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“Wherever you have a camera, we have a class” is the new school rule as York Stage School goes on screen

York Stage School principal Nik Briggs with fellow On Screen teachers Jessica Douglas (singing/musical theatre), left, Danielle Hill-Mullan (musical theatre) and Joanne Theaker (acting/musical theatre)

YORK Stage School will celebrate its second birthday from behind closed doors but with the launch of on-screen activities.

“Wherever you have a camera, we have a class,” will be the new school rule, prompted by Government strictures brought on by the Covid-19 pandemic.

Principal Nik Briggs says: “After a brilliant two years, where we have worked with hundreds of students and seen them flourish in our classrooms, we now face the possibility of not being able to work with them under the current Government guidance for some time and the necessary social distancing and self-isolation policies that come with that.

“Consequently, we are fully committed to ensuring our students are always kept safe and well and will not be running classes while schools are closed to students.”

Cue York Stage School’s new “homework” instead. “It is with this in mind that we have been busy working on this new project, which will see us joining up with lots of our teachers’ contacts from the theatre, TV and film industry to introduce our exciting new programme, York Stage School…On Screen, over the coming weeks and months.”

Are you ready to watch, explore, react and create, asks Nik.“If so, then sign up, stop waiting in the wings…and join us on screen for a programme where we’ll be sending out weekly briefs, scripts and stimuli to children via email and through videos from both our regular teachers and special weekly industry-professional guest tutors,” he says.

Homework for when you must stay at home: York Stage School prepares to launch Stage School…On Screen

Students will have six days to watch the videos, explore the stimuli given and then react and create their own videos at home. “These will then be sent back to us at York Stage School HQ,” says Nik.

“Children will receive feedback on their creations via email and video calls from our staff; each week we will celebrate their work across our social channels with weekly industry recognition from our guest tutors.”

To take part, students will need either a mobile phone, tablet or PC with a built-in camera and microphone, plus an internet connection and an email address. “This can be either their own or a parent’s,” says Nik.

“While we will be using the York Stage School social media channels to celebrate students’ work – if parents are happy for their child’s image to be broadcast – access to these is not needed to take part in the project.” 

The first “issue” of York Stage School…On Screen is being given away free of charge. “This is in order for you to decide if this programme is something your child will enjoy and genuinely benefit from,” reasons Nik. “After the initial week, there’ll be a weekly charge of £10 to take part. To receive the first issue, please sign up by clicking Register Now on the website, yorkstageschool.com.”

Mary, Mary, very contrary: Fiona Baistow., left. and Florence Poskitt clash over who plays Mary in York Stage Musicals’ The Flint Street Nativity last Christmas

​Putting on his other cap as artistic director of York Stage Musicals, Nik says: “At the moment we are very much all up in the air with regards to shows.

“We were scheduled to be performing Bugsy Malone at the Grand Opera House from April 23 to 26, but that has now been cancelled, now that theatres have been closed in response to the Coronavirus epidemic. However, we do hope for the children’s sake to remount this at a later date.”

York Stage Musicals had a trio of premieres in the pipeline too: Sondheim On Sondheim, Kinky Boots and Soho Cinders. “We had just auditioned for the UK premiere of Sondheim On Sondheim’s run at the John Cooper Studio @41 Monkgate, from May 20 to 23, but casting has had to be put on hold,” says Nik.

“This will mean the production will now have to take place at a later date, hopefully in the autumn.

“Our big September show is the York premiere of Kinky Boots at the Grand Opera House from September 10 to 19, and at the moment no changes have been made on this production’s scheduling.”

Nik is still hopeful too of bringing another alternative Christmas show to the John Cooper Studio @41 Monkgate in the wake of 2019’s gleeful production of Tim Firth’s The Flint Street Nativity.

“After that success, we’ve now secured the rights to bring George Stiles and Anthony Drewe’s Soho Cinders to the city for the first time ever,” says Nik.

“This musical romp transports the classic Cinderella story to the streets of Soho, where the action is definitely more suitable for an adult audience and the ugly sisters are more Gemma Collins than Berwick Kaler!”

Watch this space for regular updates.

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Lotte Inch Gallery goes online for Mick Leach and Tom Wood exhibitions

York abstract painter Mick Leach at work

LOTTE Inch Gallery, in Bootham, York, is going online only “for the time being”.

“While the Covid-19 situation poses a threat to us all, we want to ensure that everyone stays well and healthy and, as such, have closed the doors at Fourteen Bootham until we are advised by the Government that we can re-open,” says Lotte.

“However, just because the doors are closed, it doesn’t mean that you can’t still look at some of the beautiful work that features in our current exhibition, York artist Mick Leach’s Urban Abstraction. All Mick’s paintings are now on our online shop at lotteinch.co.uk, along with Katie Timson’s beautifully delicate ceramics and Evie Leach’s refined silver and semi-precious stone jewellery.”

Running until April 11, Leach’s debut solo show of sophisticated abstract work endeavours to recreate the textures, colours, layers and shapes of York’s decaying urban landscape.

One of Mick Leach’s Urban Abstraction paintings

Working mainly with acrylics mixed with French chalk powder, Leach applies paint with palette knives to gain his textured, layered effect. Various colours and media are then added to enhance the layers and textures to evoke the memory and feeling of the places that most inspire him.

“As a self-taught artist and full-time worker, Mick’s ‘side-career’ (sic) in painting has been steadily and successfully taking shape since early 2016,” says Lotte. “This new exhibition highlights his striking talent and his sympathetic and considered manipulation of materials.

“His work is never subjective, but produced instead from memory, in an attempt to recreate the feel of a location while simultaneously allowing his work to find its own course.” 

Inspiration behind this series, being shown in York for the first time, is drawn from the many large cities that Leach has visited or lived in, in particular from the city of York; the place he calls home.

“We look forward to re-opening soon, but in the meantime, we encourage you to browse online,” says Lotte Inch Gallery curator Lotte Inch

“In this new body of paintings, Mick attempts to recreate the colours and feel of the ancient stonework, the dark alleyways, sunken windows, and the contrast of the modern world against this ancient city, a place rich with contradictions,” says Lotte.

Coming next will be Lotte Inch Gallery’s first online-only exhibition, Tom Wood’s The Abstract Crow, running from 10am on April 17 to May 16.

“Keep an eye out for more details coming soon and follow Lotte Inch Gallery on Instagram for sneak previews of the new works that Tom will be including in his show,” says Lotte.

“This will be a solo show of new paintings by this internationally recognised and technically brilliant Yorkshire artist. Known for his imaginative and allusive abstract approach to painting, Tom will pay homage to his love for the natural world in The Abstract Crow.” 

One of Tom Wood’s paintings for The Abstract Crow, his upcoming online-only exhibition at Lotte Inch Gallery, Bootham, York

Since graduating from Sheffield School of Art in 1978, Wood has exhibited his work worldwide. For example, his celebrated portraits of Professor Lord Robert Winston and Leeds playwright Alan Bennett, both commissioned by the National Portrait Gallery, London, have been on display at the Australian National Portrait Gallery, Canberra.

Wood has held solo shows at the Yale Center for British Art, Yale University, New Haven, Connecticut, USA, and Schloss Cappenberg, Kreiss Unna, Germany. Among his commissions are portraits for the National Trust, Warwick University and the Harewood Trust, for whom his large double portrait of the late 7th Earl and Countess of Harewood is on permanent display at Harewood House, near Leeds.

“We look forward to re-opening soon, but in the meantime, we encourage you to browse online,” says Lotte. “Do note that if you live in the York area, we are pleased to be able to offer a free and safe delivery service. Just select ‘Collect In Store’ and we’ll be in touch to arrange delivery of your items.

“Take care of yourselves and your loved ones,” she signs off.

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Nick Mason’s Saucerful Of Secrets rearrange Pink Floyd gig at York Barbican

The poster for the Nick Mason’s Saucerful Of Secrets spring tour, now moved to autumn

A GOOD journalist may never reveal his saucers, but the secret is out: Nick Mason’s Saucerful Of Secrets are moving their postponed-by-Coronavirus May 1 gig at York Barbican to October 4.

Pink Floyd drummer and percussionist Mason, 76, is joined in his Secrets operative by lead guitarist Gary Kemp, yes, that Gary Kemp, from New Romantic Islington pop dandies Spandau Ballet, now 60.

In the line-up too for The Echoes Tour are Pink Floyd touring and recording bassist Guy Pratt, guitarist Lee Harris, from The Blockheads, and The Orb’s Dom Beken on keyboards.

Together, they celebrate Pink Floyd’s earliest work “in all its psychedelic, freaked-out glory”, and the re-arranged 2020 tour will see the band further expand their repertoire to encompass songs from the early catalogue up to Floyd’s 1972 album Obscured By Clouds.

Nick Mason in performance with his Saucerful Of Secrets

Nick Mason’s Saucerful Of Secrets made their debut at four intimate London shows at Dingwalls on May 20 2018 and The Half Moon in Putney on May 21, 23 and 24. The Dingwalls date was his first show since Pink Floyd played at the 2005 Live 8 concert in London and the run of London gigs was his first since Floyd’s Division Bell Tour in 1994.

Mason’s band subsequently sold out theatres around the world, and memories came flooding back at three nights at London’s Roundhouse, where Pink Floyd had played some of their most revered early shows in the 1960s.

Last September, Mason was named Prog Magazine’s Prog God at the Progressive Music Awards at Shakespeare’s Globe Theatre, following in the footsteps of Peter Gabriel, Tony Banks, Jon Anderson, Rick Wakeman, Ian Anderson, Carl Palmer and Steve Howe.

Tickets remain valid for the new Barbican date. For bookings, go to yorkbarbican.co.uk.

Did you know?

BORN on January 27 1944, in Hampstead, London, drummer Nicholas Berkeley Mason CBE is a founder member of the progressive rock band Pink Floyd.

He is the only Pink Floyd musician to have played on all of their studio albums and their only constant member since their formation in London in 1965.

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Alan Ayckbourn’s 84th play Truth Will Out mothballed as SJT takes Coronavirus measures for summer season

Sir Alan Ayckbourn: Summer 2020 premiere and revival cancelled at the SJT, Scarborough. Picture: Tony Bartholomew

THE world premiere of Sir Alan Ayckbourn’s 84th full-length play, Truth Will Out, will not go ahead this summer at the Stephen Joseph Theatre, Scarborough.

Nor will his revival of his 1976 garage-and-garden dark comedy of four birthdays, Just Between Ourselves, both productions scuppered by the Coronavirus crisis that has led to the SJT being closed.

Booked into the summer repertory season to run between August 20 and October 3, Truth Will Out was written by 80-year-old Ayckbourn in late-2019 as a satire on family, relationships, politics and the state of the nation.

“Everyone has secrets,” says the tantalising synopsis in the SJT summer-season brochure. “Certainly, former shop steward George, his right-wing MP daughter Janet, investigative journalist Peggy, and senior civil servant Sefton, do.

Stephen Joseph Theatre artistic director and joint chief executive Paul Robinson

“All it’s going to take is one tech-savvy teenager with a mind of his own and time on his hands to bring their worlds tumbling down – and maybe everyone else’s along with them. A storm is brewing.”

When that storm will now break cannot be forecast. Alan Ayckbourn’s Official Website states: “It is not known what the future holds for Truth Will Out…”, but the truth will out on its path forward in due course.

Ayckbourn’s website also reveals he had written another play, Just Mercy, earlier in 2019 for his 2020 premiere before turning his attention to Truth Will Out instead. He still hopes Just Mercy “will be produced at some point in the future”.

As the Covid-19 pandemic sweeps the world, joint chief executives Caroline Routh and Paul Robinson said today: “Like everyone else, we are in uncharted territory, but our current plans are based on probably being closed for most of the planned summer season, which means we’ll no longer be presenting Just Between Ourselves, The Ladykillers or Truth Will Out this year.”

Matthew Wilson and Nicola Stephenson in Hull Truck Theatre and the Stephen Joseph Theatre’s co-production of Two, directed by Hull Truck artistic director Mark Babych

Artistic director Robinson’s production of Father Ted and Black Books writer Graham Linehan’s  stage adaptation of the 1955 Ealing comedy The Ladykillers would have run from July 9 to August 15, with its story of the sweetest of sweet little old ladies, alone at home but for a parrot with a mystery illness, at the mercy of a ruthless gang of criminal misfits.

The SJT is making plans to be “up and running again as quickly as possible once it’s able to”.

“We are already thinking about what might be possible should restrictions start to lift earlier than expected,” say Routh and Robinson. “We are extremely lucky in that we have a couple of shows which are ready, or almost ready, to go.

“Jim Cartwright’s Two, our co-production with Hull Truck Theatre, had already opened there, so can be on our stage at relatively short notice, while Little Red Riding Hood, which was due to fill our Easter slot for families next month, is cast and the set is nearly complete – we just need a couple of weeks’ rehearsal.”

Charlotte Brooke: one of the cast members for the SJT OutReach production of Little Red Riding Hood

Adapted by Saviour Pirotta, Cheryl Govan’s SJT OutReach production of this fabled story of not judging a book by its cover, or a wolf by its teeth, features a cast of Charlotte Brooke, Marcquelle Ward, Nicola Holliday and Charlotte Oliver, who were to have taken to The McCarthy stage from April 7 to 11.

Routh and Robinson continue: “While we couldn’t, of course, see an instant return to normal, we could start up our film programme again, schedule some pieces of visiting theatre, or stage a rehearsed reading or two, all of which will bring our building back to life quite quickly.”

The SJT’s box-office team is being kept busy, working remotely to contact those who have booked tickets for the upcoming spring and summer seasons.

Routh and Robinson say: “We’ve already contacted all those who’d booked tickets for shows and films during our initial week-long closure, and we were amazed by how many of them refused a refund, preferring instead to donate the cost of their tickets or credit their account.

The new message on the Stephen Joseph Theatre’s former Odeon cinema frontage after the Coronavirus shutdown

“It’s so touching to see how many people are showing faith in our future and are keen to support us – our heartfelt thanks to all of them.

“We aim to remain an essential part of the wider community in the borough of Scarborough throughout this period, and really look forward to welcoming you all back when our doors re-open.”

The SJT is closed to the public, but until further notice the box office will be accepting phone and email enquiries from noon to 6pm, Mondays to Fridays, on 01723 370541 or at sjt.uk.com.

The SJT will be posting regular updates on its website and social media channels: @thesjt.

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Black Swan Folk Club postpones all gigs until end of August but new dates in diary

Once the leaves turn to brown again: Eliza Carthy is re-arranging her April 10 concert for January 24 2021

ALL shows at the Black Swan Folk Club, Peasholme Green, York, are postponed until the end of August in response to the Covid-19 pandemic.

Most prominent among them is the Roland Walls Weekend from June 5 to 7. Formerly known as the City of York Folk Weekend, it has been re-named this year after the driving force behind both the folk club and the weekend, who died last June.

This postponement policy also applies to the club’s concerts at the National Centre for Early Music and The Crescent.

In the club’s latest newsletter, organiser Chris Euesden says: “We’re going to review things at the end of May to see where we stand. This includes the Roland Walls Weekend, which was to have taken place in June.

Kathryn Roberts and Sean Lakeman: 25th anniversary concert moves to November 17

“If you’ve already bought tickets for any of our events that have had to be postponed, you can get a refund from the internet ticket provider or you can hang on to your tickets, as they will be valid for the new date.

“This applies to all events except The Paperboys at The Crescent on April 5, which is cancelled. If you have already bought tickets, you’ll be able to get a refund from seetickets.com. Go to their support section for further details.”

One Black Swan concert during the folk furlow is yet to be postponed: Chris Cleverley, presented by Broken Record on June 25. At the time of writing, it is “still hoped” that this night of songs on the theme of deteriorating anxious minds, damaging gender constructs and mystical tales of the occult will go ahead. Watch this space; ticket information is yet to be announced.

Reflecting on the present state of no-play, Chris says: “Well, we’ve never issued a newsletter quite like this one before. As the current situation has changed from day to day, so has the newsletter.

Grace Petrie: new date in the pipeline for May 18 gig

“With the [Government] announcement of  the closure of pubs and other music venues and the uncertainty surrounding the amount of time this is going to go on for, it seems like a good point to let you all know what’s in place at the moment.

“It’s highly likely there will be more changes, but we’ll do our best to keep you all informed on our website, blackswanfolkclub.org.uk, via Facebook, Twitter and with additional newsletters.”

Wheels are in motion already, however, for re-arranging postponed concerts.

Maz O’Connor, a Lake District singer-songwriter of Irish roots, now living in East London, is transferring her March 26 Black Swan gig to The Basement, City Screen, on September 9 with tickets on sale at wegottickets.com/event/497157.

O’Connor, who studied literature at Cambridge University, has been commissioned to write songs for the British Parliament and the Royal Shakespeare Company and is devising a piece of music theatre.

Robin Hood’s Bay folk stalwart Martin Carthy: booked to play Black Swan Folk Club when (hopefully) the tide has turned

The Eliza Carthy Restitute Live/Through That Sound concert at The Crescent on April 10 is re-scheduled for January 24 2021, with tickets on sale at seetickets.com.

Carthy, the Robin Hood’s Bay singer, songwriter, fiddler and self-styled “modern English musician”, released Restitute as her first “solo” album of traditional music last May, recorded at her North Yorkshire home on the coast.

Joining Carthy at The Crescent will be the Restitute band of Ben Seal, Ben Somers, Willy Molleson and David Delarre, complemented by a support slot and special guest appearance from Saul Rose.

As well as the Restitute material, Carthy and co will perform selections from Through That Sound (My Secret Was Made Known), her upcoming April 1 album of original songs recorded with Fife producer, arranger and band member Ben Seal.

The album artwork for Eliza Carthy’s Restitute

Kathryn Roberts and Sean Lakeman’s 25th anniversary concert on April 22 at the National Centre for Early Music has a new date of November 17 (box office, ncem.co.uk).

The husband-and-wife duo will mark this milestone by revisiting and reinterpret songs spanning their career, from the early days of folk supergroup Equation to 2018’s album, Personae, plus a nod or two to their extracurricular musical adventures.

The club is in the process of re-scheduling Grace Petrie’s May 18 show at The Crescent. Drever, McCusker, Woomble, alias three of Scotland’s busiest musicians, Kris Drever, John McCusker and Roddy Woomble, are booked for The Crescent on August 24 (box office ents24.com), so keep an eye open for what may change or not.

Looking ahead, Black Swan gigs are in the diary for Anthony John Clarke on September 10; Christine Collister and Michael Fix, September 18; Maria Dunn, September 24; Sam Kelly & Jamie Francis, October 8; Lucy Farrell, October 15; Sam Carter, October 22; Charlie Dore & Julian Litmann, November 19, and Martin Carthy, Eliza’s father, on December 3.

Toni Bunnell: March 29 concert at The Basement, City Screen, York, postponed

Across the wider folk scene in York, hurdy-gurdy musician, wildlife biologist, broadcaster, song and story writer and York Hedgehog Rescue founder Toni Bunnell’s Tracking The Changes show on March 29 at The Basement, City Screen, has been postponed.

Music sessions are suspended at:

The Maltings, Tanner’s Moat, on Tuesdays;

The Golden Ball, Bishophill, on Sunday evenings;

The Three Legged Mare, High Petergate, on Friday evenings;

Havin’ the Craic at The Fox, Holgate, first Wednesday of each month;

French & Breton, Eagle & Child, High Petergate, second Wednesdays.

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Opera North and Leeds Playhouse postpone Sondheim’s A Little Night Music

The artwork for the postponed Opera North and Leeds Playhouse co-production of A Little Night Music

OPERA North is cancelling or postponing all “public-facing activity” until at least the end of April, in response to the COVID-19 crisis.

The Leeds company also confirmed the postponement of this season’s co-production of Stephen Sondheim’s acerbic musical A Little Night Music with Leeds Playhouse. Rehearsals had been due to start this morning for the May 9 opening to mark the year when the New York composer turned 90 yesterday.

“Our immediate priority is the health and safety of our audiences, artists and staff, and we hope to be able to mount the production in a future season,” said Opera North general director Richard Mantle.

Stephen Sondheim: composer of the 1973 musical A Little Night Musical

“This is undoubtedly a time of great challenge for Opera North and our peers but we are determined to respond with creativity and resilience.

“We will honour the contracts of all guest artists to the end of our current main stage opera season and those of guest orchestral players until the end of April.”

Mr Mantle continued: “We are working with our many education and community partners to ascertain what work can still be delivered in those settings, and will focus our creativity and core resources on finding new ways of using music and opera to enhance people’s lives. In these uncertain times, it feels more important than ever that we use music to connect with each other.”

A close-up of the Orchestra of Opera North. Picture: Justin Slee

Opera North remains hopeful that the 2020-2021 season will go ahead as planned in September. In the meantime, the company is working on finding other ways to share its art form with audiences, including online resources. 

Opera North’s livestream of The Turn Of The Screw is available via OperaVision at 
operavision.eu/en/library/performances/operas/turn-screw-opera-north; the full Opera North Ring Cycle at operanorth.co.uk/the-ring-cycle/; the 2017 production of Trouble In Tahiti via Now TV and Sky on-demand services.

For updated information on Opera North event cancellations and postponements, visit  operanorth.co.uk/news/coronavirus-covid-19-update/.

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WHAT’S STILL ON: Katherine-of-Yorkshire’s phone photos to bring peace to Village Gallery in York

York In Flood, 2019, taken by the York Museum Gardens, by Katherine-of-Yorkshire

VILLAGE Gallery, in Colliergate, York, will be “doing something a little different to our normal show” for its next exhibition, opening on March 31.

On display and for sale will be photographers by Instagrammer Katherine-of-Yorkshire, who uses only her phone camera to take her photos.

“Apart from occasional cropping, and selecting which filter to use, there’s no other manipulation or photoshopping of the images,” says gallery owner Simon Main.

Bootham Bar from King’s Manor by Katherine-of-Yorkshire

“Katherine’s preference is to photograph in black and white because she finds the result more timeless than using colour.

“From our perspective though, in addition to this, we see that she has a seemingly natural talent and eye for composition, and she manages to convey a deep feeling of peace, even when documenting the floods in York that happen all too regularly.”

In response to the ongoing Coronavirus situation, Village Gallery will not be holding its customary preview on the evening before the opening. “Enhanced regular cleaning and disinfecting practices have been put in place to keep our customers and us as safe as we can,” says Simon.

York Minster At Night, 2020, by Katherine-of-Yorkshire

“Until we are forced to do otherwise, the gallery will remain open for its usual opening hours, Tuesday to Saturday, 10am to 5pm, and we look forward to seeing everyone throughout the period of the exhibition run until May 9.”

Aside from its regularly changing 2D and 3D art exhibitions, each running for six weeks, Village Gallery is York’s official stockist of Lalique glass and crystal, also selling art, jewellery, ceramics, glass and sculpture, predominantly by Yorkshire artists.

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WHAT’S STILL ON: Pyramid Gallery launches online exhibition for these Strange Days after York Open Studios cancelled

Pyramid Gallery owner Terry Brett, on Stonegate, York, holding a work by Askrigg artist Piers Browne from the Full Sunlight exhibition

THE Coronavirus pandemic may have shut doors on next month’s York Open Studios, but Pyramid Gallery is stepping in to offer an online exhibition to York artists.

What’s more, gallery owner Terry Brett is calling this new service Strange Days, after the song of that title by The Doors. As rather more than one door closes, The Doors open new possibilities for a different form of Pyramid selling.

“This applies to artists who have sold through the gallery either recently or in the past, and we’re extending this invitation to any of 2020’s 144 York Open Studio artists,” says Terry.

“The artists will keep the work that they’re showing at their studio, and between them and the gallery, delivery will be arranged to the purchaser’s address if it is within a YO postcode.”

Terry has run Pyramid Gallery, in Stonegate, since 1994, says: “We need to survive in these Strange Days, and so do our artists. We noticed many posts on social media this week by worried artists who had heard that York Open Studios was cancelled.  We wanted to do something positive for them. It has given us an aim and lots of work to do, which is very useful for morale.”

Morale that he believes is under immediate threat from this week’s urgently announced Government financial policies in response to the Coronavirus pandemic. “I am disappointed by the ineffectiveness of government to make sensible and working decisions,” says Terry.

The brochure for the 2020 York Open Studios, adapted post-cancellation by participating York jewellery maker Jo Bagshaw

“While other European nations are protecting citizens and employees from economic crisis and worry, our Government seems unable to make the decision to support individuals and freelance workers or self-employed artists.

“These matters are being passed down to the community to resolve. It’s not a good approach. The Government should offer quickly to make payments to everyone, so that we know we can pay rents, employ people and buy essentials.”

Pyramid Gallery is reducing its normal commission to the artist for this event to 20 per cent plus VAT on each sale and is arranging the delivery free of charge to the customer.

“Some artists have already submitted work for the online show, and images are being placed on the website all the time,” says Terry. “The show will continue as long as there is a Coronavirus crisis.”

More details, and the Strange Days lyrics, can be found at https://www.pyramidgallery.com/strange-days-art-behind-the-doors-york-artists-online/.

Pyramid Gallery continues to open its doors, Monday to Saturday, between 10am and 5pm, but will be closed on Sundays. On show until April 26 is Full Sunlight, an exhibition of etchings and paintings by Piers Browne, studio ceramics by Hannah Arnup, figurative sculptures by Helen Martino and glass by Fiaz Elson.

The artwork for The Doors’ Strange Days

Oh, spoiler alert, here are Jim Morrison’s 1967 lyrics to The Doors’ Strange Days:

Strange days have found us

Strange days have tracked us down

They’re going to destroy

Our casual joys

We shall go on playing

Or find a new town

Yeah!

Strange eyes fill strange rooms

Voices will signal their tired end

The hostess is grinning

Her guests sleep from sinning

Hear me talk of sin

And you know this is it

Yeah!

Strange days have found us

And through their strange hours

We linger alone

Bodies confused

Memories misused

As we run from the day

To a strange night of stone

Let’s look forward to the day when Pyramid Gallery can host an exhibition with another of The Doors’ titles, The End, but in a good way, not an Apocalypse Now way.

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WHAT’S STILL ON: Never too late for Early Music Day as NCEM streams concerts from behind closed doors

Devine intervention: Steven Devine’s concert WILL still happen, streamed across Europe from York. Picture: Guy Carpenter

EARLY Music Day will go ahead at the National Centre for Early Music, York, tomorrow but behind closed doors.

“Our doors may be temporarily closed, in response to the Coronavirus pandemic, but we’ll still be celebrating Early Music Day and streaming our concerts all around Europe, so join us for two wonderful concerts this Saturday (March 21),” says director Delma Tomlin. “There will also be a selection of concerts available to enjoy online over the coming weeks.”

Tomorrow’s programme at the NCEM, St Margaret’s Church, Walmgate, begins with a 1pm concert by harpsichordist Steven Devine, performing the first in a series of Bach Preludes and Fugues, and ends with The Brabant Ensemble’s 6pm programme of A Monk’s Life: Music From The Cloisters, 1550-1620.

From The Cloisters, from the NCEM: The Brabant Ensemble still in concert tomorrow. Picture: Alain Le Bourdonnec

“Sublime choral music from the Renaissance performed by this Oxford ensemble offers the perfect end to a fabulous day of music,” says Delma.

“I am so grateful to our talented array of musicians who are determined that Early Music Day will still happen somehow and have agreed to perform behind closed doors.

“Even if you can’t be with us in person, we hope that you will join us for this day of music, a joyful celebration which normally takes place with our European partners and friends in beautiful venues.”

“Music has the power to uplift and inspire us all,” says NCEM director Delma Tomlin

Looking ahead, Delma says: “We are pausing our operations until the end of April and will be in contact with everyone who has booked to attend concerts that are due to take place within this period.

“We ask that you are patient with us during this difficult time and wait for us to contact you. Regular updates about future concerts and more concert footage will be posted on our website, ncem.co.uk, and via social media, so please keep checking.”

To watch Saturday’s concerts follow: https://www.facebook.com/yorkearlymusic/

“Music has the power to uplift and inspire us all and although our building may be closed, we will be sharing a selection of concerts from our archives online for us all to enjoy,” says Delma, on an upbeat final note.

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York Theatre Royal postpones Margaret Atwood’s The Penelopiad until 2021

Balancing act: York Theatre Royal postpones The Penelopiad until 2021 but that enables “a little more dreamtime” for the creative team

YORK Theatre Royal’s summer production of Margaret Atwood’s The Penelopiad has been postponed.

Originally in the 2020 diary for July 10 to 25, associate director Juliet Forster’s show will be staged in 2021 instead on dates yet to be confirmed. 

Uncertainty surrounding the Coronavirus pandemic is holding up pre-production work by Forster’s creative team.

Juliet Forster: York Theatre Royal associate director, directing The Penelopiad

Juliet says: “The joy of Atwood’s work is that it doesn’t date, so although we are disappointed that we have to postpone our production of The Penelopiad, I know it will be just as relevant and exciting to stage this wonderful play in 2021.  

“And on the upside, for the creative team involved, having a little more dreamtime on this story will only make the final staging of it all the more spectacular!”

Written by the Booker Prize-winning author of The Handmaid’s Tale and 2019’s The Testaments, The Penelopiad tells the story of Odysseus’ wife Penelope and the Trojan Wars from her point of view. 

Writer Margaret Atwood

Ticket holders will be contacted by the Theatre Royal box office in the coming weeks.