Toto puppeteer Adam Gill, left, Rachel Higgs’s Scarecrow, Zander Fick’s Tin Man, Sadie Sorensen’s Dorothy and Daan Janssen’s Lion in York Musical Theatre Company’s The Wizard Of Oz. Picture: Lucy Baines, Joy Photography
BY day, Sadie Sorensen teaches A-level Biology. By night and weekend matinee this week, she is “very excited to take on the bucket list role” of Dorothy in only her second show for York Musical Theatre Company (YMTC).
She is relatively new to the York am-dram scene, having relocated here two years ago, but brings bags of experience, having performed in many shows in her Hull past.
What a good talent spot by director and choreographer Kathryn Addison, who is rewarded with a super lead performance by Sorensen.
At 26, she is ten years older than Judy Garland’s iconic Dorothy Gale in Victor Fleming’s 1939 film – much older too than Eleanor Leaper’s Dorothy, aged 13, in YMTC’s 2010 production at York Theatre Royal – but she utterly evokes the tearaway teenager. Pitch of Kansas voice, spot on. Her singing, both powerful and emotive, especially in Over The Rainbow.
Addison’s cast has plenty more hits too, not least casting York stage stalwart Jeanette Hunter into the dark side for the first time as the mean-spirited Miss Gulch and the grouchy villain, the Wicked Witch of the West. Hunter is as entertaining as ever, such a good sport as the baddie.
Fellow “veteran” Martyn Hunter is on good form too, both as the kindly Professor Marvel and the “humbug” Wizard of Oz; Ben Caswell’s Emerald City Guard is full of comic panache; Elizabeth Gardner glitters as Glinda and Marlena Kellie’s Aunty Em is suitably homely.
Full of green energy: Ben Caswell’s Emerald City Guard. Picture: Lucy Baines, Joy Photography
Addison’s cast has an international flavour too. Zander Fick, classically trained in opera and jazz singing, moved to York from South Africa in April 2023 and now follows his scene-stealing Chef Louis in York Light Opera Company’s The Little Mermaid with a Tin Man replete with squeaky, robotic movement and, ironically, plenty of heart.
Better still is Dutch-born Daan Janssen, who honed his musical theatre-inspired drag performing skills while studying for his PhD in Germany and now turns in a terrific Lion. From his arch American accent to his timid yet proud demeanour and supreme singing voice, so deep and playful, he is a roaring success.
JoRo regular Rachel Higgs is an appealing Scarecrow and the Yellow Brick Road travelling troupe is completed by canine puppeteer Adam Gill’s ever attentive Toto in a show with two Totos for the price of one. Cast member Helen Barugh’s dog Daisy takes the role in the opening and closing Kansas farmhouse scenes; Elanor Kitchen’s puppet in Oz.
Addison’s choreography makes splendid use of both the adult ensemble and young Munchkins, while Helen Barugh, Katie Crossley and Kirsty Farrow’s Trees and Rob Davies and Caswell’s Crows have their moments too.
Musical director John Atkin’s ten-piece orchestra feels at home in all those familiar Harold Arlen and E Y Harburg songs, the playing light on its feet, the energy infectious. Julie Fisher’s costumes are a delight, for principals, ensemble and children alike, combining with UK Productions’ set design, Ollie Nash’s sound and Nick Lay’s lighting to complete a high- quality production in the merry old land of Oz. Time to follow the Yellow Brick Road to the box office.
York Musical Theatre Company in The Wiard Of Oz,Joseph Rowntree Theatre, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
FOLK singer, lesbian humorist and checked-shirt collector Grace Petrie has been incorrectly called Sir every day of her adult life.
After finally running out of subjects for whiny songs, she is putting down her guitar to work out why in her debut stand-up show, Butch Ado About Nothing, bound for Pocklington Arts Centre on June 6.
In a bold departure from her musical roots, Grace is venturing into new territory on the comedy circuit. Finding herself in an age of incessantly and increasingly fraught gender politics, the Norwich-based Leicester native feels “both more exposed and less seen than ever” at 35.
“I wanted to see what happens if there’s no safety net of a guitar,” she told DIVA magazine. “It’s just me with nothing to hide behind.”
Despite Butch Ado About Nothing being her first stand-up show, Grace is no stranger to making people laugh. She has made regular appearances on BBC Radio 4’s The Now Show and The Guilty Feminist podcast, performed alongside comedians Hannah Gadsby, Josie Long and Robin Ince and “long since earned a reputation as the folk scene’s funniest lesbian”.
Tickets for Grace’s 8pm show are on sale at 01759 301547 or pocklingtonartscentre.co.uk.
JOHN Thornton’s new exhibition, Across The Fields To The Sea, opens at Kentmere House Gallery, Scarcroft Hill, York, on June 1.
“John is everyone’s favourite painter,” says gallery owner and curator Ann Petherick. “I’m delighted he has produced a new and exciting collection of paintings of woodlands and meadows and the occasional seascape, inspired by his travels in Yorkshire since the end of Covid.”
Born in York in 1944, John moved to Selby at the age of eight. He spent three years in Cornwall in his 20s, retaining a deep affection for that county, then moved to London for five years, since when he has lived and worked in Selby.
In the 1970s, John made leather clothing to sell in London’s King’s Road, but for most of his life he has made his living working in wood: carving, renovating carousel horses and making and repairing furniture.
John Thornton at work in his studio
This involvement with the creative process was combined with a life-long interest in painting. Come March 2004, he made the bold decision to paint full-time.
He experiments continually with painting media, using acrylic, watercolour gouache and ink, mixed with elements such as sand to create the textures in his paintings and to enable the materials to run and bleed into each other.
John has always had a love of the sea, leading him to produce seascapes that capture its constant changes in nature and mood. Visits to Cornwall, or the coast around Scarborough and Whitby that especially fascinates him, provide endless inspiration, as well as materials collected while beachcombing to be incorporated in his works.
He uses photographs as reference material, particularly to observe the effect of light on water, but otherwise works from brief sketches and memory.
Allerthorpe Wood, near Pocklington, by John Thornton
In addition, he has begun to paint woodland scenes, especially of the nature reserves at Askham Bog, on the outskirts of York, and Skipwith Common, near Selby.
“Painting for me is not only about pleasure; it is also a challenge to create a piece that reflects and captures the essence of a subject,” says John. “If people can sense and appreciate those aspects of my work, I feel that I have in part achieved my intention.”
In 2001, he entered the Leeds Open Exhibition and Ferens Gallery Open Exhibition in Hull, both for the first time, becoming one of five prize winners in Hull. He has since shown regularly at both venues.
In 2003, John made his Royal Society of Marine Artists debut at the Mall Galleries in London, where his work has been accepted for display each year since then, leading to his invitation to become a member. In addition, he exhibits with galleries in Yorkshire, Cambridgeshire and Wiltshire.
Blue Sky, Green Sea, by John Thornton
“It was in 2001 at the Ferens Gallery that I first spotted his work,” says Ann Petherick. “He has been showing at Kentmere House since 2002 and is one of our most successful artists.
“He took part in Northern Colour, an exhibition organised by Kentmere House at Newby Hall, near Ripon, where he was the best-selling artist. All this has provided a well-deserved boost to his confidence and persuaded him to continue experimenting with different techniques and subject matters.”
John’s work is permanently on show at Kentmere House Gallery and is in the University of York collection, and elsewhere he has exhibited at Scarborough Art Gallery, Zillah Bell Gallery, Thirsk, Chantry House Gallery, Ripley, King’s Manor, York, Castle Howard, Godfrey & Watt, Harrogate, Langwith College, York, Doncaster Art Gallery and Selby Town Hall.
Kentmere House Gallery is open on the first weekend of each month, including June 1 and 2, from 11am to 5pm; every Thursday, from 6pm to 9pm, and at any other time by appointment on 01904 656507 or 07801 810825. “Best to ring first if travelling any distance,” advises Ann.
Anton Lesser performing Red Sky At Sunrise, Laurie Lee in Words and Music, with the musicians of Orchestra of The Swan
AUTHOR Laurie Lee’s extraordinary story will be told in a weave of music and his own words in Red Sky At Sunrise at the Grand Opera House, York, on Sunday night.
Actors Anton Lesser (Endeavour’s Chief Superintendent Bright and Game Of Thrones’ villainous advisor Qyburn) and Charlie Hamblett (from Killing Eve, Ghosts and The Burning Girls) play the role of Laurie Lee, older and younger, along with a rich array of other characters.
Together, they celebrate Lee’s engaging humour, as well as portraying his darker side, in a performance that has startling resonance with modern events.
Red Sky At Sunrise follows Stroud-born Laurie Lee through his much-loved trilogy, Cider With Rosie, As I Walked Out One Midsummer Morning and A Moment Of War, when Lee famously walked out of the Slad valley one midsummer morning and ended up fighting with the International Brigades against General Franco’s forces in the Spanish Civil War.
“It has been a joy to discover more of Laurie Lee’s sublime writing,” says Anton. “In many ways, his account of what was happening in Spain in the 1930s is prescient of what is playing out now in Europe.
“There’s a heartbreaking moment when Lee writes: ‘Did we know, as we stood there, our clenched fists raised high, and scarcely a gun between three of us, that we had ranged against us the rising military power of Europe, and the deadly cynicism of Russia? No, we didn’t. We had yet to learn that sheer idealism never stopped a tank’.”
Devised as a show by Judy Reaves, the text by Lee has been adapted by Deirdre Shields, to be accompanied by David Le Page’s musical programme for Orchestra Of The Swan.
His programme weaves around Lee’s writing, from the lush Gloucestershire countryside that Lee made famous in Cider With Rosie, to the dry landscapes of Spain, via the music of Vaughan Williams, Walton, Holst, Elgar, Britten, Grainger, Albeniz, Turina and De Falla. Guitarist Mark Ashford will be performing Asturias, Sevilla and Spanish Romance too.
Charlie Hamblett in the role of Laurie Lee, the younger
“To be asked to read great writing, and to read it aloud is a privilege,” says Anton. “To read it aloud supported by magnificent music is something more – I would call it a blessing. The words and the music combine, hopefully deepening and enriching the experience for both audience and practitioners.
“The audience can expect to be taken on a journey – which reflects Laurie’s actual travels from rural Gloucestershire to Spain, but also his inner journey from boyhood to maturity – all in the company of great musicians playing sublime music.”
Recalling Red Sky At Sunrise’s pathway to the stage, Anton says: “When Judy and Deidre were adapting the books for a performance piece, I just remember someone calling me up, saying ‘would you be interested and do you like Laurie Lee?’.
‘I had to say that to my shame I’d never read any Laurie Lee, but I then looked at Cider With Rosie and thought, ‘this is so beautiful’. I asked to be sent what Judy and Deidre had put together and then the first draft.”
Anton had already done Wolf Hall Live, a combination of words and Debbie Wiseman’s music, and events with the Trio Carducci, where he reads letters to accompany the music of composers such as Beethoven and Shostakovich.
Anton met up with producer Judy Reaves and musician David Le Page at Laurie Lee’s pub [The Woolpack Inn] in Slad, in Gloucestershire, whereupon Red Sky At Sunrise was first performed in 2022.
“The reaction has been fantastic because a lot of people, like me, assume they know Laurie Lee’s work or think, ‘I read that at school’, but then find they don’t know the full story behind the books that chart his journey to Spain to join the International Brigades in the Spanish Civil War,” says Anton.
David Le Page: Leading Orchestra of The Swan in Red Sky At Sunrise. Picture: Lucy Barriball
“Red Sky At Sunrise is a really romantic, powerful record of that time, a period before motorised transport was around, where you travelled by horse in his village. So Laurie Lee goes from this bucolic, idyllic childhood to end up in this violent war and then comes back to the village, saying ‘it’s where I want to end my days’.”
Among the highlights so far for Anton have been a sold-out performance at the RSC, Stratford-upon-Avon, in May 2023 and an hour-long version at the Chelsea Arts Club, Lee’s “home from home”, attended by Lee’s daughter in April.
“We tweak it a little the more we do it, spotting things that we think will make it better, both the words and the music, and we’ve added projections too,” he says.
“We’re continually layering the evening with more dimensions, not just the words and the music, but to show Lee’s growth as a human being, such as the implications of him going to Spain as a young man, learning a little bit to play the violin, which sustains him en route and then becomes a character in the performance.”
He cherishes each chance to perform Red Sky At Sunrise, feeling a “sweet resonance” with Laurie Lee’s writing. “You just feel so privileged, so blessed, because great text forces you to come up and meet it full on and give of your best.
“As an actor I’ve worked with some great writers but some who are not so great too, where you have to make it more authentic, but with Laurie Lee, you think, ‘I must up my game’, and I just feel inspired and very lucky.”
Red Sky At Sunrise, Laurie Lee in Words and Music, starring Anton Lesser, Charlie Hamblett and Orchestra Of The Swan, Grand Opera House, York, Sunday, May 26, 7.30pm. Box office: atgtickets.com/york.
Jeanette Hunter’s Wicked Witch, right, in rehearsal for York Musical Theatre Company’s The Wizard Of Oz with Daan Janssen’s Lion, left, Rachel Higgs’s Scarecrow, Zander Fick’s Tin Man, Sadie Sorensen’s Dorothy and Toto puppeteer Adam Gill
FOOD for thought for the cultural week ahead, from the Yellow Brick Road to Heaven revisited, a foodie festival to Laurie Lee, seascapes to coastal Dexys, as Charles Hutchinson reports.
Musical of the week: York Musical Theatre Company in The Wizard Of Oz, Joseph Rowntree Theatre, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee
YORK stage stalwart Jeanette Hunter will play a villain for the first time next week, starring as the Wicked Witch in York Musical Theatre Company’s The Wizard Of Oz.
Following the Yellow Brick Road will be Sadie Sorensen’s Dorothy, Rachel Higgs’s Scarecrow, Zander Fick’s Tin Man and Daan Janssen’s Lion, while further principal roles will go to Liz Gardner as Glinda, Marlena Kellie as Auntie Em and Martin Hunter as the Wizard. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Velma Celli’s Show Queen: Celebrating the best of London’s West End and Broadway musical theatre hits at York Theatre Royal
Cabaret celebration of the week: Velma Celli’s Show Queen, York Theatre Royal, tomorrow (23/5/2024), 7.30pm
DRAG diva Velma Celli, the alter ego of York actor Ian Stroughair, goes back to Ian’s roots in Cats, Chicago, Fame and Rent for a new celebration of the best of London’s West End and Broadway musical theatre hits.
The show “takes us to every corner of the fabulous genre, from Kander & Ebb and Lloyd Webber to Stephen Schwartz’s Wicked and Schönberg’s Les Miserables and many more,” says Velma. “Like, more than Six!”. Special guests will be burlesque star Miss Betsy Rose and belting York singer Jessica Steel. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Rebecca Ferguson: Liverpool soul singer’s last album and tour at 37
Soul gig of the week: Rebecca Ferguson, Heaven Part II Tour, York Barbican, Friday, 7.30pm
LIVERPOOL soul singer and The X Factor alumna Rebecca Ferguson is touring her fifth and final album, Heaven Part II, released last December 12 years to the day since her debut, Heaven.
Working with new contributors and original Heaven writers and producers, Ferguson sings of love, family, joy, liberation and her journey to happiness over the past seven years. She is, however, calling time on recording and touring to “find a way to have a relationship with music which is positive”. Friday’s support acts will be York country singer Twinnie and Eloise Viola. Box office: yorkbarbican.co.uk.
Malton Spring Food Lovers Festival: Look out for the festival guide and map on site
Festival of the week: Malton Spring Food Lovers Festival, Saturday, from 9am; Sunday and Bank Holiday Monday, from 10am
ON the streets of “Yorkshire’s Food Capital”, Malton Food Lovers Festival celebrates Yorkshire’s supreme produce and cooking over three days of 120 artisan stalls and street food vendors, talks, tastings, chef demonstrations, brass bands and buskers, festival bar, food shops, sculpture trail, entertainment, blacksmith workshops, vintage funfair and family fun with Be Amazing Arts’ Creativitent, Environmental Art’s Creative Chaos and Magical Quests North.
The live musicians will be: Saturday, Malton White Star Band, 11am to 1pm, The Rackateers, 1pm to 3pm, and Oz Ward, 6pm to 8pm; Sunday, White Star Training Band, 11.30am to 12.30pm, and The Rackateers, 1pm to 3pm, and Monday, The Acoustic Buddies, 11am to 12pm and 2pm to 3pm. Festival entry is free.
Kirkby Soul: Playing outdoors at Hemsley Walled Garden on Saturday
Fundraiser of the week: Kirkby Soul, Helmsley Walled Garden, Helmsley, Saturday, 7.30pm
RYEDALE eight-piece band Kirkby Soul present an evening of soul music in aid of Helmsley Arts Centre and Helmsley Walled Garden. Bring chairs, cushions, blankets, dancing shoes and picnics. A paying bar will be operation in the orchid house. Come prepared for the British weather! A marquee will be erected just in case. Box office: 01439 771700 or helmsleyarts.co.uk.
Anton Lesser: Performing in Red Sky At Sunrise, Laurie Lee in Words and Music at Grand Opera House, York
Literary event of the week: Red Sky At Sunrise, Laurie Lee in Words and Music, Grand Opera House, York, May 26, 7.30pm
AUTHOR Laurie Lee’s extraordinary story is told in a captivating weave of music and his own words in Red Sky At Sunrise, performed by actors Anton Lesser and Charlie Hamblett, accompanied by David Le Page’s musical programme for Orchestra Of The Swan.
Together they celebrate Lee’s engaging humour, as well as portraying his darker side, in a performance that has startling resonance with modern events, tracing Lee’s path through Cider With Rosie, As I Walked Out One Midsummer Morning and A Moment Of War as he ended up fighting with the International Brigades against General Franco’s forces in the Spanish Civil War. Box office: atgtickets.com/york.
Jo’s Place, seascape, by Carolyn Coles, from her Home Is Where The Heart Is exhibition at Bluebird Bakery, Acomb
Exhibition launch: Carolyn Coles, Home Is Where The Heart Is, Bluebird Bakery, Acomb, York, May 30 to August 1
CREATING atmospheric, impressionistic and abstract seascapes, South Bank Studios artist Carolyn Coles paints mostly with acrylics on stretched canvasses, using an array of techniques and implements.
Known for evoking emotional responses, Carolyn reflects her love for the Yorkshire landscape, offering a direct response to the feelings and connections to places that feel like home. Everyone is welcome at the 6pm to 9pm launch on May 30, when Carolyn will be happy to answer questions.
Dirty Ruby: Ryedale Blues’ headliners at Milton Rooms, Malton
Blues gig of the week: Ryedale Blues presents Dirty Ruby, Milton Rooms, Malton, May 30, 8pm
NOTTINGHAMSHIRE five-piece Dirty Ruby have drawn comparisons with Seventies’ bands Stone The Crows and Vinegar Joe in their energetic, sharp-edged blues rock, combining Hammond organ and bluesy guitar with soulful lead vocals. Box office: 01653 696240 or themiltonrooms.com.
Dexys: Showcasing The Feminine Divine at Scarborough Spa
Coastal trip of the week: Dexys, Scarborough Spa Grand Hall, May 30, doors 7pm
AFTER playing York for the first time in their 45-year career last September, Dexys return to North Yorkshire on the latest leg of The Feminine Divine Live!
Led as ever by Kevin Rowland, Dexys open with a theatrical presentation of last year’s album, The Feminine Divine, to be followed by a second soulful set of beloved hits, from Come On Eileen and Jackie Wilson Said to The Celtic Soul Brothers and Geno. Box office: 01723 376774 or scarboroughspa.co.uk.
In Focus: The 1879 FA Cup clash of Darwen FC and the Old Etonians in The Giant Killers at Milton Rooms, Malton
The tour poster for Long Lane Theatre Club’s The Giant Killers
MANCHESTER United meet “noisy neighbours” Manchester City in the 143rd FA Cup final on Saturday, coinciding with the tour launch of a fitting theatrical tribute to the competition’s early days.
Staged by Long Lane Theatre Club, The Giant Killers tells the story of how Darwen FC came to the public’s attention in 1870s’ Lancashire to proclaim Association Football as a people’s game and not only the preserve of the upper classes.
Good news for Malton, the story of Darwen’s FA Cup clashes with the toffs of the Old Etonians is booked to appear at the Milton Rooms on July 4 (now confirmed as the date for another battle, the 2024 General Election).
The Giant Killers recounts how a ragtag bunch of mill workers in Darwen took on the amateur gentlemen’s club of the Old Etonians in the FA Cup quarter-final in 1879. The Old Etonians were winning 5-1 but Darwen rallied to force a replay after a 5-5 draw.
One replay turned into three, with one abandoned through bad light. Forced to travel to London a very expensive three times and with team members losing a day’s work, Darwen eventually succumbed 6-2, but their story of working-class men inspiring a nation enabled the top hats in football crowds to turn into ‘’a sea of flat caps’’.
Kick-off – or kick-toff! – will be at 7.30pm for Andrew Pearson-Wright & Eve Pearson-Wright’s story of how Darwen FC rose up against prevailing social prejudice and the might of the Football Association to earn a place in history as the first real ‘‘giant killers’’ in English football. Box office: 01653 696240 or themiltonrooms.com.
Beverley & East Riding Early Music Festival director Delma Tomlin
THE 2024 Beverley & East Riding Early Music Festival opens on Friday with a 7.30pm concert by rising stars El Gran Teatro del Mundo, sponsored by the Embassy of Spain.
Based in Spain, this young instrumental group captivated audiences on their British tour last year and will be visiting Beverley for the first time to perform Life Is A Dream (La Vida Es Sueño) at St Mary’s Church.
Undertaking a magical musical journey through the night, these specialists in French music from the time of the Sun King bring to life the operas of the Grand Siècle with instrumental interpretations of scenes where darkness will be the best ally of love and sleep, death’s best friend.
The National Centre for Early Music (NCEM), the charitable York organisation behind the festival, welcomes the new sponsorship. Director Delma Tomlin said: “This is the first time we have received sponsorship from the Embassy of Spain, in London, and we are absolutely delighted to be working together to promote Spanish music through the ages.
“The Embassy’s generous financial support – supporting the travel costs from Spain – makes all the difference and we are thrilled to be able to welcome such fabulous musicians to perform here in the East Riding of Yorkshire.”
José María Robles Fraga, Minister Counsellor for Cultural and Scientific Affairs at the Embassy of Spain, said: “This newly stablished partnership provides a unique opportunity for Spanish musicians performing in the UK.
“We are very proud to support this initiative and we are confident that audiences at the Beverley Early Music Festival will enjoy the immense talent of this Spanish ensemble”.
Running from May 24 to 26, this year’s festival takes the theme of Threads of Gold, weaving together stories of Beverley’s remarkable history through music and song, combined with a distinctly Spanish twist.
El Grano Teatro del Mundo: Performing Life Is A Dream (La Vida Es Sueño) at St Mary’s Churchon Friday
“This year we are threading together music, history and song – designed to entertain, to engage and to intrigue,” says Delma. “There’s a wealth of music and drama in store and as always, there are plenty of opportunities to make music as well as enjoy it – so we hope to weave you a tapestry of delights for 2024.”
Further concerts with a Spanish theme include Nigel Short directing the award-winning choir Tenebrae in their acclaimed interpretation of Tomás Luis de Victoria’s Requiem Mass for six voices – a masterpiece of the Spanish Golden Age – at Beverley Minster on Saturday at 7.30pm.
In the festival finale on Sunday at 7.30pm at East Riding Theatre, Beverley, The Telling present their heart rend(er)ing music theatre show Into The Melting Pot.
Written by Clare Norburn and directed by Nicholas Renton, it tells the stories of the women of medieval Spain torn apart by religious intolerance, performed by actor Suzanne Ahmet as Blanca, Patience Tomlinsonas Queen Isabella (offstage voice),singersClare Norburn and Avital Raz, Emily Baines, recorders and doucaine,Giles Lewin, oud, and Jean Kelly, harp & percussion.
Music and theatre collide in this fully staged show that heads back to 1492 Spain for a story of migration, community and conflict. At twilight on her final night in Seville, a Jewish woman lights the lamps. She is being forced to leave Spain and set sail for an uncertain future.
Her tale echoes down the ages to the personal stories of people of all faiths and backgrounds affected by politics and war today, as she tunes into a community of stories told by Jewish, Christian and Muslim women, soundtracked by plaintive Sephardic songs and lively Spanish medieval music.
The newly appointed BBC Radio 3 New Generation Baroque Ensemble Augellettimake their sold-out Beverley festival debut with A Curious Mind at St Nicholas Church, Beverley, on Saturday at 10am.
Focusing their musical lens on an ever curious and well-connected York clergyman and musician, Edward Finch, Ensemble Augelletti tell his singular story and perform some of his compositions and arrangements alongside music by his friends Purcell, Handel and Geminiani.
On Saturday, harpsichordist Steven Devine returns to Beverley with virtuoso violinist Bojan Čičić in a 4pm programme of Handel Sonatas at Toll Gavel United Church, melding GF Handel’s violin sonatas with those of the Italian-born violinist and composer Giovanni Stefano Carbonelli.
Tenebrae: Performing Tomás Luis de Victoria’s Requiem Mass at Beverley Minster on Saturday. Picture: Sim Canetty-Clarke
In A World Of Inspiration at Toll Gavel United Church on Sunday, the London Handel Players present a 3pm programme of Baroque works from Baroque composers from Poland, Italy, Spain, Portugal, the Canary Islands, India and the British Isles.
The festival’s opening illustrated lecture by Dr John Jenkins at St Mary’s Church on Friday at 4pm has sold out. Under the title of “…and oil dripped from the golden tomb”, the University of York co-director of the Centre for Pilgrimage Studies and Fellow of the Royal Historical Society recalls a Medieval Pilgrimage to St John of Beverley.
From his death in 721, to the destruction of his golden shrine in Beverley Minster in 1541, John of Beverley was the most important saint in the East Riding, prompting pilgrims to flock to his golden and bejewelled shrine from near and far.
By the close of the Middle Ages, thanks to the miracles he worked for the kings of England, St John had become a saint of national importance on a par with St George. Dr Jenkins’s lecture reveals why pilgrims came, or in some cases were forced to come, to Beverley, and the unique and wonderous spectacle the Minster canons provided for medieval visitors.
In the festival’s second lecture, at Toll Gavel United Church Hall, on Sunday at 4.30pm, Professor Melanie Giles, from the University of Manchester, reveals more of the ancient history of the East Riding in Ancient Threads and Enchanted Garments: Stories of preserved textiles from Iron Age and Roman Yorkshire and Lincolnshire.
Ancient textiles, made of both vegetal and wool fibres, are rarely preserved in archaeological contexts because of their organic and fragile nature. In this talk, Prof Giles shares the story of some rare examples, ranging from the edge of Iron Age cloaks, bags and containers from Arras burials in East Yorkshire to threads and garments found with bog bodies dating to the early Roman period in North Yorkshire and Lincolnshire.
Instrumentalists are invited to The Birth Of The Orchestra, a day-long workshop led by members of El Gran Teatro del Mundo at Hexagan Music Centre, Beverley, on Saturday at 9.30m.
This workshop on Baroque orchestral performance practice, based on the writings of George Muffat with additional music by Corelli and Lully, will be directed by Julio Caballero in the company of fellow El Gran Teatro del Mundo musicians Miriam Jorde, oboe, Bruno Hurtadoviol, cello, and Andrés Murillo, violin.
Ensemble Augelletti: Making Beverley & East Riding Early Music Festival on Saturday morning
The workshop is open to players of Baroque oboe, traverso, bassoon, recorder and string players with Baroque instruments or modern instruments with gut strings and Baroque bows. Music will be provided and is available to download on the NCEM website, ncem.co.uk, for private practice before the event. Participants should be confident sight-readers.
Singers have two workshop options: festival debutants SongPath’s uplifting blend of walking, talking and music-making, setting off from Hengate Memorial Gardens on Saturday at 1.30pm to 3pm, followed by Tenebrae’s choral workshop, Music of the Spanish Golden Age, at Hexagan Music Centre on Sunday at 9.30am.
Contralto Jess Dandy, mezzo-soprano Joanne Harries and recorder player Olwen Foulkes lead a 90-minute singing walk around Beverley in Songpath, inviting participants to “immerse yourself in an outdoor experience that transcends conventional concerts, exploring mental well-being through the transformative power of music and nature”. Wear suitable clothing and footwear and bring a brolly, they advise.
Choral singers are invited to join Tenebrae’s experienced workshop leader Joseph Edwardsto work on some of the repertoire from Saturday’s n their programme. Music for the day includes Alfonso Lobo’s Versa est in Luctum and Tomás Luis de Victoria’s Taedet Anima and Astiterunt Reges Terrae.
The workshop is open to all voices with some sight-singing experience. The afternoon concludes with a short informal performance of music studied during the day, open to all, free of charge.
Beverley & East Riding Early Music Festival runs from May 24 to 26. Box office: 01904 658338, ncem.co.uk or in person from Beverley Tourist Information Centre, Customer Service Centre, Cross Street, Beverley. Full programme: ncem.co.uk/whats-on/bemf.
Beverley & East Riding Early Music Festival: the back story
ESTABLISHED in 1988 to celebrate Beverley’s historic association with musicians from medieval times.
Blessed by a wealth of ecclesiastical buildings and musical carvings in stone and wood in both Beverley Minster and St Mary’s Church, making it the “perfect place for a festival of early music”.
Supported by East Riding of Yorkshire Council and administered by National Centre for Early Music, York.
Annual festival combines concerts, illustrated lectures and associated workshops.
Home Is Where The Heart Is, the seascape that provides the title for Carolyn Coles’s exhibition at Bluebird Bakery, Acomb
BLUEBIRD Bakery, in Acomb Road, Acomb, is where the art is from May 30 when Carolyn Coles unveils Home Is Where The Heart Is.
Specialising in atmospheric, impressionistic and abstract seascapes, South Bank Studios artist Carolyn paints mostly with acrylics on stretched canvasses, using an array of techniques and implements.
Known for evoking emotional responses, her latest exhibition reflects her love for the Yorkshire landscape in paintings that offer a direct connection to places that feel like home.
Carolyn’s artistic journey is flourishing within the womb of South Bank Studios, where 19 artists share workspaces and collaborate in their creative endeavours. Often she can be found working in her studio or in the open air with an easel or sketchbook.
York artist Caroyn Coles in her South Bank studio
Her education and career path have focused on creativity as a main drive, working initially in marketing for a mail order arts and crafts material company, then for Newsquest in editorial graphics and the advertising graphics department at The York Press, in Walmgate.
Utilising her background of studies of general art, illustration and design, Carolyn finally realised her dream of being a professional fine artist and now sells work at home and internationally, with a waiting list for commissions, as well as participating regularly in York Open Studios.
Exploring colour, mark making and emotion, Home Is Where The Heart Is highlights a challenging period for Carolyn, who lost her mother, Jo, soon after the works were produced.
Jo’s Place, by Carolyn Coles, painted in honour of her late mother
“My mother certainly inspired a new use of colour and direction, with her advice that ‘light can brighten people up’ during one of our many chats on Messenger,” says Carolyn.
One of the pieces emerged in direct response to what she imagined as the perfect piece, Jo describing this plainly as: “Beautiful moorland, colourful heather, sparkling water on lake”. Jo’s Place was completed after she passed away, in her memory, fuelled by Carolyn’s need for connection. “I use art as therapy and always have,” she says.
“It’s not that I don’t like using colour. I just really enjoy the soft subtle mood that the seascapes often bring – which is why I have a relatively muted palette. I really wanted to connect with my love of nature, differently and in honour of Mum, so I chose to turn my usual style on its head and pick colours that really vibrate with each other.”
The best example of this, she says, is Home Is Where The Heart Is “because it represents how I feel when I approach that area of the Yorkshire coast” (at Port Mulgrave).
Wild Temptation, seascape, by Carolyn Coles
“It’s an area that I used to go a lot when I was younger. The area is simply stunning. I’ve been there in every weather and have always felt extreme happiness. It makes my heart sing.”
Other pieces are much more explosive in technique. “I managed this by using a whole array of different tools, including window squeegees, sweeping brushes, palette knives. I made a right mess of my studio and loved every minute of it,” says Carolyn.
“When you start working on a scale this large – 1.5m – you really do have to go up in brush size. I found some lovely decorators’ brushes, and some of them really create waves brilliantly. I couldn’t possibly go into too much detail, otherwise I knew I would end up getting sucked into some kind of peculiar vortex of insanity. I’ll leave that for other artists!”
Carolyn Coles, Home Is Where The Heart Is, Bluebird Bakery, Acomb Road, Acomb, York, May 30 to August 1. Everyone is welcome at the 6pm to 9pm launch on May 30 when Carolyn will be happy to answer questions.
The poster for Carolyn Coles’s Home Is Where The Heart Is exhibition at Bluebird Bakery, Acomb
YORK stage stalwart Jeanette Hunter will play a villain for the first time from Wednesday to Saturday, starring as the Wicked Witch in York Musical Theatre Company’s The Wizard Of Oz.
Following the Yellow Brick Road at the Joseph Rowntree Theatre, York, will be Sadie Sorensen’s Dorothy, Rachel Higgs’s Scarecrow, Zander Fick’s Tin Man and Daan Janssen’s Lion, while further principal roles will go to Liz Gardner as Glinda, Ben Caswell as the Guard, Rob Davies as Uncle Henry, Marlena Kellie as Auntie Em and Martin Hunter as the Wizard.
The production team of director and choreographer Kathryn Addison and musical director John Atkin promises a dazzling production of L Frank Baum’s story with music and lyrics by Harold Arlen and E Y Harburg.
In the ensemble will be Adam Gill, Katie Greene, Katy Barrow, Jo Gamble, Sue Coward, Katie Crossley, Helen Barugh, Kirsty Farrow and Iris Van Hout.
Jeanette Hunter’s Wicked Witch, right, in rehearsal with Daan Janssen’s Lion, left, Rachel Higgs’s Scarecrow, Zander Fick’s Tin Man, Sadie Sorensen’s Dorothy and Toto puppeteer Adam Gill
The delightful Munchkins will be played by the children’s cast of Amelia Berry, Sophie Blackmore, Anna Cook, Emilia Davenport, Olivia Dobson Lopez, Matilda Down, Erica Fletcher, Sucy Innes, Izzy Jackson, Eva Lofthouse, Lucas Macleod, Nia Mcvay, Edith Pickard, Matilda Rose and Ellena Sheader.
Adding to the enchantment will be Daisy the dog as Toto. Owned by cast member Helen Barugh, she brings alertness, friendliness, responsiveness and an affable nature to the part, along with an ability to interact with her fellow actors.
What’s more, audiences will be in for a delightful surprise as the show progresses. Once Dorothy and her companions reach the fantastical land of Oz, Daisy undergoes a magical transformation. From that point forward, Toto will be brought to life through the skilled, precise and charming puppetry of Adam Gill.
York Musical Theatre Company in The Wiard Of Oz,Joseph Rowntree Theatre, York, May 22 to 25, 7.30pm plus 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Toto meet Toto: Adam Gill’s puppet version with canine star Daisy
“I am more fascinated and amazed by the world around me than ever before,” says poet Harry Baker
ONCE the youngest World Poetry Slam champion, Harry Baker has a new poetry collection to spin on his Wonderful tour.
Tonight his 30-date itinerary brings the Bath-born poet, mathematician, stand-up comic and writer to The Crescent, in York, to reflect on “important stuff”, whether hope, dinosaurs or German falafel spoons, as found in Wonderful, published in paperback by Burning Eye Books on May 7.
The “maths-loving, TED-talking, German-speaking, battle-rapping, happy-crying, self-bio-writing unashamed human” releases his signature playfulness and poignancy in new poems about wellies, postcodes, sunflowers, sticky toffee pudding and his favourite German wheat beer.
“After the mental health struggles I shared in my last show, this time around the plan was to have a fun time touring a fun show full of fun poems to celebrate coming out of the other side. But it hasn’t quite worked out like that,” says Harry, who will be a completing a hattrick of appearances at The Crescent.
“For the first time ever, I have been to more funerals than weddings in the last year. I have hit the age where everyone around me is either having babies or talking about having babies or definitely not having babies and found out first-hand how complicated and painful that can be. And yet I am more fascinated and amazed by the world around me than ever before.”
Harry continues: “From the transformational power of documenting moments of everyday joy to the undeniable raw energy of performing a garage song about Greta Thunberg, I am learning more than ever that life can indeed be incredibly hard sometimes, but that doesn’t make it any less incredible.
“If anything, it is the darkness that helps us to appreciate the light, just as it is the puddles that help us to appreciate the wellies.”
As with his Unashamed show in February 2023, Harry is being brought to The Crescent by Say Owt, the York collective of “gobby northern poets” that plays host regularly to slams, workshops, scratches, open-mic nights and stellar spoken-word guests.
“I loved The Crescent so much that I’m coming back,” he says. “Working out where to go on this tour, I knew there was a readymade audience there from the Say Owt shows – they’re a brilliant organisation.”
He thrives on performing in such settings as a Say Owt gig. “Some like to call it ‘slam poetry’ because it sounds more exciting, or ‘spoken word’ because it takes in something more theatrical, but we’ve been sharing words for centuries, whatever you call it.
“So, bringing words alive in front of an audience has always been important for me. When you see poetry performed, what’s amazing is it can make you laugh, it can make you cry.
“Reading poetry on the page is a very personal experience but hearing poetry being performed feels a very collective experience.”
The Wonderful show will combine joy with sadness. “Poetry is not frightened to be vulnerable, so rather than focusing only on fun things, I’m acknowledging that we have deeper moments and I share these in the poems,” says Harry, who has sought to find silver linings from the pandemic. “There are people I know who died from Covid, so it makes you treasure relationships.”
He continues: “I will always have fun in my shows, highlighting funny things, but I’ve found that people are responding to the things that are more serious and cathartic. Even my favourite stand-up comedians have those moments of rawness.”
Harry writes his poems to be performed out loud. “The first two books came out after tours, so they felt like a transcription of the shows, but this time I’ve written the book first, and the stuff in between the poems will evolve as I perform,” he says. “The new book is like the studio version of an album; the live album will follow on the road!”
Harry is as much a mathematician as a poet, but can he see a connection between the two disciplines? “I used to be massively in denial about this, seeing them as opposite,” he says.
“I loved the definite answers in Maths, that were either right or wrong, and the ambiguity in poems, but actually they’re both trying to work the world out.
“There’s something about the rhythm and rhyme of poetry, slotting the words into the right place, that does feel like mathematics. You can be light and playful but seek to push the form to the limits.”
In the wake of publishing his third volume, Harry reflects: “I think I’ve learned that my poems are snapshots of moments in time that don’t have to solve the world’s problems, but you hopefully make some points within them,” he says.
Those points strike a balance between light and darkness. “One of my all-time favourite lyrics is by Leonard Cohen, where he says, ‘there is a crack, a crack in everything/That’s how the light gets in’,” says Harry.
“My first book was called The Sunshine Kid, but when you write with acknowledgement that there is darkness too, it has greater weight. When we share laughter with other people just after crying, it’s about embracing the murkiness, and then we get to appreciate the full richness of joy.”
Say Owt presents Harry Baker: Wonderful, The Crescent, York, May 20, 7.30pm. Box office: thecrescentyork.com
In the words of Harry Baker:
“One thing that I know that I will always find amazing
Is what a thing it is to live a life.
P.S. Let’s also do this loads before we die.”
Harry Baker: back story
Harry Baker: Poet, mathematician, comedian, slam champ and writer
Born: March 19 1992.
Occupation: Poet, mathematician, stand-up comedian, writer and word warrior on UK rap battle scene.
Poetry style: Honest. Heartfelt. Hopeful.
Record breaker: Became youngest ever World Poetry Slam Champion when winning in 2012.
Global impact: Poetry translated into 21 languages.
Social media impact: Reached ten million people on Instagram and TikTok.
Festivals: Played Glastonbury, Latitude and his spiritual home, Greenbelt.
Did you know? Performed on Dubai Opera House bill with poet laureates Carol Ann Duffy and Simon Armitage.
Did you know too? His last gig before Covid lockdown was at The Crescent, York, on March 15 2020,
Talk the talk: On TED.com
Favourite place: On stage.
Regular contributor: BBC Radio 2’s Pause For Thought.
Appeared on: The Russell Howard Hour, as part of comedy-rap-jazz duo Harry and Chris.
Books: The Sunshine Kid, 2014; Unashamed, 2022; Wonderful (Burning Eye Books, May 7 2024).
Mikron Theatre cast members Eddie Ahrens, left, Mark Emmon, Georgina Liley and Lauren Robinson: Presenting an outdoor performance of Common Ground at Scarcoft Allotments, York, on Sunday afternoon. Picture: Robling Photography
FROM land access tales to the Yellow Brick Road, wonderful words about wellies to a journey through isolation, show song heights to a soulful heaven, Charles Hutchinson follows the path to cultural discovery.
Touring play of the week: Mikron Theatre in Common Ground, Scarcroft Allotments, Scarcroft Road, York, May 19, 2pm
ON tour on narrow boat and canal, van and land until October 18, Marsden company Mikron Theatre present Common Ground, writer and lyricist Poppy Hollman’s hike through the history of land access in England, where only eight per cent of land is designated “open country”.
Under the direction of Gitika Buttoo, actor-musicians Eddie Ahrens, Georgina Liley, Lauren Robinson and Mark Emmon tell the tale of the fictional Pendale and District Ramblers as they look forward to celebrating their 50th anniversary walk, but the path has been blocked by the landowner. How will they find their way through? No reserved seating or tickets required; a “pay what you feel” collection will be taken post-show.
Harry Baker: Wonderful words by the slam champ at The Crescent
Spoken word gig of the week: Say Owt presents Harry Baker: Wonderful, The Crescent, York, May 20, 7.30pm
WORLD Poetry Slam champion Harry Baker is a poet, mathematician, stand-up comic and writer who reflects on “important stuff”, whether hope, dinosaurs or German falafel spoons, as found in his new poetry collection, Wonderful, published by Burning Eye this month.
On his 30-date Wonderful tour, the “maths-loving, TED-talking, German-speaking, battle-rapping, happy-crying, self-bio-writing unashamed human” brings his signature playfulness and poignancy to new poems about wellies, postcodes, sunflowers, sticky toffee pudding and his favourite German wheat beer. Box office: thecrescentyork.com.
Jeanette Hunter: Heading to the dark side as the Wicked Witch in York Musical Theatre Company’s The Wizard Of Oz
Musical of the week: York Musical Theatre Company in The Wizard Of Oz, Joseph Rowntree Theatre, York, May 22 to 25, 7.30pm plus 2.30pm Saturday matinee
YORK stage stalwart Jeanette Hunter will play a villain for the first time next week, starring as the Wicked Witch in York Musical Theatre Company’s The Wizard Of Oz.
Following the Yellow Brick Road will be Sadie Sorensen’s Dorothy, Rachel Higgs’s Scarecrow, Zander Fick’s Tin Man and Daan Janssen’s Lion, while further principal roles will go to Liz Gardner as Glinda, Marlena Kellie as Auntie Em and Martin Hunter as the Wizard. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Miranda Sykes: Songs of isolation, illness and recovery at Black Swan Folk Club
Folk gig of the week: Miranda Sykes, Out Of The Woods Tour, Black Swan Folk Club, Black Swan Inn, Peasholme Green, York, May 23, 7.30pm
SHOW Of Hands and Daphne’s Flight member Miranda Sykes promotes her pandemic-scarred March album Out Of The Woods in her debut Black Swan solo gig, showcasing songs that chart her journey through isolation, illness and recovery with the aim of bringing comfort after such turbulent years.
“Life is many faceted; like most people I’ve had good times and hard times,” says the Lincolnshire-born singer, double bass player and guitarist. “I’ve taken some forks in the road I shouldn’t have done and I’ve had some knocks, but it’s all part of who I am now.” Box office: blackswanfolkclub.org.uk.
Velma Celli’s Show Queen: Celebrating the best of West End and Broadway musical theatre at York Theatre Royal. Picture: Sophie Eleanor
Cabaret celebration of the week: Velma Celli’s Show Queen, York Theatre Royal, May 23, 7.30pm
DRAG diva Velma Celli, the alter ego of York actor Ian Stroughair, goes back to Ian’s roots in Cats, Chicago, Fame and Rent for a new celebration of the best of London’s West End and Broadway musical theatre hits.
The show “takes us to every corner of the fabulous genre, from Kander & Ebb and Lloyd Webber to Stephen Schwartz’s Wicked and Schönberg’s Les Miserables and many more,” says Velma. “Like, more than Six!”. Special guests will be burlesque star Miss Betsy Rose and belting York singer Jessica Steel. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Rebecca Ferguson: Final album and tour at 37
Soul gig of the week: Rebecca Ferguson, Heaven Part II Tour, York Barbican, May 24, 7.30pm
LIVERPOOL soul singer and The X Factor alumna Rebecca Ferguson is touring her fifth and final album, Heaven Part II, released last December 12 years to the day since her debut, Heaven.
Working with new contributors and original Heaven writers and producers, Ferguson sings of love, family, joy, liberation and her journey to happiness over the past seven years. She is, however, calling time on recording and touring to “find a way to have a relationship with music which is positive”. Friday’s support acts will be York country singer Twinnie and Eloise Viola. Box office: yorkbarbican.co.uk.
Anton Lesser in Red Sky At Sunrise, Laurie Lee in Words and Music at Grand Opera House, York
Literary event of the week: Red Sky At Sunrise, Laurie Lee in Words and Music, Grand Opera House, York, May 26, 7.30pm
AUTHOR Laurie Lee’s extraordinary story is told in a captivating weave of music and his own words in Red Sky At Sunrise, performed by actors Anton Lesser and Charlie Hamblett, accompanied by David Le Page’s musical programme for Orchestra Of The Swan.
Together, they celebrate Lee’s engaging humour, as well as portraying his darker side, in a performance that has startling resonance with modern events, tracing Lee’s path through Cider With Rosie, As I Walked Out One Midsummer Morning and A Moment Of War as he ended up fighting with the International Brigades against General Franco’s forces in the Spanish Civil War. Box office: atgtickets.com/york.
Home Is Where The Heart Is, seascape, by Carolyn Coles, from her exhibition at Bluebird Bakery, Acomb
Exhibition launch: Carolyn Coles, Home Is Where The Heart Is, Bluebird Bakery, Acomb, York, May 30 to August 1
CREATING atmospheric, impressionistic and abstract seascapes, South Bank Studios artist Carolyn Coles paints mostly with acrylics on stretched canvasses, using an array of techniques and implements.
Known for evoking emotional responses, Carolyn reflects her love for the Yorkshire landscape, offering a direct response to the feelings and connections to places that feel like home. Everyone is welcome at the 6pm to 9pm launch on May 30, when Carolyn will be happy to answer questions.
