HOW are your VE Day 75th anniversary celebrations going on this beautifully sunny May holiday?
Should you be in need of musical accompaniment, York Musical Theatre Company members are on hand through the day with a rolling programme of 1940s’ songs on the company’s Facebook page.
Familiar Forties’ favourites have been recorded for the occasion by Jessa Liversidge (When The Lights Go On Again); Eleanor Leaper (From The Andrews Sisters…to The Eleanor Sisters! Bei Mir Bist Du Schon!); Flo Taylor (Lili Marlene) ; Marlena Kelli (a Rita Hayworth tribute) and Matthew Ainsworth (the ballad I’ll Be Seeing You, accompanied by Jessica Douglas).
Look out too for a heap of photographic memories from York Musical Theatre Company’s When The Lights Go On Again performances.
Go to facebook.com/yorkmusicaltheatrecompany. Make sure to check out Jessa Liversidge’s Facebook page too; she sang plenty more 1940s’ songs live from midday today as part of the VE Day 1940s Performers Extravaganza series of concerts from living rooms. You can still hear her performance at facebook.com/Jessasongsfromtheheart/.
Badapple Theatre Company podcast duo Frances Tither, left, and Sarah Paine
BADAPPLE Theatre Company’s Theatre On Your Doorstep van is parked up, the hand brake applied by the Coronavirus pandemic.
Instead of travelling to Yorkshire’s smallest and hardest-to-reach village halls this spring, the Green Hammerton company is switching to Theatre On Your Desktop.
“At a time when arts projects of all kinds are on hold, we’re keeping spirits up by making freely available podcasts of one of our best-loved productions, Back To The Land Girls,” says artistic director Kate Bramley, who founded the grassroots touring company 21 years ago with the mission to “offer the best of new theatre in the most unexpected of places”.
“Now you can access relaxed readings of our popular World War Two comedy in a series of free ten-minute podcasts, starring Frances Tither and Sarah Raine.”
Explaining the rationale behind the Desktop initiative, Kate says: “For the past 21 years, we’ve been touring original productions to rural communities that do not normally get the chance to host shows locally.
Badapple Theatre Company artistic director and playwright Kate Bramley
“But the creative team decided the best way to keep the plays coming during lockdown was to bring them direct to people’s desktops and hopefully spread a little virtual cheer.”
Back To The Land Girls is an apt choice for Badapple’s debut virtual venture, given the parallels with the strictures of 2020 life in Covid-19 lockdown limbo. “This historic play of ours is surprisingly resonant at this time as our Land Girls are facing life-changing times head on, but are resilient and manage to triumph,” says Kate.
Her story follows the adventures of Buff and Biddy, two young women who volunteer for the Women’s Land Army in Yorkshire, played by Fran Tither, BBC docu-drama award winner for 2018’s Emmeline: Portrait Of A Militant and Sarah Raine, whose credits include Wild Rumpus Theatre’s Colour The Clouds.
“Expect a humorous look at Buff and Biddy’s experiences as they are bonded by hard physical work, back ache and plenty of banter,” says Kate, whose script is complemented by original songs and music by Sony award-winning singer-songwriter Jez Lowe.
Until Covid-19’s pandemic spread intervened, dates were in the diary for Badapple to tour Kate’s latest play, Elephant Rock, to 30 venues from April 16 to May 31. The tour is now being rearranged for September and October, pending Coronavirus governmental policy updates.
For more details of how to download Back To The Land Girls via Podbean, go to badappetheatre.com.
The Barber Shop Chronicles: Cheering on Chelsea in a Champions League match. Pictures: Arc Brenner
BARBER Shop Chronicles, the Leeds Playhouse co-production with the National Theatre, will be streamed on the National Theatre at Home’s YouTube channel from May 14.
Staged in the Courtyard at the Leeds theatre in July 2017 and filmed at the National Theatre’s Dorfman theatre in January 2018, Inua Ellams’ international hit play will be shown in a never-before-seen archive recording.
Barber Shop Chronicles tells the interwoven tales of black men from across the globe who, for generations, have gathered in barber shops, where the banter can be barbed and the truth is always cutting.
Co-produced with third partner Fuel, Bijan Sheibani’s production went on to play BAM in New York before a London return to the Roundhouse last summer and further performances at Leeds Playhouse last autumn.
The National Theatre at Home initiative takes NT Live into people’s homes during the Coronavirus shutdown of theatres and cinemas with free screenings, each production being shown on demand for seven days after the first 7pm show on Thursdays.
Patrice Naiambana as Tokunbo in Barber Shop Chronicles
Hull playwright Richard Bean’s comedy One Man, Two Guvnors kicked off the series, since when Jane Eyre, Treasure Island, Twelfth Night and Frankenstein have been streamed, drawing eight million viewers over the past month. Next up, from 7pm tonight, will be Antony & Cleopatra starring Ralph Fiennes and Sophie Okonedo as Shakespeare’s fated lovers.
Looking ahead, the Young Vic production of Tennessee Williams’s A Streetcar Named Desire, starring Gillian Anderson as Blanche DuBois, is in the diary for May 21 to 28; James Graham’s insight into the workings of 1970s’ Westminster politics, This House, May 28 to June 4, and the Donmar Warehouse production of Coriolanus, starring Tom Hiddleston in Shakespeare’s political revenge tragedy, June 4 to 11.
Given that theatres are predicted to be at the back of the queue for re-opening under the gradual relaxation of lockdown measures, the future of the industry for artists and organisations remains uncertain. Consequently, the National Theatre has, in agreement with the actors’ union Equity, committed to pay all artists and creatives involved with productions streamed as part of National Theatre at Home.
Robin Hawkes, executive director of Leeds Playhouse, says: “We’re really pleased that Barber Shop Chronicles, which we brought back to Leeds last year after it was a huge hit with audiences here at the Playhouse previously, is going to be one of the first partner theatre performances accessible to such a wide audience through NT at Home.”
Lisa Burger, the National Theatre’s executive director and joint chief executive, says: “I’m delighted that in this next collection of titles to be streamed as part of National Theatre at Home we are including productions from our NT Live partner theatres.
Cyril Nri as Emmanuel in Barber Shop Chronicles
“When we launched National Theatre at Home last month, we wanted to offer audiences the opportunity to engage with theatre during this time of isolation while we were unable to welcome them to the South Bank or into cinemas.”
Burger continues: “This initiative wouldn’t have been possible without the support of a great number of artists for which we are incredibly grateful. We have been absolutely thrilled by the response from viewers enjoying the productions from right across the globe, and we have also been surprised and delighted at the generous donations we’ve received since closure.
“While the National Theatre continues to face a precarious financial future, we now feel able to make a payment to all artists involved, as we recognise a great many are also experiencing a particularly challenging time at this moment.
“While theatres across the world remain closed, we’re pleased that we can continue to bring the best of British theatre directly into people’s homes every Thursday evening.”
National Theatre at Home is free of charge but should viewers wish to make a donation, money donated via YouTube will be shared with the co-producing theatre organisations of each stream, including Leeds Playhouse, to help support the Playhouse through this period of closure and uncertainty.
Charles Hutchinson’s review of Barber Shop Chronicles, Courtyard Theatre, West Yorkshire Playhouse, Leeds, July 2017. Copyright of The Press, York.
BARBER Shop Chronicles is the first West Yorkshire Playhouse collaboration with the National Theatre, and sure enough it is a cut above the norm.
Leeds is mentioned only in passing – one character has links with the city – but a Chapeltown barber (Stylistics, should you be wondering) was one of the principal inspirations that led Nigerian playwright and poet Inua Ellams to write his joyous, illuminating play.
Barbers have not had a great press on stage, what with Sweeney Todd’s cut-throat business practices in Fleet Street, but that all changes with Ellams’ drama, a series of conversations with the barber often in the position of counsellor.
David Webber (Sizwe) and Fisayo Akinade (Sam) in Barber Shop Chronicles
In Britain, traditionally such conversations would normally not extend beyond asking where you might be going on holiday this summer, sir, or if you needed something for the weekend, or if you had any preferences, to which the answer once came “To sit in silence”.
Not much scope for a play there, then, but it is a different story in the African community, now in London (and Leeds), as much as in Nigeria, South Africa, Zimbabwe, Kenya, Uganda and Ghana, all of which Ellams visited to collect stories for his Chronicles.
The Courtyard has been transformed by Rae Smith into a theatre in the round, well, square, to be precise, with seating on all four sides, and the sign boards of barber shops in London and the various African nations displayed all around the perimeter beneath a globe with a mirrorball that lights up for each change of location, heralded by an a cappella song name-checking each city. In turn, a spotlight picks out the sign for the next barber to be featured.
Patrice Naiambana as Paul in Barber Shop Chronicles
This allows Bijan Sheibani’s ensemble production to flow and fly through its two hours without an interval, the momentum too thrilling to break. We begin and end in Lagos, and the focus then switches back and forth from a London barber shop to one-to-one encounters in Accra, Kampala, Harare and Johannesburg.
A family of barbers is at war in the London shop, although united in supporting Chelsea (in a Champions League encounter with Barcelona), and all manner of subjects come up for discussion: black men and white girls; Patrice Evra versus Luis Suarez; the “N” word and rappers.
There is much humour at play, but serious points too, not least about what it means to be a strong black man, and the family clash cuts deeper than a soap opera.
What’s more, the African chronicles throw you off your guard, reappraising the worth of Nelson Mandela, Robert Mugabe and Fela Kuti. Take a seat….
A night at the light opera: The International Gilbert and Sullivan Festival at the Royal Hall, Harrogate, in a past year
THIS summer’s 27th International Gilbert and Sullivan Festival at the Royal Hall, Harrogate, may have been cancelled, but the show must go on…online.
In response to the Covid-19 strictures, the festival is launching a new streaming service of past productions at www.gsopera.tv.
“We shall be streaming the very best of our National Gilbert and Sullivan Opera Company and G&S Festival productions at home and abroad since 1994, plus many other G&S classics,” says festival trustee Bernard Lockett.
“Unfortunately, there’s no International G&S Festival in 2020 because of Covid-19, but here, as is said in The Mikado, is our ‘substitute’: www.gsopera.tv. Full programme details will be available later.”
What delights lie in store, Bernard? “There’s something for everyone, and our content will be constantly updated with new, exciting films for you to enjoy from the best seat in your house. Sign in now on gsopera.tv and there’s even a ten per cent discount until May 14. There’s free content to watch there too,” he says.
“You can watch gsopera.tv on your tablet, laptop, smart TV, smartphone or PC – anywhere with the internet. It’s easy to use and your purchases can be accessed on all your internet-connected devices forever.”
What else? “Keep an eye out for our new weekly podcasts and webinars starring your festival favourites and Gilbert & Sullivan experts,” says Bernard. “They are coming soon and we can’t wait to share them with you.
“We’re selecting some outstanding films for an eagerly awaited virtual festival in August, so this year you can simply stay safely at home and enjoy being entertained. Our streaming service will let you re-live treasured memories and enjoy those magical performances that have made the Gilbert & Sullivan Festival such an amazing and unique event.”
Bernard also confirmed the G&S Festival will be “back in earnest” in 2021 at two locations: the festival’s original home of Buxton Opera House, from July 31 to August 7, and the Royal Hall, Harrogate, from August 8 to 22.
This summer’s festival run in Harrogate from August 9 to 23 would have featured five new National Gilbert & Sullivan Opera Company productions: The Pirates Of Penzance and The Sorcerer, directed by Richard Gauntlett; rising star Rachel Middle’s HMS Pinafore; Simon Butteriss’s Patience and Alan Borthwick’s The Emerald Isle (or The Caves Of Carrig-Cleena), a work staged only rarely.
Further highlights were to have been Charles Court Opera’s smart, stylish new take on The Mikado, directed by John Savournin, and their new production of Iolanthe, plus Rachel Middle’s production of The Yeomen Of The Guard for Forbear! Theatre.
Nothing happening full stop. Now, with time on your frequently washed hands, home is where the art is and plenty else besides
Exit 10 Things To See Next Week in York and beyond for the unforeseeable future in Lockdown hibernation. Enter home entertainment, wherever you may be, whether together or in self-isolation, in the shadow of the Covid-19 pandemic. From behind his closed door, CHARLES HUTCHINSON makes these suggestions.
Street protest: The Everything Is Possible: The York Suffragettes cast on the march from York Minster Plaza to York Theatre Royal in 2017. Picture: Anthony Robling
Streaming of Everything Is Possible: The York Suffragettes, York Theatre Royal Collective Arts programme
YORK Theatre Royal is streaming the 2017 community play Everything Is Possible: The York Suffragettes for free on its YouTube channel until May 31.
Co-produced with Pilot Theatre, this outdoor and indoor production was performed by a community cast of 150 and a choir of 80, taking the form of a protest play that recalled how women in York ran safe houses, organised meetings, smashed windows and fire-bombed pillar boxes as part of the early 20th century Suffragette movement.
“Now the stage is dark and the streets are empty, but looking back to the way in which that show brought people together, inspiring them in so many ways, is a wonderful reminder of the power of theatre and community,” says playwright Bridget Foreman.
Whispers From The Museum: the new mystery adventure from Scarborough Museums Trust
Whispers From The Museum, online mystery adventures for children
ADVENTUROUS youngsters can solve a new online mystery, Whispers From The Museum, set at Scarborough Art Gallery and Rotunda Museum, from May 12. The buildings may be closed under the Covid-19 pandemic restrictions but strange messages have been appearing inside. Who or what is making them and what are they trying to tell us?
For six weeks, young people – and their grown-ups – can uncover stories about assorted Scarborough Museums Trust objects by completing online missions and challenges from their own home, set by Scarborough artist Kirsty Harris.
The stream team: Your Place Comedy double bill Simon Brodkin and Maisie Adam, performing from their living room to yours
Your Place Comedy, streamed from their living rooms to yours
AT the initiation of Selby Town Hall arts centre manager Chris Jones, here comes gig two of Your Place Comedy, a Sunday night when comedians stream a live show via YouTube and Twitch from their living room into yours from 8pm. There is no charge, but you can make donations to be split between the ten small, independent northern venues that have come together for this Lockdown fundraising scheme.
After Hull humorist Lucy Beaumont and a pyjama-clad Mark Watson in the inaugural online gig, this weekend’s stream team will be Theresa May’s Tory conference P45 prankster Simon Brodkin and Harrogate’s Maisie Adam, as seen from home previously on last Friday’s Have I Got News For You.
Grayson Perry with his teddy bear Alan Measles on a visit to York in May 2014 to open the Meet The Museums Bears event
Inspired by Grayson’s Art Club on Channel 4…
IF you have enjoyed Grayson Perry’s convivial call to art, Grayson’s Art Club, on Channel 4 on Monday nights, with portraits and animals as the two subjects so far, seek out the “Ultimate Artists’ Activity Pack”.
This downloadable artist activity pack is suitable for children and adults alike, with Grayson among the contributing artists. So too are Ampleforth College alumnus Antony Gormley, Mark Wallinger, Michael Landy, Gillian Wearing and Jeremy Deller.
The Art Is Where The Home Is pack is the creation of Sandy Shaw, director of the Firstsite Gallery in Colchester, who says the activities should be fun, done on A4 paper and ideally shared.
Drag diva Velma Celli’s poster for Large & Lit In Lockdown, her next online show
What next for Velma Celli, York’s drag diva?
AFTER last weekend’s concert streamed from a Bishopthorpe kitchen in aid of St Leonard’s Hospice, York’s international drag diva Velma Celli has confirmed another such online extravaganza.
Large & Lit In Lockdown will be large and live at 8pm on May 16. “All you need to do is get your tickets from the link below and a live link will arrive in your email inbox on the day of the show.
Activity of the week: Rearranging your bookshelves
THANKS to Zoom and all manner of online visual services, placing yourself in front of your bookshelves is becoming the new normal, as tracked by the Bookcase Credibility Twitter feed, @BCredibility.
You may not go as far as J K Rowling, who re-arranged her books in colour sequences, but this is the chance to both gut your book collection and to find new ways to categorise those shelves, more imaginatively than merely alphabetically. This is spring cleaning with a new purpose.
Romesh Ranganathan: Rearranged York Barbican date
Still keep trying to find good news
POCKLINGTON’S Platform Festival in July, off. More York Races meetings, a non-runner. Deadpan comedian Romesh Ranganathan on Sunday at York Barbican, off; Whitby Fish & Ships Festival next weekend; the chips are down, alas. The list of cancellations grows like the wisteria adorning York’s houses this month, but you should keep visiting websites for updates.
Platform Festival? Negotiations are underway to move as many acts as possible to next summer. Romesh? His show, The Cynics Mixtape, is in the 2021 diary for May 15, still without an apostrophe in its title. Fish & Ships? Sailing into harbour next May. York Races? Further updates awaited.
Woodland bluebells , Spring 2020
Venturing outdoors…
…FOR your daily exercise, be that a run, a cycle ride or a stroll near home, in a changing environment. If your route allows, check out the bluebells, now a glorious woodland haze, and the rhododendrons, bursting through too. In Rowntree Park, the ducklings are taking to the water, no need for armbands. Thank you, nature and the natural world, for keeping up our spirits.
Clap for Carers
STAND by your doors at 8pm every Thursday, no excuses. Theatre-goers, concert-goers, save your hand-clapping for our NHS doctors, hospital staff, carers, volunteers and key workers. How moving, too, to see familiar buildings bathed in blue light: a glowing tribute growing by the week.
Louis Theroux: New BBC radio series of interviews in lockdown
And what about…
NEW albums by The Strokes (the uncannily titled The New Abnormal); Lucinda Williams, Car Seat Headrest and Damien Jurado. Michael Henderson’s new state-of-the-nation book That Will Be England Gone, The Last Summer Of Cricket. The TV adaptation of Normal People, Sally Rooney’s story of complicated Millennial teenage love, directed by Room filmmaker Lenny Abrahamson on BBC Three, One and iPlayer. Louis Theroux’s lockdown interview series, Grounded, on BBC Radio 4 and BBC Sounds. Parsnips, however you cook them.
Sunday service: The stream team of Simon Brodkin and Maisie Adam, delivering comedy to your living room
PRANKSTER Simon Brodkin and Have I Got News For You panellist-in-lockdown Maisie Adam form the second Your Place Comedy double bill on Sunday.
The 8pm show will be streamed live from their living rooms to yours, looking to build on the success of the April 19 launch, when more than 3,500 people tuned in to watch Mark Watson, Hull comedian Lucy Beaumont and compere Tim FitzHigham.
Chris Jones, Selby Town Council’s arts officer and manager of Selby Town Hall, is again co-ordinating this weekend’s online fundraising show, working in tandem with nine other small, independent arts centres and theatres from across Yorkshire and the Humber during the Covid-19 shutdown.
Brodkin and Adam’s show will be free to watch on YouTube and the Twitch video live streaming service, with an option for viewers to donate if they have enjoyed the broadcast. All money raised will be distributed equally among the supporting venues, each being faced with navigating their way through these challenging Coronavirus days.
Compere Tim FitzHigham and a pyjama-clad Mark Watson on screen during the inaugural Your Place Comedy online broadcast
Joining together in this rolling initiative to put the fun into fundraising are Selby Town Hall; The Ropewalk, Barton upon Humber; Carriageworks Theatre, Leeds; East Riding Theatre, Beverley; Junction, Goole; Helmsley Arts Centre; Shire Hall, Howden; Otley Courthouse; Pocklington Arts Centre and Rotherham Theatres.
“In a nutshell, at a time of huge uncertainty and upheaval in the Coronavirus lockdown, including for the live entertainment industry, I got these venues from around Yorkshire and the Humber to come together to provide our audiences with some much-needed laughter during these difficult times, each chipping in a small amount of money to put on each live stream,” says Chris, who was up until 4am on Tuesday morning putting everything in place for Sunday’s gig.
“Their contributions to Your Place Comedy go towards paying the artists a guaranteed fee at a time when all live income has been taken away, and, in exchange, venues get a show to sell to their own audiences as one of their own, helping maintain those vital relationships with audiences they have nurtured over the years.”
Watson and Beaumont’s April show raised £3,500 in donations for the venues. “We were overwhelmed by the response to our first ever broadcast,” says a delighted Chris, who was interviewed about Your Place Comedy on BBC 5 Live on Tuesday.
Prescient move: Simon Brodkin handed a P45 to Theresa May at Tory party conference
“The fantastic audiences, who are the absolute lifeblood of the ten venues involved in this project, watched and donated in their droves. Drawing more than 3,500 viewers was considerably more than the venues’ combined capacities, so the show went even better than we had imagined, to say the whole project was put together from scratch in the space of two weeks by three people with no live streaming experience.”
Come Sunday, compere Tim FitzHigham, writer and star of BBC Radio 4’s The Gambler and presenter of CBBC’s Super Human Challenge, will introduce Brodkin and Adams’s sets from their homes, from his.
Prankster and character comedian Brodkin, 42, is best known for his alter-ego Lee Nelson and, latterly, as the man who handed Prime Minister Theresa May a P45 during the 2017 Conservative Party Conference. North Yorkshire-born comedian, writer and actor Adam, 26, has made her mark on Have I Got News For You, Mock The Week and 8 Out Of 10 Cats and appears regularly at the Harrogate Comedy Festival.
“It’s a distinctly different style line-up to the first show,” says Chris. “Simon is a truly fascinating performer. A former doctor turned character comic, he’s reinvented himself as one of the best pranksters the UK has ever seen. Listening to him spill the beans on how those daring exploits are pulled off is remarkably compelling.
One giant leap for Maisie Adam: From Pannal to the Have I Got News For You panel
“Maisie is destined to be omnipresent on our TV screens. Originally from Pannal, just outside Harrogate, she played her first ever gig at Otley Labour Club in 2016. She’s since had a pretty meteoric rise, winning the best new act competition in the country, So You Think You’re Funny?, in 2017; being nominated as Best Newcomer in the Edinburgh Comedy Awards a year later, and now appearing regularly on prime-time panel shows.”
Maisie, a former head girl at St Aidan’s School in Harrogate, appeared from her home in Brighton on last Friday’s home-alone edition of BBC One’s long-running satirical quiz show, Have I Got News For You, partnering team captain Ian Hislop.
Reflecting on the comedic impact of the first show, Chris says: “Both Mark Watson and Lucy Beaumont were fantastic. Mark is relatively experienced when it comes to live streaming and was comfortable enough with the format to perform in his pyjamas.
“For Lucy, it was a first foray into ‘audience-free’ comedy, but her set was pitch perfect – even featuring a rather bizarre bedtime story! – and broadcast live from the pub that her husband, [comedian] Jon Richardson, has built in their house.”
Lucy Beaumont: A “pitch-perfect set, even featuring a rather bizarre bedtime story”
How did the format work, Chris? “We were very aware that one of the limitations of live streamed comedy was a lack of audience interaction, so we devised a function that allowed viewers to send messages directly to the acts,” he says.
“This worked incredibly well and really gave the show that extra feeling of intimacy and warmth that you get from watching comedy in a small venue environment.”
Before the April 19 debut gig, Chris had said: “If the first one is a success and this looks like a sustainable model, I would hope to do several more through the lockdown period and possibly beyond.”
Now he is projecting an initial run of five shows. “We hope that, for as long as our doors have to remain closed, we can continue to connect with audiences and bring them big laughs from some of the UK’s best performers through the Your Place Comedy project,” he says.
“At a time when so many life-affirming social connections have been lost, and a great number of performers have had their livelihoods taken away overnight, it is brilliant to be able to support artists, audiences and independent venues in this way.”
For full details on Your Place Comedy, and to find out how to watch the show, visit yourplacecomedy.co.uk.
Louise Henry: From Liesl and Snow White to the musical theatre diploma at MTA in London
“FINALLYYYY the day has come that I can say this… I got into drama school!!!!!” So read Louise Henry’s ecstatic Facebook announcement that she has been accepted for the fast-track diploma course at the Musical Theatre Academy (MTA), in London, from October.
Louise, you may recall, made her professional debut in December as “York’s very own” Louise Henry – in reality from Knaresborough – playing Snow White in Snow White And The Seven Dwarfs at the Grand Opera House, York. From 30 auditionees, she had landed the part while working at the Hoxton North café bar in Royal Parade, Harrogate,
In the midst of the Covid-19 lockdown, she secured her MTA place through a Zoom audition – “how bizarre,” she says – and now comes the challenge of raising the finance for her two years of musical theatre studies in Tottenham Green.
“Some of the most vivid memories of my childhood are centred around shows and performing, the earliest being chosen to play Whoops A Daisy Angel in Year 1 – a role I played with absolute conviction, I’ll have you know.
Louise Henry as Shelby in York Stage’s Steel Magnolias at Theatre @41 Monkgate, York, her last role before securing her place at MTA
“If I were to ask you what your wildest dream was, beyond all imagination, what would you say? Genuinely, what would it be? Mine would be to perform for a living. My heart is so happy on stage.”
Now, the bad news. “To attend this phenomenal school and receive the training I have long yearned for, I must fund the £32,000 fees with no government funding,” she revealed on Facebook.
“The MTA is not linked with a university and therefore I cannot apply for a student loan in the same way other courses can. Yes. I know. BUT, and humour me here, if every one of my 1,481 Facebook Friends generously donated £20 (or £21.70 to be precise), I would make the amount in full.”
Louise understands that such a proposal is “wishful thinking on my part”, but her Facebook post added: “However, if, by chance of incredible generosity, half, a third, or even a quarter, of said friends donated anything possible, I would be in a much more promising position to be able to attend this school.
“If people kindly donated even £1, I’m £1 closer! If you could share it to reach your friends and family further afield, my chances are immediately increased.”
Louise Henry, back left, in her role as Liesl von Trapp in York Stage Musicals’ The Sound Of Music at the Grand Opera House, York, in 2019
CharlesHutchPress is delighted to spread the word, having enjoyed Louise’s performances in such York Stage Musicals roles as 16-year-old Liesl von Trapp in The Sound Of Music and 40-year-old Jane in Twilight Robbery, as well as a young Australian woman, Gabrielle York, in Rigmarole Theatre Company’s When The Rain Stops Falling last November.
Since then, there have been her dark-wigged Princess Snow White in pantoland and her latest York Stage outing as plucky, resolute but physically fragile Louisiana bride-to-be Shelby in Steel Magnolias in February.
“We are living in such strange, difficult times,” her Facebook open letter continued. “Everything is uncertain for everyone I know and the world is suffering every day. I’m hoping, by this point in the post, that you can appreciate that I simply have to continue as if we aren’t in the middle of a global pandemic.
“Please believe me, I wish I wasn’t asking for help at a time like this. I understand and agree that there are far more worthy and important causes but I feel I have to consider the potential of my future career.
“Of course, I have spent every minute since I received my offer considering how I could logistically, carefully and respectfully raise money under the current circumstances. But making sure I abide by the Government’s restrictions is leaving me with little I can offer by way of help in exchange.
Louise Henry after she learnt she had been picked to make her professional debut as Snow White in Snow White And The Seven Dwarfs, last winter’s Grand Opera House pantomime .Picture: David Harrison.
“Saying this, if there really is anything – walking dogs with my gloves on, helping in the garden, an online singalong or bedtime story for your children – I will help in any way I can! Equally, if you have any suggestions, please send them my way! Once these restrictions are lifted and we are all much less at risk I will, of course, help in any way possible.”
Summing up her situation, Louise says: “I have to be optimistic in that I don’t know who’s hands/Facebook timeline the post might fall into. I’m doing all I can to make this dream a reality, and that means, for me personally, asking kindly for any help I can get.”
To assist Louise, go to gofundme.com/f/mta-musical-theatre-training.
“My first love has always been musical theatre,” says MTA-bound Louise
Charles Hutchinson puts the questions to Louise Henry as she chases her acting dream and the means to secure that future
WHAT attracted you to MTA in particular? How long will you be studying there and what are your hopes and expectations with this course, Louise?
“MTA’s diploma is only a two-year course and so your training is intensified throughout this time.
“The school only accepts 22 students per year and, therefore, you’re in a very elite group of performers, and the contact time, as with many drama schools, is incredibly high at 40 hours per week.
“Equally, the course is split 50/50, 50 per cent focused on stage and 50 per cent on screen acting, which is always something I have wanted to study alongside musical theatre. Everything I read about MTA made me feel as though the course would fully prepare you to be a triple-threat musical theatre performer, but also be trained thoroughly as a screen actor.”
Louise Henry as a young Australian woman, Gabrielle York, in Rigmarole Theatre Company’s When The Rain Stops Falling at Theatre @41 Monkgate, York, last autumn
What steps did you have to go through to land a place at MTA?
“The audition process was obviously very different to that I’m used to: the lockdown implemented by the Government on the outbreak of Covid-19 meant that travelling to the audition would be impossible and potentially very dangerous.
“I soon received an email from Annemarie [Lewis Thomas], the school’s principal, who stated that the auditions would go ahead regardless and instead be held over Zoom, which I was actually very excited about as it would be a totally different experience!
“When the day came, I set up my laptop in my bedroom and had prepared the monologue and song I’d have taken to the audition anyway and from then on it was actually very simple!
“It felt much less daunting than actually being in the room, and I suppose if that translates through people’s auditions it would make the panel’s decision much easier in that it’s based off a very true and honest performance.
“We were even able to do some improv over Zoom with the other auditionees, which was such an interesting experience, led by their head of acting, Tilly Vosburgh, and a group vocal workshop with the head of voice, Josh Mathieson.
“They work very quickly there and so once I had sent in a dance audition – to a song of my choice – I heard back within about 24 hours actually! It was record timing and meant I didn’t spend two anxious weeks refreshing my emails – a feeling I’d grown used to over the past few years’ auditioning.”
Louise Henry playing Liesl von Trapp in York Stage Musicals’ The Sound Of Music
Over the past year, you have done a variety of roles on the York stage – musicals, a pantomime, an Aussie play, an American play – showing an all-round talent. Why pick a musical theatre course?
“My first love has always been musical theatre and was initially what I wanted to study straight out of A-Levels. However, it felt as though my dance ability was always letting me down and so I spent a few years going to dance classes with Lyndsay Wells in Harrogate and instead chose to audition for a few years for straight acting. “That being said, singing and acting have always been my strong point and so musical theatre was always my preference.
“Working with Nik Briggs’s York Stage has been invaluable and being able to perform in a few predominantly acting roles has been a great opportunity to exercise that skill without relying on song and dance.
“Equally, working in the Grand Opera House pantomime over Christmas only intensified my drive to pursue musical theatre and so, on being recommended the MTA, I felt led to audition.”
Louise Henry’s Princess Snow White lies prone after biting the poison-drugged apple in Snow White And The Seven Dwarfs at the Grand Opera House, as the distraught dwarfs and Martin Daniels’ Muddles, right, look on. Picture: David Harrison.
What did you learn from making your professional debut in the 2019-2020 Grand Opera House pantomime?
“Performing in the pantomime was such a brilliant insight to the kind of life I could be working towards. Every day I would try to remind myself that actually soon it would be over and everyday life would assume, and in actual fact you don’t go through every day singing and dancing and dressing up!
“I constantly allowed myself to feel grateful for each performance and despite the intense hard work put into every show, I never tired of performing it. In fact, I really wish we could’ve had more shows somehow crammed into that mad month!
“It taught me that performances can be put together under your very nose and all of a sudden your show is ready and you’re opening. It also taught me that the illusion of a show is one of the most magical and fulfilling experiences for both the performer and the audience member.
“There was no better feeling than getting to the end of the show and being able to see our audiences dancing in the aisles and singing along with us. I’m just really grateful I had that experience and insight to what my life could be like – with a lot of hard work and luck obviously!”
Louise Henry as Princess Snow White, before the dark wig was added, at the press day to launch Snow White And The Seven Dwarfs. Picture: David Harrison
How did it feel playing the title role in your professional debut in Snow White?
“Playing the title role was a little bit of a shellshock experience every day really; everyone else I was working with – even the incredible children playing the dwarves – had worked a panto run previously, so I was a total newbie.
“The cast and crew made me feel so welcome and I learnt so much from the friends I made. There was also something pretty lovely in that, because I wore the black wig, which was in total contrast to my hair at the time, very few people recognised me leaving the stage door. This was nice as it kind of protected the magic of the show for the kids who had come to watch.”
Louise Henry, right, front, with fellow Snow White And The Seven Dwarfs cast members Mark Little, left, Steve Wickenden, Martin Daniels, Jonny Muir and Vicki Michelle at the Grand Opera House, York. Picture by David Harrison.
Did you pick up any good tips from the old pros in the company such as Vicki Michelle, Martin Daniels and Mark Little?
“Working so closely with Vicki, Martin and Mark was incredibly insightful and I got so many opportunities to chat with them about their experiences with performing and acting.
“Mark and I were interviewed by BBC Radio York at the same time and so we had a good chat that morning about his career and I spoke to him about how different things are now, in terms of getting into performing.
“Everyone was so encouraging and supportive, they were always spurring me on to try and keep working for this career. It was incredible watching the show being put together and acting with them was a real joy.”
Louise Henry as Shelby in Steel Magnolias: “Probably my favourite show I’ve ever been involved with,” she says
How had your year gone before lockdown, on stage and off?
“Before lockdown, I was applying to any auditions I could find via the National Youth Theatre member’s board, having been a member since 2015 when I was lucky enough to be invited to attend their intensive summer-school course.
“I sent off applications for a film in which I was cast as an extra, so drove down to London to film for a couple of days in February. That was a fab experience and something I’d never done before.
“I auditioned to attend a workshop with Katie Greenall, a National Youth Theatre associate, and was asked to go down and work for three days on an idea of a performance she is devising.
“I had a couple of auditions and recalls for National Youth Theatre’s REP company, and throughout all the trips to and from London I was working on Steel Magnolias back in York with York Stage.
“This was probably my favourite show I’ve ever been involved with, from the incredible cast I was lucky enough to work with, to the direction and production of the play.
“I just feel so grateful that it came together and we could perform before this lockdown was implemented. So, actually, I had quite a busy few months!”
“I’ve been training my family in ‘bootcamp’ sessions three times a week, then one big workout on a Sunday morning,” says Louise of her lockdown routine
How are you coping with lockdown?
“Lockdown has been a little bizarre and definitely an adjustment. But I really do love a routine, so once I’d established my routine at home, I got comfortable very quickly! “I love exercise and training in different ways, so I’ve been training my family in ‘bootcamp’ sessions three times a week, then one big workout on a Sunday morning.
“I’ve been creating workouts for three friends separately and doing many Zoom dance classes and yoga sessions. It’s probably the most active I’ve ever been! “Alongside this, I’ve been trying to learn a new song each week, focusing on songs that I wouldn’t usually go for. I try and sing these when my family are out walking, so I don’t deafen them with a loud belt!
“Obviously, I had a lot of preparation for my audition and also was asked by Nik [Briggs] at York Stage to get involved with his Songs From The Settee, singing Doctor’s Orders from Catch Me If You Can.
“I’m really glad to have the offer from MTA, so it feels like I have something to work towards once this is all over.”
Louise Henry, top left, in a promotional picture for York Stage’s Steel Magnolias
What would going to MTA mean to you after all the work you have put in already to develop your skills?
“I’m not going to lie… it’s been a long few years, auditioning to train at drama school, and it has always felt really gutting to have not secured a place despite usually getting to final recalls.
“Every time you feel so close and then can’t help but wonder what it is you were lacking? Or if they already have ‘x’ amount of 5’6 females with brunette hair? You hear that it can be down to issues that small, and it becomes really frustrating trying to pinpoint what it was about you that they didn’t want.
“So, this year, to finally secure a place, in the middle of so much uncertainty, I really feel overwhelmed by it! I know it is so clichéd but this is really my one dream to try and achieve making a career of performing, so the place at MTA, I believe, is the first step towards that dream becoming reality.
“I can’t put into words what it was like finally seeing ‘we are delighted to inform you…’ on my acceptance email. I ran downstairs screaming; I feel bad for my neighbours!”
“Your whole chest is just full and you feel like you might just ‘Mary Poppins’ it at any second and take off,” says Louise Henry, describing her love of performing
It may be an obvious question, but what makes you want to be an actor?
“Not at all an obvious question as I have absolutely had moments over the years of ‘oh god, why am I doing this?’. ‘Why am I putting myself through this?’. But quite simply, there’s no better feeling to me than being on stage and performing.
“I don’t know how I can describe this concisely, but there’s a feeling I get when I’m taking my bow or at the end of a run or in the ‘big bit’ of a song and it’s just like you’ve won the marathon or the lottery or you’re reunited with someone, and your whole chest is just full and you feel like you might just ‘Mary Poppins’ it at any second and take off.
“And that feeling to me makes everything else worth it. It’s massive lows but MASSIVE highs and for some peculiar reason the highs make you forget all the lows.
“It’s all I could ever see myself doing, and I would regret it forever if I didn’t throw myself at it and give it everything I have.”
Grim question: If you can’t get the money together, what happens to your plans to go to MTA?
“Interesting. I suppose I can’t really answer this, as that simply isn’t an option for me. I will, and am, doing everything I possibly can, given the current circumstances, and I truly believe I will make this work.
“To me, there is really no alternative: this training is all I have longed for over the past four years. Obviously, so far, I have received some wonderful and incredibly generous help from friends and family, and alongside that I’m saving every penny and plan to work alongside my course.”
No turning back: Louise Henry, pictured in the promotional shots for Steel Magnolias, is determined to take up her place at the Musical Theatre Academy in London in October
“I plan on creating a series of videos, mini-performances of songs or spoken word to post online hopefully for the viewer’s enjoyment – which might encourage people to donate whatever they can.
“The payments are termly and so that breaks down the sum, and I’m incredibly lucky as the MTA are very keen on not letting money be an issue between you attending the course.
“As I said, they choose only 22 students per year and so they have spent a lot of time in selecting who they truly want to train. Not only is this a real honour to have been offered a place, but it also reassures me that the school wants me there. There’s no better feeling after working so hard over the years.”
“All Rise,” urges Gregory Porter…from his seated position
AMERICAN jazz singer and songwriter Gregory Porter will release his new album, All Rise, on August 28 on Decca Records/Blue Note Records.
Porter’s last studio album, 2017’s Nat King Cole & Me, was a dedication to his life-long idol, built around cover versions.
All Rise marks a return to the two-time Grammy Award winner’s original song-writing template: his heart-on-sleeve lyrics imbued with everyday philosophy and real-life detail, set to a stirring mix of jazz, soul, blues, gospel, and pop.
“You could say that I went big,” says Porter, 48, of a record produced by Troy Miller that combines the talents of his long-time bandmates, a hand-picked horn section, a ten-strong choir and the London Symphony Orchestra Strings.
“But, quite frankly, the way I write in my head, it all happens with just voice and piano first, and it’s built up from there. It feels good to get back to the rhythms and the styles and the feelings and the way that I like to lay down my own music from start to finish.”
The artwork for Gregory Porter’s August 28 album, All Rise
Sacramento-born Porter has just released his latest single, the suitably soaring Phoenix. “The song is about the undying, irrepressible spirit of love,” he says. “Love can fall, can suffer some great blow, but it can rise from the ashes and keep going.”
Phoenix follows the gospel-infused lead single Revival, the ballad If Love Is Overrated and Gregory’s dedication to his fans, friends and family, Thank You.
As he worked out the album’s direction, he looked inward, upward, and around him, arriving at a raison d’être found in the title, All Rise. “We hear that phrase when presidents or judges come into the room, but I’m thinking ‘all of us rise’, not just one person being exalted,” says Porter, who played York Barbican in October 2014 and Leeds First Direct Arena in April 2018.
“We are all exalted and lifted up by love. This is my political thought and my real truth. It comes from my personality, my mother’s personality, the personality of the blues and of black people. It’s this idea of making do with the scraps, of resurrection and ascension, and of whatever the current situation is, it can get better through love.”
Did you know?
GREGORY Porter won the Grammy Award for Best Jazz Vocal Album for Liquid Spirit in 2014 and Take Me To The Alley in 2017.
Water & Seeds, 2020, acrylic and collage, by Tom Wood
LOTTE Inch Gallery’s first online-only exhibition, Tom Wood’s The Abstract Crow, is becoming even more abstract.
“The exhibition catalogue is still available to view online, but some of the more eagle-eyed browsers among you will notice a few changes,” says Lotte Inch, owner of the gallery at Fourteen Bootham, York.
“In a true insight into the daily goings-on of the artist’s studio, Tom has revisited three of the works that form part of this exhibition.”
Explaining his decision, Tom says: “Sometimes I feel compelled to revise things. It’s dangerous having things at home. Starts off a portrait…ends up a bunch of flowers! Still, it will give future conservators something to puzzle over.”
Drawing A Dahlia, by Tom Wood
Lotte rejoins: “So, here’s the perfect excuse to revisit Tom’s exhibition once more and to see if you can spot the changes. If you have any questions about any of these works or others in the show, please feel to drop us a line at lotte@lotteinch.co.uk.
“We’re always more than happy to deliver works for you to look at them if you’re based within the York area.”
Running from April 17 to May 16, Wood’s solo show pays homage to this Yorkshire artist’s love for the natural world, while displaying his imaginative and allusive abstract approach to painting.
Since graduating from Sheffield School of Art in 1978, Wood has exhibited his work worldwide. For example, his celebrated portraits of Professor Lord Robert Winston and Leeds playwright Alan Bennett, both commissioned by the National Portrait Gallery, London, have been shown at the Australian National Portrait Gallery, Canberra.
An abstract crow from Tom Wood’s The Abstract Crow online show at Lotte Inch Gallery
Wood has held solo shows at the Yale Center for British Art, Yale University, New Haven, Connecticut, USA, and Schloss Cappenberg, Kreiss Unna, Germany. Among his commissions are portraits for the National Trust, Warwick University and the Harewood Trust, for whom his large double portrait of the late 7th Earl and Countess of Harewood is on permanent display at Harewood House, near Leeds.
“We look forward to re-opening soon but, in the meantime, we continue to encourage you to browse online,” says Lotte. “Alongside Tom’s newly revised works, we also have a selection of new ceramic works and jewellery and will keep adding new items to our online shop, so do check back with us from time to time.
“Do note that if you live in the York area, we’re pleased to be able to offer a free and safe delivery service. Just select ‘Collect In Store’ and we’ll be in touch to arrange delivery of your items.”
Snooping around: The Doggfather announces rearranged dates for 2021
WEST Coast rapper Snoop Dogg is moving his I Wanna Thank Me tour date at Leeds First Direct Arena to February 17 2021.
The Covid-19 restrictions put paid to the 48-year-old American’s six-date 2020 British and Irish tour in support of his 17th album, I Wanna Thank Me, and documentary of the same name.
Released last August, they marked 25 years of the Doggfather, chart-topping rapper, film and television actor and businessman.
Joining Snoop Dogg on the rescheduled tour will be a posse of his key collaborators: West Coast rap luminaries Warren G, Tha Dogg Pound, Obie Trice and D12, plus Irish rap duo Versatile.
