The 2023 tour cast for SIX The Musical. Picture: Pamela Raith
SIX times three equals another chance to see Toby Marlow and Lucy Moss’s “Spouse Girls” revenge musical at the Grand Opera House,York, from October 14 to 18.
Tickets go on sale on Wednesday morning at atgtickets.com/york for the royal return of the West End and Broadway hit that enjoyed sold-out runs at the Cumberland Street theatre in October 2022 and June 2023.
Remixing 500 years of historical heartbreak into an 80-minute celebration of 21st century girl power, Marlow and Moss’s all-female show for the millennial age reactivates the lives of the six wives of Henry VIII in modern mode, with attitude. Call it gig theatre, call it a pop concert, wherein the Queens tell their story in song in chronological order to decide who suffered most at Henry’s hands once he put a ring on that wedding finger.
Premiered by the Cambridge University Musical Theatre Society in a 100-seat room at the 2017 Edinburgh Fringe, SIX The Musical has grown into a global phenomenon. Productions are playing on Broadway at the Brooks Atkinson Theatre, New York, and across the United States on tour, while the West End production continues its third royal residence at the Vaudeville Theatre and the UK tour is booking through to 2025, selling out wherever it goes.
The 2022 tour cast for SIX The Musical
Winner of the 2022 Tony Award for Best Original Score and Best Costume Design on Broadway, the 2022 and 2023 Whatsonstage Award for Best West End Show and 2020 BBC Radio 2 Audience Award for Best Musical, SIXalso was nominated for five Olivier awards, including Best New Musical.
The SIX cast has performed on the results show of ITV’s Britain’s Got Talent and BBC’s Children in Need Appeal Show; the show’s songs have attracted 300 million streams and three billion views on TikTok, and the original studio album has achieved gold status, marking 100,000 sales in the UK.
SIX is co-directed by Lucy Moss and Jamie Armitage, choreographed by Carrie-Anne Ingrouille and designed by Emma Bailey (set), Gabriella Slade (costumes), Tim Deiling(lighting) and Paul Gatehouse (sound).
The score features orchestrations by Tom Curran, with music supervision and vocal arrangements by Joe Beighton, working in tandem withmusical director Jennifer Deacon and UK musical supervisorKaty Richardson.
Habit forming: Sarah Foster’s Sister Mary Brendan, back row, left, with, front row, from the left, Clare Meadley’s Sister Mary Hubert, Emily Rockliff’s Sister Robert Anne, Joy Warner’s Reverend Mother and Emma Craggs-Swainston’s Sister Mary Leo in a scene from Nunsense: The Mega-Musical!
NUNS, nuns and more nuns. Musicals love them, from The Sound Of Music to Sister Act and now Nunsense: The Mega-Musical!, York Light Opera Company’s summer show at Theatre@41, Monkgate, York.
Running from June 26 to July 6, the divine delights of Dan Goggin’s 1985 off-Broadway musical are being directed by Neil Wood with musical direction by Martin Lay.
“Get ready for a heavenly dose of laughter as we present a side-splitting extravaganza brimming with witty humour, toe-tapping tunes and heavenly hilarity, as well as in tap dancing, tightrope walking and ventriloquism” says Neil.
“Anyone expecting The Sound Of Music will be disappointed; anyone not expecting it will be overjoyed.”
In the wake of the unfortunate passing of four beloved sisters – now “chilling out in the freezer” after a “culinary catastrophe” involving Sister Julia’s dodgy Vichyssoise – the remaining Little Sisters of Hoboken find themselves in a sticky situation.
To raise funds for a proper burial – and perhaps a new cook! – the nuns must take centre stage for a riotous revue and talent show like no other, performed on the set of a school production of Grease that is being staged next door.
Building on the success of last June’s “riotous, rude and relevant” I Love You, You’re Perfect, Now Change, York Light will stage a “mega-sized version” of Goggin’s show with an expanded cast, new characters and even more musical mayhem.
Neil Wood’s full cast for Nunsense : The Mega-Musical!, including late replacement Kathryn Addision, bottom row, second from left, and the ten Father Virgils
“It’s an absolute pleasure to return to York Light Opera Company to direct their summer show for the second year running,” says Neil. “Nunsense: The Mega-Musical is an exciting, hysterical and entertaining show and I’ve been lucky enough to cast 12 exceptionally talented actresses who encapsulate their various characters to perfection. It’s a wonderful show, which I’m sure audiences will adore.”
Among them will be Kathryn Addison, taking over from the indisposed Pascha Turnbull as Sister Julia, Child of God, at only five rehearsals’ notice.
One further cast hitch has required a novel solution, Neil reveals: “As with producing any show, you come across little hiccups, and our original Father Virgil [Matt Tapp] being sent to the Highlands a month before opening night was possibly the most extreme hiccup I’ve had to deal with as a director.
“So, what’s the solution? Do you find one actor who can cover all ten shows at late notice? No! Instead, we’ve found ten actors who can do one night each with limited rehearsal!”
Inspiration came from comedy national treasures Eric and Ernie. “I got the idea having seen the guest actors in The Play What I Wrote, the show based on the life of Morecambe and Wise, and it’s worked exceptionally well!” says Neil.
“We had such a good response from the gentlemen of York Light Opera Company and within days I’d managed to cast all ten performances. It was difficult to get one replacement actor to do all the rehearsals and performances at short notice, and a lot easier to get ten to do one show each, saying ‘tell me when you can’t do it’ and then getting my Father Virgil spreadsheet sorted out by the end of the weekend!”
Among them will be York musical actor, York Theatre Royal box-office manager and 2016 Britain’s Got Talent semi-finalist Richard Bayton, soon to appear in Bright Light Musical Productions’ York premiere of Green Day’s American Idiot at the Joseph Rowntree Theatre.
Sing something wimple: Emily Rockliff’s Sister Robert Anne to the fore in a rehearsal for York Light’s Nunsense: The Mega-Musical!
“It’s not a huge part, but it’s vital,” says Neil. One that requires only one rehearsal, as Richard explains. “We’ve all been sent the ten pages that Father Virgil features in to learn the lines. Then, on the night I’ll turn up at 6pm to prepare for the 7.30pm start, getting into the inner, deep characterisation of what it means to be Father Virgil, sorting out the blocking on stage and finding out who I’m supposed to be flirting with!”
Neil is enjoying his first experience of Nunsense. “I remember that it came to the West End in my nipper days and thought, ‘well, that sounds an interesting show’,” he recalls. “But I’d never thought about it again until I was approached by the York Light committee to direct their summer show for the second time in a row after I Love You, You’re Perfect, Now Change.
“It’s an ideal contrast, a chance to have a totally different cast, with those 12 female roles. It started as a five-hander that’s now a much bigger ensemble show after Dan Goggin wrote more characters and more numbers, and he’s even done a version where you could add children, though we won’t be. “
Neil has even received advice via Goggin’s Facebook posts. “He signs all his posts as ‘Danny’, rather than ‘Dan’,” he says. “He’s advised the cast that they’re playing nuns trying to be showgirls and not the other way round, with ‘choreographed imperfections’ that go with that.”
He loves Goggin’s music too. “Sometimes, you come across a show and you think, ‘um, not sure’, but this one has a fantastic score: there’s country music, Andrews Sisters’ close harmonies, gospel, traditional musical theatre songs, even a ballet routine and tap-dancing nuns!
“Rachel Whitehead has choreographed the ballet and the tap number, and the rest of it has come out of that twisted mind of mine! The lovely thing about doing it at Theatre@41 is that because it’s a smaller space, it’s intimate. There’s no ‘fourth wall’ in the show but there is interaction with the audience because it’s that sort of show.”
Working alongside Neil is assistant director Sarah Foster, from Missouri, USA, who is in the third year of her PhD studies at the University of York.
Annabel van Griethuysen’s Sister Mary Amnesia, left, Emma Craggs-Swainston and Emily Rockliff’s Sister Robert Anne in the rehearsal room
“I saw the show at the theatre where I was directing with a company in Springfields, in the middle of nowhere! One of the 12 to 15 Springfields that The Simpsons never reveal exactly where they’re from,” says Sarah, who has helped the York Light cast to work on their American accents, just as she did for York Musical Theatre Company’s The Wizard Of Oz in May.
“I first saw the five-hander and I remember I was struck by just how genuine the show was; how funny it was; the variety of the nuns’ different stories and the variety of the songs. I wasn’t expecting the tap number in the middle!”
Sarah was involved with Springfield Little Theatre for eight years, mostly performing in musical theatre, before taking up her PhD studies in How the Arts Influenced Climate Change and Sustainability Education.
She finds time to maintain her theatrical involvement, whether as production assistant on York Light’s February production of The Little Mermaid at York Theatre Royal or now playing Sister Mary Brendan.
“She’s one of the teachers at the school connected to the convent,” she says of her role. “She’s the drama teacher who’s putting on the production of Grease.”
Summing up the show, Neil says: “The humour is bonkers with elements of farce, but not a Brian Rix or Feydeau farce. The humour comes from the five principal nuns’ stories unravelling as the Mother Superior tries to hold it all together, not always with successfully!”
“Their personalities keep bursting through, making it more difficult for the Mother Superior to control them,” adds Sarah.
Clare Meadley’s Sister Mary Hubert, front, and Sarah Foster’s Sister Mary Brendan, left, in rehehearsal for the Little Sisters of Hoboken’s fund-raising revue
Nunsense suits the “triple threat” talents of York Light, says Neil. “It needs good operatic singing, country & western belts too, good dancers and good actors, and that’s the joy of working with York Light. There are so many talents you can go to.
“The show is great family entertainment, with a couple of jokes that might go over young heads. Goggin knew what he wanted, and it’s not often you get a script that is so detailed and so full of possibilities to make it funny.”
“The comedic timing is really well thought out,” says Sarah. “And I’m also going to enjoy this show so much because it’s interactive, with conversations with the audience.”
Neil rejoins: “The fourth string to the director’s bow is being able to choreograph those laughs. I love to look for those moments.”
He highlights the comedic impact of a nun’s attire: the habit and wimple. “For the actors, the wimple absolutely focuses the importance of facial expression, but not to go over the top because expressions are magnified by the wimple’s shape,” he says.
“The habit limits the possibilities of the choreography because it restricts movement, but in a good way for comedy, as we have nuns trying to be showgirls, and not the other way round. We even have nuns on point in one number.”
The band members, perched on the mezzanine level, add to the visual impact too. “They’ll all be dressed as monks and vicars, and our musical director, Martin Lay, is playing the role of Father Patrick, leading the heavenly chorus,” says Neil. “Even the stage manager, Sarah Craggs, will be a nun!”
York Light Opera Company in Nunsense: The Mega-Musical!; Theatre@41, Monkgate, York, June 26 to July 6, 7.30pm (except June 30, July 1 and July 6); 3pm, June 29 and 30, July 6. Box office: tickets.41monkgate.co.uk.
Sing something wimple: Emily Rockliff’s Sister Robert Anne to the fore in a rehearsal for York Light Opera Company’s Nunsense: The Mega-Musical
FROM nuns in a riotous revue to a celebration of Caribbean culture, The Fonz’s memoirs to Ballet Black’s heroes of dance, Charles Hutchinson’s arts diary matches the June sunshine.
York musical of the week: York Light Opera Company in Nunsense: The Mega-Musical!, Theatre@41, Monkgate, York, 7.30pm, June 26 to 28, July 2 to 5; 3pm; June 29 and 30, July 6
AFTER the unfortunate passing of four beloved sisters in a “culinary catastrophe”, the remaining Little Sisters of Hoboken find themselves in a sticky situation. To raise funds for a proper burial (and perhaps a new cook), the nuns take centre stage for a riotous revue unlike any other.
Director Neil Wood brings Dan Goggin’s musical to mega-sized life in a version that boasts an expanded cast, new characters and even more musical mayhem. Box office: tickets.41monkgate.co.uk.
Lynda Burrell, left, and Catherine Ross, founders of exhibition curators Museumand, at the launch of 70 Objeks & Tings at York Castle Museum. Picture: Gareth Buddo
Exhibition of the week: 70 Objeks & Tings, York Castle Museum, until November 4; Mondays, 11am to 5pm, Tuesday to Sunday, 10am to 5pm
70 OBJEKS & Tings, a celebration of 75 years of Caribbean culture, showcases 70 items that connect us to the Windrush Generation in an “extraordinary exhibition of the ordinary”.
Curated by mother and daughter Catherine Ross and Lynda Barrett, founders of Museumand, the National Caribbean Heritage Museum, it features objects that combine familiarity and practicality and have been passed down the generations. On show are cooking and household goods, food packaging and beauty supplies, funeral items, music, games, books and newspapers. Tickets: yorkcastlemuseum.org.uk.
Alexandra Kidgell: Soprano soloist for Haydn’s The Creation at York Minster
Classical concert of the week: York Musical Society, Haydn’s The Creation, York Minster, tonight, 7.30pm
FOUR years later than first planned – blame Covid – York Musical Society performs Haydn’s oratorio The Creation under the baton of musical director David Pipe. The choir and orchestra will be joined by soloists Alexandra Kidgell, soprano, Nathan Vale, tenor, and Thomas Humphreys, baritone.
The Creation was composed in 1797, following Haydn’s visits to London, when he was inspired by hearing Handel’s great oratorios, such as the Messiah, sung by huge choral gatherings.
“Haydn’s oratorio is one of the most upbeat and enjoyable works in the repertoire, with plenty of drama for the chorus to bring to life,” says Pipe. “We are excited to have the chance to perform The Creation in York Minster’s inspiring surroundings.” Box office: 01904 623568, at yorktheatreroyal.co.uk or on the door.
Mostly Autumn: Highly summer concert at The Crescent tonight
York band of the week: Mostly Autumn, The Crescent, York, tonight, 7.30pm
MOSTLY Autumn may have been called “the best band you have never heard”, but that is a misnomer in their home city of York, where Bryan Josh and Olivia Sparnenn-Josh’s classic rock combo play tonight.
Twenty years of gigging, whether headlining or supporting Blackmore’s Night, Uriah Heep, Jethro Tull and Bryan Adams, goes into performing their combination of Seventies’ rock and prog-rock, peppered with a sense of the future. Box office: thecrescentyork.com.
Henry Winkler: American actor discusses The Fonz and more on Sunday
Coolest show of the week: Henry Winkler, The Fonz & Beyond, Grand Opera House, York, tomorrow, 7.30pm
HEY, Happy Days star HenryWinkler shares stories of his life on the 50th anniversary of his time in Hollywood after being told he would “never achieve”.
The Emmy award-winning actor, author, director and producer, now 78, is promoting his Being Henry memoir as he reflects on his sitcom days as The Fonz, the Happy Days role that defined a generation of cool, as well as subsequent appearances in Arrested Development, Parks And Recreation and Barry. Box office: atgtickets.com/york.
Tom Jones: Returning to Scarborough Open Air Theatre for the first time since July 2022
Coastal gig of the week: Tom Jones, Scarborough Open Air Theatre, June 26, gates open at 6pm
SEATED tickets have sold out for Welsh whirlwind Tom Jones’s outdoor gig in Scarborough but that still leaves room for standing. Sixty years since releasing his first single, Chills And Fever, in 1964, he is still blowing those bellows as powerfully as ever at 84, having made history as the oldest man to notch up a number one with an album of new material in the UK Official Album Charts in 2021 with Surrounded By Time, overtaking Bob Dylan.
Expect It’s Not Unusual, What’s New Pussycat?, Delilah, She’s A Lady, Green, Green Grass Of Home, Kiss, You Can Leave Your Hat On, Sex Bomb et al from Sir Tom. Box office: scarboroughopenairtheatre.com. Box office: scarboroughopenairtheatre.com.
Nathaniel Rateliff & The Night Sweats: Introducing new album South Of Here at York Barbican
Rhythm & blues gig of the week: Nathaniel Rateliff & The Night Sweats, York Barbican, June 27, doors 7pm
NATHANIEL Rateliff & The Night Sweats play York Barbican as the only Yorkshire venue on their six-date South Of Here summer tour.
Noted for supplying the zeal of a whisky-chugging Pentecostal preacher to songs of shared woes, old-fashioned rhythm & blues singer and songwriter Rateliff will be showcasing his Missouri band’s fourth studio album on the eve of its Friday release. William The Conqueror support. Box office: yorkbarbican.co.uk.
Crowning glory: Ballet Black in If At First, on tour at York Theatre Royal
Dance show of the week: Ballet Black: Heroes, York Theatre Royal, June 28, 7.30pm
CASSA Pancho’s dance company returns to York with the double bill Ballet Black: Heroes. Choreographer Mthuthuzeli November contemplates the meaning of life in The Waiting Game, a 2020 work infused with a dynamic soundtrack featuring the voices of Ballet Black artists.
Franco-British artist Sophie Laplane, choreographer-in-residence at Scottish Ballet, follows up her 2019 Ballet Black debut, Click!, with If At First, her exploration of “a more subtle heroism, a quieter triumph over adversity, in a struggle that unites us all”. Humanity, heroism and self-acceptance combine in this celebratory piece. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Eliza Carthy: Performing solo at the NCEM, York, and Fylingdales Village Hall
Folk gigs of the week: Eliza Carthy, National Centre for Early Music, Walmgate, York, June 28, 7.30pm; Fylingdales Village Hall, Station Road, Robin Hood’s Bay, June 30, 7.30pm
ELIZA Carthy, innovative fiddler and vocalist from the First Family of Folk, heads from Robin Hood’s Bay to York for a solo gig at the NCEM. At once a folk traditionalist and iconoclast, she revels in centuries-old ballads and Carthy compositions alike.
In her 32-year career, Carthy has performed with The Imagined Village, The Wayward Band and The Restitution, collaborated with Paul Weller, Jarvis Cocker, Pere Ubu, Rufus & Martha Wainwright, Jools Holland, Patrick Wolf and Kae Tempest, served as president of the English Folk Dance & Song Society and artist in residence in Antarctica and been described by comedian Stewart Lee as “not the Messiah, but a very naughty girl”. Broadside balladeer Jennifer Reid supports at the York gig. Box office: York, for returns only, 01904 658338 or ncem.co.uk; Robin Hood’s Bay, trybooking.com/uk/events/landing/57434.
David Ward Maclean, centre, and musical friends Sarah Dean and Steve Kendra
Retirement concert of the week: David Ward Maclean and Friends, with special guest Edwina Hayes, Friargate Theatre, York, June 29, 6.30pm
YORK music scene stalwart and busker supreme David Ward Maclean plays his retirement gig with friends on the eve of his 66th birthday (June 30). “I’m retiring from all public performance, except the occasional open mic when I fancy it, maybe the odd charity appearance if requested, and will be focusing on finishing recording some 40 unreleased songs of mine,” he says.
Joining David will be The Howl & The Hum’s Sam Griffiths, Bradley Blackwell, Sarah Dean, Steve Kendra, Emily Lawler, Dan Webster, Paul Heaney, Al Hamilton, Robert Loxley Hughes, Amy Greene, Sarah Jennifer and special guest Edwina Hayes. Box office: wegottickets.com.
NOT since Paul Weller and Jess Glynne in June 2019 has Forestry England hosted Forest Live concerts at Dalby Forest, near Pickering.
The hiatus that followed the Covid-enforced cancellation of Leeds band Kaiser Chiefs and the double bill of Will Young and James Morrison in 2020 comes to an end this week.
Glory be, the weather forecast looks favourable for Canadian rocker Bryan Adams, back in a forest tonight after the Julien Temple-directed video for 1991’s 16-week chart topper (Everything I Do) I Do It For You from Robin Hood – Prince Of Thieves.
More sunshine over the weekend too when Nile Rodgers & Chic and support act Sophie Ellis-Bextor turn the woodland into a dancefloor on Saturday night and Richard Ashcroft, the two-time Ivor Novello Award-winning Wigan singer, songwriter and frontman of The Verve, completes the line-up on Sunday.
Ashcroft’s set list will draw on his five solo albums, along with The Verve’s anthems Bittersweet Symphony, The Drugs Don’t Work, Lucky Man and Sonnet that night, when Leeds band Apollo Junction will be supporting.
Overseeing the Forest Live programme at not only Dalby Forest, but at Cannock Chase Forest, Delamere Forest, High Lodge, Thetford Forest, Sherwood Pines and Westonbirt Arboretum too, will be Rhodri Jones, Forestry England’s national events programme manager.
Nile Rodgers: Disco delights with CHIC on Saturday night
“After scaling back our operation, for the reintroduction of Forest Live we wanted to make sure we came back in a way that was sustainable after Covid, rather than all guns blazing everywhere, so we returned in a gradual, controlled way,” says Rhodri, who took up his post in 2023 after a decade at Southbank Centre, London, where he became senior producer for all music events and festivals, including Meltdown.
“We’re really glad that Forest Live is back at Dalby Forest this year. We think we have a really good programme, in a really beautiful setting, and with three concerts this time, it gives us the chance to appeal to different people, providing something for everybody.”
This summer’s return to Dalby Forest marks the start of a partnership with Cuffe & Taylor, promoters of the highly successful summer series at Scarborough Open Theatre, where the likes of Tom Jones, Johnny Marr & The Charlatans, Paul Weller, Rick Astley, Fatboy Slim, James, Madness and comedian Bill Bailey will be coast-bound this season.
“It’s brand-new partnership for this year and will be ongoing,” says Rhodri. “We were looking for a partner for a number of reasons. Firstly, Cuffe & Taylor have an amazing track record of attracting artists of the status we want.
“Secondly, we are very proud of Forest Live, and its contribution to making a difference by raising funds for woodland conservation, and by partnering with such big guns as Cuffe & Taylor, who do concerts 365 days a year and, like us, are advocates of sustainability with the Green Nation charter, we can strengthen that.
“It’s essentially an initiative to look at all elements of putting on the events to make them as sustainable as possible, so one of the things we were determined to introduce this year was a shuttle bus service to Dalby Forest, with coaches from Malton, Pickering, Scarborough and York.”
Richard Ashcroft: Sunday’s headline act at Forest Live at Dalby Forest. Picture: Dean Chalkley
He is delighted by the link-up with Cuffe & Taylor. “It’s a 50-50 partnership, and one of the great things is how aligned we are in how we want it to work. They can call on our expertise in staging concerts in beautiful surroundings and we can benefit from their knowledge, such as putting on the shuttle buses.
“Our sites are more remote and often that can be overlooked, with the last thing being thought about being the experience of getting to and from the forest, but we are aware that if it takes ages to get out, it might be the last time someone comes, so we’re addressing that.”
Rhodri highlights a further benefit of the return of Forest Live to Dalby Forest. “The fundamental aim of these concerts is that it’s beautiful to have these amazing musicians there, but it’s also our aim to get people into the forest for the first time and maybe next week they’ll come back to walk their dog or go mountain biking.
“The funds we raise go towards the work we do, whether tree planting or researching the health of trees and the impact of climate change. One of the big things we’re doing is looking at how trees will be sustainable in 50-100 years’ time. We’re always planning something ahead; it could be the next Forest Live or the rest of the team working on the future of the forests.”
Forestry England presents Forest Live at Dalby Forest, near Pickering: tonight, Bryan Adams (9pm to 10.30pm), supported by Cassyette (7.30pm to 8.15pm) and Rocketsmith (6.30pm to 7pm); Saturday, Nile Rodgers & Chic (9pm to 10.30pm), supported by Sophie Ellis-Bextor (7.30pm to 8.15pm), Deco (6.30pm to 7pm) and DJ Sam Flanagan (Demented Disco, 5.45pm to 6.15pm); Sunday, Richard Ashcroft (9pm to 10.30pm), supported by Apollo Junction (7.30pm to 8.15pm) and Tom A Smith (6.30pm to 7pm). Box office: forestlive.com.
Rhodri Jones: National events programme manager at Forestry England
Rhodri Jones: the back story
NATIONAL events programme manager at Forestry England, leading on the national portfolio of forest events including the open-air concert series Forest Live.
Joined Forestry England in 2023 from Southbank Centre, London, where he worked for a decade, becoming the senior producer for all music events and festivals, including Meltdown festival.
Prior to that, he worked for Hay Festivals worldwide, on the flagship event in Wales, along with festivals in Bangladesh, India, Columbia, the Maldives, Spain, and Kenya.
Stuart Vincent’s Amir in The Kite Runner at York Theatre Royal. Picture: Barry Rivett
THE return of The Kite Runner and Forest Live, a mega-musical full of nuns and a new case for Holmes & Watson add intrigue and woodland joys to Charles Hutchinson’s week ahead.
Play of the week: The Kite Runner, York Theatre Royal, running until Saturday, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees
DIRECTED by Giles Croft, Matthew Spangler’s adaptation of Khaled Hosseini’s novel presents a haunting tale of friendship that spans cultures and continents as it follows Amir’s journey to confront his past and find redemption.
In his childhood recollection, Afghanistan is on the verge of war and best friends Amir (Stuart Vincent) and Hassan (Yazdan Qafouri) are about to be torn apart. Amid the excitement of a Kabul kite-flying tournament, no-one can foresee the terrible incident that will shatter their lives forever. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Murder mystery to solve: Calf 2 Cow in Sherlock & Watson – A Murder In The Garden at Helmsley Walled Garden
Immersive murder mystery experience of the week: Calf 2 Cow, Sherlock & Watson – A Murder In The Garden, Helmsley Walled Garden, tomorrow, 7pm (gates, 6pm)
WHEN a body is mysteriously found lying in the middle of Landsdown Manor Gardens, the police have no option but to persuade Sherlock Holmes to take on his toughest case to date.
Assisted by the loyal Watson, the detective duo must battle through villains to discover who is behind the murder in Bath comedy troupe Calf 2 Cow’s new adaption, full of slapstick, multi-role playing and rock’n’roll, penned by artistic director Matthew Emeny. Bring chairs, blankets and picnics. Box office: 01439 771700 or helmsleyarts.co.uk.
Richard Hawley: Made in Sheffield, performing in Scarborough
Yorkshireman of the week: Richard Hawley, Scarbrough Spa, tomorrow (20/6/2024), 7.30pm
ON the heels of his Olivier Award-winning Sheffield musical Standing At The Sky’s Edge opening a six-month West End run at the Gillian Lynne Theatre, Richard Hawley showcases his ninth studio album In This City They Call You Love on his late-spring tour. Scarborough hosts the closing night. Box office: scarboroughspa.co.uk.
Nile Rodgers: Turning Dalby Forest into a disco floor with CHIC on Saturday, when Sophie Ellis-Bextor & Deco will be on the bill too
Welcome return of the week: Forest Live at Dalby Forest, near Pickering, Bryan Adams, Friday; Nile Rodgers & CHIC, Saturday; Richard Ashcroft, Sunday; gates 5pm
FORESTRY England revives Forest Live at Dalby Forest for the first time since 2019 for three nights of open-air concerts in aid of woodland conservation. Canadian rocker Bryan Adams, he of forest fame from (Everything I Do) I Do It For You for Robin Hood Prince Of Thieves, on Friday night will be followed by disco icons Nile Rodgers & CHIC on Saturday and the Wigan singer, songwriter and The Verve frontman Richard Ashcroft on Sunday. Box office: forestlive.com.
Jessa Liversidge: Two Bards And A Songbird, one concert and a workshop in Helmsley. Picture: David K Newton
English and Scottish union of the week: Jessa Liversidge, Two Bards And A Songbird, Helmsley Arts Centre, Saturday, 7.30pm
EASINGWOLD singer and choir leader Jessa Liversidge presents her celebration of song inspired by two bards: William Shakespeare and Robert Burns, from her native Scotland. Her heartfelt performance spans traditional folk, pop and musical theatre, sung to her piano accompaniment plus a loop pedal to layer melodies and sounds.
Audience suggestions are invited to enable Jessa to improvise a new song around a Shakespeare/Burns quotation. From 4pm to 6pm, she will host a harmony-singing workshop for participants to sing in the evening show, with a combined ticket available for the workshop and concert. Box office: 01439 771700 or helmsleyarts.co.uk.
York Light Opera Company cast members in rehearsal for Nunsense: The Mega-Musical
York musical of the week: York Light Opera Company in Nunsense: The Mega-Musical!, Theatre@41, Monkgate, York, 7.30pm, June 26 to 28, July 2 to 5; 3pm; June 29 and 30, July 6
AFTER the unfortunate passing of four beloved sisters in a “culinary catastrophe”, the remaining Little Sisters of Hoboken find themselves in a sticky situation. To raise funds for a proper burial (and perhaps a new cook), the nuns take centre stage for a riotous revue unlike any other.
Director Neil Wood brings Dan Goggin’s musical to mega-sized life in a version that boasts an expanded cast, new characters and even more musical mayhem. Box office: tickets.41monkgate.co.uk
Tom Jones: Returning to Scarborough Open Air Theatre, where he last performed in July 2022
Coastal gig of the week: Tom Jones, Scarborough Open Air Theatre, June 26, gates open at 6pm
SEATED tickets have sold out for Welsh whirlwind Tom Jones’s outdoor gig in Scarborough but that still leaves room for standing. Sixty years since releasing his first single, Chills And Fever, in 1964, he is still blowing those bellows as powerfully as ever at 84, having made history as the oldest man to notch up a number one with an album of new material in the UK Official Album Charts in 2021 with Surrounded By Time, overtaking Bob Dylan.
Expect It’s Not Unusual, What’s New Pussycat?, Delilah, She’s A Lady, Green, Green Grass Of Home, Kiss, You Can Leave Your Hat On, Sex Bomb et al from Sir Tom. Box office: scarboroughopenairtheatre.com.
Sully O’Sullivan: Putting the comedy boot in on June 28 in Malton. Picture: Andy Hollingworth
Comedy gig of the week: Hilarity Bites Comedy Club, Sully O’Sullivan, Don Biswas and host Danny Deegan, Milton Rooms, Malton, June 28, 8pm
SULLY O’Sullivan has played New Zealand, Australia, Croatia, Canada and all over Great Britain, now adding Malton to that list. Politically charged Don Biswas covers such subjects his Asian upbringing, his neuro-diversity as someone with dyspraxia, ADHD and ASD [Autism Spectrum Disorder], topped off with conspiracy theories.
Northern comedian, writer and actor Danny Deegan hosts the show with tales of mischief and multiple characters. Box office: 01653 696240 or themiltonrooms.com.
Alison Moyet: 40th anniversary album and 2025 tour, visiting York Barbican next February. Picture: Naomi Davison
Gig announcement of the week: Alison Moyet, York Barbican, February 20 2025
MARKING 40 years since she left Yazoo to launch her solo career, Essex soul singer Alison Moyet will play York Barbican on her 25-date 2025 itinerary, her first headline tour since 2017.
After graduating from Brighton University in 2023 with a first-class degree in fine art printmaking, Moyet will combine art and music on her 18-track October 4 album, Key, creating the artwork as well as reworking singles, fan favourites and deep cuts, complemented by two new songs. Box office from 10am on Friday: yorkbarbican.co.uk/whats-on/alison-moyet-2025/.
Childhood friends: Stuart Vincent’s Amir, left and Yazdan Qafouri’s Hassan in The Kite Runner, on tour at York Theatre Royal. Picture: Barry Rivett
THE Kite Runner has flown into York for the first time since its May 2018 visit to the Grand Opera House, and it finds relationships on the global stage even more fractured and fractious in 2024.
The United States at war with itself in Trump versus Boden, the re-match. Afghanistan back under control of the Taliban. Putin signing a pact with North Korea’s Kim Jong-un. Russia invading Ukraine. Israel and Hamas, never-ending.
Whenever Giles Croft’s production returns, the impact of Californian playwright Matthew Spangler’s adaptation of medical practitioner and writer Khaled Hosseini’s novel grows incrementally, as does a feeling of despair.
Spangler is a professor of playwriting and theatre of immigration in San Jose, where Hosseini settled after leaving Afghanistan, mirroring the path of protagonist Amir, who moves to Fremont, California.
After omnipresent musician Hanif Khan sets the mood with his table-playing on stage, Stuart Vincent’s warts-and-all Amir narrates his confessional story, heading back to his 1970s’ Afghanistan childhood as the privileged son of a wealthy Kabul family.
As in Willy Russell’s Blood Brothers, adults play childhood friends, in this case Amir and Hassan (Yazdan Qafouri), the kite-running son of long-serving family servant Ali (Tiran Aakel).
The innocence of playing cowboys (like in Blood Bothers, incidentally) and sharing stories of mythical deeds will be swamped as the boys become entangled in a web of betrayal and guilt in a male-dominated world of masters and servants, bullies and victims, where Amir’s blossoming talents as a writer are not appreciated by his authoritarian, widowed father, Baba (Dean Rehman).
Reconciliation and redemption – the chance to be “good again” – will emerge eventually, but what a shocking price, both destructive and self-destructive, has been paid, as Vincent’s Amir leads the story between his crushing past and haunted, guilt-shrouded present.
For all the beauty of kites in flight, the essence of Kabul’s kite-flying tournament is the skill required to cut the line of the losers: a metaphor for the damage inflicted in such a macho world (from Baba and Ian Abeysekera’s General Taheri’s lack of appreciation of books and writing to the schoolboy bullying inflicted by Bhavin Bhatt’s Assef).
Matching this male-prescribed culture, the cast has only one significant female role: Daphne Kouma’s Soraya, the intransigent General’s literature-loving daughter. Later to become a teacher, she is the first female voice to enter Amir’s ear, and what a transformative effect she has, after his cowardly childhood behaviour had so tragically damaged the ever-loyal Hassan and himself.
At odds with our age of alternative truths and doctored recollections, Amir’s account is painfully truthful as he introduces scenes and steps in and out of the story, so frank in exposing his own faults and fallibilities as much as those of the men around him.
Such is the theatrical intelligence of Croft’s nuanced production, at once brutal yet deeply humane, playing to heart and mind in equal measure. You will laugh initially, feel rising anger, and then cry too, in direct correlation with the ebb and flow of Vincent’s superb performance, and all the while Qafouri’s Hassan, and later in his second role as his son Sohrab, will tear at your heart.
Barney George’s designs, in tandem with William Simpson’s skyline projections, capture the fiery heat and stifling culture of Afghanistan and the contrasting freedoms of California, complemented by Charles Balfour’s lighting design, as once more the intense drama and soul-searching honesty of The Kite Runner makes for confrontational theatre at its best.
The Kite Runner, York Theatre Royal, 7.30pm tonight; 2pm and 7.30pm, Thursday; 7.30pm, Friday; 2.30pm and 7.30pm, Saturday. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Inkie’s work Rise Of The Vandals, on show at 2, Low Ousegate, York
YORK art collective Bombsquad will launch Rise Of The Vandals, a celebration of the city’s street art scene, in a disused office block at 2, Low Ousegate, on Saturday.
Spread over four floors in one of the tallest buildings in the city, the exhibition will showcase retrospective and contemporary spray paint culture, graffiti, street art and public art and will feature three galleries, a cinema room, an art shop and live DJs.
Rise Of The Vandals is the fourth project by the not-for-profit Bombsquad, whose aim is to “cut through the pretensions of commercial galleries, which often cater for privilege and affluence”, instead creating an experience that “enriches the city and connects its communities, while supporting York charities”.
Keith Hopewell: York graffiti artist and archivist
On show will be work by Yorkshire and international contemporary artists, featuring film, artefacts, site-specific installations and sculpture, plus works painted directly on walls and canvas.
One floor will explore the largely unseen history of York’s graffiti scene from the 1980s to the present-day street art scene, showcasing photography, video and press clippings from the exclusive archives of York-born graffiti artist and music producer Keith Hopewell (alias Part2ism), alongside his new work.
James Prigoff visiting Keith Hopewell in York in June 1991. Prigoff, who died in April 2021, was an American photographer, author and lecturer, who focused on public murals, graffiti and spraycan art. Copyright: Keith Hopewell
“Those early years were purely explorative and identity defining,” recalls Keith. “There was no template to move beyond the mass transit art from New York City and no ‘street art’ careers on the table.
“The grassroots spray paint practice in the UK was largely developed using standard automotive car spray and home-made nozzles. Growing up in York gave me distance from the bigger cities to develop my skill sets and explore the use of spray paint and my creativity’.”
Vultures: Lincoln Lightfoot’s staircase mural artwork
Alongside Keith’s carefully curated historic collection, the exhibition floors will display elements of the wider UK graffiti and street art scene. Every interior wall of the disused building will be full to bursting point with visual art, while a film room will show rare and previously unshown footage of the early 1980s’ graffiti scene in York.
Prominent too will be 18 substantial canvasses by James Jessop, covering three decades of his work from his personal archives.
Unleashing a whirlwind of colour, imagination and storytelling, the event will highlight the internationally acclaimed talent of Hopewell, Jessop, Chu, Rowdy, Kid Acne, Remi Rough, Prefab77, SODA, Replete and Jo Peel (creator of the new wall mural near Severus Hill, in Holgate, York, by the way).
A street mural by Remi Rough
“The event will show the merging of artistic brilliance as this diverse group of artists, each bringing their own unique style and creative vision, pushes the boundaries of creativity to elevate your senses,” says Bombsquad’s Sharon McDonagh, one of the York Open Studios regulars participating in the show, along with Lincoln Lightfoot and Boxxhead.
“The inspiration for Rise Of The Vandals originated as many of the artists exhibiting are now reflecting back on their contribution to highly influencing the movement over the last three to four decades, which needs to be documented and shared.
“Our event will provide an interactive and engaging experience with opportunities for visitors to engage with artists, learn about an alternative history within our city and explore a wide selection of art and merchandise in our fourth-floor shop with proceeds going to SASH.”
After raising funds for York Food Bank and York Mind from past shows, this year’s chosen charity is SASH (Safe and Sound Homes), a youth homeless organisation that offers emergency and longer-term housing to young people aged 16 to 25 across York, North and East Yorkshire when they have nowhere else to go.
Young people who work with the charity have been invited to exhibit work, prompting SASH fundraising officer Aimee Harding to say: “We are delighted and honoured to have been selected as Bombsquad’s chosen charity. Being involved in this event is a life-changing opportunity for our young people.
“As part of our SASH Enhancement Service, they are creating work for the event that will be showcased alongside world-renowned artists. Not only is it a fantastic experience for them but the vital funds raised from the event means SASH can help more young people in need who are facing homelessness”.
Box Work, by Boxxhead, on the staircase at 2, Low Ousegate
Rise Of The Vandals, four floors of galleries, a cinema room, resident DJ, plus guest DJs, wall art, installations and an art shop, at 2, Low Ousegate York. Opening times: Weekend 1, June 22 and 23, 11am to 6pm; Weekend 2, June 28 to 30, 11am to 6pm; Weekend 3, July 5 to 7, 11am to 6pm. Free entry; donations are encouraged. Dog friendly.
Who is taking part in Bombsquad’s Rise Of The Vandals?
THE featured artists will be: Kid Acne; Remi Rough; James Jessop; Keith Hopewell; Nikki Goldup; Jo Peel; Soda; KMG; Lincoln Lightfoot; Inkie; Boxxhead; Real State; Rizak; Anonymouse; Coloquix; Prefab 77; Replete; Rowdy; Chu; Sola: Dan Cimmermann; 3 Dom; Acerone; Mul; Sharon McDonagh; Steve Bottrill; Michael Dawson; Jim McElvaney and Listen04.
Two James Jessop works on show in Rise Of The Vandals
Bombsquad: modus operand
“WE believe that art has the power to unite and transform lives,” says the York art collective. “The key objective for us as a group is to grow the non-conventional art movement, resonating with a wider audience outside of the art world and beyond.
“We endeavour to grow as an organisation, supporting artists and improving the landscape by way of murals and exhibitions within our community and to raise funds for our local charities.
“With our grassroots and authentic approach, our core members bring decades of experience in the art world. We go far beyond our non-profit organisation status in that we take nothing away from funds raised during our events and contribute our time and self-fund at our own personal risk to ensure that these events are possible.
A Speck Of Dust In The Cosmos, print, by Kid Acne, featuring in Bombsquad’s Rise Of The Vandals
“We are not controlled by anyone; we are non-conformists whose authenticity brings in the support of local businesses and artists who champion our cause. One of our York artists would summarise this as ‘Another world is possible’.”
Past Events
June 2021: Tempting Fete, in June 2021. Free family-friendly outdoor spray art event in York, raising £1,327 over eight hours for York Food Bank.
October 2022: Totally Hammered, charity art auction held in collaboration with Tennents Auctioneers. Thirty-seven artists contributed artworks to a ticketed fundraising party, raising £20,000 for York Food Bank.
Works by Mul and KMG, on show in Bombsquad’s Rise Of The Vandals
July 2023: Educated Vandals, on top two floors of disused office block on Low Ousegate, where internationally renowned artists and York artists were invited to produce wall art and exhibit art. Raised £11,753 for York Mind.
What is SASH?
SASH works to prevent youth homelessness across North and East Yorkshire, providing the Nightstop emergency accommodation placement service, where young people are placed with hosts for up to two weeks.
SASH also provides a longer-term placement service, Supported Lodgings, with hosts for young people who cannot return home and cannot yet live independently.
Style Stars in York in 1988, from Keith Hopewell’s archives
Ordinary citizens who are concerned about young people and homelessness apply to SASH to become hosts. They are assessed, DBS checked, trained and supported by the charity’s placement co-ordinators.
SASH says: “The young people we work with are often vulnerable. Our placement co-ordinators support them throughout their placement. Loneliness, poor mental health and self-esteem are all issues that can affect young people who have faced homelessness.
“Our enhanced support service provides additional support to vulnerable young people, helping them to break the cycle of homelessness and build a bright future for themselves.”
All the young people that SASH works with are referred through councils and other local organisations after presenting as homeless.
Alison Moyet: Returning to York Barbican next February for the first time snce November 2017. Picture: Naomi Davison
MARKING 40 years since she left Yazoo to launch her solo career, Essex soul singer Alison Moyet will play York Barbican on February 20 on her 25-date 2025 itinerary, her first headline tour since 2017.
After graduating from Brighton University in 2023 with a first-class degree in fine art printmaking, Moyet will combine art and music on her 18-track October 4 album, Key, creating the artwork as well as reworking singles, fan favourites and deep cuts, complemented by two new songs.
Moyet, who will turn 63 tomorrow, has announced the album’s release on Cooking Vinyl by sharing one of the new compositions, Such Smale Ale, and her re-working of All Cried Out, her second single from 1984 en route to two number one albums, six Top Ten singles, two BRIT Awards and a Grammy nomination.
The lavish Such Small Ale, at once contemporary but with a hint of 1960s’ nostalgia, was co-written with producer, arranger and musical director Sean McGhee and Suede guitarist Richard Oakes, who performs on several tracks on the new album.
The track listing will be: Where Hides Sleep; All Cried Out; Such Small Ale; All Signs Of Life; Can’t Say It Like I Mean It; Fire; Filigree; The Impervious Me; More; Is This Love?; Tongue Tied; My Right Arm; So Am I; My Best Day; World Without End; This House; Love Resurrection and You Don’t Have To Go.
“I wanted to take the opportunity to look at the trajectory of the past four decades and explore songs that, in their original form, were never fully realised or have had their relevance to me altered by time,” says Moyet.“I hope this collection will be the key to those unopened doors. Let yourself in.”
Alison Moyet’s artwork for October 4 album, Key, designed by Moyet herself after her fine art printmaking studies at Brighton University
The songs were all reimagined alongside McGhee. Some remain closer to the originals;All Cried Out and Love Resurrection are refreshed rather than reinvented, their 1980’s motifs switched for a more timeless production. Others are cast in a new light, typified by McGhee’s arrangements of Filigree (co-written by Guy Sigsworth) andIs This Love?, now translated into a shimmering, epic ballad.
Keyis available to pre-order at https://alisonmoyet.lnk.to/Key in a range of physical formats, with exclusives for Amazon, HMV and select indie stories. The official store has assorted bundles, including marble colour vinyl, CD and cassette, each one accompanied by a print signed by Moyet.
Fans who pre-order Key from the official store will receive the chance to access a UK and Ireland pre-sale for tour tickets from 10am on June 19.
Moyet’s York Barbican show will be her first English date of the 2025 tour after Irish performances in Dublin and Belfast. A further Yorkshire gig will follow at Sheffield City Hall on March 3 (box office: sheffieldcityhall.co.uk).
“Live work really matters to me,” says Moyet, who last played York Barbican on November 19 2017 in a night of soulful electronica with keyboard players John Garden and Shaun McGhee.
“I can’t dial in a performance. I love the physical feeling that singing gives me. It’s totally primal and euphoric. On stage I remember how to connect with myself.”
In addition, last week she launched 40MoyetMoments, a 40-part podcast series featuring Moyet in conversation with her long-time digital manager, Steve Coats-Dennis, discussing the key moments of her career: the highs, the lows and everything in between. Listen at https://alisonmoyet.lnk.to/Podcast.
Richard Hawley: Made in Sheffield, performing in Scarborough on Thursday. Picture: Dean Chalkley
RICHARD Hawley concludes his 13-date tour with the only Yorkshire gig at Scarborough Spa on Thursday night.
On the heels of his Olivier Award-winning Sheffield musical Standing At The Sky’s Edge opening a six-month West End run at the Gillian Lynne Theatre, the South Yorkshireman will be showcasing his May 31 album, In This City They Call You Love.
Released on BMG, the track listing is Two For His Heels; Have Love; Prism In Jeans; Heavy Rain; People; Hear That Lonesome Whistle Blow; Deep Space; Deep Waters; I’ll Never Get Over You; Do I Really Need To Know?; When The Lights Go Out and ‘Tis Night.
Latest single Two For His Heels is a blues rumble reminiscent of Link Wray and Duane Eddy: a sparse, atmospheric and cinematic song about a deal that goes wrong.
The album title is derived from the lyrics for People, a hymn to his beloved home of Sheffield, the steel city’s proud industrial past and the enduring determination of its citizens.
Summing up his new material, Hawley, 57, says: “I’ve made three albums where I had the title before I’d even begun to record, where I had an agenda. One was Truelove’s Gutter. Another was Standing At The Sky’s Edge, when I wanted to turn everything up and make the music a lot more aggressive, and then this one.
“I wanted it to be multi-coloured in a way…focusing on the voice and what voices can do together. I deliberately only played a handful of guitar solos, to keep it focused on voices, the song and space.”
Two decades have elapsed since Hawley abandoned band life full-time, first withThe Longpigs and then as Pulp’s guitarist. Nine studio albums have ensued, along with film scores, a self-titled mini album and the 2023 compilation Now Then: The Very Best Of Richard Hawley, his fourth Top Ten album.
The cover artwork for Richard Hawley’s new album, In This City They Call You Love
In addition, he has worked with such collaborators asArctic Monkeys, Manic Street Preachers, Elbow, Paul Weller, Duane Eddy (co-producing his 2011 album Road Trip), Nancy Sinatra and English folk royalty Martin Carthy and Norma Waterson on 2013’s Bright Phoebus Revisited tour.
In 2002, he co-wrote Clean for Robbie Williams’ debut solo album, Life Thru A Lens; in 2009, he wrote the smouldering ballad After The Rain for Shirley Bassey, and down the years he has performed with All Saints and Texas.
His song Tonight The Streets Are Ourswas featured inThe SimpsonsandExit Through The Gift Shop: A Banksy Filmand Hawley numbers have featured in television dramas Peaky Blinders, The Full Monty and Hijack.
Dear Alien (Who Art In Heaven), co-written with Jarvis Cocker and Wes Anderson for Anderson’s film Asteroid City,was shortlisted for Best Original Song in this year’s Oscars.
Premiered at Sheffield’s Crucible Theatre, the musical Standing At The Sky’s Edge combines 20 Hawley songs with a book by University of York-educated Chris Bush. Winner of Best New Musical and Best Original Score at the 2023 Olivier Awards, the show has moved to the Gillian Lynne Theatre after sold-out Crucible and National Theatre runs.
In 2023, Hawley played five shows with American musician John Grant, former frontman of The Czars, performing the songs of country legend Patsy Cline.
In This City They Call You Love has become his sixth Top Ten album in a row, available on digipack CD, standard black vinyl, limited-edition transparent blue vinyl exclusive to HMV and indie stores and transparent yellow vinyl, on sale exclusively from the official store, richardhawley.co.uk.
Richard Hawley, supported by James Bagshaw, Scarborough Spa, June 20, 7.30pm. Also plays Don Valley Bowl, Sheffield, with The Coral and The Divine Comedy, on August 29. Box office: Scarborough, scarboroughspa.co.uk; Sheffield, richardhawley.co.uk.
Barbara Dickson: Second night added at All Saints Church, Pocklington
AFTER their October 4 gig sold out in record time, Scottish folk singer Barbara Dickson and her pianist Nick Holland are adding a second acoustic performance at All Saints Church, Pocklington, on October 16.
On each night, they will explore her catalogue of songs in this intimate and historic setting, where the pair will let the words and melodies take centre stage as they draw on Dickson’s folk roots, contemporary greats and her classic hits, Answer Me, Another Suitcase In Another Hall, Caravan and the million-selling chart-topper I Know Him So Well.
The shows are the second collaboration between All Saints and Pocklington-based Hurricane Promotions and follow on from a sold-out event in December with BBC Radio 2 Folk Award winners The Young’uns. Two further shows are due to be announced later this month. Watch this space.
Emerging from the late-Sixties’ Scottish folk scene, Dickson has become Scotland’s best-selling female album artist, earning six platinum, 11 gold and seven silver albums. Her stage career has included the roles of the original Mrs Johnstone in Willy Russell’s Blood Brothers and Viv Nicholson in Spend Spend Spend, both bringing her an Olivier Award for Best Actress. In 2002, she was awarded an OBE for her services to music and drama.
Holland joined her touring band in the 2000s, playing keyboards and adding vocals on her September 2004 album Full Circle, the first to feature the style of music she now performs.
Dickson and Holland work as a duo where she plays guitar and piano, her vocals being complemented by his keyboards and harmonies, whether in cathedrals, festivals or theatres.
“It’s a different experience to working with the bigger band, but just as enjoyable, and gives the music breathing space,” says Dickson, 76.
All Saints Church is “always delighted to see the church used for community events”. “Churches historically have been the social hubs of their communities, bringing people together for fellowship, entertainment and the sharing of ideas and opinions,” says the church statement. “This concert wraps those three things up in one great package.”
Barbara Dickson & Nick Holland, All Saints Church, Pocklington, October 4 (sold out) and October 16, 7.30pm. Also: Leeds City Varieties Music Hall, October 20, 7.30pm. Box office: barbaradickson.net; Leeds, leedsheritagetheatres.com.
