YORK Theatre Royal has signed up two new pantomime recruits for Snow White And The Seven Dwarfs’ run from December 4 to January 3 2027.
West End star Jenny Gayner will take to the dark side as the Wicked Queen while Dean Whatton, from Game Of Thrones, will lead the ‘Seven’ in the role of Sarge.
Jenny and Dean join Richard David-Caine (Horrible Histories, Swashbuckle, Horrible Science) and Theatre Royal panto favourites Robin Simpson and Tommy Carmichael, who return after delighting audiences in last winter’s Sleeping Beauty.
Jenny Gaynor
Jenny has starred in a wide range of musicals, playing Baroness Bomburst in the UK tour of Chitty Chitty Bang Bang, Lina Lamont in Singin’ In The Rain (Sadler’s Wells Theatre and UK/international tour) and as Mum in Gangsta Granny (West End/UK tour).
Jenny’s credits also include Annie (UK tour); The Girls (West End – Original London cast); Chicago (West End/UK tour); A Chorus Line (Lowry Theatre) and Monty Python’s Spamalot! (West End). Television credits include The Power (Amazon Prime), The Trial (Channel 5), Elysse – Entanglement (Amazon Prime) and Material Girl (BBC).
After starting in the entertainment business while still at school, Dean will be appearing in his 18th pantomime this winter. His credits include See How They Run (UK tour), Love’s Labour’s Lost and Richard III (Northern Broadsides/UK tour) and Macbeth (Derby Shakespeare Company).
Dean Whatton’s Sarge
Dean’s film and television credits take in Game Of Thrones (HBO), Call The Midwife (BBC), Life’s Too Short (BBC), Star Wars Episode VII The Last Jedi and Harry Potter And The Deathly Hallows Part II.
Snow White And The Seven Dwarfs is written by regular writer Paul Hendy, directed by Juliet Forster and co-produced with Hendy’s award-winning Evolution Productions, the team behind such Theatre Royal pantomimes as Jack And The Beanstalk, Aladdin and 2025’s Sleeping Beauty.
Juliet Forster, creative director at York Theatre Royal, says: “Panto season is fast approaching and our cast for this year is shaping up to be truly amazing! Jenny and Dean are both super-talented and are fantastic additions to the show. Tickets are selling fast, with some performances already selling out, so make sure you book your seats early to catch the show.”
Family tickets are available for all performances with savings of up to £61 on bookings with four tickets. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Holly Atterton’s Tinker Bell in the poster for The Further Adventures Of Peter Pan: The Return Of Captain Hook
NICK Jr’s Holly Atterton will bring an extra burst of fairy dust to UK Productions’ 2026 pantomime at the Grand Opera House, York, where she will play Tinker Bell in The Further Adventures Of Peter Pan: The Return Of Captain Hook, from December 5 to January 3 2027.
Holly has built her career on music, energy and feel-good family entertainment. Best known for her work with pop groupGo!Go!Go!, as seen on Nickelodeon’s Nick Jr channel, she has lit up screens, stages and young imaginations across the country.
Holly has achieved a Top 75 album with Radio Go!Go!Go!, enjoyed two West End runs and toured the UK, crowning that success with a sell-out concert at the O2 Shepherd’s Bush Empire.
All those credits add up to the ideal foundation for her Tinker Bell to deliver festive magic to Neverland. “This season will be my tenth year with UK Productions, and I can’t think of a better place to celebrate my ‘panto-versary’,” says Holly.
“York is a beautiful city that fully embraces everything about the festive season, so I can’t wait to experience the brilliant York audiences and bring some sass and sparkle to the Grand Opera House this Christmas.”
Theatre directorAllie Long is delighted to welcome Holly to York. “We’re thrilled to have Holly join the cast of this year’s musical pantomime. We can’t wait to see her skate around the Grand Opera House stage, adding to what will undoubtedly be an unforgettable pantomime season filled with laughter, glee and musical magic.”
UK Productions producer Martin Dodd says: “We’re absolutely thrilled to welcome Holly Atterton. She has the sparkle, charm and cheeky spirit to make a truly magical Tinker Bell. With a wave of fairy dust, she’ll have audiences flying high from the very first scene!
We’ve assembled a fantastic cast that’s sure to be shipshape, and this promises to be one of our biggest and most spectacular pantomimes yet. Second star to the right…and straight to the box office!”
Holly joins a blockbuster Grand Opera House line-up led by Emmerdale star and 42nd Street, Calamity Jane and Legally Blonde musical theatre performer Tom Lister as dastardly Captain Hook. Audience favourite Jimmy Bryant returns as Smee after delighting Grand Opera House audiences as Buttons in last year’s Cinderella.
Oliver Farnworth, left, Mollie Gallagher, John Partridge and Sam Jackson in the poster for the world stage premiere of The Silence Of The Lambs
CORONATION Street star Mollie Gallagher will make her professional theatrical debut as Clarice Starling in the world stage premiere of The Silence Of The Lambs, touring the Grand Opera House, York, from March 15 to 20 2027.
Mollie is departing the ITV soap after almost seven years in the role of Nina Lucas, long-lost niece of Roy Cropper, to tread the boards.
She joined Coronation Street straight out of drama school and has since been central to some of Corrie’s biggest storylines, including the Nina & Seb hate crime storyline, based on the attack of Sophie Lanacaster.
She won the Serial Drama Performance prize in the National Theatre Awards and took part in ITV’s Dancing On Ice in 2023, reaching the semi-finals.
Mollie will join the already confirmed John Partridge’s Dr Hannibal Lecter, Emmerdale soap star Oliver Farnworth’s Jack Crawford and Skins actor Sam Jackson’s Buffalo Bill (a.k.a Jame Gumb) in the spine-tingling psychological thriller.
Adapted for the stage by two-time Pulitzer finalist and Tony-nominated playwright Gina Gionfriddo from Thomas Harris’s classic novel, the touring production is directed by North Yorkshireman Nikolia Foster, artistic director of Curve, Leicester.
Produced by Curve in tandem with Indigo Productions and Crossroads Live, the UK and Ireland tour of The Silence Of The Lambs will open at Curve on August 1 2026, featuring an ensemble of Minal Patel as Frederick Chilton; JoMousleyas Senator Ruth Martin; Lottie Amor as Catherine Martin; Mark Peachey as Pilcher; Andrew Joshi as Peterson and Jonny Magnanti as Wertimer, with Mary Timbrell Hill completing the completing the company, all taking on a variety of roles.
Lancashire actor, singer, presenter, writer and director John Partridge is best known for his long-running role as Christian Clarke in BBC 1’s EastEnders and extensive range of West End credits, from Cats to Everybody’s Talking About Jamie.
Now he will don the iconic mask as the refined and sadistic Dr Hannibal Lecter, the psychiatrist and infamous murderer who FBI trainee Clarice Starling is sent to interview in the hope that his brilliant mind will help to catch Buffalo Bill, a sadistic serial killer still at large.
Another girl is missing, time is running out, but Dr Lecter has questions of his own, and now Clarice must decide: should she keep a safe distance or let Hannibal ‘The Cannibal’ into her head?
Gionfriddo’s theatrical adaptation delves into the psychological tension of Harris’s novel, drawing the audience deep into Clarice and Lecter’s intelligent, intricate and bone-chilling game of cat-and-mouse as the FBI scramble to catch Buffalo Bill.
The tour’s award-winning creative team includes theatre designer Michael Taylor, whose credits include his Olivier Award-nominated design for The Ladykillers and Billy Elliot at Curve; sound designer Carolyn Downing, Olivier Award winner for Chimerica and Tony Award winner for Life Of Pi, and projection designer George Reeve, 2025 Tony Award recipient for Best Scenic Design of a Musical for Maybe Happy Ending, with further credits for Disney’s Hercules and Oliver! (West End and Chichester Festival Theatre).
In the team too are Tony-nominated and Drama Desk Award-winning composer Grant Olding, who has collaborated regularly with Nicholas Hytner at both The Bridge and National Theatre, including One Man, Two Guvnors, and Tony and Olivier-nominated lighting designer Howard Hudson (Starlight Express, Troubadour Theatre; & Juliet, Broadway, West End, international and UK tours).
Born in Copenhagen, Denmark, director Nikolai Foster grew up in North Yorkshire and trained at Drama Centre London and at the Crucible, Sheffield, going on to create work for many of the UK’s major producing theatres, touring houses and international venues.
He has been director on attachment at the Crucible, the Royal Court Theatre, London, and National Theatre Studio, London, and served as an associate director at Leeds Playhouse. In 2024, he was awarded an Honorary Doctor of the Arts by Leicester’s De Montfort University for his contribution to theatre in Leicester.
At Curve, Nikolai has worked on numerous musical revivals, new plays and musicals and championed emerging artists. Many of the Made at Curve productions Nikolai has directed have transferred to London, toured the UK and internationally.
Tickets for The Silence Of The Lambs’ York run are on sale at atgtickets.com/york.
GREG Doran, former Royal Shakespeare Company artistic director, York Millennium Mystery Plays director and renowned Shakespearean, brings his revival of Shakespeare’s narrative poem Venus And Adonis to York Theatre Royal tomorrow and Wednesday.
Narrated live by esteemed actor Simon Russell Beale and animated by world-class puppeteers Bartolomeo Bartolini, Edie Edmundson, Rachel Leonard, Lee Maeda and Sarah Wright with live musical accompaniment, this unique production blends comedy, tragedy and Shakespeare’s poetry to bring the story of Venus and her obsession with the handsome Adonis to life in a rich, captivating 60-minute theatrical experience.
Drawing inspiration from the bewitching artistry of Japanese Bunraku puppets and the Jacobean Court Masque, this spellbinding production tells the story using marionettes, rod, shadow and table-top puppets, designed and created by Lyndie Wright.
Produced originally by the Royal Shakespeare Company and Little Angel Theatre, Doran’s staging of this powerful erotically-charged story of unrequited love marks his return to York 26 years since his 2000 production of the Mystery Plays in the Minster.
“I can recall being able to remember every member of the cast’s name because they had become so memorable to me, after pretty much everyone who auditioned got a part, especially the men, who are always in short supply,” he recalls.
“I remember being inspired by the Minster itself, like when Rob Jones, the designer, and I were trying to work out how to do The Flood [for Noah’s Ark] and we settled on two huge pieces of blue material filling the Nave.
“Then we thought, how do we do the rainbow – and I realised there were seven arches in the Quire, which Michael Gunning, the lighting designer, lit to create this wonderful Gothic rainbow.”
Venus And Adonis narrator Simon Russell Beale
Greg reflects: “The Mystery Plays remains not only a highlight of my career but my life too. I used to come to York every Corpus Christi day, from the Jesuit College in Preston, and it was a great occasion in 2000 to celebrate York’s two great cultural beacons: the Minster and the Mystery Plays.
“Brought up as a Catholic, I’m loathe to say I’m a lapsed Catholic, but I jumped away because of its position on homosexuality, but there’s something life enhancing and moving about these extraordinary Mystery Plays.”
Attention turns to Venus And Adonis, a production first staged when the Prince of Wales [now King Charles III], president of the RSC, invited the company to Highgrove House for a development event.
“Adrian Noble [RSC artistic director at the time] said to me, it won’t need to be very long, it won’t have many actors, and I thought, ‘rather than doing familiar scenes, why not do Venus And Adonis?’, which rather shamefully I’d never read. When I did, I just found it hysterically funny, and then it turns into a tragedy, and in that moment, I thought it would be great to do it.”
Toby Stephens’s Adonis and Alexandra Gilbreath’s Venus were complemented by Antony Sher’s Narrator. “It went extraordinarily well,” Greg recalls. “The next outing came at a villa garden in Florence where I invited Judi Dench, who is known for her love of Florence, to play Venus.”
Greg recalls Adrian Noble’s enthusiasm for Venus And Adonis. “He came up on stage at Highgrove to make his speech, then ripped up his notes, and said, ‘what this poem does is explain why Shakespeare is so great, with extraordinary characterisation, the most beautiful poetry and, with it’s wonderful fusing of comedy and tragedy, it’s Shakespeare in miniature’.”
Greg Doran’s 2017 production of Venus And Adonis. Picture: Lucy Barriball
After seeing the Bunraku Puppets, Greg was struck by the possibility of integrating puppetry into Venus And Adonis. “I just thought, this is a great opportunity to see if they could be involved after seeing these exquisite puppets manipulated by these master puppeteers, where the puppetry was of such a high quality,” says Greg.
“It became a company favourite and I put it down as one my favourite shows I did at the RSC because of the level of craftsmanship. I loved working with those puppeteers.”
This year’s revival was sparked by a call to Greg. “The RSC got in touch with me one day to say, ‘look, there’s still this great box of puppets…what would you like to do with it?’. I knew that meant, ‘can you clear it out, please, because we need the space’ and they’ve since taken puppetry to another level,” he says.
“What was lovely was that a whole series of people came out of the woodwork and said ‘we’d like to help you’, including the Backstage Trust providing seed funding and Mark Pigott coming on board as executive producer.”
Oxford Playhouse, Cambridge Arts Theatre, Europe’s biggest Shakespeare festival, in Craiova, Romania, and The Pit at the Barbican (London) were all confirmed for performances, along with York Theatre Royal. “Knowing that York has a proven interest in history and Shakespeare, it seemed a good place to bring it,” says Greg.
Better still will be the presence of Russell Beale, last in York for An Evening with Simon Russell Beale at the Theatre Royal in September 2024: “I was delighted when Greg asked me to join him in his production,” says the narrator. “I saw it just over 20 years ago and remember it vividly as a delicate and witty interpretation of this sexy, sad and funny poem.”
Venus And Adonis, York Theatre Royal, tomorrow, 7.30pm; Wednesday, 2pm (with post-show discussion) and 7.30pm. Age guidance: 14 plus. Box office: 01904 623568 or yorktheatreroyal.co.uk.
The Choir Of Man cast: Swapping The Jungle pub for Parliament Street on Wednesday
THE cast of The Choir Of Man will head to Parliament Street, York, at 1.30pm on Wednesday to give a one-off taster of live excerpts from this week’s production, running at the Grand Opera House until Saturday.
Set in the on-stage pub The Jungle, The Choir Of Man is billed as “the best trip to your local you’ll ever have” as a cast of nine (extra)ordinary guys combine beautiful harmonies and foot-stomping singalongs with tap dance and soulful storytelling in an uplifting celebration of community and friendship.
The debut UK & Ireland tour cast features Gustav Melbardisas Maestro; Oluwalonimi (Nimi) Owoyemi as Poet; Levi Tyrell Johnson as Hard Man; Ben Mabberley as Joker; Rob Godfrey as Beast; Jack Skelton as Handyman; Joshua Lloyd as Barman; Sam Walter as Romantic and Aaron Pottenger as Bore performing Queen, Luther Vandross, Sia, Paul Simon, Adele, Guns N’ Roses, Avicii and Katy Perry hits.
The Choir Of Man, Grand Opera House, York, June 30 to July 2, 7.30pm; July 3, 4pm and 8pm; July 4, 2.30pm and 7.30pm.Box office: atgtickets.com/york.
Jordan Eskeisa, Marienella Phillips, Chelsea Da Silva (The Enormous Crocodile), Precious Abimbola and Ciara Hudson in a scene from The Enormous Crocodile. Picture: Danny Kaan
TWO days gone, only two to go, so let’s make this review snappy.
He’s green, he’s greedy, he’s grumptious. Now he’s been transformed into a “crocmobile”, steered by Chelsea Da Silva through the heat and sounds of the Theatre Royal Jungle.
The Enormous Crocodile is a horrid, hungry yet still lovable anti-hero as Roald Dahl’s 12-page picture book is stretched into a 55-minute mischievous musical for age three upwards.
Cue bouncy music by composer Ahmed Abdullahi Gallab; humorous book and lyrics by Suhayla El-Bushra; luscious jungle greenery and fabulous costumes, bird plumage and scout camouflage by Fly Davis.
All topped off by Toby Olié’s puppetry, inventive, playful and never hiding the cast who are working them (Precious Abimbola, Jordan Eskeisa, Ciara Hudson and Marienella Phillips). The Jungle Juniors scout puppets are a particular delight, vaudeville in style, performed by actors on their knees.
The Croc of the title takes several forms: body parts in the swamp; a head, body and tail carried above the actors’ heads; the ‘crocmobile’ swaggering around the jungle. Then come assorted disguises as Croc brags about his “secret plans and (not-so) clever tricks”, only for his boastful buffoonery to be outwitted by fellow jungle creatures (exotic bird, nut-throwing monkey, very windy hippo and Trunky the elephant).
Director Emily Lim describes the show as “an explosion of radical joy”; Olié’s three words are “bombastic”, “gregarious” and “emotional”. Your reviewer most enjoyed the puppetry, especially the Egyptain Plover birds, picking at the Croc’s like dentists.
Plus points too: the new touring cast’s camaraderie; the audience participation and the Sizzle Like A Sausage finale as, spoiler alert, Da Silva’s defeated Croc returns, reduced to a green sausage and angel wings.
A sizzling sausage for such sizzling weather, how apt.
Roald Dahl Story Company, Leeds Playhouse and Regent’s Park Open Air Theatre present Roald Dahl’s The Enormous Crocodile, York Theatre Royal, today and tomorrow, 10.30am and 1.30pm.Age guidance: Three plus. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Cathy Sara’s Villeyn and Thomas Frere’s Jongleur in Riding Lights’ Mistero Buffo at Friargate Theatre. Picture: John Shepherdson
TWO wild strangers will roll into York today for the 2026 York Mystery Plays Fringe, tasked with telling tales destined to turn the city upside down.
Combining ferocious wit and fearless physical storytelling, artistic director Paul Birch’s production of Mistero Buffo for York’s Christian theatre company, Riding Lights, will tear into faith, power, profit and hypocrisy by turning ancient Bible stories into urgent, humorous modern theatre with a clear spiritual heart.
Translated by Ed Emery from Nobel prize-winning Italian playwright Dario Fo’s 1969 Communist take on the Mystery Plays, this subversive and unapologetically seditious comedy will be performed by Yorkshire actors Thomas Frere and Cathy Sara.
Premiered by Fo as a solo piece, Mistero Buffo was last performed by Riding Lights with a cast of four in July 2003 under the direction of late founder and artistic director Paul Burbridge, who had once performed the play in solo mode himself.
Now it will be staged as a two-hander. “We’ve taken it that the Jongleur and Villeyn are the two central characters, building our show around that relationship, with the Jongleur – a character who came from commedia dell’arte – being the person who’s empowered to speak out,” says director Paul Birch.
“We’re staging Mistero Buffo 100 years since Dario Fo’s birth, using Emery’s translation but they’ve let us introduce some more topical satire,” says director Paul Birch. “So we’ve gone from Italian car factories to AI and zero hours contracts. The Jongleur character is speaking truth to power now, rather than to the 1960s. It will be very obvious that’s it’s here and now, in this space, though we’re not doing it in the Yorkshire dialect.”
Paul was drawn to Mistero Buffo by Riding Lights’ long association with the York Mystery Plays and dramas where religion overlaps with politics. “For me personally, because it uses Biblical storytelling, and as a company we’re seeing how religion gets into bed with politics, and we’re faced with seeing that in America now, I see it as a distortion of faith. That’s what’s happening with faith and politics now.”
Thomas Frere says: “When you start to read the script, there are phrases that jump out at you, where you think, ‘it could have been written now with its stories of bosses trying to take advantage of people, though it was written in the 1960s’.”
Cathy Sara says: “People are people, and to me it’s the people who are victims when power is applied; how hopeless they feel, though there is always hope – but who’s going to speak up for you and who’s going to speak out?”
Mistero Buffo designer Ollie Brown, left, and director Paul Birch
Thomas rejoins: “It will be interesting to see how these stories go down because we don’t really know at this stage. I honestly don’t know how the audience will react.”
Paul says: “The audience for our touring shows is very different from an audience at Friargate Theatre in our home city. With this show, they may come as beloved Mystery Plays followers, who might be shocked by something in Fo’s play, which shifts how you react. One moment you will laugh; the next moment you may feel differently.”
Cathy rejoins: “That’s what’s unsettling about this play, where you now question what’s true, what’s the truth.”
Paul suggests: “The imagined in Mistero Buffo can be truthful, so it’s slippery, but I hope people find the play empowering and feel inspired to make provocative work that criticises as well as celebrates. I think it’s really exciting for Riding Lights to be part of doing that. It certainly floats my political boat!”
Cathy asserts: “Theatre has the chance to ask questions, but where we don’t have to give all the answers. I think theatre is more honest than that, rougher than that.”
Paul adds: “There’s a lot of direct address in Mistero Buffo, and plenty of audience involvement in the storytelling, so the audiences will become complicit in it and aren’t just witnesses. That’s why this production has a very different feel from when it was last done here – and Ollie Brown’s in-the-round setting will definitely have an impact on that.”
Riding Lights are delighted and excited to be participating in the 2026 York Mystery Plays Fringe. “It’s all part of York being the city of festivals, which has always been a good tourist ploy,” says Thomas. “When they come to the city, there’s always something for them to do – and theatre companies should always reach out to them, as well as playing to local people.”
Paul says: “I feel that ‘festival’ and ‘festivities’ are good words to describe this play, where people can come to the theatre and see this kind of punky play in a city where things can grow in back alleys.
“With this Fringe production, we really want to see if there’s a way for us to make interesting and provocative work like this that’s not reliant on us touring it.” Watch this space.
Riding Lights Theatre Company in Mistero Buffo, Friargate Theatre, York, today, tomorrow, then July 1 to 4, 7.30pm, plus 2.30pm matinees on July 3 and 4.Box office: www.ridinglights.org.
Becky Hill: High-energy performance on Knavesmire track
THE York Mystery Plays on waggon wheels, Becky Hill on Knavesmire, Calendar Girls in the round and early music beyond borders promise high summer times for Charles Hutchinson.
Under starter’s orders: Becky Hill, Summer Music Saturday, York Racecourse, today, first race at 1.20pm
BECKY Hill, two-time BRIT Award winner for Best Dance Act, opens the summer of post-racing concerts at York Racecourse, promising a high-energy performance on the “Glastonbury-style stage” after tomorrow’s seven-race card. For her set list, she can pick from such hits as Gecko; Back & Forth; Wish You Well; Lose Control; Better Off Without You; Heaven On My Mind; Remember; My Heart Goes; Run; Crazy What Love Can Do; History and Disconnect. For race-day tickets, go to: yorkracecourse.co.uk.
Flower power of the week: Summer at York Castle Museum, in bloom until September 6, open Mondays, 11am to 5pm; Tuesdays to Sundays, 10am to 5pm
YORK Castle Museum is capturing the essence of ‘grand days out’ and celebrating iconic summers across two contrasting centuries this summer season. Drawing on the breadth of the museum’s social history collection, Victorian York Galas and the Swinging ’60s are the programme’s key focus with games, crafts and seasonal decorations providing nostalgia and summer fun for visitors.
Further highlights include Last Stop Before Kirkgate, Novo Theatre’s immersive experience replicating a 19th century coaching inn and arrival into York, and Yorkshire artist Pippa Dyrlaga’s paper-cut hot air balloons, telling the story of balloon rides during the galas. Tickets: yorkcastlemuseum.org.uk.
Coastal gigs of the week: TK Maxx presents Scarborough Open Air Theatre, Richard Ashcroft, today; Billy Ocean and Marti Pellow, tomorrow, gates open at 6pm
THE Verve frontman, songwriter and producer Richard Ashcroft, two-time Ivor Novello and triple BRIT Award winner, headlines today’s Scarborough bill, joined by DJ Wayne, original Kasabian frontman Tom Meighan and Yorkshire indie rockers Apollo Junction.
Trinidadian-British soul singer Billy Ocean (real name Leslie Sebastian Charles, by the way) takes top spot tomorrow, airing such hits as Red Light Spells Danger, Love Really Hurts Without You, Caribbean Queen and When The Going Gets Tough, The Tough Get Going. His very special guest is former Wet Wet Wet singer and musicals star Marti Pellow; Katie Owen supports too. Box office: scarbroughopenairtheatre.com.
Make a date with: Calendar Girls The Musical, Stephen Joseph Theatre, Scarborough, today until July 25
AS director Paul Robinson reveals: “Our new in-the-round staging of Tim Firth and Gary Barlow’s Calendar Girls brings the audience into the heart of the Rylstone Women’s Institute, making this true story of friendship and determination feel more personal and immediate.
“This intimate production will create a unique, shared experience, reminiscent of gathering around a community hall or a close friend’s living room, allowing for a deeper connection to the characters and creating a collective, communal atmosphere that fully immerses everyone in the moving story of these ‘ordinary women’ doing something quite extraordinary.” Box office: 01723 370541 or sjt.uk.com.
2026 York Mystery Plays Fringe play of the week: Riding Lights Theatre Company in Mistero Buffo, Friargate Theatre, York, today, tomorrow, then July 1 to 4, 7.30pm, plus 2.30pm matinees on July 3 & 4
TWO wild strangers roll into York for the 2026 York Mystery Plays Fringe to tell tales destined to turn the city upside down. Combining ferocious wit and fearless physical storytelling, Paul Birch’s two-hander production for York’s Riding Lights Theatre Company tears into faith, power, profit and hypocrisy by turning ancient Bible stories into urgent, humorous modern theatre with a clear spiritual heart.
Written by Nobel prize-winning Italian playwright Dario Fo, translated by Ed Emery and performed by Yorkshire actors Thomas Frere and Cathy Sara, this 1969 take on the Mystery Plays will appeal to Fringe theatregoers with a taste for subversive and unapologetic comedy with bite. Box office: www.ridinglights.org.
Theatrical event of the week: 2026 York Mystery Plays, streets of York, tomorrow and July 5, 10.30am to 4.50pm; Sunset in the Shambles Market, June 30 and July 1, 7.45pm
THE four-yearly staging on the York Mystery Plays on pageant waggons takes place at four locations across the city: free viewing at the Minster Refectory Gardens, Deansgate, (from 10.30am) King’s Square (from 11.10am), St Sampson’s Square (from 11.50am) and ticketed seats at Dean’s Park (from 12.30pm). Ten core plays will be complemented by further extracts to tell the story from The War In Heaven to Doomsday. For full details, go to: yorkmysteryplays.co.uk.
Special midsummer performances of five plays will be held in Shambles Market on June 30 and July 1, introduced by the York Waits musicians before Pageant Master Dr Alan Heaven guides the audience through each play, from the Creation sequence to the End of Days in the interactive show Doomsday. These shows begin at 7.45pm and end as the dusk is deepening before 10pm. Tickets: ticketsource.com/york-festival-trust.
Foot-stomping musical celebration of the week: The Choir Of Man, Grand Opera House, York, June 30 to July 2, 7.30pm; July 3, 4pm and 8pm; July 4, 2.30pm and 7.30pm
SET in the The Jungle pub on stage, The Choir Of Man is billed as “the best trip to your local you’ll ever have” as a cast of nine (extra)ordinary guys combine beautiful harmonies and foot-stomping singalongs with tap dance and soulful storytelling in an uplifting celebration of community and friendship.
The debut UK & Ireland tour cast features Gustav Melbardisas Maestro; Oluwalonimi (Nimi) Owoyemi as Poet; Levi Tyrell Johnson as Hard Man; Ben Mabberley as Joker; Rob Godfrey as Beast; Jack Skelton as Handyman; Joshua Lloyd as Barman; Sam Walter as Romantic and Aaron Pottenger as Bore performing Queen, Luther Vandross,Sia, Paul Simon, Adele, Guns N’ Roses, AviciiandKaty Perry hits. Box office: atgtickets.com/york.
50th anniversary event of the summer: 2026 York Early Music Festival, Beyond Borders, July 3 to 11
THE premier British early music festival marks its 50th anniversary with a celebration of “just how far early music has travelled – beyond the borders of the myriad historic venues of our city to a worldwide audience,” says director Delma Tomlin.
Opening with Monteverdi’s 1610 Vespers, presented by I Fagiolini, and closing with Solomon’s Knot’s rendition of Bruhns’s St Mark Passion, the festival welcomes The Sixteen, B’Rock Orchestra & Vocal Consort, Imago Mundi, mezzo-soprano Helen Charlston and NCEM Platform Artists Anacronia and Contre le temps, among others. Box office: 01904 658338 or ncem.co.uk/yemf.
FLYING Ducks Youth Theatre will celebrate 30 years of shows, artistic growth, community connections young talent this weekend at the Joseph Rowntree Theatre, York.
Soaring Through The Years: A 30th Anniversary Celebration will be performed at 1pm and 5pm tomorrow, followed by a 1pm matinee on Sunday.
This milestone event will undertake a captivating journey through three decades of shows, featuring an array of songs and numbers from Return To The Forbidden Planet, West Side Story, Fame The Musical, Grease, Bugsy Malone, High School Musical and more besides that highlight the creativity of the York company’s young performers.
Flying Ducks Youth Theatre’s Quacks performers
“We are ecstatic to welcome past Flying Ducks alumni as guest performers,” says co-director Jenna Dee. “Some graced the stage with us more than 20 years ago, some are back to showcase the lasting impact Flying Ducks has had on their artistic journeys, reminding us all of the community and friendships formed within these walls.”
Among those alumni will be: Sian Walshaw (nee Sian Davies), who joined the group in 1999; Nicola Murray (nee Nicola Elliot), who joined in 1996; Vicky Dambrauskas. (nee Neap); Dan Lawrence; Henry Bird; Alex Deadman (2000); Dan Killen (2002); Hannah King (2006); Eva Howe (2017) and Mollie Surgenor (2018)
Look out too for performances by directors – and past members – Jenna Dee (2001) and her sister, Sara Howlett (2002).
Flying Ducks Youth Theatre on stage
Jenna took the helm of Flying Ducks in 2018 after returning to York from her time as an actor and facilitator in London. Partnering with Sara, who had been choreographing for the company for many years, they directed their first show together, This Is Me, in March 2019.
Their vibrant musical theatre concert, featuring 22 young performers, received support from founder Stephen Outhwaite and a dedicated committee for set, props, and costumes.
Since then, Jenna and Sara have continued to lead the eldest group, Ducks, for ages 11 to 19, now boasting 45 members. They have directed and produced a variety of book musicals, such as Crush The Musical, Shrek The Musical and The Addams Family.
Flying Ducks Youth Theatre’s poster for this weekend’s 30th anniversary celebrations
All of these shows were staged with impressive professional sets designed by founder Stephen Outhwaite, who has still held an incredibly important role within the group.
Excitingly, Flying Ducks are now preparing for their next adventure, Charlie And The Chocolate Factory, already in the diary for February 2027.
The growth of Flying Ducks has exceeded all expectations. Jenna, alongside teaching assistant Keelie Newbold, now oversees two Quacks groups for ages four to six and three Ducklings groups for ages seven to ten, bringing the total membership to 140.
The committee behind the group comprises ten volunteers, and together with treasurer Claire Newbold , they ensure the group continues to go from strength to strength.
Flying Ducks Youth Theatre in The Addams Family
“Join us this weekend as we celebrate the past, embrace the present and look forward to the future in a celebration that promises to be truly memorable,” says Jenna.
“Don’t miss this chance to be part of a community that has nurtured creativity and connection for three decades. We can’t wait to see you there!
“It would be great to reach out especially to anyone who had connections with the group as we are hoping to host a reunion with Stephen Outhwaite and past members after the Sunday afternoon show. They can contact us at flyingducksyork@gmail.com if they’d like to come and be a part of it or to attend the reunion.”
Flying Ducks Youth Theatre in Soaring Through The Years: A 30th Anniversary Celebration, June 28, 1pm and 5pm; June 28, 1pm. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Rosa Burns’ Marcy Park in a defiant outburst in The 25th Annual Putnam County Spelling Bee
IN a spelling bee competition, contestants are asked to spell words aloud, letter by letter, with no backtracking, one by one, in order, on a loop.
Participants are eliminated if they misspell a word, indicated by the death-knell ding of a bell, and the contest will continue until only one winner is still standing uncorrected.
The word “bee”, by the way, has nothing to do with the honey-making insect. Instead, in American English, the “bee” once referred to a community gathering where neighbours worked together on a specific task.
The 25th Annual Putnam County Spelling Bee has been causing a buzz as a Tony and Drama Desk Awards Best Book-winning musical since 2004, a buzz that has spread belatedly to York 22 years later for York Light’s summer production at Theatre@41, Monkgate.
Sweltering in the June heat wave, the John Cooper Studio’s black box theatre has been converted into a school gymnasium with a basketball on the back wall to emphasise the American setting.
James Dickinson’s Chip Tolentino in one of his “over-excited” moments at the microphone in York Light Opera Company’s The 25th Annual Putnam County Spelling Bee
Provided by theatre staff, hand-held fans were being wafted feverishly in the clammy night air by grateful audience members, but Neil Wood’s cast had no such wind assistance on Wednesday, Hannah Shaw’s Olive Ostrovsky gamely wearing a pink jumper throughout. The show must go on, as they say.
Six awkward “mid-pubescent” spelling champions gather for the chance to make the national final, joined at each show by four audience members who volunteer to join the linguistic gymnastics (mirroring the stars of stage and screen being the guest spellers in the latest off-Broadway revival of Rebecca Feldman, William Finn and Rachel Sheinkin’s musical in New York).
Taking part are the geeky one with a health condition (Stephen Wright’s William Barfee); the alpha-male one (James Dickinson’s Chip Tolentino); the zany, off-the-rails one (Daniel Wood’s Leaf Coneybear); the proto-politician one with two pushy dads (Lotty Farmer’s lisping, asthmatic Logainne SchwartzandGrubenniere); the already career-driven future businesswoman one (Rosa Burns’ Marcy Park) and the neglected one, with the adoring but always too busy parents (Shaw’s Olive Ostrovsky).
One by one, we learn their back stories, the home life that shapes them, as we observe the characteristics that will mark them in adulthood and root for their spelling prowess.
To avoid the question-and-answer format of the competition becoming repetitive, the show’s writers find ways to keep it on the move, to build an ever faster pace, both in dialogue and in song, helped hugely by the input of the question master, Neil Foster’s increasingly irascible vice-principal, Douglas Panch, whose past troubles re-surface in his erratic behaviour, expressed in his waspish tongue.
If he is the “bad cop”, the “good cop” is the kind-hearted, beatific contest hostess, Katie Brier’s one-time champion, Rona Lisa Piretti. On hand with a consoling pat on the back and a box of fruit juice for each losing contestant is Mikhail Lim’s scene-stealing “comfort counsellor”, whose manner can be as discomfiting as comforting, closer to intimidating on occasion as he sings of the contest descending into pandemonium.
Lim, Foster and Wright in particular capture the offhand, offbeat humour of Sheinkin’s book, matched by the wit of Finn’s lyrics – typified by the rhyme of ‘protuberance’ with ‘exuberance’ – while the adult cast transforms into sometimes troubled tweens with elan under Wood’s smart direction.
What Spelling Bee lacks is knockout tunes to go with the knockabout laughs and astute social observation, although pianist Martin Lay’s four-piece band plays spiritedly throughout with Katie Maloney on reeds, Rosie Morris on synths and Jez Smith on percussion.
To bee or not to bee? It is always good to check out a “quirky little” musical new to York, and the combination of a snappy script and humorous, heartfelt performances works well, even if the show falls short of being spell-binding.
York Light Opera Company in The 25th Annual Putnam County Spelling Bee, Theatre@41, Monkgate, York, June 25 to 27, then June 30 to July 4, 7.30pm, plus 2.30pm Saturday matinees and 2pm Sunday matinee (28/6/2026). Box office: tickets.41monkgate.co.uk.
