Let’s leap ahead and hope that Emma Stothard’s 366 Leaping Hares may yet have their day again at Nunnington Hall

Hare, there and everywhere: Whitby sculptor Emma Stothard surrounded by her 366 Leaping Hares at Nunnington Hall. Picture: Anthony Chappel-Ross

WHITBY sculptor Emma Stothard’s wildlife work has come on leaps and bounds over the past year for her latest show at Nunnington Hall, Nunnington, near Helmsley.

To mark 2020 being a leap year, she has created a one-off installation of 366 Leaping Hares, one for each day of the year, combining sculptures, illustrations and paintings, all for sale, on display amid the historic collection in the Smoking Room of the National Trust country house.

Alas, Nunnington Hall is now closed with effect from this Wednesday (May 18), in response to Government advice on the Coronavirus pandemic. “The safety of our staff, volunteers and visitors is our priority,” says senior visitor experience officer Laura Kennedy.

Out of the top drawer: four of Emma Stothard’s 366 Leaping Hares emerging from the Smoking Room furniture at Nunnington Hall. Picture: Anthony Chappel-Ross

Let’s take a leap of faith, however, beyond the month of the Mad March Hare and leap ahead to later in the year when hopefully you can still see 366 Leaping Hares. “The idea came first, doing something for 2020, for Leap Year, rather than responding to a particular space, and I thought ‘let’s do 366 hares’,” says Emma. “Given that number, I knew some would need to be small, with some bigger ones for contrast.”

Emma spent the past year creating each work, whether clay, wire or willow sculptures, textiles hangs and cushions, drawings and ceramic tiles.

All have been individually hand-finished and dated by the sculptor, not least a special Leap Day Hare to mark Saturday, February 29. “Each of those 366 days is going to be special for someone – a birthday, an anniversary, maybe even a proposal of marriage on the Leap Day itself!” says Emma.

Emma Stothard working in her studio on her 366 Leaping Hares. Picture: Tony Bartholomew

She has responded too to Nunnington Hall’s “rich sense of history”. “Generations have lived here, and you can feel their presence in the furniture, the wallpaper and the textiles,” she says.

Consequently, Emma’s installation explores the array of materials that embodies the ever-changing architecture and fabric of the historic building, while experimenting with contemporary methods too in her hotchpotch of hares that range from four-foot willow sculptures to four-inch miniature wire and clay collectables.

Placed by Emma amid the historic collection, some are in full view; others are in the Smoking Room’s hidden spaces, nooks and crannies, even emerging from drawers or to be spotted under furniture.

Hare, there, everywhere, yes, Emma loves hares. “They’re just so wonderful to see, aren’t they,” she enthuses. “I see them quite a lot when I’m walking across the fields with my dog.

Going to the wire: A close-up of Emma Stothard’s handiwork as she makes a hare. Picture: Tony Bartholomew

“I love spotting them because they’re so elusive, so quick moving. They’re magical to sculpt, and it’s the same with roe deer. I find them fascinating, beautiful, because you can never get that close to them.

“We’re steeped in their history and it feels a real privilege to be in their presence when they run out of front of me.”

The large number of hares required was the green light for Emma to broaden her working practices. “Like casting in bronze for the first time. I’d been recommended by (the late) Sally Arnup to use Aron McCartney, who has a metal-casting foundry at  Barnard Castle, but there never came a time to be able to cast anything until now,” she says. “Now that I have, hopefully we can continue with the relationship.”

Taking shape: hares lined up for the next stage of sculptor Emma Stothard’s creative process. Picture: Tony Bartholomew

This is not the first time that Nunnington Hall has had an impact on Emma’s work. “I first exhibited here in 2012 on the Rievaulx Terrace, when I was also commissioned to make my first wire sculpture of a horse, which you can still see here,” she says. “They like to move it around the gardens to keep people on their toes.

“The wire horse was the first time I moved away from working in willow and has led me to doing more public commissions in wire and now bronze wire. There are 12 little galvanized ones in the new exhibition, coated in zinc in the galvanizing process.”

Her outdoor willow sculptures, meanwhile, must be treated at regular intervals. “Think of it as a seasonal chore in the garden,” she says. “Four times a year; 50 per cent linseed oil; 50 per cent Turps substitute, which is a traditional way to protect the strength of the willow.

“There’s no reason you can’t get ten years out of them if you look after them properly, as linseed oil builds a layer of varnish, like shellac. So, remember, four times a year, once a season.”

Start counting: 1,2, 3, 4, 5, 6….366 Leaping Hares in Nunnington Hall’s Smoking Room. Hope to see them again some time in 2020. Picture: Anthony Chappel-Ross

In Staithes, you can spot Emma’s coral and coronation blue lobsters, her 9ft marine crustaceans first exhibited in the Sculpture By The Sea exhibition at the 2015 Staithes Festival of Arts and Heritage, and now she has made Withernsea Crab, a three metre-high sculpture of a brown crab for the Withernsea Fish Trail.

Emma also had been working on sculptures for Jardin Blanc at May’s now cancelled 2020 Chelsea Flower Show, her fourth such commission for the hospitality area, where Raymond Blanc is the executive chef. More Emma work, by the way, can be found at Blanc’s Oxfordshire restaurant, the Belmond Le Manoir au Quat’Saisons.

At the time of this interview, Emma was on the cusp of signing a contract to create seven life-size sculptures celebrating Whitby’s fishing heritage on the east side of the East Coat harbour. ”I’m hoping to have the first piece installed in time for the Whitby Fish & Ships Festival in May,” she said. The 2020 festival has since been cancelled, but look out for Emma’s sculptures at the 2021 event on May 15 and 16 next spring.

Looking ahead, where would Emma most love to exhibit? “My dream is to do an exhibition at the Yorkshire Sculpture Park [at West Bretton, near Wakefield], particularly as I did my teacher-training there at Bretton Hall,” she says.

One final question for Emma: is it true that boxing hares are not male rivals scrapping over a female in hare-to-hare combat but in fact, contrary to myth, jack versus jill (as hares were known). “That’s right: it’s male against female, and in my boxing-hare couples, it’s always a female fending off a male,” she says.

As and when Nunnington Hall re-opens, Emma Stothard’s installation 366 Leaping Hares would then be on view and on sale until November 1.

CORONAVIRUS: Mikron Theatre cancel Atalanta Forever and A Dog’s Tale tours

Atalanta Forever…but not now for 2020 after Mikron Theatre Company called off the tour of Amanda Whittington’s new play

MIKRON Theatre Company 2020’s tour of Amanda Whittington’s new women’s football play, Atalanta Forever, is off. The referee showing the red card is, inevitably, Coronavirus Pandemic.

The tour would have opened at the National Football Museum, Manchester, on April 18, and waiting in the wings was a June 2 visit to the Marsden travelling players’ regular York idyll of the Scarcroft Allotments, kick-off at 6pm.  

Also falling foul of COVID-19’s Governmental advice to avoid unnecessary social contact is Mikron’s second show of the summer, Poppy Hollman’s new play A Dog’s Tale, a celebration of canines past and present that explores the enduring love between people and their dogs.

This exploration of “the extraordinary world of heroic hounds, pampered pedigrees and naughty nobblers through the halls and history of Crufts” was bound for Clements Hall, York, in the autumn, with a cast of Mikron stalwart James McLean, company newcomer Thomas Cotran and Rachel Benson and Elizabeth Robin from last year’s brace of shows, All Hands On Deck and Redcoats.

In a statement from artistic director Marianne McNamara, producer Pete Toon, general manager Rachel Root, production manager Jo English and the board of trustees, Mikron say: “It is with an extremely heavy hearts that we have to tell you that we are cancelling our 2020 tour.

“We have worked on every possible scenario and this is the only way that we will survive into our 50th year of touring in 2021.

“Our board has a duty of care for our team, venues and Mikron supporters. We want you all to know that we are thinking of you, and indeed everyone who is part of the Mikron family, in these very difficult times.”

Mikron Theatre Company’s summer mode of transport: Tyseley, a vintage narrowboat. Picture: Jon Gascoyne

The statement continues: “If you’ve already booked tickets for our 2020 season – thank you! – we will honour any ticket refunds: just call or email if you would like us to action this.

“Like many theatre lovers across the world, if you feel that you wish to donate your ticket price to help us come back better than ever in 2021, we’d be so very grateful.

“If you haven’t booked, but you were planning on seeing us in 2020, you can support Mikron now in the following ways:

“As a thank you to you all and to cheer your heart, get your Mikron fix in the following ways:

Mikron praise Arts Council England for being “amazing” “They are doing everything they can to assist the arts, museums and libraries. We genuinely would not be here without them today,” they say.

“We have been able to cushion the financial blow for our creative team as much as possible, and we’re planning for next year in the hope that what we collectively do in the coming months gets us there.

Coronavirus-cancelled canine comedy capers: MIkron Theatre Company’s poster for A Dog’s Tale

“If there is anything else we can do for you, please do keep in touch. We may not be out on the road and waterways this year but we’re still very much here for you on email, and at the end of the phone.”

From the writer of Ladies Day, Ladies Day Down Under and Mighty Atoms for Hull Truck Theatre and Bollywood Jane for the West Yorkshire Playhouse, Atalanta Forever tells the story of pioneering women footballers in 1920.

In post-war Britain, women’s football is big news. Across the country, all-girl teams are pulling huge crowds in fund-raising games for wounded soldiers.

Huddersfield amateurs Ethel and Annie take a shot at the big time. Teammates at Atalanta AFC, they are soon tackling new football skills, mastering the offside rule and kicking back at the doubters.

This summer’s audiences would have been invited to “come and cheer for Atalanta as our plucky underdogs learn how to play the game, take on the legendary teams of the era and find the toughest opponent of all is the Football Association”.

Whittington’s play is based on the true story of one of three women’s football teams in Huddersfield in post-war Britain. As told through the lives of two young women, Atalanta Ladies Football Club was formed in 1920 to “provide games for the women of Huddersfield, to foster a sporting spirit, and a love of honour among its members”.

During the Great War, several women’s football teams had sprung up around the country, usually based in factories or munitions works, and proved a great success in raising money for hospitals, war widows and so on. 

Atalanta Forever playwright Amanda Whittington

The popularity of the women’s game may be measured by the estimated 25,000 crowd that packed Hillsborough, Sheffield, for the Huddersfield team’s next game with the Dick, Kerr Ladies FC of Preston on May 4, when they lost 4-0 to their much more experienced opponents.

In the wider football world, the growing popularity of women’s football was now causing concern. The FA even saw it as taking support away from the men’s game and on December 5, 1921, they banned women’s teams from using FA affiliated grounds.

Before folding in 1924, the pioneering Huddersfield Atalanta Ladies FC had raised more than £2,000 for various charities.

Writer and co-lyricist Whittington says of her new play: “I was an 11-year-old footballer in the 1980s, the only girl who played in the boys’ village tournament, and I vividly remember being ‘advised’ to stop because it wasn’t appropriate. 

“I still feel the injustice and the sense of shame for wanting to do something I wasn’t meant to. 

“It brings joy to my heart to see football’s now the biggest team sport for girls in Britain.  I wanted to write about the battle the women’s game has fought to survive and prosper – and perhaps to tell the 11-year-old me she was right?”

A newly prescient poster for Mikron Theatre Company’s 2018 tour of Get Well Soon. How we need all those heroes in our NHS in the months ahead, God bless you all

Atalanta Forever was being directed by Mikron artistic director Marianne McNamara, joined in the production team by composer and co-lyricist Kieran Buckeridge, musical director Rebekah Hughes and designer Celia Perkins.

Explaining why Mikron chose to tackle the subject of the fight for women’s football, McNamara says: “Women’s football is making a comeback and not before time. We are thrilled to pay homage to the trailblazing Huddersfield women that paved the way against all odds.

“Just like the great game itself, this will be an action-packed play of two halves, full of live music, fun and laughter with no plans for extra time!”

Mikron’s 49th year of touring would have run from April 18 to October, with the West Yorkshire company travelling hither and thither by road in the spring and autumn, and by river and canal on the vintage narrowboat Tyseley, until October 24.

Let us look forward to whenever Mikron will be putting on their shows once more in “places that other theatre companies wouldn’t dream of”, whether a play about growing-your-own veg, presented in  allotments; one about bees performed next to hives; another about chips in a fish and chips restaurant, as well as plays about hostelling in YHA youth hostels and the RNLI at several lifeboat stations around the UK.

In the meantime, in the spirit of Mikron’s 2018 show by York writer Ged Cooper, please world, Get Well Soon.

For more information, go to mikron.org.uk.

CORONAVIRUS: City Screen closed from today in line with all Picturehouse cinemas

Going dark: City Screen, York, is closed until further notice

CITY Screen, York, is closed from today, in response to the Coronavirus epidemic, in line with all fellow cinemas in the Picturehouse chain.

A statement from “the Picturehouse Team” says: “It’s with great sadness that Picturehouse is today announcing the closure of all its cinemas across the UK, starting from Wednesday, March 18 2020, until further notice.

“This decision was made in the light of the current Coronavirus (COVID-19) outbreak and recent UK government advice, which the company has been carefully monitoring and following.

“The safety and well-being of our customers, our members and our staff is our utmost priority at Picturehouse and we are committed to providing a safe and healthy environment within our cinemas.” 

All City Screen – and Picturehouse at large – customers who pre-booked tickets online or on the phone will be emailed and then be issued a refund automatically within 14 days. 

City Screen, York: marked its 20th anniversary in January

Customers who purchased tickets in person should contact enquiries@picturehouses.co.uk, where the customer care team will be able to assist.

Picturehouse memberships, including at City Screen, will retain their value and all members will be contacted in due course with further information. 

The statement continues: “We deeply value our cinema-loving audience and staff and their health and wellbeing is our number one priority during this difficult time. We look forward to welcoming our Picturehouse customers back through our doors as soon as possible.

“We will continue to update customers via our email mailing list and please follow our social media channels.” 

Those channels are:

Twitter: @picturehouses

Facebook: https://www.facebook.com/picturehouses/

Instagram:@picturehouses

CORONAVIRUS: Saturday’s Pizzafest music and pizza event at Fulford Arms cancelled

Pizzafest; cancelled

SATURDAY’S Pizzafest live music and pizza event at the Fulford Arms, York, has been called off.

Dan Gott, from event curators Snakerattlers, says: “Unfortunately, we’ve had to cancel Pizzafest this coming weekend due to the current Covid-19 situation.

“All the bands on the line-up will be playing at another Pizzafest in the future, when things have calmed down. We suggest you keep your ticket for the next Pizzafest, as it will still be valid.”

Before Monday’s Government statement on avoiding unnecessary social contact in pubs, Dan had said, “all being well”, he hoped a Pizzafest could take place in June. Instead, the date now will be announced in due course.

“Ticket purchasers for Saturday are entitled to a £10 refund, which can be made by emailing thefulfordarms@gmail.com,” he added.

Saturday’s Pizzafest would have been an all-day event with “a wealth of tip-top, dance-til-you-drop, underground garage rock bands from throughout the UK”. Half way through, a truckload of free pizza would have arrived, with the invitation to “eat as much as you like”.

The line-up was to have included York motorpunk rockers Segregates launching their new vinyl single, Preach To Me. On the bill too were Snakerattlers; Thee Girl Fridays; The Strays; The Sleazoids; Surf Muscle; Hellfire Jack; The Bikini Bottoms; What’s Wrong With Homer?; Percy and Gillman.

CORONAVIRUS: Stephen Joseph Theatre suspends all activities this week

Stephen Joseph Theatre, Scarborough

THE Stephen Joseph Theatre, Scarborough, has shut down with immediate effect in response to the Coronavirus pandemic.

In a statement released today, joint chief executive Caroline Routh said: “Further to current government advice, which stipulates that people should avoid public buildings including theatres to help slow the spread of Coronavirus, our extended management group, including our trustees, has agreed that we will suspend all activities up to and including Sunday (March 22).”

The SJT box office remains open to manage cancellations and will be in touch with customers with bookings that are affected.

“This is a fast-developing situation, and we will be making further announcements over the next few days as things become clearer,” the SJT statement  said. “Please take care of yourself and all those around you.”

CORONAVIRUS: Thursday’s Dementia Friendly Tea Concert at St Chad’s cancelled

Pianist Robert Gammon

THURSDAY’S Dementia Friendly Tea Concert at St Chad’s Church, Campleshon Road, York, has been cancelled, in response to the latest Government advice on the Coronavirus outbreak.

Husband and wife Robert and Alison Gammon, on piano and clarinet, were to have played a 45-minute programme of classical music at 2.30pm, featuring Camille Saint-Saens’ Clarinet Sonata and Niels Gade’s Fantasy Pieces, to be followed by tea, coffee and homemade cakes. 

Organisers Alison Gammon and Nick Nightingale say: “We have lots of events planned for later in the year and we are looking forward to welcoming you back as soon as possible. When holding the concerts once again becomes advisable, we will email everyone and let you know. In the meantime we send our sincere best wishes to you all.”

CORONAVIRUS: Leeds Grand Theatre, Leeds City Varieties and Hyde Park Picture House close until further notice

The Leeds Grand Theatre auditorium. Picture: Simon Hulme

LEEDS Grand Theatre, Leeds City Varieties Music Hall and Hyde Park Picture House are closing from today “to help slow the spread of Coronavirus”.

The decision was taken with regret following official government advice issued on Monday, stipulating that people should avoid public buildings, including theatres.

The three venues under the Leeds Grand Theatre and Opera House Ltd umbrella will “remain closed until further notice and will re-open as soon as possible – following government recommendations”.

Leeds City Varieties Music Hall

Chief executive Chris Blythe said: “We are extremely grateful to all of our audiences who have continued to support us for as long as they can, and to our staff who have worked tirelessly in recent weeks to ensure the safety and enjoyment of audiences. 

“These are unprecedented times – combined we have been open for over 400 years – and closing our venues is not a decision that has been taken lightly. In truth, this will have a severe impact on the future of Leeds Grand Theatre & Opera House Ltd. Our future is now uncertain, but the safety of our visitors and staff has always been our priority.”

Hyde Park Picture House, Brudenell Road, Leeds

Mr Blythe went on: “We will continue to follow advice from the Government and work closely with the touring companies and artists that are due to visit our venues over the coming months and hope that we will be able to open our doors again very soon. We thank everyone for their continued support and loyalty.” 

Audience members for a performance/screening that has been cancelled will be contacted in due course by staff. “All customers are entitled to a refund, but as Leeds Grand Theatre and Opera House Ltd is a charitable enterprise, those who can afford to are encouraged to donate the cost of their ticket to show support for the future of our venues,” today’s statement said.

“Over the coming weeks, we will continue to provide regular updates. Ticket holders are asked to bear in mind that our customer service teams are extremely busy, and we would appreciate everyone’s patience and understanding at this time.”

CORONAVIRUS: Selby Town Hall cancels shows until the end of April

Selby Town Hall

SELBY Town Hall is cancelling all public ticketed events from today initially until the end of April.

The decision has been taken “in light of the Prime Minister’s announcement yesterday and the UK government’s instructions regarding social distancing”.

A statement from Selby Town Council arts officer Chris Jones said: “This is a fast-changing situation, and we will be monitoring advice from the Government and Public Health England on a day-by-day basis to inform our course of action from May onwards.   

“Rest assured that the health of our customers, performers, volunteers and staff is our highest priority.”

The Selby Town Hall auditorium

Selby Town Hall will be contacting all ticket holders “as soon as we can”. “It may be possible to rearrange some performances either for later in the year or early 2021, while others will sadly be cancelled altogether,” said Chris.  

“To all our customers, you are fantastic. We are incredibly grateful for the support you have given, and continue to give, to the venue. We ask for your patience while our small team deal with what is an unprecedented situation.

“It will take us a few days to establish new dates for shows or confirm full cancellations. The most important message for the moment is not to travel to shows here in the near future, to stay safe, and to look after one another. We will be in touch with you all individually in due course.”


Doors shut on York Open Studios as Coronavirus scuppers artist showcase

The brochure cover for the now cancelled 2020 York Open Studios

NEXT month’s 20th anniversary York Open Studios has been called off and will not be rearranged for later in the year under the ever-darkening shadow of the Coronavirus pandemic.

Launched in 2001, when only 20 artists took part, Britain’s longest-running Open Studios event was to have showcased 144 artists and makers in 100 studios and workplaces over two weekends, April 18 and 19 and April 25 and 26.

The York Open Studios logo

Event chair Beccy Ridsdel says: “It’s been a very difficult decision to make, but the safety of visitors and participating artists is our priority, and with Coronavirus advice currently changing daily, we have sadly decided we are unable to proceed with this year’s event. However, York Open Studios will be running in 2021.”

Now the focus turns to still highlighting the work of the 144 artists, makers and designers, whose full details can be found at yorkopenstudios.co.uk and in the newly redundant 2020 brochure that can be found around the city.

“It’s been a very difficult decision to make,” says York Open Studios chair Beccy Ridsdel after Coronavirus forced the cancellation of next month’s event

“These small creative businesses are in need of support during these volatile times, so please take time to take a look at their work, websites and social media pages and contact them directly to purchase works,” advise the event organisers.

On show and for sale would have been ceramics, collages, digital works, illustrations, jewellery, mixed media, paintings, prints, photography, sculpture, textiles and wood works.

York Theatre Royal cancels shows until April 11. Donations sought

York Theatre Royal executive director Tom Bird

YORK Theatre Royal is cancelling all public performances and events until April 11 after Prime Minister Boris Johnson’s Coronavirus briefing on avoiding unnecessary social contact.

Ticket holders are being asked to consider donating the price of their tickets to the theatre, Britain’s oldest playhouse outside London.

Shows at theatres nationwide have been cancelled in response to yesterday’s Government advice on the Coronavirus pandemic, asking the public not to go to theatres, pubs and clubs.

The Theatre Royal box office will be in touch with ticket holders for the next four weeks of performances, covering March 17 to April 11, and they are being requested not to contact the box office directly but wait to be called.

Executive director Tom Bird said: “The closure of theatres in the UK puts York Theatre Royal, along with hundreds of other theatres, into a critical situation. We are asking that people consider donating their ticket purchase to the theatre at this time. As a charity, their support is crucial to our survival.

“If they cannot do this, we’d ask that they consider a credit to their account. If none of this is satisfactory, they can choose a refund.”

York Theatre Royal further advises: “If the closure period is extended, we will be in touch with bookers for future performances in good time, and we’ll also post updates to our website and social media channels.

“It’s with enormous sadness that we take these measures, but the safety of our audiences, staff and community is of utmost importance. 

“We are looking at ways we can be of use to the wider York community during this time. More details regarding these plans will follow.”

The theatre building, in St Leonard’s Place, is remaining open at present, including the café and box office.