SLAVA’S SnowShow will bring blizzard conditions to the Grand Opera House, leaving audiences knee deep in “snow” on next week’s first visit to York in its 32-year history of clowning joy.
Founded by Slava Polunin, this immersive, whimsical, multi-sensory show promises a “cavalcade of chaos and charm that invites you to leave the everyday behind and indulge in pure, tender delight as you enter a dream-like world that will both warm your heart and your funny bone , reminding you of the joy in being wonderfully silly”.
Slava’s company returned to British shores for the first time in seven years last winter for a West End Christmas run at the Harold Pinter Theatre and is now on an autumn tour that brought Slava’s son, Vanya, to York for a day’s promotional work and sightseeing in the week when SnowShow played the Manchester Opera House.
Dressed in clown’s costume and make-up for this interview, Vanya says: “It’s my first time in York and the show’s first time too. We’re very excited to be here, having seen photos of the old streets.”
Vanya has been on the move in this globe-travelling show since childhood. “I was born in Russia, In Leningrad (now St Petersburg), and I’ve stayed away from Russia for the longest time,” he says. “We left when I was seven, touring with the company, going on tour with Cirque de Soleil in the United States.
“We performed Slava’s SnowShow in the UK for the first time at the Hackney Empire in 1994 and were in the UK for nine years from 1996, when we played the Edinburgh Festival.”
The company did do tours to Russia. “When I saw St Petersburg again for the first time I’d forgotten how beautiful it was,” says Vanya.
He was delighted to be travelling from such a young age. “To avoid being called up for the army, you would have to leave at 16. We toured instead and my talents were much more usefully used making people smile than knowing how to hold a rifle,” he says.
Bubbling up: Slava’s SnowShow clowns in their joyous globe-travelling show
Vanya, now 39, is a key component in a show set within an absurd and surrealistic world of “fools on the loose”, a work of art wherein each scene paints a picture: an unlikely shark swimming in a misty sea; clowns and the audience tangled up in a gigantic spider’s web; heart-breaking goodbyes with a coat rack on a railway platform, and audience members being hypnotised by giant balloons.
“Everybody asks me what’s my favourite scene, and it’s the one that involves a clown in an overcoat with the coat rack on the platform. It’s a very touching scene that shows that clowning is not just about slapstick – and there’s only a little slapstick in our show because we’re not traditional clowns,” says Vanya.
“It’s hard to explain the show but it’s very simple! It’s the story of two characters and the journey they’re going on. It can be confusing and absurd, and in the beginning everyone is a bit confused but then they get to know the characters and it becomes sentimental by the end, when big snow effects take over the whole theatre.”
The finale is an “out-of-this-world snowstorm”. “Snow is a big part of the show,” says Vanya. “It’s decorative as a prop but because of the theme of the show as well, in my culture, snow holds different meanings: it could be making snowballs, or being trapped in a snowstorm, when it can be isolating or make you feel lonely. So that’s how we use it in the show, in both a scary and joyful way.
Slava’s SnowShow founder Slava Polunin
“Everyone can interpret snow differently, in their own way because, like us, they will have their own connections with snow. We once brought our paper snow to Honolulu [in Hawaii], where they had never seen snow, but they still had snow on their Christmas cards!”
Now the specialist in the international language of snow, Slava Polunin, Vanya’s father, was born in a small town in central Russia, where he discovered the art of pantomime in high school. As he grew into adulthood in Leningrad, he developed an eccentric version of the form that he dubbed lovingly as “Expressive Idiotism”.
From 1979 onwards, Slava became a fixture on Russian stages and television, sharing his gifts and continuing to redefine the art of clowning, exploring its boundless possibilities with his poetic and poignant approach to comic performance.
This discovery reached its zenith with Slava’s SnowShow, a show full of innocence and beauty for all ages. “In a sense, I have been working on this show forever, collecting bit by bit until it became a whole, to express myself fully,” said Slava. “Many things in the show come from childhood memories, like the image of snow, for example, and many others are pure invention in a style of clowning that I had never seen before.”
Since its debut, the work has travelled all over the world, notching more than 12,000 performances in more than 225 cities across 80 countries and receiving more than 20 international awards, including an Olivier Award for Best Entertainment and a Drama Desk Award.
“I started with a tiny role at the age of seven, and now, after my dad, who’s 75, I’m the most veteran of the performers – and he still performs sometimes,” says Vanya.
“The show doesn’t change that much dramatically down the years, because we don’t do things that are current, but do things that are eternal; it could be 100 years before now and it will hopefully still exist in 100 years. It has eternal emotions, friendship, love, fear and loss, so it doesn’t matter what year it is.
“These are the basics and that’s why it’s run so long. We try to connect with the inner child, so children love it, but adults love it too, and everyone leaves feeling like a kid, transforming into their playful self. Whenever things are bad, people turn to the arts for solace.”
Slava’s SnowShow clowns clowning around on the Clifford’s Tower hillock
No two audiences are the same, says Vanya. “Everywhere we go, they are different, and not just from country to country, but city to city,” he explains. “In the first Act, we spend time looking for what rhythm of comedy they like. Is it slapstick or dramatic? What makes them laugh?
“For us, it’s really important to see how slow we can do the show as we are day-dreaming clowns, where we like to take it slowly without losing their attention! Clowning has evolved, and in the form that we’re doing it, it’s a new evolution.”
After bubbles and the spider’s web that is passed across the audience, Slava’s Snow Show climaxes with a paper snow blizzard and big balloons. “We used to cut out the paper snowflakes with scissors, then with paper cutters, but now we order in our snow,” says Vanya. “It’s not a snow machine, but make-believe snow as you don’t get wet from paper!”
Slava’s SnowShow, Grand Opera House, York, November 19 to 23; 7.30pm, Wednesday to Saturday; 2.30pm, Thursday and Saturday; Sunday, 2pm and 6pm. Box office: atgtickets.com/york. Age guidance: Eight upwards.
Why the sad face? The frown meets the clown as CharlesHutchPress interviews Slava’s SnowShow’s Vanya Polunin at the Grand Opera House, York
