Goodbye to Bake Off but back on the road for Sandi Toksvig on her National Trevor travels
AFTER her back-out from Bake Off to “focus on other work projects”, Sandi Toksvig will return to York Barbican on September 22 on her second National Trevor tour.
In January, the Danish-born presenter, 61, announced she would be
leaving The Great British Bake Off after three years of co-hosting Channel 4’s
cookery contest with The Mighty Boosh comedian Noel Fielding.
Filmed last September, Sandi’s last episode of The Great Celebrity Bake Off for Stand Up To Cancer was broadcast on Tuesday night.
She first performed National Trevor at York Barbican on January 28 2019 as part of a sold-out winter tour, when the News Quiz, QI and Bake Off host brought her trademark warmth, grounded nous and authority to a show that was part stand-up, part lecture as she discussed what unites us in a Toksvigian celebration of all that is weird and wonderful in the everyday.
Back on the road this autumn, the show’s publicity talks of “Sandi realising some people harbour an ambition to be a National Treasure, but following a misunderstanding with a friend, she has decided to become a National Trevor: half misprint, half Danish comedian”.
“Expect tall stories, fascinating and funny facts, silly jokes, a quick-fire Q&A and even a little quiz,” says Sandi of a show that embraces anecdotes, potted histories, family connections and darker topics handled with levity. “You certainly won’t be getting tap-dancing, leotards or a forward roll,” she promises.
Sandi launched her career in 1982 on
Number 73, a long-running children’s Saturday morning show, since when her CV
has taken in such shows as Call My Bluff and Whose Line Is It Anyway? and hosting
BBC Radio 4’s The News Quiz.
In 2016, she took over Stephen Fry’s
seat as host of BBC2 quiz show QI, followed by her joining The Great British
Bake Off team on its switch to Channel 4 in 2017.
Exit Sandi from Bake Off. Re-enter Sandi
Toksvig: The National Trevor Tour, a show whose parting wisdom last time was a
plea to “enjoy life and seize the day”. Oh, and to seize the biscuit too. “Did
you know eating biscuits was dangerous,” she said. “And you still do it, you wonderful
risk-takers.”
Tickets for September 22 are newly on sale at yorkbarbican.co.uk.
Closed doors, but open windows: the way forward for York Open Studios 2020
YORK Open
Studios 2020, the chance to meet 144 artists at 100 locations over two April
weekends, has been cancelled in the wake of the Covid-19 pandemic.
However,
with doors sadly shut for the April 17 to 19 and April 25 to 26 event,
CharlesHutchPress wants to champion the creativity of York’s artists and
makers, who would have been showcasing their ceramics, collage, digital,
illustration, jewellery, mixed media, painting, print, photography, sculpture
and textiles skills.
Each day,
in brochure order, five artists who now miss out on the exposure of Open
Studios will be given a pen portrait on these pages, because so much art and
craft will have been created for the event and still needs a new home.
Addresses will not be included at this time.
Meanwhile,
York Open Studios artists are finding their own way to respond to the shutdown
by filling their windows with their work instead. Look for #openwindowsyork2020 to locate them.
“If you see one in your area while taking your daily exercise, take a picture
and let us know,” they say.
Cushions by Rosie Waring
Rosie Waring, textiles
ROSIE creates handwoven textiles using fine yarns and intricate
patterns to produce interior products for the home and personal accessories
with a natural colour palette.
She specialised in handwoven textiles for
fashion and interiors in her studies at Bath Spa University, graduating in
2013, since when she has made handwoven cushions, lampshades and other small
woven items.
Rosie often takes her inspiration for colour,
texture and structure from nature and her surroundings: the rich and varied
Yorkshire landscapes of the dales, the North York Moors and the coastline.
“Weaving in fine cotton yarns and moving into my
wool collection, I create vibrant fabrics to brighten up the home, bringing the
outside inside,” she says.
” I create vibrant fabrics to brighten up the home, bringing the outside inside,” says Rosie Waring
Rosie knew early on that her strength was working with colour. “When I discovered weaving during my studies, I saw the potential to work directly with colour on the loom,” she says. “I found I could express myself through colour and texture, creating cloth from the individual yarns.”
She is
interested in how weaving can affect mental health positively and has studied
its benefits on mood and a general sense of well-being.
As well as York
Open Studios, she has exhibited at Art In The Pen, Danby Christmas Market and
the summertime York River Art Market. Find out more at rosiewaring.co.uk.
A mixed-media work by Colin Black
Colin Black, mixed media
COLIN’S mixed-media work
has varied from a series focusing on York Minster at night to national identity
and the refugee crisis.
He describes his art as being
primarily landscape based, always enjoying the use of colour to convey mood.
His last two exhibitions used the landscape motif in very
different ways. The first, Imagined Landscapes, conveyed a seemingly idyllic beauty; the second, We Have Chosen A One-Way Road, saw landscape
as “a place across which refugees made their escape and away from the place
they called home”.
Colin Black: Moved to York in 2018 to set up Seek Art School
“The work was about
borders, boundaries and restrictions,” says Colin. “They were a response
to Britain’s dilemma about Brexit, hard or soft, independence and
interdependence, Trump’s wall. We seem to be becoming insular in our thinking
as a fearful means of self-preservation. How do we square our fears of invasion
with humanitarian aid?”
Colin studied visual communication
at Chelsea School of Art and the Royal College of Art in London and taught for many
years in further education in London and Edinburgh.
In 2018, he moved to
York to set up Seek Art School, in Haxby Road, to teach people “the fundamentals of looking and the
development of your own visual voice through personal ideas”. Courses include
day and evening classes and Saturday workshops.
Discover more via
colin@seekartschool.co.uk.
Apothecary Jar, graphite on newsprint, by Nicola Lee
Nicola Lee, drawing
NICOLA’S work on paper combines
drawing, folding and photography.
“My visual interest lies
beyond the object,” she says. “I’m drawn to line, pattern and shape occurring
in peripheral space. A space that is fluid, ambiguous and lacking in
definition. A space in which the peripheral becomes the object.
“My work uses
photography, drawing and folding to record and respond to my observations of
this suggestive space. I use process and material to play with ideas of
repetition, reduction and abstraction in order to explore my encounter with the
space in between.”
Nicola Lee: “Encounters with the space in between “
Nicola studied art and design at York St John University, then
gained an MA in textiles at Huddersfield University and now an MA in creative
practice from Leeds Arts University.
She is enjoying being part of the South Bank Studios community;
this year would have marked her York Open Studios debut. Head to ofsorts.space
for more info.
Elephant Festival Fun, by Rebecca Mason
Rebecca Mason, textiles
FIRST inspired by Batik
while in Malaysia, Rebecca has practised Batik art for more than 30 years.
Since attending workshops and evening classes to learn the dye-resist technique that uses wax, she has made silk scarves, ties, framed pictures, brooches, cards and wall hangings, using both traditional Indonesian and modern methods.
“I specialise in doing Batik on cotton and silk, including
velour, and I particularly enjoy the fluidity, flexibility, unpredictability and
crackle effect of the wax,” says Rebecca.
Batik artist Rebecca Mason in her studio
“I also love to be creative with colour and the freedom of
abstract designs. Much of my Batik is influenced and inspired by the shapes and hues
of the Yorkshire countryside and by the changing seasons too.
“My cotton pictures are varied in design and theme and use a range of Batik techniques, and I also make Batik ties and scarves that are each uniquely designed.”
Rebecca, who would have been a York Open Studios 2020 debutante,
sells her work by appointment from her studio and at Simon Main’s Village
Gallery, in Colliergate, York. She has exhibited too at York River Art Market
and South Bank Studios and welcomes special commissions. Take a look at
batik-art.co.uk.
Clifford’s Tower, York, by Donna Maria Taylor
Donna Maria Taylor, mixed media
DONNA’S
website, donnamariataylor.com, introduces her as designer, maker, teacher, with
more than 25 years’ experience of working in the arts.
Her mixed-media work spans a range of disciplines, all inspired by the world around her, and although her York Open Studios show has been cancelled, she has upcoming exhibitions in the diary at Osbornes at 68 Gillygate, from August to October, and Angel On The Green, Bishopthorpe Road, from November 3 to December 15.
Donna Maria Taylor: designer, maker, teacher
In the theatre world, Yorkshire-born
Donna has designed shows, painted scenery and made props and costumes for many
companies, including York Theatre Royal, the Grand Opera House, Shakespeare’s
Rose Theatre and the York Mystery Plays in York Minster, West Yorkshire
Playhouse in Leeds, English Touring Theatre, Sheffield Theatres, Hull Truck Theatre
and the Royal Shakespeare Company.
She is an adult education senior tutor and observer for York Learning and is involved regularly in community art projects at York community centres, children’s centres, schools, church halls and a prison.
She has taught in a wide variety of settings, such as York Art Gallery, Explore York libraries and York museums, as well as at colleges and universities, and runs workshops and art holidays, although these have been postponed until further notice during the Covid-19 pandemic.
To find out more, go to donnamariataylor.com.
TOMORROW: Caroline Utterson; Marcus Jacka; Ruth King; Elaine Hughes and Mick Leach.
Nothing happening full stop. Now, with time on your frequently washed hands, home is where the art is and plenty else besides
EXIT 10 Things To See Next Week in York and beyond for the unforeseeable future. Enter home entertainment, wherever you may be, whether together or in self-isolation, in the shadow of the Covid-19 pandemic. From behind his closed door, CHARLES HUTCHINSON makes these suggestions.
Lockdown Legends Challenge, set by York Theatre Royal
EACH Monday morning, York Theatre Royal will post a theatrical #LockdownLegendsChallenge on its Twitter and Facebook pages for the whole family to take part in, just for fun. Even the participation of pets is “actively encouraged”.
York Theatre Royal: ideas for creating your own theatre magic at home in the Lockdown Legends Challenge
This week’s challenge is to make a one-minute play. “Send us your responses to lockdownlegends@yorktheatreroyal.co.uk and we’ll share these on our social media pages throughout the week,” says the Theatre Royal. “Remember to keep safe – and stay creative.”
Setting up a film reviewers’ club online
ARE you missing discussing the latest hit films at City Screen, Everyman York, Vue York and Cineworld? If so, why not start or join a film reviewers’ club online on WhatsApp, with the group having a name.
One group member chooses a film, old, recent, cult, blockbuster, world, British, American, whatever; gives a brief synopsis and initial thoughts behind the choice; sets a start and finishing date for viewing (whether on DVD, Netflix, etc), and then everyone gathers for a chat online to give their short reviews.
Explore York’s library and archive at York Explore, Museum Street, York
Explore York’s Libraries From Home
THE Explore York library and archive service will be developing online activities such as a Virtual Book Group, while updating regularly as “new things” come on stream and sharing them on social media, using #LibrariesFromHome.
The Queen show must go on: We Will Rock You will rock you in 2021
Keep trying to find good news
DALBY Forest concerts, chopped. The first four classics of the flat racing season, all non-runners. Wimbledon tennis, out. Harrogate International Festivals summer season, off. York Festival, gone. Scarborough Open Air Theatre, shut. The list of cancellations keeps growing, but against that backdrop, theatres, music venues and festivals are busy re-booking acts and shows for later in the year or next year.
Keep visiting websites for updates, whether York Barbican, York Theatre Royal, the Grand Opera House, The Crescent, wherever. We Will Rock You has just been confirmed for the Grand Opera House for March 22 to 27 next year.
Look out too for the streaming of past hit shows. More and more theatres and arts companies are doing this…
Breath of fresh Eyre: The National Theatre’s innovative Jane Eyre, directed by Sally Cookson. This picture features the 2017 touring cast at the Grand Opera House, York
…For example, National Theatre At Home on YouTube
HULL playwright Richard Bean’s comic romp One Man, Two Guvnors has drawn more than two million viewers since being launched on the National Theatre’s YouTube channel last Thursday.
Next up, available for free from 7pm this evening for a week, will be Sally Cookson’s innovative, dynamic, remarkable stage adaptation of Charlotte Bronte’s Yorkshire novel, Jane Eyre. You may recall the NT’s touring production from its week-long run at the Grand Opera House, York, in May 2017. Truly worth staying in for…but you will be doing that anyway, won’t you.
Window of opportunity : Cancelled York Open Studios finds a way still to showcase art
Venturing outdoors…to spot #openwindowsyork2020
AMID the strict Government strictures, when allowed out to walk the dog or take that one burst of mentally and physically beneficial exercise a day, you can discover a new form of “window dressing” and maybe even “window shopping” near you.
The Covid-19 pandemic has shut the doors on York Open Studios 2020, when 144 artists and makers would have been welcoming visitors on April 17 to 19 and 25 and 26. Enterprising as ever, they now say: “We can’t open our doors, but we can show you our work through our windows”, as they launch #openwindowsyork2020. “If you see one, let us know,” they add.
Welcome back Backgammon
Vintage game of the week: Backgammon
LOCKDOWN is the perfect chance to dust off faithful old games consigned to gathering dust on top shelves.
Bring back Backgammon, one of the oldest known board games, whose history can be traced back nearly 5,000 years to archaeological discoveries in Mesopotamia. In this quick-thinking two-player game, each player has 15 pieces that move between 24 triangles, according to the roll of two dice. You gotta roll with it, as Oasis once sang.
Easter egg hunt
EASTER Day celebrations demand an Easter egg hunt, whether indoors or in the garden, if that is possible.
Two customs spring to mind: firstly, wrapping eggs in ribbon for boiling that will then leave a pretty decorative pattern on the eggs.
Secondly, writing poetic ditties as clues for the Easter egg hunter to find the hidden chocolate goodies. Happy hunting, happy Easter, dear readers.
Clap for Carers
YES, we miss the sound of applause bursting through our theatre walls, but for now, save your hand-clapping for showing support every Thursday at 8pm for our NHS doctors, hospital staff, carers, rising tide of volunteers and key workers. God bless them all.
Paul Merton: Welcome back Have I Got News For You for series number 59
And what about…
BOOKS on pandemics and plagues. Cookbooks. The return of BBC One’s Have I Got News For You on Fridays, albeit in compromised social-distancing-from-home form. The shockumentary series Tiger King: Murder, Mayhem And Madness on Netflix. Writing a 10 Things list like this one.
Reading the regular Tweets from Reece Dinsdale, Emmerdale actor full of nous, and Alan Lane, Slung Low artistic director and man of action around Leeds. Keep drinking hot drinks and gargling regularly, as well as all that hand-washing.
Goodbye, not Hello: Lionel Richie’s York Festival and Scarborough Open Air Theatre concerts have been cancelled
THE inaugural York Festival with Lionel
Richie, Madness and Westlife in June is off. The entire Scarborough Open Air Theatre summer
season has been cancelled too.
The “unavoidable” double blow for
promoters Cuffe and Taylor was confirmed in a brief statement at high noon, enforced
by the grip of the Coronavirus pandemic.
“We are sad to announce both York
Festival and the 2020 programme at Scarborough Open Air Theatre will not go
ahead,” they said. “We did not want to take this step, but it was unavoidable.
The health and safety of concertgoers, artists, staff and community will always
be our top priority.
Grey Day for Madness: no House Of Fun after all at York Festival on June 19
“We are working with our ticketing
partners and they will contact customers very soon to process refunds. Peace, love, kindness and thanks.”
So, alas, this means goodbye to Hello and Lionel Richie at York Sports Club, Clifton Park, Shipton Road, on June 21, when the American soul legend, now 70, would have been supported by Grammy Award winner Macy Gray and Newcastle soul-pop duo Lighthouse Family.
Camden Town nutty boys Madness were to have headlined the
opening night, June 19, joined by Ian Broudie’s Lightning Seeds, Craig
Charles, for a Funk and Soul Club DJ set, Leeds indie rockers Apollo
Junction and York band Violet Contours.
Westlife: York and Scarborough shows grounded without wings
Irish matured boy band Westlife were booked to top the June 21
bill, backed up All Saints, Sophie Ellis Bextor, Scouting For
Girls and Take That’s Howard Donald for a DJ set.
Over on the East Coast, Cuffe and Taylor had lined up big
hitters galore for Scarborough Open Air Theatre’s 2020 season, opening with
Lionel Richie on June 9, followed by Westlife on June 17.
Further bookings were: Supergrass, June 20; Alfie Boe, June 27; Snow Patrol, July 4; Mixtape, with Marc Almond, Heaven 17 and Living In A Box featuring Kenny Thomas, July 10; Keane, July 17; Little Mix, July 21; McFly, August 14; Louis Tomlinson, August 15, and Nile Rodgers & Chic, August 21. What’s more, further shows were to have been added. Not any more.
Leopard king: Rod Stewart at York Racecourse last June, promoted by Cuffe and Taylor
Last year,Cuffe and Taylor promoted Rod Stewart’s first ever York concert, erecting a pop-up amphitheatre in the centre of York Racecourse and duly drawing 35,000 people to Knavesmire on June 1. Ah, those were the days.
Earlier this spring, Cuffe and Taylor were given the City of York Council thumbs-up for a licence for their first York Festival, albeit with the proviso that the volume must be turned down. Now, there will only be silence.
Kate Rusby in her Holly Headwear. Picture: David Lindsay
WHAT a relief to be able to mention another C-word in these
Coronavirus-clouded times. Christmas. Kate
Rusby at Christmas, to be precise.
Tickets for the Barnsley nightingale’s now traditional York Barbican Christmas concert on December 20 go on sale tomorrow morning (April 10) at yorkbarbican.co.uk.
Kate’s sparkling Christmas shows draw on merry Christmas versions of carols,
once banned from frowning Victorian churches for being too jolly, that instead
found their home in the pubs of South Yorkshire (and North Derbyshire and
Cornwall).
“Christmas songs were seeping into our brains,” says Kate Rusby, recalling her childhood exposure to South Yorkshire ‘pub sings’. Picture: David Angel
For 200 years, those South Yorkshire
communities have congregated on Sunday lunchtimes from late-November to belt
out, for example, variations on While Shepherds Watched.
“The Christmas side of things began for me in the ‘pub sings’
around South Yorkshire,” Kate told CharlesHutchPress last winter ahead of her York
Barbican concert with her regular folk band and “brass boys” quintet on December
18.
“We were taken along as kids; our parents would be in the main
room singing away, while us kids were sat with the other kids in the tap room,
colouring [pictures] and drinking pop, unaware that the carols and Christmas
songs were seeping into our brains!
“I decided anyone who adores Christmas music is called a ‘Holly Head’, ” says Kate Rusby, explaining her album title
“They’re mostly songs thrown out of the churches by the
Victorians as they were thought to be far too happy! Ha! Those who loved
singing them took them to the pubs, where you could combine a good old sing
with beer and a natter, and there the songs have remained and been kept alive,
being passed down the generations.”
So much so, Kate has released five albums of carols and original
winter songs on her own Pure Records label: 2008’s Sweet Bells, 2011’s While
Mortals Sleep, 2015’s The Frost Is All Over, 2017’s Angels And Men and last
year’s Holly Head
“Well, I decided anyone who adores Christmas music is called a
‘Holly Head’,” she said, explaining the title. “You know, like car fanatics are
petrol heads. I thought it was the perfect title for such people, and I’m a
fully paid-up member of the Holly Head club.”
The album artwork for Kate Rusby’s 2019 album, Holly Head
Songs on
Holly Head ranged from the Rusby original The Holly King, to a cover of John
Rox’s novelty Christmas number Hippo For Christmas, via the carol Salute The
Morn, a brace of God’s Own Country variations, Yorkshire Three Ships and Bleak
Midwinter (Yorkshire) and Kate’s sixth iteration of While Shepherds Watched.
“There’s over 30 different versions of While Shepherds Watched
that get sung in the pubs here in South Yorkshire, so I’ve still got a lot to
go at,” said Kate last December. “This one is actually to the tune of a
different song that I also love, but I wasn’t that keen on the words, then
realised it went with the While Shepherds words, so yey, another has now been
invented.”
Picking the song most significant to her on Holly Head, Kate chose
her own composition The Holly King. “It celebrates the more pagan side of
Christmas. I wrote it after reading about the winter king, The Holly King, and
the summer king, The Ivy King,” she said.
Kate Rusby: Writing for her next Christmas record. Picture: David Angel
“Legend has
it that the two met twice a year and had almighty battles. Going into winter,
the Holly King would win and reign for the winter months. Then the Ivy King
would wake and overthrow the Holly King and reign through the summer months,
and on they went in a perfect cycle.
“I just
loved the images that it conjured up and a song came flowing out. I gave him a
wife, The Queen of Frost, who creeps across the land to be with him for his
time. In fact, I’m now writing her song, so she will appear on the next
Christmas album, I’m sure.”
May The Queen of Frost glide her icy path to York Barbican come
December 20.
YORK Open
Studios 2020, the chance to meet 144 artists at 100 locations over two April
weekends, has been cancelled in the wake of the Covid-19 pandemic.
However, with
doors sadly shut for the April 17 to 19 and April 25 to 26 event,
CharlesHutchPress wants to champion the creativity of York’s artists and
makers, who would have been showcasing their ceramics, collage, digital,
illustration, jewellery, mixed media, painting, print, photography, sculpture
and textiles skills.
Each day,
in brochure order, five artists who now miss out on the exposure of Open
Studios will be given a pen portrait on these pages, because so much art and
craft will have been created for the event and still needs a new home.
Addresses will not be included at this time.
Meanwhile,
York Open Studios artists are finding their own way to respond to the shutdown
by filling their windows with their work instead. Look for #openwindowsyork2020 to locate them.
“If you see one in your area while taking your daily exercise, take a picture
and let us know,” they say.
Cielo, collage, by Gail Fox
Gail Fox, collage
AN artist for more than
40 years, London-born Gail co-founded York Open Studios in 2002 with Anne
Hutchison.
For 30 years, she made
and exhibited hand-built coil pots after gaining a first-class degree at
Central School of Art in London in 1980, undertaking commissions for fashion
designer Bruce Oldfield and Trisha Guild, of the Designers Guild, for Next
Interiors.
Since a change of artistic
tack, she has focused on painting and now 2D abstract collages: explorations of
juxtapositions, composition and colour, made from painted or found papers.
York Open Studios co-founder Gail Fox
“The whole process is about tweaking and adjusting. It relies on intuition about what seems visually right,” says Gail. “It’s a process of adding to and taking away, a little more of this, a little less of that.
“It’s a bit like adjusting
a recipe until you know the taste is right. Hopefully, after the struggle, something
emerges that has a beauty, a sense of resolution and balance.” Learn more at gailfox.co.uk.
Sculptural jewellery by Jane Atkin
Jane Atkin, jewellery
MODERN and sculptural in
form, Jane’s functional jewellery incorporates unisex designs in predominantly
one-of-a-kind pieces in silver and gold.
“I use cut, uncut semi-precious stones and jet, found by me on the Yorkshire coast, that are employed in modern and minimalist ways,” she says. “From growing up surrounded by good modern design and architecture, these influences filter through into my jewellery.”
Jane Atkin’s studio
Responding to the need to
reduce single-use plastic, she has designed a silver drinking straw as an
investment for the future. “Silver
is naturally antibacterial and will last a lifetime, so this is perfect as a Christening
gift as an example,” says Jane, who exhibited at Pyramid Gallery and Lotte Inch
Gallery, in York, and the British Craft Trade Fair last year.
For more info, head to janeatkinjewellery.com.
Amy Stubbs: heading back north
Amy Stubbs, textiles
RELOCATED to York in a return to her northern roots, pattern
print designer Amy now works from the
PICA Studios artist hub in Grape Lane.
This textile design graduate from Falmouth University draws
inspiration “from a wealth of experience brought to her by her strong Yorkshire
family heritage and the opportunity to experience varying cultures”.
Consequently, Amy’s textile
work combines manually drawn abstract elements with the aid of digital
technology to create her surface pattern prints that feature strong mark-making
motifs and collaging.
2020 would have marked
her York Open Studios. Looking ahead, her new website, amystubbs.com, will be “coming
soon”.
“Cheeky, bright and full of colour”: Emily Stubbs’s ceramics
Emily Stubbs, ceramics
EMILY creates hand-built
sculptural ceramic vessels – cheeky, bright and full of life in character –
that explore the relationship between colour, form and texture.
Born in Holmfirth, her first
taste of clay was during her pre-BA foundation course at Batley School of Art
and Design. Inspired by this medium, Emily studied ceramics at the University
of Wales, Cardiff, graduating in 2007.
Emily Stubbs at work at PICA Studios, York
Moving to York in 2009,
she has worked from PICA Studios, in Grape Lane, York, since 2017, taking Yorkshire
and beyond by storm with her quirky ceramics in galleries and at art fairs,
such as Ceramic Art London.
Emily co-founded the
Art& show at York Racecourse with Victoria Robinson and collaborated with
Cooper King Distillery to create the artwork for their newly launched Herb Gin
label last autumn. Head to emilystubbsceramics@gmail.com
to learn more.
Inspired by 20th century travel posters: Elliot Harrison’s illustration of the York Odeon cinema building
Elliot Harrison, illustration
ELLIOT creates architectural
illustrations, prints and posters showcasing iconic York buildings and views,
favouring a vibrant colour palette inspired by Art Deco design and vintage 20th
century travel posters.
His distinctive retro York portfolio has been catching the eye for
the past few years, whether at Frankie & Johnny’s Cookshop, Blossom Street
Gallery and Owl & Monkey or in exhibitions at York Hospital and the Rowntree
Park Reading Café.
Among his most popular illustrations are Rowntree Park,
Bishopthorpe Road, the Blossom Street Odeon cinema, the former Clifton Cinema,
the Joseph Rowntree Theatre and York Minster.
Elliot Harrison surrounded by his evocative retro artwork
His commissions include illustrations for York Theatre Royal and
The Piece Hall, in Halifax, and his repertoire has expanded to take in running
medals, mugs, coasters, cards, Christmas cards and a 2020 York calendar that
sold out.
Elliot, who gained a degree in art and design from York St John University, was selected for his York Open Studios in 2020. Check him out via elliot@york360.co.uk.
TOMORROW: Rosie Waring; Colin Black; Nicola Lee; Rebecca Mason and Donna Maria Taylor.
We Will Still Rock You: The Queen and Ben Elton musical will rise again in 2021
THE 2020 tour of We Will Rock You bit the dust with the Coronavirus
pandemic lockdown, but the show must go on for the Queen and Ben Elton musical.
Not only have many of the original dates been re-scheduled for 2021, but
several venues have been added too, not least the Grand Opera House, York, for
a run from March 22 to 27.
“The producers did not want to disappoint fans who had bought tickets,
so they have been working hard to reschedule as many of the shows as possible,
giving people something to look forward to in these unsettling times,” says the
official statement.
“We are delighted to announce the good news that the musical
extravaganza will once again rock theatres across the UK from January next
year, playing many of the original 2020 dates and several additional venues
too.”
Kicking off in Cardiff on January 18 2021, the tour will then play Milton
Keynes; Southend; Stoke; Bristol; Wimbledon; Bournemouth; Ipswich; Bromley; York;
Newcastle; Northampton; Peterborough; Norwich; Reading; Liverpool; Birmingham
and Southsea, with more dates to follow. Details of how to exchange tickets
will follow in the coming weeks.
Queen guitarist Brian May said: “Happy to say our magnificent UK tour of
We Will Rock You, the rock theatrical, will rise again. The Coronavirus has had
us all on the run, but live theatre will win in the end. Keep hold of your
bookings and the vibe will be yours in 2021.”
Drummer Roger Taylor added: “This is great news, I’m so pleased to see
the show on the road again.”
Writer Ben Elton agreed: “I was so pleased to get the great news that We
Will Rock You is to be remounted next year, after being forced to close mid-tour,
and I hope Queen’s incredible music can help to make us feel like champions
again.”
Tickets for the York run are on sale at atgtickets.com/york.
The National Theatre’s Jane Eyre: on the NT’s YouTube channel
THE National Theatre’s celebrated production of Jane Eyre will be shown on the NT’s YouTube channel for free on Thursday at 7pm.
This will be the second in the two-month series of
National Theatre At Home screenings that was launched with One Man, Two Guvnors
last Thursday, since when more than two million people have watched Hull playwright
Richard Bean’s comic romp.
Cookson’s re-imagining of Charlotte Brontë’s inspiring Yorkshire
story of trailblazing Jane was first staged by Bristol Old Vic in 2015 and
transferred to the National in the same year with a revival in 2017.
In May that year, the National Theatre’s touring
production visited the Grand Opera House, York, for a week’s run, winning the “Stage
Production of the Year in York Made outside York” award in the annual Hutch
Awards in The Press, York.
Cookson’s bold, innovative and dynamic production uncovers one woman’s fight for freedom and fulfilment on her own terms. From her beginnings as a destitute orphan, spirited Jane Eyre faces life’s obstacles head on, surviving poverty, injustice and the discovery of bitter betrayal before taking the ultimate decision to follow her heart.
During this unprecedented time of the enforced shutdown of theatres, cinemas and schools in response to the Covid-19 pandemic, National Theatre At Home is providing access to content online to serve audiences in their homes.
Audiences around the world can stream NT
Live productions for free via YouTube every Thursday at 7pm BST and
each one will then be available on demand for seven days.
Coming next after Jane Eyre will be Bryony Lavery’s adaptation of Robert Louis Stevenson’s Treasure Island from April 16 and Shakespeare’s comedy Twelfth Night, starring Tamsin Greig as Malvolio, from April 23. Further titles will be announced.
Alongside the streamed productions, National
Theatre At Home will feature accompanying interactive content, such as question-and-answer
sessions with cast and creative teams and post-stream talks. Further details
of this programme will follow.
National Theatre Live turned ten on June 25 last year: the date of the first such broadcast in 2009, namely Phédre, starring Helen Mirren. Over those ten years, more than 80 theatre productions have been shown in 3,500 venues worldwide, reaching an overall audience of more than ten million.
NT Live now screens in 2,500 venues across 65 countries. Recent broadcasts include Cyrano de Bergerac with James McAvoy; Noel Coward’s Present Laughter with Andrew Scott; Fleabag with Phoebe Waller-Bridge; Arthur Miller’s All My Sons with Sally Field and Bill Pullman; All About Eve with Gillian Anderson and Lily James; Shakespeare’s Antony And Cleopatra with Ralph Fiennes and Sophie Okonedo; Shakespeare’s Julius Caesar with David Morrissey and Ben Whishaw and Tennessee Williams’s Cat On A Hot Tin Roof with Sienna Miller.
Here is Charles Hutchinson’s review of the National Theatre’s Jane Eyre when it played the Grand Opera House, York, in May 2017, published in The Press, York. Please note, the cast differed from the one to be seen in the National Theatre Live performance on YouTube from Thursday.
Nadia Clifford as Jane Eyre in the National Theatre’s touring production of Jane Eyre at the Grand Opera House, York, in May 2017
YOU will not see a
better theatre show in York this year, and you won’t have seen a better theatre
show in York since The Curious Incident Of The Dog In The Night-Time.
For those who want
their National Theatre to be for everyone, and not only for London, then the
Grand Opera House is doing a fine job of bringing the NT north, thanks to the
pulling power of the GOH’s owners, the Ambassador Theatre Group.
Your reviewer
cannot urge you enough to see Sally Cookson’s remarkable interpretation of
Charlotte Bronte’s no less remarkable novel. Yes, some of the ticket prices are
on a Premier League scale, but this is Premier League theatre. What’s more,
Jane Eyre is a Yorkshire story, back on home turf after Cookson’s premiere at the
Bristol Old Vic and subsequent transfer to the South Bank.
Rather than being
adapted for the stage with a plodding narrator, this is a devised production of
vivid, vital imagination. Michael Vale’s set is rough hewn, gutted to the
minimum, with wooden flooring and walkways, a proliferation of ladders, a sofa,
and yet it evokes everything of Bronte’s harsh world.
Cookson’s cast is
multi role-playing, aside from Nadia Clifford’s Jane Eyre, who never once
leaves the stage in three hours (interval aside), changing costumes in full
view with the assistance of fellow cast members.
The story hurtles
along so fast, the ensemble company runs on the spot between scenes to the
accompaniment of thunderous drums, and they even take a mock piddle at one
point in the rush to crack on: one of the comic elements to counter the
grimness up north.
Energy, energy, energy!
And that applies not only to Clifford’s feisty, fiery Jane Eyre, whose accent
may curve towards her native North West, but that in no way lessens her performance.
The cast as a whole is
magnificent, be it Tim Delap’s troubled Rochester, Evelyn Miller’s triptych of
Bessie, Blanche Ingram and St John; Paul Mundell’s austere Mr Brocklehurst and
tail-wagging Pilot the dog; Lynda Rooke’s chalk and cheese Mrs Reed and Mrs
Fairfax or surely-too-good-to-be-an understudy Francesca Tomlinson’s five-hand
of roles.
There is so much
more that makes Cookson’s production so startling, movingly brilliant: the
sound design of Dominic Bilkey, the inexhaustible movement direction of Dan
Canham; the beautiful, haunting compositions of Benji Bower for the on-stage
band of David Ridley, Alex Heane and Matthew Churcher, who join in ensemble
scenes too and never take their gaze off the action.
Last, but very
definitely not least, is Melanie Marshall, the diva voice of Bertha Mason, a
one-woman Greek chorus whose versions of Mad About The Boy and Gnarls Barkley’s
Crazy will linger like Jane Eyre in the memory.
YORK Open
Studios 2020, the chance to meet 144 artists at 100 locations over two April
weekends, has been cancelled in the wake of the Covid-19 pandemic.
However,
with doors sadly shut for the April 17 to 19 and April 25 to 26 event,
CharlesHutchPress wants to champion the creativity of York’s artists and
makers, who would have been showcasing their ceramics, collage, digital,
illustration, jewellery, mixed media, painting, print, photography, sculpture
and textiles skills.
Each day,
in brochure order, five artists who now miss out on the exposure of Open
Studios will be given a pen portrait on these pages, because so much art and
craft will have been created for the event and still needs a new home.
Addresses will not be included at this time.
Meanwhile, York Open Studios artists are finding their own way to respond to the shutdown by filling windows with their work instead. Look for #openwindowsyork2020 to locate them. “If you see one in your area while taking your daily exercise, take a picture and let us know,” they urge.
Jill Ford: Her ceramics mirror the seasons
Jill Ford, ceramics
JILL began working as a potter in 2002, converting her garage into
a studio and establishing her company Jill Ford Ceramics.
Her contemporary white porcelain encompasses innovative
textural wall pieces, vases and bowls thrown on the wheel and a
range of candlesticks, her work marked by richly
textured decoration inspired by mountains and coastal rock formations.
Jill’s ceramics mirror the seasons, both in the processes she
uses and the changing nature of her landscapes, with winter’s extreme temperatures
making for a particularly impactful time of year.
Jill Ford at work in her studio
A year spent trekking and sketching in the Scottish Highlands has provided
inspiration for a range of Mountain Edge pots that gives a sense of exposure
and drama.
Jill, who is a member of the Northern Potters Association and East Riding
Artists, exhibits widely in galleries and shops around Britain and abroad,
including New York, and she shows work at ceramics and craft fairs too. She also delivers masterclasses to
potters’ groups and teaches ceramics in workshop sessions. Find out more at
jillford.com.
Cafe scene: a documentary-style photograph by Danny Knight
Danny Knight, photography
AFTER participating in York Open Studios in 2017 with works from Berlin, documentary-style photographer Danny was all set to feature his street photography collated from New York and his home city of York in the 2020 event.
“Old York/New York is a series of still images documenting the mundane events of the people who walk the streets of these two famous cities, while contrasting their similarities/differences.”
Danny Knight: “Capturing the everyday moments in two amazing cities”, York and New York
His work seeks to capture “the everyday moments in these two amazing cities that are quite often missed due to the pace of life we live”.
As well as being a photographer, Danny
works for the creative film production company Hewitt & Walker and is a city
leader for Sofar Sounds York, the monthly venture that “reimagines live events
through curated secret performances in intimate York settings”. For more info,
seek out info@dannyknightphotography.co.uk.
Honesty, linocut, by Carrie Lyall
Carrie Lyall, printmaking
CARRIE is a self-taught printmaker, based in Stamford Bridge, from
where she runs her Rose & Hen business.
Her linocut prints, illustrations
and handmade books are inspired by nature. Using botanical themes, she creates
delicate silhouettes and patterns in contrasting colours, employing oil-based
inks.
“I connect with nature while out walking, taking photographs or
collecting subject matter, to be sketched and transformed into design ideas at
home,” she says.
Carrie Lyall: Connecting with nature in her art…and her clothes
“My favourite part of the process is cutting the designs, and I
often get completely immersed in creating marks and lines.”
Carrie is a member of York Printmakers and a volunteer team
leader for Etsy Team York. 2020 would have been her first year as a York
Open Studios artist. Check her out at roseandhen.etsy.com
Between You And Me And The Gate Post, needle felting, by Alison Spaven
Alison Spaven, textiles
ALISON’S passion for needle
felting started six years ago during a chance encounter with the craft.
“I’ve been painting and drawing
for a lifetime, and even flirted briefly with ceramics, before a day out with
friends to a felting workshop on a canal barge changed my creative drive
forever,” she recalls.
“I was inspired to create and work with wet and needle felted wool by some great tuition from friends and professional tutors. Needle felting, in particular, rapidly became an obsession and the husband indoors insisted that new homes had to be found for things, as falling over yet another hare is not his favourite pastime!”
Alison Spaven: hare today, gone today, when her work sells!
Alison’s experience with
sculpting in clay gave her the initial skills to work in 3D, before developing
her own textural technique when painting with wool. Created with
rare breed wool, using a single felting needle, Alison’s pictures consequently
have a sculptural quality, a deliberate carry-over from her initial 3D work.
Alison, who trades as The Crafty
Wytch from her Wytchwood Gallery and Studio, is a familiar face around Malton and
beyond from her work as a stalwart of The Press and Gazette and Herald advertising
team. Head to thecraftywytch.co.uk to discover more.
Compulsive printmaker Kevin McNulty
Kevin McNulty, printmaking
KEVIN describes himself as a compulsive printmaker, who explores
themes such as identity and the human condition in his bold limited-edition
printed collages, wherein he combines photography, arbitrary images, texture
and abstract pattern.
“Experimenting with process and technique, I interweave
modernity with the absurd to build complex and captivating designs,” he says. “I
find inspiration in the everyday. I build layers for my prints using anything I
can lay my hands on, including found items.” Even mobile phone parts and
discarded teabags.
Millennium Bridge, York, by Kevin McNulty
Kevin’s
working practice is underpinned by a desire to make “pure prints by pulling each
image by hand and embracing the fortuitous accidents that evolve each design as
it transitions from laptop to ink and paper”.
Those prints were to have featured for the first time in this month’s now cancelled York Open Studios. Find his work at kevinmcnultyprints.com.
TOMORROW: Gail Fox; Jane Atkin; Amy Stubbs; Emily Stubbs and Elliot Harrison.
“During this period, it is critical that we continue to support our staff, artists and creative partners,” says Pocklington Arts Centre director Janet Farmer
POCKLINGTON Arts Centre’s crowdfunding appeal has raised more than half
its target already.
Launched in the immediate aftermath of the Market Place venue closing its
doors to the public on March 17, in response to the Covid-19 pandemic, the
crowdfunding page has accrued donations of £3,060
towards the £5,000 goal.
What’s more, Pocklington Arts Centre (PAC) has received £2,000 in ticket
refund donations from customers for cancelled events.
Now PAC has thanked everyone for their support in
helping the venue ride out the tempest and come back stronger than ever, with
the hope of a good majority of shows being re-scheduled for the autumn and winter.
Director Janet Farmer said: “With the health and
safety of our staff, visitors, artists and volunteers being of the utmost
importance to us, Pocklington Arts Centre has temporarily closed its doors to
the public while we weather this storm.
“During this period, it is critical that we
continue to support our staff, artists and creative partners. We are working
closely with our peers across the region, and indeed the country, and are
determined that PAC will emerge from this challenge stronger and more vibrant
than ever.”
Janet continued: “The crowdfunding appeal will play an important part in this re-emergence, so we want to take this opportunity to thank everyone who has donated so far. Your support is greatly appreciated and we look forward to seeing you all again when we re-open.” To make a donation, visit: justgiving.com/crowdfunding/pac.