Kacy & Clayton open new year of gigs at Lonely Planet’s seventh quirkiest venue”

Kacy & Clayton: cosmic alt-country on the North York Moors at The Band Room on Friday

KACY & Clayton are the first act to be confirmed for The Band Room’s 2020 concert programme at Low Mill, Farndale, near Kirkbymoorside, on the North York Moors.

Promoter Nigel Burnham has announced a 7.30pm shows for Friday, when the Canadian duo will be supported by Arborist. Given the capacity of only 100, he recommends booking at thebandroom.co.uk/gigs or on 01751 432900.

“I think our gig on January 31 – Brexit night! – could be the alternative double bill of the year,” says Nigel. “Kacy & Clayton brought the house down when they played here last March and we’ll be rolling out the red carpet for their return, this time with a full band line-up.

“Support act Arborist, from Belfast, are getting fantastic reviews for their debut album, Home Burial, too.”

Kacy & Clayton, from Wood Mountain, Saskatchewan, are returning to Low Mill after releasing their fifth album, Carrying On, last October. “In the band are Kacy Anderson – alias the missing link between Sandy Denny and Emmylou Harris – and her second cousin Clayton Linthicum, a multi-talented guitarist who could have played on The Byrds’ Sweethearts Of The Rodeo album if he’d been around at the time,” says Nigel.

“Some call them ‘folk roots’, others ‘psychedelic folk’ or ‘cosmic alt-country’. Honestly! They’re destined for great things. Their fourth album, 2017’s The Siren’s Song, was produced by Americana icon Jeff Tweedy; they’ve toured with Wilco and The Decemberists and been mentioned in the same hallowed breath as Grievous Angel-era Gram Parsons and country rock pioneers Buffalo Springfield.”

Singer-songwriter Benjamin Francis Leftwich,outside York MInster. Picture: Esme Mai

The next date in the Band Room diary is York troubadour Benjamin Francis Leftwich on March 6: his first North Yorkshire gig since the very contrasting York Minster nave on March 29 last year.

“We’re delighted that Ben, such a peerless super-cool singer-songwriter, will be making his long-awaited debut here,” says Nigel, who will welcome Wounded Bear as the support act.

Leftwich, who lives in North London these days, released his third album, Gratitude, on March 15 last year with a launch gig that night at an even more intimate solo show, playing to 50 at FortyFive Vinyl Café, in Micklegate, York.

The Band Room will kick off a new year buoyed by the Lonely Planet travel guide placing the moorland hall at number seven in its survey of Britain’s Quirkiest Music Venues. To discover where else made the list, go to lonelyplanet.com/articles/quirkiest-music-venues-uk.

“People travel from across the world to see gigs in this picture-perfect Yorkshire hut,” writes Lonely Planet’s Lucy Lovell. “The wood-panelled Band Room was originally built as a brass band practice room in the 1920s, and aside from new management and a well-curated line-up of bands, little has changed since then.

“There’s still no bar, so don’t forget to bring your own drinks, and enjoy chatting with others who made the journey across the North York Moors.” All very true, except that the pedant police would point out the Band Room used to house silver band practice sessions, not brass band ones.

Not again, Alan? Very much again, Alan, as comic Carr confirms York Barbican gigs

Loudhailer! Alan Carr announces a brace of York Barbican gigs for December

HOW does joker Alan Carr feel news of his first tour in four years will be received?

By calling it Not Again, Alan!, the son of former York City footballer Graham Carr supplies his own answer as he announces York Barbican gigs on December 18 and 19.

Since his last comedy travels, chat-show host Carr has “managed to find himself in all sorts of dramas”, apparently. Such as? “Between his star-studded wedding day and becoming an accidental anarchist, from fearing for his life at border control to becoming a reluctant farmer, three words spring to mind…Not again, Alan!” says his tour publicity. “Join Alan on tour as he muses upon the things that make his life weird and wonderful.”

Tickets go on sale on Wednesday at 10am on 0203 356 5441, at yorkbarbican.co.uk or in person from the Barbican box office.

Not Again, Alan! will be Carr’s fourth UK solo show in four-year cycles in the wake of Yap, Yap, Yap’s 200 dates in 2015 and 2016, Spexy Beast in 2011 and Tooth Fairy in 2007. He last brought his chat, chat, chat to York on the Yap, Yap, Yap! itinerary on July 11 2015 at the Barbican.

Later this year Carr will host Alan Carr’s Epic Gameshow on ITV, wherein five all-time favourite game shows will be supersized and reinvigorated for a new audience: Play Your Cards Right, Take Your Pick, Strike It Lucky, Bullseye and The Price Is Right. In 2020 too, Carr will return to the judges’ panel on the second BBC series of RuPaul’s DragRace UK.

Viva La Divas is next step for Strictly stars Katya, Nadiya and Janette in York show

The tour poster for Viva La Divas starring Katya Jones, Nadiya Bychkova and Janette Manrara. Picture: Colin Thomas

STRICTLY Come Dancing professional trio Janette Manrara, Katya Jones and Nadiya Bychkova will be on tour this summer, making a song and dance of Viva La Divas at the Grand Opera House, York, on June 16.

Collaborating with the original producers of Viva La Diva, first performed in 2007 with dancer Darcey Bussell and singer Katherine Jenkins, this glamorous show will pay tribute to stars from the Golden Age of Hollywood, Broadway and West End musical theatre, modern pop divas and female icons with the greatest impact on the Strictly dancers.

In this all-singing, all-dancing musical extravaganza, Katya, Nadiya and Janette will star with a cast of dancers and singers as they celebrate Marilyn Monroe, Madonna, Beyonce, Judy Garland, Celine Dion, Jennifer Lopez and many more.

Running from June 14 to July 16, the tour has further Yorkshire dates at Halifax Victoria Hall on June 23 and Bridlington Spa on the last night.

Miami-born Janette Manrara became a Strictly professional in 2013 after performing at the 2009 Academy Awards, appearing in season five of the American version of So You Think You Can Dance, being a principal dancer on Glee and starring in the stage show Burn The Floor for three years.


Among her Strictly highlights was lifting the Christmas Glitter Ball trophy twice with celebrity partners Aston Merrygold and Melvin Odoom.
Looking ahead to the summer tour, Janette says: “I’m so excited to be touring the UK with two of my best friends, Katya and Nadiya – and what a show it’s going to be.

“We’ll be celebrating the glitz, the glamour and style of the greatest divas in showbiz. We’re going to have so much fun bringing this show to audiences across the UK and I can’t wait. It’s going to be a blast.”

Before making her Strictly debut in 2016 , Russian dancer Katya Jones and her dance partner Neil Jones won the WDC World Show Dance Championships and three titles at the World Amateur Latin Championship.


After her Strictly partnership with politician Ed Balls in 2016, for her second series Katya was partnered with actor Joe McMadden, the pair duly lifting the  Glitterball Ball trophy as 2017 champions.


“To tour Viva La Divas across this beautiful country this summer with two incredible dancers, who happen to be my very close friends, is a dream come true,” says Katya.

“How the three of us managed to keep everything a secret for so long I’ll never know. Finally, we can shout it from the roof tops: girls on tour! It’s going to be epic.”

Ukrainian-born Nadiya Bychkova made her Strictly debut in 2017 as a two-time world champion and European champion in ballroom and Latin ‘10’ Dance, partnering former England goalkeeper David James in the 2019 series.

“I’m thrilled to be part of the Viva La Divas tour this summer,” she says. “We have an incredible team working on what will be a dazzling show that I can’t wait for audiences everywhere to see.

“It’s going to be a stunning spectacle full of the elegance, style and attitude, befitting of the greatest divas’ legacies. And to be touring with two incredible friends in Janette and Katya is simply the dream team.”

Tickets for the tour go on general sale at 10am on Friday at ticketmaster.co.uk and vivaladivasshow.com; York tickets on 0844 871 3024 or at atgtickets.com/york.

Keane’s second wave rolls into Scarborough Open Air Theatre for seaside summer show

Keaner than ever: Keane are back after a six-year hiatus

KEANE, the rejuvenated East Sussex chart toppers, are off to the East Coast for a  Friday night out at Scarborough Open Air Theatre this summer.

Tickets for their July 17 gig go on general sale on Friday at 9am at scarboroughopenairtheatre.com.

Singer Tom Chaplin, sparring partner Tim Rice-Oxley, bassist Jesse Quin and drummer Richard Hughes returned from a six-year hiatus last September with the album Cause And Effect.

The birth of their fifth studio album came as a surprise even to the band from Battle. Chaplin had released two solo albums, 2016’s The Wave and 2017’s Twelve Tales Of Christmas, but nevertheless missed working with Rice-Oxley. 

So, when Chaplin, Quin and Hughes heard the songs Rice-Oxley had been composing, they were immediately drawn to them, both sonically and lyrically, and Keane were reborn. “We’re not some heritage act,” says Rice-Oxley. “We’ve got a lot of great music in us.”

Ahead of Cause And Effect’s release, Keane returned to the stage last summer with a string of live shows, not least two nights at London’s Royal Albert Hall.

The comeback album peaked at number two last autumn, adding to the success of a career that had chalked up 13 million album sales, four number one albums, two BRIT awards and one Ivor Novello award before coming to a halt in 2013 with The Best Of Keane compilation.

Their 2004 debut, Hopes And Fears, elicited the hits Somewhere Only We Know, Everybody’s Changing, This Is The Last Time and Bedshaped en route to being ranked among Britain’s 40 best-selling albums of all time. Next came Under The Iron Sea in 2006, Perfect Symmetry in 2008 and Strangeland in 2012.

Promoters Cuffe and Taylor are delighted to have added Keane to this summer’s Scarborough OAT programme. “As soon as Keane announced last year they were back and ready to take to the stage again, we knew we had to bring them to Scarborough,” says director Peter Taylor.

“This special arena was created for artists like Keane. Their songs are beautiful, anthemic, the soundtrack to many people’s lives over the last 20 years, and I’m sure their army of fans cannot wait to see these songs played live here. I know I certainly can’t.

“Keane are an incredible live band and this is unquestionably going to be one of the gigs of the summer.” 

Tickets for this summer’s shows can be booked in person from the Scarborough Open Air Theatre box office, Burniston Road, and the Discover Yorkshire Coast Tourism Bureau, Scarborough Town Hall, St Nicholas Street; on 01723 818111 and 01723 383636, as well as at scarboroughopenairtheatre.com. 

SCARBOROUGH OPEN AIR THEATRE: 2020 LINE-UP

  • Tuesday June 9 – Lionel Richie 
  • Wednesday June 17 – Westlife
  • Saturday June 20 – Supergrass
  • Saturday July 4 – Snow Patrol
  • Friday July 10 – Mixtape (starring Marc Almond, Heaven 17 and Living in a Box featuring Kenny Thomas)
  • Friday July 17 – Keane
  • Tuesday July 21 – Little Mix
  • Friday August 14 – McFly 

More artists are to be announced.

“I don’t want to be political or anything,” says Dame Berwick as he takes to the stage again at York Theatre Royal. Who did he give the Bird last night?

Berwick Kaler, playing the dame in his last York Theatre Royal pantomime, The Grand Old Dame Of York, last winter. Picture: Anthony Robling

IT ended, as it only could, with the dame’s return to the stage. In civvies, this final time, but not in civil mood as he wouldn’t let it rest on the final night of Sleeping Beauty.

More like civil war. Us and them. Pantomime’s version of Brexit, except with a different result, the majority, if not all, in the house, wanting them to remain, not leave, when “one man” and “the board” have decided it is time to move on. Get panto done, differently, with a new 2020 vision.

Dame Berwick didn’t name the “one man” who went to mow them down, but he was referring to York Theatre Royal executive director Tom Bird, newly cast as the panto villain. “I’ll give them three days” [to change their minds], the grand dame vowed in a tone harking back to the Scargill and Red Robbo days of union versus management.

“I don’t want to do him any harm…but he’s wrong”, said Mr Kaler, surrounded by “the family”, the rest of the Panto Five, Martin, Suzy, David and AJ, their fellow cast members and the crew, buoyed at each unscripted but barbed line by an adoring home crowd, who cheered and booed his rallying speech like they had throughout the show.

He even kissed the wall to express how much he loved this theatre, getting down on his knees at one point too, arms outstretched, in appreciation of his loyal subjects.

“A house does not make a home. A family does,” read one letter read out earlier by the panto Queen, Martin Barrass, in his Bile Beans can regalia in the shout-outs. “Please, Mr Bird, reconsider. Save our panto,” pleaded a second, and there were plenty more.

“Yah boo to York Theatre Royal. We won’t be back,” hissed one, read by the luverly Brummie AJ Powell.

Emotions were running high, as they had been for Martin Barrass, breaking down theatre’s fourth wall to speak from the heart at every performance since news broke a fortnight ago that Berwick Kaler, already retired from playing the dame, would not be asked to co-direct or write the 2020 show. “This cast and this band” would not be back either, said Barrass. “A decision that is nothing to do with us. If it was, we would be back each year until we drop.”

Martin Barrass in his role as Queen Ariadne in Sleeping Beauty at York Theatre Royal. Picture: Anthony Robling

Back to Dame Berwick, who found himself feeling “more emotional” now, in this house of York winter of discontent, than in his valedictory speech at The Grand Old Dame Of York last February. Not for himself, he said, but for all those on stage with him who had given so many years – “some for half their lives” – to the Theatre Royal.

“I’ve been told I can’t tell you the truth, so I can’t say the truth…but I want to because…I’m b****y furious,” he said. “I don’t want to be political or anything…but someone tell the management that this wonderful, wonderful theatre has been a repertory theatre for 275 years.

“It’s a repertory theatre and that means we put on our own shows for the local population. It’s York’s theatre.”

After reading a letter of support sent that morning to “Berwick Kaler, Acomb”, he resumed: “I just can’t understand that someone can do this to something that does not need fixing…

…We have made money for this theatre for years. How can one man do this to us? I don’t understand it.”

“Anyway, they’ve got three days,” he repeated, before leading company and audience through “We’ll meet again, don’t know where, don’t know when, but I know we’ll meet again some sunny day.”

The final curtain fell, as it always must, but where and when might that sunny day reunion take place? What will happen to Dame Berwick’s three-day deadline? Will he rise again on the third day, and if so, to say or do what amid this collateral dame-age? Watch this space, as newspapers are wont to say.

As for that “one man”, Tom Bird, he and the York Theatre Royal management will announce next winter’s show on February 3. The end and the new beginning all in one.

Robert Vincent to play with The Buffalo Skinners at Pocklington Arts Centre

Robert Vincent: new album, Pocklington return

LIVERPOOL singer-songwriter Robert Vincent will showcase his new album In This Town You’re Owned at Pocklington Arts Centre on February 7, one week before its release on Thirty Tigers.

For this return visit, he will be accompanied on stage by PAC favourites The Buffalo Skinners in his 8pm set.

“My last visit to Pocklington Arts Centre, supporting Beth Nielsen Chapman, was such a great night with a lovely music-loving crowd. So, I’m looking forward to being back and playing for the lovely folk of Pocklington,” he says.

Vincent has been hailed by veteran BBC presenter “Whispering” Bob Harris as “the real deal” for his Americana music. On seeing him play in the Bluebird Café at the Bluecoat, Liverpool’s centre for the contemporary arts, the legendary broadcaster immediately invited him, to record an Under The Apple Tree Session in his home studio for his BBC Radio 2 country show, describing his performance as “absolutely magnetic”.

Vincent duly received the inaugural Emerging Artist Award from Harris in 2016 and the UK Americana Music Association’s UK Album of The Year in 2018 for 2017’s sophomore work I’ll Make The Most Of My Sins, recorded in his hometown and mixed in Nashville by Grammy Award-winning producer Ray Kennedy.

The Buffalo Skinners: playing with Robert Vincent at Pocklington Arts Centre

His 2013 debut, Life In Easy Steps, drew BBC airplay for its title track on Janice Long and Radcliffe & Maconie’s shows.

He has since toured the UK supporting Paul Carrack, James Blunt and Squeeze and The Pretenders at the Royal Albert Hall. Last spring, he opened for Beth Nielsen Chapman on her Hearts Of Glass tour, including the aforementioned Pocklington show.

Last summer, Vincent was on the supporting bill for his hero, Pink Floyd’s Roger Waters, in Hyde Park at British Summer Time and joined “the Titan of Twang”, guitarist Duane Eddy, across the UK on his 80th birthday tour.

Now comes third album In This Town You’re Owned, produced by BRIT Award-winning Ethan Johns.

Tickets for Vincent’s Pock gig are on sale at £13.50 on 01759 301547 or at pocklingtonartscentre.co.uk. Vincent has further Yorkshire gigs coming up at The Greystones, Sheffield, on March 25, and Leeds Lending Room the next night.

10 QUESTIONS FOR GREAT YORKSHIRE FRINGE DIRECTOR MARTIN WITTS

Martin Witts in happier times at the Great Yorkshire Fringe. Picture: Steve Ullathorne

THE comedy is over for the Great Yorkshire Fringe after five summers in York, blaming “city-centre management” for the decision to exit stage left.

In a formal statement, founder and director Martin Witts said: “Our experience of sponsoring, curating and managing an event in this small city of ours has led to the conclusion that until a well-managed and efficient is implemented, a festival of our size cannot thrive and does not have a place in York.”

Here Martin, who also runs the Leicester Square Theatre and Museum of Comedy in London, answers Charles Hutchinson’s questions.

1.What made you take this decision, Martin?

“My patience with all the red tape ran out of time. It was the same things every year, no matter what you try to do to address the most critical things on the Parliament Street village green site. Access. Drainage. The licence. Security.  What we were required to do changed every year.

“Right from the start, there were frustrations. We wanted to start the festival in 2014, but it took a year to get the licence from the city council for Parliament Street.”

2.What would constitute a “well-managed and efficient city-centre management”?

The City of York Council, Make It York and York BID are all involved in how the city centre is run. Everyone has great intentions, but there are too many chiefs, not enough Indians, and it’s got too complicated. That’s the frustration.”

3.Sean Bullick, managing director of Make It York, says he would “welcome the opportunity to discuss options with you to bring the event back”. Will you have that discussion?

“I had a meeting with Sean and Charlie Croft [assistant director of communities and culture at City of YorkCouncil] last year to say this needs to be resolved, but we still had problems at last summer’s festival with the drainage provision for the toilets.”

4. Last summer, some people said the ticket prices were high; some reckoned the quality of the newer acts had lowered; others felt the same names kept returning.  Your thoughts?

“We had no complaints about the festival content or the programming or the pricing. There were no negative comments from patrons on our social media and in the box-office day book. Indeed, only positives. The average ticket price remained the same.

“But there was a drop in audience numbers certainly, when the Shakespeare’s Rose Theatre, running at the same time at the Castle car park, had an impact.”

5. Do festivals have a natural cycle, especially when the fickle world of comedy is prone to “the new rock’n’roll” going in and out of fashion?

“No, I disagree with that. Comedy always has a new audience and new acts. You only have to see the popularity of the New Comedian of the Year award we ran each year.

“Comedy is always changing, but people like to keep seeing their favourite comedian too.”

6.Emotionally, how do you feel about calling a halt to the Great Yorkshire Fringe after five years?

“I’m incredibly disappointed to be having to do this. You should see the messages I’ve had from the volunteers who worked for the Fringe saying it was the highlight of their career. It was the highlight of my career too.

“In an ideal world, if it had been easier, if there wasn’t the problem of the structure of the city-centre management, we would like to have continued the festival, but your patience runs out in the end when you want things to run smoothly.”

7. What did you achieve?

”We were committed to running the festival for five years and you hope that after those five years, you’ve covered your costs, broken even, and established yourself, which we had – and we proved Parliament Street could be a village green with shows and all the food and drink stalls.”

8. Would you consider taking the Great Yorkshire Fringe to another great Yorkshire city?

“No, absolutely not. I’m not planning to move it to Leeds. This festival was always designed for the city of York, the city where my family is from. York is the capital city of Yorkshire; the second city of the world.”

9. You say you will “continue to invest in the cultural scene of York”. In what ways will you do this?

“We’ll continue to do events in York, but not hold the festival, but do them in the spirit of the Great Yorkshire Fringe. We’ll probably have a year off but we’ll support The Arts Barge by doing a couple of things with them in York this summer.”

10. What else is happening in the world of Witts right now?

“We’re opening a scenery workshop in Pocklington, and I’ve bought the contents of the Goole Waterways Museum after it went into liquidation. We might look at doing something with antiquities and artefacts there.”

The Felice Brothers to play Pocklington Arts Centre summer gig

The Felice Brothers: two brothers, Ian and James Felice, and two friends, Will Lawrence and Jesske Hume

POCKLINGTON Arts Centre has snapped up The Felice Brothers for a summer gig after director Janet Farmer saw the Americana band at Willie Nelson’s ranch.

Brothers Ian and James Felice and their friends, drummer Will Lawrence and bass player Jesske Hume, have crossed the Big Pond this month for a winter tour that visits Leeds Brudenell Social Club on Monday.

They will return to these shores for more dates in a summer of American and European gigs, among them Pocklington Arts Centre on June 23.

A delighted Janet Farmer says: “I was privileged to see them at Luck Reunion, held at Willie Nelson’s ranch, and can highly recommend their unique brand of American folk rock. Expect a raucous and energetic performance that will be something to truly treasure.

“Tickets for this show will sell fast, so I would encourage you to get yours soon or risk missing out on what will be a sublime show.”

Ian and James Felice grew up in the Hudson valley of upstate New York. Self-taught musicians, inspired as much by Hart Crane and Slim Whitman as by Woody Guthrie and Chuck Berry, they began in 2006 by playing subway platforms and sidewalks in New York City.  

They have gone on to release nine albums of original songs, drawing comparison with Neil Young and Bob Dylan for their song-writing and lawless sound. Last year they returned from a three-year hiatus with Undress, whose songs will be complemented by a selection from their back catalogue on June 23.

Tickets for their 8pm Pock gig cost £20 on 01759 301547 or at pocklingtonartscentre.co.uk.

Did you know?

The Felice Brothers served as the backing band for Conor Oberst’s 2017 album Salutations and subsequent tour. 

How did the York Dungeon celebrate notching up five million visitors?

York Town Crier Ben Fry hails the York Dungeon’s five millionth visitor, Denise Pitts, and her mother, Jeanette

THE York Dungeon is celebrating its five millionth visitor since opening its doors in Clifford Street, York, in 1986.

Denise Pitts hit the jackpot as the landmark intrepid visitor when she took her mother, Jeanette, to York for her birthday celebrations and accusations of naked dancing!

Their trip to the theatrical dungeon attraction made that day extra special when they were given VIP treatment: coffee and cake while they waited for their tour to begin, free pictures and goody bags.

“The experience was great,” said Denise. “We loved that the show was informative with a dash of terror and a hint of humour; also some unexpected surprises along the way! Thoroughly enjoyable.

“My mum was put into a cage for pleading insanity when accused of naked dancing and she found this absolutely hilarious. The actors were great and really got into their characters.

“We would highly recommend this attraction when visiting York and would like to thank everyone for making us feel so special.”

Dungeon manager Stuart Jarman said: “The York Dungeon has been a must-see since opening in 1986 and over the past 34 years we have welcomed, scared and provided amazing immersive experiences to five million visitors.

“This is a significant milestone in the history of the York Dungeon and it was great to surprise Denise and Jeanette as the visitors that hit the milestone, particularly with the help of York Town Crier Ben Fry.”

Looking ahead to 2020’s attractions, Stuart said: “2020 is another exciting year for the York Dungeon with a new show for the February half-term, War Of The Roses: The Bloody Battle, Guy Fawkes in May and Séance in October for Halloween.”

The Printmakers Council to exhibit at Scarborough Art Gallery for second time

A Walk In The Snow, by Tim Southall

THE second selection from a nationally important collection of new prints will go on show at Scarborough Art Gallery next month.

Running from February 8 to April 26, the Printmakers Council 1992-2019 exhibition will feature work by leading printmakers, including prize winners from the council’s biannual competition.

Beach Bodies by Theresa Pateman

The new show follows on last summer’s PmC Mini Prints display. Once more, all the work has been donated to Scarborough Art Gallery by the prestigious Printmakers Council, marking the start of an ongoing relationship between the gallery and the PmC.

This will involve regular donations of work to create an important national archive of fine art printmaking in Scarborough.

Meteor Storm Over St Ives by Graham Cooke

The PmC, a national association for the promotion and encouragement of printmaking in all its forms, was founded in 1965. One of its founding objectives was the creation of a comprehensive national print archive of contemporary printmaking.

The work for The Printmakers Council 1992-2019 has been selected from PmC members, with one print from each participating member. No restrictions were placed on subject matter, method or date, except that the artist must have been a member of the PmC when the print was produced.

The Ancestral Heritage Emporium by Trevor Dance

Simon Hedges, head of curation, collections and exhibitions at Scarborough Museums Trust, says: “The exhibition will include a wide and rich variety of contemporary prints showcasing many different print processes.”

The Printmakers Council 1992-2019, Scarborough Art Gallery, February 8 to April 26. Opening hours: Tuesdays to Sundays, 10am to 5pm. Entry is free with an Annual Pass, which costs £3 and gives the bearer unlimited access to both Scarborough Art Gallery and the Rotunda Museum for a year.