Danny John-Jules, left, Christopher Harper and Hannah Rose Caton in The Da Vinci Code
THE world-premiere stage adaptation of Dan Brown’s thriller The Da Vinci Code will NOT be playing the Grand Opera House, York, from May 30 to June 4 after all.
Blame theatre’s perennial enemy – “unforeseen circumstances”- for the cancellation. “Grand Opera House, York, is sorry for any inconvenience,” the Cumberland Street theatre’s statement concludes.
Directed by Luke Sheppard, who was at the helm of the award-winning West End musical & Juliet, the debut tour was in the diary for January 10 to November 12.
However, the producers have decided: “Due to the current challenges of touring, we have made the difficult decision to conclude The Da Vinci Code earlier than expected. We are extremely proud of the work done by the cast and creative team who made this wonderful show, and we hope that it will be seen again before long.
“We apologise for any disappointment caused and ask that audiences continue to support theatre as the industry continues to recover.”
When announcing the tour, producer Simon Friend had said: “We have a truly stellar cast and creative team bringing The Da Vinci Code to life on stage for the first time, and with Dan Brown’s full endorsement of the show and the talented director Luke Sheppard at the helm, we’re confident that we’ll please devoted fans as well as newcomers to this magnificent story.”
Juilliard School’s Drama Division graduate Hannah Rose Caton in her British stage debut as Sophie Neveu in The Da Vinci Code. Picture: Oliver Rosser
Should you need a quick refresher course on what now will not be unfolding in Rachel Wagstaff and Duncan Abel’s stage adaptation in York, the curator of the Louvre, in Paris, has been brutally murdered. Alongside his body is a series of baffling codes.
Professor Robert Langdon and fellow cryptologist Sophie Neveu attempt to solve the riddles, leading to the works of Leonardo Da Vinci and beyond as they delve deep into the vault of history. In a breathless race through the streets of Europe, Langdon and Neveu must decipher the labyrinthine code before a shocking historical secret is lost forever.
Director Sheppard said of the stage adaptation: “Cracking The Da Vinci Code open for the stage reveals an epic thriller steeped in theatrical potential, rich in suspense and surprising at every turn.
“Rachel Wagstaff and Duncan Abel’s brilliant adaptation leaps off the page and demands us to push the limits of our imagination, creating a production that champions dynamic theatrical storytelling and places the audience up close in the heat of this gripping mystery.”
In York, Coronation Street star Chris Harper would have played Robert Langdon alongside Danny John-Jules as Sir Leigh Teabing, Hannah Rose Caton, in her British stage debut as Sophie Neveu, and Joshua Lacey as Silas.
The Grand Opera House is contacting ticket holders.
Helen Charlston: New artistic adviser to the York early Music Festival. Picture: Benjamin Ealovega
MEZZO soprano Helen Charlston is to become an artistic adviser to the York Early Music Festival from this month.
Helen’s appointment covers the 2022-2024 festivals, joining fellow advisers John Bryan, Lindsay Kemp and Peter Seymour.
She is taking over from harpsichordist Steven Devine, who will stand down after this summer’s festival.
Since York Early Music Festival began in 1977, guest advisers have included Robert Hollingworth, Catherine Bott, Elizabeth Kenny and Thomas Guthrie.
The cover artwork for Helen Charlston’s lockdown album, Isolation Songbook
Helen is establishing herself as a key performer in the next generation on British singers. Winner of the London Handel Competition in 2018, she was a founder participant in the Rising Star of the Enlightenment’s programme, working frequently as a soloist alongside the Orchestra of the Age of Enlightenment.
She is a member of the Jardin des Voix academy’s Young Artist Programme with Les Arts Florissants, a BBC Radio 3 New Generation Artist and a 2018 City Music Foundation Artist.
This year, Helen makes her debut in San Francisco with the Philharmonia Baroque Orchestra, singing Irene in Handel’s Theodora. She also will perform with the Dunedin Consort, Akademie für Alte Musik Berlin, RIAS Kammerchor, Scottish Chamber Orchestra and La Nuova Musica, as well as making her debut at the Cheltenham and Norfolk & Norwich Festivals.
Helen won the Ferrier Loveday Song Prize in the 2021 Kathleen Ferrier Awards and is heard regularly on the concert platform with prominent British collaborative pianists. She has performed at Oxford Lieder Festival, Leeds Lieder, the Ryedale Festival, the Wigmore Hall and the Concertgebouw in Amsterdam.
Helen Charlston: BBC New Generation artist
Her debut album, Isolation Songbook, was commissioned in response to the Covid-19 pandemic lockdown for release on Delphian Records in March 2021, after she premiered 15 songs and duets with Michael Craddock and Alexander Soares, written during lockdown in 2020 as a musical response to the changing world in which we found ourselves.
Her second solo album, Battle Cry She Speaks, will arrive on May 27, again on Delphian Records. Inspired by the music of Strozzi, Purcell and Monteverdi, the recording is centred on a new song cycle for Helen and lutenist Toby Carr.
She began singing as chorister and head chorister of the St Albans Abbey Girls Choir. She studied music at Trinity College, Cambridge, where she held a choral scholarship from 2011 to 2015, and was a scholar on the Pembroke College Lieder Scheme, led by pianist Joseph Middleton.
The artwork for Helen Charlston’s May 27 album, Battle Cry She Speaks
Helen has a long-standing association with the National Centre for Early Music, in Walmgate, where she has appeared in many concerts in both the York Early Music Christmas Festival and York Early Music Festival, larger performances with the Yorkshire Bach Choir and at the University Song Days held there.
She was a member of Fieri Consort when they won the Cambridge prize in the 2017 York Early Music International Young Artists Competition.
Delma Tomlin, York Early Music Festival administrative director and NCEM director, says: “We are delighted to welcome Helen as a new artistic adviser, joining our already established team of experts.
“Artistic advisers play an important part in the development of our work, and we are sure Helen’s expertise and experience will be huge assets to the festival. Helen has a long association with York and we are looking forward to working with her.
“Helen’s expertise and experience will be huge assets to the festival,” says York Early Music Festival administrative director Delma Tomlin
“We are sure she will bring some brilliant and fresh ideas as we move towards York Early Music Festival 2023.”
Helen says: “I’m very excited to be joining the York Early Music team as artistic adviser. It’s such an honour to be working with one of Europe’s most important and progressive Early Music festivals, with a reputation for promoting and championing the work of young emerging artists.
“I always love performing in York and now I can look forward to spending more time working in this beautiful city and soaking up the atmosphere of the fabulous medieval splendour of the festival’s hub in St Margaret’s Church.”
York Early Music Festival 2022 will run from July 8 to 16. Find the full programme at: ncem.co.uk/whats-on/yemf/
“It’s such an honour to be working with one of Europe’s most important and progressive Early Music festivals,” says Helen Charlston
Robert Gammon: Piano accompanist for Isobel Parsons’ concert at St Chad’s Church
CELLIST Isobel Parsons will play a Dementia Friendly Tea Concert at St Chad’s Church, Campleshon Road, York, on May 19.
Isobel is in her final year of music studies at the University of Leeds and is a pupil of renowned cello teacher Sue Lowe.
Accompanied on the piano by Robert Gammon in a 2.30pm programme of lively and serene music, she will play familiar pieces, The Swan from Saint-Saëns’ Carnival Of The Animals, a Bach Partita and Suk’s Serenade, plus folk songs by Schumann and Faure’s Après un Rêve and Élégie.
As usual, the format will be 45 minutes of classical music followed by tea, coffee, homemade cakes and a chance to chat.
Along with the small church car park, there is on street parking along Campleshon Road, but it can be busy, so do allow plenty of time. Wheelchair access to the church is via the church hall.
“The event is a relaxed concert, and ideal for people who may not feel comfortable at a formal classical concert, so we do not mind if the audience wants to talk or move about,” says organiser Alison Gammon.
“Seating is unreserved and there’s no charge to attend, although donations are welcome. We give the hire cost to the church and the rest goes to Alzheimer’s charities.
Dates are in the diary for all the series of Thursday concerts until Christmas: June 16, Peter and Julia Harrison, flute and poetry reading; July 21, Hannah Feehan, guitar; August 25, Robert Gammon, piano; September 15, Flauti Felice, flute ensemble; October 20, Billy Marshall, French horn, and Robert Gammon, piano; November 17, Giocoso Ensemble, wind group; December 8, Ripon Resound Choir.
YORK Musical Theatre Company & Friends have raised £2,133 for the DEC Ukraine Humanitarian Appeal from A Concert For Ukraine, held on April 30 at Our Lady’s Church, Cornlands Road, York.
Organiser Sophie Urquhart says: “As we’ve all been so horrified by the tragic images on the news every night from Ukraine, I felt determined to do something, however small to help.
“As a member of York Musical Theatre Company (YMTC), it seemed an ideal solution to put on a concert for people to enjoy and to raise funds at the same time.
“The rest of the company couldn’t have been more enthusiastic, and once our musical director, John Atkin, was on board, the whole plan came together, inviting members from other local theatre companies to join us.”
Last Saturday’s programme featured multiple show tunes from West End musicals past and present, ranging from old favourites from Les Miserables, The Phantom Of The Opera and Sweeney Todd: The Demon Barber Of Fleet Street to a couple from YMTC’s next show, Jekyll & Hyde The Musical, now in rehearsal for a May 25 to 28 run at the Joseph Rowntree Theatre.
“We also had a wonderful and inspirational lady called Victoria from the Ukraine opening our concert, reminding us why we were all there,” says Sophie.
All proceeds are going to the DEC Ukraine Humanitarian Appeal run by Action Aid. “For those that couldn’t attend, but would still like to donate, there’s a JustGiving page set up,” says Sophie. To give, go to: justgiving.com/fundraising/Concert4Ukraine?utm_campaign=lc.
Now, in the words of John Atkin, YMTC will “play catch-up” with Jekyll & Hyde rehearsals.
Gary Barlow’s artwork for his seven-city tour of A Different Stage
AFTER his June 10 and 11 shows at the Grand Opera House, York, sold out within half an hour last Friday, Take That legend Gary Barlow has been quick to add a Sunday matinee on June 12.
Hurry, hurry, fewer than 100 tickets are still available for the 2.30pm performance by the Wirral singer, songwriter, composer, producer, talent show judge and author.
Barlow, 51, will be presenting his theatrical one-man show A Different Stage, ahead of the September 1 publication of his autobiography of the same name by Penguin Books.
“Now I’ve done shows where it has just been me and a keyboard,” he says. “I’ve done shows where I sit and talk to people. I’ve done shows where I’ve performed as part of a group.
“But this one, well, it’s like all of those, but none of them. When I walk out this time, well, it’s going to be a very different stage altogether.”
Tickets for June 12 are on sale at atgtickets.com/York or on 0844 871 7615.
Morgan & West: Magic meets science at York Theatre Royal
GREAT Yorkshire Fringe festival favourites Morgan & West present their new show Unbelievable Science at York Theatre Royal on Saturday afternoon.
After a decade of magic shows for young and old alike, their time-travelling conjuring act is well established on the UK touring circuit, but these spiffing chaps hide a dark secret beneath their prestidigitatory prowess.
Rhys Morgan and Robert West are Oxford graduates with degrees in physics and chemistry and fully qualified secondary school teachers to boot.
Unbelievable Science: “A show to marvel and wonder at what science and nature has to offer us all”
Unbelievable Science combines the duo’s trademark showmanship and silliness with genuine scientific knowledge and a lifelong love of learning to create a fun science extravaganza for all ages.
After their nomination for a Primary Times Children’s Choice Award at the Edinburgh Fringe, science communicators Morgan & West are taking the show all over England, where audiences will experience captivating chemistry, phenomenal physics and bonkers biology.
Fires, explosions, lightning on stage, optical illusions, mass audience experiments and 3D shadow puppets await all those “wily enough to come along to be intrigued by science”.
Morgan & West: “Throwing out the jargon and making everything plain, simple, clear and enormously exciting”
“In the age of ‘so-called experts’, we felt it was time to bring families together to marvel and wonder at what science and nature has to offer us all, provoking questions and discussions as to how things work and what regular people themselves can learn from it,” say Morgan & West.
“It’s time to throw out the jargon and make everything plain, simple, clear and enormously exciting.”
Tickets to see these Penn & Teller: Fool Us winners on May 7 at 2.30pm are on sale on 01904 623568 or at yorktheatreroyal.co.uk.
Morgan & West’s poster artwork for their new modus operandi as science communicators
Jonny Woo and Le Gateau Chocolat: Cabaret stars of Now That’s What WE Call Musicals
NO musical is safe from Le Gateau Chocolat and Jonny Woo’s fabulously camp cabaret revamp in Now That’s What WE Call Musicals! at York Theatre Royal on June 2.
Dubbed the “Ebony and Ivory of drag”, Le Gateau Chocolat, Olivier award-winning star of La Clique and La Soiree, and Jonny Woo, queen of London’s alternative drag scene, present a melting pot of musical theatre, karaoke, comedy, vaudeville, variety, sing-along invitations and dress-up madness.
“Get ready to be dragged through a catalogue of our favourite musical hits, from Gypsy to Grease, Little Mermaid to The Sound Of Music,” say Gateau and Woo.
Expect sexual references and crude language in a 7.30pm show with an age guidance of 16+. Box office: 01904 623568 or at yorktheatreroyal.co.uk.
Stewart Lee: Two shows each night for three days in York
DELAYED by lockdowns, Stewart Lee’s Snowflake/Tornado double bill at last blows into York Theatre Royal from tomorrow (3/5/2022) until Thursday.
Bolstered by new material for 2022, the brace of 60-minute sets will be performed back to back nightly from 7.30pm. Good luck trying to acquire a ticket on 01904 623568 or at yorktheatreroyal.co.uk at this late stage.
Heavily rewritten in the light of two pandemic-enforced dormant years, Snowflake looks at how the Covid-Brexit era has influenced the culture war between lovely snowflakes and horrible people.
Tornado questions Lee’s position in the comedy marketplace after Netflix mistakenly listed his show as “reports of sharks falling from the skies are on the rise again. Nobody on the Eastern Seaboard is safe.”
“I’m just an old-fashioned entertainer at heart,” says Stewart Lee
Is the material still topical after a two-year layoff during the pandemic? “Well, believe it or not, the stuff in Snowflake making fun of Jimmy Carr for doing jokes about ‘gypsies’ has been in my show since 2019, as it’s the sort of thing he always does.
“So it’s just an indication of how he tends to hit the same shock buttons every time,” says Lee, in reference to the show discussing Carr’s ongoing use of material about the Traveller and Roma communities that saw calls for the 8 Out Of 10 Cats host to be prosecuted for incitement to racial hatred. “That’s a step too far, especially when he’s being condemned by members of the current government.
“The weird thing is that, because of the two-year downtime, lots of the material that was a bit ahead of the curve came into focus and goes down even better now. For example, everyone’s thought a lot more about the supposedly ‘woke’ ideas I endorse, what with Black Lives Matter and those leaked police e-mails about hating women. And Boris Johnson’s dishonesty and hypocrisy, which I discuss on stage, is undeniable now.”
Tornado takes the form of a long shaggy dog story about how Lee saw loads of rotisserie chickens being delivered to American comedian Dave Chapelle’s dressing room in London in 2018.
Stewart Lee’s tour poster for his rearranged Snowflake/Tornado itinerary in 2022
“More people know who he is now because he got in trouble with transgender people last year,” he says.
“But some material had to be ditched from Tornado after lockdown. I had 20 minutes in 2019 about what I imagined the new James Bond film would be like, but it’s out now.
“That said, dropping that bit and switching in some new stuff tightened the second half, which is largely about attempts by the right to weaponise a ‘culture war’ against liberals and minorities.”
Lee’s comedic schtick may be defined as “people paying to see a miserable and frustrated middle-aged man wind himself up into a frenzy about everything”, but to counter that perception, he says: “The funny thing with this tour is that my obvious delight at being back on the boards can’t help but infect the audience. I’m just an old-fashioned entertainer at heart! Like Vera Lynn. Or that Emu.”
Lee, 54, will be touring Snowflake/Tornado until July. His new show, Basic Lee, will be fine-tuned in Edinburgh Fringe work-in-progress shows at The Stand in August before playing the Leicester Square Theatre, London, from September 20 to December 17. A national tour will follow from January 26 2023 with full details at stewartlee.co.uk.
BETH McCarthy will play a home-city gig for the first time since March 2019 at The Crescent, York, tonight (2/5/2022).
Much has happened to Beth, singer, songwriter and erstwhile BBC Radio York evening show presenter, since she moved to London.
Lockdown times three may have curtailed her gigging but in that hiatus she has been buoyed by the online response to four singles and videos, drawing 4.8 million likes and 300,000 followers on TikTok and attracting 465,000 monthly listeners and nine million plays of her heartbreak hit She Gets The Flowers on Spotify.
“I moved down to the Big Smoke three weeks before the first lockdown,” recalls Beth. “Got here. World at my feet, then not anymore!
“It was funny really because, in the first stage of lockdown, it was like it was for all performers – everything stopped – so I came back to York and stayed with my parents for a while, and my only outlet for performing was busking on my parents’ drive.
“It got a bit depressing, I’m not going to lie, but I came back to London, as I’d managed to keep my place on, did some songwriting and started busking.”
After Beth was filmed busking, the response to the footage on social media was so positive that she thought, ‘I’d better get on to this’. “I started doing stuff on TikTok, doing something more than straightforward covers by re-working songs to give them a different perspective,” she says.
“That started to take off and the one that really caught on was OMG Did She Call Him Baby?, where I adapted the hook from Will Joseph Cook’s Be Around Me and changed it OMG Did She Call Him Baby?.
“He’s a songwriter from London, he’s got his own label; like me, he’s pretty independent himself. His song was going viral on TikTok, so I contacted him and he said yes to my version, and mine went viral too!”
Beth has settled into London life, living south of the river in Battersea. “That’s uncommon for creatives, but I absolutely love it, even if you could argue I haven’t experienced it at its fullest,” she says.
“But being around its fast pace does me a lot of good, whereas some people are put off by that and feel lonely. Not me. When I did The Voice [the BBC One talent show] in 2014 when I was 16, staying down here for rehearsals, I loved it and I’ve wanted to be here ever since.”
Reflecting on her move, Beth says: “I’ve had what you could call quite a ‘soft release’ to London; going back to York, doing some Radio York shows for a while, and I’ve still got my family there. I’ve had one foot in York, one foot in London, but now this is me, down here full time.”
Last year, Beth supported Sigrid and sold out two headline shows in London and now she has been taken under the wing of Kilimanjaro Live to promote her shows. This spring, she has appeared on Kilimanjaro Live’s stage at Liverpool Sound City on May 1, and coming next after York tonight are gigs at Camden Assembly, London, on May 3 and Deaf Institute, Manchester, on May 7, followed by a set at Kilimanjaro Live’s new festival in Norwich, Neck Of The Woods, on May 29.
“Having Kilimanjaro Live and Live Nation onside is great, and I’ve also signed to the Paradigm agency, who do everyone! I have two agents there; one works with Billie Eilish, not bad company to be in!” says Beth.
“I haven’t got a manager yet. Finding the right one when you’ve been working on your own isn’t easy.”
Beth is signed to a small Manchester label, LAB Records. “They’re great as I just want to keep releasing songs, and there were sniffs around She Get The Flowers when it took off on Spotify for a bigger release. It almost happened but the industry is still bruised [by the pandemic].”
Check out She Gets The Flowers’ accompanying video on YouTube, the one with a litany of female hurt spelled out on cards – a mode of expression patented by Bob Dylan’s Subterranean Homesick Blues – held silently by assorted friends and cohorts of Beth, among them familiar faces from York’s arts scene such as Annie Donaghy and Livy Potter.
“Because it was lockdown, it was one of the hardest things to navigate, with only a restricted number of people allowed in the room and everyone having to be masked up except when each of us was being filmed, but that was the easiest way to film it at the time,” recalls Beth.
“I did it with Ont’ Sofa [the Old Stables recording studios in Harrogate], who I’ve always done stuff with, working with Ben Dave, who has a company called Dot and Diode, and Harrogate musician and producer Jason Odell.
“I’ve worked with Jason really closely. He co-produced it and every song I’ve done since then, so it’s nice to have a little piece of Yorkshire going in with Jason’s involvement.”
The story arch of She Gets The Flowers and its accompanying video charts those who do not receive the flowers and the circumstances why. “Everyone in the video needed to feel comfortable in front of the camera,” says Beth.
“A couple of them, Annie and Livy, had acting experience but the majority didn’t, but it was vital we set it up to create an emotional atmosphere, so we played them all the lyrics before recording, and that’s what made the song translate so well with their candid expressions on camera.”
For her York, London and Manchester gigs, guitarist Beth will perform in a three-piece line-up, but she remains equally at home singing on her own. “I’m back and forth with what I do when I play live.” she says.
“From the start, I paved the way for being able to just rock up with a guitar and just be myself on a stage. Picking up an acoustic guitar and becoming a singer-songwriter from when I was 13, I feel lucky that I was brought up in the very rootsy music scene in York.”
Beth McCarthy: Performing at Big Ian Donaghy’s A Night To Remember charity fundraiser at York Barbican
Joining Beth at The Crescent tonight will be drummer and musical director Michael Turnbull and keyboard player Christina Hizon. “Michael is connected with Litany (Beth Cornell’s band], from Harrogate, so it’s northerners coming together! I said, ‘You’re from the north, you’re going to have to be in my band’,” she says.
“Christina’s been on tour with Maisie Peters, and next up, after my shows, she’s going to tour with Ed Sheeran. She played with [Queen drummer] Roger Taylor on his tour last year that came to the York Barbican. We first in a social setting in London.”
Positivity courses through Beth as TikTok, Spotify and YouTube give her momentum, now compounded by her return to the concert platform. “I’m just going to push my music as much and as often as possible,” she says.
“I may have no label deal or management, but what I do have is the hope that people just want to listen to music, in whatever form, and the last two songs I’ve released have really instilled that in me.
“The rest is just fluff, and as long as you do the things that matter to you, that’s what’s important.”
Beth is putting together an EP combining her compositions If You Loved Me Right, Friendship Bracelet, No Hard Feelings and You Ruin Love. “The point was to capture as many feelings as possible out of relationships and break-ups,” she says.
“If You Loved Me Right is a classically bitter break-up song, taking the power back, feeling not sad, but angry. Friendship Bracelet says ‘go ahead, burn my bracelet’. I wanted the title No Hard Feelings for one song, knowing that most of the songs would be about hard feelings. But that’s all fine, that’s me! I like things to have a concept, to have an honest purpose.
“I feel like if I ever did fall deeply in love it would ruin my career! To be fair, the songs have all been pretty sad or angry, though No Hard Feelings is like an amicable break-up song where you end up on good terms. It’s still hard, but sometimes love fizzles out, there’s no falling out and you just don’t see each other anymore.”
In the buzz of London, Beth has been taking part in “loads of writing sessions with a bit of the speed-dating culture but for writing”. “I find everybody is pretty happy to share other talented people for you to work with,” she says.
Her song-writing goal is to conceive “songs for people who don’t have songs yet”, by which she means songs that are personal to them. “It’s that thing when people go, ‘that’s the song that feels like it came from me, even though I didn’t write it’,” says Beth. “I’m always searching for the person that doesn’t have that song.”
Beth McCarthy, The Crescent, York, tonight (2/5/2022), supported by Jemma Johnson. Doors: 7.30pm. Box office: the crescentyork.com or myticket.co.uk/artists/beth-mccarthy
The Divine Comedy’s Neil Hannon: Leading a Charmed Life at York Barbican tonight. Picture: Kevin Westerberg
SEEKING Divine inspiration? Here comes Charles Hutchinson with his guide to what’s hot, from topical comedy to charming songwriters, a steamy thriller to intense jazz.
Charmer of the week: The Divine Comedy, York Barbican, tonight, 7.45pm
THE Divine Comedy’s Neil Hannon plays York this weekend for the first time since the Irish chamber-pop leprechaun’s Minster concert in May 2011.
Hannon will be showcasing his 2022 compilation, Charmed Life – The Best Of The Divine Comedy, marking the completion of the 51-year-old songwriter, musical score composer and cricket enthusiast’s third decade as a recording artist
“I’ve been luckier than most,” Hannon says. “I get to sing songs to people for a living and they almost always applaud.” Hence that Charmed Life title. Box office: yorkbarbican.co.uk.
Alexander Flanagan Wright feels the Stillington dance vibes
Outdoor dance vibes of the long weekend: Dance Dance Dance, A Damn Big Dance Party, At The Mill, Stillington, near York, Sunday, 6pm to 11pm
HEADPHONES on as At The Mill plays host to a three-channel Silent Disco with a bunch of very cool guest DJs, a live set from Flatcap Carnival and the pizza oven fired up for orders.
Organiser Alexander Flanagan Wright says: “We got Joshua Pulleyn coming. We got Bolshee taking over a channel. We got Sarah Rorke blasting out some Northern Soul vibes. Tom Figgins is metaphorically spinning a track or two.
“Paul Smith has some new punk and old-school hip hop heading your way. Abbi Ollive has a solid hour of girl power. And I’m lining up a lot of Chemical Brothers, Prodigy and Beyoncé as I can. Come dance. It’s gotta be mega. There’s a handful of tickets left at atthemill.org.”
Beth McCarthy: Heading back home to play The Crescent
Homecoming of the week: Beth McCarthy, The Crescent, York, Monday, doors 7.30pm
BETH McCarthy, now living in London, heads home to play her first York gig since March 2019.
Singer-songwriter Beth has been buoyed by the online response to her singles and videos, drawing 4.8 million likes and 300,000 followers on TikTok and attracting 465,000 monthly listeners and nine million plays of her She Gets The Flowers on Spotify. Box office: myticket.co.uk/artists/beth-mccarthy.
Double at the treble: Stewart Lee serves up his Snowflake and Tornado double bill on three nights at York Theatre Royal from May 3 to 5
Comedy gigs of the week: Stewart Lee, Snowflake/Tornado, York Theatre Royal, Tuesday to Thursday, 7.30pm
DELAYED by lockdowns, Stewart Lee finally brings Snowflake/Tornado – a double bill of two 60-minute sets, back-to-back nightly – to York with new material for 2022.
Heavily rewritten in the light of two pandemic-enforced dormant years, Snowflake looks at how the Covid/Brexit era has influenced the culture war between lovely snowflakes and horrible people.
Tornadoquestions Lee’s position in the comedy marketplace after Netflix mistakenly listed his show as “reports of sharks falling from the skies are on the rise again. Nobody on the Eastern Seaboard is safe.” Good luck trying to acquire a ticket on 01904 623568 or at yorktheatreroyal.co.uk.
Trouble brewing: Lift-off for Susie Amy’s Alex Forrest and Oliver Farnworth in Fatal Attraction. Picture: Tristram Kenton
Psychological thriller of the week: Fatal Attraction, Grand Opera House, York, Tuesday to Saturday, 7.30pm and 2.30pm matinees, Wednesday and Saturday
JAMES Dearden, screenwriter for Adrian Lyne’s 1987 “bunny boiler” American psycho thriller, has written a new stage version of Fatal Attraction for 21st century audiences, mobile phones et al.
The plot remains the same: happily married New York attorney Dan Gallagher (Oliver Farnworth) has a night on the town with editor Alex Forrest (Susie Amy) that boils up into passion.
Dan returns home to wife Beth (Louise Redknapp), trying to forget what happened, but Alex has only one rule: you play fair with her and she’ll play fair with you. If not…! Box office: 0844 871 7615 or atgtickets.com/York.
All smiles: Marti Pellow on his Greatest Hits Tour at York Barbican
Smile of the week: Marti Pellow, Greatest Hits Tour, York Barbican, Tuesday, 7.30pm
LET Marti Pellow introduce his Greatest Hits Tour show. “It’s about finally being able to come together to celebrate love, life, and remember those we may have lost along the way. Most of all, it’s about enjoyment and celebrating the here and now. Get your dancing shoes on: it’s time to party with Marti.”
Expect songs from his Wet Wet Wet and solo catalogues up to 2021’s Stargazer album, cover versions too, plus reflective chat as he sits on the edge of the stage. Box office: yorkbarbican.co.uk.
The good sax guide: Saxophonist Trish Clowes with her My Iris bandmates, promising earthy restlessness and futuristic dreamscapes at the NCEM
Jazz gig of the week: Trish Clowes: My Iris, National Centre for Early Music, York, Tuesday, 7.30pm
SAXOPHONIST Trish Clowes leads her jazz band My Iris in their York debut, providing pianist Ross Stanley, guitarist Chris Montague and drummer James Maddren with a high-intensity platform for individual expression and improvisation.
Driving grooves and lingering melodic lines combine as they “seamlessly morph between earthy restlessness and futuristic dreamscapes”. Box office: 01904 658338 or ncem.co.uk.
Exploring motherhood: Ana Silverio in Me, Myself & Misha
Indoor dance show of the week: Terpsichoring Dance Company in Me, Myself And Misha, York Theatre Royal Studio, Friday, 7.45pm
TERPSICHORING Dance Company’s Me, Myself & Misha is a heartfelt, autobiographical 40-minute show devised and performed by award-winning dance artist Ana Silverio, who explores the physical and emotional journey, full of challenges and joys, that one woman undertakes to become a mother.
Universal themes of pregnancy and labour are presented, using a mix of physical theatre and dance alongside an original and moving musical score. Box office: 01904 623568 or yorktheatreroyal.co.uk.
The poster for the Yorkraine benefit concert at the Grand Opera House, York
Fundraiser alert: Yorkraine, for DEC Ukraine Appeal, Grand Opera House, York, May 24, 7.30pm
YORKRAINE’s benefit concert combines four of York’s finest cover bands, The Supermodels, The Mothers, The Y Street Band and Sister Madly, plus acoustic slots from Alex Victoria and Mal Fry and guest speakers.
The evening of pop and rock classics from the past six decades will raise funds for the British Red Cross DEC appeal to aid Ukrainian refugees who find themselves in dire circumstances. All artists, hosts, sound tech and crew have donated their time free of charge. Box office: atgtickets.com/York.
Balancing act: Gary Barlow talks the talk as he walks the walk on his musical journey through A Different Stage
Gig announcement of the week: Gary Barlow, A Different Stage, Grand Opera House, York, June 10 and 11
TAKE That legend, singer, songwriter, composer, producer, talent show judge and author Gary Barlow is adding a theatrical one-man show to his repertoire.
“I’ve done shows where it has just been me and a keyboard,” says Barlow. “I’ve done shows where I sit and talk to people. I’ve done shows where I’ve performed as part of a group.
“But this one, well, it’s like all of those, but none of them. When I walk out this time, well, it’s going to be a very different stage altogether.” Now the bad news: tickets went on sale at 9.30am yesterday and sold out by 10am, but Pray there could yet be a silver lining…
