Lord Of The Dance: “Aiming to leave the audience spellbound” at York Barbican
THE summer festival season enters the final furlong with the focus turning to the new season ahead, as Charles Hutchinson highlights.
Dance show of the week: Michael Flatley’s Lord Of The Dance, York Barbican, today, 2.30pm and 7.45pm; tomorrow, 7.45pm
IN the words of Lord Of The Dance impresario Michael Flatley: “Our 2024 tour promises to be an extraordinary journey that will take audiences to the next level once again.
“In 2024, this extraordinary experience for fans will feature new staging, fresh choreography, new costumes, cutting-edge technology, and special effects lighting. It’s a celebration of a lifetime of standing ovations and we aim to leave the audience spellbound.” Box office: yorkbarbican.co.uk.
Living History Weekend: The past comes alive at Eden Camp today and tomorrow
Family fun day out of the week: Living History Weekend at Eden Camp Modern History Museum, Edenhouse Road, Old Malton, today and tomorrow, 10am to 5pm
STEP back in time to be immersed in history at Eden Camp, where the past comes alive with re-enactors around every corner, from captivating displays to engaging talks and activities galore. You can meet with medics; try your hand at authentic ration recipes; explore the intricate details of a Sherman tank and groove to live music in the engine shed. Dressing up in 1940s’ fashion is encouraged. Tickets: edencamp.digitickets.co.uk/tickets.
The Last Dinner Party: Playing Leeds Festival’s main stage at 2.20pm tomorrow. Picture: Leeds Festival website
Festival of the week: Leeds Festival, Bramham Park, near Leeds, today and tomorrow
AFTER “Mother Nature played her part”, Storm Lilian has put paid to the BBC Radio 1 stage and the new The Aux stage, but The Chevron stage is expected to reopen today.
Blink 182 and Gerry Cinnamon top today’s bill at Leeds Festival, when Two Door Cinema Club and The Prodigy. Tomorrow has Fred Again and Lana Del Rey on headline duty, backed up by Raye, Fontaines DC, Bleachers and The Last Dinner Party. Look out too for Sonny Fodera and Barry Can’t Swim. Box office: leedsfestival.com/tickets.
Lana Del Rey: Playing the main stage at Leeds Festival tomorrow at 7.30pm. Picture: Leeds Festival website
York gig of the week: New York Brass Band, Big Summer Party, The Crescent, York, tonight, doors 7.30pm
YORK’S top brass come together for an evening of big, bangin’, brassy tunes at The Crescent, featuring a line-up of percussion, saxophone, trumpets, trombones, guitar and sousaphone.
Taking inspiration from contemporary New Orleans musicians, the New York Brass Band will be in party mood after festivals appearances at Glastonbury and Latitude. Box office: thecrescentyork.com.
New York Brass Band: Big, bangin’, brassy tunes at The Crescent tonight
Coastal gig of the week: Becky Hill, Scarborough Open Air Theatre, August 29, gates 6pm
BRIT Award-winning Becky Hillis a pop powerhouse with a reputation as a pioneer in electronic music, not least in her collaborations in the dance-pop genre with everyone from David Guetta to Little Simz over the past decade.
Hill has written or performed on 17 UK Top 40 singles, including five top ten singles and a number one, amassing more than four billion streams on Spotify. Box office: scarboroughopenairtheatre.com.
Steve Cassidy: Playing with his band and friends at the JoRo Theatre
New amid the familiar: Steve Cassidy Band & Friends, Joseph Rowntree Theatre, York, September 1, 7.30pm
YORK’S Steve Cassidy Band return to their favourite venue, where three-time New Faces winner, singer, guitarist and songwriter Cassidy is joined by John Lewis on lead guitar, Mick Hull on bass guitar, ukulele and guitar, Brian Thompson on drums and George Hall on keyboards.
Expect a few special guests throughout an entertaining night of rock, country and instrumental music, plus new pieces prepared specifically for this concert. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Robyn Hitchcock: Heading for The Crescent next month
Art rocker returns: Robyn Hitchcock, The Crescent, York, September 1, 7.30pm
IN a career spanning six decades, Robyn Hitchcock remains a one-of-a-kind artist: surrealist rock’n’roller, acoustic troubadour, poet, painter and writer.
From The Soft Boys’ art-rock and The Egyptians’ Dadaist pop to such solo masterpieces as 1984’s I Often Dream Of Trains and 1990’s Eye, Hitchcock has crafted songs with recurring references to marine life, obsolete electric transport, ghosts and cheese. Tickets for this seated show are on sale at thecrescentyork.com.
Olivia Graham: Performing in the style of the Celtic bards of old at Theatre@41, Monkgate, York. Picture: Richard Gatecliffe
Come, all ye old souls and dreamers: Olivia Graham, An Evening In Avalon, Theatre@41, Monkgate, York, September 6, 7.30pm
CELTIC folk musician Olivia Graham delivers a spellbinding evening of enchanting music, woven through the tales of Morgan Le Fay and other legendary figures from across the British Isles.
Performed in the style of the Celtic bards of old, An Evening In Avalon embarks on a magical journey through Ancient Ireland, Dark Age Britain and even the elusive shores of mystical Avalon itself. Box office: tickets.41monkgate.co.uk.
Snake Davis: On his own at Helmsley Arts Centre
Saxophone solo: Snake Davis, Helmsley Arts Centre, September 6, 7.30pm
ONCE a member of York jazz and soul band Zoot And The Roots, saxophonist Snake Davis will be on his own in this informal acoustic evening of music and chat in two parts. Not really on his own, he clarifies, because in Part One he will have his musical instrument family with him: myriad saxophones plus flutes, whistles, steel handpan, didgeridoo and the Japanese Shakuhachi. Questions are encouraged.
In Part Two, the focus is on My Greatest Hits, highlighting Snake’s work as sax hired gun to the stars, adding Olly Murs and Shania Twain to the list this year after sax solos forTake That, M-People, Lisa Stansfield and The Office theme tune. Playing the songs in context, he will tell the stories behind them. Box office: 01439 771700 or helmsleyarts.co.uk.
There’s no bursting Andy Parsons’ balloon: Comedian will be in “Bafflingly Optimistic” mood at Joseph Rowntree Theatre in October
Comedy gig announcement of the week: Andy Parsons: Bafflingly Optimistic, Joseph Rowntree Theatre, York, October 11
DESPITE everything that Great Britain has had to face in recent years, Mock The Week lynchpin, Stacktivist Action Group podcaster and comedian Andy Parsons has found cause to be optimistic.
“I think there are reasons to be hopeful,” says Parsons, 55. “It’s not a depressing show. The positive side is the pandemic is over, we are statistically more united as a nation than it might seem. And despite what you’ve heard, comics are not being cancelled.” Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Next Door But One’s leadership team: creative engagement manager El Stannage, left, producer Joshua Goodman, artistic director Matt Harper-Hardcastle, associate director Kate Veysey and communications coordinator Anna Johnston
HOT off winning two York Enterprise Awards, Next Door But One is launching The Producing Hub to expand its provision of professional development for creative talents in the city.
Over the past year, the York community arts collective has supported 68 performing arts professionals to nurture their skills and achieve career goals through a series of workshops, one-to-one mentoring and by providing micro-commissions for new work, such as the Yorkshire Trios showcase at York Theatre Royal Studio in late-March.
“Seventy-five per cent have started a new project or developed an existing one; 68 per cent have applied for and secured new jobs or commissions; 50 per cent have applied for funding for their work, and have showcased that work too,” says Next Door But One (NDB1) chief executive officer and artistic director Matt Harper-Hardcastle.
“As one participant described their involvement: ‘The biggest impact from engaging in NDB1’s professional development is how much confidence I’ve gained. I’ve since secured further professional work, I have less imposter syndrome and feel like I belong in this industry.
“The experience of working with NDB1 made me feel validated that I have the skill to pursue acting professionally, and what my USP [unique selling point] is in the industry. I’m able to effectively communicate what I can offer the industry and NDB1 has been instrumental in helping me understand this’.”
James Lewis-Knight, artistic director of Clown Space, recipients of Next Door But One support for professional development
Matt reflects: “We’ve always said that NDB1 is a place where creatives can hang their hat. Being a freelance artist can often feel very lonely, isolating and a bit discombobulating,” he says. “We saw this acutely during Covid. As the world started to open up again following the pandemic, we had an influx of local creatives getting in touch for advice.
“Sixty-seven per cent had had a large proportion of their work cancelled; 50 per cent had struggled to secure the same amount of work since; 42 per cent had considered leaving the industry and their chosen career altogether, and 58 per cent have felt a significant disconnection from the industry as a whole. Local freelancers are the lifeblood of NDB1’s work, so we knew we had to do something about it.”
Since those shockwaves of 2021, NDB1 has provided 28 micro-commissions to writers, directors and actors, run three programmes of professional development workshops, a full year’s coaching for emerging companies and countless one-to-ones with York artists to provide bespoke advice and signposting.
“Now we are launching our most ambitious and robust programme of support for creatives through The Producing Hub Next Door But One,” says Matt. “‘It’s a way to pull together and formalise all the responsive support we’ve been providing into something we can really shout about and invite more people into.”
Firstly, backed by funding from City of York Council (through the UK Shared Prosperity Fund) and Arts Council England, over the next year NDB1 will provide producing support for Thunk-It Theatre’s next tour of New Girl and for the company development of Clown Space, the York company run by professional clown James Lewis-Knight and Emily Chattle that specialises in teaching clowning, full mask and physical theatre.
“Clown Space are at a point where they need support with their creative business plans, vision values and funding mechanisms,” says Matt.
Creative 1:1s. Seed Funding.Seminars. Next Door But One has help and advice on hand for York arts talents
Thunk-It Theatre artistic director Becky Lennon says: “We are thrilled to be joining The Producing Hub. We’ve been lucky to be supported by NDB1 since we first began in 2020 and are excited to be co-producing our now Arts Council England-funded production, New Girl, this autumn with the wonderful support from the NDB1 Team.
“The Producing Hub is a great way for us to learn how to produce our own work in a supported professional set-up. We cannot wait to see how we develop with the amazing backing from the team.”
Secondly, in partnership with York Theatre Royal, NDB1’s Opening Doors will return from November 2024 to provide a series of free professional development workshops built from the needs expressed by York creatives.
“We’re also really excited to take our informal one-to-one surgeries and the ‘cuppa catch-ups’ we regularly have with creatives to provide regular opportunities for creatives to sit with members of the NDB1 team and get the advice they need,” says Matt.
NDB1 associate director Kate Veysey adds: “I think it’s down to our approachability, but we regularly have creatives getting in touch to ask our advice on new projects, to look over applications and even just to be a friendly face to artists who are new to the city.
Thunk-It Theatre in New Girl: Receiving Next Door But One support for next tour
“We really see the value in these quick, responsive interventions and happily go offering space, support and coffee, but as a small team ourselves we were reaching capacity.
“From September, however, NDB1 will be offering bookable slots around the city, for York creatives to set the agenda and receive the headspace of our leadership team on whatever is needed.”
This 1:1 service has been made possible with a grant from YOR4Good, partnering with the University of York’s School of Arts and Creative Technologies, and with the support of Explore York library service and Theatre@41, Monkgate.
Kate continues: “We’re excited by this as we can offer seed funding to support creatives to overcome particular barriers to their desired career progression. This could be affording fees for training courses, hiring space to have a table-read of a new script or even covering access costs to take up new opportunities.”
In addition, a casting call is open until September for NDB1’s May 2025 production of How To Be A Kid. “We’ll be casting from new graduates from the past two years, who’ll do a three-week rehearsal process, incorporating professional training as part of a touring production, with advice on, for example, acquiring professional headshots and talking to casting agents,” says Matt.
To stay up to date with these opportunities and to learn how to engage NDB1’s services, creatives are advised to sign up to the mailing list and fill out Expression of Interest forms, available via the website: nextdoorbutone.co.uk.
Double winners: Kate Veysey, second left, El Stannage, Matt Harper-Hardcastle amd Anna Johnston, of Next Door But One, with Warrick Dent, left, from LNER, after receiving the Community Changemaker and Inclusive Business awards at the 2024 York Enterprise Awards. Picture: Alex Holland
Specialist builder Leo Wolterbeek within the Mesolithic build at York Museum Gardens. Picture: Gareth Buddo
IT took four days for two Dutchmen to build “Britain’s oldest house” in York Museum Gardens, where the Mesolithic Hut will stand until September 1.
Made of reeds, matting and twine, the house design dates from 11,000 years ago, transporting visitors back to life in North Yorkshire in the Mesolithic age, the Middle Stone Age, between the Palaeolithic and the Neolithic.
Teams from York Museums Trust and the University of York have combined with experts in ancient technology and archaeology to build the replica house in front of the Yorkshire Museum, using evidence, techniques and materials, such as stone tools and plant materials, gleaned from the prehistoric archaeological site at Star Carr, five miles south of Scarborough, where the oldest known house in Britain was discovered.
University of York head of archaeology Professor Nicky Milner and postdoctoral research fellow Dr Jess Bates are spearheading the project with specialist craftsman Diederik Pomstra and builder Leo Wolterbeek and support from Dr Adam Parker, curator of archaeology at York Museums Trust, in a project made possible by £10,000 funding from the National Heritage Lottery Fund.
“Being an archaeologist is like being a detective, using clues to build the picture,” says Professor Nicky Milner, head of archaeology at the University of York. Picture: Gareth Buddo
Dr Parker says: “This is an extraordinary opportunity to experience a Mesolithic build, using evidence-based information such as the tools and the resources, much of which we are showing in the Yorkshire Museum.
“Taking our lead from Star Carr, we are able to harness and harvest materials from the environment that will be similar to the components these people utilised all those years ago.
“Displays at the museum includes the original implements and items left behind from the lives that unfolded there. It’s a chance to get to know and understand a relatively unknown period of history in a fun and open way for all ages. Come and see for yourself.”
Professor Milner says: “We invited Diederik and Leo from the Netherlands, who come over once a year to do experimental archaeological work, because they’re really skilled at prehistoric archaeological buildings.
“For example, they know what materials to use to make the twine for fastening. It’s about understanding the natural world and how to make things out of materials and how to make tools out of flint.”
Specialist craftsman Diederik Pomstra with Professor Nicky Milner and Dr Adam Parker. Picture: Gareth Buddo
The use of reed for the replica house is derived from the research at Star Carr. “We found post holes and a hollow that signified the oldest house in Britain. The soil there was darker and we can look at that soil with its high organic content, in particular the silica cells from different plants, and some of those looked like reeds,” says Prof Milner. “Star Carr was by the river, so there would have been reeds there.
“Jess [Dr Bates] spent three years doing a PhD looking at the flint finds at Star Carr under a microscope, and from that you can tell what the flint was used for: cutting up meat, processing fish; working with hides, bones, antlers and wood. So we begin to understand the activities in the house.
“We can use science to bring alive evidence. In terms of materials, there was a lot of organic material because the preservation was so good, and from the research we can put together a picture of what life was like; what their skills were.”
Prof Milner continues: “Being an archaeologist is like being a detective, using clues to build the picture, working in our experimental centre, where research gives you more questions to be answered.
Diederik Pomstra, left, Leo Wolterbeek, Professor Nicky Milner, of University of York, and Dr Adam Parker, of York Museums Trust, at the Mesolithic Hut build in York Museum Gardens. Picture: Gareth Buddo
“We have to be honest and say there’s an element of speculation, so we think they used reed to build the house as it was by the river, though we can’t confirm that. They may have used animal skins.”
Prof Milner stresses the importance of the partnership with York Museums Trust, whose Star Carr exhibition, Life After The Ice, at the Yorkshire Museum offers visitors the chance to learn more about the site and see tools, objects and ritual artefacts found there.
“We both want people to know about Star Carr, the house, and how we got to where we are now. I don’t mind if we are speculating because it gives everyone a chance to ask questions about the past,” she says.
“Star Carr was first excavated in the 1940s and became very famous in the archaeological world because of the incredible preservation of the site, but locally people didn’t know about it. I didn’t until I went to university and couldn’t believe it was on my doorstep, where I grew up!
Dr Jess Bates, from the University of York, with Elizabeth, left, and Eleanor Grahame-Clarke at the Mesolithic build. Picture: Gareth Buddo
“Since then, it’s been a passion of mine for everyone to learn about it as Star Carr is as important as Stonehenge.”
Dr Parker concurs: “Life After The Ice is our first exhibition after two years of having the Star Carr collection, and this is a Yorkshire collection on display in Yorkshire, informed by research happening in York, telling a story that’s important for us to tell, displaying an archive of international significance, presented in a way that maybe the university couldn’t do.
“This is a project that serves both research and public engagement, and the benefit of what we’re doing this month is that it brings the museum outside, and we hope that by people seeing one, they want to see the other.”
Free activities, such as storytelling with Hoglets Theatre Company and Into Wilderness Bushcraft Adventures, are running in a marquee next to the Mesolithic Hut until September 1, open daily from 10am to 4pm. Participating children must be accompanied by an adult at all times; full details can be found yorkshiremuseum.org.uk.
Access to the Museum Gardens and the Mesolithic build is free; there is a charge for entry to the museum, open 10am to 5pm.
Activities in marquee next to Mesolithic Hut, in front of Yorkshire Museum, Museum Gardens, Museum Street, York
Eleanor Grahame-Clarke learning skills from specialist builder Leo Wolterbeek in York Museum Gardens. Picture: Gareth Buddo
Creative Family Wednesdays: Star Carr Special, August 28, 10.30am to 3.30pm
DROP in anytime – no booking required – for artist-run creative workshops inspired by the Star Carr exhibition, delivered outdoors.
Star Carr Storytelling: August 29, 10.30am to 11.15am; 11.30am to 12.15pm; 2pm to 2.45pm and 3pm to 3.45pm. No need to book.
JOIN Hoglets Theatre, Gemma Curry’s York company, for an adventure into the prehistoric world of Star Carr in these immersive, outdoor story-telling sessions suitable for all the family.
Into Wilderness Bushcraft Adventures, August 30 to September 1,10.30am to 4pm drop-in sessions throughout the day. No booking required.
EXPERIENCE wild Britain from an Aboriginal bushcraft perspective and immerse yourself in the Mesolithic in these hands-on workshops led by the team at Into Wilderness.
In addition, a Star Carr Skills Weekend was held on August 17 and 18, when expert Chris Woodland’s drop-in sessions highlighted Mesolithic craftsmanship, using natural materials, and offered the chance to learn skills needed for everyday life at Star Carr, demonstrating how to turn nettles into twine and shale into decorative pendants.
Melissa James as Lou and Patrick Heusinger as James in Paranormal Activity at Leeds Playhouse. Picture: Pamela Raith
IT is a balmy Summer evening in Leeds but despite the sweltering temperatures, there is a chill in the air as the world premiere of Paranormal Activity arrives at the Playhouse.
A Leeds Playhouse and Simon Friend Entertainment co-production in association with Gavin Kalin, Ken Davenport and Jonathan & Rae Corr, the show is based on a film first released by Paramount Pictures in the UK 15 years ago.
A relatively low budget found-footage film, the original became a word-of-mouth hit and is regarded as being one of the most profitable films ever made.
If you have seen that film (or any of its many sequels), you will be familiar with the basic premise. A young couple are haunted by a strange presence within their home, inspiring them to set up a camera to try and capture evidence. Of course, technology has come on a long way since then…
In keeping with the subject matter, the whole show seems to be shrouded in mystery, with signs outside the theatre reminding us that we are not allowed to take any photographs or breathe a word of what we have seen to others. “SHHH!” instruct the posters, “NO SPOILERS”.
Perhaps, therefore, it is best to play it safe with the synopsis provided by the Playhouse website, which states: “American couple James and Lou move to London to escape their past…we can’t say anything else.”
We may not know what to expect but expectations are still high that this will succeed in maintaining the original spirit of those films and go some way towards re-creating the fear. As with many scary films, the real horror here is less related to the events themselves and more the impact that they are having on their relationship.
Fly Davis’ residential set is on more than one level, and it is worth keeping an eye on what is happening upstairs when the characters are downstairs and vice versa. It manages to be spacious but claustrophobic, cosy yet disconcerting. Several of the home appliances seem to be in desperate need of an electrical safety test. It might be time to call in the professionals to investigate.
Written by Levi Holloway and directed by Felix Barrett, the artistic director of Punchdrunk, who specialise in creating unsettling immersive theatre, it is no exaggeration to say that this is a sensory experience with a cacophony of disturbing sounds, atmospheric rumblings and frequent blackouts that serve to intensify the impact of what you have just seen.
The sense of impending dread is palpable throughout as we silently scream warnings at the cast (Melissa James’s Lou, Patrick Heusinger’s James, Jackie Morrison’s Ethylene Cotgrave and Pippa Winslow’s Carolanne, James’s mother). You are anxious to know what happens next but genuinely afraid to watch. There were blood-curdling screams, hands over eyes and leaping up from seats…and that was just the audience.
Your overall enjoyment may depend to an extent on your own beliefs regarding the supernatural, but seeing is believing and not everything here is quite what it seems to be. The effect is often disorientating, and like the characters themselves, by the end, we are left uncertain as to who or what to believe – creating an overwhelming sense of paranoid activity that will follow you home afterwards and linger long after the final curtain falls.
Paranormal Activity ran at Leeds Playhouse from July 4 to August 2, featuring illusions by Chris Fisher, lighting designs by Anna Watson and sound design by Gareth Fry.
The Magic Of Terry Pratchett: Marc Burrows discusses the Discworld author at Pocklington Arts Centre
THE summer festival season enters the final furlong with the focus turning to the new season ahead, as Charles Hutchinson highlights.
Discworld comes to Pock: Marc Burrows, The Magic Of Terry Pratchett, Pocklington Arts Centre, October 17, 7.30pm
AUTHOR, comedian and super-fan Marc Burrows bases his Edinburgh Fringe hit lecture The Magic Of Terry Pratchett on his Locus Award-winning biography, officially endorsed by the author’s estate, to mark the 40th anniversary of the Discworld books.
Taking a journey through the life and work of Sir Terry Pratchett OBE, he explores his influence, impact, wit and wisdom, from Pratchett’s days as a school librarian, through his time as a trainee journalist, to his untimely death from Alzheimer’s in 2015. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
So 90’s: Disco party time at Milton Rooms, Malton
Disco world comes to Malton: So 90’s with DJ Matt Vinyl and the So 90’s Dancers, Milton Rooms, Malton, August 30, 8pm
FROM S Club to Spice Girls, Backstreet Boys to Robbie Williams, Cascada to Gala, the best 1990s’ pop, dance, cheese and Ibiza club anthems are celebrated in this disco party with visual effects, live choreographed performances, DJs and interactive competitions and giveaways. Box office: 01653 696240 or themiltonrooms.com.
Lord Of The Dance: “Aiming to leave the audience spellbound” at York Barbican
Dance show of the week: Michael Flatley’s Lord Of The Dance, York Barbican, today until Sunday, 7.45pm, plus Saturday matinee at 2.30pm
IN the words of Lord Of The Dance impresario Michael Flatley: “Our 2024 tour promises to be an extraordinary journey that will take audiences to the next level once again.
“In 2024, this extraordinary experience for fans will feature new staging, fresh choreography, new costumes, cutting-edge technology, and special effects lighting. It’s a celebration of a lifetime of standing ovations and we aim to leave the audience spellbound.” Box office: yorkbarbican.co.uk.
Living History Weekend: The past comes alive at Eden Camp this weekend
Family fun day out of the week: Living History Weekend at Eden Camp Modern History Museum, Edenhouse Road, Old Malton, today and tomorrow, 10am to 5pm
STEP back in time to be immersed in history at Eden Camp, where the past comes alive with re-enactors around every corner, from captivating displays to engaging talks and activities galore. You can meet with medics; try your hand at authentic ration recipes; explore the intricate details of a Sherman tank and groove to live music in the engine shed. Dressing up in 1940s’ fashion is encouraged. Tickets: edencamp.digitickets.co.uk/tickets.
Liam Gallagher: Headlining Friday’s bill at Leeds Festival, playing Oasis’s debut album Definitely Maybe in full. Picture: Leeds Festival website
Festival of the week: Leeds Festival, Bramham Park, near Leeds, Friday to Sunday
LIAM Gallagher and Catfish And The Bottlemen headline the first day of Leeds Festival, when 21 Savage, Pendulum, Skrillex, NIA Archives, Beabadoobee and Ashnikoo are further attractions. Blink 182 and Gerry Cinnamon top Saturday’s bill, when Two Door Cinema Club, The Prodigy and Jorja Smith perform too.
Sunday has Fred Again and Lana Del Rey on headline duty, backed up by Raye, Fontaines DC, Bleachers and The Last Dinner Party. Look out too for Sonny Fodera and The Wombats. Box office: leedsfestival.com/tickets.
Lana Del Rey: Playing the Leeds Festival main stage at 7.30pm on Sunday. Picture: Leeds Festival website
York gig of the week: New York Brass Band, Big Summer Party, The Crescent, York, Saturday, doors 7.30pm
YORK’S top brass come together for an evening of big, bangin’, brassy tunes at The Crescent, featuring a seven or eight-piece line-up of percussion, saxophone, trumpets, trombones, guitar and sousaphone.
Taking inspiration from contemporary New Orleans musicians, the New York Brass Band will be in party mood after summer festivals appearances at Glastonbury and Latitude. Box office: thecrescentyork.com.
New York Brass Band: Back home in old York after the summer festival season
Coastal gig of the week: Becky Hill, Scarborough Open Air Theatre, August 29, gates 6pm
BRIT Award-winning Becky Hillis a pop powerhouse with a reputation as a pioneer in electronic music, not least in her collaborations in the dance-pop genre with everyone from David Guetta to Little Simz over the past decade.
Hill has written or performed on 17 UK Top 40 singles, including five top ten singles and a number one, amassing more than four billion streams on Spotify. Box office: scarboroughopenairtheatre.com.
Steve Cassidy: Playing with his band and friends at Joseph Rowntree Theatre, York
New amid the familiar: Steve Cassidy Band & Friends, Joseph Rowntree Theatre, York, September 1, 7.30pm
YORK’S Steve Cassidy Band return to their favourite venue, where three-time New Faces winner, singer, guitarist and songwriter Cassidy is joined by John Lewis on lead guitar, Mick Hull on bass guitar, ukulele and guitar, Brian Thompson on drums and George Hall on keyboards.
Expect a few special guests throughout an entertaining night of rock, country and instrumental music, plus new pieces prepared specifically for this concert. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Robyn Hitchcock: Heading to The Crescent, York
Art rocker returns: Robyn Hitchcock, The Crescent, York, September 1, 7.30pm
IN a career spanning six decades, Robyn Hitchcock remains a one-of-a-kind artist: surrealist rock’n’roller, acoustic troubadour, poet, painter and writer.
From The Soft Boys’ art-rock and The Egyptians’ Dadaist pop to such solo masterpieces as 1984’s I Often Dream Of Trains and 1990’s Eye, Hitchcock has crafted songs with recurring references to marine life, obsolete electric transport, ghosts and cheese. Tickets for this seated show are on sale at thecrescentyork.com.
Olivia Graham: Performing in the style of the Celtic bards of old at Theatre@41, Monkgate, York. Picture: Richard Gatecliffe
Come, all ye old souls and dreamers: Olivia Graham, An Evening In Avalon, Theatre@41, Monkgate, York, September 6, 7.30pm
CELTIC folk musician Olivia Graham delivers a spellbinding evening of enchanting music, woven through the tales of Morgan Le Fay and other legendary figures from across the British Isles.
Performed in the style of the Celtic bards of old, An Evening In Avalon embarks on a magical journey through Ancient Ireland, Dark Age Britain and even the elusive shores of mystical Avalon itself. Box office: tickets.41monkgate.co.uk.
Two pictures, but only one Snake Davis, playing alone at Helmsleyt Arts Centre
Saxophone solo: Snake Davis, Helmsley Arts Centre, September 6, 7.30pm
SAXOPHONIST Snake Davis will be on his own in this informal acoustic evening of music and chat in two parts. Not really on his own, he clarifies, because in Part One he will have his musical instrument family with him: myriad saxophones plus flutes, whistles, steel handpan, didgeridoo and the Japanese Shakuhachi. Relaxed and intimate, questions are encouraged.
In Part Two, the focus is on My Greatest Hits, highlighting his work as sax hired gun to the stars, adding Olly Murs and Shania Twain to the list this year after sax solos in Take That’s Million Love Songs, M-People’s Moving On Up and Search For The Hero, Lisa Stansfield’s Change and The Office theme tune. Playing them in context, he will tell the stories behind them. Box office: 01439 771700 or helmsleyarts.co.uk.
There’s no bursting Andy Parsons’ balloon: Comedian will be “Bafflingly Optimistic” at JoRo Theatre this autumn
Comedy gig announcement of the week: Andy Parsons: Bafflingly Optimistic, Joseph Rowntree Theatre, York, October 11
DESPITE everything that Great Britain has had to face in recent years, Mock The Week lynchpin, Stacktivist Action Group podcaster and comedian Andy Parsons has found cause to be optimistic.
“I think there are reasons to be hopeful,” says Parsons, 55. “It’s not a depressing show. The positive side is the pandemic is over, we are statistically more united as a nation than it might seem. And despite what you’ve heard, comics are not being cancelled.” Box office: 01904 501935 or josephrowntreetheatre.co.uk.
THE 2024 North York Moors Chamber Music Festival began unusually with the Baroque before moving into more familiar Romantic territory.
These days you do not expect to hear a Corelli sonata played on a modern violin and partnered by a grand piano. But we have learnt to expect the unexpected in this festival. In any case, you should never write off the supposedly inauthentic.
Alena Baeva and her regular keyboard partner Vadym Kholodenko did their utmost to bring us ‘Baroque’ atmosphere; she used very little vibrato, he much preferred the soft (left-foot) to the sustaining (right-foot) pedal. We were never going to mistake the piano for a harpsichord, but the result was satisfying anyway.
In any case, Kholodenko’s taut ornamentation highlighted the importance of his role beyond merely filling in harmony; it provided just the right underlay for Baeva’s period-style phrasing. Rhythms were always lively, and contrasts between the 11 variations on ‘La Folia’ of Corelli’s single-movement Op 5 No 12 were superbly drawn.
Rachmaninov’s last piano work, Variations on a theme of Corelli, written in 1931, is misnamed. It is also based on ‘La Folia’, an Iberian tune that first emerged in the Renaissance – and is not by Corelli at all. Dozens of composers used it as a basis for variations.
Stephanie Tang was the determined soloist here, reflecting the overriding anger in Rachmaninov’s approach. Her accents were strong and her use of staccato particularly deft. She clearly enjoyed the composer’s jack-in-the-box tendencies but was alive to his attempts to evoke the Iberian origins of the tune. I would not vouch for her total accuracy but the tension in her technique certainly made the most of the work’s tangy harmonies.
Dvořák’s Dumky Op 90 – never named a piano trio but actually his fourth – delves as deeply as he ever did into his Bohemian roots. The title is the plural of dumka, a primarily reflective song that tends to alternate slow melancholy with rapid dance-like sections, in keeping with its folk origins. Its six movements can be treated as two groups of three apiece, but beyond that there is no deliberate formal shape.
Benjamin Baker was the violinist, Rebecca Gilliver the cellist and Daniel Lebhardt the pianist in what was an absolutely delightful penetration of the composer’s nationalistic emotions. They constantly held back the end of a slow section so that we were kept in suspense waiting for its rapid counterpart.
Indeed, their use of rubato, so keenly felt by all three players, was superbly stylish. Dvorak makes especially strong use of the cello, and Gilliver’s warm, expansive sound matched the composer’s intentions. Not that Baker was overshadowed; both revelled in their little cadenzas in the fifth movement. We had come closest to the heart of Bohemia in the leisurely cantabile of the third movement.
The work also encompasses the most taxing piano music Dvorak ever wrote. Lebhardt was alive to all its nuances even when stretched and was a major factor in what made this such an exciting performance.
Since the word ‘dumka’ is believed to originate in Ukraine, it was impossible to ignore thoughts of that benighted country when the music turned melancholic. A marvellous curtain-raiser for the festival, which continues daily until August 24.
REVIEW: Martin Dreyer’s verdict on North York Moors Chamber Music Festival, Enlightenment, St Michael’s Church, Coxwold, August 13
Festival curator and cellist Jamie Walton. Picture: Matthew Johnson
THE special magic of this festival was neatly crystallised in this afternoon recital, which featured a Beethoven string trio and Weber’s Clarinet Quintet.
A packed, rapt audience erupted joyously at the end of each, the first a rare visitor to our concert platforms, the second a much-loved repertoire piece.
You will see it claimed that Beethoven wrote his ‘early’ string trios (he was still in his twenties) as preparation for a full-scale incursion into the world of the string quartet, as if they were but student pieces.
Not a bit of it. With only three voices – violin, viola and cello – a composer has a restricted choice of harmony. In particular, all three parts need to be fully independent, the viola in particular.
In Beethoven’s String Trio Op 9 No 1 on G, we found Meghan Cassidy’s versatile viola paired with Benjamin Baker’s violin, almost as second violin, or with Jamie Walton’s cello, as the composer played off the two duos against one another. In other words, the viola role was vital and emerged here with great clarity.
All three players attacked the bold, arpeggios of the opening allegro with relish, before a delicately song-like slow movement in which the rests were delightfully prolonged. The brisk scherzo had a ruminative trio, a nice contrast.
In the finale, the moto perpetuo tailed off mid-stream into an apparent cul-de-sac. But the joke was on us and the rapid syncopation resumed, right into an accelerated coda. This was Beethoven the adventurer, while still learning from Haydn.
Weber’s Clarinet Quintet is a work of almost relentless jollity – and thoroughly good fun. Matthew Hunt is a clarinettist known for his sense of humour, so the score is tailor-made for him. With Charlotte Scott leading the string quartet, there was lively support for his sprightly cavorting. But the heart of the work lay elsewhere, in the deeply melancholic Adagio.
Here, Hunt’s quiet, superbly sustained legato brought tears to the eyes, these eyes anyway. Towards the end he produced two echo-scales so pianissimo that they were virtually a whisper, a prodigious feat of breath control – and very moving.
The succeeding Scherzo brimmed over with wit and good humour, a total contrast and genuinely funny. The finale was never going to reach these heights, but we could only marvel as Hunt’s unashamed virtuosity carried the day through Weber’s flirtations with vapidity.
Effie Warboys’ Ann Walker, left, and Sally Mitcham’s Anne Lister in York Shakespeare Project’s Summer Sonnets. Picture: John Saunders
YORK Shakespeare Project audiences are greeted by not one, but two testaments to the groundbreaking impact of Anne “Gentleman Jack” Lister at Holy Trinity Church, Goodramgate.
First, by the entrance, York Civic Trust’s rainbow plaque commemorates the Easter 1834 wedding sacraments of “Anne with an ‘E’ and Anne without”, Ann Walker, recorded as the first lesbian marriage in Great Britain. Another historic landmark in this most storied of cities.
Once inside, by the churchyard path, Anne Lister has temporarily taken on tansy beetle form in a metallic sculpture for the York Trailblazers trail of unsung heroes until September 30.
Theatre spat: Rival actresses Lily (Alexandra Logan), left, and Felicity (Grace Scott) in York Shakespeare Project’s Summer Sonnets. Picture: John Saunders
In Jen Dring’s design, the beetle’s back is covered in the diary scribblings of Anne Lister: words that have helped to shape the opening to Josie Campbell’s script to accompany 12 of Shakespeare sonnets in this tenth anniversary YSP production.
YSP’s theatrical conceit is to offer an invitation to a secret wedding – spoiler alert, the nuptials of Anne Lister (Sally Mitcham) and Ann Walker (Effie Warboys) – toasted on arrival with a free celebratory drink.
The audience is welcomed by the Reverend Goode, the “poptastic vicar and host” played by director Tony Froud, who promptly introduces himself as Ebenezer Goode in the first of a plethora of “couldn’t resist” pop culture references by Campbell. Status Quo, Paul McCartney and The Rolling Stones all follow, Rev Goode at one point quoting the lyrics of You Can’t Always Get What You Want.
Cleaning up: Marie-Louise Feeley’s Doreen and Helen Wilson’s Maureen, the church-cleaning double act in York Shakespeare Project’s Summer Sonnets. Picture: John Saunders
Attired in York Theatre Royal costumes, Mitcham and Warboys play out the Lister-Walker betrothal, each bursting into a sonnet in the manner of characters breaking into song in a musical when there is no other form of expression that will suffice in that moment.
Mitcham’s assertive When I Have Seen By Time’s Fell Hand Defaced will be the first of four Shakespeare sonnets making their YSP debut in this summer’s set.
Warboys follows, one of six new sonneteers in Froud’s 2024 ranks, having made her mark in cheery fashion in YSP productions such as The Tempest. As she discovers in her opening conversation with Mitcham’s Miss Lister, the challenge for all is to acclimatise to performing outdoors, against the absorbant backdrop of the church walls, under the open sky.
Emily Hansen’s Lavinia, the unflappable costume designer, in York Shakespeare Project’s Summer Sonnets. Picture: John Saunders
What’s more, the nearby restaurant kitchen fan is whirring loudly and the staff are busy with bustling crockery and food prep on the 6pm shift. Not the easiest of circumstances in which to perform, and Froud’s last words of advice before the first performance were of the need for volume.
In such a space, as soon as heads turn sideways, the loss in clarity can be considerable, but only through experience does a performer learn the skill of projection. Best advice here: follow the example of Maurice Crichton and Helen Wilson, old hands at this sonneteering malarkey.
No doubt, Froud will have given post-show notes to re-emphasise that volume speaks volumes. There is a case too for having the actors move closer to the seated audience, or indeed for the seating to be moved forward, and also to project straight on as much as possible in this declamatory framework.
Maurice Crichton’s intemperate director, Callum, offering advice to Alexandra Logan’s wilful leading lady, Lily, in Summer Sonnets. Picture: John Saunders
Crichton, in beret, cravat and exasperated Scottish accent, is playing Callum, “the far from calm director” of what turns out to be a rehearsal for an amateur company at Rev Goode’s church. And so, rather than a play within a play in keeping with Frayn’s Noises Off, Ayckbourn’s A Chorus Of Disapproval or Mischief’s The Play That Goes Wrong, instead we have sonnets within backstage shenanigans.
One by one, or two by two, we shall encounter staff, actresses and helping hands. Here come the church cleaners, debutant sonneteer Marie-Louise Feeley’s Doreen, an aspiring performer, and Wilson’s world-weary, seen-it-all-before Maureen, marigold gloves stuffed in her overalls. Her sonnet, Th’expense Of Spirit In A Waste Of Shame, is one of the high points.
Two rival actresses, steady-away Felicity (Grace Scott) and flighty young leading lady Lily (Alexandra Logan) will spar amusingly, the latter’s nascent prima-donna tendencies in the role of Anne Lister’s earlier paramour Maria Belcombe, testing Crichton’s acerbic Callum to breaking point.
Liam Godfrey’s Graham, the tardy actor, in a tender moment with Grace Scott’s Felicity in Summer Sonnets. Halina Jarosewska’s Maggie, the indispensable stage manager, looks on. Picture: John Saunders
Liam Godfrey, another of the debutants, captures the diffidence of tardy actor Graham (playing Captain Sutherland, from Anne Lister’s story) as he makes his reacquaintance with Felicity, his partner in pantomime cow, as Campbell brings another artform into play.
Emily Hansen’s Lavinia, the unflappable costume designer, and Halina Jarosewska’s Maggie, the indispensable stage manager, pop up regularly, in that quietly essential way that such theatre stalwarts do. Hansen’s delivery of Being Your Slave, What Should I Do But Tend suits Maggie perfectly.
The finale brings everyone together, Lister, Walker, et al, led by Froud’s good shepherd Rev Goode in Let Me Not To The Marriage Of True Minds, rounding out Campbell’s amusing caricature of the theatre world, celebration of love and abiding joy in Shakespeare’s sonnets.
York Shakespeare Project, Summer Sonnets, Holy Trinity Church, Goodramgate, York, until August 17, 6pm and 7.30pm nightly, plus 4.30pm on Saturday. Box office: 01904 623568 or yorktheatreroyal.co.uk/show/summer-sonnets/.
Tony Froud’s Reverend Goode, the “poptastic vicar and host”in Summer Sonnets, addressing the flock in the Holy Trinity churchyard. Picture: John Saunders
Coming next:
William Shakespeare’s The Two Gentlemen Of Verona, Theatre@41, Monkgate, York, October 22 to 26, 7.30pm plus 2.30pm Saturday matinee
AFTER “much deliberation, and too many wonderful people auditioning”, director Tempest Wisdom has picked York Shakespeare Project’s cast for The Two Gentlemen Of Verona.
In the company will be: Jodie Fletcher; Stuart Lindsay; Jamie Williams; Nick Patrick Jones; Thomas Jennings; Lily Geering; Anna Gallon; Liz Quinlan; Lara Stafford; Wilf Tomlinson; Effie Warboys; Mark Payton; Stuart Green; Jon Cook; Charlie Spencer; Pearl Mollison; Kay Maneerot; Celeste North Finocchi and Charlie Barras.
The first night, October 22, will be a preview performance (£10). Tickets for the rest of the week cost £15. Box office: tickets.41monkgate.co.uk.
Spreading her wings: Elle Wootton in The 13-Storey Treehouse at Grand Opera House, York. Picture: James D Morgan
SHAKESPEARE sonnets, a treehouse with bowling alley and sea monster, The Magpies’ music festival and a thrilling children’s workshop will keep the summer diary busy, advises Charles Hutchinson.
Family show of the week: The 13-Storey Treehouse, Grand Opera House, York, today and tomorrow, 1pm and 5pm
ADAPTED by Richard Tulloch (The Book Of Everything, Bananas In Pyjamas), this one-hour play for children aged six to 12 brings Andy Griffiths and Terry Denton’s story to stage life with a seriously funny cast and a treehouse replete with a bowling alley, a secret underground laboratory, self-making beds and a marshmallow machine.
Expect magical moments of theatrical wizardry and a truckload of imagination from the cast of Elle Wootton, Edwin Beats and Ryan Dulieu when Andy and Terry forget to write their debut play. Where will they find flying cats, a mermaid, a sea monster, an invasion of monkeys and a giant gorilla? Find out this weekend. Box office: atgtickets.com/york.
Maurice Crichton’s Callum, the director, and Alexandra Logan’s Lily, the upstart actress, exchange words in the dress rehearsal for York Shakespeare Project’s Summer Sonnets in the Holy Trinity churchyard, in Goodramgate, York. Picture: John Saunders
Wedding invitation of the week: York Shakespeare Project, Summer Sonnets, Holy Trinity churchyard, Goodramgate, York, today to August 17, except August 12, 6pm and 7.30pm plus 4.30pm today and next Saturday
AUDIENCES are invited to a secret wedding at Holy Trinity, where they will meet the church’s most famous couple – Anne “Gentleman Jack” Lister and Ann Walker – while enjoying a complimentary drink.
Linked by Josie Campbell’s script, York Shakespeare Project’s tenth anniversary selection of Shakespeare sonnets will be performed in character by Maurice Crichton; Marie-Louise Feeley; Liam Godfrey; Emily Hansen; Halina Jaroszewska; Alexandra Logan; Sally Mitcham; Grace Scott; Effie Warboys; Helen Wilson and director Tony Froud. Box office: 01904 623568 or yorktheatreroyal.co.uk/show/summer-sonnets/.
Lincoln Lightfoot: Taking part in the York River Art Market today
York’s answer to the Left Bank in Paris: York River Art Market, today and tomorrow; August 17 and 18, 10am to 5pm
ORGANISED by jewellery designer and York College art tutor Charlotte Dawson, York River Art Market sets out its stalls on the Dame Judi Dench Walk riverside for a ninth summer season. Up to 30 artists and makers per day will be exhibiting ceramics, jewellery, paintings, prints, photographs, clothing, candles, T-shirts, shaving products and more. Admission is free.
Castle Howard: “Silence” is golden in the Boar Garden tonight when DJs fill revellers’ headphones with Nineties’ dancefloor nuggets
Hush-hush event of the week: 90s’ Outdoor Silent Disco, Castle Howard, near Malton, today, 7pm to 10pm
CASTLE Howard’s Boar Garden plays host to some of Great Britain’s best 90s’ DJs, spinning pop, R&B and band favourites in a feel-good experience. Revellers can select from three different channels of music while wearing state-of-the-art LED headphones. sets. Valid photographic ID may be requested on entry to this strictly 18-plus event. Box office: eventbrite.co.uk/e/90s-silent-disco-at-castle-howard-tickets-846091200557.
Artist Peter Hicks in his studio, working on his Fountains Abbey and Studley Royal commission
Exhibition of the week: Peter Hicks, Fountains Abbey and Studley Royal Water Garden, near Ripon
PETER Hicks’s summer exhibition, Fountains Abbey & Studley Royal – A Landscape Painter’s Perspective, is being extended to September 15. On show are works painted in response to the John and William Aislabie-designed landscapes at Fountains during Hicks’s 2023 residency.
Commissioned by the National Trust, the Yorkshire landscape artist’s paintings, studies and sketchbooks are on display in Fountains Mill. Hicks specialises in abstract landscapes with acrylic washes on canvas and board, making his own benches and brush handles and using humble, accessible materials. Tickets: nationaltrust.org.uk/visit/yorkshire/fountains-abbey-and-studley-royal-water-garden.
The Magpies: Running their fourth music festival at Sutton Park, near York
Festival of the week: The Magpies Festival, Sutton Park, near York, today
RUN by transatlantic folk band The Magpies, The Magpies Festival is rooted in the trio’s native Yorkshire, where they first met. Now in its fourth year, the 2024 event will be headlined today by Sam Kelly & The Lost Boys at 10pm, preceded by Charm Of Finches, 12 noon, The Often Herd, 2pm, Jesca Hoop, 4pm, The Magpies, 6pm, and Nati (formerly known as Nati Dreddd), 8pm.
The poster for the Three Day Thriller workshop for children at Helmsley Arts Centre
Children’s activity of the week: The Three Day Thriller, Helmsley Arts Centre, August 12 to 14, 10am to 2pm. CANCELLED
BUCKLE up for this improvising and devising workshop for 11 to 16-year-olds, designed to look at different theatre and performance techniques to make a new story in the thriller genre. The focus will be on character, plot and staging to create excitement, mystery and suspense, keeping audiences on the edge of their seats. At the end of day three, the work explored will be shared with family and friends. Places on the £75 workshop can be booked on 01439 771700 or at helmsleyarts.co.uk.
Robert Gammon: Playing at Dementia Friendly Tea Concert at St Chad’s Church, York
Dementia Friendly Tea Concert: Robert Gammon, piano, St Chad’s Church, Campleshon Road, York, August 15, 2.30pm
PIANIST Robert Gammon returns to St Chad’s to perform Bach’s Prelude and Fugue in F sharp Minor from the Well Tempered Clavier Book 2, Schumann’s Kinderszenen and two Chopin Polonaises. As usual, 45 minutes of music will be followed by tea and homemade cakes in the church hall.
“This relaxed event is ideal for people who may not feel comfortable at a formal classical concert, so we do not mind if the audience wants to talk or move about,” says organiser Alison Gammon. Seating is unreserved; no admission charge, but donations are welcome.
Elkie Brooks: Heading out on her Long Farewell Tour. Leeds and York await. Picture: Neil Kirk
Gig announcement of the week: Elkie Brooks, Long Farewell Tour, Leeds City Varieties Music Hall, September 12; York Barbican, April 11 2025
AFTER 64 years of performing live, the “British queen of blues”, Elkie Brooks, is to undertake her Long Farewell Tour, visiting Leeds and York among 24 dates.
The Salford singer, 79, will perform such hits as Pearl’s A Singer, Lilac Wine, Fool (If You Think It’s Over), Sunshine After The Rain, No More The Fool and Don’t Cry Out Loud in a career-spanning show of blues, rock and jazz numbers that will showcase material from her forthcoming 21st studio album for the first time. Box office: elkiebrooks.com/elkie-brooks-tour-dates-2024; leedsheritagetheatres.com and yorkbarbican.co.uk.
In Focus: North York Moors Chamber Music Festival, August 11 to 24
North York Moors Chamber Music Festival curator Jamie Walton. Picture: Matthew Johnson
THE ground-breaking North York Moors Chamber Music Festival is returning for its 16th consecutive season after record audience figures last summer.
Running from August 11 to 24 with the title of Echos, the festival uses moorland churches and an acoustically treated venue in the grounds of Welburn Manor, attracting international artists, many of them committing to the entire fortnight by taking up residencies.
This summer, these musicians include violinist Alena Beava, Benjamin Baker and Charlotte Scott; pianists Vadym Kholodenko, Katya Apekisheva, Daniel Lebhardt and Leeds International Piano Competition prize-winner Ariel Lanyi; clarinettist Matthew Hunt and mezzo-soprano Anna Huntley, who originates from Yarm. The programme will feature a Young Artists Focus too.
The festival’s 14 afternoon and evening concerts will present music by Schubert, Rachmaninoff, Mozart, Schumann, Elgar, Debussy and Mendelssohn, together with thrilling 20th century classics.
Each concert will take the audience on a musical journey through the narrative of specific themes, in carefully curated, thought-provoking music that pushes the boundaries.
As well as Welburn Manor, concerts will take place at churches including St Michael’s, Coxwold; St Mary’s, Lastingham; St Hilda’s, Danby, and St Hedda’s, Egton Bridge.
Festival curator and cellist Jamie Walton says: “Expect to be stirred, thrilled and at times moved as we explore the phenomenon of influence, of cycles through the ages, musical shadows, and themes which echo the times. These concerts are intense for both the audiences and artists but often revelatory and transformative.
“There’s a palpable sense of common purpose and feeling between all those who are there participating in the experience, either on stage or as a listener. It’s a profoundly reassuring experience, and one which we all cherish.”
Who will be playing at North York Moors Chamber Music Festival
Violinist Alena Baeva performing at North York Moors Chamber Music Festival in 2023. Picture: Matthew Johnson
Violin: Alena Baeva; Benjamin Baker; Marike Kruup; Emma Parker; Victoria Sayles; Charlotte Scott; Bridget O’Donnell and Simmy Singh
Viola: Meghan Cassidy; Simone van der Giessen; Max Mandel; David Shaw
Cello: Rebecca Gilliver; Tim Posner; Jamie Walton and Deni Teo
Double bass: Misha Mullov-Abbado
Piano: Katya Apekisheva; Vadym Kholodenko; Joseph Havlat; Ariel Lanyi; Daniel Lebhardt
Clarinet: Matthew Hunt
Flute: Thomas Hancox and Silvija Scerbaviciute
Mezzo soprano: Anna Huntley
Plus: The Paddington Trio
North York Moors Chamber Music Festival: the programme
Charlotte Scott: Returning to North York Moors Chamber Music Festival in 2024. Picture: Matthew Johnson
August 11, 2pm, Passing Themes, Marquee, Welburn: Corelli – Violin sonata in D minor op 5 no 12 (‘La Folia’); Rachmaninoff – Variations on a Theme of Corelli op 42*; Dvořák – Piano trio no 4 in E minor op 90 (‘Dumky’)
August 12, 7pm, Tales From The Stage, Marquee, Welburn: Stravinsky – The Soldier’s Tale Suite; Poulenc – Sonata for violin and piano*; Debussy – Bilitis for flute and piano; Poulenc – L’Invitation au Chateau; Stravinsky – Divertimento (The Fairy’s Kiss Suite)
August 13, 2pm, Enlightenment, St Michael’s, Coxwold: Beethoven – String trio op 9 no 1 in G major; Weber – Clarinet quintet in B-flat major op 34
August 14, 7pm, Echoes and Embers, Marquee, Welburn: Dutilleux – Sonatine Myths; Simpson – Eleven Echoes of Autumn*; Szymanowski – Myths op 30; Simpson – An Essay of Love
August 15, 2pm, Landscape and Memory, St Mary’s, Lastingham : Dowland – Lachrymae Antiquae; Purcell – Chacony in G minor (arr. Britten); Adès – O Albion; Adès – Alchymia
August 16, 7pm, Towards The Edge, Marquee, Welburn: Shostakovich, Piano trio no 2 in E minor op 67*; Zarębski – Piano quintet; Liszt – La lugubre gondola II; Shostakovich – Piano trio no 2 in E minor op 67*; Zarębski – Piano quintet in G minor op 34
August 17, 7pm, Vienna!, Marquee, Welburn: Mozart – Sonata for violin and piano no 21 in E minor K304; Webern – Langsamer Satz; Schoenberg – Chamber Symphony no 1 op 9 (arr. Webern)*; Berg – Adagio for violin, clarinet and piano Schubert – Fantasy in C major for violin and piano D934
Pianist Daniel Lebhardt: A regular player at North York Moors Chamber Music Festival. Picture: Matthew Johnson
August 18, 2pm, Heading East, St Hilda’s, Danby: Kodály – Intermezzo for string trio; Dohnányi – Serenade in C for string trio op; Kodály – Duo sonata for violin and cello op 7
August 19, 7pm, Songs For The Earth, Marquee, Welburn: string quartet & double-bass
August 20, 7pm, La Belle Époque, Marquee, Welburn: Debussy – Violin sonata in G minor; Fauré – La Bonne Chanson op 61*; Chausson – Chanson perpétuelle op 37; Chausson – Concert for violin, piano and string quartet op 21
August 21, 7pm, A Wartime Story, Marquee, Welburn: Elgar – Sonata for violin and piano in E minor op 82*; Prokofiev – (War) Sonata for piano no 8 in b-flat major op 84; Ravel – Piano trio in A minor
August 22, 2pm, Jubilation, St Hedda’s, Egton Bridge: Brahms – String quintet no 2 in G major op 111; Mendelssohn – String octet in E flat major op 20
August 23, 7pm, Ghosts Of History, Marquee, Welburn: Beethoven – Piano trio op 70 no 1 in D major (‘Ghost’); Saariaho – Light and Matter; Matteis – Fantasia for violin in A minor*; Elgar – Piano quintet in A minor op 84
August 24, 2pm, A New Dawn, Marquee, Welburn; Schumann – Gesänge der Frühe op 133; Schubert – Adagio e Rondo Concertante D487*; Schumann – Piano quartet in E flat major op 47
* Interval follows
The North York Moors Chamber Music Festival stage at last summer’s event in the Welburn Abbey marquee. Picture: Matthew Johnson
More Things To Do in York and beyond “poo power” from August 17 onwards. Here’s Hutch’s List No 34, from The Press, York
DON’T poo-poo Ada Grey’s exhibition for children at Nunnington Hall, advises Charles Hutchinson, as he picks cultural highlights for the weeks ahead.
Wedding invitation of the week: York Shakespeare Project, Summer Sonnets, Holy Trinity churchyard, Goodramgate, York, August 17 at 4.30pm, 6pm and 7.30pm
AUDIENCES are invited to a secret wedding at Holy Trinity, where they will meet the church’s most famous couple – Anne “Gentleman Jack” Lister and Ann Walker – while enjoying a complimentary drink.
Linked by Josie Campbell’s script and theatrical characters, York Shakespeare Project’s tenth anniversary selection of Shakespeare sonnets is performed in character by Maurice Crichton; Marie-Louise Feeley; Liam Godfrey; Emily Hansen; Halina Jaroszewska; Alexandra Logan; Sally Mitcham; Grace Scott; Effie Warboys; Helen Wilson and director Tony Froud. Box office: 01904 623568 or yorktheatreroyal.co.uk/show/summer-sonnets/.
Mopping up: Marie-Louise Feeley’s Doreen and Helen Wilson’s Maureen, the church-cleaning double act in York Shakespeare Project’s Summer Sonnets. Picture: John Saunders
York’s answer to the Left Bank in Paris: York River Art Market, August 17 and 18, 10am to 5pm
YORK River Art Market sets out its stalls on the Dame Judi Dench Walk riverside for its third weekend this summer, featuring up to 30 artists and makers per day. Among today’s stallholders will be Bejojo Art, Jillie Lazenby, Woody’s Creations, Emily Littler, Happy Pot Mama, Magdalena Biernacka, Kissed Frog, I’ve Been Creative, Matt Lightfoot Photography, Inky Print Designs and Wood Wyrm.
Popping up tomorrow will be Urban Infill Store, Wild Orange Tree, Jo O’Cuinneagan, Rock and Twig Studio, David Lobley Photography, The Littlest Falcon, Feather Isle, Fei’s Crochet, Painter Merv, Stairwell Books, Ounce Of Style and plenty more. Look out for York singer-songwriter Heather Findlay on busking duty tomorrow. Admission is free.
Heather Findlay: Busking at August 17’s York River Art Market. Picture: Adam Kennedy
Exhibition of the week: Ada Grey, Splat! Patter! Plop!, Nunnington Hall, Nunnington, near York, until September 8
DIVE into a world where the “hilarity of poo” takes centre stage in this “unique children’s illustration exhibition like no other” by Ada Grey, creator of such picture books as Poo In The Zoo, Island Of Dinosaur Poo and Super Pooper Road Race.
Noted for the vibrant colours, lively characters and comical twists of her children’s tales, for the first time Grey is showcasing illustrations of such beloved characters as Bob McGrew and Hector Gloop in iconic moments from her favourite stories. Children have the chance to immerse themselves in Ada’s books, draw inspiration to create their own characters and proudly display their creations in the Poop-a-Doodle gallery. Grey will drop in on August 20 to run workshops for children from 11am to 4pm. Tickets and workshop bookings: nationaltrust.org.uk/visit/yorkshire/nunnington-hall/exhibitions.
Poo power: Illustrator and author Ada Grey’s exhibition at Nunnington Hall
Dance show of the week: Michael Flatley’s Lord Of The Dance, York Barbican, August 20 to 25, 7.45pm, plus Saturday matinee at 2.30pm
IN the words of Lord Of The Dance impresario Michael Flatley: “Our 2024 tour promises to be an extraordinary journey that will take audiences to the next level once again.
“In 2024, this extraordinary experience for fans will feature new staging, fresh choreography, new costumes, cutting-edge technology, and special effects lighting. It’s a celebration of a lifetime of standing ovations and we aim to leave the audience spellbound.” Box office: yorkbarbican.co.uk.
Lord Of The Dance: “Aiming to leave the audience spellbound” at York Barbican
York gig of the week: Please Please You & Brudenell presents Lanterns On The Lake, The Crescent, York, August 23, 7.30pm
FORMED on Tyneside in 2007, Lanterns On The Lake combine dreamy, melancholic indie rock with beautiful layers of texture and celestial melodies. Led by singer and songwriter Hazel Wilde, the 2020 Mercury Prize nominees have supplied soundtrack music to Conversations With Friends, Uncanny, Made In Chelsea, Skins and the video game Life Is Strange and recorded an orchestral live album with the Royal Northern Sinfonia.
Their latest album, June 2023’s Versions Of Us, is full of existential meditations, “examining life’s possibilities, facing the hand we’ve been dealt and the question of whether we can change our individual and collective destinies”. Box office: thecrescentyork.com/events/lanterns-on-the-lake.
Lanterns On The Lake’s Hazel Wilde, Paul Gregory, Bob Allan and Angela Chan: Playing The Crescent on their return to York
Another slice of MeatLoaf: MeatLoud – Bat Out Of Hades, Joseph Rowntree Theatre, York, August 24, 7.30pm
FOUNDED in 2015, this powerhouse tribute to MeatLoaf and songwriter Jim Steinman is fronted by vocalist Andy Plimmer, who is joined Sally Rivers to take on the guise of Bonnie Tyler, Celine Dion and Cher. The second half features a complete performance of the classic 1977 album Bat Out Of Hell. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
MeatLoud: Paying tribute to MeatLoaf and Jim Steinman at Joseph Rowntree Theatre
New season opener: Jake Vaadeland & The Sturgeon River Boys, Selby Town Hall, September 4, 7.30pm
SELBY Town Hall kicks off its autumn season with the debut visit of Jake Vaadeland & The Sturgeon River Boys, purveyors of bluegrass and rockabilly from Saskatchewan, Canada.
Selby Town Council arts officer Chris Jones enthuses: “I absolutely love these guys. It’s probably the show I’m most looking forward to in the second half of the year. At just 21 years old, Jake is terrifyingly talented. He and the band – dressed in authentic 1950s’ suits – make the most fantastically fun, upbeat, toe-tapping music, already gracing the main stages of festivals across North America.” Box office: 01757 708449 or selbytownhall.co.uk.
Jake Vaadeland & The Sturgeon River Boys: Making debut appearance at Selby Town Hall next month
Theatre chat: An Evening With Simon Russell Beale, York Theatre Royal, September 10, 7.30pm
WAS Shakespeare an instinctive “conservative” or, rather, gently subversive? How collaborative was he? Did he add a line to Hamlet to accommodate his ageing and increasingly chubby principal actor Richard Burbage? Did he suffer from insomnia and experience sexual jealousy?
In An Evening With Simon Russell Beale, in conversation with a special guest, the Olivier Award-winning actor will share his experiences of “approaching and living with some of Shakespeare’s most famous characters”, from his school-play days as Desdemona in Othello to title roles in Hamlet and Macbeth. Expect anecdotes of Sam Mendes, Nick Hytner, Stephen Sondheim and Lauren Bacall too. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Simon Russell Beale: Shakespeare actor, now starring as Ser Simon Strong in House Of The Dragon, will be in conversation at York Theatre Royal in September
“Think The Great Gatsby meets Sinatra At The Sands meets Back To The Future”:Postmodern Jukebox, Moonlight & Magic World Tour, York Barbican, May 7 2025
RETRO musical collective Postmodern Jukebox have announced the 34-date UK & Australia/New Zealand leg of next year’s Moonlight & Magic World Tour that includes a return to York Barbican.
“If we’ve learned anything from ten years of touring the world, it’s that great music has the ability to transcend time and space in a way that is best described as ‘magic,” says Postmodern Jukebox creator and show director Scott Bradlee, whose parallel musical universe reimagines pop hits in 1920s’ jazz, swing, doo-wop and Motown settings. Box office: yorkbarbican.co.uk.
Postmodern Jukebox: Retro musical collective head back to past triumphs at York Barbican
Shed Seven performing Throwaways with special guest Peter Doherty at York Museum Gardens on July 19. Picture: Barnaby Fairley
Step One: Night two of the Sheds’ 30th anniversary homecoming concerts, Live At York Museum Gardens, presented by Futuresound, on July 20
Set list: Let’s Go; Speakeasy; Where Have You Been Tonight?; High Hopes (with Duke Witter); Dolphin; Devil In Your Shoes; Tripping With You (with Laura McClure); Bully Boy (with Huntington School Choir); Ocean Pie; Parallel Lines; In Ecstasy (with Rowetta); On Standby; Going For Gold; Suspicious Minds; Talk Of The Town; Getting Better; Let’s Go Dancing.
Encores: Room In My House; Throwaways (with Peter Doherty); Disco Down; Chasing Rainbows (with choir, McClure, Rowetta and support acts Doherty, Brooke Combe and Apollo Junction).
CharlesHutchPress viewpoint: As central as a centre-spot, standing with a cluster of chanting York City fans, former manager Michael Morton (February-August 2023) at their core, and a bunch of Sheds-loving former University of York students, meeting up from all over the country for the first time since 1997.
Different set list? Out went She Left Me On Friday (they left it out on Saturday), People Will Talk and The Heroes. In came: Where Have You Been Tonight? and Parallel Lines.
Other differences?
*Shed Seven arrived on stage at 8.30pm rather than 8.40pm.
*Different members of Huntington School Choir sang Bully Boy.
*The Sheds’ friend Stuart Allan, guitarist and vocalist in York band Johnny And The Dunebugs, guested on guitar throughout the Sheds’ set, introduced by Rick Witter as “the fifth Beatle”.
The same on both nights:
*The show-opening recorded poetry reading of The Boys Are Coming Home – a hymn of praise to York’s “characters, cobbles and quirks” – by Matt Abbott, Wakefield poet, educator, activist and former frontman and lyricist of Skint & Demoralised. Commissioned by guitarist Paul Banks.
*Backing singers Mary Pearce and Beverly Skeete, as featured on the Shed Seven albums Instant Pleasures, A Matter Of Time and the upcoming Liquid Gold.
*Special guests Laura McClure, from Reverend And The Makers, Rowetta, from the Madchester Nineties’ scene, and The Libertines’ Peter Doherty, all reprising their contributions to the Sheds’ number one album, A Matter Of Time.
*Brass section of Tim Hurst, trombone; Andy Cox, saxophone; Jamie Brownfield, trumpet.
*The presence of a film crew, led off on Friday by the camera following Rick Witter from the Museum Street entrance, “walking towards the stage like a boxer entering the ring” (to quote Ste’s comment on CharlesHutchPress’s review of the first night.
Why filming?
“The idea of filming the weekend is trifold,” says Rick. “We wanted to make a video for the most recent Liquid Gold release, Getting Better, which came out on Monday evening (July 22). Worth a watch!
“We’re also releasing a ‘Live At Museum Gardens’ variant to coincide with the release of Liquid Gold on September 27. And then possibly we’ll release a DVD of the Museum Gardens gigs, along with all the promo vids from A Matter Of Time onwards and a small documentary about the Sheds. The year of the Sheds indeed.”
Final CharlesHutchPress thoughts: Loved Room In My House and Talk Of The Town becoming latter-day crowd favourites already. Rick’s “dad dancing” with son and Serotones singer Duke in High Hopes. The set – pre-encores – closing with Let’s Go Dancing’s a cappella coda, “Lonely words seek an empty page/Curtain call, time to leave the stage/ It’s time to stop…”.
Peter Doherty and his dapper chapeau – plonked briefly on Witter’s head – loving every minute, whether in Throwaways or the everything-plus-the-kitchen-sink Chasing Rainbows finale. The departing hordes still singing Chasing Rainbows as they crossed Lendal Bridge, homeward bound and euphoric.
Step two: New single Waiting For The Catch and new album Liquid Gold
Shed Seven with Issy Ferris, of Ferris & Sylvester, guest vocalist on Liquid Gold orchestral reworking of Waiting For The Catch. Picture: Andy Little
“HI MATE. Sorry just shooting a video to a new song. It’s all go.” So messaged Rick Witter, on July 22, explaining his delay in answering a handful of CharlesHutchPress questions.
That song is new single Waiting For The Catch, a duet with Issy Ferris, of UK folk/rock/Americana duo Ferris & Sylvester, who released their second album, Otherness, on March 1 on Arch Top Records.
Premiered on the Zoe Ball Breakfast Show on BBC Radio 2 on August 8, Waiting For The Catch is a new reworking of an Instant Pleasures bonus track from the York band’s career-spanning orchestral album Liquid Gold. Watch here: https://www.youtube.com/watch?v=_HKKvnD-tII.
“Waiting For The Catch fits perfectly alongside some of our biggest hits,” says Rick. “The song has the classic ‘Can’t live with you, can’t live without you’ sentiment and we felt making it a duet would fit perfectly with the lyrical theme.
“So we invited the amazing Issy Ferris to add her beautiful voice to the track, which gives it a yearning, but also vengeful energy. You want to hear Shed Seven arena-sized? No problem, it’s our pleasure.”
Liquid Gold’s orchestral reinventions were recorded in collaboration with arrangers Fiona Brice and Michael Rendall. Brice had worked previously with Liam Gallagher and Placebo, while Rendall had teamed up with the Sheds for 2017’s Top Ten comeback album Instant Pleasures and A Matter Of Time.
“This year we celebrate 30 years as recording artists and, after reminiscing about our career, we thought we’d celebrate the milestone by revisiting some key songs from our past,” says Rick.
“The idea being that if we cherry picked a hatful of songs and recorded them now, it would be a coherent stroll down memory lane but also sit sonically beside A Matter Of Time. A logical next step.”
Rick continues: “We see this record as a gateway into the world of Shed Seven. We also felt that adding an orchestra to each track would lend the whole project a unique slant. The songs have become widescreen, full of colour.
“The original recordings will always hold a special place in our hearts but re-recording the chosen songs was an exciting prospect for us. It’s a gift from the band to our loyal supporters and will hopefully introduce some golden moments throughout our career to a whole new audience. Enjoy, and here’s to the next 30 years!”
A signed copy of Liquid Gold: One of multiple formats of the new album
Set for release on Cooking Vinyl on September 27, Liquid Gold can be pre-ordered at shedsevenn.lnk.to/LiquidGoldPR, with formats ranging from signed copies and vinyl to CD and cassette versions.
The Sheds have just launched a new bootleg edition, each with artwork individually hand-stamped by the band, that adds three songs from their BBC Piano Room session, a live recording of Casino Girl, and remix of In Ecstasy.
That Piano Room session in May saw the Sheds perform Chasing Rainbows, Talk Of The Town and a cover of Duran Duran’s Planet Earth with the BBC Concert Orchestra at Maida Vale studios.
The album track listing will be: Getting Better; Speakeasy; Devil In Your Shoes; On Standby; Going For Gold; Waiting For The Catch (featuring Issy Ferris); Better Days; Parallel Lines; Disco Down; Ocean Pie; new composition All Roads Lead To You and Chasing Rainbows.
A special Live @Museum Gardens 2CD edition can be pre-ordered at store.shedseven.com/product/148214?password=LG-YORK-EM. Featuring a bonus disc of live tracks recorded at the two shows, it comes with alternative artwork to commemorate the occasion.
In the immediate aftermath of the Museum Gardens shindigs, the Sheds released a video of the Liquid Gold version of Getting Better, filmed on and off stage over the two days, capturing the band, special guests Peter Doherty, Rowetta and Laura McClure and Friday support acts The Lottery Winners and Serotones, Huntington School choir and audience members…and Witter riding through York on a bike.
Or, as Black Arts PR’s press release puts it: “The video is a joyous celebration of one of the biggest highlights of Shed Seven’scareer. It captures every moment of the day: fans getting the party underway as they arrive; Rick Witter strolling through the audience and posing for photos and pinching a sip of beer; clips of friends including Peter Doherty, Lottery Winners, Rowetta, Laura McClure and Serotones (featuring Rick’s son Duke) all relishing the occasion; and the band embracing before they step on stage. The most emotional moment is saved until the end – the band taking their final bows in front of a sea of adoration.”
Post-gigs, The Shedsposted on social media: “Watch to the end, you won’t be disappointed… you might even feature. Enjoy and thanks once again for making this weekend so special.” Watch here: https://www.youtube.com/watch?v=mnJnjir47QE.
Already, the Sheds had previewed the album by releasing two tasters, Speakeasy and Devil In Your Shoes. Pre-orders for Liquid Gold have exceeded the numbers reached with January’s A Matter Of Time. Could Shed Seven notch up two number one albums in a year? Roll on September 27.
Step Three: T-T-T-Talk Of The Town in multiple towns and cities, 50 shows in all
Shed Seven doing a record store promotion for A Matter Of Time at HMV York in January
AFTER in-store performances and personal appearances, including HMV York, to launch A Matter Of Time in January and the 30th anniversary homecoming celebrations at York Museum Gardens in July, the Shed Seven boys are back in town after town over the rest of 2024.
First up comes a guest spot on Blossoms’ bill at Live From Wythenshawe Park Presents: Blossoms, Inhaler & More @ Wythenshawe Park, Manchester on August 25, followed by BBC Radio 2 In The Park at Moor Park, Preston, on September 8.
Next will be in-store appearances promoting Liquid Gold from September 8 to October 16 and a sextet of gigs in October combining playing 1994 debut album Change Giver in full with a greatest hits set too.
In the traditional biennial Shedcember slot will be a 23-date 30th Anniversary Tour, the Sheds’ biggest-ever winter itinerary, joined by special guests The Sherlocks. Back home in time for Christmas, Rick Witter and Paul Banks will bring down the curtain on the Sheds’ annus mirabilis with a brace of special acoustic duo performances at Huntington Working Men’s Club. Sheds’ bassist Tom Gladwin will do a DJ set each night
AUGUST
25th: Manchester, Wythenshawe Park (guests to Blossoms)
SEPTEMBER
8th: Preston, BBC Radio 2 In The Park
27th: Manchester, HMV (1pm – SOLD OUT)
27th: Bury, Wax & Beans (6pm – SOLD OUT)
28th: Birmingham, HMV (1pm – SOLD OUT)
28th: Leamington Spa, Head Records (5pm – SOLD OUT)
29th: London, Rough Trade East (5pm – SOLD OUT)
29th: London, Rough Trade East (7pm – SOLD OUT)
30th – Southampton, Vinilo (1pm – SOLD OUT)
30th: Brighton, Resident (6.30pm – SOLD OUT)
OCTOBER
1st: Bristol, Rough Trade (12 noon – LOW TICKETS)
1st: Bristol, Rough Trade (5pm – SOLD OUT)
2nd: Nottingham, Rough Trade (midday – SOLD OUT)
2nd: Nottingham, Rough Trade (6pm – SOLD OUT)
3rd: Sheffield, Bear Tree Records (midday – SOLD OUT)
3rd: Liverpool, Jacaranda (7pm – SOLD OUT)
4th: Newcastle, Beyond Vinyl (6.30pm – SOLD OUT)
10th: Kingston-upon-Thames, Pryzm (Change Giver show, hosted by Banquet Records)
11th: Kingston-upon-Thames, Pryzm (Change Giver show, hosted by Banquet Records – SOLD OUT)
12th: Coventry, HMV Empire (Change Giver show)
16th: Edinburgh, Assai Records (midday – SOLD OUT)
16th: Glasgow, HMV (5pm – SOLD OUT)
17th: Glasgow, SWG3 (Change Giver show, hosted by Assai Records)
18th: Manchester, Academy 2 (Change Giver show, hosted by Crash Records – SOLD OUT)
19th: Leeds, Beckett Student Union (Change Giver show, hosted by Crash Records – SOLD OUT)
Party time: Shed Seven’s Rob ‘Maxi’ Maxfield, left, Paul Banks, Rick Witter, Tom Gladwin and Tim Wills celebrate 30th anniversary on November and December tour
NOVEMBER – 30th ANNIVERSARY HEADLINE TOUR
14th: Sheffield Octagon (SOLD OUT)
15th: Cardiff University, Great Hall
16th: Liverpool University, Mountford Hall (LOW TICKETS)
18th: Halifax, Victoria Theatre (LOW TICKETS)
19th: Hull City Hall
21st: Aberdeen Music Hall (SOLD OUT)
22nd: Glasgow, O2 Academy (SOLD OUT)
23rd: Edinburgh, O2 Academy (LOW TICKETS)
25th: Leicester, O2 Academy (LOW TICKETS)
26th: Margate Dreamland
28th: Bristol O2 Academy (SOLD OUT)
29th: Newcastle O2 City Hall (LOW TICKETS)
30th: Leeds O2 Academy (SOLD OUT)
DECEMBER – 30th ANNIVERSARY HEADLINE TOUR
2nd: Oxford O2 Academy (SOLD OUT)
3rd: Lincoln Engine Shed (LOW TICKETS)
5th: Stockton Globe
6th: Manchester O2 Victoria Warehouse (SOLD OUT)
7th: Birmingham O2 Academy (SOLD OUT)
9th: Norwich, The Nick Rayns LCR, University of East Anglia (SOLD OUT)
10th: Cambridge Corn Exchange (LOW TICKETS)
12th: Bournemouth O2 Academy (LOW TICKETS)
13th: Nottingham Rock City (SOLD OUT)
14th: London O2 Academy Brixton (SOLD OUT)
DECEMBER – RICK WITTER & PAUL BANKS INTIMATE ACOUSTIC SHOWS
21st: York, Huntington Working Men’s Club (SOLD OUT)
22nd: York, Huntington Working Men’s Club (SOLD OUT)
Any remaining tickets are on sale via shedseven.com at https://gigst.rs/SS24.
Paul Banks and Rick Witter: Concluding Shed Seven’s 30th anniversary celebrations on home turf at Huntington Working Men’s Club on December 21 and 22. Picture: David Harrison
Barney Taylor’s Andy, front left, and Hannah Woodward’s Gloria lead the cheers in Brassed Off. Picture: Pamela Raith
YORK filmmaker Mark Herman’s 1996 colliery band drama Brassed Off was first turned into a stage play with music by Paul Allen at Sheffield Crucible in 1998.
Bridlington-born Herman and Alan Ayckbourn biographer and “failed trombonist” Allen were both in the audience for Tuesday’s Scarborough press night for Liz Stevenson’s co-production for Theatre by the Lake, Keswick, the Stepehen Joseph Theatre and the Bolton Octagon Theatre.
Like the Crucible, all three are theatres in the round, an intimate 360-degree seating configuration that engenders and enhances the intense sense of community that Herman and in turn Allen extol.
“Since the first performances in 1998 it has become more and more of a memory play,” writes Allen in his programme notes before adding: “It always was (the pits had nearly all closed or been scheduled for closure by then) but I don’t think I thought of it that way at the time.”
Stevenson’s 2024 production – 40 years after the cataclysmic Miners’ Strike and 30 after the 1994 setting of Herman’s film – is very much a memory play, still narrated by Phil’s son, Shane, but now the 38-year-old, enervated adult Shane (Andrew Turner), who goes on to play his idealistic eight-year-old self.
In trim white shirt and dark trousers, he matches the look of the Narrator in Willy Russell’s Blood Brothers, but whereas Russell’s character is all-knowing and menacing, Shane is wistful and still seeking answers: answers that tellingly are not forthcoming as hope withers on the vine.
Allen’s notes predict “no obvious collective future in the age of the internet”, but he does say ‘we are a community, in the theatre or the concert hall, just as a band or company of actors have that sense of community’. That sentiment is all the more pertinent in an age when the arts have been subject to funding cuts and a curriculum cull at schools at universities, just as the mining industry was crushed under the Tory boot in the 1980s and ’90s.
Director Stevenson was adamant Brassed Off in 2024 should not be a “nostalgia festival”, and it most definitely isn’t, even if brass band music always evokes the past, like the first whiff of Bisto. A memory play, yes, but one fuelled by bad memories, as much as by a beleaguered community pulling together, their northern humour and jesting, jousting banter defiant to the last in a play suffused with raw wounds, pathos and pride.
And the band played on: A rousing moment in miners’ lamps in Brassed Off. Picture: Pamela Raith
Simon Kenny’s set design could not be starker: a coal-black floor and a spoil heap on a curve, with a pile of coal at each end, to contrast with the canary-yellow crate seating, brought on and off stage by Stevenson’s cast, and the glint of the brass instruments.
The plot, should you need a refresher course, finds the mining community of Grimley, Yorkshire, fighting to keep the colliery open ten years after the Miners’ Strike. Widowed band leader Danny (Russell Richardson) is fighting too, both against ill health and to keep his dispirited band of brass-playing miners together, when his dream of qualifying for the national championships is countered by the spectre of a vote to decide the miners and the mine’s future.
We meet couples under stultifying pressure: Danny’s son, trombone player and hapless clown Phil (Joey Hickman) and wife Sandra (Daneka Etchells), struggling with debts and a new-born fourth child; veteran miners and band members Jim (Greg Patmore) and Harry (Matt Ian Kelly) and their exasperated wives Vera (Joanna Holden) and Rita (Maxine Finch).
Then comes the re-kindling of a school-day crush as Gloria (Hannah Woodward) returns to Grimley, to work on a research project and add her flugelhorn to the band, while stirring old feelings in local lothario Shane (Andrew Turner). A Montague-Capulet division plays out in their latter-day Romeo & Juliet wooing, but with Yorkshire frankness.
To quote Allen again: “Sharing a room, however briefly, and sharing an emotional roller-coaster, we are something more than our individual selves for a few hours but also utterly ourselves. Which is rather glorious.”
How right he is, and that sense of community striving to survive beyond the dying of the mining age is all the stronger for the band playing on. Here that band combines five actor-musicians from the cast (Hickman, Patmore, Kelly, Taylor and Woodward) with a pool of community musicians (including Kate Lock, from York) that changes from show to show.
Matthew Malone’s arrangements are a joy, bringing cheers and tears alike. So do Stevenson’s cast, especially Richardson’s stoical Danny, Hickman’s desperate Phil, Etchells’ despairing Sandra and the sparky sparring of Taylor’s Andy and Woodward’s Gloria.
Brassed Off: still angry, still moving, still as resilient and resonant as ever. Top brass, top class, you might say, as the standing ovation testifies.
Stephen Joseph Theatre, Scarborough, Theatre by the Lake, Keswick, and Octagon Theatre, Bolton present Brassed Off, Stephen Joseph Theatre, Scarborough, until August 31, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees. Box office: 01723 370541 or sjt.uk.com.
