MIXED media artist Jill Tattersall and ceramicist Sylvia Schroer unite for an Artists’ Open House at Jill’s studio, The Wolf At The Door, 11 Mount Parade, York, on April 5 & 6 and April 12 & 13 in an alternative to the York Open Studios on those two weekends.
“All are welcome from 10am to 4pm each day,” says Jill. “It’s not a formal open house/studio, more an informal chance to see friends (and anyone interested), show some new and ongoing work and some of the processes involved, and generally catch up on life after a long and drear winter.
“I’ll be joined by my friend Sylvia Schroer with her innovative and distinctive ceramics. Always good to have excellent company when opening the doors.”
Dr Schroer had been set to take part in York Open Studios at Lady Kell Gardens in Haxby, but instead she will be showing her sensitive figurative sculptures – busts and torsos – as well as hand-built and wheel-thrown functional and decorative pottery at Wolf At The Door after being “deselected” since the 2025 brochure was printed.
“I had done a lot of work preparing for York Open Studios but was sadly unable to take part,” Sylvia posted on Facebook on March 27. “I was absolutely heartbroken and it was costing me a lot of money. So I am very glad to be able to show my work at an independent open house with such a fantastic artist and lovely person as @jilltattersallartist.” More on this subject later.
Jill jumped at the chance to offer Sylvia an exhibition space, in keeping with her long-standing commitment to collaboration. “I have 20 years’ experience of taking part in and helping to run Open Studio schemes in Newark, Lincolnshire and Brighton and try to avoid wearisome and unnecessary politics,” she says.
“An artist’s life has never been an easy one, and current world events don’t help. Mutual support and collaboration are essential to us all. We just need to get on, represent local artists, and create some colour and joy and fun for the local community. So much needed right now!”
Why call the studio Wolf At The Door, Jill? “There is a Wolf, a large one,” she says. “When I spent more than ten years or so in Brighton, sculptor Iaian Tatam made the Wolf from recycled materials and, more than life-size, it became part of our lives.
“This was what set the tone for some truly interesting and offbeat collaborations. Brighton was a good place for this! We held many art-related events, as well as taking part in Brighton and Hove Artists’ Open House.
“We wanted to embrace and celebrate all aspects and varieties of art and to have some fun at the same time! Some of our collaborations and star turns involved: books, paintings and sculptures, recitals, previews and performances, garden art, ceramics, puppetry, science…you name it!”
Reflecting on those south coast days, Jill says: “I do miss the Brighton Wolf At The Door events when we hosted so many inspirational creative people: artists, writers, actors and singers even! Though a propos of that, I shall again be taking part in Brighton and Hove Artists’ Open House all May as part of the wonderful Art In Bloom.”
Jill has brought her brushes and brio to York, setting up her Artists’ Open House days and taking part in The Other Collective exhibition at Bluebird Bakery, Acomb, in February and March, featuring five artists not selected for York Open Studios 2025: Jill, Rob Burton, Liz Foster, Ric Liptrot and Lu Mason. Or “the Five Refusés”, as former medieval French university lecturer Jill called them.
Down the years, Jill has taken part in many exhibitions, projects and commissions. “My work’s all over the place, from Peru to Tasmania, even the official residence in Rwanda,” she says.
“My main obsession is with patterns. They’re all around us; we’re made up of them ourselves. Force meets counter-force and patterns emerge: coasts and weather systems, stars and galaxies, trees and blood vessels, maps and mazes. It’s where science and art intersect!
“I constantly experiment with materials and techniques, often using my own hand-made paper and water-based paints, inks, dyes and pigments to build up intense and glowing colour. Throwaway or reclaimed elements often sit side by side with gold and silver leaf. Value, price, worth…who decides.”
Jill, whose latest works take the theme of sunshine, will be holding a solo show at Bluebird Bakery, Acomb, from May 5 to the end of June and will make her North Yorkshire Open Studios debut on June 7 & 8 and June 14 & 15, from 10am to 5pm, followed by a further NYOS weekend on November 1 & 2, from 11am to 4pm. More than 200 artists will be taking part” in an event that she describes as “friendly and collaborative”.
Now, let’s return to Sylvia Schroer’s frustrations with York Open Studios. In an earlier Facebook post on March 13, she wrote: “I did not withdraw from York Open Studios. I would not have withdrawn after the directory was printed unless I was ill. This would have been letting down visitors – who in my case would be travelling to an out-of-town venue. It would have been letting down artists with whom I was sharing a venue & working with.
“I had been making and preparing work for months for Open Studios and was greatly looking forward to taking part. So, I was upset when I missed the email/ deadline for the Taster [at the Hospitium, York Museum Gardens, on March 22 and 23] – by one working day – along with others and told I couldn’t take part.”
She went on: “Although I had already made all due apologies I was informed of my deselection on 3/3/25 & informed I had upset others & broken the Terms & Conditions by speaking out.
“We are trying our best here as artists and Open Studios is important financially, so deselection can feel like losing a job. It’s sad for us and hard for us and I don’t think it has to be like this. Other cities don’t run their Open Studios like this. It’s hard when an artist isn’t selected or is deselected & I see artists being very upset indeed & hard hit financially. Why not print a bigger directory? We pay to be part of Open Studios and pay £hundreds in commission. £thousands in some instances.”
Her post concluded: “Speaking out here [on Facebook] will probably result in my being refused the right to apply ever again. But I do not want to be part of something that humiliates artists, punishes them and makes them feel their work isn’t good enough. I am looking forward to a more joyful experience showing my work at an independent artist’s house/studio.”
In a further statement, Sylvia said: “Unfortunately I had a disagreement with the chair/committee and there was no way to resolve it. It was never my intention to cause offense (sic) and hurt. I just wanted my work and that of other artists who had missed an email about the Hospitium Taster event (and just missed the deadline of Feb 14th) to be included. I apologise, once again, for any offense (sic) I may have caused.”
An interview with York Open Studios 2025 chair Christine Storrs will appear in The York Press and at charleshutchpress.co.uk on Thursday.