Roger Taylor: New lockdown album, new tour, in the year of the Outsider
QUEEN legend Roger Taylor will play York Barbican on October 5 as the only Yorkshire show of his “modest” 14-date Outsider tour this autumn.
In a “surprise announcement” today, rock drummer Taylor, 71, confirmed he would be on the road from October 2 to 22.
“This is my modest tour,” he says. “I just want it to be lots of fun, very good musically, and I want everybody to enjoy it. I’m really looking forward to it. Will I be playing Queen songs too? Absolutely!”
Taylor’s solo travels will combine new material from his October 1 lockdown album, Outsider, with solo material down the years and an “enthusiastic foray” into the Queen back catalogue.
Taylor made: Queen drummer Roger Taylor’s lockdown solo album, Outsider, set for release on October 1
Prompted by the pandemic pressing the pause button on Queen + Adam Lambert’s UK and European tour until 2022, Taylor has decided to give his first live performances outside Queen in more than two decades.
This autumn’s intimate concerts will “showcase his distinctive percussive, vocal and songwriting talents that have been integral to Queen’s live and recorded output since 1970”.
Taylor penned such Queen favourites as A Kind of Magic, Radio Ga Ga, I’m In Love With My Car, Sheer Heart Attack and These Are the Days of Our Lives, complemented by five albums under the name of Roger Meddows Taylor: Fun In Space, 1981; Strange Frontier, 1984; Happiness, 1994; Electric Fire, 1998, and Fun On Earth, 2013.
He also made three albums with the band The Cross, releasing Shove It in 1988, Mad, Bad And Dangerous To Know in 1990 and Blue Rock in 1991.
Drum role: Roger Taylor in familiar mode
Over the past decade, Taylor has recorded the occasional solo number, reflecting on his worldview and observations in such songs Journey’s End, Gangsters Are Running and, last year, the aptly named Isolation, written in response to the first lockdown.
Now comes Outsider, the multi-instrumentalist’s first studio set of new material since 2013’s Fun On Earth, much of it penned and recorded during lockdown in a reflective mood. Conveying a sense of seclusion and concern over the passing of time, tellingly he dedicates the album to “all the outsiders, those who feel left on the sidelines”.
Giving the inside track on recording Outsider in the wake of Isolation, Taylor says: “I’ve had a bit of a creative spurt and suddenly found myself with an album, which was lovely. It was a surprise! I just found myself in the studio and they came out one after the other. It was a pleasure really.”
Under lockdown conditions, a highly personal project evolved, wherein Outsider’s instrumentation was performed almost entirely by Taylor, with his largely restrained vocals matching the predominantly contemplative ambience, although he did cut loose for a burst of hard-riffing blues-rock and an adrenaline-fuelled re-tread of a classic 1965 novelty song. Wait and see which one, when Outsider surfaces on October 1 on Universal.
Tickets go on pre-sale from 10am on June 8 at shop.emi.com/rogertaylor/.
CANADIAN rocker Bryan Adams is moving his entire ten-date UK outdoor tour from 2021 to the Summer of ’22.
Next year, he will play Scarborough Open Air Theatre on July 1 and Harewood House, near Leeds, on July 10. Tickets remain valid for the new shows.
Adams, 61, will be making his second appearance at the Scarborough arena after his sold-out debut on August 8 2016. Once more, he will do Run To You, Cuts Like A Knife, Summer Of ’69, I Do It For You et al for you.
Prompted by Cuffe and Taylor, this summer’s Scarborough OAT programme bears a much-changed look, with some shows moving to later in the summer, others being put back to 2022, and late additions at the back end of the 2021 season too.
Boy George and Culture Club: Playing Scarborough Open Air Theatre on August 14
For this year’s diary, UB40 featuring Ali Campbell and Astro, have switched from June 19 to August 28; Snow Patrol, from July 3 to September 10; Duran Duran, from July 7 to September 17; Keane, from July 9 to August 21; Olly Murs, July 10 to August 27, and Kaiser Chiefs, July 11 to August 8.
Westlife’s sold-out show retains its August 17 date; likewise, Nile Rodgers & Chic stick with August 20.
Crowded House, the Australian band re-formed by New Zealander Neil Finn, move from June 8 2021 to June 11 2022; Lionel Richie, from June 12 2021 to July 2 next summer; Ru Paul’s Drag Race: Werq The World, from June 20 to May 29; Lewis Capaldi, from July 25 to July 7. The Beach Boys’ June 20 concert this summer is yet to be rearranged.
Additions to the 2021 calendar are: Stereophonics, July 28; Culture Club, August 14; Anne-Marie, August 2, and James, September 9.
Tickets are on sale at: scarboroughopenairtheatre.com.
Knight’s move: Emilie Knight will direct York Shakespeare Project’s Sonnets At The Bar after playing Covid Nurse in Sit-down Sonnets at Holy Trinity Church last September. Picture: John Saunders
YORK Shakespeare Project has a not-so-secret new location for its latest sonnet adventures, the secret garden of the Bar Convent Living Heritage Centre, in Blossom Street, York.
After several years of Sonnet Walks through the city streets and public gardens and the socially distanced Sit-down Sonnets at Holy Trinity churchyard, in Goodramgate, last September, here come Sonnets At the Bar 2021, directed by Emilie Knight and produced by Maurice Crichton, from July 30 to August 7.
“Emilie Knight and I have struck up a good working relationship at the Bar Convent with James Foster, the chief operations officer,” says Maurice. “They have a lovely ‘secret’ garden with plenty of room and a surprisingly quiet, voice-friendly acoustic for a space so close to one of the busiest road junctions in the city.”
Looking forward to mounting this summer’s spree of Shakespeare sonnets, Maurice enthuses: “York Shakespeare Project wants to involve people in a close engagement with Shakespeare’s writing, and as Jonathan Bate says in every Royal Shakespeare Company edition of the plays: ‘The best way to understand a Shakespeare play is to see it or ideally to participate in it’.
“Emilie is setting up auditions ‘open to all’ and we want to get the word out as widely as possible to try to involve some new faces in this format.”
The “secret” garden at the Bar Convent Living Heritage Centre in York: the August venue for York Shakespeare Project’s Sonnets At The Bar 2021
Those auditions will be held at the Bar Convent onJune 4 from 5pm and June 5 from 10am. Anyone wanting to arrange an audition time should contact Emilie at emknight65@aol.com, putting ‘Sonnets’ in the heading and indicating a preference of day and time.
“I’ll provide details of everything you need to prepare when confirming your audition time,” says Emilie, who performed in last year’s Sit-down Sonnets in role of Covid Nurse at Holy Trinity Church.
Outlining the format of this summer’s performances, she explains: “We’ll be bringing our audience into the secret garden of the Bar Convent to witness the comings and goings of the ordinary people of York as they pursue their hobbies and interests at a community venue.
“The characters cover a range of age and gender and a couple also require some musical ability (instrument or vocal). We welcome all levels of experience, as commitment, enthusiasm and a certain amount of flexibility will determine the success of this production. And, we want you to have fun!”
Rehearsals will be held outdoors, initially in West Bank Park, Holgate, and then at the Bar Convent.
The eight evening performances from July 30 to August 7 – no show on Monday, August 2 – will be complemented by late-afternoon matinees on both Saturdays. “We’re going to include a drink in the ticket price and this will be provided by the heritage centre’s café,” says Maurice.
“‘The best way to understand a Shakespeare play is to see it or ideally to participate in it,” says Maurice Crichton, producer of York Shakespeare Project’s Sonnets At The Bar 2021
Raqhael Harte’s Mary with the infant Jesus in York Mystery Plays Supporters Trust’s production of A Nativity For York in December 2019 at the Spurriergate Centre, York. Picture: John Saunders
A RESURRECTION For York will undergo its own resurrection this summer after Covid-19 put the kibosh on the original theatre production.
Plans for the play had to be put on hold earlier this year under pandemic restrictions, but partners York Mystery Plays Supporters Trust, York Festival Trust and York Minster have settled on new performance dates of July 3 and 4.
Directed by Philip Parr, artistic director of Parrabbola, the show’s format will be retained: one hour long, staged outdoors, on two static wagons.
The location will be the Residents Gardens, at Minster Library, Dean’s Park, alongside York Minster, where the limited audience size for each day’s 11am, 2pm and 4pm performances will be governed by the prevailing social-distancing guidelines.
Linda Terry, chair of York Mystery Plays Supporters Trust, says: “With our partners, we have been working hard to bring back live theatre to the city after such a difficult time. The York Mystery Plays have survived past plagues; we wanted to play our part in a new beginning, creating an optimistic and safe event, bringing people together in a vividly imagined drama from York’s literary and cultural inheritance.”
York Festival Trust director Roger Lee is equally enthusiastic: “With arts and culture among the last areas of our lives allowed to return, York Festival Trust is delighted to be part of this project to bring York Mystery Plays back to the city this summer and to support the rebirth of live performing arts,” he says.
The Dean of York, the Right Reverend Dr Jonathan Frost, is “delighted that after the lockdown we have all experienced, events crucial to the life and story of York are beginning to happen again”.
“The theme for the York Mystery Plays this year is resurrection,” he says. “It would be hard to think of a more appropriate focus for a society, community and city coming back to life after a torrid journey. I do hope everyone will find time to enjoy the Mystery Plays.”
Since his appointment as director in March, Parr has been working on the new script with Tom Straszewski, director of the 2018 wagon production of the York Mystery Plays, and auditioning a community cast.
Previously, Parr directed York Mystery Plays Supporters Trust’s production of A Nativity For York at the Spurriergate Centre, York, in December 2019.
Tickets for A Resurrection For York are on sale at ticketsource.co.uk/whats-on/york/residents-garden-deans-park/a-resurrection-for-york/
Paul Moss: Bringing out the Johnny Vegas in Romeo in The HandleBards’ Romeo & Juliet. All pictures: Rah Petherbridge
NORMALLY the perma-cycling HandleBards would ride into York as part of a tour de Britain devoted to shaking up Shakespeare.
No sign of an eco-friendly cast pedalling away furiously on the Theatre Royal stage this spring; instead, company founders Paul Moss and Tom Dixon and partner in chaotic irreverence Lucy Green had headed north by train for this one-stop trip into Step 3 Blighty with their “bonkers and unhinged” Romeo & Juliet after 50 dates last year betwixt lockdowns.
They travelled lightly, judging by a set design confined to a clothes rail with rainbow-striped curtaining and bunting to either side. As for props, cycling paraphernalia was to the fore: bells to signify Usain Bolt-fast scene and costume changes; bicycle pumps for killing weaponry and a bike back light for, well, a light, of course.
Pulling faces: Lucy Green as Juliet, teenage tantrums and all, in The HandleBards’ Romeo & Juliet
If you are thinking by now that The HandleBards must be biting their thumb at the teenage rampage of a Shakespeare tragedy, rather than taking it seriously, you would be right. Moss and Dixon were dressed for a Boy’s Own adventure in shorts and long socks, as if awaiting instruction from Baden-Powell; Green was the one who wore the trousers.
Directed by Nel Crouch, they neither kissed by the book, nor did anything by the book, brazenly removing theatre’s fourth wall in the cause of comedy as Moss announced he would be playing Romeo, a perma-drink-in-the-hand Lady Capulet and a little part of Friar John; Green, Juliet obvs, fiery Tybalt, Lord Montague and the other part of Friar John.
And Dixon? Everyone else, from a bewigged, woefully weak-as-his-letter ‘R’ Duke to a Scouse Mercutio; a Rowlandson round-bottomed Nurse to a perpetually on-the-hoof Friar Lawrence.
Mercutio is usually the witty-tongued loose cannon in R&J; so much so, the story goes, that Shakespeare served him his early P45 for scene-stealing. Here, however, we had the Queen Mab speech and “A plague on both your houses” and otherwise a back seat for Mercutio as the humour was spread all around him.
Romeo (Paul Moss), Juliet (Lucy Green) and pretty much everyone else (Tom Dixon)
Moss’s Romeo, in his back-to-front baseball cap, had the hang-dog air of young Johnny Vegas; Green’s Juliet stamped her foot like the teenager she was supposed to be, yet could suddenly find the beauty of her soliloquies before more giggles and teen awkwardness in her first encounters with Romeo on dancefloor and balcony alike.
Props were characters in their own right, whether the balcony worn by Juliet or the explosions of red ribbons to signify each death. Even Juliet’s sleeping potion tasted “like strawberry” and Romeo’s bottle of poison, “not bad actually”.
Socially distanced audience involvement came in the form of direct address to Chris in the front row, a good sport throughout amid such mischief and merry music-making. For never was a story of less woe than this particular Juliet and her Romeo. It would have been a tragedy to have missed out.
Town Crier Ben Fry, the Lord Mayor and Lady Mayoress of York, Councillor Chris and Joy Cullen, and York Central MP Rachael Maskell at today’s opening ceremony. Picture: Lisa Stonehouse
YORK Spring Fair & Food Festival opened this morning in the Clocktower Enclosure at York Racecourse, Knavesmire, York.
The ribbon was cut by the new Lord Mayor of York, Councillor Chris Cullwick, his first of no doubt many event-opening ceremonies since taking up his office yesterday.
Town Crier Ben Fry heralded the occasion and York Central MP Rachael Maskell was in attendance too to mark English Tourism Week.
Running over the Spring Bank Holiday weekend and through the half-term break to June 6, York Spring Fair & Food Festival is the first major outdoor event to be held in York since the easing of Covid restrictions under Step 3 on May 17.
It represents the first outing this year for York funfair operators Coopers Marquees and for many of the food and drink traders.
The event is one of the largest vintage funfairs to be mounted in the north of England for many years, comprising nine adult rides (although many are suitable for all ages),four children-specific rides and five game stalls with prizes every time.
The traction engine and Gavioli organ have not been out for almost two years, unable to turn out at any events last year, and ordinarily they would have attended fairs during the spring but have had many cancellations once more.
The traction engine was driven in under steam to open the event, with a competition winner, Connor Witty, and his grandfather, Roy Barber, aboard after the family had to shield during the pandemic.
Competition winner Connor Witty and grandfather Ray Barber on the traction engine at the inaugural York Spring Fair & Food Festival at York Racecourse. Picture: Lisa Stonehouse
For vintage funfair enthusiasts, several unique or rare restored rides are on site:
* The 1936 ‘Ark’ Speedway, one of only four working models in Britain;
* Hush Hush, the Monorail train, the oldest ride dating from 1933 and the largest of its kind, featuring 11 local stations on the old LNER line;
* The 1947 Muffin The Mule Autodrome, the last remaining ride of its ilk, still with its original Edwin Hall artwork;
* The 1937 Brooklands Dodgems, one of a very small number of speedway tracks themed on the famous Brooklands motor-racing circuit, featuring rare original artwork.
York Spring Fair & Food Festival has employed many people, their first job in the events industry for many months, and at long last it represents an opportunity to interact with the public.
This outdoor fair and festival is a Covid-compliant event for all ages, where the organisers are following all prevailing Government guidance on Covid-19: signage to remind visitors of one-metre social distancing; hand sanitisers at the entrance and funfair rides and stalls; regular cleaning of rides, stalls and picnic tables and visitors being advised to wear face coverings on funfair rides.
Two family-owned York companies, Cooper Marquees and Jamboree Entertainment, have joined forces to create this event, combining the vintage funfair and a food festival showcasing 40 artisan food and drink producers’ stalls from Yorkshire and beyond.
Connor Witty on a funfair ride at the York Spring Fair & Food Festival. Picture: Lisa Stonehouse
Co-producer Johnny Cooper, chief executive officer of Coopers Marquees, says: “It’s exciting to be able to put together a vintage funfair on a scale that hasn’t been seen in York for decades.
“The rides are visually stunning with artwork going back almost 90 years. There will be rides and game stalls for all ages, so it’s a great opportunity to get out and have fun in a Covid 19-compliant environment.”
Fellow co-producer James Cundall, CEO of Jamboree Entertainment, says: “As we emerge from the restrictions imposed by the Covid-19 lockdown, we are thrilled to be staging one of the first events in Yorkshire that will place the very best Yorkshire products before an audience hungry for an exciting day out.”
Coopers Marquees was established in the 1990s and is now Britain’s tenth-largest marquee company, supplying structures to events large and small, such as food festivals.
Jamboree Entertainment brings 25 years of experience in producing live entertainment worldwide, and closer to home runs the Winter Wonderland ice rink and funfair, the upcoming season of Sounds In The Grounds concerts and the Great Ryedale Maze at Sherburn.
The York Spring Fair & Food Festival is open daily from 10am to 6pm; admission is £3 for adults; children aged 12 and under, free. This excludes rides and game stalls, priced at £3 per person.
From each admission charge, £1 will be donated to the New Building Fund of Ryedale Special Families, a charity that supports families with disabled children and young people.
Tickets are on sale at: ticketsource.co.uk/yorkspringfair. Booking in advance is recommended as numbers will be restricted under the Covid regulations. If unsold, tickets can be bought at the gate.
Quiet Birch Wood, mixed media, by Janine Baldwin at Blue Tree Gallery, York
SUMMER Eclectic marks the reopening of Blue Tree Gallery, in Bootham, York, in an exhibition running until July 3.
“It’s good to see York open again for all to visit and enjoy, as we help to keep York culturally alive, safe and well,” say Gordon and Marisa Giarchi and their gallery team. “We’ll be open to the public with this show and it’s available online.”
On view are original paintings by Yorkshire artists Janine Baldwin Colin Cook, Deborah Grice and Karen Turner.
Leeds-born Janine Baldwin has settled into Scarborough. “Living on the North Yorkshire coast, I’m surrounded by beautiful moors, woodland and coastline,” she says. “These natural environments are a constant inspiration, and sketches made directly in the landscape form the basis of my studio work.”
Favouring a focus on mark-making and texture, she uses layers of charcoal, pastel and graphite to create her artworks gradually, influenced by Joan Eardley, Cy Twombly and Abstract Expressionism.
Morning Light Over Westerdale, acrylic on canvas, by Colin Cook
“I’m passionate about the conservation of our landscape and since 2006 I have been a conservation volunteer for the North York Moors National Park, working on projects such as tree planting and butterfly habitat management,” says Janine. “These projects have allowed a deeper understanding of the landscape, in turn enriching the artwork I create.”
Colin Cook lives and works near Whitby. “Originally I come from west London and lived in the south of England until moving to the north east to teach photography, digital imaging, drawing and painting in a further education college in 1989,” he says.
Colin had studied fine art at Isleworth Polytechnic and a degree in painting at Maidstone College of Art, graduating in 1979. He began exhibiting in 1987 at Gunnersbury Park Museum in west London, going on to be selected for the 10th Cleveland International Drawing Biennale at the Cleveland Gallery, Middlesbrough, and the BP Young European Artists exhibition of Works On Paper at the Barbican Concourse Gallery, London, in 1992.
Then, after many years of teaching, he began exhibiting again five years ago. The inspiration for his subject matter is drawn from the north-eastern coast and moors and the Lake District. “My paintings are representational, based on observation of the constantly changing and intriguing light,” says Colin
“My paintings are metaphysical in nature, representing vastness and ‘otherness’,” says Deborah Grice
“Most of my paintings are about creating an atmosphere through dramatic light and bold mark making. Compositional tension is important and hopefully created by the careful arrangement of the different pictorial elements: colour, texture, light, etc.”
His paintings are reliant on careful under-drawing to make the structure for the looser brush marks to sit on. The strongest shapes are worked in with large brushes and the smaller areas of specific focus are developed later.
“I prefer to work with acrylic paints and enjoy the flexibility that working with a water-based medium gives. Sometimes the paint is heavily impastoed and on other occasions it is built up in layers or glazes. Acrylic allows for a certain immediacy as it dries fairly quickly.”
Born in East Yorkshire, not far from the Yorkshire Wolds, Deborah Grice is a graduate of Glasgow School of Art and the Royal College of Art, London.
Resolution III, oil and gold on canvas, by Deborah Grice
“I paint wild landscapes and weather,” she says. “My paintings are metaphysical in nature, representing vastness and ‘otherness’. Although my oil paintings can be thought of as traditional in manner, with the introduction of geometric lines, I feel my work is forward looking, relevant and timely.”
Deborah began applying geometrical lines as a visual device in 2008 after gaining her private pilot’s licence. “Through the use of navigational charts for my cross-country flights, I became interested in making the invisible visible,” she says.
“After a decade of assimilating ideas and thoughts, the lines have also begun to allude to aspects of ‘vision’: perception, meditation, escapism and the physicality of looking.”
Easingwold artist and documentary photographer Karen Turner responds to land and sea, city and village.
A Blowy Day In Scarborough, mixed media, by Karen Turner
“Living in the wonderful county of Yorkshire, I’m passionate about our beautiful countryside, rugged coastline, historic cities and working fishing villages,” she says. “They all have their own individual charm and give endless inspiration to an artist.
“I’ve always been drawn to the sea and love to paint it with the fluid, often unpredictable qualities of watercolour and inks on paper. I also enjoy creating using big brushes and the colourful opaque effects of acrylic paint on canvas, capturing marine life and other animals.”
Exploring with colour and bold mark making, Karen works in a semi-abstract, naive style, capturing the landscape, wildlife and other aspects of the inspirational natural world. “I love to create art that makes people smile, adding a splash of colour and brightness to everyday life,” she says.
Blue Tree Galllery, York, is open on Tuesdays, Thursdays and Saturdays from 11am to 5pm, as well as online at bluetreegallery.co.uk.
On the move: New date for Chris McCausland’s Speaky Blinder show at Selby Town Hall
CHRIS McCausland is moving his Speaky Blinder show at Selby Town Hall for a second time.
Booked originally for November 14 2020, it was switched first to April 24 2021 but Lockdown 3 put paid to that gig too. Now, third time lucky, McCausland will play Selby on April 16 2022 as part of a 36-date tour.
“He’s blind. He’s a dad. He’s a husband. He’s third in command,” says his tour publicity. “He’ll ‘speaky’ about all of that, plus loads more nonsense in between.
“Chris McCausland is heading back out on tour, but don’t worry, he’s got somebody else doing the driving.”
McCausland has made his mark on such shows as Would I Lie To You?, Have I Got News For You, Live At The Apollo and 8 Out Of 10 Cats Does Countdown.
“I’ve barely been more than a mile from my house since March 2020,” says McCausland. “So this national tour will now feel like the biggest adventure ever undertaken by a human being since Captain Scott set off to reach the South Pole.
“I can’t wait, though, and I don’t think my wife can wait for me to have a reason to leave the house either. It’s a stand-up show. I don’t sing or dance, I talk into a microphone and we all have a good night – and my wife gets some much-needed respite.”
In Speaky Blinder, McCausland promises humorous tales of the marathon birth from hell that he and his wife thought would never end; their experience of having to pay actual money to an eccentric lactation consultant (yes, that is a real job), and the central-heating battles that arise when a pasty white Scouser is married to a hot-blooded Brazilian woman.
McCausland’s stand-up show also will give an insight into life and parenthood in the dark, from his inevitable shortcomings as a husband who cannot do his share of the driving, to the farce of playing Hide and Seek when you can neither see where to hide nor locate where to seek.
Tickets remain valid for the revised 8pm show; further tickets are still available at £14 at selbytownhall.co.uk.
“I feel over-excited! I cannot wait! Get me on that stage!” says Ian Stroughair/Velma Celli ahead of Saturday’s Love Is Love: A Brief History Of Drag show at York Theatre Royal. Picture: Kirkpatrick Photography
YORK musical actor Ian Stroughair will return to the York Theatre Royal stage for the first time in 24 years on Saturday, in the guise of his cabaret alter ego, drag diva deluxe Velma Celli.
“I last performed there in Kes, appearing in the ensemble, and sadly I’ve never been back,” says Ian, 38, who has settled back into his home city since Lockdown 1, leaving London behind.
“I’ve tried to do shows at the Theatre Royal but it’s never happened, so it’s great to be back now. I love what Tom [chief executive Tom Bird] is doing there.”
Love is the drag for Ian this weekend when Velma Cella takes part in the Theatre Royal’s spring-reawakening Love Season, performing one of Velma’s regular shows, re-titled Love Is Love: A Brief Of History Of Drag specially for the 8pm occasion.
Ian has taken A Brief History Of Drag to New York and Australia and on a British tour, as well as staging performances in London and York. “I’ve been doing it for four years now on and off, and I’m so glad the Theatre Royal wants the show,” he says. “I feel over-excited! I cannot wait! Get me on that stage!”
Ian created the show when he was in “stuck in Africa for a few weeks”. “I was in Dar Es Salam, in Tanzania,” he recalls. “I thought, ‘let’s write a show’ and it ended up being about how I got into drag and a celebration of the impact of drag in theatre, music, film and popular culture.
The regular poster for Velma Celli’s A Brief History Of Drag, retitled with the precursor Love Is Love for The Love Season at York Theatre Royal
“It’s part-story, but most definitely a celebration, and it’s an ever-changing show. I find new nuggets and add them in all the time. There’s so much stuff to cover in our story.”
Should you be wondering how and why the term “drag” was coined, let Ian explain: “Shakespeare! It’s a script/stage direction abbreviation. ‘Man enters stage dressed as a girl’. D.R.A.G.”
The drag persona of Velma Celli emerged 13 years ago when Ian was playing Mary Sunshine in the West End run of Chicago. Did she arrive fully fledged or bloom gradually? “Progression. Like developing any role or idea, time is needed,” says Ian, who remembers exactly how he felt when he first took to the stage in drag. Confident? Nervous? Born to play the role? “Unleashed,” he says.
Velma Celli, who made a sassy cameo appearance in EastEnders, draws inspiration from “the greats”. “Lily Savage, Dame Edna Everage, Bowie, the movies, musicals and many unknown queens who blazed the trail,” he says.
Velma Celli in David Bowie’s Aladdin Sane trademark make-up
Now, he is planning a Velma Celli show built around David Bowie: singer, songwriter, actor, artist, cultural icon, iconoclast, fashion shaper and androgynous shape-shifter.
“I think Bowie is a master at illusion and character development but also reinvention. Something I completely relate to as an artist,” says Ian, whose “Irreplaceable. The Almighty Who Inspired Legends” show will “celebrate Bowie and the artists he inspired”.
Meanwhile, Velma Celli’s regular York residency is on the move. Out goes the Covid-suspended monthly camp cabaret Friday nights at The Basement, City Screen, York.
“Velma loves the limelight; Ian enjoys the anonymity,” says Ian Stroughair, who “repels fame”
In comes a resplendent residency from last Friday at Impossible, York, Tokyo Industries’ new tea-room, cocktail bar, restaurant and speakeasy enterprise in the old Terry’s café in St Helen’s Café, latterly home to Carluccio’s restaurant.
“The first show was incredible,” says Ian. “The atmosphere was electric. I’ll never forget it. The new venue is so plush and the staff are excellent.”
The Velma Celli Show residency will not be Velma’s only gig in the first-floor Impossible Wonderbar. “On June 5, we’ll be holding the first Drag Brunch, with Velma, surprise guest drag queens, bottomless cocktails and brunch,” says Ian, looking forward to hosting the “ultimate diva brunch in homage to all the queens”, from Whitney to Tina Turner plus many more besides.
That day, there will be two 90-minute sittings, the first from 12 noon, the second from 2.30pm. Tickets are on sale via info@impossibleyork.com or on 01904 864410.
Last year, Ian had to forego a long run in Funny Girls in Blackpool, thwarted by Killjoy Covid, and the pandemic strictures put paid to his international travels too.
Already he has had his two Covid-19 vaccine jabs to enable Ian to take a week’s travel to Mexico for a Velma Celli show in Cancun, however. “Thank god for that because the next cruise is not until October. I lost all the cruise-ship shows last year, and I’d already lost five cruise bookings this year, when in one day I lost three more cruise bookings,” he reveals.
Ian Stroughair on the balcony outside his new abode In York after moving back to his home city from London
The ships may be down, but Ian has shown resilience throughout the pandemic, streaming Velma Celli concerts, first from a Bishopthorpe kitchen and later from a riverside abode by the Ouse Bridge. Last December was spent playing the villainous Flesh Creep in York Stage’s debut pantomime, Jack And The Beanstalk, at Theatre @41, Monkgate.
Just as this interview moves freely between Ian and Velma, where does Ian, son of Acomb, stop and Velma, drag diva alter ego, start? “She arrives during the make-up process and getting into costume. But human interaction is where it clicks in,” says Ian. “I need my audience.”
Repelling fame, Ian defines the distinction as “Velma loves the limelight; Ian enjoys the anonymity”. “Fame isn’t necessary for me,” he says. “In fact it makes me uncomfortable. I like my private life with my loved ones and I’m very protective of that and mostly them. A stage: that’s where I come alive.”
Tickets for Velma Celli’s Love Is Love: A Brief History Of Drag can be booked at yorktheatreroyal.co.uk or on 01904 623568. For the latest Velma Celli trailer, go to: https://www.youtube.com/watch?v=a005o6eGZWI. Hit it!
Just One More Thing…
What do you think of the RuPaul’s Drag Race TV shows? Good news for drag? “It’s made it more mainstream but I don’t think it’s the essence of drag. Gentrification, for sure, but a celebration, of course. That can only be a good thing.”
