Friends! The Musical Parody: new York Barbican date next March
FRIENDS! The Musical Parody has been
rescheduled for March 3 2021 at York Barbican after the March 20 show was postponed
under the Coronavirus strictures.
The lampooning show both celebrates and pokes fun at the misadventures of Manhattan 20-somethings Ross, Chandler, Monica, Phoebe, Joey and Rachel from the cherished 1990s’ American TV sitcom as they navigate the pitfalls of work, life and love.
Friends!
The Musical Parody is a “good-hearted romp through our favourite moments in an
uncensored, hilarious, fast-paced, music-filled show” that opens on a typical
day at New York coffee shop Central Perk. When an unexpected runaway bride
enters the picture, it kicks the whole gang out of second gear.
The show
will play York Barbican as part of the off-Broadway and Las Vegas musical’s now
extended first UK and Irish tour. Tickets for the revised date are on sale at
yorkbarbican.co.uk.
York Stage School principal Nik Briggs with fellow On Screen teachers Jessica Douglas (singing/musical theatre), left, Danielle Hill-Mullan (musical theatre) and Joanne Theaker (acting/musical theatre)
YORK Stage School will celebrate its second birthday from behind closed doors but with the launch of on-screen activities.
“Wherever you have a
camera, we have a class,” will be the new school rule, prompted by Government
strictures brought on by the Covid-19 pandemic.
Principal
Nik Briggs says: “After a brilliant two years, where we have worked
with hundreds of students and seen them flourish in our classrooms, we now
face the possibility of not being able to work with them under the current
Government guidance for some time and the necessary social distancing
and self-isolation policies that come with that.
“Consequently,
we are fully committed to ensuring our students are always kept safe and
well and will not be running classes while schools are closed to students.”
Cue York Stage School’s new “homework” instead. “It is with this in mind that we have been busy working on this new project, which will see us joining up with lots of our teachers’ contacts from the theatre, TV and film industry to introduce our exciting new programme, York Stage School…On Screen, over the coming weeks and months.”
Are you ready to watch, explore, react and create, asks Nik.“If so, then sign up, stop waiting in the wings…and join us on screen for a programme where we’ll be sending out weekly briefs, scripts and stimuli to children via email and through videos from both our regular teachers and special weekly industry-professional guest tutors,” he says.
Homework for when you must stay at home: York Stage School prepares to launch Stage School…On Screen
Students
will have six days to watch the videos, explore the stimuli given and then
react and create their own videos at home. “These will then be sent back
to us at York Stage School HQ,” says Nik.
“Children
will receive feedback on their creations via email and video calls from our
staff; each week we will celebrate their work across our social channels with
weekly industry recognition from our guest tutors.”
To take part, students will need either a mobile phone, tablet or PC with a built-in camera and microphone, plus an internet connection and an email address. “This can be either their own or a parent’s,” says Nik.
“While
we will be using the York Stage School social media channels to celebrate
students’ work – if parents are happy for their child’s image to be broadcast –
access to these is not needed to take part in the project.”
The first “issue” of York Stage School…On Screen is being given away free of charge. “This is in order for you to decide if this programme is something your child will enjoy and genuinely benefit from,” reasons Nik. “After the initial week, there’ll be a weekly charge of £10 to take part. To receive the first issue, please sign up by clicking Register Now on the website, yorkstageschool.com.”
Mary, Mary, very contrary: Fiona Baistow., left. and Florence Poskitt clash over who plays Mary in York Stage Musicals’ The Flint Street Nativity last Christmas
Putting on his other cap as artistic director of York Stage Musicals, Nik says: “At the moment we are very much all up in the air with regards to shows.
“We were scheduled to be performing Bugsy
Malone at the Grand Opera House from April 23 to 26, but that has now been
cancelled, now that theatres have been closed in response to the Coronavirus
epidemic. However, we do hope for the children’s sake to remount this at a
later date.”
York Stage Musicals had a trio of premieres in the pipeline too: Sondheim On Sondheim, Kinky Boots and Soho Cinders. “We had just auditioned for the UK premiere of Sondheim On Sondheim’s run at the John Cooper Studio @41 Monkgate, from May 20 to 23, but casting has had to be put on hold,” says Nik.
“This will mean the production will now have to
take place at a later date, hopefully in the autumn.
“Our big September show is the York premiere of
Kinky Boots at the Grand Opera House from September 10 to 19, and at the moment
no changes have been made on this production’s scheduling.”
Nik is still hopeful too of bringing another
alternative Christmas show to the John Cooper Studio @41 Monkgate in the wake
of 2019’s gleeful production of Tim Firth’s The Flint Street Nativity.
“After that success, we’ve now secured the rights to bring George Stiles and Anthony Drewe’s Soho Cinders to the city for the first time ever,” says Nik.
“This musical romp transports the classic Cinderella story to the streets of Soho, where the action is definitely more suitable for an adult audience and the ugly sisters are more Gemma Collins than Berwick Kaler!”
LOTTE Inch Gallery, in Bootham, York, is going online only “for
the time being”.
“While the Covid-19 situation poses a threat to us all, we
want to ensure that everyone stays well and healthy and, as such, have closed the
doors at Fourteen Bootham until we are advised by the Government that we can
re-open,” says Lotte.
“However, just because the doors are closed, it doesn’t mean that you can’t still look at some of the beautiful work that features in our current exhibition, York artist Mick Leach’s Urban Abstraction. All Mick’s paintings are now on our online shop at lotteinch.co.uk, along with Katie Timson’s beautifully delicate ceramics and Evie Leach’s refined silver and semi-precious stone jewellery.”
Running until April 11, Leach’s debut solo show of sophisticated abstract work endeavours to recreate the textures, colours, layers and shapes of York’s decaying urban landscape.
One of Mick Leach’s Urban Abstraction paintings
Working mainly
with acrylics mixed with French chalk powder, Leach applies paint with palette
knives to gain his textured, layered effect. Various colours and media are then
added to enhance the layers and textures to evoke the memory and feeling of the
places that most inspire him.
“As a self-taught artist and full-time worker, Mick’s ‘side-career’ (sic) in painting has been steadily and successfully taking shape since early 2016,” says Lotte. “This new exhibition highlights his striking talent and his sympathetic and considered manipulation of materials.
“His work is never subjective, but
produced instead from memory, in an attempt to recreate the feel of a location
while simultaneously allowing his work to find its own course.”
Inspiration
behind this series, being shown in York for the first time, is drawn from
the many large cities that Leach has visited or lived in, in particular from
the city of York; the place he calls home.
“We look forward to re-opening soon, but in the meantime, we encourage you to browse online,” says Lotte Inch Gallery curator Lotte Inch
“In this
new body of paintings, Mick attempts to recreate the colours and feel of the
ancient stonework, the dark alleyways, sunken windows, and the contrast of the
modern world against this ancient city, a place rich with contradictions,” says
Lotte.
Coming
next will be Lotte Inch Gallery’s first online-only exhibition, Tom Wood’s The
Abstract Crow, running from 10am on April 17 to May 16.
“Keep an
eye out for more details coming soon and follow Lotte Inch Gallery on Instagram
for sneak previews of the new works that Tom will be including in his show,”
says Lotte.
“This will be a solo show of new paintings by this internationally recognised and technically brilliant Yorkshire artist. Known for his imaginative and allusive abstract approach to painting, Tom will pay homage to his love for the natural world in The Abstract Crow.”
One of Tom Wood’s paintings for The Abstract Crow, his upcoming online-only exhibition at Lotte Inch Gallery, Bootham, York
Since graduating from Sheffield School of Art in 1978, Wood
has exhibited his work worldwide. For example, his celebrated portraits of
Professor Lord Robert Winston and Leeds playwright Alan Bennett, both
commissioned by the National Portrait Gallery, London, have been on display at
the Australian National Portrait Gallery, Canberra.
Wood has held solo shows at the Yale Center for British Art, Yale University, New Haven, Connecticut, USA,
and Schloss Cappenberg, Kreiss Unna, Germany. Among his commissions are
portraits for the National Trust, Warwick University and the Harewood Trust, for
whom his large double portrait of the late 7th Earl and Countess of
Harewood is on permanent display at Harewood House, near Leeds.
“We look forward to re-opening soon, but in the meantime, we
encourage you to browse online,” says Lotte. “Do note that if you live in the
York area, we are pleased to be able to offer a free and safe delivery service.
Just select ‘Collect In Store’ and we’ll be in touch to arrange delivery of
your items.
“Take care of yourselves and your loved ones,” she signs off.
The poster for the Nick Mason’s Saucerful Of Secrets spring tour, now moved to autumn
A GOOD journalist may never reveal his saucers, but the secret is out: Nick Mason’s Saucerful Of Secrets are moving their postponed-by-Coronavirus May 1 gig at York Barbican to October 4.
Pink
Floyd drummer and percussionist Mason, 76, is joined in his Secrets operative
by lead guitarist Gary Kemp, yes, that Gary Kemp, from New Romantic Islington
pop dandies Spandau Ballet, now 60.
In the line-up too for The Echoes Tour are Pink Floyd touring and recording bassist Guy Pratt, guitarist Lee Harris, from The Blockheads, and The Orb’s Dom Beken on keyboards.
Together,
they celebrate Pink Floyd’s earliest work “in all its psychedelic, freaked-out
glory”, and the re-arranged 2020 tour will see the band further
expand their repertoire to encompass songs from the early catalogue up to Floyd’s
1972 album Obscured By Clouds.
Nick Mason in performance with his Saucerful Of Secrets
Nick Mason’s Saucerful Of Secrets made their debut at four intimate London shows at Dingwalls on May 20 2018 and The Half Moon in Putney on May 21, 23 and 24. The Dingwalls date was his first show since Pink Floyd played at the 2005 Live 8 concert in London and the run of London gigs was his first since Floyd’s Division Bell Tour in 1994.
Mason’s
band subsequently sold out theatres around the world, and memories came
flooding back at three nights at London’s Roundhouse, where Pink Floyd had played
some of their most revered early shows in the 1960s.
Last September, Mason was named Prog Magazine’s Prog God at the Progressive Music Awards at Shakespeare’s Globe Theatre, following in the footsteps of Peter Gabriel, Tony Banks, Jon Anderson, Rick Wakeman, Ian Anderson, Carl Palmer and Steve Howe.
Tickets remain valid for the new Barbican date. For bookings, go to yorkbarbican.co.uk.
Did you know?
BORN on January 27 1944, in Hampstead, London, drummer
Nicholas Berkeley Mason CBE
is a founder member of the progressive rock band Pink
Floyd.
He is the only Pink
Floyd musician to have played on all of their
studio albums and their only constant member since their formation in London in
1965.
Sir Alan Ayckbourn: Summer 2020 premiere and revival cancelled at the SJT, Scarborough. Picture: Tony Bartholomew
THE world premiere of Sir Alan Ayckbourn’s 84th full-length play,
Truth Will Out, will not go ahead this summer at the Stephen Joseph Theatre,
Scarborough.
Nor will his revival of his 1976 garage-and-garden dark comedy of four birthdays, Just Between Ourselves, both productions scuppered by the Coronavirus crisis that has led to the SJT being closed.
Booked into the summer repertory season to run between August 20 and October
3, Truth Will Out was written by 80-year-old Ayckbourn in late-2019 as a satire
on family,
relationships, politics and the state of the nation.
“Everyone has secrets,” says the tantalising synopsis in the SJT summer-season
brochure. “Certainly, former shop steward George, his right-wing MP daughter
Janet, investigative journalist Peggy, and senior civil servant Sefton, do.
Stephen Joseph Theatre artistic director and joint chief executive Paul Robinson
“All it’s going to take is one tech-savvy teenager with a mind of his
own and time on his hands to bring their worlds tumbling down – and maybe
everyone else’s along with them. A storm is brewing.”
When that storm will now break cannot be forecast. Alan Ayckbourn’s
Official Website states: “It is not known what the future holds for Truth
Will Out…”, but the truth will out on its path forward in due course.
Ayckbourn’s website also reveals he had written another play, Just
Mercy, earlier in 2019 for his 2020 premiere before turning his attention to
Truth Will Out instead. He still hopes Just Mercy “will be produced at some point
in the future”.
As the Covid-19 pandemic sweeps the world, joint chief executives Caroline
Routh and Paul Robinson said today: “Like everyone else, we are in uncharted
territory, but our current plans are based on probably being closed for
most of the planned summer season, which means we’ll no longer be
presenting Just Between Ourselves, The Ladykillers or Truth Will
Out this year.”
Matthew Wilson and Nicola Stephenson in Hull Truck Theatre and the Stephen Joseph Theatre’s co-production of Two, directed by Hull Truck artistic director Mark Babych
Artistic director Robinson’s production of Father Ted and Black Books writer Graham Linehan’s stage adaptation of the 1955 Ealing comedy The Ladykillers would have run from July 9 to August 15, with its story of the sweetest of sweet little old ladies, alone at home but for a parrot with a mystery illness, at the mercy of a ruthless gang of criminal misfits.
The SJT is making plans to be “up and running again as quickly as
possible once it’s able to”.
“We are already thinking about what might be possible should
restrictions start to lift earlier than expected,” say Routh and Robinson. “We
are extremely lucky in that we have a couple of shows which are ready, or
almost ready, to go.
“Jim Cartwright’s Two, our co-production with Hull Truck Theatre, had
already opened there, so can be on our stage at relatively short notice,
while Little Red Riding Hood, which was due to fill our Easter slot for
families next month, is cast and the set is nearly complete – we just need a
couple of weeks’ rehearsal.”
Charlotte Brooke: one of the cast members for the SJT OutReach production of Little Red Riding Hood
Adapted by Saviour Pirotta, Cheryl Govan’s SJT OutReach production of
this fabled story of not judging a book by its cover, or a wolf by its teeth,
features a cast of Charlotte Brooke, Marcquelle Ward, Nicola Holliday and
Charlotte Oliver, who were to have taken to The McCarthy stage from April 7 to
11.
Routh and Robinson continue: “While we couldn’t, of course, see an
instant return to normal, we could start up our film programme again, schedule
some pieces of visiting theatre, or stage a rehearsed reading or two, all of
which will bring our building back to life quite quickly.”
The SJT’s box-office team is being kept busy, working remotely to
contact those who have booked tickets for the upcoming spring and summer
seasons.
Routh and Robinson say: “We’ve already contacted all those who’d booked
tickets for shows and films during our initial week-long closure, and we were
amazed by how many of them refused a refund, preferring instead to donate the
cost of their tickets or credit their account.
The new message on the Stephen Joseph Theatre’s former Odeon cinema frontage after the Coronavirus shutdown
“It’s so touching to see how many people are showing faith in our future
and are keen to support us – our heartfelt thanks to all of them.
“We aim to remain an essential part of the wider community in the
borough of Scarborough throughout this period, and really look forward to
welcoming you all back when our doors re-open.”
The SJT is closed to the
public, but until further notice the box office will be accepting phone and
email enquiries from noon to 6pm, Mondays to Fridays, on 01723 370541 or at
sjt.uk.com.
The SJT will be posting regular updates on its website and social media
channels: @thesjt.
Once the leaves turn to brown again: Eliza Carthy is re-arranging her April 10 concert for January 24 2021
ALL shows at the Black Swan Folk Club,
Peasholme Green, York, are postponed until the end of August in response to the
Covid-19 pandemic.
Most prominent among them is the Roland
Walls Weekend from June 5 to 7. Formerly known as the City of York Folk Weekend,
it has been re-named this year after the driving force behind both the folk
club and the weekend, who died last June.
This postponement policy also applies to
the club’s concerts at the National Centre for Early Music and The Crescent.
In the club’s latest newsletter, organiser
Chris Euesden says: “We’re going to review things at the end of May to see
where we stand. This includes the Roland Walls Weekend, which was to
have taken place in June.
Kathryn Roberts and Sean Lakeman: 25th anniversary concert moves to November 17
“If you’ve already bought tickets for any
of our events that have had to be postponed, you can get a refund from the internet
ticket provider or you can hang on to your tickets, as they will be valid for
the new date.
“This applies to all events except The
Paperboys at
The Crescent on April 5, which is cancelled. If you have already bought tickets,
you’ll be able to get a refund from seetickets.com. Go to their support
section for further details.”
One Black Swan concert during the folk
furlow is yet to be postponed: Chris Cleverley, presented by Broken Record on
June 25. At the time of writing, it is “still hoped” that this night of songs
on the theme of deteriorating anxious minds, damaging gender constructs and
mystical tales of the occult will go ahead. Watch this space; ticket
information is yet to be announced.
Reflecting on the present state of no-play, Chris says: “Well, we’ve never issued a newsletter quite like this
one before. As the current situation has changed from day to day, so has the
newsletter.
Grace Petrie: new date in the pipeline for May 18 gig
“With the [Government] announcement of the closure of pubs and other music venues and
the uncertainty surrounding the amount of time this is going to go on for, it
seems like a good point to let you all know what’s in place at the moment.
“It’s highly likely there will be more
changes, but we’ll do our best to keep you all informed on our website, blackswanfolkclub.org.uk,
via Facebook, Twitter and with additional newsletters.”
Wheels are in motion already, however, for re-arranging postponed concerts.
Maz O’Connor, a Lake District singer-songwriter
of Irish roots, now living in East London, is transferring her March 26 Black
Swan gig to The Basement, City Screen, on September 9 with tickets on sale at
wegottickets.com/event/497157.
O’Connor, who studied literature at Cambridge
University, has been commissioned to write songs for the British Parliament and the
Royal Shakespeare Company and is devising a piece of music theatre.
Robin Hood’s Bay folk stalwart Martin Carthy: booked to play Black Swan Folk Club when (hopefully) the tide has turned
The
Eliza Carthy Restitute Live/Through That Sound concert at The Crescent on April
10 is re-scheduled for January 24 2021, with tickets on sale at seetickets.com.
Carthy,
the Robin Hood’s Bay singer, songwriter, fiddler and self-styled “modern
English musician”, released Restitute as her first “solo” album of traditional music
last May, recorded at her North Yorkshire home on the coast.
Joining
Carthy at The Crescent will be the Restitute band of Ben
Seal, Ben Somers, Willy Molleson and David Delarre, complemented by a support
slot and special guest appearance from Saul Rose.
As
well as the Restitute material, Carthy and co will perform selections from Through
That Sound (My Secret Was Made Known), her upcoming April 1 album of original songs
recorded with Fife producer, arranger and band member Ben Seal.
The album artwork for Eliza Carthy’s Restitute
Kathryn
Roberts and Sean Lakeman’s 25th anniversary concert on April 22 at the
National Centre for Early Music has a new date of November 17 (box office, ncem.co.uk).
The
husband-and-wife duo will mark this milestone by revisiting and reinterpret
songs spanning their career, from the early days of folk supergroup Equation to
2018’s album, Personae, plus a nod or two to their extracurricular musical
adventures.
The
club is in the process of re-scheduling Grace Petrie’s May 18 show at The
Crescent. Drever, McCusker, Woomble, alias three of Scotland’s busiest
musicians, Kris Drever, John McCusker and Roddy Woomble, are booked for The
Crescent on August 24 (box office ents24.com), so keep an eye open for what may
change or not.
Looking
ahead, Black Swan gigs are in the diary for Anthony John Clarke on September 10;
Christine Collister and Michael Fix, September 18; Maria Dunn, September 24;
Sam Kelly & Jamie Francis, October 8; Lucy Farrell, October 15; Sam Carter,
October 22; Charlie Dore & Julian Litmann, November 19, and Martin Carthy,
Eliza’s father, on December 3.
Toni Bunnell: March 29 concert at The Basement, City Screen, York, postponed
Across the wider folk scene in York, hurdy-gurdy musician, wildlife biologist, broadcaster, song and story writer and York Hedgehog Rescue founder Toni Bunnell’s Tracking The Changes show on March 29 at The Basement, City Screen, has been postponed.
Music sessions are suspended at:
The Maltings, Tanner’s Moat, on Tuesdays;
The Golden Ball, Bishophill, on Sunday evenings;
The Three Legged Mare, High Petergate, on Friday evenings;
Havin’ the Craic at The Fox, Holgate, first Wednesday of each
month;
French & Breton, Eagle & Child, High Petergate, second
Wednesdays.
The artwork for the postponed Opera North and Leeds Playhouse co-production of A Little Night Music
OPERA North is cancelling or
postponing all “public-facing activity” until at least the end of April, in response
to the COVID-19 crisis.
The Leeds company also confirmed the postponement of this season’s co-production of Stephen Sondheim’s acerbic musical A Little Night Music with Leeds Playhouse. Rehearsals had been due to start this morning for the May 9 opening to mark the year when the New York composer turned 90 yesterday.
“Our immediate priority is the health and
safety of our audiences, artists and staff, and we hope to be able to mount the
production in a future season,” said Opera North general director Richard
Mantle.
Stephen Sondheim: composer of the 1973 musical A Little Night Musical
“This is undoubtedly a time of great challenge
for Opera North and our peers but we are determined to respond with creativity
and resilience.
“We will honour the contracts of all guest
artists to the end of our current main stage opera season and those of guest
orchestral players until the end of April.”
Mr Mantle continued: “We are working with our
many education and community partners to ascertain what work can still be
delivered in those settings, and will focus our creativity and core resources
on finding new ways of using music and opera to enhance people’s lives. In
these uncertain times, it feels more important than ever that we use music to
connect with each other.”
A close-up of the Orchestra of Opera North. Picture: Justin Slee
Opera North remains hopeful that the 2020-2021 season will go
ahead as planned in September. In the meantime, the company is working on
finding other ways to share its art form with audiences, including online
resources.
York In Flood, 2019, taken by the York Museum Gardens, by Katherine-of-Yorkshire
VILLAGE Gallery, in
Colliergate, York, will be “doing something a little different to our normal
show” for its next exhibition, opening on March 31.
On display and for sale will
be photographers by Instagrammer Katherine-of-Yorkshire, who uses only her
phone camera to take her photos.
“Apart from occasional
cropping, and selecting which filter to use, there’s no other manipulation or
photoshopping of the images,” says gallery owner Simon Main.
Bootham Bar from King’s Manor by Katherine-of-Yorkshire
“Katherine’s preference is
to photograph in black and white because she finds the result more timeless
than using colour.
“From our perspective
though, in addition to this, we see that she has a seemingly natural talent and
eye for composition, and she manages to convey a deep feeling of peace, even
when documenting the floods in York that happen all too regularly.”
In response to the ongoing Coronavirus situation, Village Gallery
will not be holding its customary preview on the evening before the opening. “Enhanced
regular cleaning and disinfecting practices have been put in place to keep our
customers and us as safe as we can,” says Simon.
York Minster At Night, 2020, by Katherine-of-Yorkshire
“Until we are forced to do
otherwise, the gallery will remain open for its usual opening hours, Tuesday to
Saturday, 10am to 5pm, and we look forward to seeing everyone throughout the
period of the exhibition run until May 9.”
Aside from its regularly changing
2D and 3D art exhibitions, each running for six weeks, Village Gallery is York’s
official stockist of Lalique glass and crystal, also selling art, jewellery,
ceramics, glass and sculpture, predominantly by Yorkshire artists.
Pyramid Gallery owner Terry Brett, on Stonegate, York, holding a work by Askrigg artist Piers Browne from the Full Sunlight exhibition
THE
Coronavirus pandemic may have shut doors on next month’s York Open Studios, but
Pyramid Gallery is stepping in to offer an online exhibition to York artists.
What’s more, gallery owner Terry Brett is calling this new service Strange Days, after the song of that title by The Doors. As rather more than one door closes, The Doors open new possibilities for a different form of Pyramid selling.
“This applies to artists who have sold through the gallery either recently or in the past, and we’re extending this invitation to any of 2020’s 144 York Open Studio artists,” says Terry.
“The
artists will keep the work that they’re showing at their studio, and between
them and the gallery, delivery will be arranged to the purchaser’s address if
it is within a YO postcode.”
Terry has run Pyramid Gallery, in Stonegate, since 1994, says: “We need to survive in these Strange Days, and so do our artists. We noticed many posts on social media this week by worried artists who had heard that York Open Studios was cancelled. We wanted to do something positive for them. It has given us an aim and lots of work to do, which is very useful for morale.”
Morale that he believes is under immediate threat from this week’s urgently announced Government financial policies in response to the Coronavirus pandemic. “I am disappointed by the ineffectiveness of government to make sensible and working decisions,” says Terry.
The brochure for the 2020 York Open Studios, adapted post-cancellation by participating York jewellery maker Jo Bagshaw
“While
other European nations are protecting citizens and employees from economic
crisis and worry, our Government seems unable to make the decision to support
individuals and freelance workers or self-employed artists.
“These
matters are being passed down to the community to resolve. It’s not a good
approach. The Government should offer quickly to make payments to everyone, so
that we know we can pay rents, employ people and buy essentials.”
Pyramid Gallery
is reducing its normal commission to the artist for this event to 20 per cent
plus VAT on each sale and is arranging the delivery free of charge to the
customer.
“Some
artists have already submitted work for the online show, and images are being
placed on the website all the time,” says Terry. “The show will continue as
long as there is a Coronavirus crisis.”
Pyramid Gallery continues to open its doors, Monday to Saturday, between 10am and 5pm, but will be closed on Sundays. On show until April 26 is Full Sunlight, an exhibition of etchings and paintings by Piers Browne, studio ceramics by Hannah Arnup, figurative sculptures by Helen Martino and glass by Fiaz Elson.
The artwork for The Doors’ Strange Days
Oh, spoiler
alert, here are Jim Morrison’s 1967 lyrics to The Doors’ Strange Days:
Strange
days have found us
Strange days
have tracked us down
They’re
going to destroy
Our
casual joys
We shall
go on playing
Or find a
new town
Yeah!
Strange eyes fill strange rooms
Voices
will signal their tired end
The
hostess is grinning
Her guests
sleep from sinning
Hear me
talk of sin
And you
know this is it
Yeah!
Strange days have found us
And
through their strange hours
We linger
alone
Bodies
confused
Memories
misused
As we run
from the day
To a
strange night of stone
Let’s look forward to the day when Pyramid Gallery can host an exhibition with another of The Doors’ titles, The End, but in a good way, not an Apocalypse Now way.
Devine intervention: Steven Devine’s concert WILL still happen, streamed across Europe from York. Picture: Guy Carpenter
EARLY Music Day will go ahead at the National Centre for Early Music, York, tomorrow but behind closed doors.
“Our doors may be temporarily closed, in response to the Coronavirus pandemic, but we’ll still be celebrating Early Music Day and streaming our concerts all around Europe, so join us for two wonderful concerts this Saturday (March 21),” says director Delma Tomlin. “There will also be a selection of concerts available to enjoy online over the coming weeks.”
Tomorrow’s programme at the NCEM, St Margaret’s Church, Walmgate, begins with a 1pm concert by harpsichordist Steven Devine, performing the first in a series of Bach Preludes and Fugues, and ends with The Brabant Ensemble’s 6pm programme ofA Monk’s Life: Music From The Cloisters, 1550-1620.
From The Cloisters, from the NCEM: The Brabant Ensemble still in concert tomorrow. Picture: Alain Le Bourdonnec
“Sublime choral music from the Renaissance performed by this Oxford ensemble
offers the perfect end to a fabulous day of music,” says Delma.
“I am so grateful to our talented array of musicians who are determined
that Early Music Day will still happen somehow and have agreed to perform
behind closed doors.
“Even if you can’t be with us in person, we hope that you will join us
for this day of music, a joyful celebration which normally takes place with our
European partners and friends in beautiful venues.”
“Music has the power to uplift and inspire us all,” says NCEM director Delma Tomlin
Looking ahead, Delma says: “We are pausing our
operations until the end of April and will be in contact with everyone who
has booked to attend concerts that are due to take place within this period.
“We ask that you are patient with us during this difficult time and wait for us to contact you. Regular updates about future concerts and more concert footage will be posted on our website, ncem.co.uk, and via social media, so please keep checking.”
“Music has the power
to uplift and inspire us all and although our building may be closed, we will
be sharing a selection of concerts from our archives online for us all to enjoy,”
says Delma, on an upbeat final note.
