Rob Rouse : Comedians’ comedian of the year. Picture: Karina Lax
ROB Rouse takes to the roads from today, bringing his Funny Bones stand-up tour to Pocklington Arts Centre on March 12, buoyed by winning Comics’ Comic Best Act of the Year 2025.
Determined exclusively via a poll of comedians on the UK circuit, the award recognises the Cheshire-born comedian’s standing after more than 25 years on the circuit. “I’m thrilled and absolutely knocked over by it,” says Rob, 52, of his January honour.
“It’s taken me completely by surprise. I’m very grateful and genuinely touched to receive this. We all love making audiences laugh and we all love the feeling of getting a laugh from our fellow clowns at the back of the room. It’s one of the things that encourages us to keep going and keep writing.
“I’ve been doing this a long time and to be acknowledged by your peers, who truly understand the highs and lows of this crazy job, feels deeply moving and humbling.”
Rob further reflects: “It made me really quite emotional. I’ve never believed that showbusiness is competitive in any way, shape or form . It isn’t, and the more time you spend doing it, you realise that, even those who are at the top of the tree, even they can feel there’s something not quite in place or something they’ve never got right.
Rob Rouse: Comedian, actor, podcaster and comedy club host
“The essence of creativity is that you’re always searching, and this award was like lots of my friends and colleagues saying ‘we really like you, Rob’, just as I love them. We’re all part of this ragbag of clowns, and what we all share is standing on stage and just mucking around, making people laugh and having fun.”
He will be doing exactly that when his “lap of honour” travels with Funny Bones take in further Yorkshire gigs at Helmsley Arts Centre, March 20; Stephen Joseph Theatre, Scarborough, March 21; Crookes Social Club, Sheffield, March 26; Richmond Georgian Theatre Royal, March 27; Leeds Glee Club, April 12, and Lawrence Batley Theatre, Huddersfield, April 17, further boosted by Rob taking home the Best Act prize from the 2025 Yorkshire Comedy Awards.
We all know of the benefit of laughter, how it triggers the brain to releaseendorphins that act as “feel-good chemicals”. Does that make Rob smile? “I wholeheartedly believe it’s good for us, as the world is very complicated – though, despite what you might think, statistically we’re living in the safest time in history. These are immutable facts.” (Footnote: Rob was speaking before the unfolding of this week’s events in Iran and the Middle East.)
When putting together a new show, such as Funny Bones, he applies this modus operandi: “I just try to do on stage what I’d like to watch myself, so I’ll try stuff out at gigs and if it works, I keep doing it; if it sort of works, I keep doing it; if it doesn’t work, I stop doing it,” says Rob, who topped the Laugh Out Loud Comedy Club bill at York Barbican last March.
He recalls being inspired by the surrealist work of Vic Reeves and Bob Mortimer. “They were the ones who lit a fire in me as a teenager, thinking, ‘this is fun, I love this’. What I really love about them is that they didn’t ask anyone’s permission to do what they do. They had the essence of punk about them,” says Rob.
“I love Fry & Laurie, Eddie Izzard, Fawlty Towers, Tommy Cooper, The Young Ones, but there was something about Vic and Bob that felt celebratory. Their comedy was a lightning bolt.”
One man and his skeleton dog: Rob Rouse in Funny Bones. Picture: Karina Lax
Yet he could not have foreseen his comedy career. “If anything, I was a shy child, and the thought of stepping out on stage frightened me,” he says.
So much so that, filled with nerves about performing at a primary school assembly, he accidentally placed his foot in a crate, cutting his head open on the corner of a table as he fell, and duly needed stitches. “I remember thinking, ‘that’s good, I don’t have to go on stage now,’” says Rob.
Rob studied Geography at Sheffield University “when it was just about escaping the world”. “A good friend of mine was in the university drama group; I’d split up with my girlfriend and was moping around the place, and they said ‘you should get off your backside and do an audition’,” he recalls.
On the first night of the subsequent production, when the stage ‘flats’ collapsed, Rob was the only one on stage. “I ended up talking to the audiences on my own, and the laughs I got from that felt different from the laughs I got in the play,” he says. “It made me think, ‘oh, that’s interesting’, so the bulb had been planted.”
Rob then performed a ten-minute set at a charity gig at the Fox & Duck, Sheffield. “I remember being nervous, even puking before the show, but it was also an absolute rush,” he says.
“I’ll try stuff out at gigs and if it works, I keep doing it; if it sort of works, I keep doing it; if it doesn’t work, I stop doing it,” says Rob Rouse. Picture: Karina Lax
Moving to London, he booked open-mic spots through Time Out and went on to win Channel 4’s So You Think You’re Funny Award at the 1998 Edinburgh Fringe with his combination of joyous silliness, infectious energy and storytelling craft.
He has since starred in the BBC’s Upstart Crow, playing manservant Ned Bottom to David Mitchell’s William Shakespeare, as well as appearing on 8 Out Of 10 Cats and The Friday Night Project, touring all over the world, clocking up 12 Edinburgh Fringe shows and performing in two sold-out West End runs of Upstart Crow The Play
Now living in the Peak District, he is resident host of The Comedy Village at the Crookes Social Club in Sheffield, where he bills himself as the “comedy village idiot”.
Funny Bones marks his return to solo touring in a high-spirited show built on craftily spun tall tales, eerily convincing characters, bucketfuls of manic energy, daft flights of fancy and a barrage of one-liners in a celebration of comedy and being alive.
“I purchased the skeleton suit online for the photo-shoot, but it had a boil-in-the-bag effect on me! It’s made of plastic, completely unbreakable, but it’s just too hot to perform in,” says Rob. “I wouldn’t inflict that on the audience. After three nights, I’d have to hand out nose pegs!”
Tickets are on sale at: Pocklington, 01759 301547or pocklingtonartscentre.co.uk; Helmsley, 01439 771700 or helmsleyarts.co.uk; Scarborough, 01723 370541 or sjt.uk.com; Sheffield, thecomedyvillage.com; Richmond, 01748 825252 or georgiantheatreroyal.co.uk; Leeds, 0871 472 0400 or glee.co.uk; Huddersfield, 01484 430528 or thelbt.org.
“We’re all part of this ragbag of clowns, and what we all share is standing on stage and just mucking around, making people laugh and having fun,” says Rob Rouse of the life of a comedy performer. Picture: Karina Lax
Rob Rouse: back story
Television and film work
STARTED his career in television as a “warm-up” on the hit BBC sitcom Coupling, where he entertained the studio audience between filming.
Rouse starred in the first series of the BBC Three sitcom Grownups and Guilty Pleasures, a new chat show that he hosted. Played uncredited role in Penelope, Mark Palansky’s feature film premiered at Toronto International Film Festival in September 2006.
In 2005, Rouse co-presented Channel 4 entertainment show The Friday Night Project, now known as The Sunday Night Project. Starred in Channel 4 sketch show Spoons.
Acting work took in a role in ITV comedy-drama Tunnel Of Love and starring role in BBC3 sitcom The Bunk Bed Boys. Cast member for E4’s The Pilot Show.
Panellist on 8 Out of 10 Cats and Bognor Or Bust.
In 2007, he starred as Robert Thornton in ten episodes of Paramount Comedy shorts The Former Ambassador Robert Thornton. Starred in Mad Mad World on ITV1 since Spring 2012.
Plays Ned Bottom in BBC Two’s Shakespeare sitcom Upstart Crow, written by Ben Elton, appearing alongside David Mitchell, Harry Enfield, Mark Heap and Liza Tarbuck.
Other work
Rouse and his wife, comedy writer and performer Helen Rutter, present comedy self-help podcast Rob And Helen’s Date Night, charting a series of odd dates including horse riding, life-drawing in front of a fire, and the couple recording Rage Against The Machine’s Killing In The Name, live in their garage.
Rouse and Rutter starred in Rutter’s play The Ladder, premiered at the 2018 Edinburgh Fringe, based on an accident when Rutter’s hand became stuck in a ladder at home, necessitating Rouse’s attempts to help her.
Specialising in self-aware collaborative comedy focusing on their real-life relationship, they presented Funny In Real Life at the 2019 Edinburgh Fringe.