Mary Coughlan has a life of stories to tell in song at Pocklington Arts Centre autumn gig

Mary Coughlan: Songs of heart and soul and survival on Life Stories

GALWAY jazz and blues chanteuse Mary Coughlan is moving her Pocklington Arts Centre show for a third time in these pandemic times.

“Ireland’s Billie Holliday” twice rearranged her gig during 2020, and now she is doing so again, switching from April 23 to October 19.

At the heart of Mary’s concert, fourth time lucky, will still be Life Stories, her 15th album, released on the wonderfully named Hail Mary Records last September.

As the title would suggest, and likewise such song titles as Family Life, Two Breaking Into One, Elbow Deep and Twelve Steps Forward And Ten Steps Back, these are songs of heart and soul and survival, steeped in reflection on family, love, loss and an extraordinary life of the blues wherein Mary has overcome childhood trauma, alcoholism and drug addiction.

Mary has never hidden her battles – 32 times she ended up in hospital with alcohol poisoning – as indicated by calling her first three albums Tired And Emotional (1985), Under The Influence (1987) and Uncertain Pleasures (1990), and later entitling  her frank 2009 autobiography Bloody Mary: My Story.

The cover artwork for Mary Coughlan’s 2020 album, Life Stories

Life Stories emerged in the wake of Women Undone, her 2018 fusion of theatre, music and dance at Projects Art Centre, Dublin, in a collaboration with the Brokentalkers and Valgeir Sigurðsson, that told the story of a young woman who endured abuse, addiction and mental illness and whose discovery of art and music was her redemption.

Coughlan appeared alongside female quartet Mongoose, performing an original score by Sigurðsson that fused electronic music with live instrumentation and a haunting vocal score.

“On the back of that show, I asked Pete [guitarist, songwriter and producer Pete Glenister] to make this album with me, in 2019, going over to his house, working on the songs,” recalls Mary. “I’d sing him the lyrics, he’d work on the melodies, and then we had all these songs ready.”

Glenister and Coughlan recorded Life Stories at No Name Studios in London in the summer of 2019, applying the finishing touches in February 2020, before the first lockdown.

“Wonderful long summer days of collaborating on songs,” says Mary in her album sleeve-notes. “Singing and making music all day and eating wonderful food and spending the evenings in the garden sipping mint tea.”

Alongside the Glenister and Coughlan originals is the album-opening cover of Family Life, a Paul Buchanan composition from Blue Nile’s 1996 album Peace At Last. “He liked it!” says Mary. “I had to run it by him, though I don’t think Paul is the kind of person that would stop me doing it.

“I had all these stories, so these songs are autobiographical,” says Mary Coughlan

“There’s a Blue Nile fan club and they follow me everywhere, always turning out in force at my shows, and I started singing that song more than two years ago. I sang it for the first time the day my mother was buried, so it means a lot to me.”

Mary has always been a noted interpreter of songs, not least on her 2000 album Mary Coughlan Sings Billie Holiday, but Life Stories largely moves away from that template.

“I’ve always hid behind other people’s songs that meant something to me, but then, looking at the calendar, I was turning 64, and it was pointed out I had all these stories, so these songs are autobiographical.

“That made it a more difficult process and much more difficult for me, because maybe it was too raw.”

The resulting album has been met with critical acclaim and chart-topping success. “I nearly passed out when it was made Album of the Week in Ireland, and then it was number one in the Irish iTunes…at 64…as a grandmother!” says Mary. “Number one anywhere is great!

“It’s so exciting but also scary when you bring out a new record,” says Mary. “You don’t know how people will receive it”

“It’s so exciting but also scary when you bring out a new record. You don’t know how people will receive it. Who knows! But there’s a lot of different styles on there. I needed the balance that people could relate to on there, and they have.”

Last year had promised to be Mary’s “best for a long time”, but then the Covid-19 pandemic put paid to her appearances at Glastonbury and Galway Arts Festival, gigs in Norway and 15 sold-out shows across Britain.

She did, however, perform a series of socially distanced open-air album launch concerts in Ireland, in September, and one in her Wicklow home when the rain forced her inside to sing surrounded by 100 candles and fairy-lights.

She brought a personal touch to the album too, distributing signed copies, each with a drawing of flowers enclosed, from her house.

Those songs, those stories, will flower anew when Mary plays her autumn shows. In the meantime, do seek out Life Stories, an album from a year when Galway City’s mayor presented her with a Lifetime Achievement Award.

Hurricane Promotions presents Mary Coughlan at Pocklington Arts Centre on October 19. Box office: pocklingtonartscetre.co.uk.

Copyright of The Press, York

Velma Celli and Jess Steel to serve up streamed show from Earl Grey Tea Rooms

LOCKDOWN cabaret streaming duo Velma Celli and Jess Steel are going on location to the Earl Grey Tea Rooms for their Showbizzy Shambles show in York tomorrow (5/2/2021).

After the camply nautical, naughty fun of their water-themed Fabulously Flooded online gig last week, they are vacating the riverside abode of Ian Stroughair, drag diva Velma’s creator, by Lendal Bridge for light relief and camp cabaret belting.

“We’re getting the keys to the Earl Grey Tea Rooms in Shambles and filming it there,” says Ian/Velma. “We’ll be going vintage, so join in with your apparel, peeps, if ya feel like it. Not essential but fun.”

Tickets for Showbizzy Shambles grant access to the streamed show any time from 5pm tomorrow to Sunday evening (7/2/2021). Go to http://bit.ly/3pAtBAF for all the details. “Please feel free to invite all your mates,” says Ian/Velma.

Here, everything stops for tea questions and more besides as Charles Hutchinson grills Ian Stroughair/Velma Celli.

How is your house now, post-flooding?  Fully recovered?

“Yes! Thank RuPaul (God)! It took a lot of scrubbing, but I got there!” 

Where did you end up recording your January 22 show when water had seeped in through the front door and back door?

“Still in the house. The kitchen is lower than the living room, so we were cool.” 

What songs on a water theme did you perform in last week’s Fabulously Flooded show? Something by The Waterboys?  Peter Gabriel’s Here Comes The Flood?  (Lendal) Bridge Over Troubled Water, maybe? So many possibilities!

“Ha ha, so many! It’s Raining Men (obvs). Waterloo. River Deep Mountain High. Cry Me A River. You get the drift.” 

No! No song by The Waterboys featured in Velma and Jess’s water-themed cabaret show

How has the streamed gig at the Earl Grey Tea Rooms come about?

“Clare and Howard [Proctor] are very good old friends and they’re fabulous supporters of all my Velma and Ian appearances.

“I adore this place as much as its owners and it’s been a real struggle over the past year, as you’d imagine, so I wanted to raise them up.

“Not only because it’s such a fabulous tea room – to get you all chomping at the bit to visit, as soon as we move tiers – but also to highlight just how hard it is right now, not just in my sector of live performance but in the hospitality industry too!

“Clare and Howard have worked so hard for years, so I wanted to use my platform to shine a spotlight on them.”

Velma Celli and Jess Steel’s social-media artwork for their Fabulously Flooded show last week

In which room will you record the show?

“Undecided. Each one is so quaint. Will depend on lighting, darling.”

Water theme last week.  Any tea and cake songs this week? Can’t think of a crumpet song….

“We are going vintage. From the 1940s, but all the way up to Lady Gaga and everything in between.

“Why not prepare yourself an afternoon tea with scones, finger sandwiches, tea pots filled with fizz, and let us entertain you, direct and safely in your own home.”

What is your perfect afternoon tea and where? 

“Earl Grey Tea Rooms of course! Best scones ever. I love their Coronation Chicken jacket, followed by a cream tea with English brekky! You must all go as soon as they reopen. Such quality and atmosphere.”

Jess Steel: Showbizzy Shambles will be the sensational singing hairdresser’s last streamed concert with Velma Celli “for a few weeks”

Earl Grey, Darjeeling or Lapsang Souchong?

“All. But my favourite is English Breakfast in the morning and Orange Pekoe on an afternoon.” 

Cream first or jam first on a scone?

“Cream!!!!!!!!” 

Favourite cake?

“Traditional Victoria Sponge.” 

Have you ever left a cake out in the rain, a la MacArthur Park?

“No. Come rain or shine, Velma never neglects confection.” 

What’s coming next?

“Tomorrow is the last show with Jess and me for a few weeks as I have some solo live- stream bookings to perform.”

Story Craft Theatre to deliver Zoom storytelling sessions for The Worrysaurus

Cassie Vallance invites you to join Story Craft Theatre’s Crafty Tales session for The Cranky Caterpillar

STORY Craft Theatre’s next few weeks of Crafty Tales storytelling and craft-making sessions on Zoom are filling up quickly.

The York children’s theatre company, run by professional actors and mums Janet Bruce and Cassie Vallance, have a few tickets left for Oliver Jeffers’ This Moose Belongs To Me and Richard Graham’s The Cranky Caterpillar.

“We’re also doing four days during half-term of Rachel Bright’s The Worrysaurus,” say Janet and Cassie. “Book now for craft and storytelling fun for two to seven year olds.

Half-term fun: Story Craft Theatre duo Janet Bruce and Cassie Vallance will be hosting Crafty Tales sessions for The Worrysaurus

“Each 10am session is based around a popular picture book and is packed full of fun with lots of activities to keep your little folk’s imagination alight. We begin the session with a craft activity using basic materials; we go through the instructions with you step by step.”

Five spaces are left for tomorrow morning’s 50-minute session for This Moose Belongs To Me; six for Friday; none for Saturday. Ten spaces remain for The Cranky Caterpillar on February 10; seven for February 12; none for February 13. Six spaces are up for grabs for February 17’s hour-long session for The Worrysaurus; 18 for February 18; ten for February 19; nine for February 20.

As for the back story on Story Craft Theatre, Janet Bruce appeared in Stephen Sondheim’s Sweeney Todd: The Demon Barber Of Fleet Street in the West End; Cassie Vallance was part of the Shakespeare’s Rose Theatre company at the Castle car park in 2019 and last seen in a York show in Park Bench Theatre’s Teddy Bears’ Picnic in Rowntree Park last  summer.

To book for Crafty Tales, go to: bookwhen.com/storycrafttheatre.

Milton Rooms’ Covid-safe accreditation extended for 2021 by Visit England

Socially distanced seating at an autumn event at the Milton Rooms, Malton, before the imposition of Lockdown 3

THE Milton Rooms, Malton’s community and arts venue, has had its Covid-safe accreditation extended for 2021 by UK tourism body Visit Britain.

Venue manager Lisa Rich says: “When the pandemic began, we put a whole range of measures in place around cleanliness and social distancing, which meant people could feel safe coming back to visit us, either for performances or community events.

“We managed to run a number of successful events last autumn, and we are working on a diverse and dynamic programme for when we can fully reopen.”

The Milton Rooms is run as a charitable company, mainly by volunteers, and the Market Place venue has been working hard behind the scenes on refurbishing and refreshing the building ready to welcome the public back in when allowed.

In the meantime, the Milton Rooms is appealing for support from the public in the wake of income from events and hire fees being reduced hugely since the pandemic began last year. 

Hence the launch of Keep The Curtain Up, a Go Fund Me appeal to help to fund the substantial continuing overheads, such as utility bills, heating and insurance costs, until the building can reopen as a venue. 

Donations can be made at gofundme.com/f/the-milton-rooms-charity

Squeeze up! Glenn Tilbrook puts The Crescent in his diary for March concert

Glenn Tilbrook: Heading for The Crescent in 2022

GLENN Tilbrook will play The Crescent in York on March 13…next year.

As far away as the gig is, nevertheless tickets have gone on sale already for the solo show by the Squeeze singer, songwriter and guitarist, now 63.

More than 45 years after he first answered an ad placed by Chris Difford, looking for like-minded sorts to form the Deptford band that became the evergreen Squeeze, an ending is nowhere in sight.

Squeeze made their recording bow with the Packet Of Three EP in 1977 and a multitude of hits ensued: Take Me I’m Yours; Cool For Cats; Goodbye Girl; Up The Junction; Pulling Mussels; Another Nail In My Heart; Tempted; Labelled With Love; Black Coffee In Bed; Is That Love and Hourglass, complemented by such albums as Argybargy, East Side Story and Some Fantastic Place.

A series of solo albums have ensued, kicking off with 2001’s The Incomplete Glenn Tilbrook, followed by 2004’s Transatlantic Ping-Pong and 2009’s Pandemonium Ensues, made with his solo touring band The Fluffers. In 2014 came the mostly acoustic Happy Ending, his most personal work to date with its series of evocative portraits of time, people and places.

Presented by The Gig Cartel, tickets for Tilbrook’s show cost £20 at seetickets.com.

Stephen Joseph Theatre boosted by big grant from Garfield Weston Foundation

Stephen Joseph Theatre chief executives Paul Robinson and Caroline Routh. Picture: Tony Bartholomew

THE Stephen Joseph Theatre has been awarded £237,752 by the Garfield Weston Foundation to support its work over the coming year.

The Scarborough theatre will put part of the grant from the foundation’s Weston Culture Fund towards its summer and autumn season.

That programme is likely to feature a new play by the SJT’s director emeritus, Alan Ayckbourn; a show in the slot filled previously by The 39 Steps and Stepping Out, and the autumn commission of The Offing, adapted from Benjamin Myers’ novel, set in nearby Robin Hood’s Bay.

The grant also will contribute towards equipment and training to allow film recordings of the SJT’s live shows, plus a programme of community-focused “pop-up” screenings of the films, aimed at engaging those who might not usually access live theatre.

The SJT’s joint chief executives, Caroline Routh and artistic director Paul Robinson, say: “We are absolutely delighted that the SJT and Scarborough have benefited from the great generosity of the Garfield Weston Foundation, which has done such remarkable work over the past 60 years.

Stephen Joseph Theatre: “Benefiting from the great generosity of the Garfield Weston Foundation”. Picture: Tony Bartholomew

“We are, of course, conscious of how fortunate we are at a time when so many of our colleagues are struggling in this age of great uncertainty. This grant will allow us to create more much-needed opportunities within the sector, as well as contributing to the wider economy of Scarborough.”

The SJT grant is part of a £30 million programme of grants to arts organisations across Britain announced today by Garfield Weston Foundation’s Weston Culture Fund.

In deciding to support the SJT, the foundation took into account “a wide range of factors, including local cultural provision, the interconnectivity of the sector, the potential accessibility of donors, and accessibility and outreach”.

Foundation director Philippa Charles says: “Our cultural sector is at the heart of our local communities, providing not only entertainment but also education and inspiration for many.

“Our trustees were impressed by the entrepreneurial spirit shown across the arts in response to Covid-19 and it was a privilege to hear what organisations had been doing to not only survive but also to reinvent the way they reach audiences.

Alan Ayckbourn: New play expected in the Stephen Joseph Theatre’s 2021 programme. Picture: Tony Bartholomew

“What really stood out was the level of collaboration and support they had for each other and the determination to keep going, despite the increasingly difficult situation.” 

Philippa adds: “We all want and need our cultural sector to thrive and, if anything, our time away from the arts has shown just how important they are to us, bringing much-needed pleasure and enrichment to our lives.

“Arts organisations are desperate to re-open and get back to what they do best, and we hope that this new funding will help many of them do exactly that.”

Established in 1958, the Garfield Weston Foundation is a family-founded grant-making charity that supports causes across the UK and gave more than £88m last year. In all, the foundation has donated more than £1bn to charities over the past 62 years.

The foundation’s funding comes from an endowment of shares in the family business that includes Twinings, Primark, Kingsmill and Fortnum & Mason. From small community organisations to large national institutions, the foundation supports charities and activities that make a positive impact in the communities where they work. Around 2,000 charities across the UK benefit each year from the foundation’s grants.

York River Art Market seeks artists and makers for this summer’s weekend stalls

The poster for York River Art Market 2021, designed by Holgate digital print artist Adele Karmazyn, a regular participant in both York River Art Market and York Open Studios

YORK River Art Market 2021 is issuing a call-out to artists for this summer’s riverside event on Dame Judi Dench Walk, Lendal Bridge, York.

This award-winning art and design market had to cancel its fifth summer of weekend stalls last year when council officials advised that the space besides the River Ouse was unsuitable for social distancing.

“See you all in 2021 for the best year yet,” said the official notice at the time. True to that promise, York River Art Market has announced plans to return for markets on June 26; July 3, 24, 25 and 31, and August 1, 7, 14, 21 and 28.

Hence the call-out for applications to participate in a market that hosts 30-plus artists at each event, selling original art and hand-crafted goods.

Those applications should be emailed to yorkriverart@gmail.com with the following information:

* Three quality images of your work;

* A few sentences about your work;

* Links to digital platforms where you show or sell your work (if you have any; if not, do not worry);

* Preferred choice of dates, listed in the YRAM biography on its Facebook page.

“I look forward to your submissions,” says organiser Charlotte Dawson, who oversaw York River Art Market going online for #yramathome virtual winter art markets last November and December.

Let us hope that Government Covid strictures will have been eased sufficiently for this summer’s markets to be given the green light.

Magic Carpet Theatre and Pocklington Arts Centre unite for half-term streaming of The Wizard Of Castle Magic from February 18

Wizard and Frog: Jon Marshall in Magic Carpet Theatre’s The Wizard Of Castle Magic

MAGIC Carpet Theatre and Pocklington Arts Centre are renewing links for a free online streaming event for the February half-term.

The Hull company’s family show The Wizard Of Castle Magic will be shown on PAC’s  YouTube channel from Thursday, February 18 at 2.30pm, available to view for 14 days until March 4.

The Wizard Of Castle Magic is the second Magic Carpet Theatre play to have been filmed live at PAC behind closed doors by Pocklington production company Digifish last autumn.

The first, Magic Circus, starring director Jon Marshall as the Ringmaster and Steve Collison as the Clown, streamed to more than 1,600 people over Christmas and the New Year.

As with Magic Circus, The Wizard Of Castle Magic will be free to watch from the safety of a home seat. Once more, if viewers enjoy it, there will be an option to make a donation to support PAC at this challenging time. 

Clowning around: Ringmaster Jon Marshall and misbehaving Clown Steve Collison in Magic Carpet Theatre’s Magic Circus

Again too, East Riding families who access regional food banks will be the first to be offered the chance to watch The Wizard Of Castle Magic days before its February 18 premiere.

The streaming project, replete with plans for online workshops, has been made possible by a £4,100 grant from East Yorkshire’s I Am Fund, via the HEY Smile Foundation. 

PAC director Janet Farmer says: “We’re delighted to present our next online family theatre show to our audiences.  We’ve really missed being able to offer our family theatre programme, which has earned a national reputation for high quality, engaging, diverse children’s theatre and workshops.

“So, to be able to offer our younger audiences and their families the chance to experience all the magic and excitement of live theatre at home is just fantastic.” 

Janet adds: “The funding we’ve secured for the project will enable us to develop an enhanced online presence, leading to sustained arts engagement from younger generations during the pandemic and beyond. 

“To be able to offer our younger audiences and their families the chance to experience all the magic and excitement of live theatre at home is just fantastic,” says Pocklington Arts Centre director Janet Farmer

“Once again, we’d like to say thank you to the I Am Fund and the HEY Smile Foundation for making this possible.”

Magic Carpet Theatre are firm PAC favourites, staging numerous sold-out events there full of circus skills, magic and audience participation.

Now comes the online The Wizard Of Castle Magic, an enchanting show based on the traditional Sorcerer’s Apprentice tale for children aged three to 11 and their families with a script packed with comedy, illusion and special theatrical effects. 

The You Tube stream is a new digital version of a company-devised production that has played schools, arts venues and the Edinburgh Fringe. 

Donations in support of PAC can be made at justgiving.com/crowdfunding/magic-carpet-theatre

Blue Tree Gallery’s Revive show goes online from today – and fills the window too

Follow Me, acrylic canvas, by Giuliana Lazzerini

BLUE Tree Gallery’s new online exhibition, Revive, opens today, showing original paintings by artist-in-residence Giuliana Lazzerini, Steve Tomlinson, James Wheeler and Giles Ward.

“We’re temporarily closed due to the third lockdown but still operating with online shows and displaying the artworks in the gallery and gallery window for those passing by,” says Gordon Giarchi, co-owner of the gallery in Bootham, York.

Giuliana Lazzerini, born in Seravezza, near Pietrasanta, in Tuscany, moved to Yorkshire in 1987. “My work is varied and often developed from an idea encountered during a journey that takes me in an unknown territory where I grow as an artist,” she says.

“I usually work in a small series of paintings, where memory and imagination come to interplay. Time made me more familiar with the English northern landscape, and it finally has left a mark in some of my work as I become more intrigued by its drama and atmosphere.”

Ambient Tide, acrylic on calico panel, by Steve Tomlinson

Art has always been central to Steve Tomlinson’s life, from passing his art exam and 11-plus in order to go to an art grammar school, Moseley Road School of Art, in Birmingham, to attaining a degree in Fine Art at Canterbury.

After an early career in exhibitions at the British Museum and interpretive projects for the heritage industry, he has worked on public art projects – mainly sculpture – for many years. “I’ve always painted and my work here at the Blue Tree Gallery is a further, somewhat symbolic, development of my interests in the sea and the associated physical and emotional experiences it brings,” says Steve.

“There’s a timeless reflective quality to walking on a beach or staring out to sea: it gives back a version of our own thoughts and feelings. As we occupy this threshold, our minds are filled with a sense of space, of time and our own human fragile place in the world and the paintings attempt to stimulate such a contemplation.

“The textures I create suggest the wind, the sounds of the sea and other coastal features, such as pebbles, rocks and driftwood. I hope that my work may encourage people to look beyond or within themselves and that the beholder will find a meaning that is pertinent, personal and rewarding. To quote E. E. Cummings: ‘It’s always ourselves we find in the sea.’”

Force Of Nature, abstract oil on canvas, by James Wheeler

Glasgow-born James Wheeler studied at the Glasgow School of Art and trained as a carpet designer before moving south to be the design studio manager at a Yorkshire carpet manufacturer, where he has become one of the UK’s leading carpet designers.

The importance of colour and composition in his professional designs has flowed naturally into the subtlety of hue and texture in his landscape paintings, painted primarily in oils on cork.

His work straddles the contemporary and the timeless, inviting viewers to invest in a personal interpretation of each painting.

James seeks to mix memory and desire in the light and atmosphere of his landscapes, drawing inspiration from visits to his homeland, Scotland, and from holidays spent in France, Venice and the Mediterranean islands. Closer to home, his love of the Lake District and Yorkshire scenery stirs him too.

Six Sprats, oil and acrylic board, by Giles Ward

Giles Ward is an artist and writer originally from Yorkshire, where he studied Fine Art in Sheffield before moving to Exeter to study Illustration and Graphic Design, since when he has exhibited both in the UK and overseas.

Experimentation is at the heart of Giles’s painting, pre-dominantly in oils. His canvases take on other-worldly textures with the addition of acrylics, inks, spray paint, varnishes and anything else he can lay his hands on. He is inspired by the natural world and examines the hidden worlds of colour and texture found in nature’s close-up detail.

“We may be closed but we are always ‘open’ for your queries by email and to purchase online at bluetreegallery.co.uk,” says Gordon. “You can now use the Own ArtScheme service in the comfort of your own home, paying for your art in ten interest-free monthly instalments. Just get in touch by email at bluetreegallery@hotmail.co.uk.”

Revive can be viewed online at bluetreegallery.co.uk until March 13.

Hull Truck Theatre launches online learning programme for home schooling in February

Until such a gathering can happen again, here comes the Hull Truck @ Home School online learning programme

HULL Truck Theatre has designed a city-wide learning programme to be launched on Tuesday (2/2/2021), in response to schools not reopening until March 8 at the earliest.

Recognising the mounting pressure on parents, carers and teachers to keep students engaged through home schooling, Hull Truck @ Home School will run throughout February, providing work for 20 freelance writers, composers and actors.

Introducing young audiences to drama and theatre-making with a glimpse “behind the scenes” of the creative industry, the specialist programmes will engage primary and secondary school learners, helping to harness both literacy and drama skills.

Key Stage 1 and 2 students – aged five to 11 – will have access to a twice-weekly “drop” of video content and downloadable printable learning resources, every Tuesday and Thursday, that can be accessed via a dedicated area on the Hull Truck website. 

The Create & Play primary learning programme of eight ten-minute online drama lessons has been written specially for each Key Stage audience. Available on-demand, the lessons can be accessed at any time after the publication date and incorporated into weekly lesson plans.

Key Stage 1 resources will include content, exercises and activities centred around famous children’s stories, such as The Three Billy Goats Gruff.

Key Stage 2 will cover subjects ranging from storytelling to stand-up and poetry, and among those delivering the sessions will be Nicola Stephenson (Mrs Hubble, from the BBC’s The Worst Witch) and Hull Truck regular Amy Thompson (from Channel 5’s Milkshake!). 

Hull Truck also will be working with Hull secondary school pupils and teachers to produce an original soap opera, Consequences, set in Hull during lockdown.

Writers, actors and a Hull Truck director will work with students to generate ideas, write scripts and guide direction, culminating in the production of a 25-minute weekly episode to be aired on Hull Truck’s YouTube channel every Friday at 5pm.

The project will comprise of 12 sessions, with two-hour classes taking place every day from Monday to Thursday. Classes will consist of drama exercises, dramatic writing, coaching and directing actors. 

Janthi Mills-Ward, Hull Truck’s executive director, says:“We understand and empathise with the challenges facing teachers, parents and the city’s young people, which is why as a key cultural contributor within the local community we felt passionate about stepping up to offer our support, creating something relevant, creative and engaging.

“The grant we received from Arts Council England as part of the Cultural Recovery Fund in October 2020 has been instrumental in ensuring we can deliver a project of this nature, vitally keeping our local communities connected.”

Janthi adds: “Although we’re currently unable to reopen our doors to welcome audiences back to see work on-stage, we have been able to repurpose our creativity through designing a city-wide learning programme that will benefit Hull’s young people and teachers.

“The content builds on key skills such as literacy, with an injection of theatre and drama. We’re also proud that this project has enabled us to support the creative industry, as we’ve employed 20 freelancers to support the delivery of the project, including writers, composers and actors.

“Our Youth Theatre provision continues to be delivered weekly via the powers of Zoom. We have made these sessions free for participants for the rest of the term, using the donations kindly gifted by audiences who enjoyed Prince Charming’s Christmas Cracker. This creative platform offers young people a much-needed outlet for escapism and some fun with their peers.”

Among the Hull secondary schools that have signed up to take part in the soap opera project are Boulevard Academy, Sirius North Academy, Ron Dearing UTC and Archbishop Sentamu Academy. 

Annie Cooper, head of English at Boulevard Academy, says: “As a school, we are always looking for amazing opportunities for our students and so we jumped at the chance to be involved.

“Such an exciting project would always be a welcome addition to our English and creative arts curriculum, but it is especially important at the moment, when there are so few opportunities for students to be involved in creative activities in the wider world.

“This is a great chance for our students to experience the wonderful world of theatre and develop their writing and creative talents alongside professionals; I know they are going to find it immensely rewarding.”

If you are educating from home and want to use the Create & Play learning resources but have limited access to a computer or printing facilities, please contact Hull Truck Theatre via engagement@hulltruck.co.uk to arrange for printed copies to be sent directly to your home address.

For more information on Hull Truck @ Home School, go to hulltruck.co.uk/home-school