Twinnie turns into the North Country Girl as York singer travels the road to Nashville

Twinnie: the northerner takes the road to the American South

YORK country singer-songwriter Twinnie will go ahead with the April 17 launch of her debut album, Hollywood Gypsy, even amid the Coronavirus lockdown.

After all, it took the West End musical leading light, model, Hollyoaks soap star and film actress ten years to land a record contract with big hitters BMG.

“I feel very excited and it’s come around really quickly since I released my first EP [Better When I’m Drunk] last March,” says Twinnie, 32, who first took to the York stage as Twinnie-Lee Moore at the age of four.

“Given the current situation with the Coronavirus pandemic, it’s a weird time, but I’m a new artist, I’ve waited so long to make an album, and right now, more than ever, I feel I need music, we need music.

“It would be easy to panic, but I’ve found I’ve connected more than ever with my fans on Instagram Live.”

Making country inroads: the artwork for Twinnie’s debut album, Hollywood Gypsy

Twinnie was to have played a sold-out home-city gig at The Crescent on March 22 to showcase Hollywood Gypsy, but the Coronavirus pandemic put paid to her debut headline tour, now re-arranged for the autumn. Glasgow, London, Manchester, Birmingham and Bristol await, before a Crescent crescendo on November 29, with tickets remaining valid.

Twinnie did perform, however, at the prestigious Country2Country (C2C) Festival in Berlin on March 7 and 8, and coming next was a C2C show at the O2 Arena, London, on March 14. “That would have been a really big deal for me, being able to promote my album and tour, so it’s a real downer, but I’m just really grateful that there’s still light at the end of the tunnel, and it’s good that we’ve managed to re-schedule the tour,” she says.

As chance would have it, the C2C cancellation led to a prompt invitation to fill the void in Twinnie’s diary with a live set on BBC Radio 2’s The Country Show with Bob Harris on March 12. “Bob has been a really big supporter of mine,” she says. “He was the first DJ to support me on the radio, even before I had a recording contract. I just sent him a track and he played it!”

Bob Harris: supportive host of BBC Radio 2’s The Country Show

Twinnie first trod the boards in York when attending the late Miss Isobel Dunn’s dance school, started playing a keyboard at seven and then performed in the Grand Opera House pantomime dance ensemble. She progressed from roles as Bet in Oliver! in 2001 and Lilly in Annie in 2002 in the Grand Opera House Summer Youth Project to playing Dorothy in The Wizard Of Oz in 2003.

“I was 16 and I thought I might have been too tall for Dorothy but the director, Simon Barry, said I was the right choice,” she recalls.

A month later, the former Joseph Rowntree School pupil was leaving behind her Haxby Road home for three years of dance and musical theatre studies at Phil Winston’s Theatre Works in Blackpool.

West End roles ensued in We Will Rock You and the short-lived Desperately Seeking Susan, and in April 2009,  now 21, she returned home to the Grand Opera House as 1920s’ Chicago double murderess and aloof nightclub singer Velma Kelly in the national tour of Chicago.

Twinnie-Lee Moore in her role as double murderess Velma Kelly in Chicago, on tour at the Grand Opera House, York, in April 2009

Her face greeted the London Underground throng on Chicago’s trademark black-and-white posters too and she had a year as the Latino character Jazmin in Flashdance in the original London cast at the Shaftsbury Theatre from autumn 2010.

Twinnie sang Miley Cyrus’s The Climb when competing on BBC One talent show The Voice in March 2012, failing to hit the heights alas with an early exit. After film roles in Iron Clad 2 and Strangelove in 2014, she made her soap debut as racy Porsche McQueen in Channel 4’s Hollyoaks in November that year, playing her for a year.

A further screen role followed in The Wife, the Oscar-nominated Glenn Close film, but all the while, Twinnie was drawn to making music. “To be honest, music was probably the first thing I started out wanting to do, which people don’t know about. But people pay their dues to pay their mortgage,” she says.

“Even when I was doing We Will Rock You at 19 with Brian May, performing eight shows a week, I was playing country songs in dive bars too at the weekend.”

Twinnie-Lee Moore in her soap-opera days as Porsche McQueen in Channel 4’s Hollyoaks

Now dividing her time between London and Nashville, Twinnie is living out that wish to put her song-writing to the fore. “I’ve been on stage since I was four years old, and my dad introduced me to the music of some of the best songwriters. Like my first gig was Gilbert O’Sullivan,” she says.

“And I always loved musicals too. I grew up watching Hollywood movie musicals, especially Judy Garland, which is one of the reasons I’ve called the album Hollywood Gypsy.”

Determination to succeed marked out Twinnie from a young age. “Even at eight, I wrote down the addresses of the Sony Music and Universal record company labels. Then one of my poems got published at school. I always wanted to tell stories,” she says.

“I got told you have to do everything for what you do to work. You can’t just stand there and sing. I always want people to feel entertained when I do a show.

“Coming from the North, I’m always looking to make a real connection,” says Twinnie. “That’s why I write so honestly, talking about all my faults”. Picture: Alex Berger

“I don’t think there are many ‘triple threat’ performers like me, so I want to tell the story, not just in the song, but in the performance too.”

Country music might not have been an obvious outlet for a York singer and songwriter, but Twinnie says: “For me, country music was always big. Johnny Cash; Dolly Parton, one of the great songwriters; Shania Twain and now Taylor Swift,” she says.”

Twinnie has been travelling to Nashville, Tennessee, for the past six or seven years, leading to her co-writing in the capital of country with Grammy Award-winning writers Nathan Chapman, Liz Rose and Dave Barns.

“I also wrote with Ben Earle, before he formed The Shires with Crissie Rhodes, and two of my songs with him, Black And White and First Flight Out, ended up on their first album, Brave,” she says.

Crissie Rhodes and Ben Earle of The Shires. Twinnie co-wrote two songs on their debut album with Earle

Now, after winning Best Breakthrough Act at the 2019 British Country Music Association awards and a support slot on Kiefer Sutherland’s tour, everything comes to fruition for Twinnie on Hollywood Gypsy.

This is a thoroughly modern country album, made with the likes of Little Mix, One Direction and Britney Spears producer Peter Hammerton, and recorded in Nashville, London and Sweden,with such song titles as Better When I’m Drunk, Type Of Girl, Whiplash, Lie To Me and I Love You Now Change.

“Every genre changes and country music is now so diverse, but everyone appreciates a good melody, strong lyrics, and that’s why people really respect country music,” says Twinnie, who loves the candour of country songs.

“Coming from the North, I’m always looking to make a real connection. That’s why I write so honestly, talking about all my faults,” she says.

“When you feel you’re getting out of your depth, that’s when the magic happens,” says Twinnie . Picture: Maximilian Hetherington

“I have no shame in highlighting my flaws and being vulnerable: there’s a strength in vulnerability when we can all connect with it. Each song shows a different side of my personality: I either want to break someone’s heart or make them dance.”

Returning to the album title, Twinnie says: “It pretty much sums me up. As well as my love of Hollywood musicals, I’m a traveller by nature and by heritage, so I’m  quite free. Hollywood Gypsy is about me, my life, my artistry.

“I’m representing my dad’s heritage, my mum’s heritage, and I’m very proud of that heritage. It’s who I am and why I’m free spirited.

“All of it, whether I’m acting, dancing, modelling or singing, I’m just not afraid to push my boundaries because, when you feel you’re getting out of your depth, that’s when the magic happens.”

Recording in Nashville, London and Sweden adds to Twinnie being a Hollywood Gypsy, she suggests. “I feel I’m a bit of a musical gypsy, taking from different genres, growing up listening to Tupac, Gilbert O’Sullivan, Ella Fitzgerald, Billy Joel, Shania Twain,” she says. “Obviously Queen too: I’m always so grateful to Brian May for when I did We Will Rock You.”

Dave Stewart: co-writing with Twinnie via the medium of FaceTime

In the Coronavirus lockdown, Twinnie has set herself a three-week challenge that began a week ago to listen to an album a day and then pick her favourite song from each one to learn how to play it. “I never have time to do things like this, so I’m using this time to grow and get inspired,” she says. “I’m also trying to learn Spanish.”

Along with many musicians, she is “trying to find new ways to do things at the moment”. Such as? “I’ve written a song on FaceTime with Dave Stewart, from the Eurythmics,” Twinnie reveals. “I’d never met him before, but he’s from Sunderland, I’m from York, so we had that banter of being northerners together!”

Still in the diary for July 11 is Twinnie’s appearance at Pocklington Arts Centre’s Platform Festival at the Old Station, Pocklington (an event subject to further Coronavirus updates), but what’s coming next for Twinnie? “I was meant to be going to America to make an EP in Nashville, and that recording will still happen, but I may now have to find a way of doing it remotely,” she says.

Looking further ahead, she says: “Hollywood Gypsy is the first chapter. Next year will be the next half of the story. So it’ll be like a double album.”

Twinnie’s new video for I Love You Now Change

Did you know?

IN Twinnie’s new video for I Love You Now Change, she is seen signing divorce papers.

“I put my ex’s name on the papers when we shot the video for a laugh, but some people actually thought it was real,” she says. “Just to clarify, I have never been married and Boris killed off the socialising and dating scene, so looks like I won’t be in a white dress anytime soon.”

The husband in the video is played by Gustav Wood. Watch it at twinnieofficial.com.

How did The Press reviewer judge 16-year-old Twinnie-Lee Moore’s lead performance as Dorothy in the Grand Opera House Summer Youth Project’s The Wizard Of Oz in York in August 2003?

“Twinnie-Lee displays supremely confident skills in stage movement; her Kansas accent is spot-on too, and once her voice fully warms up after Over The Rainbow, she sings with expression, albeit in the modern pop style that might better suit The Wiz.”

Copyright of The Press, York

No York Open Studios in April, but all that art still needs a new home, so look here…DAY THREE

Insect art by Anna Vialle

YORK Open Studios 2020, the chance to meet 144 artists at 100 locations over two April weekends, has had to be cancelled in the wake of the Covid-19 pandemic.

However, with doors sadly shut for the April 17 to 19 and April 25 to 26 event, CharlesHutchPress wants to champion the creativity of York’s artists and makers, who would have been showcasing ceramics, collage, digital, illustration, jewellery, mixed media, painting, print, photography, sculpture and textiles.

Each day, in brochure order, five artists who now miss out on the exposure of Open Studios will be given a pen portrait on these pages, because so much art will have been created for the event and still needs a new home. Addresses will not be included at this time.

Dee Thwaite: painting with hands, not brushes

Dee Thwaite, painting

YORK Open Studios newcomer Dee uses acrylic paint, inks, graphite and charcoal in her sea and landscape paintings and drawings, marked by expressive skies, storms and the changing seasons.

Mainly self-taught, this contemporary abstract artist expresses her love of the North Yorkshire coastline on canvas, board and paper in works that combine both a physical and emotional response when she paints, predominantly with her hands, as opposed to brushes. Contact Dee via deethwaite@hotmail.com.

Anna Vialle at work with a pen

Anna Vialle, drawing

INSPIRED by the style and colours of both Japanese woodblock and Victorian prints, Anna limits herself to drawing insects, birds, landscapes, anatomy and trees.

Anna had trained in art education in 1997. Twenty-two years later, when trying
to relax after working difficult shifts as a mental-health nurse, she started a pen and watercolour illustration of 24 individually drawn moths.

Exploring the connection between repetition and focus, she began using dots to create her artwork, whereupon a stress-free style of art emerged. Cue a “more relaxed” mental-health nurse! Visit annavialle.co.uk for more info.

Rosie Bramley surrounded by her art

Rosie Bramley, painting

ROSIE’S colourful paintings explore her devotion and connection to the land and sea.  Gestural marks dance around the surface of each painting as she creates abstract works inspired by nature.

Rosie studied fine art painting and printmaking, graduating from Bretton Hall College, University of Leeds, in 1996.  Now head of art at Driffield Secondary School and Sixth Form in East Yorkshire, where she teaches both fine art and photography, she has exhibited regularly in York, latterly at Fossgate Social, City Screen and Angel on the Green.

Her first Open Studios show since 2011 would have featured new works inspired by the landscape. Her website, rosiebramley.com, divides her work into Abstracts, The Cruel Sea and Mountains.

A nude by Tabitha Grove

Tabitha Grove, painting

SELECTED for York Open Studios for the first time, Tabitha uses bold colour, contrast, ink, watercolour, gold leaf and collage on handmade paper to explore perceptions of the body and how they can be challenged and celebrated. 

Her career as an actor and costume designer for film and theatre has informed Tabitha’s passion for storytelling and her fascination with the way our bodies interact with our environments.

Tabitha Grove: actor, costume designer, piano restorer….and artist

Tabitha’s career portfolio career extends to having co-managed Look Gallery, in Helmsley, and now working in piano restoration, where she learns rare skills that influence her art.

Each experience has informed Tabitha’s style, she says, leading to her “bringing diverse technique to a new perspective”. Find her work via tabithamayg@gmail.com.

Peter Heaton: “images that need careful time and observation”

Peter Heaton, photography

PETER specialises in black and white limited-edition photographic prints of woodlands and dark landscapes: images that need careful time and observation as the space they inhabit is full of visual surprises, he says.

Before the camera lens and digital imaging took precedence, Peter studied fine art at Nottingham Trent University and later gained an MA in fine art from Leeds Metropolitan University.

A dark woodland, by Peter Heaton

Over the past few years, Peter’s work has revolved around the complexities of layering visual information and our interpretations of the resulting images. In 2010, he set up Vale of York Darkrooms, where he teaches courses in both traditional chemical-based black-and-white photography and digital imaging. Take a look at his photographs at peterheaton.co.uk.

Tomorrow: Sarah K Jackson; Kate Pettitt; Reg Walker; Constance Isobel and Chris Utley.

Everyone is welcome at Velma Celli’s Drag Party as York cabaret queen streams show

Velma Celli: drag queen supreme on stream

YORK drag queen supreme Velma Cella is to appear in thousands of living rooms across the country – and around the world – in an uplifting live concert, streamed tomorrow evening.

Velma’s Drag Party will be on screen at 6.30pm as part of the Leave A Light On concert series promoted by Lambert Jackson and The Theatre Café, St Martin’s Lane, London, to provide financial support for the performers involved and entertainment for people in self-isolation.

“This is a tough time for many people, particularly those who regularly attend live concerts, shows and gigs who are missing the unedited nature of live performance,” says Ian Stroughair, the West End actor and singer behind Velma Celli’s spectacular make-up and even more spectacular singing.

“I’m incredibly proud to be taking part,” says Ian Stroughair, alias Velma Celli

“So, it’s fantastic that Lambert Jackson and The Theatre Café have produced such a superb series of concerts that can be watched live at home from some of the finest West End performers. I’m incredibly proud to be taking part.”

Velma Celli’s monthly show at The Basement, City Screen, York, is in abeyance during the Coronavirus lock-down, but devotees and first-timers alike tuning in tomorrow evening can expect “some belted classics and plenty of laughs along the way as we leave reality behind for an hour of camp fun”.

Leave The Light On pays homage to the theatre tradition of leaving a single light burning on the stage of an empty theatre,  supposedly to appease the ghosts who reside there.

Tickets for the live stream cost £7.50 and can be bought up to an hour before the broadcast.  Viewers will be sent a link via email that enables them to watch the performance live.  To buy, go to thetheatrecafe.co.uk/event/leave-a-light-on-velma-celli-live

No York Open Studios in April, but all that art still needs a new home, so look here…DAY TWO

Earthbound, by Sally Clarke

YORK Open Studios 2020, the chance to meet 144 artists at 100 locations over two April weekends, has had to be cancelled in the wake of the Covid-19 pandemic.

However, with doors sadly shut for the April 17 to 19 and April 25 to 26 event, CharlesHutchPress wants to champion the creativity of York’s artists and makers, who would have been showcasing ceramics, collage, digital, illustration, jewellery, mixed media, painting, print, photography, sculpture and textiles.

Each day, in brochure order, five artists who now miss out on the exposure of Open Studios will be given a pen portrait on these pages, because so much art and craft will have been created for the event and still needs a new home. Addresses will not be included at this time.

Helen Whitehead at work in her studio

Helen Whitehead, glass

HELEN’S glass jewellery and sculpture is inspired by her deep connection with wild plants, herbs, the moon and the planets. In her intuitive work, glass is layered with precious metals, paint and images, then fired to produce colourful abstract compositions.

Helen loves experimenting with alchemic reactions in her glass kiln and layering different mediums within small pieces. “My pieces are little worlds, reflecting the inner and outer world,” she says.

As well as working in her York studio, Helen provides fun and friendly fused-glass workshops in the community. Follow her at facebook.com/HelenWhiteheadGlassArtist.

Printmaker Sally Clarke

Sally Clarke, printmaking

SALLY specialises in collagraph printmaking, using the human figure and composition to express atmospheric imagery.

Sally studied for a Fine Arts degree at Gloucestershire College of Arts as a mature student. She worked in various media before discovering printmaking more than 20 years ago, finding herself attracted particularly to its limitless opportunities for experimentation.

Sally is a founder member of York Printmakers, has exhibited in many Yorkshire venues and is a regular exhibitor in York Open Studios. Contact her via sallyclarkeprintmaker@yahoo.co.uk.

Adrienne French: interpreting colour and texture in her landscape paintings

Adrienne French, painting

IN her evocative paintings, collographs and monoprints, Adrienne interprets colour and texture of both local and foreign landscapes.

She pursued her love of art by completing an art and design degree at Leeds University in 2000 while continuing her work as a nurse. Until 2015, she was artist in residence at a hospice, alongside continuing to develop her own artwork, a process that is ongoing.

She has shown her work in northern galleries and takes part regularly in many annual arts events in Yorkshire. All roads lead to Adrienne at adifrench@gmail.com.

Caroline Lord: recycling pottery, wood and metal in mosaics and sculptures

Caroline Lord, mixed media

CAROLINE combines found items of pottery, wood and metal, recycling them into mosaics and quirky ceramic sculptures. 

She studied stained glass and tapestry weaving in the 1960s at Edinburgh College of Art, where she was awarded a scholarship for a further year’s study, specialising in tapestry weaving.

One of Caroline Lord’s quirky sculptures

Ten years ago, after completing a mosaics workshop led by Emma Biggs, Caroline changed artistic direction, starting to work with re-cycled ceramics. 

She has exhibited in York Open Studios, at the Zillah Bell Gallery, Thirsk, with the York Art Workers Association and in the Great North Art Show. Contact her at carolinelord42@hotmail.com. 

Peter Park: textile designer turned painter

Peter Park, painting

PETER would have been making his York Open Studios debut with his expressive and gestural abstract paintings of the Yorkshire landscape and coast in acrylic paint on canvas.

After a foundation course at York School of Art, he studied printed textile design in Manchester (BA) and Birmingham (MA), then worked as a textile designer and lecturer in design in Manchester.

One of Peter Park’s abstract paintings of a Yorkshire landscape

Returning to York in 2013, he began painting, predominantly landscapes that he has exhibited at fellow York Open Studios exhibitor Kay Dower’s Corner Gallery and with Little Van Gogh in London. Seek him out via peter.park500@virginmedia.com.

Tomorrow: Dee Thwaite; Anna Vialle; Rosie Bramley; Tabitha Grove and Peter Heaton.

Squid’s in as Scarborough Museums Trust’s magic lantern slides prove popular online

Washed up: a giant squad on Scarborough’s North Bay beach on January 14 1933, pictured in a magic lantern slide. Picture: Scarborough Museums Trust

HISTORIC magic lantern slides from the Scarborough Collections are an online hit in these dark days. 

As part of Scarborough Museums Trust’s response to the Coronavirus shutdown,  collections manager Jim Middleton is posting regular images from the stock of slides and glass-plate negatives on Twitter, using the hashtag #lockdownlanternslides.

The North Bay Pier, after the storm damage in 1905

The response has been “remarkable”, he says: “We’re getting comments and queries from other museums, historians and the public nationwide. This includes an interaction the other day with the Natural History Museum in London, who contacted us during a series of posts themed around cephalopods, the family of marine animals that includes octopus and squid.”

Middleton had posted an image of a 5.3m-long giant squid that had been washed up on the North Bay beach on January 14 1933, pictured surrounded by curious Scarborough locals.

Pier-less: The North Bay Pier destroyed by the 1905 storm

“We’d always known that they had the beak of the squid, but they got in touch to say they had the whole animal preserved in their archive,” says Middleton. “We’ll be hoping to get a better look at it when we can.”

Among other themes being explored are historic local buildings, some of them no longer in existence, such as the North Bay pleasure pier, destroyed in a storm in 1905, and vintage seaside scenes of children rock pooling and bathing-beauty contests.

The North Bay Pier, pictured from the other side, in one of the magic lantern slides

Magic lanterns were early image projectors that applied a light source to magnify and project images on glass and they were used for both education and entertainment, particularly during the 19th and early 20th centuries.

The Scarborough Collections – the name given to all the museum objects owned by the Borough of Scarborough – contains more than 7,000 slides and glass plates, in the care of Scarborough Museums Trust.

Storm damage: the collapsed North Bay Pier in Scarborough in 1905

The images posted daily by Middleton can be seen by following @SMT_Collections on Twitter. To view existing posts, search #lockdownlanternslides.

The Rotunda Museum, Scarborough Art Gallery and Woodend, all run by Scarborugh Museums Trust, are closed until further notice.

The Shires move York Barbican gig to autumn as Good Years album hits top three

The Shires’ Crissie Rhodes and Ben Earle

COUNTRY duo The Shires are moving their 25-date 2020 tour to the autumn, in response to the Coronavirus pandemic shutdown.

Ben Earle and Crissie Rhodes have switched their York Barbican show from May 20 to November 1, when they will be joined by Texan country singer and songwriter Eric Paslay.

Tickets remain valid for the revised date – The Shires’ only Yorkshire gig on the itinerary – but those seeking a refund should contact their point of purchase.

The first Brits to win Best International Act in the American Country Music Association awards, Earle and Rhodes released their fourth album, Good Years, in this anything but good year on March 13, reaching number three in the charts.

As with their past albums, 2015’s Brave, 2016’s My Universe and 2018’s Accidentally On Purpose, the recording sessions took place in Nashville, Tennessee.

The album artwork for The Shires’ new album

“We are so excited to be releasing Good Years,” say Earle and Rhodes. “Honesty and storytelling have always been such an important part of our song-writing. We’ve poured some of the incredible experiences and life we’ve lived into these songs.

“We can’t wait to play these live across the country. The songs mean so much to us personally, but there really is nothing like looking out at our fans in the crowd and seeing how much of an impact they can have in someone else’s life. It’s truly a very special thing”.

The Shires last played York Barbican in May 2018 and performed a headline set at Pocklington’s Platform Festival at The Old Station last summer.

Only a smattering of seats remains on sale for their Barbican return on 0203 356 5441 or at yorkbarbican.co.uk.

All quiet in the library but Explore York encourages Libraries from Home online opportunities. Here’s what you can do…

York Explore Library and Archive, the York hub of Explore York in Museum Street, York

THIS is the time to explore Explore York online, providing the Libraries from Home service during the Coronavirus lockdown.

“If you are confused or overwhelmed by the huge amount of information on offer, Explore can help,” says executive assistant Gillian Holmes, encouraging visits to the website, exploreyork.org.uk, “where it is simple to find what you need”.

This encouragement comes after all Explore York library buildings, reading cafes and the City Archives were closed to the public from 12 noon on March 21, in response to Government strictures.

“We are making it easy for people to find information and advice, as well as inspiration, as we all deal with the Coronavirus crisis.”

The Explore website has assorted useful links to help people cope during the coming weeks. “Some sites have always been part of our online offer and some are brand new,” says Gillian.

“We are also working with City of York Council and our many partners in York, so that our communities can join together and we continue to support their initiatives, just as we will when our buildings open again. 

“Organisations across the country are developing their online services in this challenging time. We are using our expertise to gather together the best offers and add them to the lists of sites we recommend.” 

Explore York will be developing online activities of its own, such as a Virtual Book Group. “We will be updating the website regularly as these new things come on stream and sharing on social media using #LibrariesFromHome,” says Gillian.

The York Explore building: Quiet in the library but still seeking to be busy online

What’s available online from Explore York:

Updates on how Explore is responding during the pandemic and updates about what’s new at https://www.exploreyork.org.uk/coronavirus/ 

Information and support during the Coronavirus crisis from official sources at exploreyork.org.uk/recommended-websites/coronavirus-resources/ 

5000 Ebooks and audio books for adults and children free to borrow from the online library at exploreyork.org.uk/digital/e-books/ 

The chance to visit the new York Images site to explore the history of the city through photographs, illustrations, maps and archival documents at exploreyork.org.uk/digital/york-images/ 

The opportunity to start your family tree using Ancestry and Find My Past. The library editions are both free to use from home at exploreyork.org.uk/digital/online-reference/

Reliable information about everything can be found on the Online Reference pages at exploreyork.org.uk/digital/online-reference/ 

“Everything is free to access,” says Gillian. “All you need is a library card. You can get a card online and start using it immediately at exploreyork.org.uk/getting-a-library-card-or-yorkcard/.” 

No York Open Studios in April, but all that art still needs a new home, so look here…DAY ONE

Dapper Fox, by York Open Studios 2020 debutante Joanna Lisowiec

YORK Open Studios 2020, the chance to meet 144 artists at 100 locations over two April weekends, has had to be cancelled in the wake of the Covid-19 pandemic.

However, with doors sadly shut for the April 17 to 19 and April 25 to 26 event, CharlesHutchPress wants to champion the creativity of York’s artists and makers, who would have been showcasing ceramic, collage, digital, illustration, jewellery, mixed media, painting, print, photography, sculpture and textile skills.

Each day, in brochure order, five artists who now miss out on the exposure of Open Studios will be given a pen portrait on these pages because so much art and craft will have been created for the event and still needs a new home. Addresses will not be included at this time.

One of Quercki Design’s cork fabric designs

Quercki Design, mixed media

MARGARET Bradley, who would have been a new participant in York Open Studios, specialises in eco-friendly and carbon-neutral cork fabric designs, drawn on a computer, cut on a laser, backed with colours, glued and sewn to make pictures, notebooks and sketchbooks.

A language degree first took Margaret to Lisbon as a university assistant where she acquired a deep affection for Portugal.  This was followed by 30 years of work in educational aid to developing countries, where different cultures, art and music were a constant source of interest and delight. 

On retirement, a return visit to Portugal brought her into contact with cork fabric, a perfect material for making things inspired by her travels, she says.

More details can be found at quercki.com, although Quercki Design is taking a short break, with the artist in self-isolation.

Wood carver Dave Atkin

Dave Atkin, wood

USING traditional techniques, Dave carves locally sourced green wood. Influenced by the natural world, folklore and history, he experiments with form and design to create functional and individual pieces.

A professional model maker by trade, he took up wood carving as a hobby, now making spoons, kuksas and bowls, often inspired by the Green Man myth.

He now offers spoon carving courses and demonstrates at events and fairs. For more details, go to woodwyrm.co.uk.

Taking shape: Catherine Boyne-Whitelegg making one of her earthenware pieces

Catherine Boyne-Whitelegg, ceramics

CATHERINE has been working as a potter for 16 years, both throwing and hand-building, creating colourful slipware pottery to be used and enjoyed, as well as raku and smoke-fired clay animals, ranging from foxes and pigs to horses and unicorns. Her work often reflects her wry humour.

Go, figure! Seaside Belle, by Catherine Boyne-Whitelegg

She is a potter, teacher and community artist who set up her own pottery workshop at her home near York after graduating from Sunderland University with a BA (Hons) in ceramics.

Catherine’s work can be found in a number of galleries, complementing her regular exhibitions, and wedding or special occasion pieces can be commissioned.  More details at boyne-whiteleggpottery.co.uk.

Mo Burrows at work in her studio

Mo Burrows, jewellery

MO’S contemporary jewellery embraces the elaborate and the colourful, the dainty and the quiet, in her necklaces, earrings and brooches.

Predominately favouring copper, braiding and beadwork, she draws inspiration from the colour, form and texture of the materials she uses.  Frustrated by an inability to draw, she produces designs straight from a head full of ideas. Find Mo at facebook.com/MoBurrowsJewellery.

Falling in love with quaint English countryside: Polish-born printmaker and illustrator Joanna Lisowiec

Joanna Lisowiec, printmaking

NEW to York Open Studios this year, Joanna’s prints and illustrations look to nature and folklore for inspiration, as she focuses on birds and animals in her bold, clean and distinctive work.

Originally from Poland and brought up in the United States and Switzerland, she first came to Britain to study illustration at Edinburgh College of Art, falling in love with the wild Highlands and later with the “quaint English countryside” when she moved to Yorkshire for her MA in advertising and design from the University of Leeds.

“I would love to illustrate a classic novel one day,” she says at joanna-draws.com, where you can find free printable worksheets to “keep your children or indeed yourself entertained during the Coronavirus pandemic”.

Tomorrow: Helen Whitehead; Sally Clarke; Adrienne French; Caroline Lord and Peter Park.

Curse of Macbeth strikes again as York Shakespeare Project postpones show

Hand-washing for our times: Amanda Dales as Lady Macbeth in York Shakespeare Project’s now postponed Macbeth. Picture: Amanda Dales

YORK Shakespeare Project’s Macbeth should have opened this evening, but the curse of “the Scottish play” has struck again.

Although Macbeth is play number 29 in Shakespeare’s chronology of 38 plays, YSP had held back the Bard’s tragedy big hitter until production number 36 of 37 as part of a grand finale to the 20-year project in 2020, with The Tempest as the final curtain this autumn.

Now, however, theatre’s harbinger of bad luck and its Weird Sisters have delivered double, double toil and trouble to YSP, whose March 30 to April 4 run at the John Cooper Studio, Theatre @41 Monkgate, is mothballed until further notice under the Coronavirus shutdown.

Amanda Dales, left, as Lady Macbeth, and Emma Scott, as Macbeth, in rehearsal for York Shakespeare Project’s Macbeth. Picture: John Saunders

“We were six rehearsals short of the finishing line,” says YSP’s Tony Froud, who was to have played Ross in Shakespeare’s dark tale of ambition, murder and supernatural forces. 

“The ideal solution would be to pick it up again with the same company of actors later in the year, but there could yet be complications.”

Come what may, Tony envisages the project still finishing with The Tempest, originally planned for this October, rather than Macbeth going on hold to form the closing chapter.

Emma Scott as Macbeth in Leo Doulton’s futuristic cyberpunk production of Macbeth. Picture: Amanda Dales

“I would be very surprised if we didn’t want to retain The Tempest as the finale. It being Shakespeare’s final play [that he wrote alone], it is entirely appropriate to round things off with The Tempest, inviting as many people as possible who have been involved over the 20 years to join us for the celebrations.”

The final production is likely to be accompanied by an exhibition charting YSP from 2001 formation to 2021 conclusion. “The York Explore library is expressing an interest in presenting it, ideally to coincide with The Tempest’s run.”

Where The Tempest may be staged is yet to be decided after the initial plan to work in tandem with York Theatre Royal this autumn fell by the wayside. “It’s now the case that we’re looking into the possibility of doing a touring production as our final show, culminating in a York run,” says Tony.

“We were six rehearsals short of the finishing line,” says Tony Froud, who was to have played Ross in this week’s run of York Shakespeare Project’s Macbeth

Should Macbeth have gone ahead tonight, Leo Doulton’s production would have been set in a dystopian “cyberpunk” future and performed in a promenade style, with the action taking place on the move, around the audience, led by Emma Scott’s Macbeth. Two performances on Wednesday would expressly have been for schools’ audiences studying the play.

“Macbeth is a magnificent tragedy about the earthly struggle between the forces of order and chaos, and how the world becomes corrupted by Macbeth’s strange bargains,” says Doulton, who made his YSP directorial debut at the helm of last October’s stripped-back Antony And Cleopatra.

“Cyberpunk is an exciting genre for exploring, highlighting, and visualising those ideas for a modern audience. We no longer fear witches, but we are still scared of our society being shaped by powers with no concern for those below them.”

Leo Doulton: director of York Shakespeare Project’s production of Macbeth. Picture: Amanda Dales

Whenever we more than three shall meet again, let us look forward to Doulton’s show “capturing all the original’s epic drama in its poetry and production” with Emma Scott in the title role. In the meantime, now is the time to follow Lady Macbeth’s latter-day practice: constant hand washing, over and over again.

York Shakespeare Project’s cast for Macbeth

Macbeth: Emma Scott

Lady Macbeth: Amanda Dales

Banquo, Siward: Clive Lyons

Fleance, Donalbain, Son, Young Siward: Rhiannon Griffiths

Macduff: Harry Summers

Duncan, Lady Macduff, Menteith: Jim Paterson

Malcolm: Eleanor Frampton

Lennox: Nick Jones

Ross: Tony Froud

Angus: Sarah-Jane Strong

First Witch, First Murderer, Doctor: Joy Warner

Second Witch, Second Murderer, Gentlewoman: Alexandra Logan

Third Witch, Third Murderer, Caithness, Seyton: Chloe Payne.

The York Shakespeare Project cast in rehearsal for Macbeth. Picture: John Saunders

Crew

Director: Leo Doulton

Set designer: Charley Ipsen

Lighting designer: Neil Wood

Costume designer: Scarlett Wood

Sound designer: Jim Paterson.

Did you know?

WILLIAM Shakespeare’s play Macbeth is said to be cursed, so actors avoid saying its name when in the theatre. The euphemism “the Scottish Play” is used instead.

Should an actor utter the name “Macbeth” in a theatre before a performance, however, they are required to perform a ritual to remove the curse.

When the Grand Opera House reopened after a £4 million refurbishment on September 26 1989, the York theatre tempted fate by presenting Macbeth (in a Balinese version) as the first show, 33 years since the last professional stage performance there. Only two years later, the theatre closed again, staff arriving to find the doors locked.

No Horizon looks for a new horizon after tour postponed in Coronavirus shutdown

Adam Martyn: partially sighted actor playing the blind scientist Nicholas Saunderson in No Horizon, pictured in rehearsal

RIGHT Hand Theatre’s No Horizon, a musical celebrating a blind Yorkshire science and maths genius, is no longer on the horizon at York Theatre Royal. Exit stage left the April 9 and 11 performances under the Coronavirus shutdown.

However, the No Horizon team say: “Sadly, though we will be pausing our adventure for now, our No Horizon journey is far from over. When we are back – and we truly mean when, not if – we will be bigger and better than ever.

“This has been an amazing rehearsal process and although this [situation] is a hurdle, we will overcome this. Here’s to the future of the show and we are sure that the best is yet to come.”

No Horizon’s 2020 tour was to have opened at The Civic, Barnsley, on March 20. Now, the progress towards a new horizon can be followed at nohorizonthemusical.com and on social media.

The musical tells the life story of Nicholas Saunderson, a blind scientist and mathematician from Thurlstone, West Riding, who overcame impossible odds to become a Cambridge professor and friend of royalty.

Often described as an 18th century Stephen Hawking, Saunderson was born on January 20 1682, losing his sight through smallpox when around a year old. This did not prevent him, however, from acquiring a knowledge of Latin and Greek and studying mathematics.

As a child, he learnt to read by tracing the engravings on tombstones around St John the Baptist Church in Penistone, near Barnsley, with his fingers.

No Horizon premiered at the 2016 Edinburgh Fringe, going on to draw an enthusiastic response from BBC Radio 2 presenter Chris Evans, who called it a “Yorkshire Les Mis”.

Next month’s York Theatre Royal shows would have been part of a now stalled northern tour of a 2020 adaptation “with a fresh look” by Right Hand Theatre, a company passionate about diversity and inclusivity within theatre.

Consequently, the 2020 cast has a 50/50 male/female balance, with the credo of delivering the show in a gender-blind way with a female Isaac Newton, for example. Both the director and lead actor are visually impaired.

Leading the company in rehearsals, in the role of Saunderson, has been the partially sighted Adam Martyn, from Doncaster, who trained at Liverpool Institute of Performing Arts (LIPA).

Alongside him have been Yorkshire born-and-bred, Rose Bruford College-trained Larissa Teale in the female lead role of Abigail; Tom Vercnocke as Joshua Dunn; Louise Willoughby as Anne Saunderson; Matthew Bugg as John Saunderson; Ruarí Kelsey as Reverend Fox; Katie Donoghue and Olivia Smith as Company.

In the production team are director Andrew Loretto; vocal coach Sally Egan; movement directors Lucy Cullingford and Maria Clarke; costume designer Lydia Denno; costume maker Sophie Roberts; lighting designer David Phillips and tour musical director David Osmond.

No Horizon’s 2020 northern tour has been co-commissioned by Cast, Doncaster and The Civic, Barnsley and supported by Sheffield Royal Society for the Blind, with funding from Arts Council England and Foyle Foundation.

York Theatre Royal box office will contact ticket holders for refunds.