Wanted! Your poems and doodles for Explore York’s record of this strange year

Stephen Lee Hodgkins: Self-styled “chronic doodler” and community printmaker

OCTOBER 1 is National Poetry Day and the word is: Explore York Libraries and Archives will mark it “in a very special way”.

Explore is launching a project to help everyone to make sense of this very strange year by asking you to send in poems and drawings that will create “a lasting record of what has happened in our lives”.

The project, World Turned Upside Down 2020 #haiflu edition, takes inspiration from spoken-word artist Liv Torc’s pandemic poetry initiative, Project Haiflu, and community artist Stephen Lee Hodgkins’ interest in York’s printing heritage.

Explore is asking you to send two haiku or #haiflu poems on the topic of No News and Strange News but with a flavour of lockdown. If you prefer to portray your thoughts and feelings visually, you can send in a doodle or cartoon instead.

Throughout October and November, Explore will be hosting free online haiku workshops with poets Janet Dean and Penny Boxall and doodle workshops with Stephen Lee Hodgkins.

The first two workshops will be on National Poetry Day itself. At the beginning of November, Project Haiflu originator Liv Torc will present an exclusive online talk and poetry show, Haiflu Ever After.

After the November 30 deadline for submissions, 20 pairs of #haiflu and 20 doodles that reflect York’s Coronavirus experience will be chosen for inclusion in a book. Hodgkins will create a 20-page limited-edition chapbook printed in the traditional way on handmade paper.

Each contributor to the final piece will receive a copy; every library in York will be given one too, and a copy will be lodged in the Explore York archive, alongside the original World Turned Upside Down Chapbook from 1820.

You can find full details and more information on how to take part in the project on Explore’s website, www.exploreyork.org.uk, and book the workshops on their Eventbrite page.

In addition, Explore has made a short film about the project, to be posted on their YouTube channel at 11am on National Poetry Day.

Spoken-word artist and slam champ Liv Torc

What is Project Haiflu?

AT the beginning of lockdown in March, spoken-word artist Liv Torc posted on Facebook to ask how her friends were feeling when life-as-they-knew-it stopped.

She wanted them to tell her what they had noticed, either in haiku form – a three-line poem with five, seven and five syllables and no rhyming – or by posting a photograph.

She brought words, pictures and music together in a weekly film and Project Haiflu came into being. Liv made 12 weekly films, one overall 45-minute project film and an extra film based on contributions for public libraries.

The films contain more than 600 contributions from 250 people. Around 30,000 people have watched them so far; you can do likewise and discover more about the project on Liv’s website: https://www.livtorc.co.uk/.

What is The World Turned Upside Down, or No News, and Strange News?

DURING lockdown, community artist Stephen Lee Hodgkins was experimenting with an old Adana 8×5 tabletop letterpress printing machine. When searching for old instruction manuals, he came across the work of York printer James Kendrew, of 23 Colliergate, who had produced a series of chapbooks in the 1800s.

These chapbooks, or “cheapbooks”, were small, roughly printed booklets adorned with intricate woodcut illustrations. Chapbooks kept alive folklore, nursery rhymes, fairy tales and school lessons and were sold by travelling merchants across town and country. 

The World Turned Upside Down, or No News, and Strange News is an example of nonsense rhymes and riddles produced in 1820 that gives an insight, through a quirky lens, to life 200 years ago. Copies can be found in the archives at York Explore.

The Artists:

Liv Torc

SPOKEN-WORD artist, published poet and producer who “plunges the vast caverns and dormant volcanoes of the human and planetary condition”.

This former Bard of Exeter and now co-host of the Hip Yak Poetry Shack runs the spoken-word stage at the WOMAD festival, Project Haiflu and the Hip Yak Poetry School. 

In 2019, her poem about climate change in the face of motherhood, The Human Emergency, went viral, being seen by 80,000 people. She performed at Glastonbury Festival on the Poetry and Words stage and represented Somerset for the BBC’s National Poetry Day celebrations.

In 2020, she was chosen as one of four Siren Poets by Cape Farewell for a commission on climate change in the time of Covid-19 and wrote and filmed a poem for the BBC’s Make A Difference campaign.

Penny Boxall: Poet and Royal Literary Fund Fellow at the University of York

Penny Boxall

HER debut poetry collection, Ship Of The Line, won the 2016 Edwin Morgan Poetry Award. Second collection Who Goes There? was published in 2018.

Penny has won a Northern Writers’ Award and the Mslexia/PBS Poetry Competition. She is a Hawthornden Fellow and has held residencies at Gladstone’s Library and the Chateau de Lavigny.

She has taught poetry on the MA course at Oxford Brookes University and in 2019 was Visiting Research Fellow in the Creative Arts at Merton College, Oxford. She is Royal Literary Fund Fellow at the University of York.

Janet Dean

HER poetry has been shortlisted in the Bridport Prize, commended in the Stanza Poetry Competition and featured in the Northern Poetry Library’s 50th anniversary Poem of the North.

Her work appears in anthologies and magazines published by Valley Press, Paper Swans, Templar and Strix. As Janet Dean Knight, her first novel The Peacemaker was published in 2019 and her second novel in progress was shortlisted for the New Writing North Sid Chaplin Award.

Stephen Lee Hodgkins

THIS “chronic doodler” and community printmaker has an interest in people’s voices, texts and their experiences of places and spaces.

He is a self-taught community artist and visual thinker with a positive attitude, people and research skills, creative energy and a commitment to inclusion and human rights. He has experience aplenty of working with community organisations, applying an arts-based approach. 

He left school with no qualifications and later received the labels of dyslexia, dyspraxia and attention deficit. Reflecting on these tags now, his preference is for the term “neurodiverse”, and he has learnt to embrace and harness his diverse language use and organisational approach to the world.

Returning to university as a mature student, in 2008 he completed a PhD in Social Psychology. An abridged version of his thesis was published as a chapter in an international text in 2009, Disabilities: Insights From Across Fields and Around The World. 

Joanna Whittle’s tiny painting wins the big award at the New Light Prize Exhibition

Joanna Whittle’s Sorrowing Cloth, winner of the New Light Prize Exhibition main award

A TINY oil-on-copper painting of a tent has won the New Light Prize Exhibition main prize, open to artists across the North.

Measuring only 10cm by 15cm, Joanna Whittle’s Sorrowing Cloth received the £10,000 Valeria Sykes Award on the exhibition’s opening night at Scarborough Art Gallery.

Sorrowing Cloth is part of a series of paintings of tents by Sheffield artist Whittle, who says: “My tent paintings represent fragile and temporary structures constructed within notions of the ruin and time passing.

New Light Art Prize winning artist Joanna Whittle

“Canvas sits in water; ropes are pegged into fluid land. Time sits still and moments brush against each other. Canvas rots and weeds scramble over surfaces, but some lights remain on or have just been lit.

“They hold their own histories, ideas of vanished circuses or fairgrounds – events once frenetic now silenced and ominous in dusk or rain.”

Forlorn, by Victor Harris, winner of the Patron’s Choice Award

The £2,500 Patron’s Choice Award, picked from all the exhibited works, went to Victor Harris, from Waterfoot, Rossendale, in Lancashire, for his oil painting on linen, Forlorn.

Linnet Rubaya, from Leeds, was awarded the Emerging Artists Prize for her acrylic on canvas, Seen. The sponsors, the Saul Hay Gallery, in Manchester, will offer mentoring, professional advice and exhibition opportunities, including a solo show.

Emerging Artists Prize winner Linnet Rubaya

Leeds artist Ian Brooks won the Printmakers’ Prize, open to all forms of original printmaking, for his etching Across Borge Bay. The winner will hold an exhibition at the Zillah Bell Gallery, in Thirsk, the prize sponsors, where some of the best British printmakers exhibit.

Harrogate artist Christian Alexander Bailey received the New Light Purchase Prize for his pen-and-ink drawing Tree Sparrow. His winning work has been acquired by the charity to add to its collection.

Across Borge Bay, by Ian Brooks, winner of the Printmakers’ Prize

A final award, the Visitors’ Choice, will be made at the end of the Scarborough exhibition run and announced at the touring show’s next location, Tullie House Museum and Art Gallery in Carlisle. This public award recognises the work that strikes a chord with visitors, who are asked to vote for their favourite artwork.

The judges, who shortlisted the artists by using an anonymous online selection process and concluded the judging together in the gallery, were printmaker and artist Anne Desmet; RA Magazine editor Sam Phillips; Huddersfield Art Gallery curator Grant Scanlan; Catherine and Ian Hay, from the Saul Hay Gallery; John Bell, from the Zillah Bell Gallery; New Light patron Valeria Sykes and New Light chair Annette Petchey.

Artist Christian Alexander Bailey with his New Light Purchase Prize winner, Tree Sparrow

Annette says: “The high standard of entries has once again astounded the judges, with familiar and new artists showcasing the huge talent in the north of England. “Themes that reflect all of the emotions we have felt as a nation during the 2020 pandemic are captured and reflected across the exhibition: everything from sadness and loneliness to clear optimism and joy in a broad range of media.

“New Light continues to go from strength to strength and it is a delight to work collaboratively with the team at Scarborough Museums Trust.”

The New Light Prize Exhibition at Scarborough Art Gallery. Picture: Tony Bartholomew

Simon Hedges, the trust’s head of curation, collections and exhibitions, says: “I’m delighted with the judges’ choices and I would like to thank both the New Light and the SMT teams for delivering such an amazing show in these most difficult of times.”

After the Scarborough run ends on January 17 2021, the exhibition will move to Tullie House, Carlisle, The Biscuit Factory, Newcastle, and finally The Bankside Gallery, London.

Patron’s Choice Award winner Victor Harris

Established in 2010, New Light celebrates and promotes well-known and emerging artists by offering awards and opportunities in its biennial open exhibition. It also runs New Light Art For All, an education programme that includes talks, workshops and school projects, and the New Light Collection, launched in the spring  with the aim of making the best in Northern visual arts available to more people by loaning pieces free of charge to public bodies and charities.

“The common thread through everything New Light does is a deep belief that the visual arts matter and the North of England deserves to be celebrated,” says Annette.

More Things To Do in and around York and at home despite Cassandra Boris’s “six months” of masked-up misery. List No.15, courtesy of The Press

Fields And Lanes creative couple Mick and Jessa Liversidge head to the Easingwold Community Library willow tree for an open-air hour of poetry and song on Sunday

BORIS Johnson put on his serious face and hands act on Tuesday night to address the nation on the ins and outs of his Government’s latest Covid-clampdown measures: a stitch in time saves nine, Rules of Six, 10pm curfews and any number of other numbers that invariably add up to confusion.

However, Covid-secure, socially distanced theatre shows, exhibitions, cinema, comedy and concerts can continue, as well as home entertainment, of course.

Here, Charles Hutchinson tracks and traces signs of artistic life…with immediate results  

The Easingwold Community Library willow tree: Sunday’s setting for Fields And Lanes poetry and songs

Joint project of the week: Fields And Lanes Under A Willow Tree, Timeless Songs and Poems by Jessa and Mick Liversidge, outside Easingwold Community Library, Sunday, 2pm

INSPIRED by the “wonderful reaction” to the online streaming of their outdoor poetry and song performances in lockdown, creative Easingwold couple Jessa and Mick Liversidge present an hour of uplifting words and music in the open air this weekend.

The show will be Covid-safe and socially distanced; tickets are free, with a pay-as- you-feel collection afterwards, but must be acquired in advance on 07526 107448 or by emailing ecl.generalenquiries@gmail.com.

Giles Shenton…will go to any lengths to promote his one-man show Three Men In A Boat

Three is a magic number: Three Men In A Boat, Kick In The Head Productions, Milton Rooms, Malton, Sunday, 2.30pm

GILES Shenton takes the helm for 95 minutes in Kick In The Head’s one-man/Three Men show, a “rip-roaring barrel of fun” wherein he plays writer Jerome K Jerome and everyone besides in a delightfully ridiculous tale of men behaving badly while messing about on boats.

Shenton invites you to “join Jerome as he recounts the hilarious story of his boating holiday along the magnificent River Thames with his two companions, George and Harris, and Montmorency the dog”.

Justin Moorhouse will stay in his house to perform his Your Place Comedy set from the living room on Sunday. Shappi Khorsandi will surely not be needing armour to do likewise from her place

Living room laughs: Your Place Comedy: Justin Moorhouse and Shappi Khorsandi, Sunday, online at 8pm

IN the fifth of six Your Place Comedy shows live-streamed from their living rooms into yours since lockdown, Justin Moorhouse and Shappi Khorsandi form the digital double bill introduced remotely by compere Tim FitzHigham.

The virtual comedy project has been organised by Selby Town Hall manager Chris Jones in liaison with nine other independent North and East Yorkshire arts centres and theatres, with donations welcome after each free screening to be divided between the still-closed venues. You can watch on YouTube and Twitch with more details at yourplacecomedy.co.uk.

Top Of The Hill, acrylic on canvas, by Debbie Lush

Exhibition launch of the week: Debbie Lush, Featured Artist, Blue Tree Gallery, Bootham, York, and online at bluetreegallery.co.uk, Saturday to November 7

TEN new works by Devon landscape artist Debbie Lush go on show at Blue Tree Gallery from this weekend.

The former freelance illustrator, who ran a Somerset country inn for 13 years, draws inspiration for her vividly coloured coastal and rural landscapes from her walks with her dog along weather-beaten coastal paths, across muddy footpaths, through gateways and over fields and farmland.

“I love the act of brushing blobs of paints of varying thickness in bright colours on a surface, one over another, to assemble landscapes,” she says.

Uninvited Guests invite guests to Love Letters Straight From Your Heart at the SJT and on Zoom. Picture: Jonathan Bewley

Antidote to isolation: Uninvited Guests’ Love Letters Straight From Your Heart, Stephen Joseph Theatre, Scarborough, and on Zoom on October 1, 2.30pm and 7.30pm

THEATRE company Uninvited Guests will construct a “completely digital, wholly personal and wonderfully live experience” at the SJT and on Zoom in “very different” afternoon and evening shows.

Performed by Jessica Hoffman and Richard Dufty, Love Letters Straight From Your Heart invites the audience’s words, song dedications and stories – sent in earlier – to the stage where they are given a new shape, look you straight in the eye and offer to dance with everyone in the room.

Only 45 tickets will be sold for each show to maintain intimacy, but any number of audience members can sit at screens to watch what unfolds in 60 to 75 minutes.

Giant story: Riding Lights Theatre Company go online for Christmas

Latest Christmas show to be confirmed: Riding Lights Theatre Company in The Selfish Giant, storytelling theatre on film online, for primary schools

YORK company Riding Lights say, “We can’t come to you, but we can still bring exciting entertainment into every classroom with our online version of The Selfish Giant.

“The Giant is angry. He’s been away for a long time and returns to find children playing in his beautiful garden!

Every day after school, they come and run about, laughing and playing games under the blossom on his peach trees, listening to the delightful songs of the birds. So, he puts up a big wall and an even bigger Keep Out notice to put a stop to all that. Then winter seizes the garden in its icy fingers.”

Riding Lights ask primary school to book the online show via: https://ridinglights.org/the-selfish-giant-no/costs-and-booking/.

No traditional queue at York Barbican when Daniel O’Donnell tickets go on sale tomorrow. Booking is online only

Looking ahead to Irish gigs at the double: Clannad, York Barbican, March 10 2021 and Daniel O’Donnell, York Barbican, October 21 2021

CLANNAD are booked in to play York Barbican on March 10 on their Farewell Tour, but let’s see where Boris Johnson’s new Rule of Six Months’ More Misery leaves that show. Fingers crossed, we can wave goodbye to social distancing by then to enable bidding adieu to the ethereal purveyors of traditional Irish music, contemporary folk, new age and rock, led by Moya Brennan.

Meanwhile, tickets go on sale at 9am tomorrow (Friday) at yorkbarbican.co.uk for Kincasslagh crooner Daniel O’Donnell’s return to the Barbican on October 21.

And what about…?

A visit to Duncan Lomax’s new photographic exhibition space, Holgate Gallery, opening officially from tomorrow in Holgate Road, York, to show work by the 2016 York Mystery Plays official photographer and political satirist Cold War Steve.

The York Printmakers Virtual Print Fair, running until October 4, with daily updates at https://www.facebook.com/YorkPrintmakers/

Green light for The Wedding Present musical after “Gedge pledges” hit £10,000

David Gedge: Writing new material for Reception, a musical built around his songs of love and loss, break-ups and breakdowns for The Wedding Present and Cinerama

THE Crowdfunder appeal to kick-start work on The Wedding Present musical, Reception, has hit the initial £10,000 target with more than a day to spare.

You can still visit @crowdfunderuk where the @ReceptionSoon page welcomes further contributions today and tomorrow to aid York writer-director Matt Aston start crafting a story of “love, loss, break-ups and breakdowns – everything you’d expect really from a musical based on the songs of David Gedge”.

The Crowdfunder Gedge pledge will facilitate work on the first draft, artwork and branding of a show that will combine Gedge’s songs for his Leeds band The Wedding Present and Cinerama with new material by the 60-year-old songwriter, who now lives in Brighton.

Reception writer-director Matt Aston in his Wedding Present T-shirt when rehearsing Park Bench Theatre’s summer production of Samuel Beckett’s First Love with actor Chris Hannon. Picture: Northedge Photography

Aston and production partner Tony Ereira anticipate beginning research and development in early  2021 to road test their ideas – Covid-19 Government guidance permitting – with a group of actor-musicians, incorporating Gedge’s new songs. The premiere is pencilled in for Leeds in 2022, to be followed by a small tour that would take in Brighton.

Full details on Reception can be found in an earlier CharlesHutchPress article, filed on  September 15.

“The crowdfunding campaign is a chance for fans to get involved from the beginning with a bunch of rewards that are all exclusive to this production, including specially commissioned artwork from Lee Thacker,  illustrator of David’s autobiography, Tales From The Wedding Present,” says Matt, artistic director of Engine House Theatre, who staged the Park Bench Theatre season in the Friends Garden, Rowntree, Park, York, this summer.

To support the project, go to: https://www.crowdfunder.co.uk/reception-the-musical

Quiet reigns as Kaiser Chiefs’ smash hit York Art Gallery exhibition wins award

A Quiet moment: Kaiser Chiefs, minus Ricky Wilson, who was ill that day, launch When All Is Quiet, their ground-breaking collaborative exhibition with York Art Gallery, in December 2018. Picture: Charlotte Graham

OH my god, Leeds indie rock band band Kaiser Chiefs’ collaboration with York Art Gallery has hit the top spot in the prestigious Museums + Heritage Awards.

The cutting-edge exhibition When All Is Quiet: Kaiser Chiefs In Conversation With York Art Gallery won the Partnership of the Year Award at a Covid-enforced virtual ceremony, broadcast on M + H Awards’ Facebook and YouTube channels on Tuesday night.

The Kaisers’ audio-visual show drew more than 25,000 people to its run in the Madsen Galleries from December 2018 to March 2019.

At the invitation of York Art Gallery curators, the Leeds band took on the pioneering challenge of exploring the boundaries between art and music, using the gallery collections as a starting point.

Anna Preedy, director of the annual Museums + Heritage Awards, said of the award-winning exhibition: “Collaboration is increasingly important and here we have a project which is the definition of a true partnership, achieving something which neither York Art Gallery nor Kaiser Chiefs could not have done on their own.

From Riot to Quiet: Kaiser Chiefs swap raucous gigs for contemplative art in York Art Gallery. Picture: Anthony Chappel-Ross

“Their collaborative project, When All Is Quiet, was bold in its creativity and hugely inspiring – a very worthy winner.”

Reyahn King, chief executive of York Museums Trust, said: “We’re thrilled to have won this award. The exhibition was bold and brave in its approach, with our curators and Kaiser Chiefs working closely to create a unique experience which presented our collections in new and innovative ways.

“It was fantastic to work in partnership with them on the project and to create something which proved so popular with a wide range of audiences.”

Suitably upbeat Kaiser Chiefs drummer Vijay Mistry enthused: “Wow! Thanks so much for this award; it’s really greatly received, especially at this challenging time. “We knew that we had created something unique and special and it’s amazing for that to have been recognised. Huge thanks to York Art Gallery for the collaboration and massive thanks to everyone involved; your contributions were priceless.”

York Art Gallery and Kaiser Chiefs were shortlisted for the Partnership of the Year Award alongside: Royal Collections Trust, Barber Institute of Fine Arts and University of Birmingham; Lichfield Cathedral; Oxford University Gardens, Libraries and Museums (GLAM) and Iffley Academy Partnership and National Galleries Scotland and North Ayrshire Health and Social Care Partnership.

Riot of colour: Kaiser Chiefs’ Nick “Peanut” Baines, Vijay Mistry, Simon Rix and Andrew White bestride their When All Is Quiet exhibition at York Art Gallery. Picture: Charlotte Graham

What exactly was in the When All Is Quiet: Kaiser Chiefs In Conversation With York Art Gallery exhibition?

YORK Art Gallery invited Kaiser Chiefs to work with curators to re-examine the gallery’s collections, with a brief to explore the boundaries between art and music in an experimental way designed to appeal to a wide range of audiences.  

Using their position as musicians as a starting point, the band delved deep into the Exhibition Square gallery’s Fine Art collections and paired paintings with a Set List of songs inspired by the art.

Visitors were then able to view the artworks, while listening to songs chosen by the Leeds band.

Tuning in: A York Art Gallery visitor listens to Mercury Rev’s The Dark Is Rising, matched by Kaiser Chiefs to Jack Butler Yeats’s That We May Never Meet Again. Picture: Anthony Chappel-Ross

Kaiser Chiefs also brought together works by sound artists that had resonated with them while travelling. Among them were Janet Cardiff’s The Forty Part Motet, Mark Leckey’s short filmFiorucci Made Me Hardcore and Elizabeth Price’s Turner Prize-winning work The Woolworth’s Choir Of 1979.

Inspired to design their own art installation, the Kaisers used light, colour and lyrics from the songs on the Set List to create Silent Gig, an immersive environment that offered visitors a reconfigured experience of a live music show and its elements but without sound.

When All Is Quiet increased visitor numbers by 39 per cent, by comparison with the same period the year before. Overall, more than 25,000 people visited during what is a traditionally quiet time of year for York Art Gallery, with more than 45 per cent of viewers being aged 18 to 44, an increase of nearly 15 per cent on the 2018 average.

Got it licked: Kaiser Chiefs, in tandem with York Art Gallery, win the Partnership of the Year Award at the Museums + Heritage Awards

Charles Hutchinson’s guided tour of When All Is Quiet, in conversation with Kaiser Chiefs members Simon Rix and Vijay Mistry. First appeared in The Press, York, on December 14 2018. Courtesy of The Press, York

MOVE over Andy Warhol. Here comes the new Pop Art in the form of When All Is Quiet, Kaiser Chiefs In Conversation With York Art Gallery.

Using their position as pop musicians as a starting point, the chart-topping Leeds band have co-curated an experimental exhibition, the first of its kind.

“We are not artists, we are musicians, and so we’ve chosen to use this opportunity to work with the gallery to explore sound as a medium – our medium – and to open that up further for us and for the viewer/listener,” said the Kaisers en masse. “To stretch ourselves, to explore the edges between music and art, creation and performance.”

Band members Simon Rix, Vijay Mistry, Nick “Peanut” Baines and Andrew White attended Thursday’s launch (13/12/2018) but singer Ricky Wilson was absent through illness, although plans are afoot for Wilson to “do something” in January. Watch this space.

Working in tandem with York Art Gallery staff, Kaiser Chiefs have created an exhibition with three interlinking elements. Firstly, they have brought together works by internationally regarded sound artists Janet Cardiff, Mark Leckey and 2012 Turner Prize-winning Elizabeth Price, who have inspired the Kaisers to look at sound in new ways.

Exhibition centre-piece: Janet Cardiff’s The Forty Part Motet in the central Madsen Gallery at York Art Gallery. Picture: Anthony Chappel-Ross

The main gallery space has been given over to Janet Cardiff’s The Forty Part Motet, which allows you to walk through an oval of speakers to hear a reworking of Thomas Tallis’s Elizabethan work Spem In Alium Nunquam Habui, from the singers’ perspective, as witnessed through 40 individual speakers, one for each voice from the Salisbury Cathedral Choir in 2001.

The band selected Cardiff’s sound installation on account of its relevance to how they hear their own music while performing: “an all-encompassing space of sound”, as they put it.

Secondly, in the Kaiser Chiefs Take Over York Art Gallery’s Collection room, the Kaisers have chosen 11 artworks from York Art Gallery’s collections, spanning 1798 to 2013, from LS Lowry and John Hoyland to Jack Butler Yeats and Bridget Riley, and an accompanying Set List song to be heard on a headset while looking at the picture.

Along with the likes of The Kinks, Kavinsky, Mercury Rev and Super Furry Animals is the 2011 Kaiser Chiefs song that gave the exhibition its title, When All Is Quiet, here bonded with Leeds artist Rebecca Appleby’s Sketch For The Disrupted Expectation.

Thirdly, the band have commissioned a new installation, Silent Gig, that uses light and colour and projected lyrics from the Set List songs to create an immersive environment to offer visitors a reconfigured experience of a live music show, without sound.

Take a bow, Kaiser Chiefs’ lighting designer Rob Sinclair, who also worked his magic on David Byrne’s American Utopia Tour show, as seen at Leeds First Direct Arena on October 21 [2018]. Utilising 73 lights and two tons of equipment, it took two days to build and three days to light, but its silence will certainly be a conversation piece.

Kaiser Chiefs’ Nick “Peanut” Baines, Vijay Mistry, Simon Rix and Andrew White in the Silent Gig installation at York Art Gallery. Picture: Charlotte Graham

“The feeling of euphoria at a gig can come just as much from the production as the song,” says Simon Rix.

Look out for a black door – last seen floating in an ocean in the My Life promo – from a series of Kaiser Chiefs pop videos and Sarah Graham’s Kaisers Rock!, the original cover artwork for the Kaisers’ 2012 album, Souvenir, loaned by owner Marc Macintosh Watson after he heard about the York show.

“We were making our new album [Duck, subsequently released in July 2019] and this exhibition at the same time and the exhibition won the race by a long stretch,” said bassist Simon Rix at Thursday’s launch.

He and drummer Vijay Mistry have taken the leading roles in putting the exhibition together, although all the band have played a part, participating in project meetings with senior curator Dr Beatrice Bertram, while dynamic Scottish design company Acme Studios were commissioned by the gallery for the exhibition’s marketing, branding and merchandising, such as T-shirts, mugs and posters.

“When you come into York Art Gallery, the show’s branding runs throughout the gallery, all taken from the band’s own identity,” says Beatrice.

Dr Beatrice Bertram: York Art Gallery senior curator, who held project meetings with Kaiser Chiefs band members for When All Is Quiet

We found it difficult trying to talk about the show while it was taking shape, as it was hard to visualise how it would turn out, rather like I can find it difficult to talk about our albums before they’re finished, but it’s come together really well, all the little details,” says Simon.

“We had initially started looking at the gallery’s archives but were overwhelmed by the sheer body of work,” recalls Vijay.

“We thought, if we look through them all, they’re probably won’t be a show until 2030,” recalls Simon.

Instead, they drew up a long list of possibilities for the Kaiser Chiefs Take Over York Art Gallery’s Collection space, finally settling on the 11. “‘Yorkshireness’ and ‘Northernness’ were important to us, as a Yorkshire band, so that’s why we picked out Turner’s Fountains Abbey work and Lowry too, as we wanted to represent northern art,” says Simon.

“I’m most proud of linking Jack Butler Yeats’s That We May Never Meet Again with Mercury Rev’s The Dark Is Rising,” says Vijay. “I had that piece of music in my head when I looked at the painting, but I’d never owned a Mercury Rev record; I just knew the instrumental version; I sang it, but no-one recognised it, but then suddenly I thought, ‘It could be Mercury Rev’…and I found it!”

The Kaisers were particularly keen to give a give a first northern exposure to Janet Cardiff’s The Forty Part Motet. “Hearing voices through 40 speakers is an experience you can’t find anywhere else,” says Simon. “You can’t set up 40 speakers in your living room, but we thought it was a really contemporary sound installation that you could place at the heat of a gallery.” Best heard, by the way, when all around is quiet.

Rebecca Appleby’s Sketch For The Disrupted Expectation, paired by Kaiser Chiefs with…Kaiser Chiefs’ exhibition title song When All Is Quiet

The Set List

KAISER Chiefs’ “set list” of songs chosen in response to works from York Art Gallery’s collection that reference creation, production or performance were:

Bridget Riley’s Study 4 for Painting With Two Verticals, paired with Julia Holter’s Sea Calls Me Home

L S Lowry’s The Bandstand, Peel Park, Salford; The Kinks’ The Village Green Preservation Society

John Golding’s H.19 (Canticle); The Beach Boys’ Caroline No

Jack Butler Yeats’s That We May Never Meet Again; Mercury Rev’s The Dark Is Rising

Oliver Bevan’s Flickering Grid II; Super Furry Animals’ Pan Ddaw’r Wawr

JMW Turner’s The Dormitory and Transept of Fountains Abbey – Evening; Talking Heads’ Love – Building On Fire

Peter Leonard Donnelly’s Red Plot; Kavinsky’s Nightcall

Malcolm Hughes’s Study No 3; Plastic Bertrand’s Ca Plane Pour Moi

John Hoyland’s Pact; The Cure’s A Forest

Bryan Wynter’s Under Mars; Adam & The Ants’ Prince Charming

Rebecca Appleby’s Sketch For The Disrupted Expectation; Kaiser Chiefs’ When All Is Quiet

Picture the green scene: Kaiser Chiefs line up in shadow play to promote their exhibition at York Art Gallery. Picture: Charlotte Graham

Mick and Jessa, Fields and Lanes, poems and songs, under an Easingwold willow tree

MIck and Jessa Liversidge in the Yorkshire open air during their Fields And Lanes lockdown project

JESSA and Mick Liversidge are to perform Fields And Lanes Under The Willow Tree, an uplifting hour of timeless songs and poetry, in the open air at Easingwold Community Library on Sunday afternoon.

“Fields And Lanes is a joint project for Mick and me, inspired by the wonderful reaction we’ve had to our outdoor poetry and songs in lockdown,” says Jessa, the song half of the creative Easingwold couple, whose performances can be viewed at https://www.facebook.com/fieldsandlanes/.

“It’s been a great structure for us through the weird and difficult times we’ve all been going through: a way of expressing ourselves creatively, choosing and learning the songs and poems, and we’ve had such warm responses from a wide range of people.

Mick Liversidge performing one of the 82 outdoor poems he recited online once lockdown began

“To begin with, when lockdown started, it was great for those who couldn’t get out – and a nice way to see the countryside as well.”

Actor Mick chalked up 82 outdoor poetry readings before calling a temporary halt to his regular routine on September 9 when learning dialogue for acting work demanded his attention.

“It all began at the beginning of lockdown,” he recalls. “I was due to appear in a play at the end of March: it was a two-hander, so lots of dialogue learned and lots of work put in by all involved, for nothing.

“We are delighted to have the opportunity to share a selection of our songs and poems with an actual live audience,” says Jessa Liversidge, looking forward to Sunday afternoon’s performance. Picture: Rebecca Rowan

“So, I was feeling a bit lost and down, but we saw Sir Patrick Stewart had decided to recite a Shakespeare sonnet a day to keep him active, which prompted Jessa to suggest I should do the same with passages of Dickens.”

Mick took that advice on board but decided that his love of poetry should lead him to recite his favourite poems instead. “So, what I did was find a poem, learn it and go out into the beautiful countryside around here the following day and recite it,” he says.

“That’s what I did during lockdown, one day looking for a suitable poem, making sure it wasn’t too long, learning it during the evening, ready for ‘outdoor poem’ recital the following day.

Mick Liversidge as Malvolio in York Shakespeare Project’s Sit-down Sonnets at Holy Trinity, Goodramgate, York, in September

“It became harder as the weeks progressed as I had to find new poems that I’d not heard before. The positive side of that is I’ve found some real gems. I’ve loved doing this and it really has kept my brain active and ready for the next job when it comes along.”

Mick wrote on Facebook on September 9: “After 8I ‘outdoor poems’, today’s No. 82 will be my last…for now. I’ve loved reciting them so much and many of the poems have genuinely moved me to tears, so I’ve decided I’m going to continue reciting one a week for the foreseeable future. I’m looking forward to getting out into the countryside as the seasons change and finding new poems.”

Meanwhile, Easingwold Community Library has been running socially distanced, Covid-secure events under its beautiful willow tree, the latest being Sunday’s all-seated show starring Jessa and Mick at 2pm.

“It’s a beautiful space, under an amazing willow tree, and the forecast looks promising,” says Jessa

“We are delighted to have the opportunity to share a selection of our songs and poems with an actual live audience, after months of performing to our phones and laptops,” says Jessa, whose diary is invariably busy with teaching and choir-leading sessions for Singing For All, the York Military Wives Choir, youth choirs and more singing groups besides.

“On Sunday, Mick will include some of the most well-known poems such as John Masefield’s Sea Fever and W H Davies’s Leisure and even some Spike Milligan.

“The songs, from pop classics by Carole King and The Beatles to gentle folk songs, and even my own take on a Harry Lauder classic, will all be sung unaccompanied, apart from my new performing friends, the real songbirds.” 

Back for more: Mick and Jessa hope to do more Fields And Lanes shows

Places for Fields And Lanes Under The Willow Tree must be booked in advance on 07526 107448 or via ecl.generalenquiries@gmail.com to ensure that everyone is aware of and agrees to the safety procedures. Tickets are free, with a pay-as-you-feel collection on the day.

“It’s a beautiful space, under an amazing willow tree, and the forecast looks promising,” says Jessa, who is keen to do further performances.

“With both of our busy schedules during normal times, it has been so lovely to work on this project together, and we hope to roll it out to other suitable venues in the next year. So, if anyone involved with an outdoor space would like us to bring Fields And Lanes to them, it can be arranged. You can send a message via https://www.facebook.com/fieldsandlanes/.”

Dame Berwick’s Dick Turpin Rides Again held up until December 2021 by Covid-19

Highway robbery: The curse of Covid-19 strikes again as Berwick Kaler’s comeback pantomime, Dick Turpin Rides Again, will be held up until 2021. Here Dame Berwick is pictured with A J Powell, Suzy Cooper, David Leonard and Martin Barrass at the Valentine’s Day launch at the Grand Opera House

DAME Berwick Kaler’s pantomime, Dick Turpin, will NOT Ride Again at the Grand Opera House, York, this Christmas.

Faced by the Government’s decision not to remove social-distancing requirements for theatres amid the rise in Covid-19 infections, Ambassador Theatre Group and pantomime producers Qdos Entertainment are moving Dick Turpin Rides Again to December 2021/January 2022.

Dame Berwick and his regular team of villain David Leonard, comic stooge Martin Barrass, perennial principal gal Suzy Cooper and luverly Brummie A J Cooper were to have made their Grand Opera House pantomime debut this winter after their headline-making, bittersweet crosstown transfer from York Theatre Royal.

In an official statement today, Kaler said: “Having secured the backing of the world’s leading pantomime producer Qdos, and knowing their commitment to save our acclaimed panto, I’m devastated that our loyal audience is going to have to wait until next year to see what we had planned for them.

“Hence, I would like to extend my heartfelt thanks to Qdos and the wonderful staff of the York Grand Opera House who welcomed myself, Martin, Suzy, AJ and David with open arms. Dick Turpin will ride again for Christmas 2021. It’s a long time to wait for a laugh but I can assure you it will be worth it, and we’ll all be at the Grand Opera House to greet you all.” 

Rachel Lane, theatre director of the Cumberland Street theatre, added: “With the current Government guidance still unclear on when venues can open without social distancing in place, we have decided with our pantomime partner Qdos Entertainment to postpone the production of Dick Turpin Rides Again until Christmas 2021.

“We’re delighted that Berwick, Martin, Suzy, AJ and David are still able to join us next year.  We’ll contact customers directly in due course to move their bookings on a year; they don’t need to take any action at this stage.”

Dame Berwick, who will turn 74 on October 31, had played the Theatre Royal dame over a 40-year span before making his grand exit in The Grand Old Dame Of York, waving goodbye in February 2019, but Britain’s longest-serving dame regretted his decision, even more so when he wrote and co-directed last winter’s show, Sleeping Beauty, wherein Barrass played the nearest role to a dame, The Queen.

Dame Berwick made an impromptu, emotional speech to the last-night home crowd on January 25 in an atmosphere increasingly akin to a bear pit, in the wake of executive director Tom Bird and the board’s decision to break the chain after more than four decades of the distinctive Kaler brand of pantomime comic mayhem.

Only five days later, the switch to the Grand Opera House was announced, and the familiar five assembled on February 14 to launch ticket sales for Dick Turpin Rides Again, a new beginning for comeback-dame Kaler and the Grand Opera House alike, in tandem with Britain’s biggest pantomime producer, Qdos.

On February 3, York Theatre Royal announced a new partnership with Evolution Pantomimes, regular pantomime award winners who duly chalked up another success, taking home the Best Panto award [for750 to 1,500-seat theatres] for Cinderella at Sheffield Lyceum in the 2020 Great British Pantomime Awards.

Scripted by Evolution director and producer Paul Hendy, Cinderella would have been the new partners’ debut show at the Theatre Royal until Covid-19 enforced a change of plan. Hendy will now write scripts for three pantomimes, Aladdin, Dick Whittington and Jack And The Beanstalk, for the York Theatre Royal Travelling Pantomime.

The tour starring York actor, panto comic turn and magician Josh Benson, will take in all 21 York wards in December and January, when audience members at each show will vote for which show they want to see.

Lush paintings to brighten up autumn with joy and nostalgia at Blue Tree Gallery

So Close To Home, acrylic on canvas, by Debbie Lush

DEBBIE Lush’s exhibition at Blue Tree Gallery, Bootham, York, opens on Saturday.

Ten new works of varying sizes and prices by the Devon landscape artist will be on show at the gallery and online at bluetreegallery.co.uk until November 7.

After studying illustration at Harrow School of Art and the Royal College of Art, Debbie was a freelance illustrator in London for 15 years until 2003.

Houses In The Woods, acrylic on canvas, by Debbie Lush

“My escape route from London was to move to Somerset to renovate and run a country inn with every intention of continuing painting in a landscape I love, but things don’t always turn out how you plan,” recalls Debbie.

“After 13 years of looking only, I was finally able to pick up my brushes full time and see the world in brush strokes again. I almost imagine it is like I have woken from a coma and it has found me fresh, excited and fascinated by who I am now and how I see things.”

Top Of The Hill, acrylic on canvas, by Debbie Lush

Since that renewal of her creativity more than three years ago, her vividly coloured coastal and rural landscapes have been inspired by walks with her dog along weather-beaten coastal paths, across muddy footpaths, through gateways and over fields and farmland.

“Memories of hills and tracks, the skyline and weather conditions emerge in the studio where I love the act of brushing blobs of paints of varying thickness in bright colours on a surface, one over another, to assemble landscapes,” says Debbie, who lives in Chardstock, East Devon.

Colourful October, acrylic on canvas, by Debbie Lush

In her paintings, sweeping curves are punctuated by focal points of sea defences, boats, barns, farmhouses and woodland homes, livestock and trees. Applying scratched lines too, they become visual records of her journeys; part-real, part-imagined landscapes bursting with energy, colour, nostalgia, observation and joy.

Debbie Lush’s show will be the fifth Featured Artist exhibition of 2020 at Blue Tree Gallery. Newly on display too this autumn are “brand new little gems” by resident artist Giuliana Lazzerini that “would look perfect in a small snug of a wall or on a shelf”, plus new work by Paolo Lazzerini, Colin Cook, Kate Boyce, Colin Carruthers and Sharon Winter.

Opening hours, for the time being, are 11am to 4pm on Tuesdays, Thursdays and Saturdays, or by appointment on 01904 620660.

York Mystery Plays head off streets and into homes for Strasz’s film/theatre project

Tom Straszewski’s cardboard waggon from his York Mysteries @ Home films

YORK theatre director and academic Tom Straszewski is seeking participants for York Mysteries @ Home, the chance to make a York Mystery Play in your abode.

“As part of my PhD on the York Mysteries and community theatre, I invite you and your household to create your own performances of one of the Mystery Plays at home,” he says.

“This approach is inspired by the medieval origins of the Mysteries, where Guild members worked from home on their crafts.”

Strasz has put together five DIY plays himself already that can be viewed on YouTube at https://tinyurl.com/homemysteries.

“Finding myself in a similar position, and limited to what was already in the house, I’ve been creating plays from whatever items I had lying around: often props and materials left over from old performances.”

Offering guidance, Strasz says: “You might have your own hobby or craft that provides inspiration. The main thing is to draw on what you already have, so that your play is personal to you and your home.

“This will then build up to a screening of the plays in the autumn next year, perhaps at a York venue, perhaps online.”

Anyone interested in taking on one of the plays is asked to e-mail Strasz at: Thomas.Straszewski@york.ac.uk. “If you have a particular play in mind, then include that, and any initial thoughts and ideas,” he advises.

“I’ll be running this in batches of five plays every month or so. If there’s a play later in the schedule you’re particularly interested in creating, let me know now and I’ll be in touch when we reach it – no commitment required.”

For more details, visit the website:
https://www.yorkmysteriesathome.co.uk/create-your-own.html


FROM this evening, additionally Strasz will be hosting a weekly read-through of the Mystery Plays every Tuesday on Zoom from 7.30pm to 9pm.

“These evenings are an opportunity to read each play out loud and discuss them with fellow friends of the York Mystery Plays,” he says.

“The ideas and connections made will hopefully lead to a full production of the Mystery Plays in the future, with these read-throughs as one way to form the performance right from the start.”

Strasz’s read-throughs will work through the 48 mediaeval plays in order. “We’ll be starting with The Creation Of The Heavens and The Fall Of Lucifer and we should be reaching The Nativity in December,” he says.

“As an informal group, you can drop in and out each week, depending on how often you’d like to attend.”

The Zoom details can be acquired by e-mailing Strasz at: thomas.straszewski@york.ac.uk. Scripts will be available via the YorkMysteries@Home website, under the Resources page.

“At a time when people are struggling to keep a sense of community at a distance, I think there’s a real need for the Mysteries – and for York’s community theatre more generally,” says Strasz

Here Charles Hutchinson puts questions to Tom Straszewski on his DIY community project, York Mysteries @ Home.

Which plays have you done?

“So far, I’ve performed the first seven plays, and five are available online to date, from The Creation Of The Heavens to Cain And Abel. As winter closes in, I’ll hopefully reach The Nativity and make it to The Last Supper in time for Easter.”

What is the most unusual prop you have used?

“I don’t know about unusual, but I’ve enjoyed the matchsticks for Lucifer. Originally matches were made with sulphur and called ‘lucifers’ – light-bringers – which is the sort of bad pun I relish.

“I’ve got my eye on my son’s toy watering can for The Flood and lots of old props and costumes from my past plays will appear. It’s like seeing familiar actors in plays; I always enjoy spotting old props and costumes being reused.”

How have you filmed the Plays?  On your phone or with a camera?

“All on my phone – you don’t need anything fancy. And it’s theatre, not film, playing in the moment, not editing the best shots together.

“Having said that, the first one I did was disastrous! I dropped the phone halfway through, just as I ate my last prop – a strawberry from the garden – so I did edit that one a bit. I’ve switched to using a tripod to avoid a repeat.”

In the ruff: Tom Straszewski in rehearsal with York actor Jess Murray. Picture: JTU Photography

What skills might you like Mystery Play home-play creators to display in the Plays they do?

“It could be anything: I’ve had suggestions of baking for The Last Supper and wood-working for The Crucifixion, which is fitting. If anybody out there paints stained glass, I’d love to see their take on any of the Plays with angels.

“But it could be as simple as finger-painting, sock puppets or Lego. The main thing is to find out how to tell these amazing stories in your own home with what’s available to you. Be bold and imaginative. And be willing to be surprised at how your idea of your home changes.”

Do you have anywhere in mind for showing the Mystery Plays films in York?

“Further lockdown permitting, it would be wonderful to hold it in somewhere linked to the Plays, one of the guild halls, perhaps, or in Museum Gardens. I’ll be looking for some collaborators to help put this on, assuming we’re allowed out of the house again by then. If not, we’ll hold a socially distanced celebration of everybody’s work online instead.”

Are the Plays being done in a particular order or in thematic clusters?

“I’m dependent on who volunteers to take on each play, but I’m hoping to work through them roughly in linear order, starting with The Creation and finishing with The Last Judgement. But if anybody has a burning need to do one of the later plays right now, there’s no need to wait.”

Is there previous history of the York Mystery Plays being performed in homes?

“Yes. It was wonderful to hear York Theatre Royal take on the plays as radio drama, recorded remotely in each actor’s own home during lockdown [for broadcast on Jonathan Cowap’s Sunday morning show on BBC Radio York]. But I missed the visuals!

“I was talking to a group of previous actors in the Plays and they all said the sense of spectacle was essential to the Mystery Plays. So, this project hopefully brings that back, on a tiny scale.

A Zoom rehearsal, led by director Juliet Forster, second from right, top row, for The Flood, part of this summer’s York Radio Mystery Plays recorded by York Theatre Royal

 “And the medieval guilds who put on the plays often had their workshops in their homes, open to the public. So, making the plays at home draws on that sense of craftwork as a performance.”

Why are you so drawn to the Mystery Plays: what makes them resonate with you?

“Within the Plays themselves, it’s the marriage of the epic sweep with intimate moments: one minute creating the whole world, the next moment seeing Adam and Eve arguing over who should take the blame for messing up.

“On that domestic scale, the story of Mary takes her from a teenager in an impossible situation, to mourning her son, to acting as a matriarch for a whole host of disciples. I’d love to really focus on her story one day.

“And that gives a sense of how endless the possibilities are. In 2018 alone, for the Waggon Plays that summer, people based their Mystery Plays on children’s pop-up books, Russian art, street graffiti, Greek choruses, medieval tapestries, modern atrocities, climate change, to mention just a few. Shakespeare is probably the only other drama that sees that breadth of staging possibilities.

“The other thing that always stands out for me are the moments outside the Plays themselves – seeing somebody conquer their shyness, or find a new talent, or make new friends backstage. And they bring people together all across York.

“At a time when people are struggling to keep a sense of community at a distance, I think there’s a real need for the Mysteries – and for York’s community theatre more generally.”

Loving that feeling of escaping to the AA Getaway Drive-In Cinema at Elvington

Talkin’ about a rev-olution in drive-in cinema from the AA: Arts journalist Charles Hutchinson and Celestine Dubruel arrive at Elvington Airfield for Saturday night’s screening of Le Mans ’66. Picture: AA

NEARLY 2,000 people had that “getaway feeling”, heading out to the AA Getaway Drive-In Cinema, parked up at Elvington Airfield, near York, last weekend.

In “Vol. 1” of the AA’s new cinematic entertainment venture, afternoon and evening screenings took place from Friday to Sunday, Saturday reserved for AA members, the other two days open to the public, with a maximum of five people per car.

The other York drive-in experience available/not available/go to Aberdeen right now is for Covid-19 Testing at Poppleton Park and Ride, and driving past the ever-evocative Air Museum aircraft onto the airfield expanse for Saturday night’s show, there seemed to be even more staff on hand to guide you through a winding course of tyres, in familiar AA livery of gaudy yellow. Even an official photographer was there to snap every car and smiling incumbent.

All on duty were wearing face masks; enthusiastic, helpful, loving that feeling of being out in the open air, like Tukker the dog with the fan and record deck in the new AA advert that would inevitably play its part in the promotional side of this drive-in Saturday experience.

No, not the USA, but driving in for the AA Getaway Drive-In at Elvington Airfield . Picture: AA

Name checked, you were handed sanitised remote speakers for your listening pleasure and informed how you could order food and drink – “locally sourced “ – from that device to be brought contact-free to your car.

A number was placed on each driver’s wing mirror to facilitate those deliveries, once you had been guided into your car’s socially distanced spot by hand signals more associated with guiding an aeroplane across the Heathrow tarmac. Apt for an airfield, of course!

The first York drive-in of the summer, Daisy Duke’s on Knavesmire from July 31 to August 2, had favoured a combination of musical big hitters, Grease, Rocketman, Mamma Mia! and A Star Is Born, family hits, Toy Story and Shrek 2, and something darker for night-time, 28 Days Later, Pulp Fiction and Joker.

AA Getaway’s triptych of escapist films felt the need for speed, thrills and action, suitable both for the location and the AA’s association with travel and driving. Hence the choice of James Gunn’s 2014 space chase, Guardians Of The Galaxy (12A), Edgar Wright’s 2017 getaway-car heist thriller, Baby Driver (15), and James Mangold’s 2019 Ford v Ferrari race-track clash, Le Mans ’66 (12), Saturday’s evening pick for AA members.

Socially distanced cars at the Elvington airfield drive-in cinema. Picture: AA

Many moons ago, but never to be forgotten, a hapless drive-in showcase in a Clifton Moor car park had combined a blow-up screen that blew over in the howling wind, incongruous ice creams on an absurdly cold and wet early summer’s night, and a much-delayed screening of Grease – Summer Lovin’ didn’t happen so fast, alas – after the forlorn screen had to be deflated and slowly, very slowly, re-inflated.

“Never again” was the vow in the wake of that tragic-comic affirmation that drive-ins were meant for open-topped American cars on balmy American nights with the junkiest of American junk food, not for an anonymous Yorkshire tarmac strip off a bypass.

Until…Saturday night at the movies at Elvington Airfield and AA Getaway’s slick, ultra-efficient, state-of-the-drive-in cinema, where the sound systems were as clear as the staff instructions, the three giant LED screens were pin-sharp and everything ran to time.

Le Mans ’66 was a cracking selection: Ford versus Ferrari, American ruthlessness versus more stylish Italian ruthlessness on and off the track for the 1966 24-hour Le Mans race in a buddy vehicle for Matt Damon and Christian Bale.

Saturday night’s film at Elvington airfield: Christian Bale as Ken Miles in Le Mans ’66

Ultimately, under Mangold’s heart-pumping direction, it turned into a hymn to the uncompromising, temperamental but brilliant engineer and driver Ken Miles, the Motorsports Hall Of Fame of America inductee from Sutton Coldfield, near Birmingham, whose deeds overseas deserve to be known by more than petrol heads.

Aided by Bale’s bravura performance, there was so much mileage in Miles’s story, hopefully, if belatedly, the Brummie race ace will have his place among the pantheon of British sporting greats. 

Will Harrison, AA’s head of brand marketing, said after the weekend: “We launched AA Getaway to offer audiences some true escapism and we’re absolutely delighted with the response. For many, it was their very first drive-in experience and we hope they were able to sit back, relax and smile – all from the comfort of their car.”

Roll on Vol 2: The Drive-In for these days when the car, a kind of home from home, looks a safe option for Covid-secure, socially distanced entertainment.