Category: Theatre

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Next Door But One explores parental mental illness in Ant Stones’ My Mad Mum on primary school and library tour

Sean Cameron and Sophie Maybury in rehearsal for Next Door But One’s My Mad Mum. Picture: James Drury

IN the wake of the impactful tour of How To Be A Kid in 2025, Next Door But One and Our Time Charity are collaborating anew on a new play, My Mad Mum, to encourage conversations around mental health, identity and being a young carer.

The York community arts collective specialises in raising awareness of often unspoken topics, while Cottingham-based Our Time is the only British charity dedicated to improving the outcomes for children growing up with a parent with a mental illness.

Statistics reveal that 3.7 million under-18s in the United Kingdom have a parent who struggles with their mental health: a total more than the combined populations of Leeds, Sheffield, Manchester, Liverpool, Birmingham and Bristol.

Commissioned by Our Time, playwright Ant Stones highlights that reality in My Mad Mum, a “fast-paced, fun and fearless collision of real friendships, messy families and surviving the stuff no-one warns you about as a teenager”.

Touring secondary schools in York and North Yorkshire from May, Stones’s play will reach 3,000 pupils aged 11-plus – as well as audiences at public performances at York Explore on May 13 and 14 and specific performances for young carers and those accessing mental health services – with the relatable story of Andy and Harper, played by Sean Cameron and Sophie Maybury (and understudies Adam Kane and Tasha Potts).

Everyone knows Andy and everyone knows his mum. The looks. The whispers. The rumours that follow him everywhere. Andy is used to it – or at least he pretends to be. When Harper, the new girl, arrives at school, things finally start to feel different. Finally, somebody ‘gets’ him, but as their friendship grows, their worlds crash into each other and the truth comes out, and  once out, there will be no taking it back.

My Mad Mum director Kate Veysey in the rehearsal room with cast member Sophie Maybury. Picture: James Drury

Poor parental mental health and serious mental illness is an issue that affects one in three children in every UK classroom. Consequently children who have a parent with a mental illness often face unique challenges at school and at home.  What’s more, for too many of them, it feels like a secret they have to carry alone.

Next Door But One’s performance, with an accompanying workshop, aims to validate the experience of these young people, raise awareness of their lives for their peers and equip teachers with this knowledge to better support their students.

Last year, Next Door But One (NDB1) and Our Time Charity toured a similar provision into primary schools with proven outcomes from How To Be A Kid on which they are looking to build: 91 per cent of young audiences felt the show helped them to discuss their feelings, emotions and mental health, while 94 per cent said the show helped them to identify a trusted adult in their life to whom they could go when they needed help.

My Mad Mum director Kate Veysey says: “The schools we are touring to really recognise the challenge we are presenting, with many of them already having Young Carers Champions and some signing the Young Carers Covenant.

“As a company we really believe that theatre has the power to bring everybody into the same important conversation and provide the knowledge and confidence to enact real change. We are delighted to continue our partnership with Our Time Charity as, with their 20 years’ experience and resources, we are able to continue encouraging vital social change in our communities.”

My Mad Mum director Kate Veysey, assistant director Matthew Harper Hardcastle (Next Door But One’s artistic director) and NDB1 company manager Jane Williamson watching a rehearsal. Picture: James Drury

Georgie Williams, Our Time Charity’s operations director, says: “For too many children, growing up with a parent who is struggling with their mental health can feel isolating and confusing. At Our Time Charity, we know that when children are given the language, understanding and safe spaces to talk, it can be life-changing.

“This production brings those experiences out into the open in a way that feels real, relatable and accessible to young people. By combining powerful storytelling with practical support for schools, we are helping to ensure that no child feels alone.

“We know that having just one adult that a child can safely talk to has a huge impact them. We give adults the tools to feel more confident to recognise and respond to children whose parent has a mental illness.

Leeds Conservatoire graduates Sean Cameron and Sophie Maybury – who both live in Leeds – are performing with NDB1 for the first time under the company’s scheme of working with fledgling professional actors within their first two years on the books.

“I got an email through the Conservatoire and that’s what then made me apply,” says Sophie, who has a BA in Acting. “It’s been fantastic because the main thing I’ve struggled with, coming out of drama school, has been the lack of sessions, especially in the north, to give you something new to learn or to refresh on.”

Sean, who has a BA in Musical Theatre, says: “I hadn’t seen an NDB1 show but had heard about their work and knew Emily Chattle and James Lewis-Knight – who run Clown Space and are associates of NDB1 – and they really sang the company’s praises. It’s been a really great opportunity and a challenge too because there’s a responsibility to make these people in the play feel represented.”

Sophie adds: “We have to get it right in reflecting their lives, showing awareness that they’re not the only ones going through their experience, so that they do feel connected, not misrepresented.”

Next Door But One presents My Mad Mum at York Explore, May 13 and 14, 5.30pm. Box office:  tickettailor.com/events/exploreyorklibrariesandarchives?srch=My+Mad+Mum.

Did you know?

MY Mad Mum’s tour coincides with Mental Health Awareness Week, running from May 11 to 17. Hosted annually by the Mental Health Foundation, the core theme for the week is “Action”, urging people to move beyond mere awareness and take concrete steps to support good mental health for themselves and others.

Sophie Maybury’s Harper and Sean Cameron’s Andy in a scene from Next Door But One’s My Mad Mum. Picture: James Drury

Meet the cast:

Sophie Maybury: Born in Reading, now based in Leeds and London, having trained on BA Acting course at Leeds Conservatoire.

Recent roles include,Pargeia in Welcome To Thebes, directed by Debs Newbold at The Carriageworks Theatre, Leeds, and Nurse in Romeo & Juliet, ’directed by Sameena Hussain at Leeds Playhouse. Playing Harper, Millie and Miss Knowles in her Next Door But One debut in My Mad Mum.

Sean Cameron:  Scottish actor who graduated from Leeds Conservatoire in 2024 with a BA in Musical Theatre. He has since toured internationally,  performed as Jacob Marley in A Christmas Caro’ at Keighley & Worth Valley Railway and taken part in research & development with York company Clown Space. 

What is the Young Carers Covenant?

NEXT Door But One will be performing specific performances of My Mad Mum for young carers and those accessing mental health services.

There are around one million young carers aged 17 or under in the UK and a further 600,000 young adult carers aged 18 to 25.

Caring for a family member can have a huge impact on a child’s mental health and wellbeing, as well as their ability to learn and their future life chances.

More than 139,000 children and young people are caring for someone with a long-term illness or disability for more than 20 hours every week. Shockingly, 50,000 young carers are spending as many as 50 hours a week on their caring role.

Many young carers feel they are missing out on large parts of their childhood and education. Others feel overwhelmed by the level of responsibility. 

In response, The Young Carers Covenant is seeking to make a change by creating a fair future for young carers. This UK-wide commitment to young carers and young adult carers sets out ten key outcomes that young carers have said are key to improving their lives (www.carers.org/youngcarerscovenant).

Any organisation or individual in a position to take action to help achieve these outcomes is urged to sign up to the covenant, whether national governments, local authorities, schools or colleges, as well as parliamentarians across the UK.

Launched on Young Carers Action Day 2024, the covenant was drawn up by the Carers Trust and members of the Young Carers Alliance.

More details on signing up can be found at: https://carers.org/campaigning-for-change/the-young-carers-covenant.

“At least two of the schools we’re visiting on the My Mad Mum tour have signed up for the Young Carers Covenant,” says Next Door But One company manager Jane Williamson.

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REVIEW: Neon Crypt in The Hound Of The Baskervilles, Theatre@41, Monkgate, York, howling until Saturday ****

Moustaches en masse: Laura McKeller, left, Michael Cornell and Laura Castle in Neon Crypt’s The Hound Of The Baskervilles

AFTER Dracula: The Bloody Truth and The Wetwang Hauntings in 2025, mischief-making York company Neon Crypt put the gothic humour into horror once more for a fright in every comic bite in John Nicholson’s particularly silly take on The Hound Of The Baskervilles.

In the spirit of Patrick Barlow’s The 39 Steps, the late Maggie Fox and Sue Ryding’s Lip Service and indeed Nicholson’s work with Peepolykus and Le Navet Bete, Sir Arthur Conan Doyle’s “consulting detective” Sherlock Holmes is stretched to caricature, if still recognisable in deer stalker and pipe, but now taking on multiple disguises, from hirsute hermit to a hot dog costume. No violin, no recreational narcotics, but plenty of schtick, Sherlock.

What’s more, under Jamie McKeller’s direction, Neon Crypt’s Holmes is played by a woman,  Laura McKeller, in ponytails, waistcoat and waxed moustache, but with no change of gender in the aloof brain-box characterisation.

Quick on the draw: Laura Castle’s pistol-packing Dr Watson in Neon Crypt’s The Hound Of The Baskervilles

Likewise, Laura Castle follows up her Dracula with Dr John Watson, wearing the same Victorian two-piece that Elexi Walker’s penny farthing-cycling Watson sported in Damian Cruden’s ‘Baskerville’ production at York Theatre Royal in 2016.

Like the other Laura, Castle’s Watson is moustachioed, again with no change of pronouns. The voice is West Riding, the manner no-nonsense amid all the comic nonsense, conducting investigations with earnest rigour, yet all the more humorous for that. Her Watson is quick on the draw too, whether reaching for sketch pad or pistol.

Aside from a West Country rustic, Laura C will put all her eggs in the sterling Watson basket. By comparison, Laura M must navigate more costume changes than Cher in concert, not only Sherlock’s multiple disguises on the moor, but also whizzing between Mr and Mrs Barrymore; the train guard; Cecile Stapleton; Jack Stapleton and Slasher Seldon, “the Notting Hill murderer”.

Laura McKeller’s Sherlock Holmes in hot dog disguise in Neon Crypt’s The Hound Of The Baskervilles as Laura Castle’s Dr Watson looks on, strangely reminiscent of Charlie Chaplin in City Lights!

Michael Cornell, now a cross-dressing fixture as the dame in the Rowntree Players pantomime, is almost as busy as Laura M on the multi-rolling front, switching with alacrity and elasticity from Sir Henry Baskerville to Sir Charles Baskerville, Dr Mortimer to a cabbie, one meat-wielding Yokel to another (in denial of being the same character, distinguished only by the cut of meat in the bag).

All the while, York author and poet Rebecca Payne is lurking in the Theatre@41 shadows for the third time as Neon Crypt’s stage manager,  except that this time she steps out of those shadows to appear on stage frequently, silent, but over-worked, handling all the scenery changes and prop exchanges, when not overseeing quick-fire costume changes from the wings.

In a running  joke – and she really is on the move all the time – Rebecca accumulates a tidy sum in tips for each prop or scene change, albeit handed over increasingly begrudgingly by Cornell in particular.

Crucial too is the work of sound tech Jess Whitehead, who is called on to engineer all manner of noises, sometimes frightening, more often funny, in the tradition of Foley artists on 1950s’ radio. Listen out for the sax solo from Gerry Rafferty’s hit at every mention of Baker Street, accompanied hastily by Cornell on a blow-up pink saxophone.

Michael Cornwell multi-rolling in Neon Crypt’s The Hound Of The Baskervilles

Jamie McKeller conducts the still familiar Conan Doyle thriller with brisk purpose, physical flair and set-piece swagger, giving free rein to his cast to express ridiculous characterisation, comedic camaraderie and comic timing, with room for ad-libbing and smashing down theatre’s fourth wall to revert to being Laura C, Laura M and Michael.  

Neon Crypt stay true to the verbal and visual ingenuity of Nicholson and Steven Canny’s script and stage instructions, first staged by Peepolykus at the West Yorkshire Playhouse, Leeds in 2007, while applying their own free-spirited comedic style, daft yet deft.

You would be howling mad to miss this Hound Of The Baskervilles.  

Neon Crypt Productions in The Hound Of The Baskervilles, Theatre@41, Monkgate, York, 7.30pm tonight and tomorrow; 2.30pm and 7.30pm, Saturday. Box office: tickets.41monkgate.co.uk.

Stage manager Rebecca Payne, right, joining in the Sherlock shenanigans at the finale to The Hound Of The Baskervilles

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REVIEW: Jeremy Dyson & Andy Nyman’s world premiere of The Psychic, York Theatre Royal, until May 23 ****

Sheila Gold: Frank, incensed and muddying the truth in The Psychic at York Theatre Royal. Picture: Manuel Harlan

THIS critique comes with a personally signed request from theatre makers Jeremy Dyson and Andy Nyman, paperclipped to the programme for their world premiere of The Psychic.

“Whilst we know it makes your job a little harder, we would love it if your review could steer clear of spoilers of any of the twists or secrets that you are about to learn,” they ask.

The Psychic has been up and running for a week of previews before Wednesday’s press night – with Jonathan Ross and actor Tim McInnerny among the high-spirited full house – and no doubt those twists and secrets are being shared already, but your reviewer’s lips are sealed on the minutiae of what unfolds.

Frances Barber’s prickly Rosa in The Psychic. Picture: Manuel Harlan

The north and south writer-director combo of Dyson (from Ilkley) and Dyson (from London) made the same request for Ghost Stories, their audacious spooky conceit that is still freaking out audiences after 16 years (and played the Grand Opera House, York, in March 2020).

After the paranormal scares and shrieks of Ghost Stories, Dyson, alumnus of the deeply, madly, darkly twisted League Of Gentlemen, teams up anew with regular creative co-pilot Nyman, actor, director, writer and collaborator with psychological illusionist Derren Brown for  two decades, who played Winston Churchill in Peaky Blinders, by the way.

Illusions and disillusion play their part in The Psychic, a twisted dark thriller of jet black humour wrapped inside a state-of-the-nation study of fame and the corrosive impact of the Fourth Estate and radio shock-jocks, delivered with a theatrical sleight of hand in tandem with illusions designer Chris Fisher, lighting designer Zoe Spurr, sound designer Nick Manning, video designer Duncan McLean and, above all, set and costume designer Rae Smith, whose scene-setting is outstanding and well worth the longer-than-usual interval wait for the revelation of the gaudy interior of a Spanish villa.

Writer-directors Andy Nyman and Jeremy Dyson in rehearsal for The Psychic’s world premiere at York Theatre Royal. Picture: Manuel Harlan

Dyson and Nyman were delighted to team up with the Theatre Royal in York, a city “drenched in the supernatural” as Nyman described it, for the torrid tale of  TV’s most famous psychic, Sheila Gold (Eileen Walsh) in the immediate aftermath of losing a high-profile court case, costing her not only her reputation but also £500,00 in legal fees.

We join her as the audience on the first night of her latest tour, fighting back against the charge of being a charlatan with her golden Irish brogue and “gift” for contacting the other side.

It will not be an easy ride: heat-seeking, scandal-stirring, slick and slimy radio presenter Robert Hamm (Mischief Theatre regular Dave Hearn) is out to give her a hard time; niece Tara (Megan Placito, in her professional stage debut) demands she trains her in her showman skills and won’t take ‘No’ for an answer.

Showing her the ropes: Eileen Walsh’s Sheila Gold working with her “protege”, Megan Placito’s Tara in The Psychic. Picture: Manuel Harlan

Enter a wealthy couple, Deepak (Jaz Singh Deol) and Nisha (Nikhita Lesler), with a desperate  request for Sheila to conduct a séance to attempt to make contact with their late child. Sheila duly snatches at the opportunity to bleed them for money.

In the words of Dyson and Nyman, “what follows makes Sheila question everything she ever believed and leads her on a journey into the darkest corners of her life”. Occupying the darkest corner of all is her dysfunctional relationship with her mother, the anything-but-rosy Rosa (Frances Barber), her spiteful spiritualist forebear as a fortune teller on the Blackpool pier.

Central to The Psychic is the question: “Is any of it real?”, not only asking whether TV and stage show psychics are fakes, but also what is the truth of such lives beyond the  TV screen, as Dyson and Nyman question “what really matters in life”.

Dave Hearn’s arch cynic of an investigative radio presenter, Robert Hamm, in The Psychic. Picture: Manuel Harlan

Can you trust what you are watching amid Fisher’s illusions and McLean’s videos, and who is deceiving who in the fractured mother-and-daughter relationship of Rosa and Sheila? The greater truth here, beyond the price of fame, is the cost of greed and jealousy, as captured in the terrific performances of Walsh’s Sheila, Barber’s waspish, embittered Rosa and impressive debutant Placito’s aspirational Tara (Placito having grown up in a travelling showman family).

Dyson and Nyman serve up moments of shock-horror and utilise a disorientating sound pool – much in the manner of Danny Robbins’s 2: 22 A Ghost Story – but for all the supernatural intrigue, at its heart The Psychic mirrors Greek tragedies in its study of mortality and morality, the maternal and the matriarchal, the eternal and the material, the ethereal and the real, the heaven and the hell. 

Jeremy Dyson and Andy Nyman’s The Psychic, York Theatre Royal, until May 23. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Seeking contact with their late child: Jaz Singh Deol’s Deepak and Nikhita Lesler’s Nisha in The Psychic. Picture: Manuel Harlan

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‘Good old-fashioned laughter. There’s nothing to beat it,” says John Cleese as Fawlty Towers – The Play books into Grand Opera House for five nights from May 19

John Cleese with Danny Bayne, who is playing Basil Fawlty on tour in Fawlty Towers – The Play. Picture: Trevor Leighton

JOHN Cleese was “more confident about it than almost anything I’ve ever done”.

Here he is reflecting on the success of Fawlty Towers – The Play, having enjoyed two sold-out West End seasons and launched a ten-month, 39-venue UK tour in September 2025 that visits the Grand Opera House, York, from May 19 to 23.

“I remember reading the finished script and thinking it was really funny,” reflects Cleese, now 86. “And the English do love farce. Think Ben Travers. Think Brian Rix and Ray Cooney. Look at the success of Noises Off and One Man, Two Guvnors. Farce is universal.”

For all his quiet confidence that Basil Fawlty’s hotel escapades would be received enthusiastically in the theatre, he could not have predicted its rapturous reception.

Cleese does not try to hide his pride in this much-loved classic, co-created with first wife Connie Booth, but he shakes his head in mild wonder at the way it has rooted itself in the public consciousness.

John Cleese behind the Fawlty Towers reception desk with cast members Danny Bayne (Basil Fawlty), left, Mia Austen (Sybil Fawlty,) Joanne Clifton (Polly), Paul Nicholas (The Major) and Hemi Yeroham (Manuel). Picture: Trevor Leighton

“I was told not so long ago of a family who have a game where one of them tries to introduce a quote from Fawlty Towers into the conversation without the other three realising,” he says. “How great a compliment is that? For instance, if anyone says: ‘Don’t mention the war’, everyone knows its origin.”

The play opened at London’s Apollo Theatre in May 2024, directed niftily by Caroline Jay Ranger, who chalked up an earlier West End and touring hit with the musical version of Only Fools and Horses that played the Grand Opera House in October 2024.

As seen at Leeds Grand Theatre in early January, Fawlty Towers’ 18-strong tour cast features changes from the London runs, including Danny Bayne as the deluded, crane-legged Basil – once described by Cleese as “rude but inefficient” – and Mia Austen as his acerbic wife, Sybil.

Joanne Clifton, 2016 winner with Ore Oduba of the Strictly Come Dancing glitterball, takes on the role of Polly, the phlegmatic waitress and chamber maid who pretty much single-handedly prevents Fawlty Towers from collapsing like a pack of cards. Happily, Paul Nicholas remains as the bumbling Major.

The stage show combines three of the most cherished sketches, stitched together by Cleese with a new finale wrapping up proceedings. Miscommunication is the name of the game with a threatened visit by a brace of hotel inspectors, followed by a party of German tourists.

“I remember reading the finished script and thinking it was really funny,” says Fawlty Towers writer John Cleese. Picture: Dave J Hogan

Then comes Basil’s ongoing – futile, as it turns out – attempt to keep from Sybil his flutter on the horses with little or no help from Spanish waiter Manuel, played by Hemi Yeroham.

Last October, Headline published Cleese’s book Fawlty Towers: Fawlts And All – My Favourite Moments to celebrate 50 years of the comedy milestone.

He and younger daughter Camilla have been working on developing a reboot of a possible third TV series of Fawlty Towers, set in a Caribbean motel, where she will play opposite him as Basil’s illegitimate daughter.

In addition, Cleese and Camilla have been collaborating on a stage musical version of hit film A Fish Called Wanda, while a new film script, Lookalikes, is in development too, with the script now in the hands of Arnold Schwarzenegger.

“Originally, it was going to be about those people who stand on Sunset Boulevard in LA [Los Angeles] pretending to be famous stars,” says Cleese. “That changed when someone came up with the brilliant idea of getting real superstars to play the lookalikes.”

People love laughing, reckons Cleese. Hence he has little time for much of what is shown on TV today. “I’ve never seen Game Of Thrones but I did catch a few minutes of something the other day where a dragon was tied to a chain. It wasn’t for me,” he says.

Paul Nicholas as The Major in Fawlty Towers – The Play

Fawlty Towers, he argues, is both funny and timeless. “And we were lucky with Monty Python. We made two good movies, one of them medieval [Monty Python And The Holy Grail], one of them set in the time of Christ [Monty Python’s Life Of Brian]. Neither is going to date.” Now talk is afoot of bringing Life Of Brian to the London stage.

Cleese turned down a CBE (Commander of the British Empire) in 1996. “I asked the authorities if I could call myself Commander Cleese. Absolutely not, apparently,” he says. “Also, look at other people who have turned down awards and titles: David Bowie and Michael Frayn and Alan Bennett and Albert Finney. I have respect for them.”

Fellow Python luminary Michael Palin accepted a knighthood in 2019. “And good luck to him. I was genuinely pleased,” says Cleese. “I now call him Sir Mickey: that’s how I always address my emails to him. He’s a lovely guy.”

Let’s be clear: if Cleese were to be offered a knighthood in the New Year’s Honours List, he would turn it down? “I would. I don’t need that sort of validation,” he says. “It’s enough for me to know – because people kindly tell me sometimes – that I’ve helped them through difficult times by making them laugh. Which is delightful.

“They come home, turn on an episode of Fawlty Towers and the world doesn’t seem quite so bleak. That’s my reward. I think we need much more laughter in the world. I’m not advocating mean teasing. Just good old-fashioned laughter. There’s nothing to beat it.”

John Cleese’s Fawlty Towers –The Play runs amok at Grand Opera House, York, from May 19 to 23, 7.30pm plus 2.30pm, Wednesday, Thursday and Saturday matinees. Box office: atgtickets.com/york.

A scene from John Cleese’s Fawlty Towers – The Play, on tour at the Grand Opera House, York, from May 19 to 23. Picture: Hugo Glendinning

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What’s On in Ryedale, York and beyond. Hutch’s List No. 18, from Gazette & Herald

Eileen Walsh‘s TV psychic Sheila Gold in York Theatre Royal’s premiere of The Psychic. Picture: Manuel Harlan

DYSON and Nyman’s dark thriller world premiere and women sporting Holmes & Watson waxed moustaches tickle Charles Hutchinson’s fancy in his recommendations for the week ahead.

World premiere of the week: The Psychic, York Theatre Royal, until May 23

“IS any of it real,” ask Jeremy Dyson and Andy Nyman in The Psychic, the latest spook-fest from the writer-director duo behind Ghost Stories. In their twisted new thriller, popular TV psychic Sheila Gold loses a high-profile court case that brands her a charlatan, costing her not only her reputation but also a fortune in legal fees.

When a wealthy couple ask Sheila to conduct a séance to attempt to make contact with their late child, she senses an opportunity to bleed them for money. What follows makes her question everything she has ever believed, leading her on a journey into the darkest corners of her life. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Laura Castle’s Dr John Watson in Neon Crypt’s The Hound Of The Baskervilles. Picture

Mystery thriller of the week: Neon Crypt in The Hound Of The Baskervilles, Theatre@41, Monkgate, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee

JOIN York company Neon Crypt for side-splitting stupidity, hot dog disguises and absolute terror in Jamie McKeller’s staging of Peepolykus co-artistic director John Nicholson’s incredibly high-brow adaptation of Sir Arthur Conan Doyle’s mystery The Hound Of The Baskervilles.

Sherlock Holmes (Laura McKeller) and Dr Watson (Laura Castle) must unravel the mysterious death of Sir Charles Baskerville, found dead on his estate with a look of terror still etched on his face and the paw prints of a gigantic hound beside his body. Look out for Michael Cornell popping up as Sir Henry and Sir Charles Baskerville and assorted meat-wielding Yokels. Box office: tickets.41monkgate.co.uk.

Pop gig of the week: K-Pop All Stars, Grand Opera House, York, tonight, 7pm

RIDE the global K-pop wave with K-Pop All Stars’ explosive live celebration of the music, artists and Korean culture that is taking over the pop world. Feel the power of stadium-sized anthems, razor-sharp choreography and a cast that delivers every beat with precision and passion, performing hits by Blackpink, NewJeans, Katseye, BTS, Itzy, Stray Kids, Twice, Jung Kook and more. Cue light sticks glowing in the crowd. Box office: atgtickets.com/york.

Folk gig of the week: Dervish, National Centre for Early Music, Walmgate, York, tonight, 7.30pm

LEGENDARY Irish traditional folk music band Dervish, recipients of a BBC lifetime achievement award in 2019, have recorded and performed all over the world, playing at festivals from Rio to Glastonbury. Fronted by singer Cathy Jordan. the line-up of fiery fiddle, flute, bouzouki, mandola, bodhran and accordion delivers vibrant sets of tunes and compelling songs. Box office for returns only: 01904 658338 or ncem.co.uk.

Tribute show of the week: The Steelers, Helmsley Arts Centre, Saturday, 8pm

THE Steelers, a nine-piece band of musicians drawn from around Great Britain, perform songs from iconic Steely Dan Steel albums Pretzel Logic, The Royal Scam, AJA and Goucho, crafted by Walter Becker and Donald Fagan since 1972. 

Once described as “the American Beatles”, Becker and Fagan’s songs are noted for their clever lyrics and sophisticated arrangements. Box office: 01439 771700 or helmsleyarts.co.uk.

Exhibition of the week: Ceri Jenkins, Through Darkness We Can Find A Light, Helmsley Arts Centre, until July 5

NORTH Yorkshire portrait and art photographer Ceri Jenkins’ exhibition is the culmination of her personal healing journey; showcasing powerful and evocative images that use light, reflections and mirror images to inform the narratives of mental health, overcoming trauma, abuse and addiction and to convey a profound message of hope.

Through Darkness We Can Find A Light explores how, when she felt surrounded and suffocated by falseness, subtle signs from the universe pointed Ceri in the direction of using her art and creativity to look within and find her own light in the darkness. This exhibition is a testament to her long-term mission to utilise art and creativity to promote and support natural healing in herself and others while inspiring us to seek inner peace. Opening hours: 10am to 2pm, Tuesday, Wednesday and Friday;  Thursday, 11am to 2pm; Sunday, 11am to 3pm, plus during  public events. Admission is free.

Solo show of the week: Ali Williams in Careless Talk, Helmsley Arts Centre, Friday 7.30pm

IN a true story of high treason, espionage, spam fritters, the only British person to be tried for treason in the Second World War takes to the stage for the first time in Ali Williams’s show. Was Mabel a collaborator? A visionary? Or just an outsider? Was she the victim of a witch hunt? Or the victim of her own uncompromising nature? Join Mabel on Sandown Beach with her secateurs, sequinned tassels and heartfelt, if misguided, self-belief.

This stage adaptation of James Friel’s novel Careless Talk.tale opens a dialogue on the justice system in this country:  who does it protect, how and why? And what of those who fall through the net, the unpopular, the uncompromising? Box office: 01439 771700 or helmsleyarts.co.uk.

Children’s show of the week: English National Ballet & English National Ballet School, My First Ballet: Cinderella, Grand Opera House, York, Saturday, 10.30am and 2pm; Sunday, 1am and 3pm

MEET the nature-loving Cinderella, who lives on the edge of an enchanted forest where she once gardened and sang with her mother. After loss and silence settle over her home, she is left with a sharp-tongued stepmother, two noisy stepsisters and a house full of chores and shadows.

But when a letter arrives, inviting all to a garden ball, Cinderella’s journey to find her true self begins, guided by the spirit of her mother and the magic of the forest. Using a narrator to help the young audience follow the story, and a shortened, recorded version of Prokofiev’s score, this introduction to ballet is choreographed by George Williamson and performed by English National Ballet School Graduate Artists Programme students. Box office: atgtickets.com/york.

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More Things To Do in York and beyond. Hutch’s List No. 17, from The York Press

Eileen Walsh in rehearsal for her lead role as Sheila Gold in the world premiere of The Psychic at York Theatre Royal. Picture: Manuel Harlan

DYSON and Nyman’s world premiere dark thriller and women sporting Holmes & Watson waxed moustaches tickle Charles Hutchinson’s fancy in his recommendations for the week ahead.

World premiere of the week: The Psychic, York Theatre Royal, until May 23

“IS any of it real,” ask Jeremy Dyson and Andy Nyman in The Psychic, the latest spook-fest from the writer-director duo behind Ghost Stories. In their twisted new thriller, popular TV psychic Sheila Gold loses a high-profile court case that brands her a charlatan, costing her not only her reputation but also a fortune in legal fees.

When a wealthy couple ask Sheila to conduct a séance to attempt to make contact with their late child, she senses an opportunity to bleed them for money. What follows makes her question everything she has ever believed, leading her on a journey into the darkest corners of her life. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Writer-directors Andy Nyman, left, and Jeremy Dyson in the rehearsal room for The Psychic. Picture: Manuel Harlan

Cutting-edge music and art collaboration of the week: York Late Music presents Late Music Ensemble: Picture This!, Unitarian Chapel, St Saviourgate York, tonight, 7.30pm

INSPIRED by the relationship between visual art and music, Picture This! explores how composers have responded to artworks across time, from Modest Mussorgsky to the present day.

Today’s audience is invited on a promenade through an imagined exhibition, where works by Vincent van Gogh, Wassily Kandinsky, Bridget Riley and John Martin, alongside sculpture by Alexander Calder, are reflected in a musical programme featuring a new arrangement of Pictures At An Exhibition, Igor Stravinsky’s miniature tribute to Pablo Picasso, songs by Don van Vliet (Captain Beefheart) and David Byrne, plus new works. Nick Williams gives a pre-concert talk at 6.45pm. Tickets: latemusic.org or on the door.  

Feeling his collar: Tom Davis in Spudgun, full of freshly cooked observations on life’s hot topics

Comedy gig of the week: Tom Davis in Spudgun, Grand Opera House, York, tonight, 7.30pm

CROYDON comedy turn, actor and podcaster Tom Davis is back on the road, firing out his freshly cooked observations on life’s hot topics. Co-host of the Wolf And Owl podcast with Romesh Ranganathan, star of BAFTA and Royal Television Society award-winning comedy series Murder In Successville and BBC One comedy King Gary, he also has his own Sky and NOW TV special, Underdog.  “Get ready,” he says. “This one is fully loaded.” Box office: atgtickets.com/york.

Hank, Pattie & The Current: Innovative twist on traditional bluegrass at Selby Town Hall

Bluegrass gig of the week: Hank, Pattie & The Current, Selby Town Hall, tonight, 7.30pm

HARD-HITTING bluegrass pickers who moonlight as symphonic classical musicians, Hank, Pattie & The Current approach their string band much as they would a string quartet. The Raleigh, North Carolina four-piece are led by Hank Smith’s banjo and Pattie Hopkins Kinlaw’s fiddle in an innovative twist on traditional bluegrass flavoured with classical, Motown,  jazz and pop. Box office: 01757 708449 or selbytownhall.co.uk.

Steve Cassidy: Leading his band through rock and country numbers at the JoRo

Vintage performance of the week: Steve Cassidy Band, Joseph Rowntree Theatre, York, Sunday, 7.30pm

THE Steve Cassidy Band return to their favourite home-city venue with guests in tow for a night of rock and country music chosen to appeal to all age groups. Steve, a three-time winner on New Faces, recorded with John Barry as a teenager and performed on shows with legends of the music industry. His line-up features John Lewis, guitar, George Hall, keyboards, Mick Hull, bass, guitar and ukulele, and Brian Thomson, percussion. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Katherine Priddy: Showcasing new album These Frightening Machines at Pocklington Arts Centre

Folk gig of the week: Katherine Priddy, Pocklington Arts Centre, Sunday, 8pm

AFTER writing and recording two songs with Poet Laureate Simon Armitage and appearing on Later…With Jools Holland, Birmingham folk singer-songwriter Katherine Priddy released her third album, These Frightening Machines, in March on Cooking Vinyl.

Priddy’s new compositions explore what it means to keep going when things fall apart, to hold on to connections in a world that sometimes divides and to figure out where we fit into the machines and systems we find ourselves confronting. Northallerton singer-songwriter George Boomsma supports. Box office: pocklingtonartscentre.co.uk.

Farewell tour for opera impresario and director Ellen Kent

Exit stage left: Ellen Kent, The Farewell Tour, Madama Butterfly, May 3, 7.30pm, and Carmen, May 4, 7.30pm, both at Grand Opera House, York

OPERA impresario and director Ellen Kent is on the road with her farewell tour, presented by Senbla, featuring Opera International Kyiv, from Ukraine, in Puccini’s Madama Butterfly and Bizet’s Carmen.

Sung in Italian with English surtitles, Madama Butterfly’s heart-breaking story of the beautiful young Japanese girl who falls in love with an American naval lieutenant will be led by sopranos Elena Dee and Viktoria Melnyk, mezzo-soprano Yelyzaveta Bielous and tenors Oleksii Srebnytskyi and Hovhannes Andreasyan. Sung in French with English surtitles, Carmen promises passion, sexual jealousy, death and unforgettable arias, performed by Dee, Melynk and Mariia Davydova. Box office: atgtickets.com/york.

Laura Castle’s Dr John Watson, left, and Laura McKeller’s Sherlock Holmes in Neon Crypt’s The Hound Of The Baskerville

Mystery thriller of the week: Neon Crypt in The Hound Of The Baskervilles, Theatre@41, Monkgate, York, May 5 to 9, 7.30pm plus 2.30pm Saturday matinee

JOIN York company Neon Crypt for side-splitting stupidity, hot dog disguises and absolute terror in Jamie McKeller’s staging of Peepolykus co-artistic director John Nicholson’s incredibly high-brow adaptation of Sir Arthur Conan Doyle’s mystery The Hound Of The Baskervilles.

Sherlock Holmes (Laura McKeller) and Dr Watson (Laura Castle) must unravel the mysterious death of Sir Charles Baskerville, found dead on his estate with a look of terror still etched on his face and the paw prints of a gigantic hound beside his body. Look out for Michael Cornell popping up as Sir Henry and Sir Charles Baskerville and Yokel 2. Box office: tickets.41monkgate.co.uk.

The poster artwork for K-Pop All Stars, bound for Grand Opera House, York

Tribute gig of the week: K-Pop All Stars, Grand Opera House, York, May 6, 7pm

RIDE the global K-pop wave with K-Pop All Stars’ explosive live celebration of the music, artists and Korean culture that is taking over the pop world. Feel the power of stadium-sized anthems, razor-sharp choreography and a cast that delivers every beat with precision and passion, performing hits by Blackpink, NewJeans, Katseye, BTS, Itzy, Stray Kids, Twice, Jung Kook and more. Cue light sticks glowing in the crowd. Box office: atgtickets.com/york.

Dervish: Traditional Irish folk music at National Centre for Early Music. Picture: Tim Jarvis

Recommended but sold out already: Dervish, National Centre for Early Music, Walmgate, York, May 6, 7.30pm

LEGENDARY Irish traditional folk music band Dervish, recipients of a BBC lifetime achievement award in 2019, have recorded and performed all over the world, playing at festivals from Rio to Glastonbury. Fronted by singer Cathy Jordan. the line-up of fiery fiddle, flute, bouzouki, mandola, bodhran and accordion delivers vibrant sets of tunes and compelling songs. Box office for returns only: 01904 658338 or ncem.co.uk.

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Neon Crypt bring added comic bite to The Hound Of The Baskervilles at Theatre@41

Michael Cornell’s Sir Henry Baskerville, Laura McKeller’s Sherlock Holmes, centre, and Laura Castle’s Dr John Watson in Neon Crypt’s The Hound Of The Baskervilles

YORK Gothic humorists Neon Crypt will serve up The Hound Of The Baskervilles with side-splitting stupidity, hot dog disguises and absolute terror at Theatre@41, Monkgate, York, from May 5 to 9.

Expect a relentlessly silly, very funny and very fast-paced show suitable for all ages, albeit with some mild peril, as Laura McKeller, Laura Castle and Michael Cornell tackle a typically high-brow, 120-minute adaptation by Peepolykus co-founder John Nicholson, in the wake of staging Nicholson and Le Navet Bete’s Dracula: The Bloody Truth last May.

Directed by Jamie McKeller, alias York ghost walk supremo Dr Dorian Deathly of Deathly Dark Tours, Sir Arthur Conan Doyle’s most celebrated Sherlock Holmes story is given a madcap makeover as Holmes and Dr Watson are summoned to investigate the ancient curse of the Hound of the Baskervilles.

To do so, they must unravel the mysterious death of Sir Charles Baskerville, who is found dead on his estate, with a look of terror still etched on his face and the paw prints of a gigantic hound beside his body.

The Hound Of The Baskervilles director Jamie McKeller in Dr Dorian Deathly ghost walk guide mode

“Our memories of The Hound Of The Baskervilles in York go way back to York Theatre Royal doing it with panto villain David Leonard as Holmes [in 2016],” says Jamie. “Within Neon Crypt, there are four of us, and we get together to throw it around the room, saying ‘you read this part’, ‘you read that part’, and it ended up landing the way it has with the two Lauras as Holmes and Watson and Michael playing Sir Henry Baskerville, Sir Charles Baskerville, Dr Mortimer, a cabbie and multiple meat-wielding Yokels.

“We knew one of us would direct the show, and the general feeling was that it would go a certain way, but it didn’t go the way we thought it would! I thought I’d end up as Holmes because he’s so stoic, but then Laura [McKeller] read the part and nailed the arrogance and Basil Rathbone air of ‘Britishness’.

“Laura [Castle] has such an everyman quality to her acting, and she started to read Dr John Watson in an Received Pronunciation English accent, but I said, ‘no, give me Bradford, give me the moors, give me West Yorkshire’, and that’s how she’s now playing him.”

Laura C will focus on Watson and a Yokel, while Laura M will be even busier in her multi-role-playing duties than Cornell. “She’s doing at least ten roles because Holmes is not always present. She’ll be Mr and Mrs Barrymore; the train guard; Cecile Stapleton; Jack Stapleton and Slasher Selden, ‘the Notting Hill murderer’, among others,” says Jamie.

Laura McKeller’s Sherlock Holmes in hot dog disguise in Neon Crypt’s The Hound Of he Baskervilles

“She has to go off, change character and be back on in a heartbeat – and our stage manager, Rebecca Payne, will be multi-rolling too with all the scenes changes, costume changes and props, so she’s as much a character in the show as the other three. Though she doesn’t say anything, she has to do a lot on stage, with the running joke of the cast tipping her every time she comes on but becoming more and more begrudging about doing that.”

Analysing The Hound Of The Baskervilles’ abiding popularity, Jamie says “It’s a good sleuth story where the audience feels ‘Let’s go sleuthing’. If anything, in this version, the story is on the backburner, so there are moments when the sleuthing is going on, where we have to find the chance to hit the brakes to say to the audience, ‘Are you keeping up?’.

“We’re staging it on a thrust set design, so the audience are invited into the action straightaway. Within 30 seconds, the house lights are up and the audience are involved.

“The show is right up our street in terms of silliness, and though we place it in the late-1800s, with Watson in a Victorian two-piece and Holmes in a deer stalker and cape, the cast can break out of the period setting, like the moment when they pull out a mobile phone.”

No smoke without (gun) fire: Laura Castle’s Dr John Watson in Neon Crypt’s The Hound Of The Baskervilles

The two Lauras wore Holmes and Watson’s waxed moustaches in rehearsal for the first time last night (30/4/2026). “But Laura M is no stranger to having moustaches and mono-brows on stage,” says Jamie. “Laura C likes to do her nails with themed symbols on: bats for her Dracula last time; now moustaches on blue nails for Doctor John Watson!”

From Star Wars music in one scene to the bubbling bromance of Holmes and Watson, anything could happen in Neon Crypt’s show. “I think there’s permission that if anyone ‘cracks’ on stage in a preposterous comedy, it’s not the end of the world,” posits Jamie. “It makes it feel more grounded, and you’re at such close quarters with the audience at Theatre@41 that it’s a really transformative venue, where you can have it anyway you want.”

Jamie has plenty on his thespian plate, by the way. “I’ll be playing Frank in Jim Paterson’s production of Educating Rita for Black Treacle Theatre in June, and with the volume of lines in each show, I couldn’t have done both Sherlock and Frank,” he says.

Neon Crypt in The Hound Of The Baskervilles, Theatre@41, Monkgate, York, May 5 to 9, 7.30pm plus 2.30pm Saturday matinee. Box office: tickets.41monkgate.co.uk.

Florence Poskitt: Playing hairdresser and Open University Eng Lit student Rita in Black Treacle Theatre’s June production of Educating Rita

YORK company Black Treacle Theatre will present Educating Rita, Willy Russell’s warm, witty and moving two-hander about the power of education to change lives, at Theatre@41, Monkgate, York, from June 9 to 13.

Company founder and director Jim Paterson will direct Jamie McKeller and Florence Poskitt in Russell’s tale of Rita, a working-class hairdresser hungry for something more, signing up for an Open University literature course.

There she meets Frank, a disillusioned academic whose passion for teaching has long faded. Their weekly tutorials become a battle of ideas, humour and honesty as Rita’s confidence blossoms and heavy-drinking Frank wrestles with his demons and the possibility of a second chance.

As Rita discovers the worlds of art, culture and self-expression, she begins to question the life others expect her to live. Change, however, comes with difficult choices, whereupon both teacher and student must reconsider who they are and who they want to be. Tickets for the 7.30pm performances are on sale at tickets.41monkgate.co.uk.

Coming next from Neon Crypt

NEON Crypt will stage The Battersea Poltergeist and Uncanny podcaster, broadcaster and journalist Danny Robbins’s smart, modern-day London supernatural thriller 2:22 A Ghost Story at Theatre@41, Monkgate, York, in Halloween week.

“Nick Hern Books contacted us to say the rights were becoming available from midday that day and would we be interested?” says Neon Crypt artistic director Jamie McKeller, who will feature in the cast alongside Laura McKeller, Laura Castle and Michael Cornell, directed by Alex King.

More details will follow.

Dr Dorian Deathly: Making the Grand Opera House his latest haunt for ghost stories

Deathly Dark Tours to go behind scenes at Grand Opera House on May 25

DR Dorian Deathly, alias Jamie McKeller, is teaming up with the Grand Opera House, York, for a “unique experience on stage and behind the scenes after dark” as visitors investigate the Cumberland Street theatre’s 120-year history with the York ghost walk host on May 25.

Deathly Dark Tours supremo Dorian will lead ghost-walkers on a backstage tour replete with stories of people connected with the theatre’s past. Tours will start at 6pm, 7pm and 8pm. Box office: atgtickets.com/york.

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Martha Godber premieres survival tale Jesse North Is Broken at York Theatre Royal

Nursing a hangover: Martha Godber’s Jesse North in her new play Jesse North Is Broken

MARTHA Godber will perform the world premiere of Jesse North Is Broken, her solo theatre piece on the theme of working-class survival in Britain, at York Theatre Royal Studio from May 11 to 14.

Actress-writer Martha, Hull-born daughter of playwright John Godber and fellow writer-director Jane Thornton, will be directed by Millie Gaston in the John Godber Company production.

Jesse, 25, from Hull, is a carer on minimum wage, keeping the elderly alive while trying to live her own messy, chaotic life. Told over one night, Jesse North Is Broken follows her from care shift to the dance floor, from the late-night kebab to an early-morning call-out as she battles the system that undervalues her and the city that shapes her, all while her ADHD-fuelled thoughts and anxious mind crave order in the chaos.

“Both political and personal, the show shines a light on working-class survival in Britain today – where carers are underpaid, the care system is crumbling, and young women are left to piece themselves together in a society that keeps breaking them,” says Martha.

LIPA-trained Martha last appeared on the York Theatre Royal stage in June 2025 in the John Godber Company’s tour of John Godber’s hymn to the abiding power of Northern Soul, Do I Love You?.

Martha Godber: Hull-born actress and writer

“I’m thrilled to be bringing Jesse North Is Broken to York Theatre Royal; it feels like the perfect venue to premiere the show,” she says. “As someone from Hull, I’ve always been drawn to telling northern stories, and this piece does exactly that.

“I’m passionate about creating female characters who are unapologetic, bold and command the stage, celebrating the northern female voice in all its complexity.

“At its heart, the show explores connection, pain, love and loss, set against the realities of government policy, the care system and the social pressures of a working-class town. It’s a fearless piece of new writing and I hope it resonates deeply with contemporary audiences.”

Jesse North Is Broken emerged from Martha “always thinking about different ideas for writing about”. “I was also a bit fed up of the type of roles I was going for as a female and especially as a northern female,” she says. “I wanted to do something that was visceral, female, brash, on stage.

Martha Godber, right, and Chloe McDonald in John Godber’s hymn to Northern Soul, Do I Love You?

“I originally wrote it on the train from London to Hull, when I was feeling, ‘I need to get something written down’, as I was interested in doing a spoken-word piece – and it just fell out of me, the first draft.”

She was drawn to the subject of care work from her family experiences at the time. “My grandparents were having carers coming in, and I thought maybe I could draw these two things together as originally it was about a young Hull woman’s night out,” says Martha.

“Then I interwove the care worker and the subject of people at work into the story: that thing of working in a pressured environment, where there’s a lot of end-of-life care. That experience of going out at night as a young vibrant woman and yet dealing with people in need of that care.

“I was also interested in the theme of connection: how she goes from having a one-night stand to going back to the woman she’s caring for, who’s 93.”

Martha has written four drafts of her play. “Especially when it’s a new show, you are always adding new elements, particularly once we started rehearsals, but also to reflect how things have changed since meeting up with one of the care workers I spoke with,” she says.

John Godber Company’s poster artwork for Jesse North Is Broken, premiering at York Theatre Royal Studio

“I really want the play to be relevant and current, putting that on stage to make sure the subject resonates with the people watching it.”

Martha draws on her own experiences, not least in Jesse’s “ADHD-fuelled” thoughts and anxiety. “The way it comes out of my head, it makes sense to lace it into her character as it leads to spontaneous decisions within the complexity of a female character, making these decisions through the night that maybe she should not have made,” she says. “I wrote from my own experiences, as I can’t not do that, because it creates relatability.

“That’s also why I wanted to create a solo space to perform in because often there isn’t that space for women to take up, one that’s visceral and overt.”

As for the impact of her father, John Godber,  on her work, Martha says: “He’s my biggest inspiration.”

John Godber Company presents Martha Godber’s Jesse North Is Broken, York Theatre Royal Studio, May 11 to 14, 7.45pm plus 2.30pm Saturday matinee. Age guidance: 15 plus. Content guidance: Strong language and sexual references. Post-show discussion: May 13. Box office: 01904 623568 or yorktheatreroyal.co.uk.

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REVIEW: 1st Zanni Theatre in A Kingdom Jack’d, York International Shakespeare Festival, Merchant Adventurers’ Hall, York, tonight, 7.30pm ***

Seat of power: Rosy Rowley’s Jack Falstaff, the fool mid-stool expunging on the throne. Picture: John Saunders

AMERICAN playwright Scott Bradley plays his Trump card by association in the York International Shakespeare Festival world premiere of A Kingdom Jack’d.

In situ for a month of rehearsals with fellow American Tempest Wisdom’s York company 1st Zanni Theatre, award-winning Iowa playwright, actor, director, producer and university lecturer Bradley asks the question: What if disgraced knight Jack Falstaff had landed on the throne in 1399, instead of serious warrior king Henry IV?

Enter birthday girl Rosy Rowley’s Falstaff – now King John II, no less – with a bibulous burp. Stupid, lecherous, selfish and still as funny as Queen Elizabeth I once found her favourite Shakespeare rogue, Bradley’s rambunctious lush must somehow fund the army, balance the budget and make foreign policy, betwixt naps, plentiful imbibing at the Boar’s Head Inn, Eastcheap, and multiple meals at any excuse.

At full throttle: Oliver James Parkins’ Henry “Hal” Holingbroke in a fight to the death with Katie Leckey’s Harry “Hotspur” Percy in A Kingdom Jack’d. Picture: John Saunders

In Bradley’s satirical spin on Shakespeare’s Henry IV Part I, Falstaff’s government is drunk, his enemies are plotting, the Welsh are rising, even his allies are scheming, and girlfriend Doll Tearsheet (the outstanding Julia Bisby), the smart London harlot, wants in on the action.

Whipped up in two brisk 45-minute halves, book-ended by Jai Rowley’s pastiche period score, A Kingdom Jack’d pumps up the satirical volume with clowning physicality under Wisdom’s direction, while sounding the alarum bells for the consequences of buffoonery in positions of power.

As Wisdom puts it: “Scott has made Falstaff not only unpredictable, but dangerous. He now has institutional power on top of his pre-existing social power, and the thrill of watching the effects of that power unfold is hilarious and sickening in equal measure.”

Ro Trimble’s Lady “Kate” Percy in discussion with Katie Leckey’s Harry “Hotspur” Percy. Picture: John Saunders

In performance, the impact is more scabrously and scatalogically humorous than sickening (unless you are squeamish about the surfeit of swordplay in the Grand Guignol finale as the bodies pile up like uncollected bin bags in Birmingham in Pearl Mollison’s no-holds-barred fight choreography).

Rowley’s Falstaff is lairy, licentious, lewd, flippant as a pancake, and Bradley, Wisdom and Rowley alike revel in the symbolism of Falstaff flagrantly conducting ablutions in full view of all and sundry. By Rowley’s side, Bisby’s nimble Doll is droll and astute with a waspish crack of the quip in her putdowns.

Julia Bisby’s Doll Tearsheet stands over Rosy Rowley’s prone Jack Falstaff. Writer Scott Bradley, second from left, seated, front row, looks on. Picture: John Saunders

In a cast of 12, Wisdom draws both high energy and rhythmic versifying from their cast of 12, all relishing the proximity of the audience to the thrust staging within the timber frames of the history-soaked hall.

Kitted out splendidly in Grae Heidi-Brookes’s hand-made costumes, Oliver James Parkins evokes Charlie Chaplin’s face, floppy hair and impishly disruptive comedy in Henry “Hal” Holingbroke; Jodie Foster is a riot as Lady Quickly and especially the intemperate Owen Glendower; Jimmy Johnson and Katie Leckey maximise the clowning in their head-banging Sir Pistol & Sir Nym double act and Ro Trimble’s impresses equally in the high camp of Edmund Mortimer and the scheming allure of Lady “Kate” Percy.

In a running joke by Bradley, Lou Dunn’s shrunken wallflower John Bolingbroke keeps being forgotten or ignored by everyone on stage, but not by the audience. Elsewhere, not everything is easy to follow in the plot, especially in Act Two, but maybe that is a nod to Shakespeare too by the ever canny, mischievous Bradley.

Box office: yorkshakes.co.uk.

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WizardFest to return for magical second season on York streets from May 23 to 25

The Wizard of York: Bringing magic and wizardry to York’s streets in May. Picture: The Story of You

PHOENIX the Red, The Wizard of York is to host his second WizardFest from May 23 to 25.

York’s official Festival of Wizardry will be a city-wide magical event, spread across such sites as Parliament Street, Shambles, St Helen’s Square and York Minster.

“It promises magical fun for wizards and witches of all ages and is shaping up to be a lot bigger than last year,” says organiser Dan Wood, alias the wand-ering Wizard of York, as he looks forward to casting a spell over York once more.

“There’ll be lots of new things going on, including taking over Parliament Street with a Wizard Activity Zone with face painting, wand making, performers and a Wizard Family Rave at Thor’s Tipi.

The WizardFest Fancy Dress Parade crowd at the 2025 festival. Picture: The Story of You

“We have 25 activities on the magical map, including trails, tours, bubble shows, dragons, owls, wand making, LEGO workshops, a Magical Night Market, Fancy Dress Parade and more.”

The festival announcement follows in the wake of magical mirth-maker Dan’s Wizard Walk of York winning Independent Business of the Year at the Visit York Tourism Awards, as well as Experience of the Year for the second year running, while last May’s inaugural WizardFest was a top three finalist for Festival of the Year.

Dan says: “Championing local businesses is at the very heart of what we do. We work with companies who we believe offer something special, and great value, for locals and tourists. WizardFest is all about putting them on the map, quite literally!”

He will be collaborating with Little Vikings to spread the wizarding word and has lined up six sponsors including York’s Loopy Scoops, Baby Boy’s Burgers and The Cat Gallery.

Meet a Dragon at Wizard Fest. Picture: The Story of You

Face painting at WizardFest. Picture: The Story of You

“We were blown away by the support for the first festival,” adds Dan. “Tickets vanished quickly and we can’t wait to do it all again. Fan favourites will return, including extra Wizard Walks, Brick Magic LEGO workshops and a wizard twist at Professor Kettlestring’s Puzzling World.

“Visitors can enjoy free trails, including The Black Cat Quest from The Cat Gallery – with new locations – and The Magical Owl Trail in Shambles Market by Make it York.

“Real owls will be appearing at St Crux Church on York’s Shambles on the Saturday, courtesy of The Flying Squadron, and Make It York will be bringing back The Magical Night Market, with more than 30 traders appearing – as if by magic – on the Monday evening. Expect a spellbinding setting, with wonderfully whimsical characters to meet and greet.”

Parliament Street will be transformed by Dan into a new Wizard Activity Zone. “There’ll be face painting, wand making, and families can get in a spin with the Party Octopus 360 video experience,” he says. “Thor’s Tipi is getting the party started with their Wizard Family Rave and offering Butterbeer with free wizard specs for every child.

The Wizard of York leading the Fancy Dress Parade at the 2025 WizardFest. Picture: The Story of You

“Chocolate unicorns can be made and decorated at York Cocoa Works and The Giant Bubble Show at Friargate Theatre is new too for 2026. Families can enjoy 60 minutes of jaw-dropping bubble tricks from The Bubble Wizard.”

Wandering wizards will not go hungry either. “The Dragon Sundae returns to Loopy Scoops, with the chance to meet Ignis (Iggy) the Dragon nearby too,” says Dan. “You can sink your teeth into a Beastly Burger from Baby Boy’s Burgers at SPARK: York or try the fiery Phoenix Fries in Shambles Market.”

A highlight last year was the free Fancy Dress Parade and Best Dressed Contest on the final day. “This will return for 2026, on May 25, starting at 3.15pm in St Helen’s Square, then heading down Stonegate to York Minster,” says Dan. “Visitors are encouraged to dress to impress for the chance to win some spellbinding prizes.

“We’d love to see some really different or unusual outfits. The theme isn’t limited to one particular wizarding world. You could take inspiration from Harry Potter, The Lord Of The Rings, Discworld or Wicked. Perhaps come as a magical creature or your own original creation!”

The Bubble Wizard performing at WizardFest

Prizes are donated by The Wizard Walk, The Society of Alchemists, Stonegate Teddy Bears and The Shop That Must Not Be Named.

Activity listings can be found at www.wizardwalkofyork.com/wizardfest, where bookings can be made too. “I can’t wait to see everyone at the festival and to celebrate the best of magic and family fun in York,” says Dan.

“Plan your visit at www.wizardwalkofyork.com/wizardfest and follow @wizardwalkofyork on Facebook and Instagram for updates. Almost all events sold out last year, so early planning is recommended before tickets…vanish!”

A magical map will be available to download, along with printed copies during the event.

On fire: Dan Wood, alias Phoenix the Red, the Wizard of York: Organiser of WizardFest

More wizard news for Dan

THE Wizard Walk of York has ranked in fourth place in Family Friendly Experiences worldwide in the 2026 TripAdvisor Travellers’ Choice Awards.

“The accolade puts the activity above experiences such as turtle snorkelling in Bali and a ninja experience in Tokyo,” says the Wizard of York, alias Phoenix the Red, the creation of York magical mirth-maker Dan Wood.

The tours leave from York’s Shambles and can run up to six times daily in the holidays, organised by Dan, who lives near York with his wife and two boys and loves creating magic moments for locals and tourists alike.

“We were actually awarded first place last year in same awards, but are still absolutely spellbound with the fourth position globally. It’s mind-blowing to think that our small family business – with big ideas – can reach such heights worldwide.”

The awards are based solely on visitor feedback, complemented by York’s wand-ering wizard having many other awards up his sleeve too. The business won Experience of the Year for the second time in the Visit York Tourism Awards 2026, as well as Independent Business of the Year.

In the Little Vikings Awards for Kids, The Wizard Walk of York has picked up the Best Tour prize four years running and Best Birthday Party Entertainer twice.

The Wizard of York on his Wizard Walk of York. Picture: The Story of You

“We put magic first in all that we do,” says Dan. “We’re all about making magical memories and bringing fun and laughter to families visiting our enchanting city. Visitors often describe it as the highlight of their whole visit, and we can’t ask for more than that.”

The Wizard Walk Of York tour is a quest to find magical creatures around York – led by either Dan himself as Phoenix the Red or second guide Viridian the Green. “The interactive experience combines magic, illusion, storytelling and more jokes than you can shake a wand at,” says Dan.

“We love York’s rich history, but this isn’t a historical tour. There are lots of those, and we set out to create something totally different. There are no ghosts stories, and it’s not a Harry Potter tour either – although the theme makes it popular for fans of the wizarding world.”

Dan’s company is expanding, to the point where he is seeking a third wizard guide, while conjuring new ideas and partnerships too.

The magic never stops for Dan and his team: as well as running public tours, birthday parties and school trips weekly, he is busy working on the city’s second official Festival of Wizardry, Wizard Fest (see story above).

All TripAdvisor Travellers’ Choice Awards can be found at https://www.tripadvisor.com/TravelersChoice-ThingsToDo. York Minster was crowned 12th in the UK’s Top Attractions.