York Georgian Festival: for fans of fans and the period alike
THE second York Georgian Festival runs from today to Sunday, buoyed by an “overwhelming turnout” and VisitYork Tourism Awards nomination for last August’s inaugural event.
Day one’s highlight, Horrible Histories author Terry Deary’s 6pm showcase of his new book, A History Of Britain In Ten Enemies, has sold out.
In response to much demand, the festival will host the first York Georgian Ball at the Grand Assembly Rooms, now home to the ASK Italian restaurant, in Blake Street, on Saturday at 7pm. This ballroom played host to dances and dinners in the 18th and 19th centuries, and now guests will be dressed in their finest as they country-dance under the chandeliers this weekend.
Further festival highlights will be tours, talks and the chance to discover hidden Georgian gems across the city.
Festival creator Sarah White, events and marketing manager for York Mansion House, says: “I am delighted to be working with some of the most beautiful museums, venues and minds in York to bring this festival to life. We want to showcase the impact of this time period on the modern day, and we also want to dance the night away.”
Terry Deary: Introducing his new book this evening
Thursday
10am: Behind the Scenes Curator Tour, at Fairfax House.
10am to 3pm (pre-bookable tours available): Tours and Tea for Charity at York Medical Society, 23 Stonegate.
10am to 5pm (last admission 4pm): Discover the “illegal chapel” at Bar Convent Living Heritage Centre.
10.30am to 5pm (last admission 4pm): Hobs Go Georgian, a fun family trail at York Mansion House. Free with admission.
11.30am: 18th century cooking demonstration, York Mansion House. Free with admission.
11.30am: Blood, Guts and Bedlam Tour, from York Medical Society.
2.30pm: Dressing a Georgian Lady, York Mansion House. Free with admission.
4pm: Rogues Gallery Tour with Mad Alice, around the city.
6pm: Terry Deary previews his new book, A History of Britain in Ten Enemies. SOLD OUT.
7pm: Mad Alice History Talk and Gin Tasting, at Impossible York bar.
Friday
10am to 5pm (last admission 4pm): Discover the “illegal chapel” at Bar Convent Living Heritage Centre.
10am to 3pm (pre-bookable tours available): Tours and Tea for Charity at York Medical Society, 23 Stonegate.
10.30am: Georgian Dance Class at the Guildhall.
10.30am to 5pm (last admission 4pm): Hobs Go Georgian: a fun family trail at York Mansion House. Free with admission.
11.30am: 18th century cooking demonstration, York Mansion House. Free with admission.
11.30am: Blood, Guys and Bedlam Tour, from York Medical Society.
2.30pm: Fan language, York Mansion House. Free with admission.
4pm: Rogues Gallery Tour, with Mad Alice, around the city.
7.30pm: Bridgerton by Candlelight, Ignite Concerts. SOLD OUT.
Saturday
10am to 5pm (last admission 4pm): Discover the “illegal chapel” at Bar Convent Living Heritage Centre.
10.30am to 5pm (last admission 4pm): Hobs Go Georgian, a fun family trail at York Mansion House. Free with admission.
11am: Regency Rejigged dance performance, St Helen’s Square.
11.30am: 18th century cooking demonstration, York Mansion House. Free with admission.
2pm: Regency Rejigged dance performance, St Helen’s Square.
2pm: Anatomy of a Ball, Barley Hall Coffee Shop.
2.30pm: Dressing a Georgian Lady, York Mansion House. Free with admission.
3pm: Regency Rejigged dance performance, St Helen’s Square.
4pm: The Raree Show of The Fox Trap’t, Holy Trinity Church, Goodramgate. SOLD OUT.
4pm: The Rogues Gallery Tour, with Mad Alice, around the city.
5pm: Family Walking Tour: A Day in the Life of Jane Ewbank, with York Georgian Society, starting from St Helen’s Square.
7pm: The York Georgian Ball, at Grand Assembly Rooms.
Sunday
10.30am to 1pm: Hobs Go Georgian: a fun family trail at York Mansion House. Free with admission.
11am: Regency Rejigged dance performance, St Helen’s Square.
11.30am: 18th century cooking demonstration, York Mansion House. Free with admission.
1pm: Uncovering The Parrot: A Forgotten Women-Led Satirical Periodical of the 18th Century at York Mansion House. SOLD OUT. York Mansion House will be closed temporarily from 12.30pm to 2.20pm to accommodate this ticketed event.
2pm: Regency Rejigged dance performance, St Helen’s Square.
2.30pm: Fan language, York Mansion House. Free with admission.
4pm: Rogues Gallery Tour, with Mad Alice, around the city.
Delma Tomlin in Tansy beetle sculptural form at Merchant Adventurers’ Hall,designed by HazardOne
YORK Trailblazers, the city-wide sculpture trail celebrating York’s unsung heroes, launches on Yorkshire Day, August 1.
Organised by York Civic Trust and Make It York, the trail is co-curated with organisations, community groups, schools and universities with £249,999 funding from the National Lottery Heritage Fund.
The Trailblazers project provides the opportunity to discover these lesser-known people who have made a difference to lives either locally or globally.
Members of the public and community groups nominated their trailblazers, whereupon a co-created final list of these stories was researched by partner organisations, highlighting each invaluable contribution.
To honour these remarkable individuals, artists worked with community groups to create the tansy beetle sculptures that represent them.
Why tansy beetles, you may well be asking. This beetle, an emblematic symbol of York, was chosen on account of its connection to the city, one of only two places where tansy beetles are found.
Faith Gray’s sculpture, designed by Martha Beaumont, at Grays Court Hotel, Chapter House Street, York
This vibrant and resilient beetle mirrors the spirit of the Trailblazers – each sculpture not only pays tribute to these changemakers but also brings their stories to life along the trail.
Andrew Morrison, chief executive officer of York Civic Trust, says: “The York Trailblazers project has revealed a fantastic range of people from York, many of whom we did not know of before. With Make It York, it has been fantastic to collaborate with so many local artists and communities. We hope that this is the first of many such celebrations.”
The sculpture trail has been designed to be as sustainable as possible. The materials used are recycled, repurposed or recyclable and the sculptures and the reused bases will be repurposed or recycled after the trail has ended.
Each sculpture has been produced by local artists and crafters working with local people to create “something unique and meaningful to them”. The choice of sustainable materials and artwork and the decoration of each sculpture has been developed by the partnership of artist and local community. This process of sustainable co-production is considered to be as important as the finished product.
Commissioned to create the beetle structure, Tom Springett Metalwork Creations drew on his experience of working in set construction, visual merchandising, architectural metalwork and art fabrication industries to create the metal works of art.
Mary Ward’s sculpture for York Trailblazers, designed by Jen Dring, in the Bar Convent Living Heritage Centre gardens. Picture: David Harrison
Some of the sculpture artwork may exist only for a few weeks but the beetle structure itself and an accessible digital record of the artwork will continue to celebrate York’s Trailblazers.
Seventeen sculptures will be placed throughout the city, each one reflecting a different trailblazer, designed to capture the legacy of these inspirational people,.
Among them will be The Luddites,a sculpture created collaboratively by a small group of people affected by homelessness with the Good Organisation. Rather than celebrate an individual ‘trailblazer,’ it serves to commemorate 64 Luddites who were tried in the court in York in 1813.
The Luddites were a group of early 19th-century workers who protested against the introduction of machinery that they believed threatened their jobs. The movement began in the textile industry, where mechanised looms and knitting frames were replacing traditional hand-weaving methods, leading to job losses and reduced wages for skilled workers.
Although the Luddite movement did not stop the process of industrialisation, it highlighted the social and economic challenges faced by workers during a period of unprecedented change, and many of their underlying concerns still resonate today with the rapid rise of AI and digital technology.
W H Auden’s sculpture, designed by Navigators Art and Performance, at West Offices, Station Rise, York
The Luddites sculpture at the Eye of York is designed by theatre and performance design graduate Alex Gray, an aspiring theatre designer now working as a stagehand at the Darlington Hippodrome.
The Delma Tomlin sculpture was researched by the Merchant Adventurers’ Hall and National Centre for Early Music. Dr Delma Tomlin MBE is a living trailblazer, who came to York in 1984 to administer the York Festival Mystery Plays and loved the city far too much to ever leave.
She championed the move to return the York Mystery Plays to the city streets and served as chief executive officer of the Millennium production in York Minster.
As the founder of the National Centre for Early Music, based in the medieval church of St Margaret’s in Walmgate, Delma has been a pivotal figure in music making, focusing her energies on supporting young professional musicians locally, nationally and internationally and flying the flag for York whenever possible.
A member of the York Merchant Adventurers Company, in 2022 Delma became the first woman to become Governor since the company’s inauguration more than 650 years ago in 1357. She does not plan to be the last.
The Delma Tomlin sculpture, sited at the Merchant Adventurers’ Hall, is designed by HazardOne, recognised by the Guardian as one of the top five female graffiti artists in the UK and named among the top 25 female street artists worldwide in the Huffington Post.
Alex Gray’s sculpture for The Luddites at the Eye of York
The York Young Carers sculpture, at the Principal York hotel, was researched by unpaid young adult carers aged 16-25 from the York Carers Centre, who worked with artist Zoe Phillips to represent unpaid carers in York, including both identified and hidden carers.
The group reflected that carers share similar experiences and circumstances, but have unique stories in their own right, and decided that it would be difficult to find one trailblazer to represent them all.
They felt the sculpture would be impactful if it enabled carers to recognise themselves as trailblazers for the roles they hold, sacrifices they make and difficulties they go through for the love of the person they care for.
They said the sculpture design “should be not what it appears – with lots going on underneath”. The group was struck by the grace of the tansy beetle’s exterior, along with the power and resilience of the driving legs and inner workings underneath the shell. They felt this was the perfect metaphor for a carer.
The York Young Carers’ sculpture designer, Zoe Phillips, is an inclusive mixed media artist who explores our connections with objects and the narratives they hold.
Gemma Wood’s tansy beetle mural on show at THOR’S Orangery, Parliament Street
Reflecting on her journey, Zoe says: “Working with the young adult carers group has been important to me both personally and professionally. Finding a way to share the identity and voice of this incredible group of individuals, for whom time and space for themselves may be sparse but they find a way to draw connections and share how important community is, was key.
“The beetle exposes all the hidden workings, those background details that are often overlooked or taken for granted but are so important to the running of things. With huge thanks to all those who shared their thoughts and experiences with me, you really are one-of-a-kind trailblazers!”
The trail will run from August 1 to September 30, opening on Yorkshire Day, whose celebrations, activities and events in the city will include a Yorkshire-themed market on Parliament Street.
Sarah Loftus, managing director of Make It York, says: “York Trailblazers is an inspiring tribute to the pioneers whose courage and vision paved the way for our community’s future. This project not only celebrates their legacy but also creatively highlights the humble tansy beetle, reflecting York’s ongoing commitment to its conservation in the city.”
Full details can be found at visityork.org/york-trailblazers, including Meet The Trailblazers and Meet The Artist. You can download the trail map and a cycle trail for exploring the trail by bike and learn how to minimisie your environmental footprint by using public transport.
Zoe Phillips’s sculpture for York Young Carers at the Principal York hotel
Did you know?
KNOWN as “the Jewel of York”, the endangered tansy beetle has been chosen as the emblem of the York Trailblazers project to reflect its special status as a York resident with its riverside habitat on the banks of the River Ouse.
The 17 sculpures
The Luddites
Location: Eye of York
Researched by: The Good Organisation.
Designed by: Alex Gray.
Rather than celebrate an individual ‘trailblazer,’ this sculpture serves to commemorate 64 Luddites who were tried in the court in York in 1813. This sculpture was collaboratively created by a small group of people affected by homelessness with the Good Organisation.
Coppergate Woman sculpture designer Sarah Schiewe at Thursday’s launch.York artist who hand-builds her stoneware pieces using coil and slab methods and decorate them with oxides, glazes, decals and mixed media. “Every individual is different, and we should celebrate these differences,” she says. “Each person has a set of values, feelings and memories unique to them. I take these impressions and turn them into a bespoke piece of ceramic art for that individual. The profits from my work fund free community art and sculpture workshops to help children develop confidence through creativity”
Coppergate Woman
Location: August 1 to 6: Parliament Street; August 6 onwards, Coppergate Walk
Researched by: University of York, Archaeology Department
Designed by: Sarah Schiewe
The Viking Age sometimes comes across as a world of rich and powerful men: kings, chieftains and raiders. This makes The Coppergate Woman, known affectionately by the research team and artists as Vigdis, an important Trailblazer: she tells us about her life as a migrant woman living with disabilities in York 1,000 years ago.
HazardOne: designer of Delma Tomlin sculpture. Combines rich colour palettes with illumination and modern-age glitch effects to create striking portraits using traditional free-hand graffiti techniques. From a seven-storey mural in St Paul’s, Bristol, to a community project on the Arizona-Mexico border, to the 79th floor of 3 World Trade Centre, New York, her work takes her all over the planet
Delma Tomlin
Location: Merchant Adventurers’ Hall
Researched by: Merchant Adventurers’ Hall and National Centre for Early Music, York
Designed by: HazardOne
Dr Delma Tomlin MBE is a living trailblazer. As the founder of the National Centre for Early Music, based in the medieval church of St Margaret’s in Walmgate, Delma has been a pivotal figure in music making – focusing her energies on supporting young professional musicians locally, nationally and internationally – and flying the flag for York whenever possible.
John Chesterman and Stuart Feather
Location: Spurriergate
Researched by: Queer Arts
Designed by: Jade Blood
John Chesterman and Stuart Feather, both from York, were instrumental in the Gay Liberation Front (GLF), organisers of the first ever Pride march in 1972.
Anne Lister
Location: Holy Trinity Church, Goodramgate
Researched by: York University and Churches Conservation Trust
Designed by: Shannon Reed
Anne Lister’s (1791-1840) life and diaries have blazed a trail for the LGBTQIA+ community today, helping people understand their history and embrace their identity.
Faith Gray
Location: Grays Court Hotel, Chapter House Street
Nominated by: York St John University
Designed by: Martha Beaumont
Faith Gray (1751-1826), born in York, dedicated her life to improving the conditions of girls and women in York. Her legacy of compassion and social progress endured beyond her death, paving the way for future generations of women reformers.
Mary Kitson Clark
Location: York Museum Gardens
Researched by: Yorkshire Philosophical Society
Designed by: Sian Ellis
Mary Kitson Clark (1905-2005) was one of the first female archaeologists to be recognised in a professional capacity in the UK for her significant contributions to the study and conservation of York’s archaeological heritage.
WH Auden
Location: West Offices, Station Rise
Researched and designed by: Navigators Art and Performance
Wystan Hugh Auden (1907-1973) was born in Bootham, York. Informed by science and engineering, his fascination with the world and its workings was expressed in a myriad of poetic forms, earning him the title “the Picasso of modern poetry”.
York Young Carers
Location: Principal York, Station Road
Researched by: York Young Carers
Designed by: Zoe Phillips – By Deckle and Hide
Unpaid young adult carers aged 16-25, from the York Carers Centre, worked with artist Zoe Phillips to represent unpaid carers in York, including both identified and hidden carers.
Jen Dring: designer of Mary Ward sculpture. York printmaker who creates linocut and collagraph prints. Her work is inspired by her faith, everyday experiences, moments in nature and places she loves. She takes on bespoke commissions, as well as using her teaching skills to offer linocut and tetra pak workshops
Mary Ward
Location: Bar Convent Living Heritage Centre, Blossom Street
Researched by: All Saints School and Bar Convent
Designed by: Jen Dring
Mary Ward (1585-1645) was a visionary Yorkshire woman who revolutionised education for girls in England. Despite societal and religious restrictions, Mary dedicated her life to providing equal education opportunities for girls, believing “there is no such difference between men and women that women may not do great things.”
Ivory Bangle Lady
Location: York Railway Station, Station Road
Researched by: University of York Archaeology Department
Designed by: York Anti-Racist Collective
The woman who has become known as the ‘Ivory Bangle Lady’ was buried at Sycamore Terrace, York, in the second half of the fourth century CE. As a trailblazer, the Lady has marked an important path in showing that ethnic and religious diversity and immigration is written in York’s history from its very beginning.
Annie Coultate
Location: Fishergate Primary School, Escrick Street
Researched by: Fishergate, Fulford and Heslington Local History Society
Designed by: Christine Joplin
Annie Coultate (1856 -1931), a dedicated suffragette, was instrumental in the women’s suffrage movement in York.
Anne Lister sculpture designer Shannon Reed.Part-time artist, full-time biology undergraduate, in York. Focuses on wildlife, paying particular attention to threatened native UK species. Her artwork is multi-media, ranging from pointillism portraits of endangered animals to oil paintings on recycled wood. Designed and decorated two wooden ducks for the University of York’s Long Boi-ology Art Trail to raise awareness of the threat that avian influenza and flooding poses to UK wildlife
Mary Tuke
Location: St Lawrence Parish Church, Lawrence Street
Researched by: Hempland Primary School
Designed by: Heather Dawe and Sarah Jackson
Mary Tuke was a pioneering woman who displayed remarkable ambition, resilience and courage. In 1725, as a Quaker in her thirties who had lost her family, Mary opened a grocer’s shop in Walmgate, York, defying societal norms.
Roma and Geoff
Location: Millennium Bridge Park, Hospital Fields Road
Researched by: The Tansy Beetle Action Group
Designed by: Cathy Simpson
The Tansy Beetle Action Group (TBAG) was established in 2008 by Geoff and Roma Oxford (University of York), following the designation of the rare and beautiful Tansy beetle as a UK conservation priority.
Mary Kitson Clark’s sculpture, designed by Sian Ellis, in York Museum Gardens
June Hargreaves
Location: Rowntree Park
Researched by: Herstory. York and Make Space for Girls
Designed by: Emma Feneley
The way historic cities such as York protected their heritage was transformed in the mid-1960s by a new law on ‘Conservation Areas’. This was the idea of June Hargreaves, a young York town planner, who became York’s senior planning officer in 1961.
Michael Rowntree
Location: Homestead Park, Water End
Researched by: The Rowntree Society
Designed by: Natalie McKeown
Michael Rowntree (1919-2007), from the globally renowned York confectionery family, held senior roles in Oxfam and was chairman from 1971 to 1977, during a time when the charity delivered its biggest ever aid package and set up the country’s first textile recycling plant.
Rosie Wall
Location: Sanderson Community House, Bramham Road, Acomb
Researched by: The Place at Sanderson Community House
Designed by: Leo Morey
Rosie Wall has dedicated herself to the Chapelfields community. She was instrumental in developing the Sanderson Court Community House (now The Place), and Crossroads, a safe space for young people, addressing significant anti-social behaviour in the area.
York Trailblazers: the back story
Geoff Oxford: Trailblazer, environmentalist and founder of the Tansy Beetle Action Group at the August 1 launch
YORK Trailblazers, the new city-wide sculpture trail, launched on August 1, kicking off the Yorkshire Day celebrations in York.
The sculpture trail celebrates York’s unsung heroes. Centred around the tansy beetle, each sculpture has a different design to capture the legacy of these inspirational people who have made a difference to people’s lives.
At the launch celebrations at THOR’s Orangery, artists and trailblazers gathered to enjoy the first day of the trail alongsidethe featured sculptures, Coppergate Woman.
Richard Kitchen, co-founder of Navigators Art and Performance, discussing York Trailblazer WH Auden at Thursday’s launch
Coppergate Woman depicts the life of a migrant woman living with disabilities in York 1,000 years ago. This sculpture will be on Parliament Street until August 6, then moving to Coppergate Centre, where she lay until she was discovered by archaeologists from the York Archaeological Trust in the late-1970s.
Discovered in a shallow pit by the river Foss, the remains of this unknown woman are displayed in a glass case in Jorvik Viking Centre. Her story was brought to life in Maureen Lennon’s play The Coppergate Woman, staged as a community production by York Theatre Royal from July 30 to August 7 2022.
A special mural was painted for the launch day by Gemma Wood. This will stay in place on THOR’S exterior until August 18.
Gemma Wood painting her tansy beetle mural at THOR’S Orangery on Thursday
Tansy Beetle facts:
The River Ouse has the largest population of tansy beetles in the UK, found on a 30km stretch of the river.
The iridescent green leaf-beetle, approximately 10 mm in length, has a smaller population at Woodwalton Fen, Cambridgeshire, where it was re-discovered in 2014.
Tansy beetles rarely fly; they find new food plants and habitats by walking. Finding a breeding partner is made more difficult by this resticted mobility. Most active in April and May, then August and September.
The tansy beetle is named after the Tansy plant, whose reduction in number has led to the beetle’s declining population too.
As an endangered species, tansy beetles are being monitored and bred in captivity to ensure that the populations do not disappear.
Trailblazers project facts:
National Lottery Heritage Fund Grant: £249,999.
More than 40 community groups have been involved.
York Trailblazer Rosie Wall’s tansy beetle sculpture, designed by Leo Morey, at Sanderson Community House, Bramham Road, Acomb
More than 1,000 schoolchildren participated in school workshops.
£30,000 of community grants were awarded to 23 York groups.
More than 150 workshops have been delivered.
39 York Trailblazers have been researched and celebrated.
17 Tansy Beetle Trailblazer Sculptures have been created.
What has the £249,999 support from the National Lottery Heritage delivered?
A COMMUNITY workshop programme to allow local communities and residents to research and uncover new trailblazers for York.
A community grants programme to enable heritage organisations, voluntary and community groups to contribute to the project, especially those groups who have not accessed heritage activities before.
A digital arts project to help celebrate York’s designation as a UNESCO Creative City of Media Arts.
A heritage trail around the city working with artists and communities, inspired by York’s lesser-known heritage stories.
A school workshop programme and resource packs providing opportunities for young people to learn more about their heritage and, in particular, the trailblazers that form the sculpture trail.
Sustainability
THE sculpture trail has been designed to be as sustainable as possible. The materials used are recycled, repurposed or recyclable and the sculptures and the reused bases will be repurposed or recycled after the trail has ended.
The choice of sustainable materials and artwork and the decoration of each sculpture has been developed by the partnership of artist and community. This process of sustainable co-production is as important as the finished product.
Tansy Beetle metalwork
COMMISSIONED to create the beetle structure, Tom Springett, Metalwork Creations drew on his experience of working in set construction, visual merchandising, architectural metalwork and art fabrication industries, to create these metal works.
Before the York Trailblazers metal works, a Tansy Beetle mural took shape in York…
ATM’s mural of a tansy beetle in Queen Street, York
STREET artist ATM, known for his depiction of endangered species, painted his mural of a tansy beetle on a brick wall on Queen Street, York, in 2019. Capturing the insect’s shimmering green hue, it is a bejewelled highlight of the walk from Micklegate to York Railway Station.
York Shakespeare Project’s poster for Summer Sonnets at Holy Trinity Church
YORK Shakespeare Project’s Summer Sonnets return to the churchyard of Holy Trinity, Goodramgate, York from August 9 to 17.
“After attracting a record audience of more than 600 people to the show last year in the Bar Convent gardens, we are delighted again to be offering a taste of Shakespeare that is both entertaining and accessible,” says YSP chair Tony Froud, who is directing the sonnet season for a second year.
Holy Trinity last hosted YSP’s Sit-Down Sonnets in September 2020, under social distancing restrictions during the Covid pandemic.
Writer Josie Campbell
“This year we plan to take full advantage of the historic and beautiful setting”, says Tony. “Many people will know the church as the site of the blessing of the relationship of Anne Lister (Gentleman Jack) and Ann Walker [at Easter 1834] and we are building this year’s show around that famous event” [now marked by a York Civic Trust rainbow plaque with the wording “took sacrament here to seal her union”).
The Summer Sonnets show has been scripted by Josie Campbell, who performed for YSP on the Rose Theatre’s Shakespeare Wagon in 2019 at the Eye of York.
Sharing her time between Yorkshire and Dubai, Josie is a professional actor/director and co-founder of Little Britches Theatre Company. In 2021 she toured Yorkshire with a pop-up production of Shakespeare’s Will, a one woman show about Anne Hathaway, Shakespeare’s wife.
Summer Sonnets director Tony Froud
For Summer Sonnets, Josie has come up with an entertaining plot, taking full advantage of the church’s setting and rich history. “I have thoroughly enjoyed writing a Sonnets show, which includes Anne Lister, one of Yorkshire’s most uncompromising and resilient women”, she says.
Audiences are “invited to a secret wedding in Holy Trinity, Goodramgate, in the heart of York”, where they will “meet the church’s most famous couple while enjoying a complimentary drink. As they witness the happy event, they may start to wonder: is everything quite what it seems?”
Debutant York Shakespeare Project sonneteer Grace Scott in rehearsal. Picture: John Saunders
“As ever, the show features a wide variety of colourful characters, each speaking in everyday English until they shift into their 14 lines of verse from one of Shakespeare’s sonnets to reveal the heart of their story,” says Tony.
“It’s a lovely experience. You can sip your complimentary drink on a summer’s evening in a delightful setting. Very often, the characters slip into a sonnet and the audience hardly notices that the language has become Shakespearean. And you should look forward to a surprise or two!”
2024 marks the tenth anniversary of YSP’s first show built around Shakespeare’s sonnets in the form of 2014’s Sonnet Walks, wherein groups of audience members met assorted characters as they walked through the streets of York.
Liam Godfrey: Making his Summer Sonnets debut. Picture: John Saunders
“Sadly, I never saw the Walks, but there’s an advantage in having a single setting where characters can meet, start a story and then reappear to complete it,” says Josie.
Tony’s cast is a blend of actors new* to the YSP Sonnets and seasoned sonneteers: Maurice Crichton; Marie-Louise Feeley*; Liam Godfrey*; Emily Hansen; Halina Jaroszewska*; Alexandra Logan*; Sally Mitcham; Grace Scott*; Effie Warboys*; Helen Wilson and Tony Froud himself.
York Shakespeare Project in Summer Sonnets, Holy Trinity Church, Goodramgate, York, August 9 to 17, except August 12, 6pm and 7.30pm, plus 4.30pm on August 10 and 17. Box office: 01904 623568 or yorktheatreroyal.co.uk/show/summer-sonnets/. Tickets: £10; £5, age 14 to 17; two under-14s per adult. The price includes a free drink.
Regular York Shakespeare Project sonneteer Helen Wilson in rehearsal. Picture: John Saunders
Cheish Merryweather: Research psychologist and psychopathy expert
DO you reckon you could get away with murder? According to research psychologist and psychopathy expert Cheish Merryweather, many people do.
Discover why in her new true crime talk, Murder: Staged, featuring a live psychopath test, at Junction Goole on October 4.
“The ‘CSI effect’ has created a new type of killer, one that is forensically aware and is out to mislead an investigation,” says Cheish, who has been seen and heard on the BBC.
“Murder: Staged will explore the lies embedded in crime scenes and share the expertise from those who dig deep for the truth”
The poster for Cheish Merryweather’s Murder: Staged tour, visiting Junction Goole on October 4
Cheish’s two-hour talk (plus a 20-minute interval) will include in-depth forensics, reconstructed real-life crime scene walk-throughs and a deep dive into cases that have not been seen on stage live before.
“The live psychopath test will be a good indication of who we really should be keeping a close eye on,” says Cheish.
Cheish Merryweather, presents Murder: Staged, Junction Goole, Paradise Place, Goole, October 4, 7.30pm. Age recommendation: 16+. Box office: junctiongoole.co.uk/events/murder-staged/.
In black and white: Back row: Rebecca Jackson’s Maria, Finlay Butler’s Tony and Kit Stroud’s Riff; front, Kristian Barley’s Bernardo and Maia Beatrice’s Anita in NETheatre York’s West Side Story. Picture: NETheatre York
CREATIVE director Steve Tearle first saw West Side Story at the age of nine. Within two years he was performing in The Sound Of Music at the Sunderland Empire, whereupon a life-long love of musical theatre was born.
Yet he desisted from directing Leonard Bernstein and Stephen Sondheim’s 1950s’ musical. “I was always comparing what I could achieve with that amazing film,” he says, but then he attended a Broadway production in 2019 that changed his mind.
Here comes his different take, “not as ‘dancey’, not as polished, but very raw, very emotional, focusing on the acting”. In a nutshell, NETheatre York’s production would be built more on movement than choreography, although Melisa Boyd is still credited as choreographer, rather than movement director, working in tandem with Tearle.
After Rebecca Jackson’s Maria and Finlay Butler’s Tony cross without noticing each other in a sliding doors moment, the physical performance style is established in a long sequence without dialogue that opens the over-long first act, distilling the chaos and friction between two Upper West Side working-class gangs in New York: the Polish-Irish Catholics, The Jets, and their Puerta Rican rivals, The Sharks.
All are wearing variations on black and white streetwear, as sharp as in the era of 2Tone Ska, but here designed to be timeless, representing all eras from the 1950s to the present day to emphasise the continuing resonance of a tragic teenage romance rooted in Shakespeare’s ill-fated, star-crossed tale of forbidden love, Romeo & Juliet.
Kit Stroud’s Riff and The Jets in NETheatre York’s West Side Story
The black-and-white uniformity is also designed to reinforce common humanity beneath the codes of a turf war, here delineated by The Jets moving in a jive style, The Sharks more fluid in their stride.
Black and white defines Tearle’s set design and lighting too: even the three mobile scaffolding towers that facilitate much climbing and clambering, not least for Maria and Tony’s balcony scenes, are decorated that way, matched by the bold-typed projections that chart the story’s calamitous rush from 5.34pm on Friday evening to 2.31am on Sunday morning on a countdown clock. The New York skyline is depicted in monochrome too.
Tearle only breaks the night with colour – to borrow a Richard Ashcroft song title – in moments of heightened drama or tragedy, first used when Maia Beatrice’s Anita decorates Maria’s new dress with a red band, echoing the red coat in Steven Spielberg’s otherwise B&W Schindler’s List. Later, the columns of bright white light will turn bloodshed-red.
If a musical is built on a triptych of music, story and choreography, Tearle’s production is stronger on its musicality and storytelling than movement: the ensemble motion in commotion needs more zip, more dynamism, more attack and anger, more heat too, although Riff and The Jets finger-click into the right gear in Cool.
Tearle’s “focus on the acting, the characterisation” pays off, however, in the heart-stopping performances of Jackson’s Maria and Butler’s Tony. From Puerto Rican accent to beautiful singing voice and deportment, Jackson is a terrific young talent, one to watch, leading I Feel Pretty so delightedly and delightfully. Butler, lithe and full of stage presence, sings movingly too, especially in Maria.
Steve Tearle’s Doc and Finlay Butler’s Tony in West Side Story
Kristian Barley’s Bernardo and Kit Stroud’s kilted Riff exude macho menace as hot-headed rival gang leaders, ever ready for a rumble, Scott Barnes amuses in a camp cameo as gym party chaperone Mr Glad Hand and Erik Jensen’s Lieutenant Schrank is suitably no-nonsense.
Beatrice’s abrasive Anita and Jackson’s Maria combine in the show’s outstanding number, A Boy Like That/I Have A Love, while Tearle’s Jewish drug store boss Doc – the older, outsider voice of reason, bewilderment and despair – takes over the singing of Somewhere (a song originally given to Consuelo on Broadway), giving it added adult heft.
Look out too for Melissa Boyd’s volatile Rosalia, Alice Atang’s athletic Natalia, Zachary Pickersgill’s plucky Snowboy and Erin Greenley’s tomboy Anybodys, along with Steve Perry’s vengeful Chino.
Defining West Side Story as “a play with music, rather than as a music”, Tearle has followed up a similarly focused Fiddler On The Roof by “stripping back” his latest production, restricting the cast to 35, keeping the stage pretty much bare, save for the scaffolding towers, a neon sign for Doc’s store, eight chairs and a bed. The lighting ups its game, a dazzling component in capturing the moments of conflict and conflagration.
Not all the blocking works well, the tinsel curtain cutting off heads in one scene, and the movement is sometimes heavy footed, but we are seeing a new, character-driven side to Tearle’s direction this year, more grit, less glitter. Coming next: Elf The Musical, from November 26 to 30, when the (Christmas) glitter will no doubt resurface!
NE Theatre York in West Side Story, Joseph Rowntree Theatre, York, 2.30pm and 7.30pm today. Box office: 01904 501935 or josephrownteetheatre.co.uk.
Jane Burnell: Buxton Opera soprano performing at tomorrow’s York Proms in York Museum Gardens
IN search of high-summer highlights, Charles Hutchinson finds Proms fireworks, outdoor cinema singalongs, a mad woodland king and comedy on the coast.
Musical picnic of the week: York Proms, York Museum Gardens, York, Sunday, general admission, 5.30pm; main stage concert, 7.45pm to 10.30pm
TICKETS are close to selling out for the York Proms, tomorrow’s picnic concert under the stars organised as ever by York soprano Rebecca Newman.
Conducted by Ben Crick, the orchestra will be joined by tenor Joshua Baxter and soprano Jane Burnell, both at present performing with Buxton Opera, for a programme of classical classics, operatic arias and film music, topped off with the flag-waving proms finale, decorated with a fireworks display. Box office: 01904 909487 or yorkproms.com.
Hoglets Theatre’s puppet of Badger for Gemma Curry’s new show, The Badger And The Coins, at York Explore & Archive today
Children’s show of the week: Hoglets Theatre in The Badger And The Coins, York Explore Library and Archive, Library Square, York, today, 11am to 11.45am
GEMMA Curry’s York company Hoglets Theatre presents The Badger And The Coins, an original play about love, courage and the belief that even the most unexpected companions can bring magic into our world, suitable for pre-school and primary school children.
Based on a Japanese folk tale, the story of an old man rescuing a mysterious Badger and triggering an amazing journey is powered by original songs, outrageous characters, beautiful hand-made puppets and Hoglets’ trademark energy and creativity. Box office: tickettailor.com/events/exploreyorklibrariesandarchives/1288717.
Cinema in the open air at Castle Howard this weekend, from Disney to Abba, Spielberg to Cruise. Picture: Castle Howard Estate
Outdoor film event of the week: Adventure Cinema at Castle Howard, near Malton, today and tomorrow
PACK a picnic for Castle Howard’s open-air outdoor cinema experience on a giant screen this weekend, presented in tandem with Adventure Cinema. This afternoon features a Sing-A-Long Edition of Disney’s Frozen (PG) at 1.30pm (gates 12 noon).
An Abba disco precedes Mamma Mia! Outdoor Cinema Extrabbaganza, this evening’s all-singing, all-dancing double bill of Mamma Mia! and Mamma Mia Here We Go Again at 6.30pm (gates 5pm). Tomorrow comprises Julia Donaldson & Axel Scheffler’s The Gruffalo/Stick Man (U) at 11am (gates 10am), Steven Spielberg’s dinosaur blockbuster Jurassic Park (PG) at 3pm (gates 1.30pm) and Tony Scott’s Top Gun, starring Tom Cruise, at 8pm (gate 6.30pm). Box office: adventurecinema.co.uk/venues/castle-howard.
Barn Owl, by Bryn Parry CBE, in the Sculpture In The Landscape exhibition at the Himalayan Garden and Sculpture Park, The Hutts, Grewelthorpe. Picture: Celestine Dubruel
Exhibition of the week: Sculpture In The Landscape, Himalayan Garden and Sculpture Park, The Hutts, Grewelthorpe, near Ripon, until November 3
THE 2024 Sculpture In The Landscape exhibition showcases 60 works for sale by artists across the United Kingdom, complementing the permanent sculptures on show at the Himalayan Garden.
Visitors are invited to explore the intricate sculptures set against verdant landscapes. From monumental installations to delicate works of art, each piece offers a perspective on the intersection of creativity and nature. Normal garden entry applies. Tickets: 01765 658009 or himalayangarden.com
Adderstone in the trees: Music, mystery and magic in the woodland company of Mad Sweeney, the Irish king, at the Forest of Flowers, Huby
Woodland folk event of the week: Sweeney Untethered by Adderstone, Forest of Flowers, Home Farm, Tollerton Road, Huby, York, tomorrow (28/7/2024), 1.30pm to 4pm
ADDERSTONE, the storytelling alt-folk duo of Cath Heinemeyer and Gemma McDermott, present Sweeney Untethered, the tale of a 7th century Irish king who went mad, as told and sung on a caper through the wild woods and meadows of the Forest of Flowers with refreshments after the 1.5-mile walk.
The music, mystery and magic-infused performance will immerse the audience in story and surroundings alike as Heinemeyer and McDermott take in the wildflowers, ponds, woodland and wildlife. Bookings: forestofflowers.co.uk/event-details.
The View: Returning to the concert platform after five-year hiatus
Return of the week: The View, The Crescent, York, August 2, 7.30pm
RESCHEDULED from June 15, Under The Influence presents Dundee indie-rock returnees The View in a night of Hats Off To Buskers classics, from Same Jeans to Wasted Little DJs and Superstar Tradesma, plus material from their first album in eight years.
Recorded with Grammy Award-winning producer Youth at Space Mountain, Granada, Exorcism Of Youth was released last August on Cooking Vinyl. Five years on from their departing gig at Dundee’s Caird Hall, original members Kyle Falconer (vocals/guitar), Kieran Webster (bass/vocals) and Pete Reilly (guitar) are back on the road. Box office: thecrescentyork.com. music, mystery and magic!
Bill Bailey: Comedy in the Scarborough sea air on August 2
Coastal gig of the week: Bill Bailey, Scarborough Open Air Theatre, August 2; gates open at 6pm
COMEDIAN, actor, musician, presenter, Never Mind The Buzzcocks team captain, Black Books sitcom star and 2020 Strictly Come Dancing champion Bill Bailey heads to the East Coast with his surrealist fusion of stories, poetry and wordplay that takes aim at the modern world’s absurdities, as aired in his Thoughtifier arena tour.
A veteran of the UK festival circuit, with appearances at Latitude, Glastonbury, Reading and Leeds, Sonisphere and the Eden Project, Bailey will have his array of weird and wonderful instruments on tap too for playful pastiches of Tom Waits, Kraftwerk et al. Box office: scarboroughopenairtheatre.com.
Chris Hagyard, pictured in Guys And Dolls mode, will be taking part in One Night Of Broadway Hits at the JoRo
Musical revue of the week: Steve Coates and Bev Jones Music Company present One Night Of Broadway Hits, Joseph Rowntree Theatre, York, August 3, 2.30pm and 7.30pm
BEV Jones Music Company performs hits from 26 musicals, including Guys And Dolls, in an unashamedly traditional fashion under the musical direction of James Rodgers.
His band is joined in this moving, lively and at times funny show by vocalists Chris Hagyard, Annabel Van Griethuysen, Anthony Pengelly, Ruth McNeil, Sally Lewis, Stephen Wilson, Geoff Walker and producer Lesley Jones, back on stage for this show, wearing a silver cat suit unseen since 2010, when she played Vera in Stepping Out. Box office: 01904 501395 or josephrowntreetheatre.co.uk.
Chrissie Hynde: The great Pretender, leading her band at York Barbican this autumn. Picture: Vi Price
Gig announcement of the week: The Pretenders, York Barbican, October 31
THE Pretenders are extending their sold-out British tour, adding a new date in York, in the wake of releasing Relentless, their 14th UK Top 40 entry and highest-charting record in 23 years, last September.
Fronted as ever by Chrissie Hynde, 72, the band is joining Foo Fighters on their American tour in July and August. Box office: yorkbarbican.co.uk/whats-on/the-pretenders/.
David Abécassis’s Clown, left, Maria Gray’s Acrobat, Kiefer Moriarty’s Ringmaster, Ambika Sharma’s Trick Rider and Rowan Armitt-Brewster’s Knife Thrower in Around The World In 80 Days-ish at York Theayre Royal. Picture: Charlie Kirkpatrick
THIS circus has left town twice before, in 2021 after 23 days and 2023 after only three for a national tour, but all the stops are pulled out for the big top’s return under a new-ish name, Around The World In 80 Days-ish.
This time, at the height of the circus summer season, creative director Juliet Forster’s dandy adaptation has a bonus to go with the bonanza: a circus school for five to 11-year-olds to learn the tricks of the trade in a one-hour pre-show workshop. All the thrill of learning a skill with aerial artiste Maria Gray as well as the fun of the fair that follows.
At Thursday’s matinee, participating children take their seats, or rather they grab red-and-white striped cushions to sit on the “grass” newly “grown” to create a lawn from the stage-front to the stalls seating. White fencing acts as a perimeter, but not as a boundary as it turns out post-interval, when one young chap starts chipping in with a running commentary as David Abécassis’s servant Passepartout and Rowan Armitt-Brewster’s spiv London detective Fix conduct an increasingly drunken conversation on a see-saw, where everything is in the balance.
Not a loose cannon: Maria Gray’s resolute record-breaking travel writer Nellie Bly. Picture: Charlie Kirkpatrick
Already a comic high-point of adroit manoeuvres and verbal fencing from past productions, it now has a new juggling ingredient: how to negotiate the scene while being “accosted” by the world’s young heckler. “He’s a baddie,” the boy helpfully advises. Fix in a fix? Not here, where the Edinburgh Fringe-bound Armitt-Brewster, actor, dancer, singer and physical comedian, handles the unexpected competition for attention with Chaplin-esque elan in tandem with the eyebrow-raising-Abécassis.
Armitt-Brewster, who will be appearing in his Skedaddle Theatre show A Brief Case Of Crazy next month, is typical of Forster’s canny casting for a globe-travelling tale that demands physical elasticity, verbal vigour and, yes, circus skills in a play within a circus show. Likewise the ursine, Abécassis, so at ease with his Lecoq-trained clownery, bonhomie and French accent.
We begin amid the bunting and lights of Verne’s Circus, where Kiefer Moriarty’s punctilious, flustered Irish Ringmaster is striving to pull the story’s strings with the aid/hindrance of his company of Abécassis’s Clown, Gray’s Acrobat, Ambika Sharma’s Trick Rider and Armitt-Brewster’s Knife Thrower.
In the balance: David Abécassis’s Passepartout, left, and Rowan Armitt-Brewster’s detective Fix mid-negotiation in Around The World In 80 Days-ish. Picture: Charlie Kirkpatrick
Together they will tell the tale of Verne’s Around The World In 80 Days, wherein Moriarty’s upright, uptight, unflustered, unscrupulous, ever-punctual, tea-drinking Victorian English gent Phileas Fogg will strike a wager with his starchy, sceptical Reform Club cronies – represented by moustaches on sticks – that he can traverse the world in that time.
There will be a distraction, not that talkative little lad by the fence, but the rather more persistent New York World reporter Nellie Bly, who, spoiler alert, outdid the fictional Fogg by crossing the globe in only 72 days, setting off from New York on her 25,000-mile journey on November 14 1889.
Feminist, fearless, and full of wonder in her elegant travelogue prose, she is but one feather in the cap of the multi-role-playing Maria Gray, who pulls off American, North Eastern, Scottish, Welsh and Hull accents, as well spinning shapes in her solo aerial routine (recalling her role as Cobweb in Shakespeare’s Rose Theatre’s A Midsummer Night’s Dream at the Eye Of York).
Kiefer Moriarty in a clowning scene in Around The Wold In 80 Days-ish. Picture: Charlie Kirkpatrick
Nellie manages to wind up Moriarty’s exasperated Ringmaster and Fogg alike in her interjections, conducted at a different pace to the ever-racing Fogg as the revolving signage announces each new destination.
Writer-director Forster wastes no time in pricking the balloon that Fogg travelled in such a form of transportation. Only in screen versions, not the book. Imagination and ingenuity against the odds will play their part, as they do in Patrick Barlow’s The 39 Steps, playing across town at the Grand Opera House this week, and in Mischief’s “Go Wrong” roster of calamitous comedies.
Props and costumes, as well as dexterity and clowning, combine in conveying an elephant, a train, a trading vessel, whatever, in spectacular, often unexpected ways, peaking with slow-motion bridge collapse denoted by ladders in slow motion.
Rowan Armitt-Brewster’s Knife Thrower. Picture: Charlie Kirkpatrick
Fogg may be in a rush but the first act ironically is a little slow. Not so the superior second act, where the verbal to-and-fro becomes quicker and funnier and the circus acrobatics and physical set-pieces pile up under Asha Jennings-Grant’s movement direction. Edwin Gray’s sound design excels too, especially in an explosive scene, and Sara Perks’s designs and costumes are a vision.
Why, there is even romance in the slow-burning relationship of old-stick Fogg and Sharma’s Indian princess Aouda, who amusingly challenges stereotypes in a piece of metatheatre in keeping with Forster’s feminist vibe.
Around The World In 80 Days-ish, York Theatre Royal, July 27, 2.30pm, 7.30pm; July 29, 2pm; July 30, 5.30pm; July 31, 7pm; August 1, 2pm, 7pm; August 2, 6.30pm; August 3, 2.30pm and 7.30pm. Box office: 01904 623568 or yorktheatreroyal.co.uk.
In suspense: Maria Gray’s Acrobat in Around The World In 80 Days-ish. Picture: Charlie Kirkpatrick
Soprano Jane Burnell: Performing at York Proms on Sunday
THE 2024 York Proms is close to selling out as the picnic concert with the fireworks finish returns to York Museum Gardens on Sunday.
Against the backdrop of the ruins of St Mary’s Abbey, organiser Rebecca Newman presents the 7.45pm programme of classical classics, operatic arias and film music, topped off by the de rigueur flag-waving proms finale under the stars.
Conducted by Ben Crick, the York Proms Orchestra will be joined by two rising stars of the opera firmament, tenor Joshua Baxter and soprano Jane Burnell.
“Joshua, who is in his early 30s, studied at the Royal Academy of Music and performs in opera and oratorio across the UK and Europe,” says Rebecca. “Jane, who studied at Leeds College of Music and the Royal Northern College of Music, in Manchester, is only in her mid-20s and has made her professional debut this year. Definitely one to watch.
“Jane has worked with our musical director, Ben Crick, who writes the arrangements for the orchestra and conducts on the day, and she knows Josh because they are working together at Buxton Opera Festival this summer.
Tenor Joshua Baxter: Heading from Buxton Opera Festival to York Proms on Sunday
“In an interview for the York Proms podcast, she told me they don’t actually sing together at Buxton, so this will be a nice treat for them to actually do that.”
Crick directs an orchestra put together expressly for the York Proms. “Many of them often perform with big orchestras all over the country,” says Rebecca.
“I’m really excited about this year’s programme and the line-up of music looks to be one of my favourites so far, with a selection that offers something for everyone. The arias include some really big, challenging and stunningly beautiful pieces that will be a real treat to hear from two really talented and accomplished performers.”
The podcast has been released this month to tap into the community that has built up since the event was established in 2017. “It has already seen close to 1,000 downloads, which is fantastic for a newly launched podcast,” says Rebecca.
“We plan to offer interviews and news via the podcast that complements the event, but also life in York more generally. There is so much to the York Proms that we can celebrate, aside from the music, including the history of the gardens and the people who make it possible.”
The 2024 York Proms box office is remaining open later than in past years. “We usually close it about five to seven days before the event, so we know the numbers we are expecting and can plan, or when it sells out – which last year happened almost two weeks before the day – but this year has been unprecedented with the extremely wet and cold weather,” says Rebecca.
York Proms organiser Rebecca Newman
“That definitely had an impact on ticket sales as we were significantly ahead of last year’s ticket sales by six weeks before the event, but I don’t blame people for not wanting to gamble with the weather.
“However, now that the forecast is looking great and the sales have picked up, we’re leaving the box office open for a little longer to allow the final few tickets to sell. There’s only ten per cent still remaining though, and the discounted ticket price has to end soon too, so if people are keen to come, don’t leave it too long or you might miss out.”
Proms-goers can bring picnics or head to The Sketch Box on site, offering filled flatbreads, cooked freshly to order in their pizza ovens, plus posh hot dogs, hot and cold drinks and sweet treats. The Northern Bistro will be selling drinks and sweet treats too and Acaster Malbus brewery Ainsty Ales is returning with a bar for the third year running.
“I take every opportunity to source suppliers from York and the surrounding area wherever possible and champion the amazing businesses we have in our area,” says Rebecca.
Gates open at 5pm for fast track and disabled ticket holders, 5.30pm for general admission, with the warm-up stage sparking into life at around 5.45pm. The main evening show starts at around 7.45pm and will be finished before 10.30pm.
Tickets can be bought online via yorkproms.com or in person via the Visit York Information Centre, in Parliament Street, in person or by calling 01904 909 487. For more information, visit yorkproms.com.
Safeena Ladha, left, Eugene McCoy, Tom Byrne and Maddie Rice in a scene from The 39 Steps. Picture: Mark Senior
FIERY Angel’s spiffing touring production of The 39 Steps is back on the road after eight years, although Patrick Barlow’s rollercoaster ride through John Buchan’s tale of murder, suspense and intrigue and Alfred Hitchcock’s 1935 spy thriller is never far from a Yorkshire stage.
In that touring hiatus, Scarborough’s Stephen Joseph Theatre has staged it twice (in 2018 and 2023) and Harri Marshall directed York Settlement Community Players at Theatre@41, Monkgate, in November 2021.
Yet not everyone has strapped in previously for Barlow’s delirious, dextrous delight of a comic misadventure. “Brilliant theatre,” kept coming a voice from the dress-circle row behind, experiencing its ingenuity for the first time at Wednesday’s matinee.
Eugene McCoy, left, Safeena Ladha and Tom Byrne in Fiery Angel’s touring production of The 39 Steps. Picture: Mark Senior
Mischief Theatre have a had a field day since the 2012 premiere of The Play That Goes Wrong, with clever, chaotic comedy rooted in mishaps, clowning pratfalls and exquisite comic timing. Yet Barlow’s play – and indeed North Yorkshire company North Country Theatre’s original 1996 concept by Simon Corble & Nobby Dimon that inspired it – pre-dates the Go Wrong brand, debuting at the West Yorkshire Playhouse, Leeds, in June 2005.
It has gone right ever since, especially under the direction of Maria Aitken in Fiery Angel’s tours, and now in the hands of 2024 tour director Nicola Samer, still true to the Aitken template but not exactly. The same, but Samer, as it were.
Tom Byrne, familiar to The Crown devotees from playing Prince Andrew aged 22 to 32 in the Netflix series, now turns his hand to another posh chap, the unflappable Richard Hannay in a helter-skelter play that hitches the storytelling of Buchan to the thrills, spills and daring set-pieces of Hitchcock’s thriller and then entrusts 139 roles to a cast of only four, most of them shared between Eugene McCoy’s Clown 1 and Maddie Rice’s Clown 2.
Tom Byrne: From Prince Andrew in The Crown to Richard Hannay in The 39 Steps
In the ennui of August 1935, Byrne’s lanky Hannay is in an emotional stew in his lonely, rented Portland Place pad, slumped in his leather armchair, pencil-slim moustache downturned, contemplating ending it all, in desperate need of… well, love, as it turns out later.
More immediately, this dashing, clipped and proper fellow must “find something to do…something mindless and trivial. Something utterly pointless. Something – I know! A West End show! That should do the trick!”
Barlow instantly establishes the “meta-theatre” of a play that revels in the possibilities and limitations of theatre, even in self-deprecation at what naysayers consider its ridiculousness, its bloated self-importance, as well as its wonder.
On the run: Tom Byrne’s Richard Hannay seeeks to escape the constabulary in The 39 Steps. Picture: Mark Senior
Hannay heads to the London Palladium for some excitement, but not the kind of excitement that ensues. The gun-firing, mysterious German fräulein in the box opposite him, Annabella Schmidt (Safeena Ladha), demands he must take her home, only to drop dead in his lap, knifed in the back.
Hanney takes flight – or rather a train ride – to Scotland, now murder suspect number one, in urgent need of crucial information to extricate himself from such accusations.
Policemen, secret agents, a farmer, a mysterious professor and assorted women stand in his way, delicered with breathless speed, breathtaking brilliance and comedic brio by the loose-limbed McCoy and the nimble Rice, the first woman to play Clown 2 in a Fiery Angel tour.
Tom Byrne’s Richard Hannay: In need of “something mindless and trivial. Something utterly pointless” in the opening scene to The 39 Steps. A night at the theatre awaits. Picture: Mark Senior
What’s more, as well as evoking Charlie Chaplin and even Samuel Beckett’s Vladimir and Estragon in Waiting For Godot, both are in cross-dressing mode, equally as likely to play a woman or a man, whatever a scene demands, Rice even performing two roles at once, turning back and forth in a half-and-half costume.
Ladha multi-tasks too, reappearing as an alluring, feisty femme fatale and a shy but obligingly helpful farmer’s wife.
Byrne’s handsome hero lets the darker side of Hannay poke through the surface, but the theatrical sleight of hand prevails, not least in the bargain-basement re-enactment of Hitchcock’s familiar scenes, topped off by a North By North West shadow-play spoof.
The Fiery Angel tour poster for The 39 Steps
The second act slows a tad, but Barlow’s witty, period-pastiche dialogue keeps you on the edge, either suspenseful or in fear of another pardonably terrible pun. All the while, Samer’s cast must battle against the odds, improvising props and scenery, whether with stepladders for a bridge, or chairs for a car, moving the furniture on and off, and defiantly keeping their head above water, even when a ringing phone or dry-ice Scottish mist is miscued.
As the thrilling twists and turns of this Hitchcock homage somehow go off without a hitch, Byrne, Ladha, McCoy and Rice make a fabulous four, never missing a step in the cause of comedy.
Fiery Angel presents The 39 Steps, Grand Opera House, York, cutting a dash until Saturday, 7.30pm plus 2.30pm Saturday matinee. Box office: atgtickets.com/york.
