song from the soundtrack.
Feel the romance, rhythm and emotion as the love story of Baby and Johnny (Jennifer Grey and Patrick Swayze) comes to life on a full-size cinema screen. A dance-along encore party follows the final scene. Box office: yorkbarbican.co.uk
Now you see him, now you don’t: Daniel Davis and Georgina Sockett in Our Star Theatre Company’s The Invisible Man, to be spotted at Kirk Theatre, Pickering
Vanishing act of the week: Our Star Theatre Company in The Invisible Man, Kirk Theatre, Pickering, Friday, 7.30pm
THE thought of invisibility, and the advantages it could bring, has captured the imagination since HG Wells’s science-fiction novella was published in 1897. The Invisible Man has been adapted many times for film, but rarely for the stage.
Here comes Derek Webb’s original, fast-paced and riotous adaptation boasting 15 characters, split between three energetic actors, Daniel Davis, Georgina Sockett and Rhys Harris-Clarke, aided by quick and daft costume changes, prop manipulation, whacky imagination and tons of tongue-and-cheek fun in Herefordshire company Our Star’s touring production, directed by founder Ben Mowbray. Box office: 01751 474833 or kirktheatre.co.uk.
The poster for The Future Is Vintage, the latest Scott Bradlee’s Postmodern Jukebox concert at York Barbican
Retro gig of the week: Scott Bradlee’s Postmodern Jukebox, The Future Is Vintage Tour 2026, York Barbican, Friday, doors 7pm
SCOTT Bradlee’s troupe of singers, dancers and instrumentalists perform a new show in signature time-twisting style, putting a retro spin on everything from Seventies’ rock classics and Britpop hits to the latest chart toppers and movie and video game soundtracks.
“We’re humbly presenting our own unique vision of a spectacular future; one that is built upon the timeless musical genres of the past and the authentically human spirit of creativity that inspired them,” says founder and arranger Bradlee, who invites you to dress in your vintage best for the full time-travel experience. Box office: yorkbarbican.co.uk.
The Ocelots’ Ashley and Brandon Watson
Literature-inspired musings of the week: The Ocelots, The Arts Barge, Foss Basin Moorings, Tower Street, York, Friday,7.30pm
BLOOD harmonies are at the centre of The Ocelots’ sound with its Americana echoes of Neil Young and Sufjan Stevens. Twin brothers Ashley and Brandon Watson, from Wexford, Ireland, blend absurdity and sincerity in an array of literature-inspired musings.
Open tunings and clawhammer banjo merge country-folk contemplation with urban imagery, as heard on 2020’s Started To Wonder and 2025’s Everything, When Said Slowly albums and 2023’s Addlepated and March 2026’s Revisions EPs. Fionnuala Mary Bradbury supports. Box office: artsbarge.com.
Ian Smith: Stories of stress, love and buying a magic spell off Amazon in Foot Spa Half Empty at Helmsley Arts Centre
Comedy gig of the week: Ian Smith, Foot Spa Half Empty, Helmsley Arts Centre, Friday 8pm
EDINBURGH Comedy Award nominee and Northern News podcast co-host Ian Smith heads out on tour with Foot Spa Half Empty, his new show about stress, love and buying a magic spell off Amazon, in his follow-up to 2023’s Crushing.
Smith, 37, from Goole, has appeared on Live At The Apollo, Have I Got News For You, The Stand Up Sketch Show, BBC Radio 4’sThe News Quiz, The Unbelievable Truth and Just A Minute and hosted his own Radio 4 series, Ian Smith Is Stressed. Box office: 01439 771700 or helmsleyarts.co.uk.
Mike Amber: Taking on Joni Mitchell’s Woodstock songs with Lola-Mae at Navigators Art’s Back To The Garden night of poetry and music
Nature lovers of the week: Navigators Art presents Back To The Garden, York Festival of Ideas, The Basement, City Screen Picturehouse, York, Saturday, 7.30pm, doors 7pm
NAVIGATORS Art has invited York performers to celebrate and explore the York Festival of Ideas theme of Place and Space with a focus on the peaceful, wild, mythical, inspirational green worlds of gardens.
Original words and music feature alongside well-loved works by familiar names in the company of storyteller Lara McClure; Mike Amber & Lola-Mae, taking on Joni Mitchell’s Woodstock; poet and novelist Janet Dean; performance poet Carrieanne Vivianette and alt folk band Sofa Sofa, whose songs are rooted in nature and people, woods, weather, long walks, short thoughts, longing and love. Box office: ticketsource.com/navigators-art-performance or on the door.
Country Bound: Performing upbeat country songs, complemented by floor fillers re-imagined in a country music style, at Milton Rooms, Malton
Country gig of the week: Country Bound, Milton Rooms, Malton, Saturday, 8pm
COUNTRY Bound put the ‘fun’ into country function band, performing upbeat modern and classic country songs, complemented by classic floor fillers re-imagined in a country music style.
Fronted by Micki Consiglio, they cover hits by Taylor Swift, Shania Twain, Zach Brown Band, Luke Combs, Carrie Underwood, Chris Stapleton, Dolly Parton, Lady A, Blake Shelton, Faith Hill, Morgan Wallen, Billy Cyrus, Luke Bryan, Darius Rucker, Kacey Musgraves, Garth Brooks, Sheryl Crow, Kelsea Ballerini, Kenny Rogers, Patsy Cline and more. Box office: 01653 696240 or themiltonrooms.com.
Rick Wakeman: The Wizard of Prog reunites with the English Rock Ensemble at York Barbican next March
Gig announcement of the week: Rick Wakeman, The Wizard of Prog, Ultimate Highlights Concert Tour with English Rock Ensemble, York Barbican, March 11 2027
KEYBOARD player extraordinaire Rick Wakeman, who turned 77 on May 18, will be reuniting with the English Rock Ensemble to focus on a broad sweep across his classic back catalogue, including extracts from epic concept albums Journey To The Centre Of The Earth and The Myths & Legends Of King Arthur & The Knights Of The Round Table, Yes material and surprises.
The band line-up reassembles from 2025’s Return Of The Caped Crusader Part 2 tour: Wakeman, Jesse Smith (lead vocals), Adam Wakeman (keyboard, guitars and vocals), Dave Colquhoun (guitars and vocals), Lee Pomeroy (bass and vocals), Adam Falkner (drums) and backing vocalists Sara Davey, Jo Goldsmith-Eteson and Jo Marshall. Tickets go on sale on Friday at 10am at yorkbarbican.co.uk/whats-on/rick-27.
Paul Hobson’s A Toad Swims Across Its Woodland Pond: Grand Prize winner inBritish Wildlife Photography Awards 2026, on show at Nunnington Hall
In Focus: British Wildlife Photography Awards 2026, Nunnington Hall, Nunnington, near Helmsley, until July 5,open Tuesday to Sunday, 10.30am to 5pm
THE winners of the British Wildlife Photography Awards 2026 have been unveiled at the National Trust’s Nunnington Hall, where 75 photographs are on show.
Paul Hobson’s A Toad Swims Across Its Woodland Pond, photographed from a pond-floor perspective in Sheffield, has taken the top prize from more than 12,000 images submitted by professional and amateur photographers.
“I am lucky to have a pond close to my house that has relatively clear water,” says Hobson. “Toads use this pond to breed in, and I decided I wanted to try to capture an image looking up from the bottom of the pond.”
To accomplish this, he housed the camera inside a home-built glass box, complete with old tripod legs and ballast to prevent sinking, and triggered the camera using an adapted long cable release.
“I had to wait quite a long time until a toad swam across the surface,” says Hobson. “Most of them would usually swim below it and rest on the glass. He was eventually successful, however, and the outcome provides a rare view of a toad in its woodland home.
Ben Lucas’s Feathery Pillow: Winner of the Young British Wildlife Photographer of the Year Award 2026
Ben Lucas won the Young British Wildlife Photographer of the Year 2026 award with Feathery Pillow, his charming image of a mute swan cygnet taking a nap on its sibling’s back. “Nature can often be so cruel, but tender moments like this warm my heart,” he says.
The annual showcase of nature photography is a crucial reminder of what value British woodlands, wetlands and other ecosystems still hold.
“This year’s winners celebrate the wonder, diversity and character of British wildlife in truly exceptional ways,” say British Wildlife Photography Awards director Will Nicholls. “From familiar species to rarely seen moments, the portfolio showcases the skill and passion of the photographers behind the lens.
“Together, they offer a joyful celebration of Britain’s natural world, while also reminding us why these places and species are so deserving of our care and protection.”
Photographers competed in 11 categories in the adult competition: Animal Behaviour, Animal Portraits, Botanical Britain, Black & White, Coast & Marine, Habitat, Hidden Britain, Urban Wildlife and Wild Woods, plus British Seasons and Documentary Series making up the special awards.
Three photographs from the British Wildlife Photography Award 2026 exhibition
Further awards were given for Wildlife in HD Video and three age groups in the youth competition: age 11 and under, 12 to 14 and 15 to 17.
All awarded images are published by Graffeg Books in a hardback coffee-table book, available online at bwpawards.org, with a foreword by actor, writer and director Mackenzie Crook.
The 2027 competition is open for entries at bwpawards.org, inviting photographers of all levels of experience to submit their photos of Britain’s nature at its best.
Nunnington Hall invites visitors take time in the organic gardens overlooking the River Rye to spot many birds and insects and maybe the occasional otter or kingfisher that calls the garden home.
Tickets: nationaltrust.org.uk/nunnington-hall.Entry is free for National Trust members and under-fives.
The Wizard of York: Bringing magic and wizardry to York’s streets in May. Picture: The Story of You
PHOENIX the Red, The Wizard of York is to host his second WizardFest from May 23 to 25.
York’s official Festival of Wizardry will be a city-wide magical event, spread across such sites as Parliament Street, Shambles, St Helen’s Square and York Minster.
“It promises magical fun for wizards and witches of all ages and is shaping up to be a lot bigger than last year,” says organiser Dan Wood, alias the wand-ering Wizard of York, as he looks forward to casting a spell over York once more.
“There’ll be lots of new things going on, including taking over Parliament Street with a Wizard Activity Zone with face painting, wand making, performers and a Wizard Family Rave at Thor’s Tipi.
The WizardFest Fancy Dress Parade crowd at the 2025 festival. Picture: The Story of You
“We have 25 activities on the magical map, including trails, tours, bubble shows, dragons, owls, wand making, LEGO workshops, a Magical Night Market, Fancy Dress Parade and more.”
The festival announcement follows in the wake of magical mirth-maker Dan’s Wizard Walk of York winning Independent Business of the Year at the Visit York Tourism Awards, as well as Experience of the Year for the second year running, while last May’s inaugural WizardFest was a top three finalist for Festival of the Year.
Dan says: “Championing local businesses is at the very heart of what we do. We work with companies who we believe offer something special, and great value, for locals and tourists. WizardFest is all about putting them on the map, quite literally!”
He will be collaborating with Little Vikings to spread the wizarding word and has lined up six sponsors including York’s Loopy Scoops, Baby Boy’s Burgers and The Cat Gallery.
Meet a Dragon at Wizard Fest. Picture: The Story of You
Face painting at WizardFest. Picture: The Story of You
“We were blown away by the support for the first festival,” adds Dan. “Tickets vanished quickly and we can’t wait to do it all again. Fan favourites will return, including extra Wizard Walks, Brick Magic LEGO workshops and a wizard twist at Professor Kettlestring’s Puzzling World.
“Visitors can enjoy free trails, including The Black Cat Quest from The Cat Gallery – with new locations – and The Magical Owl Trail in Shambles Market by Make it York.
“Real owls will be appearing at St Crux Church on York’s Shambles on the Saturday, courtesy of The Flying Squadron, and Make It York will be bringing back The Magical Night Market, with more than 30 traders appearing – as if by magic – on the Monday evening. Expect a spellbinding setting, with wonderfully whimsical characters to meet and greet.”
Parliament Street will be transformed by Dan into a new Wizard Activity Zone. “There’ll be face painting, wand making, and families can get in a spin with the Party Octopus 360 video experience,” he says. “Thor’s Tipi is getting the party started with their Wizard Family Rave and offering Butterbeer with free wizard specs for every child.
The Wizard of York leading the Fancy Dress Parade at the 2025 WizardFest. Picture: The Story of You
“Chocolate unicorns can be made and decorated at York Cocoa Works and The Giant Bubble Show at Friargate Theatre is new too for 2026. Families can enjoy 60 minutes of jaw-dropping bubble tricks from The Bubble Wizard.”
Wandering wizards will not go hungry either. “The Dragon Sundae returns to Loopy Scoops, with the chance to meet Ignis (Iggy) the Dragon nearby too,” says Dan. “You can sink your teeth into a Beastly Burger from Baby Boy’s Burgers at SPARK: York or try the fiery Phoenix Fries in Shambles Market.”
A highlight last year was the free Fancy Dress Parade and Best Dressed Contest on the final day. “This will return for 2026, on May 25, starting at 3.15pm in St Helen’s Square, then heading down Stonegate to York Minster,” says Dan. “Visitors are encouraged to dress to impress for the chance to win some spellbinding prizes.
“We’d love to see some really different or unusual outfits. The theme isn’t limited to one particular wizarding world. You could take inspiration from Harry Potter, The Lord Of The Rings, Discworld or Wicked. Perhaps come as a magical creature or your own original creation!”
TheBubble Wizard performing at WizardFest
Prizes are donated by The Wizard Walk, The Society of Alchemists, Stonegate Teddy Bears and The Shop That Must Not Be Named.
Activity listings can be found at www.wizardwalkofyork.com/wizardfest, where bookings can be made too. “I can’t wait to see everyone at the festival and to celebrate the best of magic and family fun in York,” says Dan.
“Plan your visit at www.wizardwalkofyork.com/wizardfest and follow @wizardwalkofyork on Facebook and Instagram for updates. Almost all events sold out last year, so early planning is recommended before tickets…vanish!”
A magical map will be available to download, along with printed copies during the event.
On fire: Dan Wood, alias Phoenix the Red, the Wizard of York: Organiser of WizardFest
More wizard news for Dan
THE Wizard Walk of York has ranked in fourth place in Family Friendly Experiences worldwide in the 2026 TripAdvisor Travellers’ Choice Awards.
“The accolade puts the activity above experiences such as turtle snorkelling in Bali and a ninja experience in Tokyo,” says the Wizard of York, alias Phoenix the Red, the creation of York magical mirth-maker Dan Wood.
The tours leave from York’s Shambles and can run up to six times daily in the holidays, organised by Dan, who lives near York with his wife and two boys and loves creating magic moments for locals and tourists alike.
“We were actually awarded first place last year in same awards, but are still absolutely spellbound with the fourth position globally. It’s mind-blowing to think that our small family business – with big ideas – can reach such heights worldwide.”
The awards are based solely on visitor feedback, complemented by York’s wand-ering wizard having many other awards up his sleeve too. The business won Experience of the Year for the second time in the Visit York Tourism Awards 2026, as well as Independent Business of the Year.
In the Little Vikings Awards for Kids, The Wizard Walk of York has picked up the Best Tour prize four years running and Best Birthday Party Entertainer twice.
The Wizard of York on his Wizard Walk of York. Picture: The Story of You
“We put magic first in all that we do,” says Dan. “We’re all about making magical memories and bringing fun and laughter to families visiting our enchanting city. Visitors often describe it as the highlight of their whole visit, and we can’t ask for more than that.”
The Wizard Walk Of York tour is a quest to find magical creatures around York – led by either Dan himself as Phoenix the Red or second guide Viridian the Green. “The interactive experience combines magic, illusion, storytelling and more jokes than you can shake a wand at,” says Dan.
“We love York’s rich history, but this isn’t a historical tour. There are lots of those, and we set out to create something totally different. There are no ghosts stories, and it’s not a Harry Potter tour either – although the theme makes it popular for fans of the wizarding world.”
Dan’s company is expanding, to the point where he is seeking a third wizard guide, while conjuring new ideas and partnerships too.
The magic never stops for Dan and his team: as well as running public tours, birthday parties and school trips weekly, he is busy working on the city’s second official Festival of Wizardry, Wizard Fest (see story above).
Collage and mixed-media artist Donna Maria Taylor: Participating in York Open Studios at South Bank Studios
FROM Rocky Horror film stars to Shakespeare in a suitcase, Bowie to Boe, Priscilla to The Psychic premiere, Charles Hutchinson is spoilt for choice again.
Art event of the week: York Open Studios, York and beyond, today and Sunday, 10am to 5pm
FOR a second weekend, 150 artists and makers within York and a ten-mile radius of the city are welcoming visitors to 107 workplaces and studios.
This annual event offers the chance to gain a sneak peek into where the artists work, their methods and inspirations, whether a regular contributor or the 27 new participants, spanning traditional and contemporary painting and print, illustration, drawing, ceramics, mixed media, glass, sculpture, jewellery, textiles and photography. For more information, visit yorkopenstudios.co.uk; access the interactive map at yorkopenstudios.co.uk/map.
Weather Balloons’ Anne Prior: Playing Navigators Art’s YO Underground #7 bill at The Basement, City Screen Picturehouse
Arts collaboration of the week: Navigators Art/Projects presents YO Underground 7, The Basement, City Screen, York, tonight, 7.30pm
CONTINUING its mission to present adventurous left-field music and words from York and the region, Navigators Art plays host to a mixed bill of uniquely styled indie song-writing from Weather Balloons’ Anne Prior, the Joe Douglas Trio’s North African-inspired free jazz and a collaboration between audiovisual projections and Ben Hopkinson’s quartet Synaefonia. Box office: bit.ly/nav-events.
Blue: In full bloom at York Barbican tonight
Limited ticket availability: Blue and special guests 911, York Barbican, tonight, 7.30pm; Alfie Boe, York Barbican, April 28, 7pm
REVITALISED boy band Blue have released the single Flowers, penned by good friend Robbie Williams and Boots Ottestad, ahead of their 25th anniversary tour date at York Barbican.
“Robbie reached out to me a while back and said ‘I’ve got a song for Blue’,” says Blue’s Antony Costa, who will be joined as ever by Duncan James, Lee Ryan and Simon Webbe. “We only got to record it recently and thought it would be perfect to release for the anniversary tour. We can’t wait for you all to hear Flowers.”
Tenor Alfie Boe plays York on Tuesday and Harrogate Royal Hall on Wednesday on his 35-date tour, combining his most iconic hits and fan-favourite classics with material from new album Face Myself. Box office: yorkbarbican.co.uk; for Boe, https://gigst.rs/AB26.
Alfie Boe: Tenor dramatics at York Barbican. Picture: Ray Burmiston
Book event of the week: Rivers, Water and Wildness, A Talk by Amy-Jane Beer, St Chad’s Church, Campleshon Road, York, April 28, 7.30pm to 9pm
THE Friends of Nun Ings invite you to Rivers, Water and Wildness, Our Rivers and Their Landscapes, a talk by biologist-turned-writer and former South Bank resident Amy-Jane Beer, author of The Flow, winner of the Wainwright Prize for Nature Writing 2023, who now lives on the Derwent.
The Flow is a book about water, and, like water, it meanders, cascades and percolates through many lives, landscapes and stories. From West Country torrents to Levels and Fens, rocky Welsh canyons and the salmon highways of Scotland to the chalk rivers of the Yorkshire Wolds, Beer follows springs, streams and rivers to explore tributary themes of wildness and wonder, loss and healing, mythology and history, cyclicity and transformation. Tickets are available via eventbrite; admission is free but donations are welcome.
Nell Campbell (Columbia), Barry Bostwick (Brad Majors) and Patricia Quinn (Magenta) celebrating the 50th anniversary of The Rocky Horror Picture Show
Let’s do the Time Warp…again: The Rocky Horror Picture Show 50th Anniversary Spectacular Tour 2026, York Barbican, Sunday, 7pm
JOIN the original Brad Majors (Barry Bostwick), Magenta (Patricia Quinn) and Columbia (Nell Campbell) for this once-in-a-lifetime screening event with a live shadow cast. Jim Sharman’s 1975 film of Richard O’Brien’s musical will be shown in a 4K remastered edition, preceded by a Q&A with the movie stars. Expect a costume contest, memorabilia display with film artefacts and a participation prop bag for every ticket holder. Box office: yorkbarbican.co.uk.
Jim Henson’s Labyrinth: In Concert: David Bowie on screen at York Barbican
Fantastical film and music event of the week: Jim Henson’s Labyrinth: In Concert, York Barbican, April 27, 7.30pm
JIM Henson’s musical fantasy film Labyrinth is on tour in concert in celebration of its 40th anniversary, transporting audiences to Goblin City in a fusion of film on a large HD cinema screen and live music on stage, performed by a band playing David Bowie and Trevor Jones’s soundtrack score and songs in sync with Bowie’s original vocals.
Taking on an ever-growing cult status since its release on June 27 1986, Labyrinth stars Bowie as principal antagonist Jareth the Goblin King, who rules the goblin kingdom, kidnaps protagonist Sarah’s baby brother and presents a charming yet menacing challenge, appearing as a rock star-like figure who lures and influences her journey. Box office: yorkbarbican.co.uk.
Degrees Of Error’s poster for you-do-it whodunit Murder She Didn’t Write
Sleuthing opportunity of the week: Degrees Of Error in Murder She Didn’t Write, Grand Opera House, York, April 28, 7.30pm
DON your deerstalker, grab your magnifying glass and prepare your “finger of suspicion” as Edinburgh Fringe favourites Degrees Of Error return for your sleuthing pleasure, creating a classic murder mystery on-the-spot in this ingenious improvised comedy.
You, the audience, become the author as the cast acts out your very own Agatha Christie-inspired masterpiece live on stage. At each show, the company uses your suggestions to create an original and comical murder mystery. All you have to do is solve it. Ms Gold poisoned at a synchronised swimming gala? Dr Blue exploded by cannon during a hot air balloon race? Professor Violet crushed to death at a Love Island re-coupling? You decide – but will you guess whodunit before the killer is revealed? Box office: atgtickets.com/york.
Kristian Barley’s Adam, left, Steve Tearle’s Bernadette and Matthew Clarke’s Tick in NE Theatre York’s musical Priscilla, Queen Of The Desert
Musical of the week: NE Theatre York in Priscilla, Queen Of The Desert, Joseph Rowntree Theatre, York, April 28 to May 2, 7.30pm plus 2.30pm Saturday matinee
STEVE Tearle, creative director of NE Theatre York, plays Bernadette, joined by Matthew Clarke as Tick and Kristian Barley as Adam, in the adventure of two drag artists and a trans woman embarking on a life‑changing road trip across the Aussie outback in their battered tour bus, discovering the power of love, identity, acceptance and true friendship.
“As they head west through the Australian desert to chase a dream aboard their lavender bus, Priscilla, Queen of the Desert, our three terrific travellers come to the forefront of a comedy of errors,” says Steve, whose high-energy production also features Helen Greenley as Shirley, Ben Rich as Jimmy, Steve Perry as Bob, the mechanic, Ali Butler-Hind as his wife Cynthia, plus disco divas Perri Ann Barley, Melissa Boyd and Aileen Hall. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Eileen Walsh, left, Jaz Singh Deol, Megan Placito, Andy Nyman, Nikhita Lesler and Jeremy Dyson in rehearsal for the world premiere of The Psychic at York Theatre Royal. Picture: Manuel Harlan
World premiere of the week: The Psychic, York Theatre Royal, April 29 to May 23
“IS any of it real,” ask Jeremy Dyson and Andy Nyman in The Psychic, the latest spook-fest from the writer-director duo behind Ghost Stories. In their twisted new thriller, popular TV psychic Sheila Gold loses a high-profile court case that brands her a charlatan, costing her not only her reputation but also a fortune in legal fees.
When a wealthy couple ask Sheila to conduct a séance to attempt to make contact with their late child, she senses an opportunity to bleed them for money. What follows makes her question everything she has ever believed and leads her on a journey into the darkest corners of her life. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Pulling Shakespearean strings: Gemma Curry in Hoglets Theatre’s Spooky Shakespeare Suitcase Theatre at York International Shakespeare Festival
Children’s show of the week: Hoglets Theatre presents Spooky Shakespeare Suitcase Theatre, York International Shakespeare Festival, York St John University Creative Centre Auditorium, April 29, 6.30pm
HAGS, hauntings, hobgoblins and more emerge from the spooky suitcase owned by Lady Macbeth (Dotty to her friends). These spectres from performances past need to retell their stories before they can find peace in the literary afterlife, but are they friends or will we need to be vanquished back into the supernatural suitcase?
Written, crafted and performed by Hoglets Theatre founder, director, writer and performer Gemma Sharp, this funny, energetic children’s theatre experience presents a world of hand-made puppets, music and storytelling, all performed from a single suitcase. “No prior knowledge of Shakespeare is required,” she says. Box office: https://yorkshakes.co.uk/programme-2026/spooky-shakespeare-suitcase-theatre/.
The poster for Scott Bradley’s premiere of A Kingdom Jack’d at York International Shakespeare Festival
The poster for Scott Bradley’s premiere of A Kingdom Jack’d at York International Shakespeare Festival starring Rosy Rowley, whose birthday coincides with the opening night
Shakespeare spin-off of the week: 1st Zanni Theatre in A Kingdom Jack’d, York International Shakespeare Festival, Merchant Adventurers’ Hall, York April 29 and 30, 7.30pm
IN A Kingdom Jack’d, American playwright Scott Bradley re-imagines an iconic moment in political and Shakespearean history: what if disgraced knight Jack Falstaff (Rosy Rowley) somehow found his way onto the throne of England in 1399, instead of serious warrior-king Henry IV?
Stupid, lecherous, selfish but humorous, Shakespeare’s most (in)famous clown must somehow fund the army, balance the budget and make foreign policy between naps. His government is drunk, his enemies are plotting,his allies are scheming, and even his girlfriend wants a piece of the action. Falstaff is king but for how long? Box office: yorkshakes.co.uk.
Amabile Clarinet Trio: Playing innovative programme at York Late Music concert
HAMLET on a sinking ship, family politics on a calamitous wedding day and artists’ studios opening on two weekends are the headline acts on Charles Hutchinson’s latest bill of arts delights.
Classical concert of the week: York Late Music presents Amabile Clarinet Trio, Unitarian Chapel, St Saviourgate, York, April 11, 7.30pm
THE Amabile Clarinet Trio – York clarinettist Lesley Schatzberger, cellist Nicola Tait Baxter and pianist Paul Nicholson – presents an innovative programme featuring two premieres plus Thea Musgrave’s Canta Canta!, patron Nicola LeFanu’s Lullaby and Nocturne, American composer Robert Muczynski’s rarely played Fantasy Trio and the first York performance ofAlexander von Zemlinsky’s Trio in D minor.
The UK premiere of David Lancaster’s Canzone Sospesoand a world premiere from composer David Power will be complemented by a set of Morris newly transcribed by York composer Steve Crowther. Lancaster gives a pre-concert talk at 6.45pm, to be enjoyed with a complimentary glass of wine or juice. Tickets: latemusic.org or on the door.
Lesley Jones and Steve Coates: Teaming up for the last time for Swing When You Sing
Farewell concert of the week: Steve Coates Music Productions present Swing When You Sing, Joseph Rowntree Theatre, York, April 12, 7.30pm
BEV Jones Music Company and The Jubilee Celebration Singers producer Lesley Jones bids farewell to the York stage after 20 years of mounting shows with Swing When You Sing, presented with Steve Coates Music Productions.
Alan Owens’s 16-piece big band will be joined on stage by singers Ruth McNeil, Annabel van Griethuysen, Hayley Bamford, Johanna Hartley, Adele Barlow, Larry Gibson, Terry Ford, Stephen Wilson, David Hartley and Geoff Walker to perform Rat Pack, Minnie The Moocher, Boogie Woogie Bugle Boy, Under The Sea, Cheek To Cheek, Sway (Latin), Fever, Mr Bojangles, Amy Winehouse’s Back To Black and Sing, Sing, Sing (with Bob Fosse-style dancing). “Varied? Yes! Upbeat? Yes! Emotional? Yes!” says Lesley. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
The poster for the launch of Bishy Road Community Choir
Start-up of the week: Bishy Road Community Choir, Stables Yoga Centre, Nunmill Street, York, from April 13
THE Stables Yoga Centre and Rachel Davies are setting up the Bishy Road Community Choir to run on Mondays from 5pm to 5.50pm at £5 a session from April 13. This welcoming, musically accessible group will use song to promote happiness, wellbeing and community. No experience or musical skills are needed; only enthusiasm to try feel-good singing. To book a place, visit stablesyoga.co.uk/timetable.
Wedded bliss amid wedding-day blisters: Darren Barrott’s Marek and Joy Warner’s Sylvia in York Actors Collective’s Till The Stars Come Down
Family politics of the week: York Actors Collective in Till The Stars Come Down, Theatre@41, Monkgate, York, April14 to 18, 7.30pm, Tuesday to Friday; 2pm and 6pm, Saturday
PREMIERED at the National Theatre in 2024 and now receiving its York premiere, Beth Steel’s contemporary British family drama is set on the wedding day of Sylvia and Marek in a South Yorkshire mining town.
Directed by Angie Millard, Till The Stars Come Down explores the tumultuous dynamics of a working-class family in a changing world of economic decline and political shifts as long-held secrets, passions, and tensions surrounding class, immigration, and social change spill over into chaos and tragedy. Box office: tickets.41monkgate.co.uk.
Ralph Davis’s Hamlet in the Royal Shakespeare Company’s Hamlet, set on a sinking ship, on tour at York Theatre Royal
Titanic anniversary event of the week: Royal Shakespeare Company in Hamlet, York Theatre Royal, April 14 to 18,7pm plus 1.30pm, April 16 and 2pm, April 18
LET director Rupert Goold introduces the Royal Shakespeare Company’s Hamlet, starring Ralph Davis, as the tour sets sail for York on the 114th anniversary of the Titanic’s descent to the depths. “Our production is set aboard a ship but one that is soon to founder, going down with all hands,” he says.
“Its inspiration comes from the most famous sinking in history, and just as that icy tragedy came to pass in a little over two and a half hours, our play takes place in real time and for about as long, as much catastrophic thriller as poetic meditation. This production asks what it means to be human and decisive when time is running out.” Box office: 01904 623568 or yorktheatreroyal.co.uk.
Jan Brierton and Henry Normal: Poetic humour at Milton Rooms, Malton
Poetry at the double: Edge Street Live presents Henry Normal and Jan Brierton, Milton Rooms, Malton, April 16, 7.30pm
WRITER, poet, television & film producer and Manchester Poetry Festival founder Henry Normal is joined by Dubliner Jan Brierton for an evening of poetry and humour. Normal, whose credits include co-writing The Mrs Merton Show and the first series of The Royle Family, will be reading from his new book A Quiet Promise.
Brierton riffs on modern life, love and friendships, wellness and ageing, rage and domestic exasperation in her poetic reflections on being a wife, mother, daughter, sister and retired raver, plus plenty of stuff about tea, lipstick and biscuits. Box office: 01653 696240 or themiltonrooms.com.
Aggers & Tuffers: The chatter of cricket and the clatter of wickets at York Barbican
Not just cricket: Jonathan Agnew and Phil Tufnell in An Audience With Aggers & Tuffers, York Barbican, April 16, 7.30pm
TEST Match Special commentator-and-pundit duo Jonathan Agnew and Phil Tufnell take to the road for more cricket chat from beyond the boundary. Former Leicestershire and England fast bowler and three-decade BBC cricket correspondent Aggers teams up anew with record-breaking former England spin bowler and crowd favourite Tuffers, who gives his spin on his maverick playing days and second wind as a media personality on I’m A Celebrity, Get Me Out Of Here, Strictly Come Dancing and A Question Of Sport. Box office update: limited availability at yorkbarbican.co.uk.
Maureen Onwunali: Slam champ spinning words at Say Owt
Slam champ of the week: Say Owt presents Maureen Onwunali, The Crescent, York, April 17, 7.30pm
YORK spoken-word collective Sat Owt’s guest poet for April’s gathering will be Dublin-born Nigerian poet and two-time national slam champion Maureen Onwunali.
Rich with political observations and carefully crafted verse, her work has been featured by musicians, radio shows and organisations, such as the British Film Institute, Penguin, BBC, Roundhouse, Apples and Snakes, Obsidian Foundation and the Poetry Society. Box office: seetickets.com/event/say-owt-slam-featuring-maureen-onwunali/the-crescent/3588134.
Jacqueline James: Demonstrating her hand-woven rug-making in Rosslyn Street, Clifton, at York Open Studios
Art event of the month: York Open Studios, York and beyond, April 18 & 19 and April 25 & 26, 10am to 5pm
ARTISTS and makers involved in York Open Studios are putting the final touches to their workplaces and studios within York and a ten-mile radius of the city, in readiness to welcome visitors across two weekends.
This annual event offers the chance to gain a sneak peek into where the artists work, their methods and inspirations, whether a regular participant or the 27 newcomers, spanning traditional and contemporary painting and print, illustration, drawing, ceramics, mixed media, glass, sculpture, jewellery, textiles and photography. For more information, visit yorkopenstudios.co.uk; access the interactive map at yorkopenstudios.co.uk/map.
Book launch event of the week: Michelle Hughes, Printing Birds and Wildlife in Linocut, The Harriet Room, York Cemetery, York, April 15, 6.30pm
Michelle Hughes at work on a linocut. Picture: Jackson Portraiture
YORK printmaker Michelle Hughes is holding a special evening to celebrate the launch of her book Printing Birds and Wildlife in Linocut and her upcoming tenth anniversary in business.
Published in February, Michelle’s beautifully illustrated book shares how to design, carve and print birds and wildlife using traditional linocut techniques, guiding readers from simple one-colour prints through to more advanced multi-colour methods, including jigsaw, reduction and multi-block printing.
“Whether you are completely new to linocut or already exploring printmaking, the book offers clear step-by-step guidance, practical tips and creative inspiration for capturing birds and wildlife in this rewarding craft,” says Michelle.
She started her creative business on June 1 2016 in the wake of her fourth redundancy. After a 25-year career in design, she decided to take a leap by working for herself.
The cover artwork for Michelle Hughes’s book Printings Birds and Wildlife in Linocut
What began with freelance graphic design and a few linocut prints has grown into a thriving creative practice. Today, Michelle creates limited-edition linocut prints, teaches in-person workshops, runs online courses for students around the world and produces commissions for organisations, including the National Trust.
What to expect at the event:
A short talk about Michelle’s journey to becoming a professional printmaker
Behind-the-scenes insights into how the book was created
The chance to see original prints and lino blocks featured in the book
A Q&A session about linocut printmaking
Book signing
Opportunity to buy signed copies
“Come and celebrate wildlife, printmaking and the joy of carving and printing by hand,” says Michelle, who will be participating in York Open Studios 2026 at Venue 37, in Holgate, York, on April 18 & 19 and April 25 & 26, 10am to 5pm.
Oliver Davis, Amber Wadey, Connor Keetley and Abigail Bailey in The Very Hungry Caterpillar Show. Picture: Pamela Raith
FROM a very hungry caterpillar to a life-changing musical, a Ritchie Blackmore tribute to Normal poetry, Charles Hutchinson looks on the bright side for spring joy.
Children’s show of the week: ROYO presents The Very Hungry Caterpillar Show, York Theatre Royal, tomorrow, 2pm and 4pm; Friday and Saturday, 11am and 2pm
CREATED by Jonathan Rockefeller, The Very Hungry Caterpillar Show features 75 lovable puppets in a faithful 50-minute adaptation of four stories by author/illustrator Eric Carle:Brown Bear, Brown Bear, 10 Little Rubber Ducks, The Very Busy Spider and the titular star of the show. In the cast will be Abigail Bailey, Oliver Davis, Connor Keetley and Amber Wadey. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Nic Cage Against The Machine: A tribute act like no other at The Crescent, York
York tribute act of the week: Nic Cage Against The Machine, The Crescent, York, Friday, 7.30pm
MOVE over Elvana, the covers- band conflation of Elvis and Nirvana. Here comes the even wilder Nic Cage Against The Machine, a tribute to Californian rock band Rage Against The Machine, fronted by an homage to Hollywood’s Nouveau Shamanic method actor supreme Nicolas Cage, with props. Leeds fun punks Moose Knuckle support. Box office: thecrescentyork.com.
Blackmore’s Blood: Celebrating the hard rock of Deep Purple and Rainbow
Ryedale tribute show of the week: Blackmore’s Blood, Milton Rooms, Malton, Friday, 8pm
BLACKMORE’S Blood exploded on to the scene in 2016 with its tribute to Ritchie Blackmore’s rock years with Deep Purple and Rainbow, combining an authentic sound with a flamboyant stage presence and thrilling theatrics.
Playing not only the classics, every performance is a time machine, transporting audiences back to the glory days of hard rock with electrifying riffs, soaring melodies and Blackmore swagger. Box office: 01653 696240 or themiltonrooms.com.
York Stage cast members in Nik Briggs’s production of Come From Away. Picture: Matthew Kitchen
Musical of the week: York Stage in Come From Away, Grand Opera House, York, Friday to April 18, 7.30pm, except Sunday and Monday; 2.30pm, Saturday matinees; 4pm, Sunday matinee
NIK Briggs directs the York premiere of Irene Sankoff and David Hein’s Olivier and Tony Award-winning musical account of the real-life story of 7,000 air passengers being grounded in Canada in the immediate aftermath of 9/11, whereupon the small Newfoundland community of Gander invites these “come from aways” into their lives with open hearts.
Performed by a cast of 19, Come From Away is “more than just a musical,” says Briggs. “It’s a celebration of humanity, resilience and the power of community. Step into a world where kindness conquers all, brought to life with invigorating, electrifying music and stories that will make you laugh, cry, and believe in the goodness of people.” Box office: atgtickets.com/york.
Cyril Raymond and Janet Morrison in the poster for Meaningful Films’ documentary Briefest Encounters at City Screen Picturehouse
Film event of the week: Brief Encounter, Briefest Encounters and Q&A, City Screen Picturehouse, York, Friday, 7pm
FRIDAY’S screening of the 80th anniversary restoration of David Lean’s Brief Encounter (PG) will be followed by North Rigton-raised journalist, researcher and filmmaker Joanna Crosse’s new documentary, uncovering the untold love story behind the 1945 film, revealing the hidden past of her grandfather, actor Cyril Raymond, who played Laura’s cuckolded husband Fred.
In an uncanny twist of fate, Raymond had a ‘brief encounter’ with actress Janet Morrison during a transatlantic stage production in 1929 that resulted in a child being born out of wedlock. Cinema myth meets lived experience in Briefest Encounters as interviews, letters, Raymond’s rediscovered diaries and archive material show how interrupted love, inherited silence and duty shaped family lives for generations. Crosse and fellow Meaningful Films filmmaker Luke Taylor will take part in a Q&A afterwards. Box office: picturehouses.com.
Classical pianist Julian Trevelyan: Performing at Helmsley Arts Centre
Classical concert of the week; Julian Trevelyan, Farewell Letters, Helmsley Arts Centre, April 11, 7.30pm
CONCERT pianist Julian Trevelyan performs regularly throughout Europe and in the UK. He moved to France after winning the 2015 Long-Thibaud-Crespin international competition at the age of 16, becoming the youngest prize-winner in the competition’s history. He has since won prizes at international piano competitions such as Leeds, Géza Anda & Horowitz. He will be performing works by Bach, Byrd, Oginski, Beethoven, Schönberg, Strauss/Trevelyan and Mozart. Box office: 01439 771700 or helmsleyarts.co.uk.
Jan Brierton and Henry Norma:l: Teaming up for poetry and humour at Helmsley Arts Centre
Poetry at the double: Edge Street Live presents Henry Normal and Jan Brierton, Milton Rooms, Malton, April 16, 7.30pm
WRITER, poet, television & film producer and Manchester Poetry Festival founder Henry Normal is joined by Dubliner Jan Brierton for an evening of poetry and humour. Normal, whose credits include co-writing The Mrs Merton Show and the first series of The Royle Family, will be reading from his new book A Quiet Promise.
Brierton riffs on modern life, love and friendships, wellness and ageing, rage and domestic exasperation in her poetic reflections on being a wife, mother, daughter, sister and retired raver, plus plenty of stuff about tea, lipstick and biscuits. Box office: 01653 696240 or themiltonrooms.com.
Maureen Onwunali: Slam champion in action at Say Owt’s night of poetry at The Crescent in York
Slam champ of the week: Say Owt presents Maureen Onwunali, The Crescent, York, April 17, 7.30pm
YORK spoken-word collective Sat Owt’s guest poet for April’s gathering will be Dublin-born Nigerian poet and two-time national slam champion Maureen Onwunali.
Rich with political observations and carefully crafted verse, her work has been featured by musicians, radio shows and organisations, such as the British Film Institute, Penguin, BBC, Roundhouse, Apples and Snakes, Obsidian Foundation and the Poetry Society. Box office: seetickets.com/event/say-owt-slam-featuring-maureen-onwunali/the-crescent/3588134.
More Things To Do in York and beyond. Hutch’s List No. 14, from The York Press
Amabile Clarinet Trio: Playing innovative programme at York Late Music concert
HAMLET on a sinking ship, family politics on a calamitous wedding day and artists’ studios opening on two weekends are the headline acts on Charles Hutchinson’s latest bill of arts delights.
Classical concert of the week: York Late Music presents Amabile Clarinet Trio, Unitarian Chapel, St Saviourgate, York, April 11, 7.30pm
THE Amabile Clarinet Trio – York clarinettist Lesley Schatzberger, cellist Nicola Tait Baxter and pianist Paul Nicholson – presents an innovative programme featuring two premieres plus Thea Musgrave’s Canta Canta!, patron Nicola LeFanu’s Lullaby and Nocturne, American composer Robert Muczynski’s rarely played Fantasy Trio and the first York performance ofAlexander von Zemlinsky’s Trio in D minor.
The UK premiere of David Lancaster’s Canzone Sospesoand a world premiere from composer David Power will be complemented by a set of Morris newly transcribed by York composer Steve Crowther. Lancaster gives a pre-concert talk at 6.45pm, to be enjoyed with a complimentary glass of wine or juice. Tickets: latemusic.org or on the door.
Lesley Jones and Steve Coates: Teaming up for the last time for Swing When You Sing
Farewell concert of the week: Steve Coates Music Productions present Swing When You Sing, Joseph Rowntree Theatre, York, April 12, 7.30pm
BEV Jones Music Company and The Jubilee Celebration Singers producer Lesley Jones bids farewell to the York stage after 20 years of mounting shows with Swing When You Sing, presented with Steve Coates Music Productions.
Alan Owens’s 16-piece big band will be joined on stage by singers Ruth McNeil, Annabel van Griethuysen, Hayley Bamford, Johanna Hartley, Adele Barlow, Larry Gibson, Terry Ford, Stephen Wilson, David Hartley and Geoff Walker to perform Rat Pack, Minnie The Moocher, Boogie Woogie Bugle Boy, Under The Sea, Cheek To Cheek, Sway (Latin), Fever, Mr Bojangles, Amy Winehouse’s Back To Black and Sing, Sing, Sing (with Bob Fosse-style dancing). “Varied? Yes! Upbeat? Yes! Emotional? Yes!” says Lesley. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
The poster for the launch of Bishy Road Community Choir
Start-up of the week: Bishy Road Community Choir, Stables Yoga Centre, Nunmill Street, York, from April 13
THE Stables Yoga Centre and Rachel Davies are setting up the Bishy Road Community Choir to run on Mondays from 5pm to 5.50pm at £5 a session from April 13. This welcoming, musically accessible group will use song to promote happiness, wellbeing and community. No experience or musical skills are needed; only enthusiasm to try feel-good singing. To book a place, visit stablesyoga.co.uk/timetable.
Wedded bliss amid wedding-day blisters: Darren Barrott’s Marek and Joy Warner’s Sylvia in York Actors Collective’s Till The Stars Come Down
Family politics of the week: York Actors Collective in Till The Stars Come Down, Theatre@41, Monkgate, York, April14 to 18, 7.30pm, Tuesday to Friday; 2pm and 6pm, Saturday
PREMIERED at the National Theatre in 2024 and now receiving its York premiere, Beth Steel’s contemporary British family drama is set on the wedding day of Sylvia and Marek in a South Yorkshire mining town.
Directed by Angie Millard, Till The Stars Come Down explores the tumultuous dynamics of a working-class family in a changing world of economic decline and political shifts as long-held secrets, passions, and tensions surrounding class, immigration, and social change spill over into chaos and tragedy. Box office: tickets.41monkgate.co.uk.
Ralph Davis’s Hamlet in the Royal Shakespeare Company’s Hamlet, set on a sinking ship, on tour at York Theatre Royal
Titanic anniversary event of the week: Royal Shakespeare Company in Hamlet, York Theatre Royal, April 14 to 18,7pm plus 1.30pm, April 16 and 2pm, April 18
LET director Rupert Goold introduces the Royal Shakespeare Company’s Hamlet, starring Ralph Davis, as the tour sets sail for York on the 114th anniversary of the Titanic’s descent to the depths. “Our production is set aboard a ship but one that is soon to founder, going down with all hands,” he says.
“Its inspiration comes from the most famous sinking in history, and just as that icy tragedy came to pass in a little over two and a half hours, our play takes place in real time and for about as long, as much catastrophic thriller as poetic meditation. This production asks what it means to be human and decisive when time is running out.” Box office: 01904 623568 or yorktheatreroyal.co.uk.
Jan Brierton and Henry Normal: Poetic humour at Milton Rooms, Malton
Poetry at the double: Edge Street Live presents Henry Normal and Jan Brierton, Milton Rooms, Malton, April 16, 7.30pm
WRITER, poet, television & film producer and Manchester Poetry Festival founder Henry Normal is joined by Dubliner Jan Brierton for an evening of poetry and humour. Normal, whose credits include co-writing The Mrs Merton Show and the first series of The Royle Family, will be reading from his new book A Quiet Promise.
Brierton riffs on modern life, love and friendships, wellness and ageing, rage and domestic exasperation in her poetic reflections on being a wife, mother, daughter, sister and retired raver, plus plenty of stuff about tea, lipstick and biscuits. Box office: 01653 696240 or themiltonrooms.com.
Aggers & Tuffers: The chatter of cricket and the clatter of wickets at York Barbican
Not just cricket: Jonathan Agnew and Phil Tufnell in An Audience With Aggers & Tuffers, York Barbican, April 16, 7.30pm
TEST Match Special commentator-and-pundit duo Jonathan Agnew and Phil Tufnell take to the road for more cricket chat from beyond the boundary. Former Leicestershire and England fast bowler and three-decade BBC cricket correspondent Aggers teams up anew with record-breaking former England spin bowler and crowd favourite Tuffers, who gives his spin on his maverick playing days and second wind as a media personality on I’m A Celebrity, Get Me Out Of Here, Strictly Come Dancing and A Question Of Sport. Box office update: limited availability at yorkbarbican.co.uk.
Maureen Onwunali: Slam champ spinning words at Say Owt
Slam champ of the week: Say Owt presents Maureen Onwunali, The Crescent, York, April 17, 7.30pm
YORK spoken-word collective Sat Owt’s guest poet for April’s gathering will be Dublin-born Nigerian poet and two-time national slam champion Maureen Onwunali.
Rich with political observations and carefully crafted verse, her work has been featured by musicians, radio shows and organisations, such as the British Film Institute, Penguin, BBC, Roundhouse, Apples and Snakes, Obsidian Foundation and the Poetry Society. Box office: seetickets.com/event/say-owt-slam-featuring-maureen-onwunali/the-crescent/3588134.
Jacqueline James: Demonstrating her hand-woven rug-making in Rosslyn Street, Clifton, at York Open Studios
Art event of the month: York Open Studios, York and beyond, April 18 & 19 and April 25 & 26, 10am to 5pm
ARTISTS and makers involved in York Open Studios are putting the final touches to their workplaces and studios within York and a ten-mile radius of the city, in readiness to welcome visitors across two weekends.
This annual event offers the chance to gain a sneak peek into where the artists work, their methods and inspirations, whether a regular participant or the 27 newcomers, spanning traditional and contemporary painting and print, illustration, drawing, ceramics, mixed media, glass, sculpture, jewellery, textiles and photography. For more information, visit yorkopenstudios.co.uk; access the interactive map at yorkopenstudios.co.uk/map.
Your Bard: Richard David-Caine’s William Shakespeare, centre, holds history in his hands as monarchs turn monstrous in Horrible Histories: The Concert, Live And Dead On Stage. Picture: Matt Crockett
FOR the first time in history, favourite songs and actors from the CBBC TV series Horrible Histories will be appearing live – and dead! – on stage in a special concert production. York Barbican awaits on April 6 and 7.
Asked to create the greatest show in history by his boss Queen Elizabeth I, esteemed playwright William Shakespeare has no idea just how much trouble is on its way from such monstrous monarchs as King Henry VIII and Queen Victoria.
Life will hot up even more when Death appears – and now Boudica and Cleopatra want to take over. Can matters worsen still more? Of course they can!
Find out how and why when actors from the BAFTA award-winning television series sing songs from the TV shows such as Funny Stupid Deaths, Charles II, Dick Turpin and The Monarchs Song, to the accompaniment of a live band led by Horrible Histories song master Richie Webb, as the Bard seeks help to save himself from execution.
Horrible Histories: The Concert director and Birmingham Stage Company actor/manager Neal Foster
“The trick about this show is the disaster is unfolding in front of you, so the audience are in on it,” says director Neal Foster. “No-one knows how it’s going to work or whether Shakespeare is going to get away with it or just how disastrous it’s going to because it’s really happening right there.”
On tour from January 23 to April 18, Horrible Histories: The Concert, Live And Dead On Stage is written by Ben Ward and Claire Wetton, with songs and music by Webb, and is directed by Birmingham Stage Company actor/manager Foster, designed by Jackie Trousdale and choreographed by Lucie Pankhurst.
Foster, the creative force behind all the Horrible Histories Live On Stage adaptations of Terry Deary’s stories since 2005, will be playing Charles II, York Gaol anti-hero Dick Turpin and a Viking.
“These Horrible Histories TV songs have been around for a long time and we feature 16 of the most popular songs in the show,” says Neal. “They’re so loved and no-one around the country’s ever had the chance to see them live on stage and to sing with the actors and join in.”
Neal Foster’s dapper King Charles II in Horrible Histories: The Concert, Live And Dead On Stage!Picture: Richard Southgate
Neal has brought together two worlds, television and stage, for the concert tour. “Part of the reason this production has happened is because in 2023 we got together with Lion Television [producers of the BBC series] to create ‘Orrible Opera for the BBC Proms,” he says. “It was a huge success and, more important, we had a lot of fun and found we complemented each other very well.”
Neal recalls: “We enjoyed working with each other so much, we really wanted to do something again. This seems to be as good as it gets: a collaboration where people get to see the TV actors on stage in a singalong of all the songs they know.
“It’s the biggest show – and the most expensive –we’ve ever done: 17 cities in three months; 23 people on the road, ten in the stage management team, a cast of eight, with a band of five musicians, and we’ve never had a live band in any of our shows before.
“There’s a lot of drama, lots of songs, lots of dancing, and it’s also got wonderful video effects, with the footage being filmed by Lion Television [producers of Horrible Histories on the BBC]. I think there are about 50 costumes, with wigs, hats, props, turning it into a really enormous show.
Neal Foster’s Charles II, second from right, singing The King Of Bling. Picture: Matt Crockett
“All the funding comes from ticket sales, so we’re always delighted that people keep supporting us. That’s how we’ve run our company for 35 years. except in Covid, when we were supported by the Government to do ten shows in car parks and at racecourses.”
Swapping TV for the live tour are long-serving Richard David-Caine, also known for Class Dismissed and CBeebies’ Swashbuckle; Harrie Hayes, who has embodied history’s most iconic royals, from Elizabeth I to Marie Antoinette; Inel Tomlinson, from Histories’ Rameses and Science’s Big Danny; company favourite Ethan Lawrence, also from Ricky Gervais’s After Life, and Verona Rose, Horrible Histories regular, Top Boy and Fully Blown writer-performer and host of ITV2’s Secret Crush.
Joining them are Neal and Alison Fitzjohn, his fellow stalwart from Horrible Histories Live On Stage, touring the world with Birmingham Stage Company.
“They’re such a strong company that in the first week of rehearsals we got so much work done,” says Neal. “My rule is that they must know so much like the back of their hand, and as with a lot of TV actors, our cast are really good on stage and at working with a live band.
Verona Rose and Ethan Lawrence’s Henry VIII in Horrible Histories: The Concert. Picture: Matt Crockett
“Richie Webb, who’s written all 200 songs featured in the TV series, will be on stage leading the band, and the actors are more than capable of hitting the back of the auditorium with their singing.”
Neal has had plenty on his plate, not only directing but also playing multiple roles on stage. “There are great parts for me in the show as I’ve managed to end up with Charles II, Dick Turpin and one of the Vikings, and I’m also understudying four of the other actors, so I’ve had to learn all the script. 100 pages! That’s been quite a challenge!” he says.
“I’m singing my two favourite songs from the TV series, because I’m singing The King Of Bling as Charles II and Dick Turpin’s Highwayman – and as a Viking, I am singing Literally, literally!”
Cast member Ethan Lawrence says: “It’s been a long time since I was last on stage – and I’ve only done one show before: a pantomime. Cinderella. I gave an absolutely stellar performance as Buttons. There were literally tens of people that said I was pretty good!
Neal Foster and his fellow Vikings “singing Literally, literally” in Horrible Histories:The Concert . Picture: Matt Crockett
“Basically I take the jobs that are put in front of me. I’m not so vain that I don’t take on work. It just so happens that I deal with the cards that are presented to me – and now I get the chance to go on stage with Horrible Histories, The Concert where Shakespeare is in the process of writing a show starring all your favourite Horrible Histories characters
“Chaos ensues, high jinks prevail – and it’s very interactive as well, encouraging the audience to participate. I can imagine this show, because of its live nature, will be evolving as we do it. York Barbican is very deep into the run, so theatrically it’ll be the show at its best.”
Fellow cast member Verona Rose admits: “I’m not that good at history! For me, the easiest way to learn about these characters is by watching Horrible Histories.
“I have Cleopatra’s big number, Ra Ra Cleopatra [from Awful Egyptians] and I’ve learnt so much from doing rehearsals for that song.”
Horrible Histories: The Concert, Live And Dead On Stage cast members, very much live on stage. Picture: Matt Crockett
Ethan picks out his favourite role: “I’m a busy boy in the show, but the chief thing that’s exciting for me is the opportunity to play Henry VIII. One of the really gratifying things is singing one of the more modern songs from the TV shows, Ruinous Rivals, with Harrie Hayes.”
Verona says “I’m excited to be doing this show, and the more we do the tour, the more shows we do, what the interaction will be will become clearer. From the first laugh, we’ll know what the audience will be like at each show.”
Speaking ahead of the tour, Neal says: “More than anything else this show will be a celebration of Richie Webb’s brilliant music. Having him on stage, with all these actors he’s worked with, has never been seen before on stage, so it will be very special.
Death stalking Horrible Histories: The Concert, Live and very much Dead On Stage. Picture: Matt Crockett
“I’ve no idea how the audience will react, though I have a feeling it might be even more ecstatic, with the words on screens and audience interaction encouraged.
“Very quickly things start to go wrong for William Shakespeare – and in Tudor and Elizabethan times, if things go wrong, you might lose your head! In the end it’ll be up to the audience to save Shakespeare from being for the chop.”
Come on York, make Monday and Tuesday the most Horrible shows yet.
Horrible Histories: The Concert, Live And Dead On Stage, York Barbican, April 6, 2.30pm and 6.30pm; April 7, 11am and 3pm. Box office: yorkbarbican.co.uk.
NEWSFLASH: 6/4/2026: Horrible Histories: The Concert star Richard David-Caine to play villain in York Theatre Royal panto
Richard David-Caine in the poster image for his role as Herman the Henchman in Snow White And The Seven Dwarfs
THE latest name to join York Theatre Royal’s pantomime cast for Snow White And The Seven Dwarfs is in York already today (6/4/2026).
CBBC and CBeebies’ star Richard David-Caine, who turned 39 on Sunday, will switch to the dark side as villainous Herman the Henchman this winter, but first he is on the 17-city tour of Horrible Histories: The Concert, Live And Dead On Stage! Next stop, York Barbican, today (6/4/2026) at 2.30pm and 6.30pm; tomorrow at 11am and 3pm.
Richard, core cast member of CBBC’sHorrible Histories and Horrible Science, is playing under-pressure playwright William Shakespeare, who is commissioned by Queen Elizabeth I to create the greatest show on Earth but promptly runs into trouble with monstrous King Henry VIII and Queen Victoria.
On his return to York, Richard will team up with regular Theatre Royal dame Robin Simpson and comic turn returnee Tommy Carmichael, who starred in Sleeping Beauty last winter.
Richard, who appeared in Shakespeare Live! on BBC 2 and Horrible Histories: The Movie and played naughty pirate Line in CBeebies’ Swashbuckle, will be following in the footsteps of CBeebies stars Andy Day (2021), Mandy Moate (2022), James “Raven” McKenzie (2023), Evie Pickerill (2024) and Jennie Dale (2025) in starring in the York Theatre Royal and Evolution Productions co-production.
Richard David-Caine in his promotional image for Horrible Histories: The Concert, Live And Dead On Stage! Picture: Richard Southgate
No stranger to pantomime, Richard won the Best Supporting Male award at the 2018 Great British Pantomime Awards for his performance as Herman the Henchman, the role he will reprise in York. Two years later, he received the Best Male Villain prize for Captain Hook in Peter Pan at the Grove Theatre, Dunstable.
The 2026-2027 pantomime will be directed by Theatre Royal creative director Juliet Forster and written by Evolution Productions director Paul Hendy, the creative team behind such Theatre Royal shows as Jack And The Beanstalk, Aladdin and Sleeping Beauty.
Juliet says: “We are thrilled to welcome Richard to our cast for Snow White And The Seven Dwarfs. He is absolutely hilarious and I know our audiences are going to love him as our baddie Herman the Henchman. Tickets are selling fast, so be sure to book early so you don’t miss out!”
Further casting will be announced for the December 4 to January 3 2027 run. Tickets are on sale on 01904 623568 or at yorktheatreroyal.co.uk. Family tickets are available for all performances with savings of up to £61 on bookings for four tickets.
Richard David-Caine: back story
Richard David-Caine
ACTOR, writer, comedian and voiceover artist.
Born April 5 1987 in Ruislip, North London.
Graduated from Mountview Academy of Theatre Arts in 2009.
Set up comedy group Four Screws Loose with Joseph Elliott, Conan House and Thom Ford in 2009, performing at Edinburgh Fringe for five successive years, along with Bestival, Latitude Festival, Underbelly, Southbank Festival, Brighton Fringe and Adelaide Fringe Festival. Featured on BBC Radio 4’s Sketchorama.
Core cast member of CBBC’s Horrible Histories and Horrible Science, featuring in Shakespeare Live! on BBC 2, and Horrible Histories: The Movie.
Starred in five series of CBBC mockumentary Class Dismissed, twice being nominated for Royal Television Society award for Best Comedy Performance. Created, wrote and fronted Big Fat Like sketch show, pastiching the internet with Joseph Elliott, Amy Gledhill and Ibidano Jack, on CBBC.
Richard David Caine’s William Shakespeare performing Literally with the Vikings in Horrible Histories: The Concert, Live And Dead On Stage! Picture: Matt Crockett
Appeared as one half of comedy duo Cook and Line with Joseph Elliott in CBeebies’ BAFTA-winning children’s game show Swashbuckle, launched in 2013. Young contestants aged four to eight, known as Swashbucklers, competed in physical, interactive games on a soft-play pirate ship to win back stolen jewels from naughty pirates Cook, Line and Captain Captain and their host, Gem.
Further film and television credits: Steal (Amazon); Masters Of The Universe (MGM/Mattel); Cruella (Disney); Father Brown (BBC); Better Things (FX); Avenue 5 (HBO); Midsomer Murders (ITV); Murder, They Hope (UKTV Gold); Finding Alice (ITV); Dead Air (BBC); Skins: Redux (E4); Doctors (BBC); Big Field (BBC) and People Just Do Nothing (BBC).
Stage credits: The Importance Of Being Earnest (Mercury Theatre, Colchester); The Witches (National Theatre, London); Soho Cinders (original West End cast recording, Queen’s Theatre); Horrible Histories: The Concert, Live And Dead On Stage! (national tour); The Taming Of The Shrew (Derby Theatre); The Tempest (Orange Tree Theatre, Richmond); Potted Panto (Vaudeville Theatre, London) and Jihad! The Musical (Jermyn Street Theatre, London), as well as his award-winning one-man show, Tall, Dark And Anxious (Soho Theatre, London). How tall? Richard is 6ft 3ins.
Harrie Hayes’s Elizabeth I making her point to Richard David-Caine’s William Shakespeare in Horrible Histories: The Concert. Picture: Matt Crockett
James Bye, left, Shvorne Marks, Natalie Casey and Grant Kilburn in Danny Robins’ 2:22 A Ghost Story, on tour at Grand Opera House, York
THE clock is ticking to see a ghostly thriller, a madcap murder mystery, a poetic book launch and an unjust trial as Charles Hutchinson sets his arts alarm.
Supernatural thriller of the week: 2:22 A Ghost Story, Grand Opera House, York, March 30 to April 4, 7.30pm and 2.30pm Wednesday and Saturday matinees
“THERE’S something in our house. I hear it every night. At the same time,” says Jenny, who believes her new home is haunted, but her husband Sam is having none of it. Whereupon they argue with their first dinner guests, old friend Lauren and new partner Ben. Can the dead really walk again? Belief and scepticism clash, but something feels strange and frightening and is moving closer. Only by staying up until 2:22 will they know the answer.
James Bye, Shvorne Marks, Natalie Casey and Grant Kilburn perform Uncanny and The Battersea Poltergeist podcaster Danny Robins’s supernatural thriller, the Best New Play winner at the 2022 WhatsOnStage Awards, on its return to York. As secrets emerge and ghosts may or may not appear, dare you discover the truth? Box office: atgtickets.com/york.
What We Could Have, by Sarah Williams, from the Other Viewpoints exhibition at Pyramid Gallery
Meet The Makers event of the week: Other Viewpoints, Lesley Williams, Sarah Williams, Peter Heaton and Adele Howitt, Pyramid Gallery, Stonegate, York, today, 11.30am to 2.30pm
YORKSHIRE artists Lesley Williams, Sarah Williams and Peter Heaton and ceramicist Adele Howitt have teamed up for Other Viewpoints, on show until May 9. Today, they will be on hand to discuss their work.
Lesley, from York, makes semi-abstract oil paintings based on rural landscape and gardens; Sarah, also from York, employs colours, textural marks and shapes in blending abstract and figurative elements; Peter, from North Yorkshire, is exhibiting landscape fine art prints, and Hornsea maker Adele’s ceramics are marked by notions of the living landscape, abstraction, pollen grains and natural pattern.
Main Street Sound: In harmony with Harmonia at the NCEM
Choral concert of the week: Choirs In Harmony, Main Street Sound & Harmonia, National Centre for Early Music, York, today, 7.30pm
CHOIRS In Harmony brings together two Yorkshire vocal groups for an evening of rich, expressive choral music. York’s only ladies’ barbershop chorus, Main Street Sound, and Malton contemporary, folk, jazz, and musical theatre ladies’ choir Harmonia join forces to showcase a vibrant mix of contemporary arrangements, close harmony and uplifting ensemble singing. Expect moments of intimacy, bursts of energy and the joy of voices uniting in a space made for resonance. Box office: 01904 658338 or ncem.co.uk.
Giddy up: Country queen Twinnie rides into The Crescent tonight
Recommended but sold out already: Twinnie, The Crescent, York, tonight, 7.30pm
BORN in York and now established as the UK’s leading country-pop trailblazer on the American circuit after her West End musical theatre days and TV soap career as Porsche McQueen in Hollyoaks and ruthless boxing promoter Jade Garrick in Emmerdale, Twinnie-Lee Moore returns home on her Dirt Road Disco Tour.
Noted for her fearless honesty and storytelling truths, she blends Nashville-inspired country roots with pop hooks and her own gypsy-influenced flair in songs of empowerment, vulnerability, and unapologetic individuality. She made her Grand Ole Opry debut in November 2023 as the first British Romani Traveller to perform in the circle and featured on Rob Brydon’s Honky Tonk Road Trip documentary series on BBC Two last year.
Lucy Keirl in rehearsal for the Stephen Joseph Theatre’s madcap musical mystery Murder For Two. Picture: Tony Bartholomew
Whodunit of the week: Murder For Two, Stephen Joseph Theatre, Scarborough, today to April 18, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees
JOE Kinosian and Kellen Blair’s fast-paced musical whodunit is a madcap murder mystery with a twist, performed by two actors, Tom Babbage and Lucy Keirl, who play 13 characters between them, plus the piano, as they put the laughter into manslaughter.
When famous novelist Arthur Whitney is found dead at his birthday party, it is time to call in the detectives, but they are out of town. Enter Officer Marcus Moscowicz, a neighbourhood cop who dreams of climbing the ranks. Here is his chance to prove his super sleuthing skills and solve the crime before the real detective arrives. Box office: 01723 370541 or sjt.uk.com.
Stu Freestone: Launching first poetry collection at The Crescent
Book launch of the week: York Literature Festival and Say Owt present Stu Freestone, The Lights That Blur Between, The Crescent, York, March 30, 7pm to 10pm
YORK performance poet, Say Owt gobby collective associate artist and Cheese Trader cheesemonger Stu Freestone launches his debut poetry collection, The Lights That Blur Between, with two sets, one comedic, the other accompanied by guitarist Simone Focarelli, accordionist Ben Crosthwaite and drummer Joe Douglas. In support will be Grantham singer-songwriter Adam Leeson and York political satirist and performance poet Sarah Armitage.
Freestone’s poems explore the nostalgia of adolescence, relationships, loss and processing, as well as humorous themes of condiment addiction, festival trips gone wrong, cheesemonger battle raps and the perils of “after-work’ drinking in his honest portrayal of life experiences. Box office: thecrescentyork.com.
Dan Poppitt, Charlie Clarke, front, and Georgina Burt in rehearsal for Black Sheep Theatre Productions’ Parade
The other American musical of the week: Black Sheep Theatre Productions in Parade, Joseph Rowntree Theatre, York, April 1 to 4, 7.30pm plus 2.30pm Saturday matinee
PRESENTED by York company Black Sheep Theatre Productions under the direction of Matthew Peter Clare, Jason Robert Brown and Alfred Uhry’s stirring Tony Award-winning musical explores love and hope against the odds, set against a backdrop of political injustice and rising racial tension.
Leo Frank, a Brooklyn-raised Jew, is put on trial for murder in Marietta, Georgia, but when the world seems against you, receiving a fair trial might prove impossible. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Alison Moyet: Re-visiting Yazoo’s two synth-pop albums after more than 40 years at York Barbican. Picture: Naomi Davison
Gig announcement of the week: Alison Moyet, Songs Of Yazoo, the minutes and Other Tour, York Barbican, November 18
BASILDON soul, blues and pop singer-songwriter Alison Moyet will play York in one of ten new additions to her autumn tour, when she will focus on songs from Yazoo’s 1982-1983 catalogue, recorded with Vince Clarke, and a selection from her solo electronica albums, 2013’s the minutesand 2017’s Other, both co-written with producer Guy Sigsworth.
“Many years touring the same pool of songs and I am keen for a palate refresher,” says Moyet, 64. “Specifying which years I will be fishing from too, I think, is a grand way to serve pot luck for specific tastes. No bones.” Box office: yorkbarbican.co.uk.
YORK spoken-word poet, performer and cheesemonger Stu Freestone will launch his debut poetry collection, The Lights That Blur Between, at The Crescent on March 30.
A co-founder and associate artist of Say Owt, York’s “collective of gobby northern poets” since 2014, he writes in a playful style founded in everyday moments in works that walk the line between between grit and gentleness.
Or as Barmby Moor surrealist comedian Rob Auton puts it: “There’s so much momentum in Stu’s words. The images sprint into your head and your brain is a better place for it.”
Stu Freestone’s poster design for his poem Before The Lights Go Out
Drawing from family stories, kitchen tables, pub corners and stages across the country, his poetry “celebrates ordinary lives with extraordinary care,” says Stu. “Blending conversational humour with emotional honesty, the writing explores love, loss, resilience, and the quiet lights that carry us through.”
The Lights That Blur Between has been written over more than a decade, shaped on stage and finally brought together “somewhere between a notebook, a pint and a deep breath”.
“The collection explores the nostalgia of adolescence, relationships and grief, and the ongoing work of processing life, as well as the occasional – and necessary – detours into the comedic themes of condiment addiction, festival trips gone wrong, cheesemonger battle raps and the perils of ‘after work’ drinking,” says Stu, summarising his “honest portrayal of life experiences”.
The artwork for Stu Freestone’s The Lights That Blur Between. The sea, its vastness and restorative powers, feature emotively in his writing
Freestone has performed across the UK, including multiple runs at the Edinburgh Fringe, and was shortlisted for Best Spoken Word Performer at the Saboteur Awards in 2015. He has shared stages with internationally renowned artists such as Shane Koyczan, Hollie McNish, Sage Francis, B. Dolan, Dizrael, and Harry Baker and has recorded live sessions for BBC Introducing and BBC Upload.
Now comes his debut book launch, promising an evening of powerful performance and heartfelt storytelling, including two sets from Stu, one comedic and spoken-word, the other accompanied by a band featuring guitarist (and shoemaker) Simone Focarelli, accordionist Ben Crosthwaite and drummer Joe Douglas.
Plus support slots from York performance poet and political satirist Sarah Armitage and his Grantham pal, emotive singer-songwriter Adam Leeson.
“It’s amazing really,” says Stu, reflecting on the book’s completion. “It’s been a journey since 2012-2013 to now, where I’ve always thought I should have done it before, but the writing wouldn’t be same.
Stu Freestone’s poster for Branches, from his The Lights That Blur Between collection
“I’ve had a lot more experiences to collate into my writing, so there are more meaningful tendencies to what I want to write about: whether nostalgia or re-living that nostalgia, or resilience or getting over grief: things I had not experienced back then. So it’s ‘me on a page’ on 100 pages and it’s nice to have that proof in my hand, in the book, which is very different to having it on my laptop.”
Stu’s poetry differs in print from live performance too. “There’s a massive contrast because I was very aware of how to transpose it to the page, and where it would need an edit to a make it more book-friendly,” he says.
“There are pieces that have evolved for the page or been written expressly for the page. There is therapy here, from both the reader’s perspective and mine, where I feel I’m confiding in them amid the grief of everyday life, when there are things that don’t get spoken about in the spoken-word performance environment.
Stu Freestone’s self-portrait from The Lights That Blur Between as he looks at himself in the mirror
“The book is basically saying we’re all the same in how we grow through memories, reflecting on those nostalgic moments but then contrasting that with the everyday processes of normal life: the things that others don’t see.”
The book is divided into four sections: adolescent reflection, mental health, then comedic works that “try to find the light in life” and finally, our relationship with loss, encapsulated in Before The Lights Go Out and the closing poem, title work The Lights That Blur Between.
“We try to get through loss with courage and empathy, where we can grow from our memories, but inevitably we walk through these lines between ‘breaking’ and ‘becoming’,” says Stu.
“I lost a friend, Nick, to suicide two years ago and wrote Before The Lights Go Out as an ode to our home town of Grantham and then the desperate bleakness of him no longer being there. The only thing I can take peace from is he achieved what he need to achieve, which sounds very dark, when he felt help was not an option.
Stu Freestone on stage at a Say Owt gig in York
“I’m 40 now, and to have lost as many people as I have in my close circle is very unlucky, so it’s an interesting place for me to try to find the perspective on that. I’ve done that through processing and writing, and I’ve written poems that aren’t in the book that are angry, but the ones in there that mean most to me are testament to trying to find positivity, for men to know that it’s OK to talk. That’s why we’ll be fund-raising for CALM, the Campaign Against Living Miserably charity.”
Stu’s trademark playful positivity surges through two poems in particular, Bliss, his hymn to York, his home since York St John University days in 2005, and Heed The Cheese, a nod to his other life running The Cheese Trader in Grape Lane. “I wanted to write a ‘univocalic’ poem, where every word uses only one specific vowel, so it had to be ‘E’ for cheese!” he reasons.
It strikes the only cheesy note in the book.
York Literature Festival and Say Owt present Stu Freestone, The Lights That Blur Between: book launch, The Crescent, York, March 30, doors 7pm. Box office: yorkliteraturefestival.co.uk or https://thecrescentyork.com/events/say-owt-stu-freestone-book-launch/.
Further Yorkshire performances:
13/04/26: Poetic Off-Licence, Holding Patterns, Leeds 28/04/26: ‘Goodnight D’, Crookes Social Club, Sheffield 02/05/26: The Old Courthouse, Thirsk 12/09/26: Bookmarked Festival, Thirsk
Stu is planning another York show, probably at Rise@Bluebird Bakery, Acomb, later this year. Watch this space.
Stu Freestone on the impact of York’s spoken-word proponents Say Owt
The logo for Say Owt, York’s gobby collective of northern performance poets
SINCE being founded by Henry Raby and Stu Freestone in 2014, Say Owt has run regular poetry events in York and beyond in the form of slams, workshops, scratches, open mics and a variety of other platforms.
More than 11 years on, Say Owt is run under the artistic directorship of Nerd Punk poet laureate, Vandal Factory theatre-maker and playwright Raby in tandem with associate artists Freestone, Hannah Davies and Dave “Bram” Jarman.
“What we wanted to create with Say Owt from the start was a platform for performance poets, whether new or established and well versed,” says Stu, whose Say Owt website profile introduces him as “the cheekiest of rogues with his devilish facial hair and a penchant for Hip-Hop”.
“It also gave us a platform to put our voices out there, and it’s magnificent that Say Owt has blossomed and bloomed into such a cultural beast, fronted by four very different performers. We’re like a ‘gruesome foursome’ of artistic merit!
“Henry is the punk poet extraordinaire; Hannah’s poems are a comforting hug; Jarman is more musical, and I’ve always liked doing things with a musical backing from my open-mic nights, where if people aren’t into poetry, the music gives it an extra surface.”
Say Owt associate artists Stu Freestone and Hannah Davies
Over the years, Say Owt has held events at The Basement at City Screen Picturehouse, The Crescent, St Mary’s Church and the Edinburgh Fringe.
Coming next will be the Say Owt Scratch at Theatre@41, Monkgate, York, on April 7, trying out poems for performance from 7pm to 9pm, followed by Shane Koyczan, supported by Leeds poet, dance artist, performance maker and “witch-in-progress”Izzy Brittain, at The Wardrobe, St Peter’s Square, Leeds, on April 12 (doors 7.30pm).
“Shane is a huge international artist, from Canada, who’s played Say Owt before and is one of the most globally viral poets ever,” says Stu. “He performed at the opening to the Vancouver Winter Olympics in front of 50,000 people.
“He’s a tour de force – and he was the reason I started writing . I’ve been fortunate not just to see him perform a few times, but we’ve also put him on at Say Owt and I’ve interviewed him, which was a ‘pinch me’ moment.”
In the Say Owt diary too are: April 17, Say Owt Slam, featuring Dublin-born Nigerian poet Maureen Onwunali, at The Crescent, York (7.30pm); April 29, Bad Betty Press Showcase, Bad Betty Live x Say Owt x Rise Up!, featuring Keith Jarrett, Hannah Silva, Desree, Jake Wild Hall and Chubby Northerner, Bluebird Bakery, Acomb (7.30pm); May 21, Luke Wright: Later Life Letter, Bluebird Bakery, Acomb (8.30pm, doors 7.30pm), and June 17, world poetry slam champion Henry Baker, Tender Book Tour, York Theatre Royal (7.30pm).
For booking details, head to: sayowt.co.uk.
Artistic director Henry Raby and associate artist Stu Freestone spinning words at Say Owt Slam
Stu on the impact of the sea on his writing
“I WROTE The Escape Of The Ocean when I was trying to process something particularly unpleasant and troubling in my life,” says Stu. “The poem describes standing on the beach and experiencing everything there in that moment that I’d experienced, and wanting to re-create in my writing that feeling of standing there with the wind in your hair.
“I wanted it to replicate whatever beach you may have been on, experiencing the rushing back and forth of the waves, like when I was processing what I’d been through, but it also stands on its own for the reader, where I’m putting these moments in the text that I find particularly interesting and are mood enhancing.
“The ‘escape of the ocean’ represents that openness and incomprehensible vastness of the sea, where no matter how big your problems are, it gives you a sense of perspective in that moment, whatever you’re facing.
“None of your problems are insignificant until you can clear your mind, but standing by the sea, you might think ‘this is crazy’ when the enormity of the world’s problems make yours seem insignificant.”
The front cover for Stu Freestone’s The Lights That Blur Between
Stu on supporting the Campaign Against Living Miserably (CALM) at Monday’s gig
“WE’LL be fund-raising for this charity, who stand up for finding a way to talk about suicide. The problem of mental health is rife, and I believe that everyone is as important as each other.
“For this occasion, I want to spread the message that everyone could do with discussing mental health.
“I’m at peace with it being OK to have a self-help element to the poems, without making it too overbearing, because the book is a tapestry of life as we live it and our lived experiences.
“The title poem, The Lights That Blur Between, relates to the loss of my friend Nick and to my personal battle with mental health, which I’d not gone through before, when he passed; trying to deal with that grief but also recognising mental health within myself and realising that maybe I had an issue.”
Stu Freestone opens up in performance
Stu on his love of life in York
BORN in Grantham, Nottingham Forest fan Stu moved to York in 2005 to study at York St John University and has never left, now dividing his time between writing and performing and putting the dairy into his daily diary as a cheesemonger at The Cheese Trader in Grape Lane.
“It’s a wonderful city,” he says. “You could always change certain things about any city but there are very few things I would change in York. I love the city’s size and how York is so emboldened by its history.
“There’s something so quaint about York, even though it’s a city, whereas Nottingham, for example, is a lot more of a concrete jungle. With every breath, there is history in York, which is exemplified by, wherever you look, people are taking photos.
“Having moved here and now made it my forever home, I try not to take it for granted. There’s a piece about York in the collection called Bliss, with a huge element of positivity about being who you want to be here, but also it’s about York being a city rooted in the ghost hunters charging through the alleys and snickelways.”
Stu continues: “Without living in York, I wouldn’t have had the same get-up-go to feel inspired to write. It’s a city where the community makes the place because we have a population of only around 200,000, which makes the community so strong, with an arts scene that’s bursting at the seams. It’s just a question of taking your chance.”
Bliss, Stu Freestone’s hymn to York in The Lights That Blur Between
This is not just another city. We all need somewhere to call home, and this is where we lay our heads. This is our city. Twenty four hours, seven days a week. There are many places like it but this one is ours to keep. The buskers make up the soundtrack of our streets, whilst the artists paint the Sistine Chapel on paving slabs beneath our feet. We, are the graphite drawn from pencil tips sketching picture perfect postcards. Simply illustrated character outlines making up the mise-en-scene of our skylines.
These streets are lined with the phantoms of our fair city’s history. City walls first built with earth and wood, now stand in York stone and concrete with tall tales that flush alongside cobbled streets. Complete with tour guides armed with lanterns leading the charge through side-streets and snickelways; calling out the long lost souls struck down by the bubonic plague in 1378. Just look how far we’ve come. If education taught us anything it was how and when to use our voice. To give it purpose, to make it count and to resonate the value of our own personal choice. Every syllable that drops from our lips, every letter uttered or muttered is our own personal gift. Our own little piece of bliss. A little piece of us that never needs to be re-stitched, and it’s up to us in how we use it.
We grew wise through school systems, hand in hand with coursework and examinations. Our teachers would throw outreach schemes posing questions like, “What do you want to be?” or “What are you going to study at college?” Listing all the reasons why knowledge is important; and to not make the same mistakes they made. Well at fifteen, we just wanted to see the world and there was nothing we could write on a personal statement that was going to change that. So we studied our books and studied our reflections, searching for vital signs that bind ambition. Alongside pressures of growing up in a system that’s so focused on how we are portrayed and how we might appear. We have a fear of not looking at ourselves as something special, but the truth is we are picture perfect. This is us and here we are.
We need to do it for ourselves because if we don’t nobody is going to do it for us. We need to form an alliance; against the naysayers who decide that the “correct body image” is that plastered on billboards and TV broadcasts; in films and magazines. With all these waves of pressure, how are we meant to stop feeling so weak? It’s no wonder it’s so hard to be yourself nowadays. But through it all we always overcome. Brick by brick like the walls that were built to surround this great city. A barrier of defense and resilience so far from mediocrity. We’re all one of a kind. We’re all one of the same. A flame that burns brighter every time it believes in itself. So let’s light fires all over this city tonight; and make a bonfire of belief in the streets that we call home.
Let us follow these cobbled brick roads down memory lane, and always start as we mean go on. And if starting as we mean to go on, means restarting from the beginning then welcome it with open arms even if the outcome moves us even further from the finish. Together we make up armies of ocean so vast, we ride on the waves of impossible. Impossible is what you make it. And if you’re the only person that can say it to yourself to make you believe it, then say it. Shape the things to come and change the world for some. Brandish your language in spirited ways. Holding word wars at dawn, armed with sonnets and soliloquies. Underground cap-gun fights in low-level lights, spilling capital-letter-started sentences and firing brackets for defenses.
Every comma and semicolon makes up the chevrons on our shirts and shoulders, redefining everything our parents ever told us about chasing who we want to be. Let the ashes of our past smoulder, as we walk barefoot over the fears we once faced. Retrace steps but realise our mistakes helped get us to this point. Our polished brass buttons reflect the inner glow of adversity. Gleaming. Shimmering. Shining. Beacons of our own success. Until we find ourselves at a full stop. Where we start it all again. Fill our lungs with all the would, could, and should-have-beens; and all the things that were, we wouldn’t trade for anything.
This is not just another city. This is us. We are here.
Copyright of Stu Freestone
The last word: The back cover to Stu Freestone’s The Lights That Blur Between
