Octopus unmasked, Katherine Jenkins returns with cinema album and York Barbican gig

Katherine Jenkins: from The Masked Singer’s Octopus to a cinematic new album and 2021 tour

KATHERINE Jenkins, the biggest-selling classical artist of the century, will return to York Barbican on February 5 next year.

The Welsh mezzo-soprano, 39, will be showcasing her 14th studio album, Cinema Paradiso, set for release on Decca Reecords on April 17 this spring.

Tickets go on sale on Friday (February 28) at 10am on 0203 356 5441, at yorkbarbican.co.uk or in person from the Barbican box office.

Sharing its name with Giuseppe Tornatore’s 1988 Italian film, Cinema Paradiso is a collection of “unforgettable songs from some of the world’s best-loved movie moments”, such as Moon River, from Breakfast At Tiffany’s;  Pinocchio’sWhen You Wish Upon A Star; a duet of Tonight, from West Side Story, with Welsh singer and actor Luke Evans, plus themes from Schindler’s List, The Lord Of The Rings and Dances With Wolves.

“I’ve always loved movie soundtracks,” says Katherine, who turns 40 on June 29. “I wanted to create an iconic movie moment with this record: all the best film musical themes that we know and love, all together on one album.

“The last few albums I’ve made have been inspired by what’s happening in my own world. This one, in particular, was inspired by the things that were going on around me. Having played my first movie role last year, it felt like a natural transition for me.”

The poster for Katherine Jenkins’ 2021 tour

Katherine’s endeavours in the world of film have been a huge inspiration in the making of Cinema Paradiso, especially her role in the upcoming Minamata, directed by her husband, Andrew Levitas.

Katherine not only makes her film debut, performing alongside Johnny Depp and Bill Nighy, but also she co-wrote the title track with Eminem’s right-hand woman, Skylar Grey, and performed on the film score written by Sakamoto, the Academy Award-winning singer, songwriter, record producer, activist and actor.

Minamata will be released later this year, having received its world premiere at this month’s Berlin International Film Festival with Katherine in attendance, amid glowing reviews from the film industry and fans alike.

Returning to discussing the album tracks, Katherine says: “West Side Story has always been up there for me in terms of musical films. Somewhere has been specially recorded for this album – minus the Octopus mask [from the ITV series The Masked Singer] and I’m thrilled to have Luke Evans join me on Tonight. I loved seeing some of his TV performances last year and it was great fun to create an all-Welsh version of the duet!”

Another pick for Cinema Paradiso, I’ll Never Love Again, from A Star Is Born, has been released as a single, going straight to the top of the iTunes Classical Chart.

I’ll Never Love Again also kick-started Katherine’s journey on The Masked Singer in the guise of The Octopus, en route to finishing third. “My job can be quite serious at times, but I have a four-year-old daughter who absolutely loves Blue Planet, so I created ‘The Octopus’ character for her,” she says.

“The hope with this album is that each song conjures up an iconic image from cinema,” says Katherine Jenkins

“Her favourite colours are pink and purple with sparkles and I thought it would be something to allow her to understand more about what mummy does. I can’t think of a better reason to do the show”.

Katherine adds: “The hope with this album is that each song conjures up an iconic image from cinema. A Star Is Born is quite a recent film, but the scene where Lady Gaga sings I’ll Never Love Again is so touching and memorable that it felt completely right to include it as one of my favourite movie musical moments.

“In a bid to disguise my voice on The Masked Singer, I chose songs that weren’t the norm for me, and so this track is a happy experiment for me, and after Ken [judge Ken Jeong] said it was the performance of the season, I felt it deserved a place on the album.”

In 2017, Katherine was crowned the number one-selling Classical Music Artist of the Last 25 Years by Classic FM and she made chart history in 2018 when Guiding Light became her 13th UK classical number one album.

Katherine last performed at York Barbican in May 2019, having previously sung there in February 2012 and February 2015.

Come and see beauty in Chin We’s Nigerian portraits at Fossgate and Micklegate Social

Photographer Chin We at the launch of her Ife Nkili exhibition of Nigerian portraiture, running at Micklegate Social and Fossgate Social, York. Pictures: Mike Stubbs

PHOTOGRAPHY and dance artist Chin We is the first beneficiary of Foto/Grafic At The Social, a new bi-monthly, dual-venue initiative for emerging talent in York.

 “At Fossgate Social, we’ve been supporting local artists for five years with monthly exhibitions, but we’d like to up our game and include our sister venue, the Micklegate Social,” says bar owner, general manager and urban designer Sarah Lakin.

 “To this end, we’re developing a programme of exhibitions of original artwork for display and sale.”

 Explaining her reasoning, Sarah says: “We live in a society drenched in imagery, but where can we find social spaces to connect and discuss what images are relevant and why?

Two of Chin We’s Nigerian portraits at Micklegate Social, York

 “There is no dedicated photographic gallery in York since Impressions moved to Bradford in 2007, but we hope to plug that gap with artwork that is strong and meaningful covering graphics, photography, print and electronic art.”

Noting how Micklegate is at present playing host to Chin We’s photos at Micklegate Social, Lesley Birch’s Marks & Moments at Partisan and Jonny Hannah’s Songs For Darktown Lovers at FortyFive Vinyl Café, Sarah continues: “As York develops its contemporary visual art scene, the Social hopes to feed that cultural ecology, helping to raise the bar – pun  intended – and encourage cutting-edge contemporary work that explores new narratives, forms and politics.”

First into the spotlight is Chin We, a Fellow of the Royal Society of Arts, who was born in Manchester and spent her formative years in Nsukka, eastern Nigeria, and her adolescence in London, where she started her photography through a lifestyle blog.

I found a creative outlet to share candid conversations on pop culture, art, fashion, travel, food, sex and lifestyle,” she says. “As the photography requests and referrals grew, I knew straightaway that my passion was photography. That was when I learnt that documentary photography was my calling and leapt fully into documentary photography in January 2018.”

The launch night of Chin We’s exhibition at Micklegate Social

Chin We is “fascinated by portraiture, capturing people’s essence and visual storytelling”, leading to her work exploring themes of identity, culture, representation and heritage.

At Fossgate Social and Micklegate Social, this is represented by her Ife Nkili photographs, Ife Nkili being a phrase from the Igbo tribe in Nigeria that means “Come and see; come and see beauty”. 

 Her series of portraits was captured during Chin We’s journey through Nigeria in West Africa; they speak to ideas of representation and identity through their unequivocal depiction of her sitters, spanning northern, south-western and south-eastern Nigeria.

Chin We’s photographic style is described as “direct, raw and unique in its all-embracing sweep, from different walks of life and social circles” as she documents her fellow men and women.

One of Chin We’s Nigerian portraits

“Some live as Christians, others are Muslims or pagans; some are urban socialites, others provincial farmers, traders, warriors and local chiefs,” says her exhibition briefing. “And, of course, there are queens and kings. These compelling portraits betray intimate expressions and tender exchanges. They invariably bring us closer to this diverse culture through their visual storytelling.” 

Chin We’s photography has been published widely and she was featured on CNN as a leading African woman photographer to follow. She was nominated for RPS 100 Heroines by the Royal Photographic Society and won an honourable mention award in the People-Portrait Category in the 2018 International Photography Awards. 

Later this year, the British Museum, in London, will present her new exhibition celebrating the presence of Nigerians in the UK, marking 60 years of Nigerian independence from Great Britain.

 Welcoming Chin We to York, Sarah says: “Still in her twenties, she is a young woman to watch and we’re privileged she has agreed to exhibit with us.

“Her black-and-white photographic portraiture is strong and meaningful; the portraits are direct and challenging, covering topics such as religion, class, work and child brides.

“Through presenting the work of Chin We, we want to increase the diversity of artists’ work, locally and further afield, and provide what we can for arts to gain greater exposure and engagement in a social setting.”

Chin We’s Ife Nkili exhibition runs at Micklegate Social, Micklegate, and Fossgate Social, Fossgate, York, until March 31.

Here come the boys as Weller, Manford, Dommett, Sloss and Aljaz’s dance crew head for York Barbican

Looking ecstatic to be back at York Barbican: Paul Weller , booked in for November 3

YORK Barbican has a fistful of new shows going on sale on Friday: Modfather Paul Weller, comedians Jason Manford, Joel Dommett and Daniel Sloss and the dance extravaganza Here Come The Boys.

Weller, 61, has sold out his May tour and will go back out on the road for 19 British and Irish dates in October and November, playing York on November 3.

Jason Manford: seeking approval at York Barbican next February

Weller will play an acoustic set for the Teenage Cancer Trust at the Royal Albert Hall, London, on March 25 as a special guest of The Stereophonics and his new album, On Sunset, will be released on June 12 on Polydor, his new label.

He performed previously at York Barbican in March 2015 and August 2018 and his last North Yorkshire gig was at Dalby Forest, near Pickering, last June.

Joel Dommett: new show in December

His autumn travels also will take in further Yorkshire dates at Hull Bonus Arena on November 2 and Bradford St George’s Hall on November 17.

Jason Manford, who reached the final of ITV’s The Masked Singer this winter, will return to York Barbican in almost a year’s time, on February 17 2021, with his new stand-up show, Like Me.

Expect “observational comedy mixed with comic gold” from the Salford comedian, presenter and actor who chalked up three Barbican performances of his Muddle Class show in October 2018 and March 2019.

Smoke alarm: Daniel Sloss will be full of Hubris on October 3

Rockhampton comedian, actor and presenter Joel Dommett, host of The Masked Singer, will play York on December 11, delivering a new show after this 2016 I’m A Celebrity, Get Me Out Of Here runner-up brought his Live 2018 tour to the Barbican in February that year.

Scottish comic Daniel Sloss will follow up his X show – taken to 40 countries, including Russia – with his new solo outing, Hubris, booked in for his Barbican bow on October 3.

Here come Michael, Aljaz, Pasha and Sam on June 24

Strictly Come Dancing’s Aljaž Škorjanec sold out his last appearance at York Barbican and will return on June 24, joined in the Here Come The Boys line-up by former Strictly favourite Pasha Kovalev, West End ballet star Sam Salter and NBC World Of Dance champion and Broadway star Michael Dameski, from Australia.

Ballroom, Latin, commercial, contemporary, ballet, acro and tap all will feature in a show where the Boys will perform alongside dancers, gymnasts, tap dancers and more.

Tickets can be booked from 10am on Friday (February 28) at 10am on 0203 356 5441, at yorkbarbican.co.uk or in person from Barbican box office.

REVIEW: Anything’s possible in a one-liner when Milton Jones spies a gag

Hair-raising: Milton Jones on a spying mission at York Barbican

REVIEW: Milton Jones: Milton Impossible, York Barbican, February 22

THE whole point of camouflage is not to be spotted, but in his new guise as an ex-MI5 spy, Milton Jones’s gaudy military fatigues looked like they hadn’t slept for days.

As for his fuchsia, frilly dress shirt, it would have guaranteed he had absolutely no fuchsia in spying, if blending into the background were a requirement. Definitely a case of Milton Impossible.

Mind you, Jones’s attire was not the only sartorial talking point of Saturday’s triple bill. Support act Tom Houghton was gently settling into revelations of being the Honourable Tom – now that his ex-Army chief father, General Sir Nicholas Houghton, was a Lord and the Constable of the Tower of London – when he was distracted by a Technicolor nightmare of a shirt making an even louder exit down the stairs.

“You’ve missed nothing,” said Houghton, lobbing a comedy bomb after the escapee. “Except fashion”. Boom, off went the bomb, as if he were sentencing him to the Tower for a fashion crime.

Cheeky, charming, posh-boy fledgling comic Houghton went on to define the rules of rugby – a game of backs and forwards and going backwards and forwards – with a wit that outwitted the well-worn tea towel trying to explain the laws of cricket.

Tom, a hawk: Tom Houghton was quick to spot fashion crimes in the York Barbican audience

“I always love to help underprivileged children,” said Jones drily later, but Houghton, one quarter of the improv comedy troupe The Noise Next Door, needs no leg-up through entitlement. Check out his upcoming tour at The Basement, City Screen, York, on June 12 or The Carriageworks, Leeds, the next night.  

Before Hon Tom, Milton’s waspish “grandfather” had opened the show, entering with a trampoline as his mobility aide, and combining a flat cap with a dressing gown for a dressing down on the real meaning of assorted familiar road signs.

If you could imagine a hopelessly ill-prepared learner driver trying to wing his written test with wild guesswork, Milton’s grandad goes even further. Rather than being merely daft or surrealist, however, the new meanings actually make weird sense, and the world would be a happier place if they were true.

Although, in this city of cycling, cyclists might not have enjoyed his dig at them not recognising the meaning of a red light.

Post-interval, Jones returned, his shock of hair madder than ever at 55, to go with the aforementioned psychedelic dress code. Seventy-five minutes of the matador of piercing one-liners ensued, ostensibly on his spying past, but ranging far and wide, his timing deadly, his manner deadpan. (Ideal qualities for a spy, you might say).

From his last tour, the Kew comedian revived his droll Brexit commentary through the novel format of national flags engaging in sparring conversations, each seeking the last word, and no Jones show would be complete without a run of “my other grandfather” gags.

Before the tour, Jones joked: “At a difficult time for our country, I believe there’s a chance this show could unite the nation. Admittedly quite a small chance.” True, but Milton is comedy paradise found, and you wish more could see the world through his eyes. It is a lovely place to be, warmly knowing but not devoid of a child’s sense of wonder, playful, not cynical, absurd yet spot on.

If you missed Milton Impossible in York, your next mission, and you really should accept it, is to make it to Hull City Hall on March 18 or Leeds Town Hall the next night, 19.30 on the dot. Box office: hulltheatres.co.uk; leedstownhall.co.uk.

Charles Hutchinson

“Who we think we are is not who we are,” says Mark Thomas in national identity show

Opinions this way: Mark Thomas welcomes you to his 50 Things About Us show

IN his new tour show, mischief-making activist comedian Mark Thomas is pondering “how we have come to inhabit this divided wasteland that some of us call the United Kingdom”.

On the road since January 23, the South London satirical writer, political agent provocateur, TV and radio presenter, journalist and podcaster is bringing 50 Things About Us: Work In Progress to The Crescent, York, on March 4.

“The Crescent has a certain ramshackle charm, and it’s run with absolute integrity,” says Mark, breaking away from cooking up a pot of a very British winter warmer, leek and potato soup, to take this interview call.

Introducing the show’s theme, he explains: “I was really struck by one thought: how on earth did we get to the point we’ve got to, and part of the answer is that we’ve never come to terms with who we are.”

Was he referring to the English or the British here? “Well, Great Britain is England, Scotland and Wales; the United Kingdom includes Northern Ireland too, and it’s been England that’s driven the creation of the union,” says Mark, whose show combines storytelling, stand-up, mischief and typically well-researched material.

“All these places have a very distinctive identity and culture, and it defies this binary, simplistic definition.

“The Irish language was kept alive by Presbyterians when the English buried it, and now the Irish language is being taught by Unionist women on the Falls Road [in Belfast], so it’s a fascinating place that defies your normal expectations.”

“People say, ‘can’t you say something positive?’, but there’s a load of positives in there ,” says Mark Thomas of his new show

Mark notes how “English culture is seen as part of the British empire, when Britain was ruling the world with this bombast, without understanding the implications of that”.

So, it may be a generalisation, Mark, but why is that people think the abiding negative aspects of the British empire are defined by Little Englander characteristics, not British ones?

“That’s the weird thing. Scotland joined England in the union in a time of fantastic prosperity, so Scotland doesn’t get out of its role in the empire,” he says.  “It’s fascinating that it’s about England adopting the empire as its nationalist cause, with everyone else slipping off.”

50 Things About Us is billed as “a show about money, history, identity, art, tradition, songs, gongs, wigs, guns, bungs, sods of soil and rich people”, as Thomas picks through the myths, facts and figures of our national identities to ask how we have so much feeling for such a hollow land”.

Summing up his night of story-telling, stand-up and subversion as a “sort of funny national edition of Who Do You Think You Are?”, Thomas says: ” It’s another slightly odd show, a sort of sweary, History Channel with laughs and creative mischief. If you’ve seen my shows before, this one’s in the vein of 100 Acts Of Minor Dissent.”

As a work in progress, the list of 50 Things is not set in stone. “It’s always being added to. You always do that. You keep going ‘b****y hell’ when you discover new things,” says Mark. “I found out the other day we’re the only nation that doesn’t have its name on its stamps.

“We have a picture of The Queen, not even a picture, but a silhouette, and there’s a certain weirdness about that. We won’t even say where we are! We say, ‘here’s The Queen, we’re better than everyone else’.”

Thomas, 56, has made his mark down the years by stopping arms deals; creating a manifesto and bringing the winning policy to parliament; walking the entire length of the Israeli wall in the West Bank and setting up a comedy club in the Palestinian city of Jenin.

“Just looking at who we think we are, this idea we can stand alone is completely myopic,” says Mark Thomas.

He has hosted six series on Channel 4, alongside several television documentaries and radio series; written books; grabbed a Guinness World Record; sold out numerous tours; won awards aplenty; nabbed himself a Medal of Honour and succeeded in changing some laws along the way. 

In other words, he is a man of both action and words. How are his latest words going down on tour? “People say, ‘can’t you say something positive?’, but there’s a load of positives in there, like Britain being one of only five countries that doesn’t have a [codified] written constitution. New Zealand is one other, Canada another,” says Mark.

“We have the Charter of the Forest, our economic charter that came in in 2017, which recognises that idea of shared assets of the country [the charter re-established for free men rights of access to the royal forest that had been eroded by William the Conqueror and his heirs] .

“It was there for our mutual benefit and no-one else has ever produced anything like it. It used to be read out four times a year in church, when the squirearchy were at the front, the peasants at the back.

“It was the statute that remained longest in force in England, but they just got rid of it in 1971 [when it was superseded by the Wild Creatures and Forest Laws Act]. But it’s something to be proud of as part of our history; there’s an historic part of our character that, since 1217, says we have the right to run things for our common benefit.”

Where does Brexit fit into Mark’s exploration of who we are? “I think that notion that we are a country that can go it alone is really that characteristic of English exceptionalism, where we believe we’re different, we’re superior, because we’re the cleverer than anyone else, reckoning we won two World Wars and a World Cup by playing fair, which is nonsense,” he says. “Just looking at who we think we are, this idea we can stand alone is completely myopic.

“I’m not a great supporter of the European Union, but I did vote Remain reluctantly, as I don’t want a move to the far right, which is what we’ve ended up with.”

Mark Thomas’s Gilbert & George-style poster for his 50 Things About Us tour

Mark continues: “I’m a Socialist and I think massive changes are needed but when you ignore democracy [the Brexit referendum vote], it will bite you on the backside. If I were a Leave voter, I’d be b****y angry. This idea that people got it wrong, and we should vote again and again until we get it right is extremely patronising. The way they’ve been treated is pretty awful, though I’m not defending the far right.”

Why does Mark call Britain “a hollow land”? “The fact that masses of our history is ignored at the expense of our identity, like the history of the NHS…that sense of absence, because we don’t tell parts of our history, is wrong,” he says.

And now for the big question, after all Mark’s research, can he define who we are? “It’s an important question to answer, because we’re changing all the time, as a collective, as individuals, as parents, grandparents, how we see ourselves,” he says.

“Though interestingly, who we think we are is not who we are.” Let’s leave that thought hanging in the air, the perfect enticement to find out more at The Crescent on March 4.

Mark Thomas’s 50 Things About Us: Work In Progress tour also takes in further Yorkshire gigs at Sheffield Memorial Hall, March 1; Wakefield Theatre Royal, March 5, and Leeds City Varieties Music Hall, April 9.

Box office: York, 01904 622510 or at thecrescent.com; Sheffield, 0114 278 9789 or sheffieldcityhall.co.uk; Wakefield, 01924 211311; Leeds, 0845 644 1881 or cityvarieties.co.uk.

Did you know?

Mark Thomas also broadcasts 50 Things About Us as a podcast.

Back in Five Minutes, York Eighties’ band re-unite after 30 years for one night only

Five Minutes back together in 2020: from left to right: Nigel Dennis, Sean Rochester, Mark Pearson and Chris Turnbull. Fellow member Matthew “Duck” Hardy took the picture on February 22

A BAND called Five Minutes had their 15 minutes in York in the late 1980s. Now they are re-uniting for a one-off gig at the Victoria Vaults, in Nunnery Lane, on February 29.

The reason? “The singer and youngest member of the band still living here will be the last of us to turn 50 in February and in his words, ‘Let’s do it before one of us dies’,” reveals trumpet player Matthew “Duck” Hardy, now 50 and a professional musician.

“Our last gig was in January 1989 and most of us haven’t seen each other for 30 years. Now we want to get as many people from York’s late ‘80s music scene down to the gig for a huge reunion.”


In the soul and funk line-up on February 29 will be Hardy; business development manager Chris Turnbull, newly turned 50 next month, on vocals and guitar; IT consultant Sean Rochester, 53, on bass; cinema owner Nigel Dennis, 52, on drums, and retired police officer turned Criminology MSc mature student Mark Pearson, 52, on saxophone.

Not there, but there by the wonder of a video link, will be ex-pat trombonist and urban dog trainer Paul Shelbourne, 49, from his home in Brisbane.

Five Minutes in the 1980s, when they were four, before they became six, although they were never five!
From left to right: Nigel Dennis, Sean Rochester, Mark Pearson and Chris Turnbull. Matthew “Duck” Hardy and Paul Shelbourne joined later

“We’ll be playing original, danceable, driving Northern Soul-esque music with hard- hitting catchy brass riffs and a couple of covers thrown in near the end,” says Matthew, introducing a set list featuring The Party; Smile; Sequels; Merry-go-round; Bridge In Time; Happy Home; Casanova; Could It Be; This Innocent Kiss; Only A Fool; Soul On Fire; Cornflake Packet; Time Will Tell; B Derdela; All The Daughters and Heatwave.

Back in their day, Five Minutes played York Arts Centre and Harry’s Bar, in Micklegate; Temple Hall, York campus of the College of Ripon and York St John; Central Hall, University of York; the Gimcrack pub (now flats), in Fulford Road, and Bretton Hall (now the Yorkshire Sculpture Park), near Wakefield.

Come February 29, Five Minutes will be back in action for rather more than five minutes, preceded by a DJ set by Rocky from Sweatbox, but why were/are they called Five Minutes?

“I’ve absolutely no idea why, as it started off as a four-piece and ended up as a six-piece!” says Matthew. “When Paul joined, the Evening Press photographer took a photo of us in the courtyard of Ye Olde Starre Inn, on Stonegate, and the paper did a write-up under the headline ‘Six appeal for Five Minutes’.”

What’s in a name?

Five Minutes start their set or encore with the instrumental B Derdela, so named after saxophonist Mark Pearson asked how singer Chris Turnbull wanted him to play the sax line. Chris gave him the note and the rhythm: B…derdela!

Only one question for York tragicomic Pop artist Harland Miller…

York artist Harland Miller stands by his York, So Good They Named It Once mock book cover at York Art Gallery on Friday morning. Picture: Charlotte Graham

AS his biggest-ever solo show, Harland Miller: York, So Good They Named It Once, opens in his home city at York Art Gallery, what is Harland saying about York in that picture title on a retro book cover, now replicated on posters, mugs, key rings, fridge magnets and tote bags?

“People have thought ‘York, So Good They Named It Once’ must be satirical, comparing York to New York, whereas I thought I was riffing on York being first; being very important way before New York – and a Roman capital.

“It was also a place of so many firsts for me; where I did my first paper round, and through these streets I can go and remember things that happened to me. Like my first kiss on some old wasteland on Taddy Road [Tadcaster Road], that’s now a Tesco.

Back to front: Harland Miller walks towards his Pelican Books spoof cover York, So Good They Named It Once. Picture: Charlotte Graham

“And just round the corner from here, behind the library, I smoked my first joint. That’s why I got hooked on books…because I was by the library!

“This gallery is where I first saw paintings. Is it a dream to be back here? The answer is ‘No’, because, as a boy, it would have been foolish to dream of such a thing.

“But unless I’m about to wake up back behind the library, I sense this is the moment to thank so many people. I certainly wouldn’t be here without my mum [now 95], who’s travelled all the way from Dringhouses to be here tonight, but I want to thank everyone not once, but twice.”

Harland Miller: York, So Good They Named It Once, featuring his Penguin Book Covers, Pelican Bad Weather Paintings and Letter Paintings and Recent Work, runs at York Art Gallery until May 31.

York Community Choir Festival on song to celebrate friendship and harmony in March

Stagecoach Academy Senior Choir: taking part in the fifth York Community Choir Festival. Picture: Michael Oakes

THE fifth York Community Choir Festival will raise the roof at the Joseph Rowntree Theatre, York, from March 7 to 14

This annual event “celebrates the inclusivity of making music in groups of all ages and friendship across the generations” by bringing people together to share the joy of singing in seven concerts, each featuring at least four different choirs.

“Choirs will be coming from Easingwold in the north, Garrowby and Stamford Bridge in the east and Knaresborough and Tadcaster in the west and south, as well as from York itself,” says festival organiser Graham Mitchell, the JoRo’s company secretary, fundraising and events director and trustee. 

York charity Musical Connections combats loneliness and isolation in older people by running regular music sessions in community locations across York, and their 40-strong pensioners’ choir, The Rolling Tones,will be taking part for the first time.

Performing too will be choirs from Wigginton Primary School, Robert Wilkinson Primary Academy,the secondary-age choir of Queen Ethelburga’s Collegiate, and the “younger” adults of Dunnington Community Choir in a special matinee on March 14.

Another group of primary-school age, appropriately named Starlings, from the Hempland area of York, will sing in the Friday (March 13) concert. Secondary school-age choirs taking part will be Tutti Amici and Stagecoach Academy Choir, who have both excelled in previous festivals, and two Huntington School choirs will appear for the first time.

Dunnington Community Choir: emotion in motion in the joy of singing. Picture: Michael Oakes

York singer and tutor Jessa Liversidge, who runs her Singing For All sessions every week in Clements Hall, South Bank, York, and in Easingwold, says: “Many singers who attend my groups testify that their lives have been transformed by our weekly sessions of informal singing, tea, cake and good company.

“Looking around the room at the happy faces and seeing everyone leave afterwards with a spring in their step is evidence enough for me of the wonderful power of a good old sing.”

York has workplaces with choirs that employers encourage as being good for morale, among them Aviva’s Vivace! Choir and York Hospital’s Wellbeing Choir, which combines staff, volunteers and patients in one lively group in weekly sessions. Vivace! will open the festival and the hospital choir will appear on the last night.

Graham says: “I’m particularly pleased that we can include both young and old and bring the generations together in the same concerts. The benefits of singing have been widely researched and findings show that communal singing has far-reaching benefits for health, happiness and general wellbeing.

“We’re so lucky to have such a variety of choirs in and around York, most of which welcome new members with open arms. No need to be able to read music; just a desire to join in and sing!”

Concerts will take place on March 7, 11, 12, 13 and 14 at 7.30pm; March 8, 4pm, and March 14, 2pm. The full list of who will be singing when can be found at josephrowntreetheatre.co.uk.

Tickets are on sale on 01904 501935, via josephrowntreetheatre.co.uk or in person from the JoRo box office in Haxby Road, with savings if buying five or more tickets. All proceeds will be donated to the Joseph Rowntree Theatre charity to help to maintain and improve facilities at this community venue.

Blue Light Theatre Company raise £3,000 for York Against Cancer and Motor Neurone Disease Association

The Blue Light Theatre Company members with representatives of York Against Cancer and the Motor Neurone Disease Association (York) at the cheque presentation at York’s Ambulance Station. All pictures:: Scott Atkinson

THE Blue Light Theatre Company took to the stage once again in January at Acomb Working Men’s Club, York, to raise money for York charities York Against Cancer and Motor Neurone Disease Association (York).

“We’re thrilled to announce that we managed to match last year’s amount of £3,000 – despite our production costs rising,” says cast member Mark Friend, who played Pinocchio in Oh! What A Circus on January 24, 25 and 29 to 31.

“The money raised has been split equally between the two charities. We’ve received fantastic support from many of North Yorkshire’s tourist attractions and businesses; without their generous support, we would not have been able to raise this amount.”

The Blue Light Theatre Company in Oh! What A Circus at Acomb Working Men’s Club

Oh! What A Circus was the seventh pantomime performed by The Blue Light Theatre Company, made up of paramedics, ambulance dispatchers, York Hospital staff and members of York’s theatre scene,  who have raised well over £10,000 over those years.

Writer and co-producer Perri Ann Barley says: “It’s great to see our audience come back year after year to support us, plus lots of new audience as the word gets around just how good our productions are.

“Work is already underway for Panto 2021 and the challenge is on to make it even bigger and better than the last. The title will be announced later in the year”.

Mark Friend, as Pinocchio, in Oh! What A Circus

Last Wednesday, the Blue Light company met representatives from York Against Cancer and Motor Neurone Disease Association (York) MNDA at York’s Ambulance Station to present them with their cheques.

Julie Russell, from York Against Cancer, says: “Thank you very much for this generous donation. It will help us make a difference to cancer patients and their families’ lives. The Blue Light Theatre Company really do know how to put ‘fun’ into fundraising. Thank you.”

In the cheque presentation picture are Julie Russell, from York Against Cancer; James Chambers, Jen Dodd, Colin Pearson and Val Corder, from MNDA (York) and The Blue Light Theatre Company’s Zoe Paylor, Perri Ann Barley, Christine Friend, Beth Waudby, Mark Friend, Devon Wells, Mick Waudby, Craig Barley and Glen Gears.

All you need is extra tickets and a new venue for music film-maker Tony Palmer’s Harrogate Film Festival event

Film-maker Tony Palmer with The Beatles’ John Lennon

A RUSH of ticket sales has prompted a change of venue for The Rock Goes To The Movies evening with BAFTA-winning filmmaker Tony Palmer next month in Harrogate.

This exclusive Harrogate Film Festival event on March 12 will switch from RedHouse Originals art gallery to The Clubhouse at Cold Bath Brewing Co, on Kings Road, only five minutes from the original location on Cheltenham Mount.

“The evening sold out all its stickers at £12 a pop so quickly that we’ve have had to move to a bigger location,” says Harrogate Advertiser journalist and Charm event promoter Graham Chalmers, a stalwart of the Harrogate music scene, who will be hosting the Q&A with the legendary film-maker, now 77.

“That means extra tickets have been put on sale and are available via the box office at Harrogate Theatre.”

All existing tickets are still valid for the new venue for the 7pm event that will combine a film screening with the Q&A session about Palmer’s work with The Beatles, Jimi Hendrix, Leonard Cohen, Rory Gallagher, Cream, Frank Zappa, The Who, Donovan and many more.

The London-born film-maker and cultural critic has more than 100 films to his name, ranging from early works with The Beatles, Cream, Jimi Hendrix, Rory Gallagher (Irish Tour ’74) and Frank Zappa (200 Motels), to his classical profiles of Maria Callas, Margot Fonteyn, John Osborne, Igor Stravinsky, Richard Wagner, Benjamin Britten, Ralph Vaughan Williams and more besides.

Over the past 50 years, Palmer has received more than 40 international prizes, including 12 gold medals from the New York Film Festival, along with numerous BAFTAs and Emmy Awards.

The Beatles: rare screening of Tony Palmer’s film of the Fab Four will be a highlight of the Harrogate Film Festival event on March 12

Palmer, who served an apprenticeship with Ken Russell and Jonathan Miller, made the landmark film All My Loving, the first ever about pop music history, first broadcast in 1968.

He was responsible too for the iconic live film Cream Farewell Concert, shot at the supergroup’s last-ever show at the Royal Albert Hall: a memorable night with Eric Clapton, Jack Bruce and Ginger Baker in 1968.

Harrogate Film Festival founder Adam Chandler says: “Tony Palmer’s glittering career deserves such an event, so we can’t wait to welcome him. We’re delighted this film-making legend is so popular and are grateful to our venue partners, Cold Bath Brewing Co and RedHouse Originals, for enabling this exciting event to happen.”

Host Chalmers says: “Palmer is the greatest arts documentary filmmaker Britain has produced in the past 50 years and personally knew most of the greatest figures in the classical music world, as well as rock music.

“The fact he’s making the journey to Harrogate as a stand-alone event shows how highly regarded Harrogate Film Festival is nationally and shows that Harrogate, despite appearances, is a town with a genuine rock’n’roll pedigree.”

RedHouse Originals gallery previously has played host to Pop Art doyen Sir Peter Blake and still will be involved in next month’s event, hanging classic 1960s’ artwork and photography at The Clubhouse and curating the music playlist for the after-show party.

The sleeve artwork for All You Need Is Love, Tony Palmer’s 1977-1978 series on The Story Of Popular Music

Presented by Chalmers in conjunction with Harrogate Film Society, Rock Goes To The Movies will feature a rare screening of Palmer’s film about The Beatles that featured in his All You Need Is Love TV series, with a script by Fab Four insider Derek Taylor, plus clips from Palmer’s Cream Farewell Concert film.

Tickets available from harrogatetheatre.co.uk, on 01423 502116 or in person from the Harrogate Theatre box office. More information on the 2020 Harrogate Film Festival at harrogatefilm.co.uk.

Any profits from the evening will go to Harrogate Film Society and Harrogate Film Festival.



Tony Palmer’s ten music films
1. All You Need Is Love,1975-1976,17-part series on the history of American Popular Music from Bing Crosby to The Beatles.
2. Bird On A Wire, 1972, featuring Leonard.
3. All My Loving,1968, including The Who, The Beatles and more.
4. Cream Farewell Concert 1968.        
5. 200 Motels – Frank Zappa,1971.
6. Rory Gallagher – Irish Tour,1974.        
7. A Time There Was, 1979, profile of composer Benjamin Britten.
8. Tangerine Dream – Live In Coventry Cathedral,1975.
9. Ginger Baker In Africa,1971.
10. Wagner – By Charles Wood, music conducted by Georg Solti, photographed by Vittorio Storaro; with Richard Burton, Vanessa Redgrave and Laurence Olivier,1983.