Category: Film

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Katie Leckey & Emily Carhart double up to steer York Shakespeare Project’s The Comedy Of Errors into piratical waters

Cassi Roberts’s Messenger and Andrew Wrenn’s Egeon in rehearsal for York Shakespeare Project’s piratical The Comedy Of Errors. Picture: John Stead

IN Katie Leckey and Emily Carhart’s piratical twist on The Comedy Of Errors for York Shakespeare Project, the original text of Shakespeare’s “shortest and possibly funniest” play will be merged with slapstick, farce and physical comedy.

Opening tomorrow (21/10/2026) at Theatre@41, Monkgate,  the production combines the directorial talents of Leckey, director of York company Griffonage Theatre, and Carhart, who worked with Katie on York Settlement Community Players’ staging of Joe Orton’s Loot and Griffonage’s showcase of Lady Augusta Gregory works, Fourtold.  

In their opening statement, explaining the pirate overhaul, they say:  “The morally questionable, yet still comedic, nature of many, if not all, of the characters put us in mind of some of our favourite piratical antiheroes.

“We felt like the framing device of piracy gave us the chance to include slapstick violence between ‘masters and servants’ in a way that wouldn’t seem too brutal or alien to a modern audience.”

Emily says: “We realised that we both wanted to pitch to direct this production, having become friends through working together, and so we chatted about it…

…“Two heads are better than one,” says Katie. “We wanted to use our individual strengths to look at different aspects to make a coherent whole, a well-rounded piece.”

The Comedy Of Errors co-director Emily Carhart

“Katie is more experienced in physical theatre and clowning, whereas I focus on the voice, text, relationships between character,” says Emily.

“It’s all in there anyway, where it begs for the comedy to be made physical,” says Katie. “Sometimes the physical just has to happen because otherwise a joke won’t land.”

Both co-directors were devotees already of Shakespeare’s “most farcical play”, the 1592 one with the two sets of identical twins.  Why? “It’s just a really silly play,” says Emily. “In fairness, I think he intended it to be silly! It’s fast and zippy and a lot shorter than most of his plays, and when you unpick the language, it’s loaded with punchlines.

“It gives you a plot to play with because the characters are in a ridiculous situation and so you don’t have to take it seriously, but it’s written in a sophisticated way that uses metaphorical language.  That said, it may be a controversial thing to say but it’s quite a surface-level play.”

Katie adds: “The reason I like it is because it’s a farce, and obviously I’m no stranger to farces [such as Orton’s Loot]. What drew me to it is that it’s such a succinct farce, whereas Twelfth Night and As You Like It are much longer and get muddled by having too many plotlines.

Ben Reeves-Rowley’s Solinus and Harry Summers’s Angelo in the rehearsal room for York Shakespeare Project’s The Comedy Of Errors. Picture: John Stead

“This play is cohesive, cut and dry, and that makes it easier to play with. There’s none of the weirdness of the ending of Love’s Labour’s Lost; nothing that doesn’t gel or make sense – and so I can just put slapstick in it!”

The pirate twist emerged in response to the “insinuation of domestic violence and adultery in the play”. “Characters are immoral or amoral – devoid of morals – which tonally didn’t meld with the play, so we thought, ‘how can we keep it as a light comedy?’, which led to pirates,” says Emily.

“Everyone has an idea of pirates, from Treasure Island, Pirates Of The Caribbean, Muppet Treasure Island, with all that swashbuckling flamboyancy of piracy,” says Katie, who will play Luciano, by the way. “It lightens the whole thing,  with everyone knowing that pirates are into pirating and plundering, but everyone  still likes them!”

“That’s why you buy into the convention that it’s fun and silly,” says Emily. “I think it also makes it more accessible to modern audiences because of the dynamics of ‘masters and servants’, so we’ve set it in the golden age of piracy,” adds Katie.

When? The end of the Stuart era/beginning of the Georgian era… “but we’ve added Victorian costumes too because of how people think of pirates in that time,” says Katie. “It’s very much a vibe, rather than historical accuracy,” says Emily, who will bring her puppetry skills to the show.

The Comedy Of Errors co-director Katie Leckey

The co-directors were keen to apply gender swapping to “make some things less unpalatable while still drawing attention to how sexist the text is”.

“We were intrigued by the lack of traditional gender and romantic dynamics in the play,” they say. “In Elizabethan culture, as depicted in many of Shakespeare’s plays, there was a more flexible understanding of physical and romantic intimacy between same sex partners, as well as a fluid approach to the representation of gender on stage. We feel our production is a celebration of relationships of many kinds, platonic, familial and romantic.”

Katie says: “We’ve made it a matriarchy, rather than a patriarchy. We also have a same sex couple now, which I was keen to do as it feels the perfect time to do it, without shoehorning it into the plot.”

Emily adds: “It’s interesting to see a woman play such an unpleasant character [Antipholus], when we’re used to seeing men playing the role, which makes it all the more jarring.”

Katie concludes: “People will hopefully accept what we’ve done with the play. It feels right, rather than forced, so I can’t see it being done any other way now!”

York Shakespeare Project in The Comedy Of Errors, Theatre@41, Monkgate, York, October 21 to 24, 7.30pm plus 2.30pm Saturday matinee. Box office: tickets.41monkgate.co.uk.

High laughs on the high seas: York Shakespeare Project’s piratical poster for this week’s production of The Comedy Of Errors

Plot summary for York Shakespeare Project’s The Comedy Of Errors

“AVAST ye landlubbers! Set sail for York Shakespeare Project’s piratical production of The Comedy of Errors!,” reads the invitation from directors Katie Leckey and Emily Carhart.

“The flamboyant captain Antipholus and flirtatious first mate Dromio arrive at the corrupt pirate isle of Ephesus to find that it has everything a salty sea dog requires: a tavern, a shipwreck, sea shanties, talking parrots, general debauchery and (of course) a whole lot of booty!

“However, things start to get very confusing very quickly, when both the captain and first mate don’t seem to be acting like themselves.

“In a plot laden with mistaken identity, colourful characters, swashbuckling action and a fair bit of slapstick, this be Shakespeare but not as ye know it.”

Who is in the cast for The Comedy Of Errors?

Antipholus of Syracuse: Helen Clarke
Dromio of Syracuse: Kat Lazarus
Antipholus of Ephesus: Laura Broughton-Janes
Dromio of Ephesus: Liz Duggan
Adriana: Ro Trimble
Luciano: Katie Leckey
Solinus, The Duke of Ephesus: Ben Reeves-Rowley
Egeon: Andrew Wrenn
Emilia, The Abbess: Andrea Mitchell
Angelo: Harry Summers
Balthazar: Grace Scott
Officer/Messenger: Cassi Roberts
Courtesan: Jacob Bassford
Dr Pinch/Nell: Jess Netherway
First Merchant/Nell: Stuart Green
Second Merchant: Thomas Jennings

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Meet Charlotte, Emily and Anne, the ‘other other’ Brontë in Underdog’s tale of Yorkshire sibling jealousies and rivalries

Jess Murray’s Emily, left, Lara Stafford’s Charlotte and Millie Rhodes’s Anne Brontë in York Settlement Community Players’ Underdog: The Other Other Brontë. Picture: John Saunders

YORK Settlement Community Players are to stage the York premiere of Sarah Gordon’s Underdog: The Other Other Brontë at Theatre@41, Monkgate, York, from October 13 to 17.

Premiered in 2024 at the National Theatre, London, it tells the story of the rivalry between the Brontë sisters from Charlotte’s perspective, revealing truths behind why we know Anne only as the “third sister” – or the “Other Other Brontë”.

Director Claire Morley, who last directed for the Settlement Players in 2014 when staging Bertolt Brecht’s Drums In The Night, says: “I saw the original production performed by Northern Stage & the National Theatre at Newcastle, directed by Natalie Ibu.

“I was interested first from an actor’s perspective, because they’re characters I could relate to, as northerners, and because they all had great monologues. But I was also struck by the stage craft, the contemporary feel of the dialogue and the staging, which I love, where two worlds merge.

Underdog director Claire Morley. Picture: Tom Barker

“I liked the theatricality that the play calls for in performance as it’s a very knowing piece where Charlotte, as the narrator, acknowledges the audience throughout. It’s really clever in that sense.”

As for directing, “Underdog really appealed to me because, while it tells the story of this incredible literary family who are so entwined in the national (and Yorkshire!) cultural fabric, it doesn’t put them on a pedestal. We see them as real, flawed human beings.

“It’s a traditional story of famous sisters who we’ve all grown up knowing about, and it’s told in a linear way, but  it feels contemporary too, and I’m looking forward to reflecting that further in aspects like the soundtrack. I could choose very modern songs, so expect current chart hits rather than choral music!”

The song choices were yet to be confirmed at the time of this interview, but Claire foresaw using songs in the vogue of Olivia Rodrigo, Charli  XCX, Chappell Roan and Billie Eilish.

Director Claire Morley, seated, with Underdog cast members Underdog cast Jon Cook, left, Pamela Gourley, Lara Stafford, Millie Rhodes, Jess Murray, Maggie Smales and Nick Patrick Jones. Picture: John Saunders

Expect “strong language, death and grief, addiction and a suicide attempt” too, hence the play carries a content warning and an age guidance of 12 plus, given that “they don’t always talk about romantic, young love, but jealousies and rivalries too”. 

“I’ve had to warn my mother that Emily calls Charlotte a ‘tw*t’!” says cast member Lara Stafford.  Last seen as the title character in Black Treacle Theatre’s production of Howard Brenton’s Anne Boleyn at Theatre@41  in March, she will play Charlotte, joined by Settlement Players regular Jess Murray as Emily and 22-year-old University of York MA Theatre-Making student Millie Rhodes as Anne.

Nick Patrick Jones, Jon Cook, Maggie Smales and Pamela Gourley will make up the accompanying multi-rolling ensemble.

“We’re so thrilled to bring this very Yorkshire literary play to Theatre@41 next week,” says Settlement Players’ chair, Natalie Roe. “We went on a cast and crew trip to the Brontë Parsonage in Haworth on Yorkshire Day, which helped everyone get into the world of the play. There’s such a great energy in the team, we can’t wait to share Underdog with you.”

Looking bookish: Jess Murray’s Anne, left, Lara Stafford’s Charlotte and Millie Rhodes’s Anne Brontë. Picture: John Saunders

Cast member Millie Rhodes can draw on her West Yorkshire roots: “I grew up in Oxenhope, in Brontë country, and spent a lot of my weekends on the moors, but I hadn’t read either of Anne’s novels [Agnes Grey and The Tenant Of Wildfell Hall, published under the pen name of Acton Bell] , when I got the role – though I do have plans to read Agnes Grey after I finish my Masters in Theatre-Making,” she says.

“I actually auditioned for Charlotte but now I’ve fallen in love with Anne,” says Millie, who earlier studied Acting for Stage and Screen at York College.

“I feel like I’m quite like her. Anne reminds me of certain aspects of myself that I don’t want to be reminded of. Like being the underdog. I think everyone feels like the underdog at some point in their life.”

Jess “doesn’t like to go for a particular when auditioning” but initially found Charlotte the most interesting, “but Emily is a really interesting character too”. “I’ve had so many messages from people saying they’re pleased for me that I’m playing Emily. I don’t know how accurate it is to how she’s portrayed in the play,  but here she’s very comfortable in her own skin and doesn’t care what people think about her. That’s all in the script.”

Meeting the sisters: Millie Rhodes, left, Jess Murray and Lara Stafford beneath the portrait of the Brontë sisters at the Brontë Parsonage Museum in Haworth, West Yorkshire. Picture: John Saunders

Making  a sales pitch for why audiences should see Underdog, Claire says: “Firstly, it’s a great cast, a strong ensemble cast, which I think always makes it interesting when lots of characters – 30 in all – pop up. It’s fast paced, with a contemporary feel to a wonderful story, and you’ll definitely go away having learnt something about the Brontës that you didn’t know before.”

Lara says: “I’ll say that the audience are going to go away wanting to pick up the books because it really focuses your attention on great literature.”

Claire concludes: “It’s sincere but it’s fun too, showing the sisters in a light they have not been seen in before. It doesn’t shy away from their faults. They’re proper humans as well as amazing novelists, which makes them funny too.”

York Settlement Community Players in Underdog: The Other Other Bronte, Theatre@41, Monkgate, York, October 13 to 17, 7.30pm plus 2.30pm Saturday matinee. Box office:  https://tickets.41monkgate.co.uk/.

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York Theatre Royal launches first ever staging of Snow White And The Seven Dwarfs with Tommy at the treble

Robin Simpson’s Dame Dolly and Tommy Carmichael’s Muddles at York Theatre Royal’s pantomime launch for Snow White And The Seven Dwarfs. Picture: Charlie Kirkpatrick

YORK Theatre Royal’s cast for this winter’s pantomime, Snow White And The Seven Dwarfs, has assembled for the first time.

Present at the launch day were CBBC and CBeebies’ star Richard David-Caine, who will play Herman Von Badapple; regular dame Robin Simpson (Dame Dolly this time) and his fellow returnees Tommy Carmichael and Christian Mortimer, who will take the roles of Muddles and Prince Charming respectively.

In attendance too were the cast’s latest addition, Marcavia McCarthy, who will play Snow White, Jenny Gayner, cast as the Wicked Queen, and Dean Whatton, who will lead the Seven Dwarfs as Sarge. Lucy Blenkiron, Richard Blenkiron, Willie Coppen, StijnKeuleers, Maria Popska and Harrison Taylor will complete the line-up.

Snow White And The Seven Dwarfs is the apt choice for the seventh collaboration between pantomime partners York Theatre Royal and the award-wining Evolution Productions, whose director-producer, Paul Hendy, pens the script.

As ever, Theatre Royal creative director Juliet Forster will direct the show. “We are so delighted to have such a brilliant cast lined up for the show. It’s the first time Snow White And The Seven Dwarfs has been performed on our stage and audiences can expect something really special. I can’t wait to get started on rehearsals and see this fabulous show come to life with this amazing team.”

Doncaster-born Tommy Carmichael has signed up for a third winter of daft-lad tomfoolery in Snow White after starring as ever-cheerful Charlie in Aladdin in 2024 and Jangles in Sleeping Beauty last Christmas.

“It was confirmed in March. I got two emails in one day, one from the Theatre Royal, one from Evolution!” says Tommy. “I’m so grateful to be asked back, and it’s a lovely team to work with. When you work with Robin [Simpson], it feels so easy and it’s fun – as opposed to hard work – and I love working with Juliet [Forster] as well. It’s always nice to see faces you know.

Hi-ho, hi-ho, and off to work they go: York Theatre Royal’s cast for Snow White And The Seven Dwarfs assembles for the first time. Picture: Charlie Kirkpatrick

“Muddles is not far from Buttons as a role. When people think of a comic role in panto, they usually say, ‘oh you’re playing Buttons’ and Muddles is the second one they mention. I’ve never done Snow White before, so it’s going to be fun working with a bigger cast than usual.”

Two years ago, Tommy moved to Livingston, Scotland, where he teaches young actors aged six to 18 at the Proscenium Stage School. “Wonderfully, they gave me the job when I moved north,” he says. “I’d taught at the Pauline Quirke Academy in Doncaster, and Taunton, after I’d trained at Bath School of Music and Performing Arts, at Bath Spa University, where I  was surrounded by cows and fields. Very different to training at a city university!”

Rehearsals for Snow White will begin on November 16. Before then, Tommy will return to Yorkshire on October 1 for a one-off performance of Big Strong Man at the Montgomery Theatre for the Open Works Festival in Sheffield.

Last year he toured in this interactive cabaret show about masculinity with the Doncaster company The Growth House. “It’s like a game show, where four different types of masculinity all fight for who should be ‘the ruler of all men from now until the end of time’. Four Northern men are given the impossible task of fixing the men’s mental health crisis in one night. We took it to spaces where men in various works of life feel more relaxed,” says Tommy.

“I think it’s really important to talk about these things as getting men to talk about their feelings can be a challenge, especially as last year we went into working men’s clubs, where the challenge was to get them to feel comfortable to talk about the subject – which was more likely to be the case than in a theatre.”

Tommy also headed back to Yorkshire a few weeks ago  – “I love the commute,” he says – to film his role in Miles Watts and Maria Gray’s second feature film for North Yorkshire company Outward Films: Drop Dead, a no-budget horror mystery shot on iPhone.

“I play Hugo, this really kind actor who’s in the film within the film, where all the actors had trained at the same theatre school” he says. “He sees below people’s surfaces, so he’s very perceptive. It’s my first feature film, so it was lovely to do, coming about for me through knowing Maria and her husband, Ed, the Theatre Royal pantomime musical director. We filmed my scenes in a wood by a leisure centre in Harrogate.

Snow White And The Seven Dwarfs will run at York Theatre Royal from December 4 to January 3 20927. Box office: 01904 623568 or yorktheatreroyal.co.uk.

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Stephen Joseph Theatre’s actor-musician co-production of Calendar Girls The Musical nominated in UK Theatre Awards

Christina Meehan’s Annie and Karen Holmes’s Chris in Calendar Girls The Musical. Picture: Tony Bartholomew

STEPHEN Joseph Theatre artistic director Paul Robinson’s production of Calendar Girls The Musical is on the shortlist for a major award.

Gary Barlow and Tim Firth’s 2015 show has been revived this year in a co-production between the SJT, Scarborough, Keswick’s Theatre by the Lake, the New Wolsey Theatre in Ipswich and the Octagon Theatre, Bolton. 

Opening at the SJT, in late-June in its first-ever actor-musician staging in the round, Calendar Girls has been nominated for Best Musical Production, sponsored by Tysers Live, in the upcoming UK Theatre Awards.

Robinson’s production moved on to Keswick throughout August and is now playing the New Wolsey before moving on to the Octagon throughout October.

Barlow and Firth’s much-loved show charts the story of a group of Yorkshire women who create a fabulous fundraising calendar after the death of one of their husbands.

CharlesHutchPress’s review concluded: “Honorary Yorkshiremen Barlow and Firth, in tandem with Robinson – a director at his best in comedy – have delivered the best version of Calendar Girls yet, not least thanks to the leading performances of Karen Holmes’s Chris and Christina Meehan’s Chris, Yorkshire women of such spirit and resilience.”

Robinson says: “Being nominated for a UK Theatre Award is an incredibly proud moment for us in Scarborough. It reflects not just the work on stage, but our shared commitment, alongside our vital regional partners, to bringing high-quality and engaging storytelling to local audiences.

“This production simply wouldn’t have been possible without the immense trust of Tim Firth and Gary Barlow; allowing us to take their beautiful show and create its first-ever actor-musician version was a huge leap of faith.

“I am immensely proud of our spectacular, multi-talented cast and crew, and our visionary creative team who pushed all the boundaries to bring our ambitious vision to life.”

Calendar Girls The Musical faces stiff competition in the awards, to be announced in London on October 12. The fellow nominees are: The High Life (National Theatre of Scotland & Dundee Rep Theatre co-production in association with Aberdeen Performing Arts and Capital Theatres); Kiss Of The Spiderwoman (Curve, Bristol Old Vic & Mayflower Southampton co-production) and Sweeney Todd The Demon Barber Of Fleet Street (Birmingham Rep).

Since 1991, the annual UK Theatre Awards have celebrated the creative excellence and outstanding work seen on and off stage throughout England, Scotland, Wales and Northern Ireland.

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What’s On in Ryedale, York and beyond. Hutch’s List No. 37, from Gazette & Herald

Georgina Fairbanks and Johnson Willis in Wilko: Love and Death and Rock’n’Roll at York Theatre Royal. Picture: Nick Haeffner

WILKO Johnson’s miraculous renaissance, Alan Ayckbourn’s first courtroom drama, Phil Wang’s wise moustache and The Dunwells’ indie-folk rock spark Charles Hutchinson’s attention in the week ahead.

Punk godfather of the week: Wilko: Love and Death and Rock’n’Roll, York Theatre Royal, tomorrow to Saturday, 7.30pm and 2.30pm Saturday matinee   

WHEN Dr Feelgood co-founder and iconic guitarist Wilko Johnson faced a terminal cancer diagnosis in 2012, he was given only one year left to live. Declining medical intervention, Wilko chose to dedicate his remaining time to a meaningful farewell tour of the people and places that defined his life…only for an unexpected miracle to change the narrative entirely.

Jonathan Maitland’s Wilko: Love and Death and Rock’n’Roll examines the life of this punk-movement godfather, tracing a career that spanned Dr Feelgood, the Solid Senders, Ian Dury and The Blockheads and a late-career turn to acting in Game Of Thrones. Integrating live music and storytelling with Wilko’s own words, this show serves as a practical masterclass in living life to the fullest. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Richard Stacey’s war hero RSDO 83 and York actress Frances Marshall’s defence counsel Allistra Clay in Alan Ayckbourn’s The Trial of Romeo Oscar. Picture: Tony Bartholomew

Premiere of the week: Alan Ayckbourn’s The Trial Of Romeo Oscar, Stephen Joseph Theatre, Scarborough, until October 4

ALAN Ayckbourn’s 92nd play is his first courtroom drama, one set in the future, as he explores the question that artists have been asking for centuries: what makes us human?

In 2194, humanity is scattered around the solar system and day-to-day life on Earth looks very different. Preparations are underway for a landmark legal case. Romeo Oscar, a military issue android, is on trial for murder: the first non-human to be tried in a court of law. The evidence is polarising and selecting an impartial jury is proving a challenge. Box office: 01723 370541 or sjt.uk.com.

Movies In The Moonlight at Picturehouse Outdoor Cinema’s season in York Museum Gardens

Cinema event of the week: Picturehouse Outdoor Cinema, Movies In The Moonlight, York Museum Gardens, Friday to Sunday, 6.30pm

CITY Screen Picturehouse moves outdoors for three evenings of open-air screenings, comprising Grease (PG) on Friday, The Shining (15) and Evolution Of Horror podcast introduction on Saturday and Jurassic Park (12A) on Sunday. Screenings start at dusk or as soon as darkness falls.

Blankets, cushions and small picnic chairs are allowed. A limited number of deck chairs will be offered on a first-come, first-served basis; rain ponchos can be bought at the event, should the need arise. Guests are encouraged to take away waste for recycling where possible. Box office: picturehouses.com/outdoor-cinema/venue/york-museum-gardens.

Uh Oh! Here comes Phil Wang and his moustache that will “bristle with wisdom” at York Barbican

New moustache of the week: Phil Wang: Uh Oh, York Barbican, Friday, 7.30pm

PHILIP Nathaniel Wang Sin Goi is a Malaysian-British stand-up comedian, comedy writer and member of the sketch comedy group Daphne, who co-created the BBC Radio 4 series Daphne Sounds Expensive.

Now comes his new stand-up show, Uh Oh. In the words of Phil, “he’s older than ever before. He’s got a moustache now. It bristles with wisdom. His eyes shine with good humour. His shoulders groan under the weight of being the only cool millennial left. Everyone’s an idiot but him. Nice is out. Right is in. The vibe shift is real. Old Wang’s riding it.” Box office: yorkbarbican.co.uk.

The boys Dunwell: Brothers Joseph and David, heading to Milton Rooms, Malton

Ryedale gig of the week: The Dunwells, Milton Rooms, Malton, Friday, 8pm

LEEDS indie-folk pop band The Dunwells have combined strong vocals, powerful melodies and heartfelt lyrics across four studio albums, a live album and a number of standout EPs and singles.

Prolific songwriting  brothers Joseph and David Dunwell, along with friends Adam Taylor and Rob Clayton, have toured extensively in the USA, Europe and the UK, as well as undertaking support slots with  Mumford & Sons, Elbow, Tom Jones, Scouting For Girls and Bryan Adams on British tours. Box office: 01653 696240 or themiltonrooms.com.

Sax to the max: Snake Davis heads to Helmsley on his Everlasting Love Tour

Saxophonist of the week: Snake Davis Band, Everlasting Love Tour, Helmsley Arts Centre, Saturday, 7.30pm

SAXOPHONIST Snake Davis is “so happy to be back at Helmsley Arts Centre yet again”, this time showcasing new tunes and a new album on the Everlasting Love Tour with his four-piece band featuring guitar, bass guitar and drums. 

The set spans “floaty to danceable, soul & Northern Soul to pop, jazz to world”, embracing original material and classic sax pieces such as Baker Street and Night Train as Snake swaps performing arena and stadium gigs with stellar acts for playing intimate venues with his favourite musicians.  Box office: 01439 771700 or helmsleyarts.co.uk.

James Felice & William Lawrence: Dreamy and quiet evening of Americana music and storytelling at Pocklington Arts Centre

Americana gig of the week: James Felice & William Lawrence, Pocklington Arts Centre, Saturday, 8pm

JAMES Felice and  drummer William Lawrence, two members of New York State’s  Felice Brothers, are taking to the road to perform songs from their respective solo works in a dreamy and quiet evening of Americana music and storytelling. James and William last appeared at Pocklington Arts Centre alongside Ian Felice and Jesske Hume in the Felice Brothers gig in June 2021. Box office: 01759 301547or pocklingtonartscentre.co.uk.

Alfie Moore: Offering the antidote to the breakdown of law and order, fake news and the price of baked beans in Acopalypse Now

Comedy gig of the week: Alfie Moore, Acopalypse Now, Milton Rooms, Malton, Sunday, 7.30pm

THE Four Horsemen of Rising Crime, Global Warming, AI and Culture Wars are galloping towards us. Are we on the road to hell? Can we avoid the potholes? In this new tour show, ‘Fair Cop’ Alfie has the antidote to the breakdown of law and order, fake news and the price of baked beans.

Moore has encountered more than his fair share of egotistical dictators in his policing career and learnt when pragmatism, and more than a dash of humour, can defuse even the most menacing showdown. Join him as he saddles up to see off those bullies on their pesky ponies. Doomsday is no laughing matter, but this show will be. Box office: 01653 696240 or themiltonrooms.com.

Chance to perform of the week: HAC Studio Bar Open Mic – Under 18s, Helmsley Arts Centre, Sunday, 2pm to 4pm

IN a special edition of Helmsley Arts Centre’s regular social event in the studio bar, young musicians and artists have the opportunity to perform. There is no need to book to take part or listen; just turn up. All under-18s must be accompanied by an adult. 

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More Things To Do in York and beyond. Hutch’s List No 36, from The York Press

Towering performances: Matthew Rutherford’s giant, Smog, and Jared More’s giant, Miff, in Riding Lights Theatre Company’s The Selfish Giant

A GIANT in a garden, Wendy turning piratical in a re-imagined Peter Pan, Alan Ayckbourn’s 92nd play and Wilko Johnson’s miraculous renaissance spark Charles Hutchinson’s attention in the week ahead.

Inspirational tale of love and generosity of the week: Riding Lights Theatre Company in The Selfish Giant, Friargate Theatre, Lower Friargate, York, today, 1.30pm and 4.30pm

STEP into the magical world of the Giant’s garden, a place full of music, beauty, bird song and stories in Jon Boustead’s stage adaptation of Oscar Wilde’s The Selfish Giant. The Giant, however, is cross when he returns to find children – children! – playing happily in his beautiful orchard, whereupon he erects a big wall to terminate the fun.

Once winter seizes the garden in its icy fingers, will summer ever return? Through storytelling, interactive games, live music and puppetry, York company Riding Lights presents a 50-minute play for family audiences. Box office: 01904 613000 or friargatetheatre.co.uk. Age recommendation: Three upwards.

Neverland revamped: York Theatre Royal Youth Theatre in Wendy & Peter Pan, York Theatre Royal, today, 2pm and 7pm

YORK Theatre Royal Youth Theatre returns to the Main House stage for the first time since 2019 for 46 performers, aged eight to 19, to present Ella Hickson’s feminist take on J M Barrie’s Peter Pan in Lydia Crosland and Sophie-Jade Howell’s large-scale production.

A quiet sadness permeates the Darling household, until the unexpected arrival of a mischievous young boy called Peter and a rather sassy fairy, Tink, whereupon Wendy leads the rebellious lost boys, takes on the terrifying Captain Hook, finds the key to her parents’ lost happiness and discovers the power of being brave and strong. Box office: 01904 623568 or yorktheatreroyal.co.uk.

York actress Frances Marshall in rehearsal for Alan Ayckbourn’s first courtroom drama, The Trial Of Romeo Oscar. Picture: Tony Bartholomew

Premiere of the week: Alan Ayckbourn’s The Trial Of Romeo Oscar, Stephen Joseph Theatre, Scarborough, until October 4

ALAN Ayckbourn’s 92nd play is his first courtroom drama, one set in the future, as he explores the question that artists have been asking for centuries: what makes us human?

In 2194, humanity is scattered around the solar system and day-to-day life on Earth looks very different. Preparations are underway for a landmark legal case. Romeo Oscar, a military issue android, is on trial for murder: the first non-human to be tried in a court of law. The evidence is polarising and selecting an impartial jury is proving a challenge. Box office: 01723 370541 or sjt.uk.com.

Silky: Hooking up at York Barbican tonight

Comedy bill of the week: Laugh Out Loud Comedy Club, featuring Silky and Dave Johns, The Basement, City Screen Picturehouse, York, tonight, 8pm

SILKY, Liverpudlian-in-exile and international act, is joined by Dave Johns, North Eastern stand-up,  scriptwriter and stage and screen actor, and  Jimmy Shirley, whose material addresses growing up in Liverpool in the 1990s, the absurdity of being a Scouser in Greece and the everyday things that annoy him every day.

Completing the line-up will be Gary Jennison, a surrealist force of nature who brings unscripted, unbridled chaos to dance-offs, game shows and observations with a twist while inviting the audience to steer his performance with suggestions and participation. Box office: https://lolcomedyclubs.co.ukor on the door from 7.30pm subject to availability. 

See the world more curiously in: Be Like Blippi, York Barbican, today, 1pm and 4pm

JOIN Blippi and Meekah for a one-of-a-kind interactive adventure that inspires children to move, play and explore like Blippi in a new show packed with high-energy music and surprises, featuring fan favourites The Excavator Song, Monster Truck, Dino Dance and Curious Like Me.  

Equipped with Blippi’s signature mix of play, learning, and exploration, Be Like Blippi invites you to break out your orange Blippi glasses and ignite your spark of curiosity. Please note, Blippi and Meekah will be played by professional stage performers. Box office: yorkbarbican.co.uk.

Andrew O’Neill: Charting the history of punk through the comedy lens. Picture: Andrew O’Neill

When punk rock meets comedy: Andrew O’Neill, History Of Punk, Theatre@41, Monkgate, tonight, 8pm

FRESH from asking “How do we get out of this mess” in his Halfway To Edinburgh preview of his surreal, political show Escape at Theatre@41 on July 24, cult comedian Andrew O’Neill returns to York, switching from suggesting ways we can find our way out of disagreements to refracting punk rock through stand-up comedy.

In the wake of A History Of Heavy Metal, he delivers a full-volume love letter to punk, from The Stooges to Pussy Riot, Amebix to X-Ray Spex. “Punk’s not dead,” says O’Neill, who has appeared on Good Omens, Never Mind The Buzzcocks and Steve Coogan’s Saxondale. Box office: https://tickets.41monkgate.co.uk.

The Illegal Eagles: Checking in at the Hotel California

Tribute gig of the week: The Illegal Eagles, Hotel California Tour, York Barbican, Sunday, 7.30pm

THE Illegal Eagles mark 30 years on the road in 2026 with their new Hotel California Tour.  Renowned for their vocal and guitar prowess and ability to re-create the legendary sound of the Eagles, the tribute act’s milestone itinerary features a full performance of the iconic Hotel California album, featuring Life In The Fast Lane, New Kid in Town and the unforgettable title track. Expect all the timeless Eagles greatest hits too. Box office: yorkbarbican.co.uk.

Jeanette Hunter’s Pearl, Jackie Cox’s Jan, Nicky Clay’s Shelley and Gemma McDonald’s Linda in MARMiTE Theatre’s Ladies Day. Picture: Lucy Baines

Racing romp of the week: MARMiTE Theatre in Ladies Day, Theatre@41, Monkgate, York, September 8 to 12, 7.30pm plus 2.30pm Saturday matinee

LIFE is one long slog for four fish factory packers from Hull, Pearl, Jan, Shelley and Linda, but their fortunes could change when they head to Knavesmire on the day Royal Ascot came to York in 2005.

Factory hairnets make way for fascinators as the friends hit the racecourse for an unforgettable day out. Secrets are spilled, along with copious amounts of champagne, as friendships are tested to the limits in Martyn Hunter’s s production of Amanda Whittington’s comedy gem. Box office: tickets.41monkgate.co.uk.

Georgina Fairbanks and Johnson Willis in Jonathan Maitland’s Wilko: Love and Death and Rock’n’Roll. Picture: Nick Haeffner

Punk godfather of the week: Wilko: Love and Death and Rock’n’Roll , York Theatre Royal, September 10 to 12, 7.30pm and 2.30pm Saturday matinee   

WHEN Dr Feelgood co-founder and iconic guitarist Wilko Johnson faced a terminal cancer diagnosis in 2012, he was given only one year left to live. Declining medical intervention, Wilko chose to dedicate his remaining time to a meaningful farewell tour of the people and places that defined his life…only for an unexpected miracle to change the narrative entirely.

Jonathan Maitland’s Wilko: Love and Death and Rock’n’Roll examines the life of this punk-movement godfather, tracing a career that spanned Dr Feelgood, the Solid Senders, Ian Dury and The Blockheads and a late-career turn to acting in Game Of Thrones. Integrating live music and storytelling with Wilko’s own words, this show serves as a practical masterclass in living life to the fullest. Box office: 01904 623568 or yorktheatreroyal.co.uk. 

Movies In The Moonlight in Picturehouse Outdoor Cinema’s season at York Museum Gardens

Cinema event of the week: Picturehouse Outdoor Cinema, Movies In The Moonlight, York Museum Gardens, September 11 to 13, 6.30pm

CITY Screen Picturehouse moves outdoors for three evenings of open-air screenings, comprising Grease (PG) on September 11, The Shining (15) and Evolution Of Horror podcast introduction on September 12 and Jurassic Park (12A) on September 13. Screenings start at dusk or as soon as darkness falls.

Blankets, cushions and small picnic chairs are allowed. A limited number of deck chairs will be offered on a first-come, first-served basis; rain ponchos can bought at the event, should the need arise Guests are encouraged to take away waste for recycling where possible. Box office: picturehouses.com/outdoor-cinema/venue/york-museum-gardens.

Uh Oh, here comes Phil Wang’s moustache, “bristling with wisdom” at York Barbican

New moustache of the week: Phil Wang: Uh Oh, York Barbican, September 11, 7.30pm

PHILIP Nathaniel Wang Sin Goi is a Malaysian-British stand-up comedian, comedy writer and member of the sketch comedy group Daphne, who co-created the BBC Radio 4 series Daphne Sounds Expensive.

Now comes his new stand-up show, Uh Oh. In the words of Phil, “he’s older than ever before. He’s got a moustache now. It bristles with wisdom. His eyes shine with good humour. His shoulders groan under the weight of being the only cool millennial left. Everyone’s an idiot but him. Nice is out. Right is in. The vibe shift is real. Old Wang’s riding it.” Box office: yorkbarbican.co.uk.

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Director Miles Watts and writer Maria Gray team up for no-budget thriller Your Sin

Maria Gray in a scene from Your Sin, filmed at York Theatre Royal

INDEPENDENT film director and screenwriter Miles Watts first met movement director, actress and voiceover artist Maria Gray while walking their dogs in Barton-le-Willows, near York.

Maria needed to make a show reel, calling on Miles’s filmmaking skills. “Maria mentioned she’d never made a feature film. We bonded together and set up Outward Films, agreeing to make a film with no budget,” says Miles, best known for his Zomblogalypse horror/comedy web series.

As the company’s profile puts it at mileswatts.com/work/outwardfilms: “Outward Films is a creative partnership dreamt up by writers and filmmakers Miles Watts and Oliver Semple and actor and writer Maria Gray. All three unsavoury characters reside near the hazy metropolis of York, UK.

“Between us, we’ve written, produced, directed and acted in plays, series and films our whole lives, and have joined forces to create an ambitious slate of new work including feature films shot on iPhone, micro-budget movies for international audiences and a stack of screenplays across genres”. 

Vicky Parry’s logo design for Outward Films, featuring the silhouette of Wattshisface

If you look at the logo for Outward Films, designed by Miles’s partner Vicky Parry, you will note it resembles a tatty luggage label bearing the image of a scruffy person – not even slightly based on someone she knows – looking out at the big wide world and daydreaming of stories and adventures.

“That’s our entire ethos,” says Miles. “We’re small-town creators with ambitious dreams. Maria is making her break into features with our first iPhone movie, Your Sin, a theatre-set drama-thriller which she wrote and stars in.”

Your Sin is now in post-production for the rest of the year after eight days of filming, wrapped at York Theatre Royal on June 16. “I once shot a film in only six days. That was my second movie,” says Miles. “There are so many limits to film-making, so this time we thought, ‘let’s get our iPhones out’, as there’s a renaissance of this form of film-making.

“Like the indie horror film Obsession, which was made on a budget of under $1m in 20 days, has been outselling the latest Star Wars at the box office!”

The poster for Maria Gray and Miles Watts’ debut film for Outward Films, Your Sin

York Theatre Royal came on board to permit filming in The Studio, such as for a nightclub scene in its guise as The Old Paint Shop cabaret club, and in the Main House too, and further locations included the Brew & Brownie cafe at 7.30am one morning, Kirkham Woods, Howsham Wood  and LazenbyBrown  in Shambles.

“We told actors there was no money for the film, but they wanted to audition anyway,” says Miles, whose principal players are David Ajao, Kate Hampson and Liam Wilks, alongside Maria.

“A lot of the ladies in the film are students from the film and acting course at York St John University who are making their own iPhone movies.”

Maria adds: “We couldn’t believe how many people came forward to audition. From 10am to 4pm over two days in the Keregan Room at the Theatre Royal, we saw over 30 actors, and we received lots of self-tapes too.”

Miles Watts, second from left, filming on iPhone at York Theatre Royal

Written by Miles and Maria, Your Sin depicts a troupe of actors making a movie for a notorious director in a theatre with a ghostly legend. However, as the filming begins, there are more skeletons in the closet than ghosts in the shadows.

“It’s a film within a film, with the film. Very meta,” says Miles. “A film about making a film about people making a film! Then the film has a ghost element where they think a ghost is having an influence on the film and everyone starts thinking about how every theatre has a ghost – or not!” Should you be wondering, the film within the film is called The Sinful Virgin.

“It’s the first straight drama I’ve ever done, so there are no jokes,” says Miles, whose horror films are usually laced with darkest humour.

Maria, who plays an aspiring actor called Maria, fell pregnant during the film project. “We’ve now written Maria’s pregnancy into the story, with a story strand about the mistreatment of actors who are pregnant. We wanted to show you can work with pregnant actors,” says Miles. “I said, it’s not a problem; in fact, let’s make a virtue of it’.”

A poster image for Outward Films’ thriller Your Sin

Maria says: “The whole concept of the film is to consider how much should an actor say No to something; how much is the actor’s responsibility for their safety and wellbeing if they’re not comfortable with doing something? How much autonomy do they have? How much pressure are they under to say Yes all the time?”

Filming on iPhone has its advantages and one disadvantage. “The biggest problem is running out of storage,” says Miles. “But filming on iPhone is way more accessible. Everyone has a film camera in their pocket – even my mum has one and she’s 80. If you can learn how to use these things, anyone can make a film.

“Using an iPhone makes film-making very liberating, where I’m more in control than working with a cameraman.”

Maria takes on the role of producer for Outward Films’ next iPhone feature film, Drop Dead!, a horror mystery that “looks back to 1999 with its promise of cinematic DIY freedom that’s experiencing a renaissance in 2026”.

Your Sin’s principal cast and production team in tandem at York Theatre Royal

“We start production for film number two in Harrogate in under a week’s time, with the last day of filming set for September 8 after two blocks of three-day shoots,” says director Miles, who has written the script with Alan Melikdjanian.

The cast will include Tom Mordell, Juné Tiamatakorn and York Theatre Royal pantomime star Tommy Carmichael in the tale of six friends deciding to capitalise on the DIY filmmaking boom in 1999 by making their own horror movie, but the forces of evil have other ideas.

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More Things To Do in York & beyond from Aug 29 as Making Waves waves goodbye. Hutch’s List No. 35, from The York Press

Katsushika Hokusai’s The Great Wave Off Kanagawa, from Making Waves: The Art of Japanese Woodblock Print at York Art Gallery, on loan from Maidstone Museum

FROM Making Waves’ finale to 50 years of Aardman, a comic convention to a slapstick Three Musketeers, Charles Hutchinson highlights a diverse week ahead.

Last chance to see: Making Waves: A Closing Celebration, York Art Gallery, Exhibition Square, York, today and tomorrow, 10am to 5pm

YORK Art Gallery marks the closing of the Making Waves: The Art of Japanese Woodblock Print with a two-day festival of music, workshops, creative activities and food and drink for all the family in the gallery and York Museum Gardens. Making Waves talks take place at 11am and 2pm each day; The Art of Kokedama in the Studio today has sold out  but limited tickets are available for 11am tomorrow.

Highlights in the gardens include the Ippuku Tea Stand today, 10am to 5pm (free); Japanese Gardening Society today and tomorrow, 10am to 5pm (free); face painting, today and tomorrow, 10am to 4.30pm; Paddle in the Surf: Mokuhanga printmkaing, today and tomorrow, 10.30am to 4.30pm; sun ring making, 10.30am to 4.30pm (free); Jiu Jitsu performance, today and tomorrow, 2pm (free); Taiko drumming performance, Sunday, 11am and 3pm, with interactive session at 1.30pm (all free), and Micklegate Choir performance of Sound Waves, tomorrow, 12 noon (free). Koto Japanese harp music performances will be at 10am, 11.20am, 12.40pm, 2pm and 3.15pm in the Foyer tomorrow (free). Exhibition admission tickets: yorkartgallery.co.uk.

York singer-songwriter Beth McCarthy: Opening August 29’s bill on The Grid Stage at Leeds Festival at Bramham Park. Picture: Leeds Festival

Festival of the week: Leeds Festival, Bramham Park, near Wetherby, continuing August 29 and 30

TODAY serves up York singer-songwriter Beth McCarthy (12.30pm to 1pm), James Marriott, Declan McKenna, Skepta, Charlie XCX and bill-topping Fontaines D.C. on The Grid. Catch Geese in The Gallery too. Sunday’s Grid finale features Absolutely, Slayyyter, Maisie Peters, Sombr, Raye and the festival-closing Dave. Box office for day tickets: leedsfestival.com/tickets.

Aardman In Concert: Celebrating 50 years of clay, comedy and creativity with a live orchestra at York Barbican

Film celebration of the week: Aardman In Concert, York Barbican, August 29, 1pm and 3.30pm

FIFTY years of Wallace & Gromit, Shaun the Sheep, Timmy Time, Morph and Creature Comforts are marked in a heart-warming big-screen celebration, clay, comedy and creativity.

Presented in partnership with Aardman, Carrot Productions’ new show takes a joyful journey through five decades of stop-motion clay animation from the Bristol studio with its blend of treasured characters, oh-so British humour and music, climaxing with a screening of Wrong Trousers accompanied by a live orchestra. Box office: yorkbarbican.co.uk.

York Unleashed Comic-Con: Comics galore on the Knavesmire

Convention of the week: York Unleashed Comic-Con, York Racecourse, Knavesmire, York, August 30, 10am to 4pm

YORK Unleashed Comic-Con promises a cosplay-friendly atmosphere, Yorkshire artists and comic creators, traders, collectables and geeky merchandise, gaming and interactive zones, a comic book chill-out zone, family-friendly activities and accessible, inclusive spaces. Media guests include Alex Jordan, Harry McEntire, Alan Fletcher, Richard Price and Jamie Kenna. Tickets: unleashedtickets.co.uk.

The Rocket Man: Playing Elton John’s greatest hits on his Yellow Brick Road Tour at Grand Opera House, York

Tribute gig of the week: The Rocket Man – A Tribute to Sir Elton John, Yellow Brick Road Tour, Grand Opera House, York, August 30, 7.30pm

THE Rocket Man and his band travel down the Yellow Brick Road to perform two hours of Elton John hits, from Saturday Night’s Alright (For Fighting), Crocodile Rock, Daniel and Your Song to Philadelphia Freedom, I Guess That’s Why They Call It The Blues and I’m Still Standing. Box office: atgtickets.com/york.

The Dead South: Progressive bluegrass and alternative Americana at York Barbican

Recommended but sold out already: The Dead South, Europe 2026 The Return, York Barbican, August 31, doors 7pm

WHATEVER you call The Dead South’s music – progressive bluegrass, alternative Americana, country, folk or Western – people from different backgrounds, beliefs, experiences, languages and ages love it, clubbing together as the cosplaying “Good Company” at gigs. 

Formed in 2012 in Regina, Saskatchewan, Canada, the line-up comprises Nate Hilts, Scott Pringle, Danny Kenyon and Colton Crawford, always attired in bolo ties and custom brims. Carter Family meets Addams Family in songs that address themes of murder, disloyalty and ghosts while going from weepy to weird, wistful to wicked. Rob Heron & The Tea Pad Orchestra support. Box office for returns only: yorkbarbican.co.uk.

Snake Davis: Celebrating the art of the sax solo at Pocklington Arts Centre

Saxophonist of the week: Snake Davis Band, Classic Sax Solos, Pocklington Arts Centre, September 3, 8pm

AN instrumental solo can break hearts, lift spirits, even change lives. Saxophone is the favourite instrument of many folk, and for good reason; so emotional, so passionate; it sings, screams, whispers. Step forward saxophonist to the stars Snake Davis, leading his five-piece band through more than  20 classics, from Baker Street, Careless Whisper, Respect and Yakety Yak  to his own solos from Take That’s Million Love Songs, M People’s Moving On Up and Lisa Stansfield’s Change.

Davis reveals their background and history as well as playing them in context. What is their individual magic ingredient; what makes these solos classic? How did they emerge; how did the players produce that magic? Box office: 01759 301547 or pocklingtonartscentre.co.uk.

The poster for Pete the Temp’s Romantics, Mystics and Revolutionaries

Spoken-word gig of the week: Say Owt presents Romantics, Mystics and Revolutionaries by Pete the Temp, Theatre@41, Monkgate, York, tomorrow, 7.30pm

POET, author and comic Pete the Temp’s Romantics, Mystics and Revolutionaries is a spoken-word show about rebellion, resistance and wild imagination. The 1800s’ Romantic movement began as a rebellion: against empire, industry and the mechanisation of the soul. Yorkshire became the epicentre of its rebellion. ​

Tomorrow’s storytelling stage show fuses scholarship with music, comedy and poetry in a spellbinding history of riot, repression and psychedelic experimentation. As we face this age of despair, find out what we can learn from past dreams of freedom and renewal. Bangladeshi-Geordie spoken-word poet and creative practitioner Tahmina Ali supports with her explorations of identity, belonging, motherhood, mental health and cultural inheritance, viewed through a distinctly northern lens. Box office: tickets.41monkgate.co.uk.

Our Star Theatre Company: Turning up the slapstick quotient in The Three Musketeers

Slapstick silliness of the week: Our Star Theatre Company in The Three Musketeers, Joseph Rowntree Theatre, York, September 4, 7.30pm  

OUR Star Theatre Company’s re-telling of The Three Musketeers is packed with humour, audience participation and energetically silly performances as a small troupe of performers gears up for its debut performance of Alexandre Dumas’s story.

However, what starts as a simple theatrical endeavour soon unravels into a whirlwind of confusion, mayhem and comical mishaps. From forgotten lines to chaotic set changes, the actors become entangled in a series of blunders. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Louisa Ashdown in rehearsal for her role as The Actor in Hephaestus Theatre’s Richard iii Redux

Introducing: Hephaestus Theatre in Richard iii Redux, The Basement, City Screen Playhouse, York,  September 10, 7.30pm

UNIVERSITY of York theatre graduates Eleanor Doig (producer) and Louisa Ashdown (director and performer) introduce new York company Hephaestus Theatre in Kaite O’Reilly and Phillip Zarrilli’s dark comedy Richard iii Redux.

The company’s mission is to tell disabled stories and put disabled and neurodiverse actors on stage and behind the scenes, this time with Ashdown playing The Actor opposite Georgina Way’s Presenter (on film) in a journey to find who the real Richard iii was while exploring the challenges of being a disabled actor. Box office: eventbrite.co.uk.

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What’s On in Ryedale, York and beyond. Hutch’s List No 35, from Gazette & Herald

Dave: Headlining The Grid stage at Leeds Festival on Sunday. Picture: Leeds Festival

NOEL Coward at the double, Snake’s sax solos, Aardman model making and Leeds Festival’s summer serenade offer contrasts aplenty in Charles Hutchinson’s choices for the days ahead.

Festival of the week: Leeds Festival, Bramham Park, near Wetherby, tomorrow to Sunday 

KASABIAN headline day one of Leeds Festival on The Grid stage, where The Lathums and Arkayla play tomorrow too. Friday’s line-up on The Grid includes Blossoms, Role Model, Florence + The Machine and headliners Chase & Status Live, while headline-grabbing Belfast hip-hop trio Kneecap play The Gallery that night. Look out too for Westside Cowboy and Paris Paloma in The Ballroom.

Saturday serves up York singer-songwriter Beth McCarthy (12.30pm to 1pm), James Marriott, Declan McKenna, Skepta, Charlie XCX and bill-topping Fontaines D.C. on The Grid. Catch Geese in The Gallery too. Sunday’s Grid finale features Absolutely, Slayyyter, Maisie Peters, Sombr, Raye and the festival-closing Dave. Box office: leedsfestival.com/tickets.

Justin Fletcher: Director of CBeebies House Party Live! featuring Mr Tumble at York Barbican

Children’s show of the week: CBeebies House Party Live!, York Barbican, today, 11am and 2pm

DIRECTED by CBeebies superstar Justin Fletcher, CBeebies House Party Live! is a fun-packed family stage show full of sensational songs, stupendous surprises and mega moments.

Throwing an epic party just for you will be Mr Tumble, Mister Maker, York Theatre Royal pantomime alumni Andy Day and Evie Pickerill, Duggee, Nigel Clarke and George Webster, who promise dancing, singing, streamers, giant jellies, bubbles galore and a CBeebies bedtime story. Box office: yorkbarbican.co.uk.

Seascape artist Carolyn Coles: Hosting workshop for beginners at South Bank Studios, York

Workshop of the week: A Day At The Seaside with Carolyn Coles, South Bank Studios, Southlands Methodist Church, York, Friday, 10am to 5pm

SOUTH Bank Studios seascape painter Carolyn Coles hosts A Day At The Seaside, a workshop for beginners, in the Garden Room at South Bank Studios. “Start the day with the ‘Loosen Up and Feel The Flow’ workshop,” says Carolyn. “Then, in the afternoon, paint a panel and frame it.” Everything is included for £75. For more information and to book a place, email [email protected].

Looking ahead, Carolyn will take part in Staithes Festival of Arts & Heritage 2026 from September 11 to 13, when 113 artists will exhibit at 67 pop-up venues, alongside live music, heritage talks and outdoor screenings. General entry and the Artist Trail are free.

Lee Gemmell’s Egyptology student Edward Bellingham in Baron Productions’ The Mummy Lot No. 249

Thriller of the week: Baron Productions presents Sir Arthur Conan Doyle’s The Mummy Lot No. 249, St Mary’s Church, Bishophill Junior, York, Friday and Saturday, 7.30pm

FOUNDED by Daniel Wilmot in 2015, York company Baron Productions presents Sir Arthur Conan Doyle’s 1892 one-act play The Mummy Lot No. 249 as its 2026 summer show, in which Oxford student Abercrombie Smith discovers his neighbour, Egyptology student Edward Bellingham, has used ancient magic to reanimate a malevolent mummy to terrorise and attack his rivals.

Wilmot’s cast features Jack McAdam as Smith, Lee Gemmell as Bellingham, M. Alder as Peterson, Lauren Hegarty as Hastie and Ellie Guffick as Monkhouse Lee. Box office: https://www.ticketsource.com/baron-productions.

Matt Price: Outrageous stories at York Barbican

Comedy gig of the week: Laugh Out Loud Comedy Club, York Barbican, Friday,doors 7.30pm for 8pm start

CORNISH comedian Matt Price tops Friday’s bill with his  extraordinary and outrageous stories drawn from the wilder side of life, bringing warmth and heart to the stage while finding audacious humour in unexpected places.

Irish storytelling comedian Jack Hester supports, along with force-of-nature surreal humorist Gary Jennison, who promises dance-offs, game shows and magic in his 100 per cent unscripted, unsupervised set, where the audience can try to steer the unbridled chaos with suggestions and participation. Box office: lolcomedyclubs.co.uk.

The poster for Queen Of The Night: Whitney in focus at York Barbican

Tribute gig of the week: Queen Of The Night, A Tribute To Whitney Houston, York Barbican, Friday,7.30pm

THIS touring production honours the music and legacy of Whitney Houston in an electrifying show that combines sensational vocalists with a full live band. Prepare to be captivated by a journey through three decades of hits such as I Wanna Dance With Somebody, One Moment In Time, I Will Always Love You, My Love Is Your Love, So Emotional,  Saving All My Love, How Will I Know, Million Dollar Bill and The Greatest Love Of All. Box office: yorkbarbican.co.uk.  

Noël Coward double bill of the week: UK Foundation For Dance and Pickering Musical Society in Noël & Gertie and Red Peppers, Kirk Theatre, Pickering, Friday, 7.30pm; Saturday, 2.30pm and 7.30pm

TRAVEL back to the 1930s of Noël Coward and Gertrude Lawrence in this first co-production between Scarborough’s UK Foundation For Dance and Pickering Musical Society in a double-bill of Coward’s comedy, wit and music.

The first-half revue, Noël & Gertie, introduces the legendary stage partnership and lifelong friendship of Noël Coward and Gertrude Lawrence, with songs by Coward, Gershwin, Cole Porter, Kurt Weill and Rodgers & Hammerstein. Bill Scott on piano accompanies Tim Tubbs and Rachel Anderson, co-stars of Pickering’s 2025 hit Hello, Dolly!

Then comes Red Peppers, a short play from Coward & Lawrence’s 1936 production Tonight At 8.30. This comic interlude with music, set in a northern town’s palace of varieties, features a feuding husband and wife in a corny song and dance double act, in the dying days of music hall. Pickering actor Paula Cook join five Scarborough actors in this amusing backstage bickering match, bookended by two corny song and dance routines. Box office: 01751 474833 or kirktheatre.co.uk.

Aardman Animation: Model-making workshops at York Barbican

Activity of the week: Aardman In Concert: Model Making Workshops, York Barbican, Saturday, 11.45am, 2.15pm and 4.45pm

MAKE your very own Aardman character at one of three self-led model-making workshops, where you keep your creation to take home. Aardman Animations, creators of Wallace & Gromit, Shaun the Sheep, Chicken Run and Morph, have created special instruction guides to enable you to create clay versions of their much-loved characters.

Choose between Gromit (11.45am), Shaun the Sheep (2.15pm) and Feathers McGraw (4.45pm). All materials will be supplied. The workshops are suitable for all ages from five upwards; children must be accompanied by a participating adult. Tickets: yorkbarbican.co.uk.

The Dead South: Progressive bluegrass and alternative Americana at York Barbican

Recommended but sold out already: The Dead South, Europe 2026 The Return, York Barbican, August 31, doors 7pm

WHATEVER you call The Dead South’s music – progressive bluegrass, alternative Americana, country, folk or Western, people from different backgrounds, beliefs, experiences, languages and ages love it, clubbing together as the cosplaying “Good Company” at gigs. 

Formed in 2012 in Regina, Saskatchewan, Canada, the line-up comprises Nate Hilts, Scott Pringle, Danny Kenyon and Colton Crawford, always attired in bolo ties and custom brims. Carter Family meets Addams Family in songs that address themes of murder, disloyalty and ghosts while going from weepy to weird, wistful to wicked. Rob Heron & The Tea Pad Orchestra support. Box office for returns only: yorkbarbican.co.uk.

Heather Leech in Gleowit Productions’ Anne Boleyn’s Mother

Play of the week: Gleowit Productions in Anne Boleyn’s Mother, Milton Rooms, Malton, September 3, 7.30pm

WEDNESDAY, October 13, 1537: another ordinary day, except that a new queen, Jane, has given birth to a son, an achievement beyond compare in Henry VIII’s court. Elizabeth, Countess of Wiltshire, feeling the loss of her son George and her daughter Anne, previous queen of England, struggles to find cause for celebration, wholly aware of the treachery within the English court.

On the path to greatness, her losses have been heavy. Were they worth it? She is Anne Boleyn’s mother and grandmother to the motherless future Queen Elizabeth I, her story now told by actor, writer and director Heather Leech. Box office: 01653 696240 or themiltonrooms.com.

Snake Davis: Celebrating the art of the sax solo at Pocklington Arts Centre

Saxophonist of the week:  Snake Davis Band, Classic Sax Solos, Pocklington Arts Centre, September 3, 8pm

AN instrumental solo can break hearts, lift spirits, even change lives. Saxophone is the favourite instrument of many folk, and for good reason; so emotional, so passionate; it sings, screams, whispers. Step forward saxophonist to the stars Snake Davis, leading his five-piece band through more than  20 classics, from Baker Street, Careless Whisper, Respect and Yakety Yak  to his own solos from Take That’s Million Love Songs, M People’s Moving On Up and Lisa Stansfield’s Change.

Davis reveals their background and history as well as playing them in context. What is their individual magic ingredient; what makes these solos classic? How did they emerge; how did the players produce that magic? Box office: 01759 301547 or pocklingtonartscentre.co.uk. 

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New-look Basement at City Screen Picturehouse launches monthly Sunday comedy club from August 16

Nice touch: Chloe Petts feeling lippy at the prospect of headlining first Basement Comedy Club bill at City Screen Picturehouse on August 16

CITY Screen Picturehouse, York, has redecorated The Basement for the first time in 15 years for concerts, comedy and more.

The refurbishment will be marked by the launch of a new comedy night. “Although we’ll still be working with Damion Larkin for Laugh Out Loud Comedy Club nights on the first Saturday of the month, we’ve now set up our own Basement Comedy Club,” says City Screen general manager Cath Sharp.

“It’ll be held on the third Sunday of the month, so as not to compete with Laugh Out Loud. It’s been many years since we had our own club – remember The Other Side?”

The first bill, on August 16, at what will be the regular early evening kick-off of 6pm, will feature Chloe Petts, Faizan Shah and Lovdev Barpaga, introduced by MC Sara Barron.

Sara Barron: Compere for August 16 bill at The Basement

Petts has been touring their 2025 Edinburgh Fringe show Big Naturals, addressing lad culture and identity politics. Manchester comic Shah sheds light on his experiences growing up in an immigrant household, along with the mental health challenges this journey often entails.

Barpaga is a comedian, breakfast show presenter on FreeRadio in Birmingham and podcaster, hosting “Crazy Little Thing Called Lovdev”. On the comedy circuit for ten years now, he specialises in crafting old school-style one liners and puns.

Compere Barron made her Edinburgh Fringe debut in 2018 and has toured such shows as For Worse (2018), Enemies Closer (2019), Hard Feelings (2022) and Anything For You (2024). She co-created the Succession recap podcast Firecrotch and Normcore and presents They Like to Watch, a weekly TV discussion podcast.

She is taking her work-in-progress show Slop to the 2026 Edinburgh Fringe, where she will explore topics ranging from grannies and dogs to adult films and Jeffrey Dahmer.

Looking ahead, in the diary for September 20 are Daliso Chaponda, Hannah Platt, Dom Hatton-Woods and MC Raul Kholi, followed on October 18 by Lauren Pattison, Nicola Mantalios, Aaron Simmonds and MC Aaron Wood.

The redecorated Basement at City Screen Picturehouse

“It’s us and the Hackney Picturehouse, in East London, that will be running comedy clubs among the Picturehouse cinemas,” says Cath. “Hackney Picturehouse is doing a Saturday programme organised by Jon Barrenechea, and we’ve chosen to do Sundays with an early-doors policy with three acts and a compere from 6pm.”

As part of the Basement revamp, “we’ll be running a menu downstairs – the cinema auditorium menu – served on paper plates, and on cabaret nights, on crockery,” says Cath.

“The Basement capacity will be 100, seated in rows or standing, with a cabaret night capacity of 50, making it York’s most intimate venue.”

Veteran performer and producer Poppy Pout Presents will be putting on burlesque and cabaret nights, while the York Filmmakers club will continue to hold bi-monthly selection of shorts and BFI (British Film Institute) screenings.

The poster for Pigeon Paint Off, the live art competition at The Basement on September 12, in aid of Columba Sanctuary and Advocacy for Pigeons

RARE Collective artist Sharon McDonagh (alias spAm) and artist/DJ Sola will hold a DJ Night on a date yet to be confirmed. The Dead Toe Society’s Pigeon Paint Off day will take over The Basement on September 12 from 11am until late in a day filled with live music, talks and stalls, as well as the centrepiece of two rounds of the paint-off featuring pigeon-loving artists from all over the country. 

Visitors will have the chance to “learn more about why pigeons need our support and how you can help advocate for their wellbeing”. The artworks will then go on display in a three-week exhibition.

The Basement upgrade, carried out by Picturehouse Cinemas to a design by architect Marta Tavares, has introduced a new lighting rig and sound panels, ox-blood red chairs and a French navy colour scheme on the walls, topped off by flamingo-pink on the stanchions.

Further features are a new screen for York Filmmakers and new microphone stands, while the floor has been re-painted and the adjoining green room for performers has new carpeting. Meanwhile, the old Basement chairs have found a new home at St Oswald’s Church, Fulford.

New red-and-black carpeting has been fitted at City Screen for the first time since 2000, with off-cuts being used in The Basement as flooring for drummers. The City Screen bar is to be re-fitted in October and new furniture will be provided for the first-floor terrace space.

Gill Riley’s exhibit from A Northern Landscape, on display in the Upstairs Gallery at City Screen Picturehouse

New mustard-yellow blinds have been installed on the first-floor corridor, where the latest exhibition, York Learning’s summer show, A Northern Landscape, is running in the Upstairs Gallery until September 4.

Course tutors challenged painting, drawing and watercolour learners aged 19 upwards to capture the essence of landscapes on plywood canvases, and now the work of more than 70 artists is on show.

This year also has welcomed the introduction of The Book Club programme at City Screen, launched on May 31, when Elizabeth Strout was in conversation with broadcaster Francine Stock, broadcast live from Picturehouse Central.

On August 4, Jaqueline Crooks marked the release of her new novel, Sky City, a spellbinding portrait of 1990s’ London, in conversation broadcast live from The Ritzy in Brixton.

Next up,  Waterstones York presents Tidings: Poetry Quarterly featuring Kimberly Campanello at The Basement on September 22 from 7pm to 9pm. Contact event coordinator Nick Newman for more details at [email protected].

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