“I’ve lived my dreams,” says John Barrowman. “My new show is a celebration of that wonderful journey”
MUSICAL theatre star John Barrowman will bring his new show I Am What I Am – West End To Broadway to York Barbican on May 20 2022.
Tickets go on sale on Friday, December 3 at 10am at yorkbarbican.co.uk for Barrowman’s return to the Barbican for the first time since May 2015.
“From the West End to Broadway, this has been the amazing journey of my musical theatre career,” says Barrowman. “I’ve worked with Andrew Lloyd Webber, Stephen Sondheim, Cameron Mackintosh, to name a few.
“I’ve performed at the National Theatre and on Broadway. I’ve lived my dreams. My new show is a celebration of that wonderful journey. I’ll perform songs from the biggest musicals I’ve starred in and perhaps one or two that I haven’t.
“Mix in a couple of duets. Sprinkle in a few surprises. This will be a show to remember. This has been a difficult time for many, so join me for a night of laughter and love and the best of musical theatre.”
John Barrowman is “the ultimate crossover artist”: he can sing, dance, act, present and on occasion he judges too.
The poster for John Barrowman’s I Am What I Am 2022 Tour
His journey to success on both sides of the Atlantic began in 1989 in musical theatre, making his West End debut as Billy Cocker opposite Elaine Paige in Cole Porter’s musical Anything Goes.
Leading West End roles ensued in Matador, Miss Saigon, The Phantom Of The Opera and Sunset Boulevard, one he reprised in New York.
His other musical theatre credits include Putting It Together on Broadway and The Fix at London’s Donmar Warehouse, bringing him an Olivier nomination for Best Actor in a Musical.
The National Theatre revival of Anything Goes transferred to the Theatre Royal, Drury Lane, but better still his performance – one of his favourites – as Albin in La Cage Aux Folles won him the What’s On Stage Best Takeover Role Award.
From that show, I Am What I Am has become his signature tune, always his choice to close his concert shows.
Wave goodbye to jilted Brexit festival, say hello to Unboxed festival’s alternative celebration of these Blighty/blighted isles
YORKSHIRE arts and culture podcasters Chalmers & Hutch reveal all about BB’s choice of thirst quencher in their latest wide-ranging episode of Two Big Egos In A Small Car.
Under discussion too are a ViP night watching Kristen Stewart’s Spencer with a string quartet at Cineworld, Jack Kerouac’s road to Hebden Bridge, and exit Brexit festival, enter Unboxed festival, but what is it?
.Prima Vocal Ensemble performing with York Railway Institute Band in Selby Abbey in 2018
YORK choir Prima Vocal Ensemble and York Railway Institute Brass Band are uniting for a Christmas concert on December 11 at Selby Abbey.
The two groups last collaborated in 2018 to perform Karl Jenkins’ Armed Man at the same church to a sell-out audience and are looking forward to working together again.
Prima Vocal Ensemble, under the musical direction of the ever-energetic Ewa Salecka, have been active throughout the pandemic, progressing from the ubiquitous Zoom rehearsals, through small and then larger outdoor gatherings, and onwards to indoor rehearsals with Simulcast participation for those unable to meet in person.
This time last year, the choir was one of the few in the UK preparing for a live recording session, shortly before lockdown.
In a ” “very emotional step forward” for members, the choir gave a live concert in September, performing material largely learned in isolation during lockdown.
“Having missed Christmas celebrations last year, this year means and feels even more important to us,” says Prima Vocal Ensemble director Ewa Salecka
Later this autumn, they were honoured to be asked to sing again with Russell Watson at Buxton Opera House and Harrogate Royal Hall on the Salford tenor’s 20thAnniversary Tour in another milestone for the choir on its journey back to normality.
The Christmas Classics for Voices & Brass concert at Selby Abbey will be special for choir and band alike. Ewa says: “Having missed Christmas celebrations last year, this year means and feels even more important to us. David Lancaster, director of the fantastic musicians of York Railway Institute Band, and I have prepared a very special Christmas programme and invite everyone to join us.”
Traditional carols and Christmas songs will be performed alongside the directors’ favourites. The choir will sing classical pieces by Morten Lauridsen, Gabriel Faure and John Rutter, while the band has chosen wide-ranging festive music, such as Shepherd’s Song and Eric Bell’s Kingdom Triumphant, based on Christmas themes.
The 7.30pm concert will end with choir and band together performing Gordon Langford’s joyous Christmas Fantasy, woven from the most popular Christmas carols.
Tickets cost £20, £5 for children and full-time students, on 07921 568826, in person from Selby Abbey or at primachoralartists.com/events/christmas-classics-for-voices-and-brass.
The poster for Prima Vocal Ensemble and York Railway Institute Brass Band’s Christmas concert at Selby Abbey
What the Dickens? Yes, James Swanton is reviving his Ghost Stories For Christmas at York Medical Society
FROM boyish Boris to Dame Edna, Christmas concerts to panto dames, Dickensian ghost stories to solo Damon, Charles Hutchinson has highlights aplenty to recommend.
Dickensian Christmas in York: James Swanton’s Ghost Stories For Christmas, York Medical Society, on various dates between December 2 and 13, 7pm
AFTER the silent nights of last December, York gothic actor supreme James Swanton is gleefully reviving his Ghost Stories For Christmas performances of Charles Dickens’s A Christmas Carol, The Haunted Man and The Chimes.
“I’ve scheduled extra performances of A Christmas Carol: the perfect cheering antidote, I feel, to the misery we’ve all been through,” says Swanton. “But the two lesser-known stories are also very relevant to our times.”
A reduced capacity is operating for Covid safety, meaning that tickets are at a premium on 01904 623568 or at yorktheatreroyal.co.uk.
Political debate of the week: Boris: World King, Theatre@41, Monkgate, York, tonight, 7.30pm
THE year is 1985 and Alexander Boris de Pfeffel Johnson has plenty going for him, being young, posh and really rather blond. However, his efforts to become President of the Oxford Union debating society have been thwarted.
Never fear. Boris always has a cunning plan up his sleeve. Cue time travel, classical allusions and good clean banter in Boris: World King, Tom Crawshaw’s comedic exploration of a young man’s ambition and humanity explored as a half-hour one-man show, performed by Benedict Turvill. Box office: tickets.41monkgate.co.uk.
Richard Kay: Co-directing York Philharmonic Male Voice Choir’s Christmas concerts
Harmony at Christmas: York Philharmonic Male Voice Choir and the Citadel Singers, Christmas Traditions 2021, The Citadel, Gillygate, York, Tuesday to Friday, doors 7pm
AFTER delivering an online Christmas concert via Zoom to an international audience in 2020, York Philharmonic Male Voice Choir return to live concerts for Christmas Traditions 2021.
The Citadel allows room for cabaret seating downstairs and balcony seating that can ensure safe distancing is maintained, while the show retains its format of carols old and new, Christmas songs, festive readings and sketches. Box office: arkevent.co.uk/christmastraditions2021.
The poster for Damon Albarn’s night at the double at York Minster
York gig(s) of the week: Damon Albarn, York Minster, Thursday, 6.30pm and 8.30pm
DAMON Albarn quickly added a second special intimate album-launch show at York Minster after the first was fully booked in a flash.
The Blur, Gorillaz and The Good, The Bad & The Queen leader now plays two sold-out concerts in one night in his first ever York performances, marking the November 12 release of his solo studio recording The Nearer The Fountain, More Pure The Stream Flows.
Albarn, 53, has been on a “dark journey” making this album in lockdown, exploring themes of fragility, loss, emergence and rebirth.
Martyn Joseph: Lockdown reflections on landmark birthday on new album, showcased in concert at Pocklington Arts Centre concert
Gig of the week outside York: Martyn Joseph, Pocklington Arts Centre, Thursday, 8pm
“THE Welsh Springsteen”, singer-songwriter Martyn Joseph, will be showcasing his 23rd studio album, 1960, a “coming of age” record with a difference, in Pocklington.
Last year, amid the isolation of the pandemic, Penarth-born Joseph turned 60 on July 15, a landmark birthday, a time of self-reflection, that shaped his songs of despair and sadness, gratitude and wonder, and gave the album its title. Box office: 01759 301547 or at pocklingtonartscentre.co.uk.
Alistair Griffin: Series of Big Christmas Concerts in York
Alistair Griffin’s Big Christmas Concert, St Michael-le-Belfrey, York, December 3 (sold out) and December 10, 8pm; Alistair Griffin’s Candlelit Christmas, Holy Trinity Church, Goodramgate, York, December 11, 8pm
ON December 3 and 10, a brass band greets revellers, then York singer-songwriter Alistair Griffin’s Big Christmas Concert takes a musical journey from acoustic traditional carols to Wizzard, Slade and The Pogues. “Sing along and sip mulled wine while enjoying the fairytale of old York,” says Griffin’s invitation.
On December 11, he switches from St Michael-le-Belfrey to a candle-lit Holy Trinity Church. “Take a seat, or in this case, a medieval pew and soak in the festive atmosphere,” he says. Cue mulled wine, Christmas tunes, acoustic festive numbers and a Christmas carol singalong. Box office: alistairgriffin.com.
York playwright Mike Kenny: New production of The Railway Children with his award-winning script at Hull Truck
On the right track show of the week outside York: The Railway Children, Hull Truck Theatre, running until January 2
YORK playwright Mike Kenny has revisited his award-winning adaptation of E Nesbit’s The Railway Children – first staged so memorably by York Theatre Royal at the National Railway Museum – for Hull Truck’s Christmas musical.
Directed by artistic director Mark Babych in the manner of his Oliver Twist and Peter Pan shows of Christmases past, original music and dance routines complement Kenny’s storytelling in this warm-hearted, uplifting tale of hope, friendship and family, set in Yorkshire. Box office: 01482 323638 or at hulltruck.co.uk.
Faye Campbell: Brushing up on playing Cinderella in York Theatre Royal’s pantomime, opening on Friday
Evolution, not revolution, in pantoland: Cinderella, York Theatre Royal, December 3 to January 2
YORK Theatre Royal’s post-Berwick era began last year with the Travelling Pantomime, establishing the partnership of Evolution Pantomimes’ man with the Midas touch, Paul Hendy, as writer and Theatre Royal creative director Juliet Forster as director.
After the 2020 road show, here comes the full-scale return to the main house for Cinderella, starring CBeebies’ Andy Day (Dandini), last winter’s stars Faye Campbell (Cinderella) and Robin Simpson (Sister), Paul Hawkyard (the other Sister), ventriloquist comedian Max Fulham (Buttons), Benjamin Lafayette (Prince Charming) and Sarah Leatherbarrow(Fairy Godmother). Box office: 01904 623568 or at yorktheatreroyal.co.uk.
Unmasked: Barry Humphries tells all at the Grand Opera House, York next April
Hottest ticket launch of the week: Barry Humphries, The Man Behind The Mask, Grand Opera House, York, April 13 2022
AUSTRALIAN actor, comedian, satirist, artist, author and national treasure Barry Humphries will play only one Yorkshire show on his 2022 tour, here in York.
Set to turn 88 on February 17, he will take a revelatory trip through his colourful life and theatrical career in an intimate, confessional evening, seasoned with highly personal, sometimes startling and occasionally outrageous stories of alter egos Dame Edna Everage, Sir Les Patterson and Sandy Stone. Hurry, hurry, for tickets on 0844 871 7615 or at atgtickets.com/york.
Louisa Atkinson: Blueberry Academy learner and Christmas Fair participant
BLUEBERRY Academy is preparing to make Christmas shopping that little bit more creative in York.
Supporting Learning and Employment Services for adults with learning difficulties, the Academy’s curriculum ensures creativity leads to items being available to buy not only at Blueberry Pop Up Shop on Micklegate, but also at two high-profile events.
Namely, the Pop Up Christmas Market at Homestead Park, Water End, tomorrow (27/11/2021) and Blueberry Academy Christmas Fayre at Melbourne Centre, Escrick Street, on Wednesday (1/12/2021), both from 11am to 3pm.
Blueberry Academy has partnered with New Visuality director Greg McGee to help give the creativity a boost. “Blueberry Academy and their staff do such a great job that I found I didn’t have to do much,” he says.
The poster for Blueberry Academy’s Pop Up Christmas Market
“The timing was convenient, in that New Visuality’s project, Our Style, funded by an award from the National Lottery Community Fund, is up and running.
“In this project, we’re looking at how fashion depends on someone else’s ideas of beauty, but style comes from within and strengthens inner confidence. The Blueberry Academy Fair was a perfect place to get started.”
Available to buy at the Pop Up Market and Christmas Fair will be snoods, candles, paintings and prints, all created by people who are working towards greater independence and confidence.
Blueberry learner and Christmas Fair participant Louisa Atkinson says: “I’ve really enjoyed being creative in this project and learning the necessary skills. I’m excited to see what the public thinks.
The poster for Blueberry Academy’s Christmas Fayre at the Melbourne Centre
“These events are a good opportunity for not only our friends and family but members of the public to come and see what Blueberry Academy does best.”
Greg is philosophical about how events like these can change the way shoppers think at this time of year. “By this time next week, I shall have completed all of my Christmas shopping, and all of it will have come from the Pop Up Market or the Christmas Fair,” he says.
“Not only is it a chance to redefine Christmas shopping as an opportunity to get away from the crowds and the mainstream, and not only are you buying genuinely desirable and beautifully finished items, but you can directly help a whole cohort of people get their craft out there too. Shopping doesn’t have to be stressful; it can be magical.”
YORK ceramist Ben Arnup opens the Christmas Collection exhibition at Pyramid Gallery, Stonegate, York, tomorrow at 11am.
On show until January 20 will be new work comprising 24 small and medium pots that feature trompe l’oeil effects with his flattened box forms and a new departure in his style wih vase and beaker forms.
“Collectors of his work will be surprised to hear that an eminent ceramic artist who has built his career on the basis of trying to trick the eye has this year progressed into the realm of vessels that are not compressed to an almost flat form,” says Pyramid Gallery curator and owner Terry Brett.
“But they will also be pleased that nothing in Arnup’s world is regular and that each vessel here in this show succeeds in being slightly eccentric.
“Ben has always experimented with surface decoration, using micro-thin layers of coloured clay to create a marble effect or applying textured coloured slips to differentiate different sides to a cube. The new work incorporates both of these techniques to pleasing effect.”
Pyramid Gallery owner Terry Brett holding ceramics by Ben Arnup. Behind him are paintings by Mick Leach
Arnup’s interest in ceramics started at home. Blessed with a sculptor and a potter as parents, he grew up learning ceramics skills and technology.
Originally trained as a landscape architect, he worked in the industry until 1984 when he returned to making pots, heavily influenced by the design process. Previously working in Ross Moor and with his father near Holtby, he now lives and works in York.
From the beginning of his career as a potter, his pieces were always shallow, with trompe l’oeil illusions. For the first 15 years, his work was high-fired stoneware in an oil reduction kiln; now this fellow of the Craft Potters Association fires to an oxidised stoneware in an electric kiln to achieve cleaner, brighter colours.
“In order to create a colourful fluid field for the trompe l’oeil image I laminate a porcelain veneer onto a stronger clay body,” he says. “The drawn illusion is complemented by the colourful rhythm in the base clay.
Barn, box-form ceramic, by Ben Arnup
“The pots are an exploration of the way we see. The onlooker will be well aware of the frail illusion and the contradiction between what is suggested and what is tangible. I like to play a game: setting the prosaic nature of clay against the unlikely structures of the drawings.”
Arnup will be at Pyramid Gallery between 11 am and 2.30pm tomorrow to greet collectors and explain his making methods and inspirations for the work. Wine and refreshments will be served.
On the walls are paintings by York artist Mick Leach and work by Scottish artists Ian MacIntyre (paintings) and Hilke MacIntyre (ceramic reliefs and linocut prints), while an array of many different types of 3D art is provided by sculptor Jennie McCall, glass maker Catherine Shilling and potters Dylan Bowen and Katie Pruden.
As always, the window and cabinets on the ground floor are filled with hand-made jewellery by more than 50 British jewellery designer/makers.
Gallery opening hours are 10am to 5pm, Monday to Saturday, and 11am to 4.30pm on Sundays. Much of the work can be seen and bought via the gallery website at pyramidgallery.com.
York Theatre Royal chief executive Tom Bird: “Delighted and grateful”
YORK Theatre Royal is to receive £294,952 from the Government’s third round of Culture Recovery Fund grants.
This award will support the St Leonard’s Place theatre’s community-focused winter programme.
Chief executive Tom Bird said: “We are delighted and grateful for this grant from the Department of Digital, Culture, Media & Sport, which supports our recovery and underpins a hugely exciting winter programme at York Theatre Royal. This award allows us to continue to help the people of York enjoy the benefits of a creative life.”
The Theatre Royal is among 925 recipients to benefit, with more than £100 million being awarded to cultural organisations across the country as they deal with ongoing reopening challenges, ensuring they can thrive in better times ahead.
Culture Secretary Nadine Dorries said: “Culture is for everyone and should therefore be accessible to everyone, no matter who they are and where they’re from.
“Through unprecedented Government financial support, the Culture Recovery Fund is supporting arts and cultural organisations so they can continue to bring culture to communities the length and breadth of the country, supporting jobs, boosting local economies and inspiring people.”
More than £1.2 billion already has been awarded from the Culture Recovery Fund, supporting around 5,000 individual organisations and sites across the country, ranging from museums to West End theatres, grassroots music venues to festivals, plus organisations in the cultural and heritage supply chains.
Darren Henley, Arts Council England’s chief executive, said: “This continued investment from the Government on an unprecedented scale means our theatres, galleries, music venues, museums and arts centres can carry on playing their part in bringing visitors back to our high streets, helping to drive economic growth, boosting community pride and promoting good health.
“It’s a massive vote of confidence in the role our cultural organisations play in helping us all to lead happier lives.”
In the first response to the Covid-19 crisis, the Arts Council developed a £160 million Emergency Response Package, with nearly 90 per cent coming from the National Lottery, for organisations and individuals needing support.
The man behind the mask: Barry Humphries, Australian actor, comedian, satirist, artist, author and national treasure
BARRY Humphries will reveal The Man Behind The Mask on his new 2022 tour, visiting the Grand Opera House, York, for his only Yorkshire show on April 13.
The Australian actor, comedian, satirist, artist, author and national treasure, who is set to turn 88 on February 17, will take a revelatory trip through his colourful life and theatrical career in an intimate, confessional evening, seasoned with highly personal, sometimes startling and occasionally outrageous stories of Dame Edna Everage et al.
Tickets for the 7.30pm performance go on sale at £46.50 upwards at 10am tomorrow morning on 0844 871 7615 or at atgtickets.com/york.
The Brits welcomed housewife and talk-show host Dame Edna with open arms as Humphries’ premier alter ego immediately became a household favourite, later joined by obese, lecherous and offensive Australian cultural attaché, the Honourable Sir Les Patterson and the elderly, childless Sandy Stone, “Australia’s most boring man”, as Humphries has called him.
Side by side: Barry Humphries and alter ego Dame Edna Everage promoting his 2014 show Eat Pray Laugh!, Barry Humphries’ Farewell Tour – not true as it now turns out!
Peeling off his mask to introduce the man behind the clown, Humphries says: “This is a show in which I am the principal character; it’s not Les, it’s not Edna, it’s not Sandy Stone. It is really about this character called ‘me’. I’m not in disguise.”
His York audience can expect a virtuoso comic solo performance filled with laughter, drama and surprise. “There will be an opportunity to ask questions and the magic of technology may even allow appearances – or interruptions – by unexpected guests,” Humphries’ press release teases.
Prompt booking is advised for his return to Yorkshire, where he presented Eat Pray Laugh!, Barry Humphries’ Farewell Tour at Leeds Grand Theatre from February 25 to March 1 2014.
Folu Odimayo, Caldonia Walton and Stuart Waters inVoxed’s debut full-length work, Out Late, premiering at the Stephen Joseph Theatre today and tomorrow
VOXED stage the long-awaited world premiere of their first full-length work, Out Late, at the Stephen Joseph Theatre, Scarborough, today (25/11/2021) and tomorrow.
Choreographed and directed by artistic director Wayne Parsons, Ankur Bahl’s dance-theatre crime drama follows the fiercely closeted Sebastian, who falls in love with out-and-proud gay man Vinnie and tries to hide his new relationship from his wife, Fifi.
While unravelling Vinnie’s murder, a dark and twisted story of jealousy, shame and manipulation unfolds as Out Late blends virtuosic choreography with a compelling script, performed by dance-theatre artists Folu Odimayo, Caldonia Walton and Stuart Waters. Angus MacRae provides the music; Pooja Ghai, the dramaturgy.
Parsons says: “I’m proud to finally be presenting Out Late, our first stage production as Voxed. As an artist and choreographer, I’m deeply interested in the intersection between dance and theatre and combining these two art forms to share highly original stories that move people.
“There’s so much I’m excited about in presenting this work: Out Late is our first crime drama, our first full-length work, and features an LGBTQ+ storyline at its heart. I can’t wait to share this work with audiences in Scarborough.”
Voxed’s philosophy as a dance theatre company is to look specifically at the relationship between text and movement in narrative dance theatre works, creating digital, in-person, indoor and outdoor projects with community members, writers, film directors, dramaturgs and performers.
The Voxed journey started in 2013 under the name Wayne Parsons Dance. In 2020, the company evolved and rebranded to reflect its aim to “create a space for us all to be creative, to move, to talk and to share our stories”.
Choreographer, movement director and artistic director Parsons previously created Meeting, a finalist at the Copenhagen International Choreography Competition. Vestige emerged in 2017, and in response to the Covid-19 pandemic, Parsons devised #GOGGLEDANCE, a national participatory project, taking place outside people’s homes and placing participants as the stars of a reality TV-style mini-series.
Voxed have become the first dance company to be appointed a Stephen Joseph Theatre associate company.
Out Late will be performed at 1.30pm and 7.30pm today and 7.30pm tomorrow. Box office: 01723 370541 or at sjt.uk.com.
Red Ladder Theatre Company’s My Voice Was Heard But It Was Ignored
RED Ladder Theatre Company present emerging playwright Nana-Kofi Kufuor’s gripping drama My Voice Was Heard But It Was Ignored at Pocklington Arts Centre tonight (25/11/2021).
Supported by Leeds Playhouse and Oldham Coliseum Theatre, Dermot Dal’s thought-provoking production tells the story of 15-year-old Reece, who is roughly accosted by the police outside M&S.
His young, Black teacher, Gillian, witnesses it all but she does not question or intervene in the disturbing scene that plays out. The events that unfold will change both their lives forever in a tussle for power and an urgent exploration of racial identity.
Tickets for Leeds company Red Ladder’s 7.30pm performance are on sale on 01759 301547 or at pocklingtonartscentre.co.uk.
