Christopher West and his six-year-old son, Edison, who are both participating in Spark: York’s Envisioning A Greener Piccadilly art competition
SPARK: York is hosting an art exhibition on Saturday and Sunday with a focus on Envisioning A Greener Piccadilly: Ideas For A Sustainable Future in the city centre.
The creative community venue, in Piccadilly, York, asked artists to respond to this theme with the aim of “cultivating community engagement and starting a dialogue about how the neighbourhood can evolve to better serve both the residents of today and future generations”.
This year’s exhibition builds on the success of last year’s competition at Spark, where participants imagined York in 100 years’ time and created a time capsule for the people of York in 2050, aligning with the United Kingdom’s net-zero target.
The time capsule is stored at the University of York’s Borthwick Institute and is registered officially with the Time Capsule Society in Atlanta, Georgia, USA.
Spark: York wants to “curate creativity and encourage visionary ideas for a more sustainable central street in York, especially in light of the significant developmental changes under way”. Sixteen artists have submitted work to the 2024 event, showcasing a diverse range of concepts, from lush green spaces teeming with wildlife to socially minded community areas and cutting-edge eco-tech solutions.
How will Piccadilly look in a greener future?
Various media will be showcased including watercolour, acrylics, lino print, digital art and mixed-media collages using natural and recycled materials. Submissions were made in two age categories: under 15 and 15+, highlighting collaborative efforts between parents and children, as well as contributions from artists across the region, including Leeds and Tadcaster.
The entries were evaluated carefully by an expert panel of Spark’s resident artists, including Leon François Dumont, Jessica Mallorie and Kat Olsson.
Leon said: “The judging panel were thrilled to see such imaginative entries. The artworks ranged from full street plans for a greener city, to abstract shapes and colours representing the moods and sensations residents might experience in a future Piccadilly, interconnected with nature. We’re excited for York to see them all exhibited together, to start conversations on a green makeover for the city.”
Envisioning A Greener Piccadilly: Ideas For A Sustainable Future, on show at Upstairs SHOW space, Spark: York, Piccadilly York, August 31 and September 1, 12 noon to 10pm. Entry is free and everyone is invited.
Next Door But One artistic director Matt Harper-Hardcastle, left, receives the “life-changing” £20,000 cheque from Sky Bet’s Steve Birch after winning the Sky Bet Ebor Festival Community Sweepstake at York Racecourse
MATT Harper-Hardcastle attended York Races for the first time on Saturday and headed home with £20,000…without placing a bet.
To explain, Matt is the artistic director and chief executive officer of York community arts collective and charity Next Door But One (NDB1), who won the Sky Bet Ebor Festival Community Sweepstake.
As part of the joint initiative between York Racecourse and Sky Bet, the sweepstake rewards good causes from across Yorkshire in acknowledgement of their hard work within the community. Each shortlisted charity was awarded a £1,000 donation to put towards a project or initiative.
This year, more than 150 entries to the sweepstake were made, leading to a final shortlist of 22, each allocated a runner in the 3.35pm Sky Bet Ebor Handicap from the sweepstake draw.
From a ceremony shown live on TV at the Knavesmire course on Thursday, Matt drew the horse names from one tombola; Pam, from Hull & East Riding Breast Friends, the charities from the other.
Matt turned out to have the magical touch, having drawn Magical Zoe for NDB1. Trained by Henry de Bromhead and ridden by Billy Lee, the hurdler-turned-flat racer lived up to being the favourite in the betting by finishing first past the post, a victory that brought NDB1’s £20,000 grand prize. Second place went to The Clothing Bank with Menfulness taking third, securing £5,000 and £2,000 respectively.
Next Door But One, an award-winning LGBTQ+ and disability-led theatre company, delivers a programme focused on workshops and performances for and with cohorts of the community with disabilities, mental ill health, unpaid carers, women from lower socioeconomic backgrounds and LGBTQ+ individuals.
In the wake of Magical Zoe’s triumph, a delighted Matt said: “This is the first time I’ve ever been to the races, so the fact that we’ve come away with £20,000 for the charity is absolutely amazing. This donation has meant that we’ve already reached our funding target for the year, which will continue to be hugely beneficial into 2025.
Next Door But One’s leadership team: creative engagement manager El Stannage, left, producer Joshua Goodman, artistic director Matt Harper-Hardcastle, associate director Kate Veysey and communications coordinator Anna Johnston
“The donation will be used for our participatory arts programme for marginalised communities. For every £20 invested, we’re able to provide a whole year’s worth of free and inclusive arts engagement for one person, so this means we’re able to make a difference to so many. The whole team would like to thank York Racecourse and Sky Bet for their support. It really is a life-changing amount of money.”
James Brennan, head of marketing and sponsorship at York Racecourse, added: “The Ebor always proves to be a very special event in our racing calendar, and 2024 proved no different as we saw Billy Lee ride to victory.
“Hosting the shortlisted good causes is always a pleasure, and we’re looking forward to following their journeys and seeing how they utilise the valuable donations they receive.”
Michael Shinners, head of sports PR at Sky Betting & Gaming, concluded: “A huge congratulations to Next Door But One, The Clothing Bank and Menfulness for placing in our community sweepstake.
“The Sky Bet Ebor Festival Community Sweepstake is an annual highlight for us, as we learn about all the amazing work that our charities and good causes support across the Yorkshire region. We hope that our donations for all of those shortlisted go a little or a long way in helping them continue their great work.”
The final 22 shortlisted Yorkshire charities, foundations and community groups were:
Active Independence; Beverley Community Lift; BIADS – Barnsley Independent Alzheimer’s and Dementia Support; Day One Trauma Support; Declan John Foundation; Hornsea First Aid Centre; Hull 4 Heroes; Hull and East Riding Breast Friends; Just ‘B’; Menfulness; MySight York; Next Door But One CIC; Noah’s Ark Centre; Norton Hive Library and Community Hub; Overgate Hospice; Rotherham Cancer Care; Sheffield Mencap and Gateway; Sheffield Steelkings Para Ice Hockey Club; The Clothing Bank; Friends of Rowntree Park, York; The Rainbow Centre, Scarborough, and Yorkshire’s Brain Tumour Charity.
James Brennan said: “As with every year, we have seen so many worthwhile entries to the sweepstake. Choosing 22 from this extensive list is never easy but the final runners reflect a diverse group of worthy causes from across the region.
“The Sky Bet Ebor Festival is the highlight of our racing calendar with this initiative an important part of proceedings. We always look forward to hosting the shortlisted contenders and to showcasing the amazing work they all do.”
Representatives from the 22 shortlisted Yorkshire charities, foundations and community groups for the Sky Bet Ebor Festival Community Sweepstake at York Racecourse on Saturday
TWENTY-FIVE years on from its inception, the annual Fangfest returns with its celebration of traditional and contemporary art and craft skills as creatives, businesses and charities gather next weekend in Fangfoss, near York.
The festival of practical arts features a flower festival, vintage and veteran cars, archery with Aaron Shooting Archery, Stamford Bridge History Society, music on the green, Story Craft Theatre, a teddy bear trail, produce stalls and free craft activities, as well as 30 working craft exhibitors and workshops.
Among the exhibitors will be Caroline Wagstaff, ceramics and pebble glass; Josh Hemmens, of Whimbrel Designs, photography with a twist; International Feltmakers Association member Liz Riley, of Everything Felt, felting; Lorina Lynne, jewellery; Pete Thomson, of Spirit of the Wood, woodwork; Woodwrym, wood carving and trinket boxes; Shan Williams, woven items; Crafty Alfredo, ceramic mosaics; Laura Thompson, illustrations; Tanja Entwistle, glass; and Rosie Glow, terrazzo homeware, soaps and prints.
Rosie Glow: Maker of terrazzo homeware and soaps
Most of the stalls will be in The Orchard of Fangfoss Hall, making the 2024 event more centralised than in past years.
“This year there are more opportunities than ever for visitors to learn a new craft,” says event co-organiser Lyn Grant, of Fangfoss Pottery. “Over the weekend there’ll be a number of workshops, lasting about two hours each, for the public to participate in: needle felting with Brenda Christison, of Felty and Fabulous (10.30am, Saturday); spoon carving with Woodwyrm (11.15am each morning); yarn spinning with Catherine Djimramadji (September 8, 10.30am) and hand embroidery with textile artist Hayley Mills-Styles (September 8, 2pm, upstairs at Fangfoss Pottery).
“Although these are more suitable for older children and adults, there’s a workshop specially geared for children aged five and upwards on the Sunday. Hosted by Thread and Press at 11am to 12.30pm and 2pm to 3.30pm, this is to make and sew a Barn Owl Sock Puppet, decorated and painted.”
Gerry Grant demonstrating Raku firing at Fangfoss Pottery
A small charge applies for all these workshops, which must be booked in advance. Details can be found on the Fangfest Facebook page.
One of the youngest exhibitors, photographer Josh Hemmens, of Whimbrel Designs, will demonstrate his lensball technique and talk visitors through his editing processes, wherein he transforms his original photographs into images with a modern twist. His work will be available as fine-art giclee prints, framed photographs and greetings cards.
To accompany their selection of replica medieval tiles across the weekend, Tanglebank Tiles will demonstrate designs and techniques in the medieval style. Gerry Grant will demonstrate Raku firing at Fangfoss Pottery; Laura Thompson Design and Illustration, watercolour painting.
Story Craft Theatre’s Cassie Vallance, left, and Janet Bruce: Making their Fangfest debut
Story Craft Theatre are taking part in Fangfest for the first time. York theatre-makers Cassie Vallance and Janet Bruce will perform a magical and adventurous story for two to eight-year-olds featuring music, games and puppetry on both days at 2.30pm in the Fangfoss Hall orchard. Admission is free.
On the Teddy Bear Trail, visitors and trail finders will be asked to find the nine letters attached to some of the teddies, rearrange them to form a word and collect a prize at the finish point.
On the Sunday morning, at 11.30am, Haigha Lore will be enchanting The Orchard with Anglo-Saxon storytelling, songs, music, poems and ritual, using Anglo-Saxon, Middle English and modern English to weave together poems and extracts from the 5th to the 13th century to re-imagine the lost world of the dark ages in Tales of the Kings.
Archery at Fangfest
Look out for Hearing Dogs for Deaf People, with a chance to meet the team and watch some of the dogs in training.
More information on the festival, including exhibitors, timings of activities and workshops, can be found on facebook/fangfest or on Instagram, fangfestfestival.
Fangfest Festival of Practical Arts, Fangfoss, ten miles east of York, September 7 and 8, 10am to 4pm.Entry is free; parking is £2 per vehicle in aid of Friends of St Martin’s Primary School, Fangfoss.
Lord Of The Dance: “Aiming to leave the audience spellbound” at York Barbican
THE summer festival season enters the final furlong with the focus turning to the new season ahead, as Charles Hutchinson highlights.
Dance show of the week: Michael Flatley’s Lord Of The Dance, York Barbican, today, 2.30pm and 7.45pm; tomorrow, 7.45pm
IN the words of Lord Of The Dance impresario Michael Flatley: “Our 2024 tour promises to be an extraordinary journey that will take audiences to the next level once again.
“In 2024, this extraordinary experience for fans will feature new staging, fresh choreography, new costumes, cutting-edge technology, and special effects lighting. It’s a celebration of a lifetime of standing ovations and we aim to leave the audience spellbound.” Box office: yorkbarbican.co.uk.
Living History Weekend: The past comes alive at Eden Camp today and tomorrow
Family fun day out of the week: Living History Weekend at Eden Camp Modern History Museum, Edenhouse Road, Old Malton, today and tomorrow, 10am to 5pm
STEP back in time to be immersed in history at Eden Camp, where the past comes alive with re-enactors around every corner, from captivating displays to engaging talks and activities galore. You can meet with medics; try your hand at authentic ration recipes; explore the intricate details of a Sherman tank and groove to live music in the engine shed. Dressing up in 1940s’ fashion is encouraged. Tickets: edencamp.digitickets.co.uk/tickets.
The Last Dinner Party: Playing Leeds Festival’s main stage at 2.20pm tomorrow. Picture: Leeds Festival website
Festival of the week: Leeds Festival, Bramham Park, near Leeds, today and tomorrow
AFTER “Mother Nature played her part”, Storm Lilian has put paid to the BBC Radio 1 stage and the new The Aux stage, but The Chevron stage is expected to reopen today.
Blink 182 and Gerry Cinnamon top today’s bill at Leeds Festival, when Two Door Cinema Club and The Prodigy. Tomorrow has Fred Again and Lana Del Rey on headline duty, backed up by Raye, Fontaines DC, Bleachers and The Last Dinner Party. Look out too for Sonny Fodera and Barry Can’t Swim. Box office: leedsfestival.com/tickets.
Lana Del Rey: Playing the main stage at Leeds Festival tomorrow at 7.30pm. Picture: Leeds Festival website
York gig of the week: New York Brass Band, Big Summer Party, The Crescent, York, tonight, doors 7.30pm
YORK’S top brass come together for an evening of big, bangin’, brassy tunes at The Crescent, featuring a line-up of percussion, saxophone, trumpets, trombones, guitar and sousaphone.
Taking inspiration from contemporary New Orleans musicians, the New York Brass Band will be in party mood after festivals appearances at Glastonbury and Latitude. Box office: thecrescentyork.com.
New York Brass Band: Big, bangin’, brassy tunes at The Crescent tonight
Coastal gig of the week: Becky Hill, Scarborough Open Air Theatre, August 29, gates 6pm
BRIT Award-winning Becky Hillis a pop powerhouse with a reputation as a pioneer in electronic music, not least in her collaborations in the dance-pop genre with everyone from David Guetta to Little Simz over the past decade.
Hill has written or performed on 17 UK Top 40 singles, including five top ten singles and a number one, amassing more than four billion streams on Spotify. Box office: scarboroughopenairtheatre.com.
Steve Cassidy: Playing with his band and friends at the JoRo Theatre
New amid the familiar: Steve Cassidy Band & Friends, Joseph Rowntree Theatre, York, September 1, 7.30pm
YORK’S Steve Cassidy Band return to their favourite venue, where three-time New Faces winner, singer, guitarist and songwriter Cassidy is joined by John Lewis on lead guitar, Mick Hull on bass guitar, ukulele and guitar, Brian Thompson on drums and George Hall on keyboards.
Expect a few special guests throughout an entertaining night of rock, country and instrumental music, plus new pieces prepared specifically for this concert. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Robyn Hitchcock: Heading for The Crescent next month
Art rocker returns: Robyn Hitchcock, The Crescent, York, September 1, 7.30pm
IN a career spanning six decades, Robyn Hitchcock remains a one-of-a-kind artist: surrealist rock’n’roller, acoustic troubadour, poet, painter and writer.
From The Soft Boys’ art-rock and The Egyptians’ Dadaist pop to such solo masterpieces as 1984’s I Often Dream Of Trains and 1990’s Eye, Hitchcock has crafted songs with recurring references to marine life, obsolete electric transport, ghosts and cheese. Tickets for this seated show are on sale at thecrescentyork.com.
Olivia Graham: Performing in the style of the Celtic bards of old at Theatre@41, Monkgate, York. Picture: Richard Gatecliffe
Come, all ye old souls and dreamers: Olivia Graham, An Evening In Avalon, Theatre@41, Monkgate, York, September 6, 7.30pm
CELTIC folk musician Olivia Graham delivers a spellbinding evening of enchanting music, woven through the tales of Morgan Le Fay and other legendary figures from across the British Isles.
Performed in the style of the Celtic bards of old, An Evening In Avalon embarks on a magical journey through Ancient Ireland, Dark Age Britain and even the elusive shores of mystical Avalon itself. Box office: tickets.41monkgate.co.uk.
Snake Davis: On his own at Helmsley Arts Centre
Saxophone solo: Snake Davis, Helmsley Arts Centre, September 6, 7.30pm
ONCE a member of York jazz and soul band Zoot And The Roots, saxophonist Snake Davis will be on his own in this informal acoustic evening of music and chat in two parts. Not really on his own, he clarifies, because in Part One he will have his musical instrument family with him: myriad saxophones plus flutes, whistles, steel handpan, didgeridoo and the Japanese Shakuhachi. Questions are encouraged.
In Part Two, the focus is on My Greatest Hits, highlighting Snake’s work as sax hired gun to the stars, adding Olly Murs and Shania Twain to the list this year after sax solos forTake That, M-People, Lisa Stansfield and The Office theme tune. Playing the songs in context, he will tell the stories behind them. Box office: 01439 771700 or helmsleyarts.co.uk.
There’s no bursting Andy Parsons’ balloon: Comedian will be in “Bafflingly Optimistic” mood at Joseph Rowntree Theatre in October
Comedy gig announcement of the week: Andy Parsons: Bafflingly Optimistic, Joseph Rowntree Theatre, York, October 11
DESPITE everything that Great Britain has had to face in recent years, Mock The Week lynchpin, Stacktivist Action Group podcaster and comedian Andy Parsons has found cause to be optimistic.
“I think there are reasons to be hopeful,” says Parsons, 55. “It’s not a depressing show. The positive side is the pandemic is over, we are statistically more united as a nation than it might seem. And despite what you’ve heard, comics are not being cancelled.” Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Next Door But One’s leadership team: creative engagement manager El Stannage, left, producer Joshua Goodman, artistic director Matt Harper-Hardcastle, associate director Kate Veysey and communications coordinator Anna Johnston
HOT off winning two York Enterprise Awards, Next Door But One is launching The Producing Hub to expand its provision of professional development for creative talents in the city.
Over the past year, the York community arts collective has supported 68 performing arts professionals to nurture their skills and achieve career goals through a series of workshops, one-to-one mentoring and by providing micro-commissions for new work, such as the Yorkshire Trios showcase at York Theatre Royal Studio in late-March.
“Seventy-five per cent have started a new project or developed an existing one; 68 per cent have applied for and secured new jobs or commissions; 50 per cent have applied for funding for their work, and have showcased that work too,” says Next Door But One (NDB1) chief executive officer and artistic director Matt Harper-Hardcastle.
“As one participant described their involvement: ‘The biggest impact from engaging in NDB1’s professional development is how much confidence I’ve gained. I’ve since secured further professional work, I have less imposter syndrome and feel like I belong in this industry.
“The experience of working with NDB1 made me feel validated that I have the skill to pursue acting professionally, and what my USP [unique selling point] is in the industry. I’m able to effectively communicate what I can offer the industry and NDB1 has been instrumental in helping me understand this’.”
James Lewis-Knight, artistic director of Clown Space, recipients of Next Door But One support for professional development
Matt reflects: “We’ve always said that NDB1 is a place where creatives can hang their hat. Being a freelance artist can often feel very lonely, isolating and a bit discombobulating,” he says. “We saw this acutely during Covid. As the world started to open up again following the pandemic, we had an influx of local creatives getting in touch for advice.
“Sixty-seven per cent had had a large proportion of their work cancelled; 50 per cent had struggled to secure the same amount of work since; 42 per cent had considered leaving the industry and their chosen career altogether, and 58 per cent have felt a significant disconnection from the industry as a whole. Local freelancers are the lifeblood of NDB1’s work, so we knew we had to do something about it.”
Since those shockwaves of 2021, NDB1 has provided 28 micro-commissions to writers, directors and actors, run three programmes of professional development workshops, a full year’s coaching for emerging companies and countless one-to-ones with York artists to provide bespoke advice and signposting.
“Now we are launching our most ambitious and robust programme of support for creatives through The Producing Hub Next Door But One,” says Matt. “‘It’s a way to pull together and formalise all the responsive support we’ve been providing into something we can really shout about and invite more people into.”
Firstly, backed by funding from City of York Council (through the UK Shared Prosperity Fund) and Arts Council England, over the next year NDB1 will provide producing support for Thunk-It Theatre’s next tour of New Girl and for the company development of Clown Space, the York company run by professional clown James Lewis-Knight and Emily Chattle that specialises in teaching clowning, full mask and physical theatre.
“Clown Space are at a point where they need support with their creative business plans, vision values and funding mechanisms,” says Matt.
Creative 1:1s. Seed Funding.Seminars. Next Door But One has help and advice on hand for York arts talents
Thunk-It Theatre artistic director Becky Lennon says: “We are thrilled to be joining The Producing Hub. We’ve been lucky to be supported by NDB1 since we first began in 2020 and are excited to be co-producing our now Arts Council England-funded production, New Girl, this autumn with the wonderful support from the NDB1 Team.
“The Producing Hub is a great way for us to learn how to produce our own work in a supported professional set-up. We cannot wait to see how we develop with the amazing backing from the team.”
Secondly, in partnership with York Theatre Royal, NDB1’s Opening Doors will return from November 2024 to provide a series of free professional development workshops built from the needs expressed by York creatives.
“We’re also really excited to take our informal one-to-one surgeries and the ‘cuppa catch-ups’ we regularly have with creatives to provide regular opportunities for creatives to sit with members of the NDB1 team and get the advice they need,” says Matt.
NDB1 associate director Kate Veysey adds: “I think it’s down to our approachability, but we regularly have creatives getting in touch to ask our advice on new projects, to look over applications and even just to be a friendly face to artists who are new to the city.
Thunk-It Theatre in New Girl: Receiving Next Door But One support for next tour
“We really see the value in these quick, responsive interventions and happily go offering space, support and coffee, but as a small team ourselves we were reaching capacity.
“From September, however, NDB1 will be offering bookable slots around the city, for York creatives to set the agenda and receive the headspace of our leadership team on whatever is needed.”
This 1:1 service has been made possible with a grant from YOR4Good, partnering with the University of York’s School of Arts and Creative Technologies, and with the support of Explore York library service and Theatre@41, Monkgate.
Kate continues: “We’re excited by this as we can offer seed funding to support creatives to overcome particular barriers to their desired career progression. This could be affording fees for training courses, hiring space to have a table-read of a new script or even covering access costs to take up new opportunities.”
In addition, a casting call is open until September for NDB1’s May 2025 production of How To Be A Kid. “We’ll be casting from new graduates from the past two years, who’ll do a three-week rehearsal process, incorporating professional training as part of a touring production, with advice on, for example, acquiring professional headshots and talking to casting agents,” says Matt.
To stay up to date with these opportunities and to learn how to engage NDB1’s services, creatives are advised to sign up to the mailing list and fill out Expression of Interest forms, available via the website: nextdoorbutone.co.uk.
Double winners: Kate Veysey, second left, El Stannage, Matt Harper-Hardcastle amd Anna Johnston, of Next Door But One, with Warrick Dent, left, from LNER, after receiving the Community Changemaker and Inclusive Business awards at the 2024 York Enterprise Awards. Picture: Alex Holland
Specialist builder Leo Wolterbeek within the Mesolithic build at York Museum Gardens. Picture: Gareth Buddo
IT took four days for two Dutchmen to build “Britain’s oldest house” in York Museum Gardens, where the Mesolithic Hut will stand until September 1.
Made of reeds, matting and twine, the house design dates from 11,000 years ago, transporting visitors back to life in North Yorkshire in the Mesolithic age, the Middle Stone Age, between the Palaeolithic and the Neolithic.
Teams from York Museums Trust and the University of York have combined with experts in ancient technology and archaeology to build the replica house in front of the Yorkshire Museum, using evidence, techniques and materials, such as stone tools and plant materials, gleaned from the prehistoric archaeological site at Star Carr, five miles south of Scarborough, where the oldest known house in Britain was discovered.
University of York head of archaeology Professor Nicky Milner and postdoctoral research fellow Dr Jess Bates are spearheading the project with specialist craftsman Diederik Pomstra and builder Leo Wolterbeek and support from Dr Adam Parker, curator of archaeology at York Museums Trust, in a project made possible by £10,000 funding from the National Heritage Lottery Fund.
“Being an archaeologist is like being a detective, using clues to build the picture,” says Professor Nicky Milner, head of archaeology at the University of York. Picture: Gareth Buddo
Dr Parker says: “This is an extraordinary opportunity to experience a Mesolithic build, using evidence-based information such as the tools and the resources, much of which we are showing in the Yorkshire Museum.
“Taking our lead from Star Carr, we are able to harness and harvest materials from the environment that will be similar to the components these people utilised all those years ago.
“Displays at the museum includes the original implements and items left behind from the lives that unfolded there. It’s a chance to get to know and understand a relatively unknown period of history in a fun and open way for all ages. Come and see for yourself.”
Professor Milner says: “We invited Diederik and Leo from the Netherlands, who come over once a year to do experimental archaeological work, because they’re really skilled at prehistoric archaeological buildings.
“For example, they know what materials to use to make the twine for fastening. It’s about understanding the natural world and how to make things out of materials and how to make tools out of flint.”
Specialist craftsman Diederik Pomstra with Professor Nicky Milner and Dr Adam Parker. Picture: Gareth Buddo
The use of reed for the replica house is derived from the research at Star Carr. “We found post holes and a hollow that signified the oldest house in Britain. The soil there was darker and we can look at that soil with its high organic content, in particular the silica cells from different plants, and some of those looked like reeds,” says Prof Milner. “Star Carr was by the river, so there would have been reeds there.
“Jess [Dr Bates] spent three years doing a PhD looking at the flint finds at Star Carr under a microscope, and from that you can tell what the flint was used for: cutting up meat, processing fish; working with hides, bones, antlers and wood. So we begin to understand the activities in the house.
“We can use science to bring alive evidence. In terms of materials, there was a lot of organic material because the preservation was so good, and from the research we can put together a picture of what life was like; what their skills were.”
Prof Milner continues: “Being an archaeologist is like being a detective, using clues to build the picture, working in our experimental centre, where research gives you more questions to be answered.
Diederik Pomstra, left, Leo Wolterbeek, Professor Nicky Milner, of University of York, and Dr Adam Parker, of York Museums Trust, at the Mesolithic Hut build in York Museum Gardens. Picture: Gareth Buddo
“We have to be honest and say there’s an element of speculation, so we think they used reed to build the house as it was by the river, though we can’t confirm that. They may have used animal skins.”
Prof Milner stresses the importance of the partnership with York Museums Trust, whose Star Carr exhibition, Life After The Ice, at the Yorkshire Museum offers visitors the chance to learn more about the site and see tools, objects and ritual artefacts found there.
“We both want people to know about Star Carr, the house, and how we got to where we are now. I don’t mind if we are speculating because it gives everyone a chance to ask questions about the past,” she says.
“Star Carr was first excavated in the 1940s and became very famous in the archaeological world because of the incredible preservation of the site, but locally people didn’t know about it. I didn’t until I went to university and couldn’t believe it was on my doorstep, where I grew up!
Dr Jess Bates, from the University of York, with Elizabeth, left, and Eleanor Grahame-Clarke at the Mesolithic build. Picture: Gareth Buddo
“Since then, it’s been a passion of mine for everyone to learn about it as Star Carr is as important as Stonehenge.”
Dr Parker concurs: “Life After The Ice is our first exhibition after two years of having the Star Carr collection, and this is a Yorkshire collection on display in Yorkshire, informed by research happening in York, telling a story that’s important for us to tell, displaying an archive of international significance, presented in a way that maybe the university couldn’t do.
“This is a project that serves both research and public engagement, and the benefit of what we’re doing this month is that it brings the museum outside, and we hope that by people seeing one, they want to see the other.”
Free activities, such as storytelling with Hoglets Theatre Company and Into Wilderness Bushcraft Adventures, are running in a marquee next to the Mesolithic Hut until September 1, open daily from 10am to 4pm. Participating children must be accompanied by an adult at all times; full details can be found yorkshiremuseum.org.uk.
Access to the Museum Gardens and the Mesolithic build is free; there is a charge for entry to the museum, open 10am to 5pm.
Activities in marquee next to Mesolithic Hut, in front of Yorkshire Museum, Museum Gardens, Museum Street, York
Eleanor Grahame-Clarke learning skills from specialist builder Leo Wolterbeek in York Museum Gardens. Picture: Gareth Buddo
Creative Family Wednesdays: Star Carr Special, August 28, 10.30am to 3.30pm
DROP in anytime – no booking required – for artist-run creative workshops inspired by the Star Carr exhibition, delivered outdoors.
Star Carr Storytelling: August 29, 10.30am to 11.15am; 11.30am to 12.15pm; 2pm to 2.45pm and 3pm to 3.45pm. No need to book.
JOIN Hoglets Theatre, Gemma Curry’s York company, for an adventure into the prehistoric world of Star Carr in these immersive, outdoor story-telling sessions suitable for all the family.
Into Wilderness Bushcraft Adventures, August 30 to September 1,10.30am to 4pm drop-in sessions throughout the day. No booking required.
EXPERIENCE wild Britain from an Aboriginal bushcraft perspective and immerse yourself in the Mesolithic in these hands-on workshops led by the team at Into Wilderness.
In addition, a Star Carr Skills Weekend was held on August 17 and 18, when expert Chris Woodland’s drop-in sessions highlighted Mesolithic craftsmanship, using natural materials, and offered the chance to learn skills needed for everyday life at Star Carr, demonstrating how to turn nettles into twine and shale into decorative pendants.
Melissa James as Lou and Patrick Heusinger as James in Paranormal Activity at Leeds Playhouse. Picture: Pamela Raith
IT is a balmy Summer evening in Leeds but despite the sweltering temperatures, there is a chill in the air as the world premiere of Paranormal Activity arrives at the Playhouse.
A Leeds Playhouse and Simon Friend Entertainment co-production in association with Gavin Kalin, Ken Davenport and Jonathan & Rae Corr, the show is based on a film first released by Paramount Pictures in the UK 15 years ago.
A relatively low budget found-footage film, the original became a word-of-mouth hit and is regarded as being one of the most profitable films ever made.
If you have seen that film (or any of its many sequels), you will be familiar with the basic premise. A young couple are haunted by a strange presence within their home, inspiring them to set up a camera to try and capture evidence. Of course, technology has come on a long way since then…
In keeping with the subject matter, the whole show seems to be shrouded in mystery, with signs outside the theatre reminding us that we are not allowed to take any photographs or breathe a word of what we have seen to others. “SHHH!” instruct the posters, “NO SPOILERS”.
Perhaps, therefore, it is best to play it safe with the synopsis provided by the Playhouse website, which states: “American couple James and Lou move to London to escape their past…we can’t say anything else.”
We may not know what to expect but expectations are still high that this will succeed in maintaining the original spirit of those films and go some way towards re-creating the fear. As with many scary films, the real horror here is less related to the events themselves and more the impact that they are having on their relationship.
Fly Davis’ residential set is on more than one level, and it is worth keeping an eye on what is happening upstairs when the characters are downstairs and vice versa. It manages to be spacious but claustrophobic, cosy yet disconcerting. Several of the home appliances seem to be in desperate need of an electrical safety test. It might be time to call in the professionals to investigate.
Written by Levi Holloway and directed by Felix Barrett, the artistic director of Punchdrunk, who specialise in creating unsettling immersive theatre, it is no exaggeration to say that this is a sensory experience with a cacophony of disturbing sounds, atmospheric rumblings and frequent blackouts that serve to intensify the impact of what you have just seen.
The sense of impending dread is palpable throughout as we silently scream warnings at the cast (Melissa James’s Lou, Patrick Heusinger’s James, Jackie Morrison’s Ethylene Cotgrave and Pippa Winslow’s Carolanne, James’s mother). You are anxious to know what happens next but genuinely afraid to watch. There were blood-curdling screams, hands over eyes and leaping up from seats…and that was just the audience.
Your overall enjoyment may depend to an extent on your own beliefs regarding the supernatural, but seeing is believing and not everything here is quite what it seems to be. The effect is often disorientating, and like the characters themselves, by the end, we are left uncertain as to who or what to believe – creating an overwhelming sense of paranoid activity that will follow you home afterwards and linger long after the final curtain falls.
Paranormal Activity ran at Leeds Playhouse from July 4 to August 2, featuring illusions by Chris Fisher, lighting designs by Anna Watson and sound design by Gareth Fry.
The Magic Of Terry Pratchett: Marc Burrows discusses the Discworld author at Pocklington Arts Centre
THE summer festival season enters the final furlong with the focus turning to the new season ahead, as Charles Hutchinson highlights.
Discworld comes to Pock: Marc Burrows, The Magic Of Terry Pratchett, Pocklington Arts Centre, October 17, 7.30pm
AUTHOR, comedian and super-fan Marc Burrows bases his Edinburgh Fringe hit lecture The Magic Of Terry Pratchett on his Locus Award-winning biography, officially endorsed by the author’s estate, to mark the 40th anniversary of the Discworld books.
Taking a journey through the life and work of Sir Terry Pratchett OBE, he explores his influence, impact, wit and wisdom, from Pratchett’s days as a school librarian, through his time as a trainee journalist, to his untimely death from Alzheimer’s in 2015. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
So 90’s: Disco party time at Milton Rooms, Malton
Disco world comes to Malton: So 90’s with DJ Matt Vinyl and the So 90’s Dancers, Milton Rooms, Malton, August 30, 8pm
FROM S Club to Spice Girls, Backstreet Boys to Robbie Williams, Cascada to Gala, the best 1990s’ pop, dance, cheese and Ibiza club anthems are celebrated in this disco party with visual effects, live choreographed performances, DJs and interactive competitions and giveaways. Box office: 01653 696240 or themiltonrooms.com.
Lord Of The Dance: “Aiming to leave the audience spellbound” at York Barbican
Dance show of the week: Michael Flatley’s Lord Of The Dance, York Barbican, today until Sunday, 7.45pm, plus Saturday matinee at 2.30pm
IN the words of Lord Of The Dance impresario Michael Flatley: “Our 2024 tour promises to be an extraordinary journey that will take audiences to the next level once again.
“In 2024, this extraordinary experience for fans will feature new staging, fresh choreography, new costumes, cutting-edge technology, and special effects lighting. It’s a celebration of a lifetime of standing ovations and we aim to leave the audience spellbound.” Box office: yorkbarbican.co.uk.
Living History Weekend: The past comes alive at Eden Camp this weekend
Family fun day out of the week: Living History Weekend at Eden Camp Modern History Museum, Edenhouse Road, Old Malton, today and tomorrow, 10am to 5pm
STEP back in time to be immersed in history at Eden Camp, where the past comes alive with re-enactors around every corner, from captivating displays to engaging talks and activities galore. You can meet with medics; try your hand at authentic ration recipes; explore the intricate details of a Sherman tank and groove to live music in the engine shed. Dressing up in 1940s’ fashion is encouraged. Tickets: edencamp.digitickets.co.uk/tickets.
Liam Gallagher: Headlining Friday’s bill at Leeds Festival, playing Oasis’s debut album Definitely Maybe in full. Picture: Leeds Festival website
Festival of the week: Leeds Festival, Bramham Park, near Leeds, Friday to Sunday
LIAM Gallagher and Catfish And The Bottlemen headline the first day of Leeds Festival, when 21 Savage, Pendulum, Skrillex, NIA Archives, Beabadoobee and Ashnikoo are further attractions. Blink 182 and Gerry Cinnamon top Saturday’s bill, when Two Door Cinema Club, The Prodigy and Jorja Smith perform too.
Sunday has Fred Again and Lana Del Rey on headline duty, backed up by Raye, Fontaines DC, Bleachers and The Last Dinner Party. Look out too for Sonny Fodera and The Wombats. Box office: leedsfestival.com/tickets.
Lana Del Rey: Playing the Leeds Festival main stage at 7.30pm on Sunday. Picture: Leeds Festival website
York gig of the week: New York Brass Band, Big Summer Party, The Crescent, York, Saturday, doors 7.30pm
YORK’S top brass come together for an evening of big, bangin’, brassy tunes at The Crescent, featuring a seven or eight-piece line-up of percussion, saxophone, trumpets, trombones, guitar and sousaphone.
Taking inspiration from contemporary New Orleans musicians, the New York Brass Band will be in party mood after summer festivals appearances at Glastonbury and Latitude. Box office: thecrescentyork.com.
New York Brass Band: Back home in old York after the summer festival season
Coastal gig of the week: Becky Hill, Scarborough Open Air Theatre, August 29, gates 6pm
BRIT Award-winning Becky Hillis a pop powerhouse with a reputation as a pioneer in electronic music, not least in her collaborations in the dance-pop genre with everyone from David Guetta to Little Simz over the past decade.
Hill has written or performed on 17 UK Top 40 singles, including five top ten singles and a number one, amassing more than four billion streams on Spotify. Box office: scarboroughopenairtheatre.com.
Steve Cassidy: Playing with his band and friends at Joseph Rowntree Theatre, York
New amid the familiar: Steve Cassidy Band & Friends, Joseph Rowntree Theatre, York, September 1, 7.30pm
YORK’S Steve Cassidy Band return to their favourite venue, where three-time New Faces winner, singer, guitarist and songwriter Cassidy is joined by John Lewis on lead guitar, Mick Hull on bass guitar, ukulele and guitar, Brian Thompson on drums and George Hall on keyboards.
Expect a few special guests throughout an entertaining night of rock, country and instrumental music, plus new pieces prepared specifically for this concert. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Robyn Hitchcock: Heading to The Crescent, York
Art rocker returns: Robyn Hitchcock, The Crescent, York, September 1, 7.30pm
IN a career spanning six decades, Robyn Hitchcock remains a one-of-a-kind artist: surrealist rock’n’roller, acoustic troubadour, poet, painter and writer.
From The Soft Boys’ art-rock and The Egyptians’ Dadaist pop to such solo masterpieces as 1984’s I Often Dream Of Trains and 1990’s Eye, Hitchcock has crafted songs with recurring references to marine life, obsolete electric transport, ghosts and cheese. Tickets for this seated show are on sale at thecrescentyork.com.
Olivia Graham: Performing in the style of the Celtic bards of old at Theatre@41, Monkgate, York. Picture: Richard Gatecliffe
Come, all ye old souls and dreamers: Olivia Graham, An Evening In Avalon, Theatre@41, Monkgate, York, September 6, 7.30pm
CELTIC folk musician Olivia Graham delivers a spellbinding evening of enchanting music, woven through the tales of Morgan Le Fay and other legendary figures from across the British Isles.
Performed in the style of the Celtic bards of old, An Evening In Avalon embarks on a magical journey through Ancient Ireland, Dark Age Britain and even the elusive shores of mystical Avalon itself. Box office: tickets.41monkgate.co.uk.
Two pictures, but only one Snake Davis, playing alone at Helmsleyt Arts Centre
Saxophone solo: Snake Davis, Helmsley Arts Centre, September 6, 7.30pm
SAXOPHONIST Snake Davis will be on his own in this informal acoustic evening of music and chat in two parts. Not really on his own, he clarifies, because in Part One he will have his musical instrument family with him: myriad saxophones plus flutes, whistles, steel handpan, didgeridoo and the Japanese Shakuhachi. Relaxed and intimate, questions are encouraged.
In Part Two, the focus is on My Greatest Hits, highlighting his work as sax hired gun to the stars, adding Olly Murs and Shania Twain to the list this year after sax solos in Take That’s Million Love Songs, M-People’s Moving On Up and Search For The Hero, Lisa Stansfield’s Change and The Office theme tune. Playing them in context, he will tell the stories behind them. Box office: 01439 771700 or helmsleyarts.co.uk.
There’s no bursting Andy Parsons’ balloon: Comedian will be “Bafflingly Optimistic” at JoRo Theatre this autumn
Comedy gig announcement of the week: Andy Parsons: Bafflingly Optimistic, Joseph Rowntree Theatre, York, October 11
DESPITE everything that Great Britain has had to face in recent years, Mock The Week lynchpin, Stacktivist Action Group podcaster and comedian Andy Parsons has found cause to be optimistic.
“I think there are reasons to be hopeful,” says Parsons, 55. “It’s not a depressing show. The positive side is the pandemic is over, we are statistically more united as a nation than it might seem. And despite what you’ve heard, comics are not being cancelled.” Box office: 01904 501935 or josephrowntreetheatre.co.uk.
THE 2024 North York Moors Chamber Music Festival began unusually with the Baroque before moving into more familiar Romantic territory.
These days you do not expect to hear a Corelli sonata played on a modern violin and partnered by a grand piano. But we have learnt to expect the unexpected in this festival. In any case, you should never write off the supposedly inauthentic.
Alena Baeva and her regular keyboard partner Vadym Kholodenko did their utmost to bring us ‘Baroque’ atmosphere; she used very little vibrato, he much preferred the soft (left-foot) to the sustaining (right-foot) pedal. We were never going to mistake the piano for a harpsichord, but the result was satisfying anyway.
In any case, Kholodenko’s taut ornamentation highlighted the importance of his role beyond merely filling in harmony; it provided just the right underlay for Baeva’s period-style phrasing. Rhythms were always lively, and contrasts between the 11 variations on ‘La Folia’ of Corelli’s single-movement Op 5 No 12 were superbly drawn.
Rachmaninov’s last piano work, Variations on a theme of Corelli, written in 1931, is misnamed. It is also based on ‘La Folia’, an Iberian tune that first emerged in the Renaissance – and is not by Corelli at all. Dozens of composers used it as a basis for variations.
Stephanie Tang was the determined soloist here, reflecting the overriding anger in Rachmaninov’s approach. Her accents were strong and her use of staccato particularly deft. She clearly enjoyed the composer’s jack-in-the-box tendencies but was alive to his attempts to evoke the Iberian origins of the tune. I would not vouch for her total accuracy but the tension in her technique certainly made the most of the work’s tangy harmonies.
Dvořák’s Dumky Op 90 – never named a piano trio but actually his fourth – delves as deeply as he ever did into his Bohemian roots. The title is the plural of dumka, a primarily reflective song that tends to alternate slow melancholy with rapid dance-like sections, in keeping with its folk origins. Its six movements can be treated as two groups of three apiece, but beyond that there is no deliberate formal shape.
Benjamin Baker was the violinist, Rebecca Gilliver the cellist and Daniel Lebhardt the pianist in what was an absolutely delightful penetration of the composer’s nationalistic emotions. They constantly held back the end of a slow section so that we were kept in suspense waiting for its rapid counterpart.
Indeed, their use of rubato, so keenly felt by all three players, was superbly stylish. Dvorak makes especially strong use of the cello, and Gilliver’s warm, expansive sound matched the composer’s intentions. Not that Baker was overshadowed; both revelled in their little cadenzas in the fifth movement. We had come closest to the heart of Bohemia in the leisurely cantabile of the third movement.
The work also encompasses the most taxing piano music Dvorak ever wrote. Lebhardt was alive to all its nuances even when stretched and was a major factor in what made this such an exciting performance.
Since the word ‘dumka’ is believed to originate in Ukraine, it was impossible to ignore thoughts of that benighted country when the music turned melancholic. A marvellous curtain-raiser for the festival, which continues daily until August 24.
REVIEW: Martin Dreyer’s verdict on North York Moors Chamber Music Festival, Enlightenment, St Michael’s Church, Coxwold, August 13
Festival curator and cellist Jamie Walton. Picture: Matthew Johnson
THE special magic of this festival was neatly crystallised in this afternoon recital, which featured a Beethoven string trio and Weber’s Clarinet Quintet.
A packed, rapt audience erupted joyously at the end of each, the first a rare visitor to our concert platforms, the second a much-loved repertoire piece.
You will see it claimed that Beethoven wrote his ‘early’ string trios (he was still in his twenties) as preparation for a full-scale incursion into the world of the string quartet, as if they were but student pieces.
Not a bit of it. With only three voices – violin, viola and cello – a composer has a restricted choice of harmony. In particular, all three parts need to be fully independent, the viola in particular.
In Beethoven’s String Trio Op 9 No 1 on G, we found Meghan Cassidy’s versatile viola paired with Benjamin Baker’s violin, almost as second violin, or with Jamie Walton’s cello, as the composer played off the two duos against one another. In other words, the viola role was vital and emerged here with great clarity.
All three players attacked the bold, arpeggios of the opening allegro with relish, before a delicately song-like slow movement in which the rests were delightfully prolonged. The brisk scherzo had a ruminative trio, a nice contrast.
In the finale, the moto perpetuo tailed off mid-stream into an apparent cul-de-sac. But the joke was on us and the rapid syncopation resumed, right into an accelerated coda. This was Beethoven the adventurer, while still learning from Haydn.
Weber’s Clarinet Quintet is a work of almost relentless jollity – and thoroughly good fun. Matthew Hunt is a clarinettist known for his sense of humour, so the score is tailor-made for him. With Charlotte Scott leading the string quartet, there was lively support for his sprightly cavorting. But the heart of the work lay elsewhere, in the deeply melancholic Adagio.
Here, Hunt’s quiet, superbly sustained legato brought tears to the eyes, these eyes anyway. Towards the end he produced two echo-scales so pianissimo that they were virtually a whisper, a prodigious feat of breath control – and very moving.
The succeeding Scherzo brimmed over with wit and good humour, a total contrast and genuinely funny. The finale was never going to reach these heights, but we could only marvel as Hunt’s unashamed virtuosity carried the day through Weber’s flirtations with vapidity.
Effie Warboys’ Ann Walker, left, and Sally Mitcham’s Anne Lister in York Shakespeare Project’s Summer Sonnets. Picture: John Saunders
YORK Shakespeare Project audiences are greeted by not one, but two testaments to the groundbreaking impact of Anne “Gentleman Jack” Lister at Holy Trinity Church, Goodramgate.
First, by the entrance, York Civic Trust’s rainbow plaque commemorates the Easter 1834 wedding sacraments of “Anne with an ‘E’ and Anne without”, Ann Walker, recorded as the first lesbian marriage in Great Britain. Another historic landmark in this most storied of cities.
Once inside, by the churchyard path, Anne Lister has temporarily taken on tansy beetle form in a metallic sculpture for the York Trailblazers trail of unsung heroes until September 30.
Theatre spat: Rival actresses Lily (Alexandra Logan), left, and Felicity (Grace Scott) in York Shakespeare Project’s Summer Sonnets. Picture: John Saunders
In Jen Dring’s design, the beetle’s back is covered in the diary scribblings of Anne Lister: words that have helped to shape the opening to Josie Campbell’s script to accompany 12 of Shakespeare sonnets in this tenth anniversary YSP production.
YSP’s theatrical conceit is to offer an invitation to a secret wedding – spoiler alert, the nuptials of Anne Lister (Sally Mitcham) and Ann Walker (Effie Warboys) – toasted on arrival with a free celebratory drink.
The audience is welcomed by the Reverend Goode, the “poptastic vicar and host” played by director Tony Froud, who promptly introduces himself as Ebenezer Goode in the first of a plethora of “couldn’t resist” pop culture references by Campbell. Status Quo, Paul McCartney and The Rolling Stones all follow, Rev Goode at one point quoting the lyrics of You Can’t Always Get What You Want.
Cleaning up: Marie-Louise Feeley’s Doreen and Helen Wilson’s Maureen, the church-cleaning double act in York Shakespeare Project’s Summer Sonnets. Picture: John Saunders
Attired in York Theatre Royal costumes, Mitcham and Warboys play out the Lister-Walker betrothal, each bursting into a sonnet in the manner of characters breaking into song in a musical when there is no other form of expression that will suffice in that moment.
Mitcham’s assertive When I Have Seen By Time’s Fell Hand Defaced will be the first of four Shakespeare sonnets making their YSP debut in this summer’s set.
Warboys follows, one of six new sonneteers in Froud’s 2024 ranks, having made her mark in cheery fashion in YSP productions such as The Tempest. As she discovers in her opening conversation with Mitcham’s Miss Lister, the challenge for all is to acclimatise to performing outdoors, against the absorbant backdrop of the church walls, under the open sky.
Emily Hansen’s Lavinia, the unflappable costume designer, in York Shakespeare Project’s Summer Sonnets. Picture: John Saunders
What’s more, the nearby restaurant kitchen fan is whirring loudly and the staff are busy with bustling crockery and food prep on the 6pm shift. Not the easiest of circumstances in which to perform, and Froud’s last words of advice before the first performance were of the need for volume.
In such a space, as soon as heads turn sideways, the loss in clarity can be considerable, but only through experience does a performer learn the skill of projection. Best advice here: follow the example of Maurice Crichton and Helen Wilson, old hands at this sonneteering malarkey.
No doubt, Froud will have given post-show notes to re-emphasise that volume speaks volumes. There is a case too for having the actors move closer to the seated audience, or indeed for the seating to be moved forward, and also to project straight on as much as possible in this declamatory framework.
Maurice Crichton’s intemperate director, Callum, offering advice to Alexandra Logan’s wilful leading lady, Lily, in Summer Sonnets. Picture: John Saunders
Crichton, in beret, cravat and exasperated Scottish accent, is playing Callum, “the far from calm director” of what turns out to be a rehearsal for an amateur company at Rev Goode’s church. And so, rather than a play within a play in keeping with Frayn’s Noises Off, Ayckbourn’s A Chorus Of Disapproval or Mischief’s The Play That Goes Wrong, instead we have sonnets within backstage shenanigans.
One by one, or two by two, we shall encounter staff, actresses and helping hands. Here come the church cleaners, debutant sonneteer Marie-Louise Feeley’s Doreen, an aspiring performer, and Wilson’s world-weary, seen-it-all-before Maureen, marigold gloves stuffed in her overalls. Her sonnet, Th’expense Of Spirit In A Waste Of Shame, is one of the high points.
Two rival actresses, steady-away Felicity (Grace Scott) and flighty young leading lady Lily (Alexandra Logan) will spar amusingly, the latter’s nascent prima-donna tendencies in the role of Anne Lister’s earlier paramour Maria Belcombe, testing Crichton’s acerbic Callum to breaking point.
Liam Godfrey’s Graham, the tardy actor, in a tender moment with Grace Scott’s Felicity in Summer Sonnets. Halina Jarosewska’s Maggie, the indispensable stage manager, looks on. Picture: John Saunders
Liam Godfrey, another of the debutants, captures the diffidence of tardy actor Graham (playing Captain Sutherland, from Anne Lister’s story) as he makes his reacquaintance with Felicity, his partner in pantomime cow, as Campbell brings another artform into play.
Emily Hansen’s Lavinia, the unflappable costume designer, and Halina Jarosewska’s Maggie, the indispensable stage manager, pop up regularly, in that quietly essential way that such theatre stalwarts do. Hansen’s delivery of Being Your Slave, What Should I Do But Tend suits Maggie perfectly.
The finale brings everyone together, Lister, Walker, et al, led by Froud’s good shepherd Rev Goode in Let Me Not To The Marriage Of True Minds, rounding out Campbell’s amusing caricature of the theatre world, celebration of love and abiding joy in Shakespeare’s sonnets.
York Shakespeare Project, Summer Sonnets, Holy Trinity Church, Goodramgate, York, until August 17, 6pm and 7.30pm nightly, plus 4.30pm on Saturday. Box office: 01904 623568 or yorktheatreroyal.co.uk/show/summer-sonnets/.
Tony Froud’s Reverend Goode, the “poptastic vicar and host”in Summer Sonnets, addressing the flock in the Holy Trinity churchyard. Picture: John Saunders
Coming next:
William Shakespeare’s The Two Gentlemen Of Verona, Theatre@41, Monkgate, York, October 22 to 26, 7.30pm plus 2.30pm Saturday matinee
AFTER “much deliberation, and too many wonderful people auditioning”, director Tempest Wisdom has picked York Shakespeare Project’s cast for The Two Gentlemen Of Verona.
In the company will be: Jodie Fletcher; Stuart Lindsay; Jamie Williams; Nick Patrick Jones; Thomas Jennings; Lily Geering; Anna Gallon; Liz Quinlan; Lara Stafford; Wilf Tomlinson; Effie Warboys; Mark Payton; Stuart Green; Jon Cook; Charlie Spencer; Pearl Mollison; Kay Maneerot; Celeste North Finocchi and Charlie Barras.
The first night, October 22, will be a preview performance (£10). Tickets for the rest of the week cost £15. Box office: tickets.41monkgate.co.uk.
