Forget 2020’s ‘new normal’. Here’s man-in-a-dress normal person Grayson Perry’s 2021 show for Normal People in York

Grayson Perry, dressed as his transvestite alter ego, Claire, announces A Show For Normal People, his 2021 tour

AFTER an anything but normal year, otherwise known as the year of the new normal – alas destined to stretch into 2021 – here comes outré artist, potter and social commentator Grayson Perry’s York-bound live show.

In his own words: Despite being an award-winning artist, Bafta-winning TV presenter, Reith lecturer and best-selling author, Grayson Perry is a normal person – and just like other normal people, he is “marginally aware that we’re all going to die”.

Cue Grayson Perry: A Show For Normal People, booked into York Barbican for September 6 on night number five of next year’s 23-date tour. Sheffield City Hall awaits on September 10; Harrogate Convention Centre on November 27.

What will be on the 2003 Turner Prize winner’s mind? “Let Grayson take you through an enlightening and eye-watering evening in which this kind of existentialism descends from worthiness to silliness. You’ll leave safe and warm in the knowledge that nothing really matters anyway,” his show patter promises.

“Join Grayson as he asks, and possibly answers, these big questions in an evening sure to distract you from the very meaninglessness of life in the way only a man in a dress can.”

Grayson Perry’s tour poster for next autumn’s travels

Born in Chelmsford, Essex, in 1960, Perry has had an artistic career spanning 40 years, revealing a diverse expertise in “making lemonade out of the mundanity of life”.

Such as? In 2015, he designed A House For Essex, a permanent building constructed in the North Essex countryside. In the early weeks of Lockdown 1 2020, his Channel 4 show, Grayson’s Art Club, brought the nation together through art as he exhorted and celebrated the making of new works, vowing to “battle the boredom of isolation” with a weekly theme from his London studio.

This autumn, Grayson Perry’s Big American Road Trip, his three-part documentary travelogue on Channel 4, explored the meaning of the American Dream in today’s disunited USA.

Tickets for Grayson Perry: A Show For Normal People go on sale tomorrow morning (27/11/2020) at 10am online only at yorkbarbican.co.uk.

This will not be the only Grayson Perry show in York in 2021. His Covid-crocked 2020 exhibition of “lost pots” at York Art Gallery will now run from May 28 to September 5 next year.

“It’s as near as I will ever get to meeting myself as a young man, an angrier, priapic me with huge energy but a much smaller wardrobe,” says Grayson Perry of his Pre-Therapy Years exhibition, re-scheduled for 2021 in York

This major new display of Perry’s earliest works, Grayson Perry: The Pre-Therapy Years, will be showcased in the Centre of Ceramic Art (CoCA).

Developed by the Holburne Museum in Bath, the touring exhibition is the first to celebrate Perry’s earliest forays into the art world, reintroducing the “explosive and creative works” he made between 1982 and 1994.

The 70 works have been crowd-sourced through a national public appeal, resulting in these “lost pots” being assembled for display together for the first time since they were made.

“This show has been such a joy to put together,” said Perry, when the show was first announced. “I’m really looking forward to seeing these early works again, many of which I have not seen since the Eighties.

“It’s as near as I will ever get to meeting myself as a young man, an angrier, priapic me with huge energy but a much smaller wardrobe.”

Cocktail Party, 1989, one of Grayson Perry’ s “lost pots” from The Pre-Therapy Years show

The Pre-Therapy Years show should have been the centre of attention at CoCA from June 12 to September 20 this year, but the Coronavirus pandemic intervened.

Now, Perry devotees can look to the horizon, awaiting the arrival of his pots in York next May.The exhibition will shine a light on Perry’s experimentation and exploration of the potential of pottery to address radical issues and human stories.

The 70 works will provide an opportunity to enjoy his clever, playful and politically engaged perspective on the world as these often challenging and explicit pieces reveal his early steps towards becoming a compelling commentator on contemporary society.

From his first plate, Kinky Sex (1983), to his early vases made in the mid-80s, Perry riffed on British vernacular traditions to create a language of his own. The themes of his later work – fetishism, gender, class, his home county of Essex and the vagaries of the art world – appear in these early works, marked by their urgent energy.

CoCA first exhibited a Grayson Perry ceramic, Melanie, in July 2015 as its centrepiece talking point after York Art Gallery’s £8 million transformation. Melanie later featured in York Art Gallery’s re-opening exhibition, Your Art Gallery – Paintings Chosen By You, this summer into autumn.

In a nutshell…

YORK, Scarborough, Harrogate and North Yorkshire will be in Tier 2 from the end of Lockdown 2.

South and West Yorkshire and the Humber are doomed to Tier 3.

CharlesHutchPress will keep an eye on the impact on the arts: what’s on, what’s off, what’s what, in York and beyond.

As for London, the most densely populated city in the UK? Tier 2. What a surprise. The North-South divide rolls on…

Say Owt to spark up their winter spoken words at The Crescent in December return

Owt and about again: Say Owt artistic director Henry Raby, left, and co-founder and cheese trader Stu Freestone spark up the spoken word anew on December 11

SAY Owt, York’s loveable gang of performance poets, are back in live action for the first time since the summer for a night of socially distanced spoken word at The Crescent on December 11.

In start-stop-restart-stop again 2020, these loquacious hosts of high-energy bursts of words and verse have hosted live-streams in lockdowns, most recently Lovely Lockdown Lyricism last Friday, and pop-up poetry on York Theatre Royal’s patio in August.

Stepping up to the mic on December 11 will be Say Owt’s A-team of Henry Raby, Hannah Davies, Stu Freestone and Dave Jarman, joined by special guest poets Katie Greenbrown and Ruth Awolola. In a nutshell, here comes a slam-winning sextet of soulful poets with modern, relevant and upbeat verse.

Hannah Davies: Slam champ and word weaver

“The night will feature a set of banging poems, full of wit and humour to warm your soul this December,” says artistic director Henry. “Expect some brand-new pieces, improv poetry and a few silly surprises hiding up our spoken-word sleeves!

“Last Friday’s online gig was good: it’s just nice to keep connecting with our audience. Now Say Owt and The Crescent want to give you a night of energy and warmth after a tough year.”

The Crescent, in The Crescent, off Blossom Street, York, will have a Covid-secure, socially distanced seated capacity of 60. “The performers and the venue are following all regulations and guidelines to keep the audience as safe as possible,” says Henry.

Tickets for this 7pm gig cost £10, available in batches of one to four at: http://thecrescentyork.com/events/s-d-show-say-owt/

Special guest: Katie Greenbrown

Ground control to Major Tim, take your debut tour to York Barbican next November

Peake performance: Astronaut Tim Peake will re-live his journey into space at York Barbican next November

BRITISH astronaut Tim Peake’s debut tour show, My Journey To Space, will touch down at York Barbican on November 2 2021. Ticket sales will be launched on Friday at 10am at yorkbarbican.co.uk.

In December 2015, the European Space Agency spaceman became the first Brit to visit the International Space Station to conduct a spacewalk – and run a marathon! – while orbiting Planet Earth almost 3,000 times.

Major Peake, 48, will be “your personal guide through life in space, with unprecedented access, breath-taking photographs, and never-before-seen incredible footage”, as the former barman re-lives his epic and thrilling journey to the International Space Station.

He will give an insight into an astronaut’s pathway to space and back: from training to launch, spacewalk to re-entry as he reveals the secrets, the science and the everyday wonders of how and why humans journey into space.

Sharing his passion for aviation, exploration and adventure, he will recall the sights, the smells, the fear, the exhilaration, of his six-month mission, together with the deep and abiding wonderment of the view from space of the place we call home. “It’s impossible to look down on Earth from space and not be mesmerised by the fragile beauty of our planet,” he says.

Major Peake had been booked to bring his show Limitless to York Theatre Royal on October 11 until the Coronavirus pandemic intervened. That night he would have reflected on the surprising journey that made him the first Briton in space for nearly 20 years and the first ever to complete a spacewalk, when he repaired the space station’s power supply with NASA astronaut Tim Kopra.

Make space in your diary for Major Tim Peake’s York Barbican show on his debut tour

Those tales would have covered his time training in the British Army and as an Apache helicopter pilot and flight instructor deployed to Bosnia, Northern Ireland and Afghanistan.  

Major Peake was to have discussed how it felt to be selected for the European Space Agency from more than 8,000 candidates and the six years of training that followed; learning Russian on the icy plains of Siberia, and coping with darkness and claustrophobia in the caves of Sardinia and under the oceans of the United States. 

The Limitless: In Conversation with Astronaut Tim Peake event took its title from his autobiography, Limitless, whose publication by Century still went ahead on October 15.

Every ticket for this Penguin Live show – one of only five on the autumn tour – was to have included a signed copy of his £20 memoir.

Major Peake attended the UK Schools Space Conference at the University of York’s department of physics in November 2016 and gave a public lecture there on the highs and lows of life aboard the International Space Station in September 2017.

The Soyuz TMA-19M descent module, the capsule that transported Major Peake safely back to Earth, went on display at the National Railway Museum, York, in January 2018, complemented by a space-age virtual reality experience narrated by the astronaut himself.

Christmas Collection and “Free Stuff” at Pyramid Gallery keep Terry Brett busy

Paintings by Anita Klein and ceramic vessels by Barry Stedman in the Christmas Collection at Pyramid Gallery

THE Christmas Collection exhibition is under way at Pyramid Gallery, York, initially online but with plans for the gallery to reopen on December 3, subject to this week’s upcoming tier-ful Government guidance.

The main feature of the festive show is a collection of linocut prints and acrylic paintings by Australian-born Anita Klein, complemented by ceramic sculpture by Blandine Anderson, glass by David Reekie, Cara Wassenberg and Layne Rowe, bronze elephants by German sculptor Eckhard Wahning and a Lockdown Dragon fest by Morag Reekie.

Look out too for collagraphs by York artist Sally Clarke, screenprints by Mychael Barratt, abstract collages by Danny Barbour, a ceramic elephant parade by Ann-Marie Fieber and ceramic vessels by Barry Stedman, plus new jewellery by 50 British designer makers.

The Christmas Collection show will continue until January 20 and everything will be available online at http://www.pyramidgallery.com

A second show, The Glass Collection, will be opening on December 7, presenting work by Dreya Bennett; Fiaz Elson; Hannah Gibson; Jon Lewis; Yoshiko Okada; David Reekie; Morag Reekie; Layne Rowe; Will Shakspeare; Helen Slater; Cara Wassenberg and Darren Weed.

Again running until January 20, it also will feature art glass for sale in the permanent Pyramid Collection by Colin Reid, Bruno Romanelli, Peter Layton, Anthony Scala, Bruce Marks and Joseph Harrington.

During Lockdown 2, Terry has placed a table outside the shop with copies of his cartoon memorials book, Good Rabbits Gone, on display to raise money for St Leonard’s Hospice with a target of £3,000 from donations to justgiving.com/fundraising/terry-brett5 or in the cans on the table.

Pyramid Gallery owner Terry Brett with a selection of “Free Stuff” on the table outside his shop in Stonegate, York, during Lockdown 2

In addition, he is giving away “Free Stuff”. “Some people are intrigued as to why I’m doing this,” says Terry. “I decided I needed a ‘Feel Good’ project and a way to interact with people during Lockdown.

“Sitting in a shop all day that is closed is not very stimulating, but this has been a very positive and uplifting experience for me. It has cost me nothing as everything I’m giving away has been paid for a long time ago – some items over 20 years ago – and it’s felt very cleansing. The stock-room shelves are looking tidier!

“There are over 60 magnetic bracelets that have been sitting in boxes on shelves ever since we decided not to sell them anymore about six years ago. These are leather bracelets made by Antonio Chimol in Barcelona. Nicely made. I sold hundreds of them in 2008 to 2014 and they served the business well at a time when it had been affected by the financial crash.

“I still wear these bracelets…but they were a nuisance. Some customers would spend up to an hour with bracelets all over the counter, trying to choose one. Sometimes they would be purchased as a gift and then returned for a different size. So, we simply put them away in the stock room.”

Terry has a further £2,000 to raise yet. “Please come and say hello if you are in York, pick up a book and put a few coins in the cans. The table will be outside the gallery from about 11am every day, except Sunday, until December2.”

Should Pyramid Gallery reopen on December 3, the shop will accommodate two groups at a time, with a maximum of six people.

The book cover for Good Rabbits Gone, Terry Brett’s compendium of cartoon farewells, “scribbled” under the name of Bertt deBaldock and now published to raise funds for St Leonard’s Hospice, York

“We will have an extended-hours booking system on the front page of our website at pyramidgallery.com. Private viewings for one or two groups of two may be booked early on each day.” says Terry.

“Or, after normal hours between 10am and 5pm, customers will be able to enter the shop with a maximum of two groups or a total of six people in at any one time. You will be able to book a half-hour slot, so that you can browse at leisure in the gallery.”

In the meantime, Terry is offering a Click and Collect service, “Or you can just collect if you don’t like to click,” he says. “For this, please phone on 01904 641187 or 07805 029254, to let me know what you are interested in, and I will gather items together to show you at the door. We can manage a selection and purchase without you needing to actually come in!”

Reflecting on a running a gallery in a year in the grip of the Coronavirus pandemic, Terry says: “Pyramid reopened to the public at the end of June. During June, the website worked well for us and July and August were reasonably good with sales over the counter, but about 20 per cent below normal.

“I took half the staff out of furlough in September and October and this meant that we really needed to be back to normal sales level. We achieved that in October and sales have continued to meet normal targets since.

“Even with the new lockdown, the gallery closed and all staff back in furlough, I seem to be getting enough online sales to keep afloat.”

However, Terry paints a grim portrait of the impact of Covid lockdowns. “I think that York will see a lot of businesses close due to this current lockdown. Nevertheless, because I’m able to work the business completely on my own, I can reduce overheads to a minimum and still survive. The only real problem is that I’m working 12 hours a day!

“I look forward to having my staff back on December 3, but if lockdown measures were to be extended beyond December 2, then I’m not sure if any city-centre shops could survive. We normally have sales in the three weeks up to Christmas that are equivalent to June, July and August sales combined.”

Thankfully, the Government is on the brink of announcing when “”non-essential” shops can re-open.

NEWSFLASH

Pyramid Gallery WILL reopen on December 3 at 10am.

Be a brick! Step up to the plate by signing fundraising support for Theatre @41

Emily Taylor, left, and Danielle Mullan demonstrate the bricks at the John Cooper Studio Theatre at Theatre @41 Monkgate, York. They will be performing there from December 11 to January 3 in York Stage’s pantomime, Jack And The Beanstalk

THEATRE @41 Monkgate is selling personalised bricks to create a new display at York’s black-box studio theatre.

Sales of the inscribed slates will help to make up some of the revenue shortfall created by the Coronavirus pandemic. Theatre @41’s new chairman, Alan Park, hopes theatre participants and supporters alike will show their fundraising backing by digging deep.

“Anyone who has been to Theatre @41 knows what a special place it is,” he says. “We have obviously lost revenue while having to close and we need to make sure we can keep going. Every donation we receive helps us continue to provide an accessible and affordable theatre space to the York community.

“These bricks are a great way for anyone who uses our space, or has been to a show they love, to help us achieve this. They will be able to see their words and messages every time they visit and know they have played a part in the heritage of Theatre @41.”

To buy a brick for £40 or two for £70, visit: 41monkgate.co.uk/bricks. Alternatively, email: info@41monkgate.co.uk.

On message: Guy Wilson shows off a fundraising brick for Theatre @41 Monkgate. Guy has attended shows there regularly, takes LAMDA exams and performs for resident companies York Stage and Pick Me Up Theatre


Mask up for the new Susan Bower works going on show at Kentmere House Gallery UPDATED

Christmas Party 2020, by Susan Bower, in the year of the mask

NEW work by Susan Bower, John Thornton and Rosie Dean has arrived at Kentmere House Gallery, Scarcroft Hill, York, in good time for Christmas.

After the Government’s update on York’s Tier 2 status once Lockdown 2.0 ends, Ann Petherick will re-open her gallery on Thursday evening from 6pm to 9pm, followed by the usual first-weekend-of-the-month opening on December 5 and 6 from 11am to 5pm.

Oils, watercolours, pastels and original prints by 70 British artists, ranging in price from £50 to £2,000, are on display and for sale, along with books, greetings cards and Christmas cards exclusive to the gallery.

Ann has decided to open the gallery every weekend in the lead-up to Christmas until December 20, 11am to 5pm. Visits arranged by appointment will be resuming too, either by phone on 01904 656507 or 07801 810825 or by emailing ann@kentmerehouse.co.uk.

Best Friends Forever, by Susan Bower, newly installed at Kentmere House Gallery

York’s indie galleries are ready for end-of-lockdown green light for Christmas

Proprietor and curator Craig Humble outside the new home of the Art Of Protest gallery in Walmgate, York

YORK’S independent art galleries are ready to reopen for business as soon as Government guidelines allow, asserts According To McGee director Greg McGee.

“The most accurate litmus test of a city’s cultural health is the amount and state of its indies,” says Greg, “And going by that gauge, the city is culturally doing fine, despite the most challenging year in living memory.” 

Culture being consigned to quarantine for the majority of 2020 means creative outlets have been forced back to the drawing board. “But now they await the moment when they can resume doing what they do best: celebrating unique, idiosyncratic items,” says Greg.

Art Of Protest gallery director Craig Humble concurs: “There are over a dozen of us, and, as varied as we are, we add a crucial element to the city-centre experience. I’m sure I speak for the rest of my contemporaries when I can confidently say we are doubly committed to bringing top-quality art to the browsing and buying public.”

Although the doors are closed at his gallery, newly relocated to Walmgate, Craig has not stopped working. “All the galleries in York are available now for enquiries and website sales. We are all of us often working in the galleries or on our computers, closely monitoring incoming questions and requests. Click and Collect pertains to independent galleries too.”

At present filling his gallery walls with Richard Barnes’s new works of York and the North York Moors, Greg wants to assure collectors and buyers that the art and crafts available for purchase will make for ideal gifts and stocking fillers.

“We can never rival the mainstream behemoths that have continued to churn through sale and demand, even in the middle of lockdown,” he says. “But there’s an undeniable magic in visiting indie galleries.

“The customer knows that the financial transaction will benefit the city directly, and the individuality of the items purchased makes for more memorable gifts.”

“There’s an undeniable magic in visiting indie galleries,” says According To McGee co-director Greg McGee

Craig believes the enjoyment of mooching on the streets of York and experiencing independent galleries, either coming across them by chance or intentionally making a visit, is a key part of the value of galleries.

“No-one wants a city centre that has been given over solely to the most mainstream outlets,” he argues. “In that sense, Indie York, who have helped us on social media and on their increasingly important maps, have brought awareness to this issue for years.”

Sara Amil-Smith, of Indie York, says: “York has a vibrant and diverse mix of long established, independently owned galleries, offering traditional and contemporary work. These galleries often collaborate and have good relationships with local makers and artists. 

“When you support a local gallery, you are supporting a wider community of local artists and makers, which is particularly important during these challenging times.” 

Greg points to the groundswell of support found for the galleries on social media and in the houses of the patrons who support them. “The list is growing: Art Of Protest; Blossom Street Gallery; Blue Tree Gallery; Braithwaite Gallery; Corner Gallery; The Crescent community venue; Gillygate Framing; Holgate Gallery; Janette Ray Booksellers; Kentmere House Gallery; Lotte Inch Gallery; Pyramid Gallery; The Hilt, and According To McGee,” he says.

“If we can ask people who love art and are passionate about starting or augmenting a collection, please wait until the doors of these galleries open again in December or take advantage of the online experience and make queries or make purchases.”

Greg continues: “Every gallery director I know is keeping on top of the online requests and sales that are coming in. Culture is just as open to the click-and-collect experience as anything else.

“There’s something for everyone; you will genuinely be helping to maintain the local cultural economy, and York will be one more step away from subscribing to the anonymity that has bled other cities dry. The best place to start is to grab an Indie York map. See you on the trail!”

York Early Music Christmas Festival at the double as online weekend is added to NCEM socially distanced live concerts

THE 2020 York Early Music Christmas Festival will be not one, but two festivals, one at the National Centre for Early Music, the other online.

Festive concerts will be performed with Covid-secure safety measures in place in the mediaeval St Margaret’s Church, Walmgate, York, from December 4 to 12, complemented by a new online weekend festival to be enjoyed from the comfort of home.

After the success of the streamed York Early Music Festival, held remotely from July 9 to 11,  the NCEM will present York Christmas At Home from December 11 to 13, with the Yuletide music concerts available on demand throughout the Christmas period until January 6 2021.

York Early Music Christmas Festival’s live concerts will be staged with socially distanced cabaret-style seating and the option to pre-order drinks, including a warming mulled wine. Tickets cost £20.

Matthew Wadsworth: York Christmas At Home streamed concert with Kate Bennett Wadsworth

The line-up comprises:

Palisander, Mischief & Merriment, December 4, 4.30pm and 7pm;

The Marian Consort, The Great Mystery, December 5, 4.30pm and 7pm;

Illyria Consort, How Brightly Shines The Morning Star, December 7, 4.30m and 7pm;

Joglaresa, Bring Us Good Ale, December 8, 4.30pm and 7pm;

The Marian Consort: Concerts at both the York Early Music Christmas Festival and York Christmas At Home

The York Waits, The Waits’ Wassail, Music for Advent & Christmas, December 9, 4.30pm and 7pm;

Bethany Seymour, soprano, Helen Charlston, mezzo-soprano, Frederick Long, baritone, and Peter Seymour, harpsichord, Bacchus Is A Pow’r Divine, December 12, 4.30pm and 7pm.

In addition, the 7pm concerts by Joglaresa on December 8 and The York Waits the next night will be live-streamed, with tickets available at £10.

The York Christmas At Home programme will feature many of the NCEM’s favourite artists, who have “worked tirelessly to deliver a joyful selection of music, guaranteed to lift the spirits”.

The concerts will include works by Bach, Mozart, Handel, Vivaldi, Purcell, Monteverdi, Dowland and many others, with harpsichords, recorders, lutes, trumpets, oboes, theorbos and glorious voices, plus verse by John Donne, George Herbert and others.

Bethany Seymour, left, Frederick Long and Helen Charlston: On song at the NCEM and online

A York Christmas At Home festival pass costs £50, covering all nine concerts, while individual concerts cost £10.

Artists taking part are:

The Marian Consort in a programme of vocal music from Renaissance Italy;

The Chiaroscuro Quartet, performing Mozart’s late Prussian Quartets;

Palisander with their Mischief And Merriment programme;

Illyria Consort, performing seasonal music for the Nativity from across Europe;

Singers Bethany Seymour, Helen Charlston and Frederick Long exploring the theatrical genius of Purcell and John Blow with harpsichordist Peter Seymour;

Theorboist Matthew Wadsworth and cellist Kate Bennett Wadsworth, sharing an extravaganza of Venetian music;

Illyria Consort: Seasonal music for the Nativity from across Europe

Spiritato!, presenting The Leipzig Legacy with music by Bach and Fasch;

Steven Devine, continuing his 2020 project to share Bach’s Preludes & Fugues: Book 3;

Stile Antico, completing the weekend with a return to the Renaissance for their very own Nine Lessons and Carols.

Festival director Dr Delma Tomlin says:  “The York Early Music Christmas Festival was created in 1997 to introduce audiences to the extraordinary wealth of music associated with Advent, Christmas and Epiphany, from the Medieval to the Baroque, intertwined with the sagas, stories and tales of the north.

“This year, I’m delighted to be able to carry on the tradition, welcoming audiences to our beautiful home, St Margaret’s Church. I’m also thrilled to spice things up, introducing our online festival York Christmas At Home, an array of amazing music, which can be enjoyed well beyond Christmas and into Twelfth Night.”

Full programme details for both Yuletide festivals can be found at ncem.co.uk. Tickets are on sale at ncem.co.uk/york-christmas-at-home/

Michael Chapman’s concert at Merchant Adventurers’ Hall to be streamed on Sunday

Michael Chapman recording Ancient & Modern at the Merchant Adventurers’ Hall, York, for streaming on Sunday

VETERAN troubadour Michael Chapman has recorded a special concert during Lockdown 2 at the Merchant Adventurers’ Hall, York, to be streamed online on Sunday (29/11/2020) at 7pm.

Filmed on November 12, the Ancient & Modern recording represents a look-back over the long and illustrious career of the 79-year-old Leeds singer, songwriter and guitarist, who combines classics and newer compositions in a concert also featuring a support slot and interview by close friend and mentee Katie Spencer. 

Sunday’s event marks a first venture into streamed concerts by the York community venue The Crescent and promoters Please Please You and Ouroboros, alias Joe Coates and Harkirit Boparai.

“This is new terrain for us, but we are big believers in Michael and his music, and it’s an honour to present him during these times and at this point in his career” says Boparai. “Michael is a unique musician with more than 50 years of experience, floating between Americana, blues and psychedelic folk.”

Boparai was delighted the recording could go ahead despite Lockdown 2 being imposed from November 5. “We were lucky, the lockdown nearly threw everything, but then it emerged under the Government guidance that streaming and rehearsal were permitted as long as everyone involved were ‘professionals’,” he says. 

“They still want us to work! I also think, to be fair, they saw the value in allowing culture to continue in an online form. 

Chapman by candlelight: The poster for Sunday’s streamed concert from the Merchant Adventurers’ Hall by Michael Chapman

“Merchant Adventurers’ Hall had a new clerk starting in the week of lockdown, and I remember anxiously waiting for their decision and interpretation of guidance…”.

Good news was forthcoming, whereupon Chapman could head to the hall. Explaining his choice of concert title, he says: “I wanted to call it Ancient & Modern in reference to the hymn books of days gone by and because it reflects the songs I selected to play for this show.” 

The title also acknowledges Chapman’s approach and sound. While firmly rooted in traditional folk, blues and Americana, his constant pushing of the envelope has inspired a new generation of artists, such as instrumentalist-turned-singer Steve Gunn, who produced his last two albums for the Paradise Of Bachelors label, 50 and True North, featuring pedal-steel guitarist BJ Cole and singer-songwriter and guitarist Bridget St John.

Gunn says: ‘It’s been an honour to share a stage with Michael, or even just to be in the room when he’s playing. I know so many of his stories and songs by heart now. I cherish them.”’

This continuous evolution of style has garnered a cult following for Chapman, also making him virtually impossible to categorise. While this may sometimes infuriate reviewers and concert bookers alike, it is exactly what keeps his fervent supporters on board and has brought a whole raft of younger appreciators to his music over the past decade. 

Chapman’s journey has taken him from the acoustic virtuoso of the early Cornish folk days, typified by his Fully Qualified Survivor album, through to Memphis Soul, courtesy of Stax producer Don Nix, and the album Savage Amusement, dipping into New Age music via Heartbeat, and onwards even to full-on improv for Thurston Moore’s label, Ecstatic Peace.

Moore says: “Michael Chapman, beyond the machinations of the record industry, became the great teacher for all of us guitar playing songwriters coming up in the late-20th century. With an organic mix of passion and remove, he showed that getting lost in the music was a way to find the truth of the heart. No better lesson learned, I’d say.” 

After making the acoustic guitar his own, Chapman has been exploring the electric guitar in these latter, mellower years, while still retaining the intensity of his playing and song-writing.

Chapman may be approaching 80 – that landmark will fall on January 24 2021 – but it will not diminish his need to move the music forward, dip into the past and embrace the present with as much enthusiasm and fervour as a man at his stage in life can muster. 

“Michael’s online concert will be available for ticket holders to watch as many times as they like for up to three days from the time of broadcast, and you can watch on computers, phones or through smart TVs and Chromecasts,” says Boparai.

For more information and tickets, head to: www.thecrescentyork.com. For a downloadable video teaser, go to: https://vimeo.com/481206388

Tickets cost £10 or you can choose to pay £15 to further support Michael Chapman and the freelance production crew during these difficult times.

For the last word on Chapman’s lasting impact, here is Rockford, Illinois guitarist, singer and songwriter Ryley Walker: “One of my greatest influences in life. Taught me to play guitar better, act like a professional, and always demand the cash at the end of the night. 80 years and just getting started. A true honour and privilege to call Michael a friend and mentor. MC shows love and truth in every tune. Guitar king and living legend Michael Chapman!”