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What’s On in Ryedale, York and beyond. Hutch’s List No. 34, from Gazette & Herald

Mary Anning Rocks at the Yorkshire Museum, York. Picture: Antony Chappel Ross

DINOSAUR museum adventures and the CBeebies house party, CHIC’s good times on the coast and Sparks’ York return after 52 years offer contrasts aplenty in Charles Hutchinson’s choices for the days ahead.

Last-chance holiday activities: Yorkshire Museum, Museum Gardens, York, open Tuesdays to Sundays, 10am to 5pm

AS the school summer holidays enter their final fortnight, the Yorkshire Museum invites visitors to “make the most of the interactive activities, craft sessions and amazing exhibits before term starts again”.

Grab a dinosaur backpack to explore the Mary Anning and Jurassic galleries in dino-themed entertainment for younger ones, while spotting fossils and dino bones on their adventures on August 21, 24 or 28. The final Melsonby Hoard treasure trove crafting session will be held on August 26, although Viking beaded jewellery and bug brooch making are available every day through the summer break. Pay once to receive all these free activities and unlimited return visits for a year. Tickets: yorkshiremuseum.org.uk.

No common ground: Pandora Clifford’s Mags and Liz Garland’s Liz in Handbagged at the SJT, Scarborough. Picture: Tony Bartholomew

Political drama of the week: Handbagged, Stephen Joseph Theatre, Scarborough, until August 29

MOIRA Buffini’s 2013 Olivier Award-winning play imagines what happened behind closed palace doors when two of the 20th century’s most powerful women, Queen Elizabeth II and Prime Minister Margaret Thatcher, locked handbags. Meeting once a week for 11 years, one believed there was no such thing as society; the other committed her life to serving it.

Spanning 1979 to 1990, Handbagged asks if The Queen and the Iron Lady ever found common ground or did their stiff upper lips reign supreme? Hannah Tyrrell-Pinder directs the SJT cast of Pandora Clifford, Liz Garland, Alexandra Mathie, Deven Modha, Simon Darwen and Meriel Scholfield. Box office: 01723 370541 or sjt.uk.com.

The Magic Numbers: Brothers and sisters in unison at The Crescent

Siblings of the week: An Evening With The Magic Numbers, The Crescent, York, Friday, 7.30pm

THE Magic Numbers combine two pairs of siblings, Romeo & Michele Stodart and Sean & Angela Gannon, who are known for their unique harmonies, melodic hooks, songwriting craftsmanship and timeless sound, exemplified by Forever Lost, Love Me Like You and Love Is A Game across five albums. Box office: thecrescentyork.com.

Nile Rodgers: Performing with CHIC at Scarborough Open Air Theatre

Coastal gig of the week: Nile Rodgers & CHIC, TK Maxx Presents Scarborough Open Air Theatre, Saturday, gates open at 6pm

IN the final Scarborough Open Air Theatre concert of the summer, Rock & Roll Hall of Fame and Songwriters Hall of Fame inductee, Grammy Lifetime Achievement winner and composer, producer, arranger and guitarist Nile Rodgers returns to the Yorkshire coast for the third time with CHIC, the New York City R&B and soul band he co-founded with Bernard Edwards.

Expect such disco dancefloor fillers as Le Freak, Good Times, We Are Family and I’m Coming Out. Acid jazz combo Brand New Heavies support. Box office: scarboroughopenairtheatre.com.

Sparks’ Ron and Russell Mael: Playing York after 52-year hiatus on August 25. Picture: Munachi Osegbu

York gig of the week: Sparks, York Barbican, August 25, doors open at 7pm  

CULT Californian pop-rock pioneers Sparks play York for the first time since 1974 on their 2025-2026 world tour, coinciding with this month’s release of latest album Live On The Moon.

The Mael brothers, Ron (keyboards), 81, and Russell (vocals), 77, are lining up a euphoric, career-spanning set, picking from such hits as This Town Ain’t Big Enough For The Both Of Us, Amateur Hour, Something For The Girl With Everything, Looks, Looks, Looks, The Number One Song In Heaven and Beat The Clock. Mr. B  The Gentleman Rhymer supports. Box office: yorkbarbican.co.uk.

The poster for CBeebies House Party Live! at York Barbican

Children’s show of the week: CBeebies House Party Live!, York Barbican, August 26, 11am and 2pm

DIRECTED by CBeebies superstar Justin Fletcher, CBeebies House Party Live! is a fun-packed family stage show full of sensational songs, stupendous surprises and mega moments.

Throwing an epic party just for you will be special guest Mr Tumble, Mister Maker, York Theatre Royal pantomime alumni Andy Day and Evie Pickerill, Duggee, Nigel Clarke and George Webster, who promise dancing, singing, streamers, giant jellies, bubbles galore and a CBeebies bedtime story. Box office: yorkbarbican.co.uk.

Lee Gemmell’s Egyptology student Edward Bellingham in Baron Productions’ The Mummy Lot No. 249

Thriller of the month: Baron Productions presents Sir Arthur Conan Doyle’s The Mummy Lot No. 249, St Mary’s Church, Bishophill Junior, York, August 28 & 29, 7.30pm

FOUNDED by Daniel Wilmot in 2015, York company Baron Productions presents Sir Arthur Conan Doyle’s 1892 one-act play The Mummy Lot No. 249 as its 2026 summer show, in which Oxford student Abercrombie Smith discovers his neighbour, Egyptology student Edward Bellingham, has used ancient magic to reanimate a malevolent mummy to terrorise and attack his rivals.

Wilmot’s cast features Jack McAdam as Smith, Lee Gemmell as Bellingham, M. Alder as Peterson, Lauren Hegarty as Hastie and Ellie Guffick as Monkhouse Lee. Box office: https://www.ticketsource.com/baron-productions.

The artwork for the interactive Solve-Along-A-Murder-She-Wrote at Milton Rooms, Malton

Crime detection games ahead: Solve-Along-A-Murder-She-Wrote, Milton Rooms, Malton, September 2, 7.30pm  

HOSTED by super-fan, playwright and PopHorror  co-producer Tim Benzie, cult event Solve-Along-A-Murder-She-Wrote comes to Malton with an interactive screening of NBC Universal Television’s classic Murder, She Wrote episode A Fashionable Way To Die, wherein Jessica Fletcher visits Paris to support her friend’s fashion show, but soon a murder takes place that only she (or you) can solve.

Combining games, prizes and audience participation, Solve-Along-A-Murder-She-Wrote features a race to solve the crime, via the Fameometer and the Suspiciometer; a Cabot Cove quiz; a singalong to the theme tune with new lyrics, plus clips and biographies of the campy guest stars. Box office: 01653 696240 or themiltonrooms.com. 

The Snake Davis Band: Heading back to Helmsley Arts Centre

Return upcoming: The Snake Davis Band, Everlasting Love Tour, Helmsley Arts Centre, September 12, 7.30pm

SAXOPHONIST Snake Davis is “so happy to be back at Helmsley Arts Centre yet again”, this time showcasing new tunes and his new album on the Everlasting Love Tour with his four-piece band featuring guitar, bass guitar and drums. 

The set will span “floaty to danceable, soul and Northern Soul to pop, jazz to world”, embracing original material and classic sax pieces such as Baker Street and Night Train, as Snake swaps performing arena and stadium gigs with stellar acts for playing intimate venues with his own music choices and favourite musicians.  Box office: 01439 771700 or helmsleyarts.co.uk.

Michelle Yim in The Ballad Of Mulan, on tour at York Theatre Royal. Picture: Malcolm Tam

Tour show announcement of the week: Red Dragonfly Productions & Grist To The Mill Productions present The Ballad Of Mulan, York Theatre Royal Studio, September 11, 7.45pm; September 12, 2pm & 7.45pm

COMMISSIONED and performed by West Yorkshire-born British-Chinese actress Michelle Yim, The Ballad Of Mulantells the story of the real woman behind the legendary Chinese female warrior who disguised as a man to join the Empire’s army – and inspired Disney’s animation and live-feature Mulan.

Woman, warrior, legend, for ten years Mulan has fought for the Chinese Empire. Now, after one last battle, she will be going home, but can she return to her old life, becoming a woman again? Yim’s hour-long The Ballad Of Mulan presents a search for identity in a violent world. Box office: 01904 623568 or yorktheatreroyal.co.uk.

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Sparks precede first York gig since 1972 with Live On The Moon album. Back on Earth, they land at York Barbican on Aug 25

Ron and Russell Mael: Bringing Sparks back to York after a 52-year hiatus. Picture: Munachi Osegbu

CULT Californian pop-rock pioneers Sparks will play York for the first time in 52 years on their 2025-2026 world tour on August 25.

The Mael brothers, Ron (keyboards) and Russell (vocals), will take to the York Barbican stage in one of two dates added  in June to a British itinerary already booked  into London, Glasgow, Blackpool, Bournemouth and Bristol. Japan, Australia, New Zealand and Europe have been on their travel list too.

Their  last York appearance came at the University of York on November 2 1974, they year when Sparks rose to fame with This Town Ain’t Big Enough For The Both Of Us and Amateur Hour, both from the album Kimono My House.

Ron, now 81, and Russell, 77, are lining up a career-spanning set next Tuesday on the back of their 28th studio album, 2024’s MAD!, its companion EP, MADDER!, and now Sparks Live On The Moon, released on double CD and download/stream on August 14, to be followed by the limited-edition moon-coloured, marbled double LP, available exclusively from the band’s store at https://store.allsparks.com/ ahead of its September 4 release.

The album cover artwork for Sparks’ 2026 live album, Sparks Live On The Moon

The eternally adventurous, boundary-pushing Mael brothers achieve another first with this 20-track performance, captured in all its heavenly glory, complete with intro and outro contributions by actress Cate Blanchett. 

“After our 2025 World Tour, Sparks accepted an invitation to do a special one-off concert on the Moon, more precisely at the Taruntius Crater, near Mare Fecunditatis,” say Ron and Russell, in an announcement from Earth 2026.  

“Honoured to be the first band to perform on the Moon, let alone at the beautiful Taruntius Crater, we couldn’t have imagined the lunar fan interest, with all tickets being grabbed up within an hour, Coordinated Lunar Time (CLT). Thank you, Moon! 

“And a big thank-you to Cate Blanchett for taking the time out of her busy schedule to accompany us on this journey and perform emcee duties at this special concert.  What a riot Cate was on the mission’s four-day flight, helping us pass the time with hours of gravitational-pull jokes and the like!

The poster for Sparks’ York Barbican debut

“So sit back, close your eyes and imagine the wondrous setting, and enjoy Sparks Live On The Moon.”

The track listing is: So May We Start; Do Things My Own Way; Reinforcements; Academy Award Performance; Goofing Off; Beat the Clock; Please Don’t F*** Up My World; Running Up A Tab At The Hotel For The Fab; Suburban Homeboy (“Ron Speaks” Version); All You Ever Think About Is Sex; Drowned In A Sea Of Tears; JanSport Backpack; Music That You Can Dance To; When Do I Get To Sing “My Way”; The Number One Song In Heaven; This Town Ain’t Big Enough For Both Of Us; Whippings And Apologies;  Lord Have Mercy; The Girl Is Crying In Her Latte and All That.

The live album comes ahead of a final run of shows for 2026 that will see Sparks return to Southend-on-Sea, as well as York, for the first time since 1974, alongside a highly-anticipated set at Green Man Festival, Crickhowell, on August 23, and dates in France, the Netherlands and Belgium.

Sparks formed in Los Angeles, California, when Ron and Russell, raised in the upscale Pacific Palisades neighborhood, established the band in 1968 while attending UCLA. Now known as “your favourite band’s favourite band”, the duo went on to inspire artists such as Joy Division, Squeeze, Depeche Mode, Björk, Beck and latterly The Last Dinner Party. As producer Jack Antonoff once put it: “All pop music is re-arranged Sparks.”

The album cover artwork for Sparks’ 2024 album, Mad!

After the 1974 springboard of  This Town Ain’t Big Enough For The Both Of Us and Amateur Hour, they  notched further chart success with Never Turn Your Back On Mother Earth (1974); Something For The Girl With Everything (1975); Get In The Swing (1975); Looks, Looks, Looks (1975); The Number One Song In Heaven (1979); Beat The Clock (1979); When Do I Get To Sing “My Way” (1994 & 1995); When I Kiss You (I Hear Charlie Parker Playing) (1994) and This Town Ain’t Big Enough For The Two Of Us, with Faith No More (1997).

In 2021, the Maels were the subject of Edgar Wright’s documentary The Sparks Brothers. That year too, the brothers conceived, wrote and scored visionary French filmmaker Leos Carax’s surreal, dark, meta-fictional rock opera, Annette, which charted the tragic romance between a provocative stand-up comedian and a world-renowned opera singer, whose lives are upended by the birth of their mysterious child.

Earlier this year, Sparks  supported Gorillaz at Tottenham Hotspur Stadium on June 20, having  joined Damon Albarn and co on Jimmy Kimmel Live! on April 9 to perform The Happy Dictator, a collaboration featured on Gorillaz’s 2026 album The Mountain.

Extras tickets were released in June for Sparks’ York Barbican debut but have since sold out. Doors will open at 7pm next Tuesday. Mr. B  The Gentleman Rhymer supports. Box office for returns only: yorkbarbican.co.uk.

Sparks: “Your favourite band’s favourite band”

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REVIEW: Martin Dreyer’s verdict on North York Moors Chamber Music Festival, In The Beginning…, Welburn Manor Marquee, August 8

Pianist Katya Apekisheva: “Delivered an account of Berg’s single-movement Piano Sonata, Op 1 that you are unlikely to hear bettered”

THE best-kept secret in the world of chamber music is up and running once again. This 18th year’s theme celebrates the wonders of Creation and is titled accordingly. Fittingly, this includes six premieres over the festival fortnight, at all of which the composers concerned will be present.

The sheer statistics are worth a glance. Over the course of 13 concerts, there will be 58 pieces from 32 different composers covering 300 years to the present. Most featured are Thomas Adès and Schumann with six pieces each, followed by Beethoven and Mozart with four apiece.

There are 28 performers involved, all of them outstanding in their field, including many who return year after year and have become audience favourites.

For those new to the festival, it should be mentioned that although the programmes are published in advance, the names of the actual performers are only revealed just before each event – which adds an anticipatory frisson.

This year’s Young Artists Ensemble is the Davidoff Trio, who had the honour of opening proceedings, which encompassed Opus 1 pieces by Beethoven, Schumann, Berg and Mendelssohn. The outstanding feature of the trio’s treatment of Beethoven’s Op 1, No 1 in E flat was the intelligent pianism of Yona Sophia Jutzi. She maintained an ideal balance with her partners along with smooth momentum.

The ‘Mannheim skyrocket’ of the opening theme had a crisp staccato in all three voices. By contrast, the unusual Rondo slow movement was notable for the pianist’s rubato and the cellist’s interjections.

Much was made of the contrast between the pianissimo opening of the Scherzo and the more robust moments later. There was sparkling wit in the finale, taken at particularly brisk pace, with the strings handling its Mozart-style chromaticism with panache.

Roman Kosyakov highlighted the vitality in Schumann’s Op 1, his Abegg Variations for piano, his first foray into musical acrostics, since the letters of the name (with B representing the note B flat) are the theme that he develops. Kosyakov was clearly aware that their style was largely derived from Chopin and he milked it cleverly, particularly in the highly decorated fourth variation.

Katya Apekisheva, a long-time favourite here, delivered an account of Berg’s single-movement Piano Sonata, Op 1 that you are unlikely to hear bettered. She was totally attuned to the idiom of extremely late Romantic harmony composed when Berg was still a pupil of Schoenberg. Her touch and attention to detail were impeccable, notably as she built towards its big climax.

Mendelssohn’s First Piano Quartet, Op 1 in C minor, brought a third pianist to the podium, Daniel Lebhardt, in company with violinist Charlotte Scott, viola player Elliott Perks and cellist and festival director Jamie Walton. It proved a superb combination. Its opus number belies the work’s extraordinary maturity, which was apparent in the relentlessly detailed piano role in the first movement. Lebhardt handled it impeccably.

There was a truly Romantic soulfulness in the Adagio, largely coloured by the lower two strings. The excitement in the scherzo gave it a sense of acceleration and a power cut during the trio was weathered faultlessly. Battery lights were brought on before the finale which, despite its moderato marking, was taken at a fair clip, growing in intensity into a thrilling coda.

Review by Martin Dreyer

North York Moors Chamber Music Festival continues until August 22. For the full programme, visit:  northyorkmoorsfestival.com.

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180 artists to take part in SmART Gallery charity sale on racecourse fence on Aug 30

SmART Gallery charity art sale organiser Jo Dalgleish

AS many as 180 artists will be taking part in the fundraising SmART Gallery art sale on Sunday, August 30 from 11am to 2.30pm in South Bank, York.

Pictures at this outdoor art gallery will be displayed on the York Racecourse fence that runs from Campleshon Road along Racecourse Road.

“It’s a totally inclusive art gallery, created by the community, for the community, all to raise money for two great charitable causes: our voluntary work in Sierra Leone and the Christmas Crisis appeal,” says SmART organiser Jo Dalgleish.

“The idea is that we produce homemade canvases, sell them blank for £10, then ask the artist to donate them back to SmART for the gallery. On the opening day we’ll have live music, stalls, a cafe and a grand sealed bid auction of all the paintings.

“All money raised on the day goes to charity. All the paintings that are not sold will remain on the fence for the year as an outdoor art gallery for the community to enjoy.”

Among the artists contributing artworks will be Yohanna, a ten-year-old refugee from Ethiopia; Tadcaster artist Beth Elsdon; Di Wood, Jo’s friend from her York schooldays, who now lives Inverness, from where she will post her canvas to Jo, and part-time artist Sally Ellen Barlow, who has exhibited for six years and has had a piece licensed and sold globally by IKEA.

Jo’s two-year-old grandson, Oskar Carlyle, has created his first canvas entitled Wisteria, after watching his Great Grandad’s creeper being pruned while on holiday in France. By way of contrast, probably the oldest participant is Tessa Bailey, who has just retired as an artist at the age of 80.

The Huntington Art Group of professional and amateur artists, Caroline, Julia, Kevin, Jackie, Maureen, Linda and Steve, will be exhibiting for the second year.

“On show too will be works by Leah, Aggie, Rose and Maddie, four girls at college wanting to be paramedics or midwives, who all want to join our group going to do voluntary work in Sierra Leone next Easter,” says Jo.

Artworks on show at the SmART Gallery charity art sale in 2025

“Part-time artist Nick Clapham got involved because his sister has been going to Sierra Leone for years as she helped set up the Sierra Leone National Railway Museum! Nick gets many of his friends and families involved and drives over to York to deliver everybody’s canvases.”

Jo continues: “A number of young people and staff from Lord Gowthorpe’s Independent School for young people with autism, where I work, will be exhibiting too. 

“Angela Atkin had never painted canvases before the beginning of the SmART Gallery, but, living on Knavesmire Crescent, she wanted to support the event during Covid, so she learnt how to paint and now exhibits every year, along with getting all her family involved.”

Contributing too will be Bob Anderton, a well respected and long-time York artist, who, among other credits, was instrumental in the restoration of the Holgate Windmill, in Windmill Rise, York.

Look out for a work by Tim Blake, Jo’s brother, who was born in York but now lives in London and works as an art director and production designer, latterly on the films Shelter and Hamnet.

Pictures will be displayed in full on August 30. “We’re hoping to sell as many as possible but at least half are taken down and taken by the buyers; the rest of them stay up on the fence till next year!” says Jo.

“Every year we have one stolen – very annoying – despite the fact there are clear signs saying they’re still for sale and the money is all for charity! We usually continue to sell those left out in dribs and drabs, all year, to be honest. 

“This year we sold two after they’d been up for around ten months! They did look a little worse for wear! But, depending on what medium has been used, they can look as good as new after a year.

“Once taken down, a year later, they progress to the Alley Art Gallery on the walls of the alley between Knavesmire Crescent and Curzon Terrace! This has a sign at the top explaining.” 

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What’s On in Ryedale, York and beyond. Hutch’s List No. 33, from Gazette & Herald

Doubles troubles: Husband-and-wife strife for Helen Clarke’s Margo and Jamie McKeller’s ageing club champ, Lionel, in York Shakespeare Project’s Summer Sonnets: What the Deuce? Picture: John Saunders

MINISTRY of Sound turning classical, The Magpies’ folk festival, Sue Slack’s landscape paintings and The Basement’s new comedy club should outshine this evening’s solar eclipse, reckons Charles Hutchinson.

New balls please: York Shakespeare Project presents 2026 Summer Sonnets: What The Deuce?, Holy Trinity Churchyard, Goodramgate, York, until Saturday,  6pm & 7.30pm, plus 4.30pm Saturday show

SUMMER at the Goodramgate Lawn Tennis Club finds four doubles teams competing for the chance to play in a Wimbledon amateur tournament, whereupon partnerships and rivalries lead to sabotage and break point. Who has the advantage? Who is at fault? Will the score be love?

Expect further tennis puns aplenty as Rosy Rowley directs Stuart Green’s script that asks a new collection of ten characters to play out this new sporting and unsporting situation where each finds a way to share a Shakespeare sonnet. Taking part are James Robert Ball, Oscar Langford, Helen Clarke, Sarah McKeagney, Stuart Lindsay, Alexa Williams, Jamie McKeller, Alan Sharp, Christine Bramwell and Effie Warboys. Box office: tickets.41monkgate.co.uk.

Holly Johnson: Frankie says Relax on the Scarborough coast

Coastal gig of the week: Scarborough Open Air Theatre presents Holly Johnson, ABC and Heaven 17, Friday, gates 6pm

FLAMBOYANT, unapologetically bold Frankie Goes To Hollywood lead vocalist and lyricist Holly Johnson tops the 1980s’ triple bill on Friday, when he performs the chart-topping trio of  Relax, Two Tribes and The Power Of Love, further Frankie smashes Welcome To The Pleasure Dome and Rage Hard and solo hits Love Train, Americanos and Atomic City. Sheffield bands ABC and Heaven 17 support. Box office: scarboroughopenairtheatre.com.

Grim reading: Pandora Clifford’s Mags (a younger Margaret Thatcher) flicking through the headlines in Handbagged at the Stephen Joseph Theatre. Picture: Tony Bartholomew

Political drama of the week: Handbagged, Stephen Joseph Theatre, Scarborough, until August 29

MOIRA Buffini’s 2013 Olivier Award-winning play imagines what happened behind closed palace doors when two of the 20th century’s most powerful women, Queen Elizabeth II and Prime Minister Margaret Thatcher, locked handbags. Meeting once a week for 11 years, one believed there was no such thing as society; the other committed her life to serving it.

Spanning 1979 to 1990, Handbagged asks if The Queen and the Iron Lady ever found common ground or did their stiff upper lips reign supreme? Hannah Tyrrell-Pinder directs the SJT cast of Pandora Clifford, Liz Garland, Alexandra Mathie, Deven Modha, Simon Darwen and Meriel Scholfield. Box office: 01723 370541 or sjt.uk.com.

The Magpies: Hosting their annual folk festival at Sutton Park, Sutton-on-the-Forest

Folk festival of the month: The Magpies Festival, Sutton Park, Sutton-on-the-Forest, near York, Friday and Saturday. SOLD OUT

RUN by the folk trio of Bella Gaffney, Holly Brandon and Ellie Gowers, The Magpies Festival presents Friday’s Main Stage bill of Daraa Tribes (6pm), The Magpies (8pm) and headliners Manran (10pm) and Brass Castle Stage bill of True Foxes (5pm), Elizabeth Davidson-Blythe & Daniel Quayle (7pm), SupaLung (9pm) and New York Brass Band (11pm).

Saturday’s line-up on the Main Stage comprises Steady Habits (12 noon), Alex Hart (2pm), Blair Dunlop (4pm), Katherine Priddy (6pm), Gnoss (8pm) and headliners Cut Capers (10pm). The Brass Castle Stage plays host to Songs In The Round, with Katherine Priddy, Blair Dunlop and Chloe Foy (1pm), Tarren (3pm), Ophelia’s Beard (5pm), Around About Dusk (7pm) and Suntou Susso & The Gambian Superstars (9pm). Box office for returns only: themagpiesfestival.co.uk/tickets.

York River Art Market organiser Caroline Turner with artist Lincoln Lightfoot on the Dame Judi Dench Walk pathway

Open-air art event of the week: York River Art Market, Dame Judi Dench Walk, York, Saturday & Sunday, 10am to 5.30pm

YORK River Art Market returns for its 11th year, bringing more than 30 artists from multiple disciplines to the Ouse riverside each day, this year presenting art and design market stalls on both sides of the pathway.

Described as York’s answer to the Left Bank in Paris, the event is being run for the first time this summer by Caroline Turner, a professional potter and ceramics teacher at Clay Space York. Admission is free.

Ministry of Sound Classical: Taking over the Castle Howard grounds on Saturday

Club classics/House/Orchestral party gathering of the week: Ministry of Sound Classical, Grounds of Castle Howard, near Malton, Saturday, 2pm to 10.30pm

ENJOY sweeping views of the Castle Howard Estate while listening to a live orchestra reimagining the greatest dance anthems from the iconic Ministry of Sound catalogue as timeless tracks are brought to life, blending classical musicianship with contemporary dance music for an unforgettable open-air experience. 

As well as headline act Ministry Of Sound Classical, artists performing at this festival will be Judge Jules, Paul Oakenfold, Danny Rampling, Ellie Sax, Smudged Soul and Alex Malam. Box office for last few tickets: skiddle.com/festivals/ministry-of-sound-classical-at-castle-howard/#tickets.

Nice touch: Chloe Petts feeling lippy about playing Basement Comedy Club’s debut gig

Comedy gig of the week: Basement Comedy Club launch gig, The Basement, City Screen Picturehouse, York, Sunday, 6pm

CITY Screen Picturehouse launches its new monthly comedy event in the redecorated Basement this weekend. Compered by Sara Barron, the debut Basement Comedy Club bill comprises headline act Chloe Petts, addressing lad culture and identity politics, Manchester comic Shah, shedding light on growing up in an immigrant household and mental health challenges, and Lovdev Barpaga, who specialises in crafting one liners and puns. Box office: picturehouses.com.

Hiker and landscape artist Sue Slack painting above Rosedale

Exhibition of the week: Sue Slack, Finding The Dramatic, Ryedale Folk Museum, Hutton-le-Hole, until August 31

NORTH York Moors landscape painter Sue Slack’s work is inspired by a deep connection with the surrounding landscape. A keen runner and hiker, she draws creative energy from exploring the area close to home.

Working outdoors, Sue embraces the immediacy of being in the landscape and its direct influence on her painting and drawing. In Finding The Dramatic, she presents mixed-media works inspired by the hills, dales and coastline of the North York Moors. Open Saturdays to Thursdays, closed on Fridays; free to visit.

Linda Smith: Bedroom pop at The Crescent

American pop underground act of the week: Please Please You presents Linda Smith, The Crescent, York, Sunday, 6.30pm

HOME recording pioneer Linda Smith has self-released her music since 1987, originally on cassette. In the early 1990s, indie labels Slumberland and Harriet Records expanded her reach with two seven-inch EPs.

Brooklyn, New York label Captured Tracks has reissued two complete albums on vinyl and Smith has begun to tour in the United States and internationally for the first time, now visiting York with her bedroom pop. Support act Troutflies play loose, woozy punk and experimental lo-fi pop, occasionally with duelling melodicas. Box office: thecrescentyork.com.

More Things To Do in York and beyond. Here’s Hutch’s List No. 33, from The York Press, from August 15 onwards

Squash on the tennis court: Effie Warboys’ insufferably spoilt Chessie, front left, pushing around her doubles partner, Alexa Williams’s Belle, in Summer Sonnets: What The Deuce? In the background are Oscar Langford’s Harry, left, and James Robert Ball’s Tony. Picture: John Saunders

MINISTRY of Sound turning classical, The Basement’s comedy launch night and Johnny Depp’s Scarborough return spark Charles Hutchinson’s curiosity.

New balls please: York Shakespeare Project presents 2026 Summer Sonnets: What The Deuce?, Holy Trinity Churchyard, Goodramgate, York, August 15,  4.30pm, 6pm & 7.30pm

SUMMER at the Goodramgate Lawn Tennis Club finds four doubles teams competing for the chance to play in a Wimbledon amateur tournament, whereupon partnerships and rivalries lead to sabotage and break point. Who has the advantage? Who is at fault? Will the score be love?

Expect further tennis puns aplenty as Rosy Rowley directs Stuart Green’s script that asks a new collection of ten characters to play out this new sporting and unsporting situation where each finds a way to share a Shakespeare sonnet. Taking part are James Robert Ball, Oscar Langford, Helen Clarke, Sarah McKeagney, Stuart Lindsay, Alexa Williams, Jamie McKeller, Alan Sharp, Christine Bramwell and Effie Warboys. Box office: tickets.41monkgate.co.uk.

York River Art Market organiser Caroline Turner with artist Lincoln Lightfoot on the Dame Judi Dench Walk pathway

Open-air art event of the week: York River Art Market, Dame Judi Dench Walk, York, August 15 and 16, 10am to 5.30pm

YORK River Art Market has returned for its 11th year, bringing more than 30 artists from multiple disciplines to the Ouse riverside each day on the third of three weekends, this year presenting art and design market stalls on both sides of the pathway.

Described as York’s answer to the Left Bank in Paris, the event is being run for the first time this summer by Caroline Turner, a professional potter and ceramics teacher at Clay Space York. Admission is free.

Cut Capers: Headlining Main Stage at The Magpies Festival on August 15

Folk festival fully booked: The Magpies Festival, Sutton Park, Sutton-on-the-Forest, near York, August 15

RUN by the folk trio of Bella Gaffney, Holly Brandon and Ellie Gowers, The Magpies Festival presents today’s line-up on the Main Stage of Steady Habits (12 noon), Alex Hart (2pm), Blair Dunlop (4pm), Katherine Priddy (6pm), Gnoss (8pm) and headliners Cut Capers (10pm).

The Brass Castle Stage plays host to Songs In The Round, with Katherine Priddy, Blair Dunlop and Chloe Foy (1pm), Tarren (3pm), Ophelia’s Beard (5pm), Around About Dusk (7pm) and Suntou Susso & The Gambian Superstars (9pm). Box office for returns only: themagpiesfestival.co.uk/tickets.

Ministry of Sound Classical: Taking over the Castle Howard grounds on August 15

Club classics/House/Orchestral party gathering of the week: Ministry of Sound Classical, Grounds of Castle Howard, near Malton, August 15, 2pm to 10.30pm

ENJOY sweeping views of the Castle Howard Estate while listening to a live orchestra reimagining the greatest dance anthems from the iconic Ministry of Sound catalogue as timeless tracks are brought to life, blending classical musicianship with contemporary dance music for an unforgettable open-air experience. 

As well as headline act Ministry Of Sound Classical, artists performing at this festival will be Judge Jules, Paul Oakenfold, Danny Rampling, Ellie Sax, Smudged Soul and Alex Malam. Box office for last few tickets: skiddle.com/festivals/ministry-of-sound-classical-at-castle-howard/#tickets.

Hollywood Vampires: Joe Perry, left, Johnny Depp, Alice Cooper and Tommy Henriksen

Coastal gig of the week: Hollywood Vampires, TK Maxx Presents Scarborough Open Air Theatre, August 15, gates 6pm

NAMED after Alice Cooper’s 1970s’ drinking club, American rock supergroup Hollywood Vampires return to Scarborough after their sold-out 2023 gig with the regular line-up of Cooper, film star and guitarist Johnny Depp, Aerosmith co-founder Joe Perry and Crossbone Skully and Warlock musician Tommy Henriksen. Punk icons The Damned support. Box office: scarboroughopenairtheatre.

Sara Barron: Compere for Basement Comedy Club debut gig

Comedy gig of the week: Basement Comedy Club launch show, The Basement, City Screen Picturehouse, York, August 16, 6pm

CITY Screen Picturehouse launches its new monthly comedy event in the redecorated Basement this weekend. Compered by Sara Barron, the debut Basement Comedy Club bill comprises headline act Chloe Petts, addressing lad culture and identity politics, Manchester comic Shah, shedding light on growing up in an immigrant household and mental health challenges, and Lovdev Barpaga, who specialises in crafting one liners and puns. Box office: picturehouses.com.

Hiker and landscape artist Sue Slack painting above Rosedale

Exhibition of the week: Sue Slack, Finding The Dramatic, Ryedale Folk Museum, Hutton-e-Hole, until August 31

NORTH York Moors landscape painter Sue Slack’s work is inspired by a deep connection with the surrounding landscape. A keen runner and hiker, she draws creative energy from exploring the area close to home.

Working outdoors, Sue embraces the immediacy of being in the landscape and its direct influence on her painting and drawing. In Finding The Dramatic, she presents mixed-media works inspired by the hills, dales and coastline of the North York Moors. Open Saturdays to Thursdays, closed on Fridays; free to visit.

Linda Smith: Bedroom pop at The Crescent

American pop underground act of the week: Please Please You presents Linda Smith, The Crescent, York, August 16, 6.30pm

HOME recording pioneer Linda Smith has self-released her music since 1987, originally on cassette. In the early 1990s, indie labels Slumberland and Harriet Records expanded her reach with two seven-inch EPs.

Brooklyn, New York label Captured Tracks has reissued two complete albums on vinyl and Smith has begun to tour in the United States and internationally for the first time, now visiting York with her bedroom pop. Support act Troutflies play loose, woozy punk and experimental lo-fi pop, occasionally with duelling melodicas. Box office: thecrescentyork.com.

Silent Disco falls even more silent

CANCELLED: Glasswerk presents Day Fever Silent Disco, York Museum Gardens, August 21, 6.30pm

YORK Museum Gardens will no longer be transformed into “the ultimate outdoor dance floor” for Day Fever’s first ever Silent Disco under the stars that would have followed the organisers’ series of York Barbican indoor events.

“It’s really simple,” said Day Fever’s co-organiser, actress Vicky McClure, before the late cancellation. “Everyone gets a pair of headphones. You’ll be connected to a Day Fever DJ, who will be playing non-stop Day Fever anthems from 6.30pm until 10m. Sing as loud as you like – no-one can hear.” Ticket refunds: https://www.skiddle.com/whats-on/York/Museum-Gardens/Day-Fever-Silent-Disco/42485814/.

Michelle Yim in The Ballad Of Mulan, on tour at York Theatre Royal.

Show announcement of the week: Red Dragonfly Productions & Grist To The Mill Productions present The Ballad Of Mulan, York Theatre Royal Studio, September 11, 7.45pm; September 12, 2pm & 7.45pm

COMMISSIONED and performed by West Yorkshire-born British-Chinese actress Michelle Yim, The Ballad Of Mulan tells the story of the real woman behind the legendary Chinese female warrior who disguised as a man to join the Empire’s army – and inspired Disney’s animation and live-feature Mulan.

Woman, warrior, legend, for ten years Mulan has fought for the Chinese Empire. Now, after one last battle, she will be going home, but can she return to her old life, becoming a woman again. Yim’s hour-long The Ballad Of Mulan presents a search for identity in a violent world. Box office: 01904 623568 or yorktheatreroyal.co.uk.

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REVIEW: York Shakespeare Project in 2026 Summer Sonnets: What The Deuce?, Holy Trinity Churchyard, Goodramgate, York ****

On the stretch: Jamie McKeller’s Lionel and Stuart Lindsay’s Charles limbering up for a doubles match in Summer Sonnets’ What The Deuce? at Holy Trinity Churchyard. Picture: John Saunders

ROSY Rowley and Stuart Green, partners off court, are the new doubles partnership for York Shakespeare Project’s tennis-themed 2026 Summer Sonnets.

Familiar figures on the York stage, they have switched to directing and writing YSP’s regular summer enterprise, wherein ten of the Bard’s sonnets are performed within a framework that changes each year.

Courtly love takes on a new meaning in Summer Sonnets: What The Deuce?, set in the summertime, when the weather is fine at the Goodramgate Lawn Tennis Club as four doubles teams compete for the chance to play in a Wimbledon amateur tournament.

Ace partnership: What The Deuce? director Rosy Rowley and script writer Stuart Green putting top spin on York Shakespeare Project’s Summer Sonnets with novel tennis theme

Sporting endeavour clashes with unsporting behaviour when partnerships and rivalries on court undermine partnerships off court, taking rivalries to break point in a surfeit of subterfuge and sabotage. “Who has the advantage? Who is at fault? Will the score be love?” ask Green and Rowley, who duly reach for a volley of tennis puns, put away with the flourish of a Federer.

Free drink in hand – alas not Robinsons Lemon Barley Water, but then again Robinsons’ partnership with Wimbledon ended after 86 years in 2022 – the audience settled into seating repositioned by 90 degrees in the Holy Trinity Churchyard.

The cast now performs with the sound of the Chinese restaurant kitchen fans on Goodramgate now behind or to the side of them: an excellent decision that ensures vocal clarity. In addition, Rowley has her actors delivering from closer to the audience, again ensuring no line is lost.

Alan Sharp’s groundsman (in a change of rock band T-shirt from the one referenced in this review) receiving the first of multiple instructions from the tennis club chair, Christine Bramwell’s Elizabeth, in Summer Sonnets: What The Deuce? Picture: John Saunders

York tour guide Alan Sharp is no stranger to speaking on the move, above street noise, and here he does so as the phlegmatic, weather-beaten, worldly-wise groundsman Graham, whose every line is either delivered in iambic pentameter in Stuart Green’s script or is one of the Bard’s smattering of tennis references (or real tennis as it would have been at that time), from Henry V to Hamlet.

In his System Of A Down Mine Is Bigger Than Yours T-shirt and shorts, Sharp’s Graham will open and close the show and make regular interjections to carry out handyman tasks, reappearing with a plunger, rubber gloves, replacement barley water bottle and finally an old-school groundsman’s line marker (with the obligatory squeak). It is a standard-fit line marker, by the way, rather than bigger than yours.

The churchyard grass is not converted into a tennis court (games are conducted as ‘noises off’), but serves as the club grounds where all the shenanigans take place.

Drinks break: Oscar Langford’s Harry, left, and James Robert Ball’s Tony sip the barley water in a joke that will run and run in Summer Sonnets: What The Deuce? as Stuart Lindsay’s Charles looks on. Picture: John Saunders

Each time the drama heightens, invariably in a heated discussion, rather than bursting into song in opera or musical theatre, a protagonist moves seamlessly into sonnet mode, and come the 50-minute mark, all ten will have unburdened themselves in Shakespeare’s silver tongue.

We meet Christine Bramwell’s ever-enthusiastic club chair Elizabeth; her doubles partner, Helen Clarke’s Margo, wife to Jamie McKeller’s ageing club champ, whose doubles partner, Stuart Lindsay’s Charles, is wont to hiding behind trees, desperate to win Margo rather more than his matches.

Of the young things, Oscar Langford’s Harry is a loyal partner to James Robert Ball’s Tony, in more ways than tennis as it becomes increasingly apparent, but Lionel and Margo’s spoilt-brat, posh and pushy daughter Chessie (Effie Warboys, whose birthday falls tomorrow) wants Harry to hurry up in his affections for her. “I’m practically club royalty,” she scoffs, making a racket at every toss and turn.

Squash on the tennis court: Effie Warboys’ insufferably spoilt Chessie, front left, pushing around her doubles partner, Alexa Williams’s Belle. In the background are Oscar Langford’s Harry, left, and James Robert Ball’s Tony. Effie will be celebrating her birthday tomorrow. Picture: John Saunders

Her long-suffering best friend Belle (Alexa Williams) has the hots for Harry too. Meanwhile, club newcomer Vic (Sarah McKeagney), in jeans and Gorillaz T-shirt, is on the lookout for a partner, as we watch everything play out game, set and match, fair game, re-set and mis-match, with delightful mischief in Green’s plot and Rowley’s direction alike.

“Only in tennis does ‘love’ mean you are losing,” laments Lindsay’s Charles in Green’s best line, although Charles’s “I had Brazilian last night,” prompting a misunderstanding Lionel to enquire “Chafing?” is a peach too. Easy mis-steak to make!

All the familiar Shakespeare comedy tropes are present and freshly spun from mistaken identity to a potion in the barley water, cross-dressing to mistaken identity; revenge to lust and unrequited love. You will be rushing home to check whether  Mexican Donkey Laxative  actually exists.

Sarah McKeagney: One of eight York Shakespeare Project debutants in Summer Sonnets: What The Deuce?, playing tennis club newcomer Vic at Holy Trinity Churchyard. Picture: John Saunders

What The Deuce is YSP’s ninth season of summertime sonnets and third at Holy Trinity, where Rowley and Green have certainly supplied new balls, please, with their rallying call enticing eight of the cast to make both their Sonnets and YSP debut.

Whether Sonnet Walks or Sit-Down Sonnets, Sonnets at the Bar [Convent], Sonnets in Bloom in 2025 or tennis fun and games in 2026, this event remains one of the joys of the York outdoor theatre year for performers, audience and venues alike. You cannot be serious? Very much so.

York Shakespeare Project presents 2026 Summer Sonnets: What The Deuce?, Holy Trinity Churchyard, Goodramgate, York, play resumes tomorrow until Saturday, 6pm and 7.30pm plus 4.30pm Saturday show. Box office: tickets.41monkgate.co.uk.

Doubles troubles ahead: Helen Clarke’s Margo and her husband, Jamie McKeller’s Lionel, the ageing club champ in Summer Sonnets: What the Deuce? Picture: John Saunders

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More Things To Do in York and beyond. Hutch’s List No. 32, from The York Press

Donna Maria Taylor in her South Bank Studios studio

GEORGIAN celebrations, a brace of art fairs, Shakespeare sonnets on the tennis court and The Magpies’ folk festival should outshine Wednesday’s solar eclipse, reckons Charles Hutchinson.

Artists in situ: South Bank Studios’ Summer Artists Open Doors, Southlands Methodist Church, Bishopthorpe Road, York, today, 10am to 4pm

MEET the South Bank artists and makers who work in a broad range of disciplines, from textile art, painting, drawing and photography, to mixed media, letterpress and linocut printmaking.

Visit their studios to see their creative processes in a day of art to buy, art demonstrations and activities, including the loft studios, not usually on view to the public. The cafe will be open for refreshments. Entry is free; all welcome.  

Masquerade Ball at the 2026 York Georgian Festival tonight

York festival of the week: York Georgian Festival, until August 10

HIGHLIGHTING the sights and sounds of 18th century life, York Mansion House and beyond plays host to the fourth York Georgian Festival in a festival programme that ranges from free displays of dancing and military drills in St Helen’s Square to the York Georgian Masquerade Ball at the Grand Assembly Rooms tonight. Talk, tours, performances and workshops feature too. For full listings and booking details, go to: yorkgeorgianfestival.co.uk.

Carlton Main Colliery Band: Brass At The Proms at Selby Abbey

Rousing concert of the week: Brass At The Proms, Carlton Main Colliery Band, Selby Abbey, tonight, 7pm

JOIN Carlton Main Frickley Colliery Band on its return to the former coalfield town of Selby for a Last Night of the Proms brass concert featuring a vibrant mix of rousing favourites. Seating in the Main Nave will be allocated, with seat and row numbers; Rear Nave seating will be filled on a first-come, first-served basis. Box office: selbytownhall.co.uk.

Futureproof’s logo for a night of poetry, drag, monologues and comedy

Art and science bonding exercise of the week: Futureproof presents Opposites Attract Scratch Night, York Theatre Royal Studio, tonight, 7.30pm

EIGHT acts perform a mixture of poetry, drag, monologues and comedy. Expect biochemistry, molecular biology, sewing, chalk stream-inspired dance and more tonight.

The theme, Opposites Attract, derives from the idea that many things will give people joy, purpose, belonging and entertainment — such as maths and science — that seem to be mutually exclusive to theatre. Futureproof invites creatives to consider these ostensible contrasts, alongside the concept that theatre is meant to reflect our world and/or be a tool to create new ones. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Comedy event of the week: Kevin Bridges: Warm Up, Grand Opera House, York, today and tomorrow, 8pm

CLYDEBANK comedian Kevin Bridges performs two warm-up shows in York ahead of his UK stand-up tour Here If You Need Me. Tonight’s gig has sold out but tickets are still available for tomorrow, as well as for his Leeds First Direct Bank Arena tour show on November 19. Box office: York, atgtickets.com/york; Leeds, axs.com/uk/events/1240964/kevin-bridges-tickets?skin=leeds.

On the stretch: Jamie McKeller’s Lionel, left, and Stuart Lindsay’s Charles limbering up for the doubles in York Shakespeare Project’s Summer Sonnets: What the Deuce? Picture: John Saunders

New balls please: York Shakespeare Project presents 2026 Summer Sonnets: What The Deuce?, Holy Trinity Churchyard, Goodramgate, York, until August 15, except August 11, 6pm & 7.30pm, plus 4.30pm Saturday shows

SUMMER at the Goodramgate Lawn Tennis Club finds four doubles teams competing for the chance to play in a Wimbledon amateur tournament, whereupon partnerships and rivalries lead to sabotage and break point. Who has the advantage? Who is at fault? Will the score be love?

Expect further tennis puns aplenty as Rosy Rowley directs Stuart Green’s script that asks a new collection of ten characters to play out this new sporting and unsporting situation where each finds a way to share a Shakespeare sonnet. Taking part will be James Robert Ball, Oscar Langford, Helen Clarke, Sarah McKeagney, Stuart Lindsay, Alexa Williams, Jamie McKeller, Alan Sharp, Christine Bramwell and Effie Warboys. Box office: tickets.41monkgate.co.uk.

The poster fort York River Art Market 2026. Illustration by Elliot Harrison (@York360)

Open-air art event of the month: York River Art Market, Dame Judi Dench Walk, York, today and tomorrow, then August 15 & 16, 10am to 5.30pm

YORK River Art Market returns for its 11th year, bringing more than 30 artists from multiple disciplines to the Ouse riverside each day, this year presenting art and design market stalls on both sides of the pathway.

Described as York’s answer to the Left Bank in Paris, the event is being run for the first time this summer by Caroline Turner, a professional potter and ceramics teacher at Clay Space York. Admission is free.

York River Art Market 2026 organiser Caroline Turner with artist Lincoln Lightfoot on the Dame Judi Dench Walk pathway

Tribute gig of the week: SWT presents Pulp’d vs Blur 2, Milton Rooms, Malton, today, 8pm

PULP’D and Blur2 team up for a double-header of Britpop royalty tonight. Born and raised in Sheffield, passionate Pulp fans Pulp’d came together to re-create the hits, passion and Jarvis Cocker moves.

Blur2 bring the very best of Blur to every show: the energy, the fun, the sound, the looks and the musicianship of Damon Albarn, Graham Coxon, Alex James and co. Box office: 01653 696240 or themiltonrooms.com.

Scissor Sisters: Heading to the Scarborough coast tonight

Coastal gigs of the week: Scarborough Open Air Theatre presents Scissor Sisters, today; Holly Johnson, ABC and Heaven 17, August 14,  gates 6pm

AFTER their 2025 UK arena reunion tour and that summer’s Saturday night Glastonbury set, Scissor Sisters bring their trademark blend of glam, grit and glorious to Scarborough Open Air Theatre this weekend. Jake Shears, Babydaddy, Del Marquis and co will be rolling out such favourites as Take Your Mama, Laura, I Don’t Feel Like Dancin, Let’s Have A Kiki, Only The Horses and Filthy/Gorgeous.

Holly Johnson: Frankie says Relax in Scarborough

Flamboyant, unapologetically bold Frankie Goes To Hollywood lead vocalist and lyricist Holly Johnson tops the 1980s’ triple bill next Friday, when he performs the chart-topping trio of  Relax, Two Tribes and The Power Of Love, further Frankie smashes Welcome To The Pleasure Dome and Rage Hard and solo hits Love Train, Americanos and Atomic City. Sheffield bands ABC and Heaven 17 support. Box office: scarboroughopenairtheatre.com.

The Magpies: Hosting their folk festival at Sutton Park

Folk festival of the month: The Magpies Festival, Sutton Park, near York, August 14 and 15

RUN by the folk trio of Bella Gaffney, Holly Brandon and Ellie Gowers, The Magpies Festival presents next Friday’s Main Stage bill of Daraa Tribes (6pm), The Magpies (8pm) and headliners Manran (10pm) and Brass Castle Stage bill of True Foxes (5pm), Elizabeth Davidson-Blythe & Daniel Quayle (7pm), SupaLung (9pm) and New York Brass Band (11pm).

Next Saturday’s line-up on the Main Stage comprises Steady Habits (12 noon), Alex Hart (2pm), Blair Dunlop (4pm), Katherine Priddy (6pm), Gnoss (8pm) and headliners Cut Capers (10pm). The Brass Castle Stage plays host to Songs In The Round, with Katherine Priddy, Blair Dunlop and Chloe Foy (1pm), Tarren (3pm), Ophelia’s Beard (5pm), Around About Dusk (7pm) and Suntou Susso & The Gambian Superstars (9pm). Box office: themagpiesfestival.co.uk/tickets.

Composer Thomas Adès: Presenting new composition at Creation-themed North York Moors Chamber Music Festival. Picture: Marco Borggreve

In Focus: North York Moors Chamber Music Festival, August 8 to 22

THE North York Moors Chamber Music Festival celebrates its 18th consecutive year with the premieres of six works by contemporary British composers.

Aptly named Creation, the 2026 festival will run from August 8 to 22, featuring new compositions by Thomas Adès, Huw Watkins (both of whom will perform at the festival), Charlotte Bray, Tom Coult, Isabella Gellis and Helen Grime.

“Our 2026 festival celebrates the wonder of beginnings and features six newly commissioned premieres that evoke the six days of the universe’s creation, woven through the festival theme, by six of our country’s very finest composers,” says festival director and cellist Jamie Walton.

Charlotte Bray: Premiering That Which You Wove Of Lightest Thread, I Wear To Honour Stone at North York Moors Chamber Music Festival. Picture: David Beecroft

“As part of this narrative, the Sabbath (Sunday) remains a day of rest – and each concert includes works that were themselves groundbreaking or innovative in their time, reflecting music’s timeless power to create, to renew, and to tell a universal story through sound.”

Jamie continues: “Thomas Adès is widely regarded as one of the world’s greatest living composers, so it’s a real coup to have him both write for us and come to premiere the piece, Flower Variations [in the Landspeak concert on August 14 at 7pm at Welburn Manor].

“We’re really proud of the fact that, alongside these six outstanding composers, we have such a stellar line-up of international artists.

Helen Grime: Premiering Time Be Brief. Picture: Benjamin Ealovega

“We’re also continuing to champion visual artists from the moors in the brochure, pairing their work with concert titles. We’ve done this for the past two years and it’s a wonderful way to cross-pollinate and collaborate with more artists.”

Charlotte Bray’s piece for horn and string quartet, That Which You Wove Of Lightest Thread, I Wear To Honour Stone,  will be accompanied by a collaborative artwork by Caroline Burraway, exhibited on stage at St Hedda’s, Egton Bridge during The Dividing Line performance on August 13 at 2pm.

Isabella Gellis’s Creation will be premiered in August 11’s Dialogue concert at St Hilda’s, Danby, at 2pm; Helen Grime’s Time Be Brief, at Metamorphoses concert, Welburn Abbey, August 15, 7pm; Huw Watkins’s Oboe Quartet, The Architect’s Hand concert, St Mary’s, Lastingham, August  18, 2pm, and Tom Coult’s Two Nocturnes and A Maze, in its UK premiere, Nightfall concert, Welburn Abbey, August 20, 7pm.

Huw Watkins: Premiering his Oboe Quartet in festival appearance. Picture: Benjamin Ealovega

The festival will take place in four historic moorland churches – St Hilda’s, Danby, St Hedda’s, Egton Bridge, St Michael’s, Coxwold, and St Mary’s, Lastingham – along with the majority of concerts being staged in the grounds of Welburn Manor, near Kirkbymoorside, where the acoustically-treated venue has been enlarged this year to reflect the festival’s increasing popularity.  

The festival was named a Best of British Fund Winner 2026 by Airbnb, representing Yorkshire as part of the North York Moors Beacon for the Arts.

Jamie says: “Our festival celebrates the art of collaboration in an awe-inspiring setting, taking our audience on a musical quest each year through interwoven themes within a central storyline.

Isabella Gellis: Premiering Creation in August 11’s Dialogue concert at St Hilda’s, Danby. Picture: Ella Pavlides

“Over 18 years, we have built a reputation for breaking down barriers to make exceptional music accessible to all, fostering community and cultural connection through friendship and trust. Uncompromising even amid pandemic challenges, our festival was one of the few to present full, live performances in 2020 and 2021.

“August, when the heather is in full bloom, brings the North York Moors to life. Artists are immersed in the National Park, rehearsing and living in a deeply holistic environment, while audiences are welcome to enjoy picnics on the grounds of Welburn Manor, attend concerts, and explore the region’s historic churches and priories.”

The event continues to attract international artists, 28 this year, many of them committing to the entire fortnight by taking up residencies in a festival of 13 concerts featuring 58 chamber works from 32 composers spanning 300 years to the present day. 

Tom Coult: Premiering Two Nocturnes and A Maze on August 20. Picture: Matthew Johnson

This year, these include Alena Baeva, Benjamin Baker, Oliver Cave, Oliver Heath, Alessandro Ruisi and Charlotte Scott (violin); Sascha Bota, Meghan Cassidy,  Emma Wernig and Simone van der Giessen (viola); Rebecca Gilliver, Tim Posner and Jamie Walton (cello) and Will Duerden (double bass).

Taking part too are: Thomas Adès, Katya Apekisheva, Joseph Havlat, Roman Kosyakov, Daniel Lebhardt and Huw Watkins (piano); Ben Goldscheider (French horn); Nicholas Daniel (oboe); Matthew Hunt (clarinet); Jonathan Davies (bassoon) and James Gilchrist (tenor). Completing the line-up will be the festival’s award-winning Young Artists ensemble, The Davidoff Trio.

Tickets for individual concerts are £18; a season ticket for all 13 costs £190. As ever, under-30s gain free entry to any of the concerts. To book, email [email protected], call 07722 038990 or visit www.northyorkmoorsfestival.com. The full programme can be downloaded via https://www.northyorkmoorsfestival.com/.

“Our 2026 festival celebrates the wonder of beginnings and features six newly commissioned premieres that evoke the six days of the universe’s creation,” says North York Moors Chamber Music Festival director Jamie Walton. Picture: Matthew Johnson

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York River Art Market 2026 is off to flying start as potter Caroline Turner takes over

The poster for York River Art Market 2026. Illustration: Elliot Harrison (@York360)

CAROLINE Turner is delighted by how well her takeover of York River Art Market is going.

The first of three weekends of 30 artists and designers per day setting up stalls by the Ouse riverside on Dame Judi Dench Walk was greeted by sunshine and a steady footfall last Saturday and Sunday.

Professional potter and Clay Space pottery teacher Caroline took over York’s answer to Paris’s Left Bank when founder, organiser, artist and tutor Charlotte Dawson stepped down after a decade to focus on her teaching role as award leader for York College’s BA (Hons) 3D creative practice course.

“It was really busy, and I was so relieved because it’s big boots to fill after Charlotte, when you feel a lot of responsibility to all the artists,” says Caroline. “First of all, they all turned up, the sun came out, and they were making sales at one minute past ten, so that was great.

“City Cruises York put us on their tour list of things to do, saying where we were, and I kept seeing swathes of people coming straight towards as they disembarked on what were really busy days for the cruises.”

One innovation by Caroline for 2026 sees stalls being set up on both sides of the pathway for the first time. “I was initially nervous about doing it, as Charlotte didn’t, but because there were so many applicants, I thought, ‘let’s open it up’,” she says. “We even had one artist hanging items on the mesh around a tree, and there are three more places where that could happen.

“I’m pleased I took the plunge with that decision and I’ll definitely be doing the same again next year.”

Some artists and makers have booked stalls for all six days (August 1 & 2, August 8 & 9 and August 15 &16). “Quite a few do that, but we also have plenty of newbies, maybe as many as 50 per cent of the artists, who haven’t done it before, to keep up the variety each day, as I want it to be varied for regular visitors and it’s important to give new artists a chance to take part, ” says Caroline.

“We had some newcomers who were nervous about how to set up their stall, but what’s lovely is that experienced stall holders showed them what to do. Everyone was helping each other out.”

At the invitation of SPARK: York, she held a launch event there last Thursday featuring artworks by participating artists. “It was very last minute, but it was great opportunity to publicise the event,” says a grateful Caroline, who gained a surge of confidence and momentum for the markets ahead.

“I’d taken on a big challenge, thinking ‘OK, I can do this’, but the launch event meant I was now seeing real people, and I felt really lifted after spending all those hours at home preparing for it. It made all that admin worthwhile,” says Caroline, who makes pottery under the name Happy Pot Mama, by the way.

Now, the weather is set fair for weekend two of York River Art Market 2026, where visitors can buy directly from the makers of ceramics, jewellery, paintings, prints, photographs, clothing, candles, soaps, cards and more besides.

York River Art Market continues on August 8 & 9 , then August 15 & 16, on Dame Judi Dench Walk, by Lendal Bridge, York, 10am to 5.30pm. Admission is free.

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REVIEW: The Songs of Joni Mitchell, with Lail Arad, Jesca Hoop & Naima Bock, The Citadel, Gillygate, York, July 31

Lail Arad: Founder of The Songs of Joni Mitchell

LAIL Arad first sang a Joni Mitchell song in public at her London school concert at the age of 11. Joni’s biggest  British hit, Big Yellow Taxi, was her choice, and it would be her first pick at The Citadel too.

Singer-songwriter Lail first presented The Songs of Joni Mitchell to mark her groundbreaking Canadian counterpart’s 80th birthday, since when she and Manchester-based American singer-songwriter Jesca Hoop have organised two tours and now a summer of special shows and festival appearances.

They have been joined by the varied likes of This Is The Kit’s Kate Stables, cult singer-songwriter Vashti Bunyan, Poet Laureate Simon Armitage, Irish singer and composer Lisa Hannigan, David Bowie band member (1995 to 2004) Gail Ann Dorsey, Scottish folk and dream-pop singer-songwriter Rachel Sermanni, BRIT Award winner Emile Sande and American singer, songwriter and multi-instrumentalist Sam Amidon.

The latest addition is former Goat Goal band member and folk singer Naima Bock, whose York appearance was only her second with Lail and Jesca, having met them for the first time to rehearse only the day before her debut.

Rather more settled in the ranks is regular pianist Richard Sears, but he was not the only musician to be seated at last Friday’s concert, played to a full house of Mitchell devotees of differing ages, young and much older, split evenly between women and men.

For each solo number, followed by a song with Richard accompanying her on the keys, Naima brought on a chair, then played her guitar cross-legged in bright socks and afterwards returned the chair to from whence it had come, out of view beyond the door to the side.

“I like sitting down,” she later explained. Certainly it added to her looking and sounding very much at home in this nascent association with “Songs Of”, deeper of voice than Lail and Jesca, when performing Tin Angel and A Case of You in Set One and early Mitchell composition Urge For Going and Shades Of Scarlett Conquering, her best number, in Set Two.

Jesca Hoop: Lail Arad’s collaborator and co-organiser for The Songs of Joni Mitchell shows. The York concert was promoted by Joe Coates and The Crescent

The bright white-walled Citadel was looking spick and span after the £300,000 restoration of its meeting spaces and café, all the more so in the early evening daylight. Built as a place of worship and mission centre for the Salvation Army, and still home to the York City Church, the building’s air or reverence lent itself to the tone of the performance.

Always closer to reverent, never irreverent, but with interpretation rather than impersonation at its root, the approach was typified by Lail slowing down Big Yellow Taxi to a stately glide, eschewing Joni’s trademark laugh at the climax  too.

Lail incidentally was wearing a shirt from Saskatchewan, in honour of Joni’s formative years there (playing her first paid gig at the Louis Riel Coffee House in Saskatoon). “I bought it on Vinted,” our host admitted, before performing For Free (which presumably the shirt wasn’t).

Introduced by Lail, Jesca had opened Set One with Morning Morgantown, whose melody had ‘stuck in her head for 38 years’ and was newly released to electric guitar accompaniment. Joined by Richard, Jesca’s take on Lessons In Survival, from her favourite Joni record, 1972’s For The Roses, located that survival instinct.

Richard had one solo number, Little Green, from 1971’s Blue, and by now the concert lighting was taking greater effect, whether bathing the walls in green, blue, pink, red or taxi- yellow.

Your reviewer most enjoyed the climax to each half when Lail, Jesca and Naima (now standing) united in harmony, but switching positions, with Richard to their side, first for Night In The City. “How does the first line go?” said a stage-whispering Jesca, promptly answering her own question by breaking into Rainy Night House.

Lail told a story of mistakenly thinking Joni was singing “’A little money riding on the make-beliefs” on Raised On Robbery, until she married a Canadian who put her straight about the “Maple Leafs”, as Set One closed on a surge of Richard’s boogie-woogie piano.

Naima Bock: Making only her second Songs of Joni Mitchell concert appearance in York. Picture: El Hardwick, for Sub Pop Records

The format remained the same in Set Two, opening with Lail in a cappella mode.  “This song is from 1969 but it could have been written today,” she said, introducing the anti-war sentiments of The Fiddle And The Drum, her solo highlight.

Jesca picked Night Ride Home and California, either side of Naima’s Set Two contributions.  “I know about this next song,” she said, in a nod to her roots in Santa Rosa, in rural northern California, and her years in Los Angeles. “I’m just learning to strum, it’s true,” she chided herself  after “fluffing” (in her words) a guitar line. “Thank you, that’s very generous,” came her response to the audience clapping as appreciatively as ever.

Jesca went on to highlight how Joni had been the first female singer-songwriter to divulge details of family, friends and loved ones in her lyrics. “Now we have permission to spill out our experiences, when previously it wasn’t normal.” Step forward Charlie XCX, Self Esteem, Taylor Swift, Billie Eilish et al.

Jesca’s rendition of Amelia ensued and then it was time for the grand finale, all four together again for Joni’s Woodstock Festival anthem, Woodstock, the song she did not perform at the August 1969 gathering on account of her manager, David Geffen, fearing the heavy traffic would prevent her arrival at the ABC Television Center in New York to perform it on The Dick Cavett Show. Ironically, David Crosby, Stephen Stills and Jefferson Airplane all turned up straight from the festival to join her.

That song “defined not only the festival but the entire generation”, enthused Lail as she took lead vocals, the stage by now resplendent in golden light. She fronted Carey too, where Naima and Jesca’s harmonising was at its most sublime.

Aptly for Both Sides Now, both sides, audience and performers alike, were invited to sing together. All three protagonists took a lead vocal, one each for “I really don’t know clouds at all/love at all/life at all”.

Joni really does know life at all, of course, as Lail, Jesca and Naima’s performances of The Songs of Joni Mitchell testified. Definitely not a “tribute show”, instead they paid her the highest compliment.

Stanley Chow’s poster illustration for The Songs of Joni Mitchell tour with Naima Bock, including The Citadel, York, on July 31

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New-look Basement at City Screen Picturehouse launches monthly Sunday comedy club from August 16

Nice touch: Chloe Petts feeling lippy at the prospect of headlining first Basement Comedy Club bill at City Screen Picturehouse on August 16

CITY Screen Picturehouse, York, has redecorated The Basement for the first time in 15 years for concerts, comedy and more.

The refurbishment will be marked by the launch of a new comedy night. “Although we’ll still be working with Damion Larkin for Laugh Out Loud Comedy Club nights on the first Saturday of the month, we’ve now set up our own Basement Comedy Club,” says City Screen general manager Cath Sharp.

“It’ll be held on the third Sunday of the month, so as not to compete with Laugh Out Loud. It’s been many years since we had our own club – remember The Other Side?”

The first bill, on August 16, at what will be the regular early evening kick-off of 6pm, will feature Chloe Petts, Faizan Shah and Lovdev Barpaga, introduced by MC Sara Barron.

Sara Barron: Compere for August 16 bill at The Basement

Petts has been touring their 2025 Edinburgh Fringe show Big Naturals, addressing lad culture and identity politics. Manchester comic Shah sheds light on his experiences growing up in an immigrant household, along with the mental health challenges this journey often entails.

Barpaga is a comedian, breakfast show presenter on FreeRadio in Birmingham and podcaster, hosting “Crazy Little Thing Called Lovdev”. On the comedy circuit for ten years now, he specialises in crafting old school-style one liners and puns.

Compere Barron made her Edinburgh Fringe debut in 2018 and has toured such shows as For Worse (2018), Enemies Closer (2019), Hard Feelings (2022) and Anything For You (2024). She co-created the Succession recap podcast Firecrotch and Normcore and presents They Like to Watch, a weekly TV discussion podcast.

She is taking her work-in-progress show Slop to the 2026 Edinburgh Fringe, where she will explore topics ranging from grannies and dogs to adult films and Jeffrey Dahmer.

Looking ahead, in the diary for September 20 are Daliso Chaponda, Hannah Platt, Dom Hatton-Woods and MC Raul Kholi, followed on October 18 by Lauren Pattison, Nicola Mantalios, Aaron Simmonds and MC Aaron Wood.

The redecorated Basement at City Screen Picturehouse

“It’s us and the Hackney Picturehouse, in East London, that will be running comedy clubs among the Picturehouse cinemas,” says Cath. “Hackney Picturehouse is doing a Saturday programme organised by Jon Barrenechea, and we’ve chosen to do Sundays with an early-doors policy with three acts and a compere from 6pm.”

As part of the Basement revamp, “we’ll be running a menu downstairs – the cinema auditorium menu – served on paper plates, and on cabaret nights, on crockery,” says Cath.

“The Basement capacity will be 100, seated in rows or standing, with a cabaret night capacity of 50, making it York’s most intimate venue.”

Veteran performer and producer Poppy Pout Presents will be putting on burlesque and cabaret nights, while the York Filmmakers club will continue to hold bi-monthly selection of shorts and BFI (British Film Institute) screenings.

The poster for Pigeon Paint Off, the live art competition at The Basement on September 12, in aid of Columba Sanctuary and Advocacy for Pigeons

RARE Collective artist Sharon McDonagh (alias spAm) and artist/DJ Sola will hold a DJ Night on a date yet to be confirmed. The Dead Toe Society’s Pigeon Paint Off day will take over The Basement on September 12 from 11am until late in a day filled with live music, talks and stalls, as well as the centrepiece of two rounds of the paint-off featuring pigeon-loving artists from all over the country. 

Visitors will have the chance to “learn more about why pigeons need our support and how you can help advocate for their wellbeing”. The artworks will then go on display in a three-week exhibition.

The Basement upgrade, carried out by Picturehouse Cinemas to a design by architect Marta Tavares, has introduced a new lighting rig and sound panels, ox-blood red chairs and a French navy colour scheme on the walls, topped off by flamingo-pink on the stanchions.

Further features are a new screen for York Filmmakers and new microphone stands, while the floor has been re-painted and the adjoining green room for performers has new carpeting. Meanwhile, the old Basement chairs have found a new home at St Oswald’s Church, Fulford.

New red-and-black carpeting has been fitted at City Screen for the first time since 2000, with off-cuts being used in The Basement as flooring for drummers. The City Screen bar is to be re-fitted in October and new furniture will be provided for the first-floor terrace space.

Gill Riley’s exhibit from A Northern Landscape, on display in the Upstairs Gallery at City Screen Picturehouse

New mustard-yellow blinds have been installed on the first-floor corridor, where the latest exhibition, York Learning’s summer show, A Northern Landscape, is running in the Upstairs Gallery until September 4.

Course tutors challenged painting, drawing and watercolour learners aged 19 upwards to capture the essence of landscapes on plywood canvases, and now the work of more than 70 artists is on show.

This year also has welcomed the introduction of The Book Club programme at City Screen, launched on May 31, when Elizabeth Strout was in conversation with broadcaster Francine Stock, broadcast live from Picturehouse Central.

On August 4, Jaqueline Crooks marked the release of her new novel, Sky City, a spellbinding portrait of 1990s’ London, in conversation broadcast live from The Ritzy in Brixton.

Next up,  Waterstones York presents Tidings: Poetry Quarterly featuring Kimberly Campanello at The Basement on September 22 from 7pm to 9pm. Contact event coordinator Nick Newman for more details at [email protected].

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