LEEDS comic Leigh Francis, creator of Keith Lemon and Bo’ Selecta, plays York Barbican on March 20 2024 on his debut tour, My First Time.
The BAFTA Award-winning character comedian, 50, has confirmed five more Yorkshire gigs on next spring’s travels, accounting for one third of the 18 dates: Sheffield City Hall, March 15; Halifax Victoria Theatre, March 16; Hull City Hall, March 22; Bradford St George’s Hall, March 23, and a home-city finale at Leeds Grand Theatre, April 6.
Joining Francis as he “brings back all the fun I’ve had over the 00s up to present day” will be his myriad television characters, from Keith Lemon, Bear and Avid Merrion to ‘David Dickinson’, ‘Ant and Dec’ and Myrtle, taking to the stage for the first time in a series of sketches. Expect audience interaction too.
“Hey, really exciting news! Well, exciting for me!” says Francis. “I hope it’s exciting for you! Or at least provokes some sort of interest! I mean, just look how many exclamation marks there is in this quote! It’s definitely news with exciting intent!
“So, what is this exciting news? I’m doing my first ever tour! Never done one before. It’s gonna have masks in it! The Bear, Avid Merrion, Amanda Holden’s Gran, not her actual gran but me playing her.”
Francis goes on: “I’ll also be playing Keith Lemon. I look just like him! It’s me doing all the characters I do that hopefully have the intent to provoke hilarity! So many exclamation marks, and the word ‘intent’ and ‘provoke’ twice! I’m excited!
“Come see me being other people live for the first time! It’ll be your first time and my first time! Hence the title of the tour, My First Time! (There’s another exclamation mark). How exciting!”
Opera singer Jennifer Coleman: Soprano soloist on song at York Proms
PROMS, outdoor festivals and carnivals, here comes the sun and summer fun as Charles Hutchinson reaches for the cream.
Outdoor event of the weekend: York Proms, Museum Gardens, York, Sunday, gates open at 5pm
BRITISH-IRISH soprano Jennifer Colemen, Opera North tenor Tom Smith and West End musical theatre singer, actress and TV presenter Shona Lindsay will be the soloists for Sunday’s York Proms.
Musical director Ben Crick conducts the 22-piece Yorkshire Festival Orchestra in a musical theatre tribute, from Rodgers and Hammerstein’s Carousel and Bernstein and Sondheim’s West Side Story through to Les Miserables and Wicked. The rousing Proms finale will be accompanied by The Fireworkers’ fireworks. Tickets update: sold out; waiting list for returns at yorkproms.com/contact.
Tom Smith: Tenor soloist at Sunday’s York Proms
Shakespeare Shorts: Twelfth Night, Barley Hall Great Hall, Coffee Yard, York, today, on the hour, every hour, from 11am to 3pm
SHAKESPEARE in only 15 minutes presents an immersive re-telling of Twelfth Night, the one with heaps of mistaken identities, cross-dressing and long-lost siblings.
Barley Hall’s costumed storyteller promises to “make simple a story that has even the characters confused, all while exploring themes of gender identity and the history of cross-dressing in theatre”. Barley Hall admission: barleyhall.co.uk.
Shakespeare Shorts: The artwork for the 15-minute Twelfth Night at Barley Hall
Strensall Community Carnival, Strensall Village Hall and Field, Northfields, Strensall, York, today, 12 noon to 5pm
BACK for its 8th year, Strensall Community Carnival has attractions for all the family, with a procession from Hurst Hall, a food court, 30-plus charity and business stalls and entertainment on the outdoor arena.
Look out for Ebor Morris, The Cadet Band, York Karaoke DoJo, Dynamics Band and Generation Groove in the arena; the Robert Wilkinson School Choir and Band and Mark’s Magic Kingdom Puppet Show in the main hall, and the Captivating Creatures animal show, medieval mayhem with the Knights of the Wobbly Table storytellers, Messy Adventures sensory play and Generate Theatre drama games in the outdoor space.
The Grand Old Uke of York: “Almost unplugged” at Stillington
Uke over there: The Grand Old Uke of York, At The Mill, Stillington, near York, tonight, 7.30pm
YORK collective The Grand Old Uke of York grace the At The Mill stage in an unusual twist to their norm: turning their usual set list on its head to bring gorgeous, pared-back vocals, buttery harmonies and ukuleles played with summery vibes – rather than their usual rock mode – to the garden.
Formed more than ten years ago, they love nothing more than to transform expectations of the ukulele’s bounds. Tonight is a rare chance to see the dynamic group stripped back and “almost” unplugged. Box office: tickettailor.com/events/atthemill/925922
Party time: Just Josh celebrates a decade of entertaining children’s parties with a JoRo show
Big kid of the weekend: Josh Benson: Just Josh’s 10th Birthday Party!, Joseph Rowntree Theatre, York, Sunday, 4pm
AFTER a decade of doing other kids’ parties, York family entertainer, magician and pantomime silly billy Josh Benson has decided he should have his own bash.
Expect all Just Josh’s usual mix of daft comedy chaos, magic, juggling, balloons, dancing and games, plus extra-special surprises. “It’s the perfect Sunday afternoon treat for the whole family,” he says. “Yes, even Dad. It is Father’s Day after all!” Ticket update: last few on 01904 501935 or at josephrowntreetheatre.co.uk.
The poster for York Printmakers’ summer showcase at Blossom Street Gallery
Exhibition of the week: York Printmakers: A Showcase, Blossom Street Gallery, Blossom Street, York, until July 31, open Thursdays to Sundays
SIXTEEN York Printmakers members demonstrate techniques and printing processes that date back hundreds of years through to those that push the boundaries of contemporary practice, with laser-cut plates, digital elements and 3D techniques.
Taking part are: Harriette Rymer; Lyn Bailey; Bridget Hunt; Carrie Lyall; Patricia Ann Ruddle; Jane Dignum; Jo Rodwell; Lesley Shaw; Phill Jenkins; Sally Parkin; Emily Harvey; Gill Douglas; Becky Long-Smith; Vanessa Oo; Sandra Storey and Rachel Holborow.
Two women up a hillside with ashes stuck to their trouser leg”: Terrain Theatre in Helen at Theatre@41
New play of the week: Helen, staged by Terrain Theatre/Theatre 503 at Theatre@41, Monkgate, York, Sunday, 7.30pm
HELEN is 40 when she loses her husband. Becca is 15 when her dad dies. Now it is only the two of them, what do they do next? From Maureen Lennon, the Hull-born writer of York Theatre Royal’s 2022 community play, The Coppergate Woman, comes Helen, a series of snapshots of their relationship’s joys and traumas, laughs and arguments over the next 40 years.
Presented by new northern company Terrain Theatre and directed by Tom Bellerby, this 85-minute play about love, death, grief, postnatal depression, eating disorders, alcoholism, dementia and cancer, and two women up a hillside with ashes stuck to their trouser leg, explores the thread that binds them together and the different ways they damage and save each other. Box office: tickets.41monkgate.co.uk.
The poster for the return of Mrs. Brown Rides Again: Heading to Hull in October
Comedy booking of the week: Mrs. Brown Ride Again, Hull Bonus Arena, October 27, 7.30pm, and October 28, 2pm and 7.30pm
BRENDAN O’Carroll and Mrs. Brown’s Boys will be back on stage in their “classic play” Mrs. Brown Rides Again from August to November. The only Yorkshire shows of the ten-venue tour with the television cast will be at Hull Bonus Arena in late-October.
Written by and starring O’Carroll as the beloved “Mammy”, the play finds Agnes Brown and her dysfunctional family romping their way through what seems to be her last days at home. After hearing of a plot by her children to have her put into a home, Agnes decides to prove them wrong by displaying a new lease of life. Box office: bonusarenahull.com.
The Prodigy: “Full attack mode, double barrel” at Leeds First Direct Arena this autumn. Picture: Andrea Ripamonti
Gig announcement of the week: The Prodigy, Army Of The Ants Tour, Leeds First Direct Arena, November 18
THE Prodigy’s Liam Howlett and Maxim will play Leeds on night three of their seven-date autumn arena tour after a spring and summer run of international festival headline dates. Support will come from Soft Play, the British punk duo of Laurie Vincent and Isaac Holman, formerly known as Slaves.
“Army Of The Ants is a calling to The Prodigy peoples,” says Howlett. “We’re comin’ back for u the only way we know, full attack mode, double barrel.” Box office: tix.to/TheProdigy
Soft Cell’s Dave Ball and Marc Almond: Headlining Let’s Rock Leeds
Recommended but general and VIP admission sold out already:Let’s Rock Leeds, Temple Newsam, Leeds, today, gates 11am; 10.30pm finish
HOMECOMING Leeds duo Soft Cell and OMD top the bill at this retro festival. Tony Hadley, Midge Ure, Stray Cats’ Slim Jim Phantom, The Farm, The Real Thing, Roland Gift, Heatwave and Hue & Cry play too. For any form of tickets left, head to: letsrockleeds.com.
In Focus: York Light Opera Company in I Love You, You’re Perfect, Now Change, Theatre@41, Monkgate, York, June 27 to July 1
York Light Opera Company cast member Sanna Jeppsson
RIOTOUS, rude and relevant, Joe DiPietro and Jimmy Roberts’s off-Broadway musical comedy I Love You, You’re Perfect, Now Change looks at how we love, date and handle relationships.
In a revamp of the original 1996 production, York Light Opera Company stage this witty hit show with a cast of seven under the direction of Neil Wood, fresh from his menacing Sweeney in Sweeney Todd: Demon Barber Of Fleet Street. Martin Lay provides the musical direction for the two 7.30pm peformances and 2.30pm Saturday matinee.
Noted for its insights into human nature and catchy-as-a-Venus-flytrap songs, I Love You, You’re Perfect, Now Change explores the joys and challenges of love in songs that chart the heart’s path from dating to marriage to divorce.
Guiding audiences through a series of comedic and poignant vignettes will be Richard Bayton, Emma Dickinson, Monica Frost, Emily Hardy, James Horsman, Sanna Jeppsson and Mark Simmonds.
Cue shocks, surprises and songs aplenty as our love lives are reflected in art, up close and personal. Box Office tickets.41monkgate.co.uk
The poster for York Light Opera Company’s I Love You, You’re Perfect, Now Change
Josh Benson: Sunday party to mark ten years of children’s parties
ALL-ROUND York entertainer Josh Benson performed his first children’s magic show in a kitchen in Fulford.
Now, after a decade of doing other children’s parties, Josh has decided he should have his own bash as a tenth anniversary present to himself.
On Sunday afternoon, this ever-perky purveyor of daft comedy chaos – “daft is cleverer than stupid,” he says – presents Just Josh’s 10th Birthday Party! at the Joseph Rowntree Theatre, York.
“It’s a big stage, much bigger than a church hall, community centre or school room that I usually do these shows in. I needed to upsize for this one,” he says.
Expect Josh’s usual comedy magic, juggling, “balloonology”, dancing and games, plus some extra-special surprises in a show for “anyone from four to 104”.
“It’s the perfect Sunday afternoon treat for the whole family. Yes, even Dad!It is Father’s Day after all!” he says.
“I’m having a huge Just Josh sign made for the stage – by Spectrum Signs in Elvington – as it’s my tenth year of these shows and I can have a sign if I want to! It’s six foot high with lettering that I’m painting blue and red as per my logo.”
Newly confirmed to play Muddles in Darlington Hippodrome’s 2022-23 pantomime, Snow White And The Seven Dwarfs after three seasons at Halifax’s Victoria Theatre, Josh is equally happy doing magic tricks to children or playing the silly billy to a panto crowd each winter.
Add to that list performing on the P&O Britannia cruise ship, as he was earlier this spring, when his act would be followed by Basil Brush, and being the Corntroller in charge of the summer entertainment at York Maze, at Elvington, Britain’s largest maze attraction.
“That’s why I need a triple-ended candle, not just one that burns at both ends,” says Josh. “As Corntroller since 2019, I write the shows, sing the theme tune, manage the shows and co-host them, and I’m a control freak, so like to be able to do everything.
Josh Benson signs up for York Theatre Royal’s Travelling Pantomime in 2020
“I’m overseeing five shows this summer: The Crazy Maze, a big corny game show; Cornula One, which has replaced the pig racing, using converted [should that be cornverted?] shop mobility scooters.
“Then there’s Cobzilla, the dinosaur meet-and-greet experience; Crowmania, the pantomime on wheels that had a big overhaul in 2021, and the Cornival, which is the closest to one of my kids’ parties, being a party more than a show.”
Josh, who will celebrate ten years at “Farmer Tom” Pearcy’s York Maze next year, is in charge of a team of 15 entertainers, with Maia Stroud, Kit Stroud, Sam Wharton and Fiona Baistow among the York names in the Crowmania cast. Charlotte Wood and Annie Donaghy play their part in the stage team too when available.
“The closest comparison to the Crowmania Ride is Disney’s Jungle Cruise. Imagine that with a much more sarcastic, very self-aware writer, lots of one-liners and way more corn and crow-based gags,” he says.
“The 25-minute ride is on a 110-seat trailer, pulled by a tractor, with 25 rides a day, so around 2,500 people can go on it on any one day if we’re full.”
After presenting seven years of children’s parties, “I knew we needed something like that at York Maze, so we introduced the Cornival, with an enormous foam cannon – which I can promise you won’t come out at the Joseph Rowntree show as there’s no grass there!
“But Sunday’s show will feature some of the York Maze characters, like Kernel Kernel, Sweetie Corn, his girlfriend, Russell Crow and Maizey, a pantomime cow with corn cobs around her neck.”
Josh still has first magic show business card, printed in June 2013. “I remember doing shows at Stockton on the Forest Village Hall, Rawcliffe Pavilion and a smaller one in Copmanthorpe for friends of my mum’s,” he says.
“I was 15, a kids’ entertainer who was a child myself and couldn’t drive, so my mum had to drive me to shows with my briefcases of tricks for full-on magic shows. But then I’m still a big kid, as we all know!” A big kid, who now drives a little grey van, as it happens.
Josh Benson, right, with fellow actors Ben Hunter and May Jackson, writer Tim Firth and composer Gary Barlow, promoting the 2015 premiere of The Girls at Leeds Grand Theatre. Picture: Matt Crockett
Reflecting on ten years of children’s parties, Josh says: “The thing that I really want to get across is that doing these shows is what’s been massively important to me, providing me with a constant that a lot of performers don’t have.
“There are people who want me to move away from it, which I don’t understand. I’ll go from playing to 1,500 at the panto to playing to 30 children in a village hall on a day off, but work is work.
“I’m very lucky that I’ve built up a reputation where kids really want me to do their parties; they’re adamant that it has to be Josh! That’s so beautiful and lovely, and I don’t feel like an expensive babysitter but an entertainer.
“You’re being booked for your skill set rather than kids just being shoved on to a bouncy castle. Bouncy castles are my Kryptonite! You don’t need to do anything. Just book me and I’ll do it all, no bouncy castle, because how can I compete with an amazing bouncy castle that frankly I’d prefer to be on?! Mind you, bouncy castles have gone up in price, but that’s inflation for you!”
Josh had started his professional theatre career with York Theatre Royal, aged ten, in the 2007 Berwick Kaler pantomime Sinbad The Sailor, later appearing there as John Darling in Peter Pan, and going on to play Little Ernie in the award-winning BBC Morecambe & Wise biopic Eric & Ernie.
He was chosen for the cheeky-chappie role of Yorkshire schoolboy Tommo in Gary Barlow and Tim Firth’s The Girls, the Calendar Girls musical, appearing from 2015 to 2017 in the world premiere at Leeds Grand Theatre and The Lowry, Salford, and the subsequent West End run at the Phoenix Theatre, London.
He did four seasons of The Good Old Days at Leeds City Varieties Music Hall, taking his magic act down to London for the Players Music Hall at Charing Cross Theatre and Cockney Sing-Along at Brick Lane Music Hall before launching his one-man cabaret act It‘s Not The Joshua Benson Show/Josh Of All Trades.
“Especially when I was living in London, actors were doing kids’ parties because they had to, for the money, but I do them because I haven’t fallen out of love with them,” he says.
“It’s part of what I do: kids’ parties; the cruise ships; the York Maze summer season and Hallowscream; the panto comic, which I started doing as Buttons in Cinderella at the Pomegranate Theatre in Chesterfield in 2018, and the Brick Lane Music Hall adult pantomime in London, mixing panto with Carry On humour, from January to March each year.
“Those shows take a huge amount of thought, written by David Phipps-Davis, a renowned panto dame. The next one will be my third year, Peter Pan And His Loose Boys. Last time it was Goldilocks And The Bare Bears and before that, Robin Hood And His Camp Followers.
Just Josh and WonderPhil: Josh Benson and Phil Grainger’s magical double act at the 2019 Great Yorkshire Fringe in York
“They’re panto for adults, which is cleverer, I think. Not dropping the C-bomb but full of clever lines. With these pantomimes, you have adults that are prepared to be kids for the next couple of hours, where I can be naughtier but with the same energy levels as at a family pantomime.”
Josh bills himself as the “Josh of All Trades, Master of None”, having never trained conventionally in anything, but he has skills aplenty that add up to being “Just Josh” joshing around.
“I may have been doing kids’ parties for ten years but annoyingly I didn’t come up with the ‘Just Josh’ name until I did a double act show with WonderPhil [Easingwold magician, actor, soul singer, guitarist, event organiser and polymath Phil Grainger]. When we first made a show for the Great Yorkshire Fringe in York in 2019 – called Making A Magic Show – we wrote it the night before from 10pm to 4pm, then did the first performance!” he recalls.
Sunday’s audience can expect an appearance by Phil Grainger on Zoom and should look out for the Halifax pantomime drummer, Robert Jane, too. “There’s nothing better than pantomime percussion and no-one better at reading my unpredictability than Robert,” says Josh.
“Frankly he makes me funnier, with his Swanee whistles and an actual slap stick, and he makes the sound of falling down better with a drum roll. Knocking my knees together is funnier with a cowbell accompaniment than without. I think the term ‘punctuating the movements’ is really key to comedy and pantomime, and I learnt a lot about that at Halifax.”
Reflecting on cramming so much into 25 years, Josh says: “I wouldn’t say ‘no’ to doing another West End musical, but the perception that I want to be famous? No. not really. I just want to be good and keep it real.
“I got a little bit of a taste of fame when I was doing The Girls, when I definitely wanted to be a star, the next Bradley Walsh, but I realised that once you get there, it’s the hardest thing to stay normal in showbiz.
“I’m happy to be me in this life, where it’s real. Theatre is my first love and always will be, but I’m just lucky that I can do everything, the kids’ parties, the York Maze, the big family pantomimes at Christmas. I like to tread that line.
“My dad [Josh’s sometime partner in cabaret and former Rowntree Players’ panto dame Barry Benson] drummed into me that while it’s nice to be important, it’s more important to be nice. It’s simple advice, but he’s right.”
Josh Benson: Just Josh’s 10th Birthday Party!, Joseph Rowntree Theatre, York, Sunday, 4pm. Box office: 01904 501935 or josephrowntreetheatre.co.uk
“I don’t want to shock in my shows, I just want to entertain people,” says Hannah Byczkowski
JOIN The Traitors winner Hannah Byczkowski as she delves into the game that changed her life in her Games gig, opening At The Mill’s theatre season in Stillington, near York, tonight (10/6/2023).
Deemed a comedy goddess by the hit BBC show’s presenter, Claudia Winkleman, Hannah shared the £100,000 prize with her fellow Faithful contestantsAaron Evans and Meryl Williams in the game of skullduggery.
Now Byczkowski (pronounced Bitch-Cough-Ski, should you be wondering) is back on the comedy beat full time, wearing her heart on her sleeve and making sure everyone has a good laugh with it as she dips into her observational and relatable material and store of unbelievable stories.
Regularly performing as an MC in and around London, in addition to performing stand-up sets nationwide, she heads to Stillington for the first time this weekend. “My agent books the other stuff; my sister books the live shows,” she says.
“I won’t be debuting the Games show fully until 2024 but I will do shows at the Free Fringe in Edinburgh this summer, and I’ll be doing live podcasts from Edinburgh with my Ghost Huns co-host Suzie Preece, telling ghost stories and trying to contact the dead at the end of each show.”
Why pick Games for a title, Hannah? “Mainly because of going on The Traitors. It’s that vibe,” she says. “It’s not explicitly about my experience on that show but it does have references to it, about how I ended up on it, how I was recruited.”
Hannah, you may recall, was a Faithful contestant throughout this year’s debut series. “I am faithful by nature, but I really wanted to a Traitor because it looked more fun. Being a Traitor gives you permission to behave in a way you couldn’t in the real world – though people will resonate with you being a good person.”
Her television exposure has been hugely beneficial. “Definitely it’s helped me to change my career very quickly, having been a comedian before the show for two years, though it felt like I’d only been doing it for two minutes,” says Hannah, 32, originally from Lightwood, Stoke-on-Trent, and now based in London.
She revels in being a stand-up. “Who can tell sex jokes to a room full of strangers except for a comedian, where you can get away with a lot? I can be utterly and completely who I am on that stage,” she says.
“I just don’t take anything seriously, except that I did work in palliative care and that makes you realise you shouldn’t take anything else seriously. Now I won’t do anything I don’t want to do.
“I don’t want to shock in my shows, I just want to entertain people while I have them in the palm of my hands.”
Palliative care, by contrast, required a serious disposition. “I don’t think anyone would be able to carry on in a job like that if that were not the case. I quit my job before I went onto The Traitors, and I had to make the decision to give up regular income, but I don’t want to have any regrets, to not do things in my life.
“I ended up assessing in the palliative care field, getting up in the morning, doing the job and thinking, ‘is this it?’. I decided ‘, ‘this is not what I want’. I’d get up seven, work till five, and then be out till 1am because of doing a gig in the evening, working on the London circuit. Not a lot of sleep.”
The Traitors has enabled Hannah to travel further for her gigs, playing up north more often. Like tonight in Stillington. Box office: tickettailor.com/events/atthemill/913281
Driller thriller: Birmingham Rep in David Walliams’ Demon Dentist at the Grand Opera House, York
COMEDY aplenty, musical collaborations, dental mystery adventures and soul seekers make a convincing case for inclusion in Charles Hutchinson’s list.
Children’s show of the week: David Walliams’ Demon Dentist, Grand Opera House, York, Thursday, 1.30pm, 6.30pm; Friday, 10.30am, 6.30pm; Saturday, 11am, 3pm
CHILDREN’S author David Walliams has teamed up with Birmingham Stage Company for Demon Dentist, their third collaboration after Gangsta Granny and Billionaire Boy, aapted and directed by Neal Foster.
Join Alfie and Gabz as they investigate the strange events happening in their hometown, where children are leaving their teeth for the tooth fairy and waking up to find odd things under their pillows. No-one could have dreamed what Alfie and Gabz would discover on coming face to face with the demon dentist herself in this thrilling adventure story. Box office: atgtickets.com/york.
Isabelle Farah: Sadness meets humour in Ellipsis at Theatre@41
Therapy session of the week: Isabelle Farah: Ellipsis, Theatre@41, Monkgate, York, tonight, 7.45pm
STAND-UP is the outlet that keeps you sane, where the nature of the game is to turn everything into punchlines. But can you do it if you feel all-consuming sadness, ponders comedian/actor/writer/nightmare Isabelle Farah in Ellipsis.
“I wanted my therapist to come and watch me to see how hilarious I am, but I thought how odd it would be performing to someone who’s seen so far behind my mask,” she says. “Would he even find it funny or just sit there knowing what I was hiding?” Cue her exploration of grief, authenticity and being funny.
Elinor Rolfe Johnson: Soprano soloist at York Minster tonight
Classical concert of the week: Vaughan Williams: A Sea Symphony, York Minster, tonight, 7.30pm
YORK Musical Society and Philharmonischer Chor Münster from York’s twin city in Germany mark 30 years of concert collaborations with Vaughan Williams’s A Sea Symphony, using text from Walt Whitman poems.
Toward The Unknown Region, another Whitman setting, takes a journey from darkness to light, followed by the beautiful orchestral work Serenade in A minor. Tonight’s soloists are soprano Elinor Rolfe Johnson and bass Julian Tovey. Box office: 01904 623568 or yorktheatreroyal.co.uk; on the door from 6.45pm.
Frankie Boyle’s tour poster for Lap Of Shame, doing the rounds on tour at the Grand Opera House, York
Great Scot of the week: Frankie Boyle, Lap Of Shame, Grand Opera House, York, Sunday, 7.30pm
SCATHING Scottish comedian, surrealist, presenter and writer Frankie Boyle, 50, is on tour. “Buy a ticket, because by the time I arrive, the currency will be worthless and you and your neighbours part of a struggling militia that could probably use a few laughs,” advises the often-controversial Glaswegian.
Only a handful of tickets are still available at atgtickets.com/york. Please note: no latecomers, no readmittance.
Scott Bennett: Heading to Selby Town Hall
Great Scott of the week: Scott Bennett, Selby Town Hall, Sunday, 7.30pm
SCOTT Bennett has been blazing a trail through the stand-up circuit for the best part of a decade, writing for Chris Ramsey and Jason Manford too.
After regular appearances on BBC Radio 4’s The News Quiz and The Now Show and his debut on BBC One’s Live At The Apollo, he presents Great Scott! in Selby. Box office: selbytownhall.co.uk.
Kiki Dee & Carmelo Luggeri: On the road to Helmsley Arts Centre
Rescheduled gig of the week: Kiki Dee & Carmelo Luggeri, Helmsley Arts Centre, Sunday, 7.30pm
MOVED from March 3, Bradford soul singer Kiki Dee and guitarist Carmelo Luggeri head to Helmsley for an acoustic journey through stories and songs, from Kate Bush and Frank Sinatra covers to Kiki’s hits Don’t Go Breaking My Heart, I Got The Music In Me, Loving And Free and Amoureuse. Songs from 2022’s The Long Ride Home should feature too. Box office: 01439 771700 or helmsleyarts.co.uk.
Neil Warnock: Moving his York Barbican show from June 15 to next May
Re-arranged show announcement: Neil Warnock, Are You With Me?, York Barbican, moving from June 15 to May 31 2024
ARE you with Neil Warnock on Thursday? Not any more, after “unforeseen circumstances” forced the former York City captain and Scarborough manager (and town chiropodist) to postpone his talk tour until next spring. Tickets remain valid.
After guiding Huddersfield Town to safety from the threat of relegation in the 2022-2023 season, Warnock, 74, was to have gone on the road to discuss his record number of games as a manager, 16 clubs and 8 promotions, from non-league to Premier League, and a thousand stories along the way that have never been told. Now those tales must wait…and whose season might he rescue in 2023-24 before then?! Box office: yorkbarbican.co.uk.
Kyshona: Protest singing in Pocklington
Discovery of the week: Kyshona, Pocklington Arts Centre, Thursday, 8pm
UNRELENTING in her pursuit of the healing power of song, community connector Kyshona Armstrong has the background of a licensed music therapist, the curiosity of a writer, the resolve of an activist and the voice of a protest singer.
As witnessed on her 2020 album Listen, she blends roots, rock, R&B and folk with her lyrical clout. Past collaborators include Margo Price and Adia Victoria. Now comes her Pocklington debut. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
The Illegal Eagles: Taking it easy at York Barbican
Tribute show of the week: The Illegal Eagles, York Barbican, Friday, 8pm
THE Illegal Eagles celebrate the golden music of the legendary West Coast country rock band with musical prowess, attention to detail and showmanship. Expect to hear Hotel California, Desperado, Take It Easy, New Kid In Town, Life In The Fast Lane and many more. Box office: yorkbarbican.co.uk.
Shalamar: Toasting 40 years of Friends at York Barbican
Soul show of the week: Shalamar Friends 40th Anniversary Tour, York Barbican, June 17, 7.30pm
SHALAMAR mark the 40th anniversary of Friends, the platinum-selling album that housed four Top 20 singles, A Night To Remember, Friends, There It Is and I Can Make You Feel Good, outsold Abba, Queen, The Rolling Stones, Culture Club and Meat Loaf that year and spawned Jeffrey Daniels’ dance moves on Top of The Pops.
Further Shalamar hits Take That To The Bank, I Owe You One, Make That Move, Dead Giveaway and Disappearing Act feature too. Special guests are Jaki Graham and Cool Notes’ Lauraine McIntosh. Box office: yorkbarbican.co.uk.
The poster for the Academy of St Olave’s summer concert
Celebrating England’s musical legacy: Academy of St Olave’s, St Olave’s Church, Marygate, York, June 17, 8pm
THE Academy of St Olave’s chamber orchestra rounds off its 2022-23 season with a summer concert centred on England’s musical legacy, from symphonies written for London audiences by the great Austrian composers Mozart and Haydn, to works by English composers Frederick Delius, Ralph Vaughan Williams and Paul Patterson.
The concert is book-ended by Mozart’s first symphony and Haydn’s hundredth, known as “The Military”. Mozart composed his work in London during his family’s Grand Tour of Europe in 1764, when the boy wonder was eight. Likewise, Haydn’s work was one of his 12 “London symphonies”, to be performed during his second visit to England in 1794-95. Box office: academyofstolaves.org.uk or on the door.
In Focus: Who are the York community chorus in the Royal Shakespeare Company’s Julius Caesar at York Theatre Royal?
Community chorus sextet Hilary Conroy, Astrid Hanlon, Elaine Harvey, Stephanie Hesp, Anna Johnston and Frances Simon with music director Jessa Liversidge, right
SIX women – all inspirational leaders within the York and North Yorkshire community – will form the Chorus when the Royal Shakespeare Company’s touring production of Julius Caesar visits York Theatre Royal from June 13 to 17.
Step forward Hilary Conroy, Astrid Hanlon, Elaine Harvey, Stephanie Hesp, Anna Johnston and Frances Simon, under the musical direction of community choir leader Jessa Liversidge, from Easingwold, with Zoe Colven-Davies as chorus coordinator.
The women in next week’s chorus have roles in the community spanning activism and campaigning to charity and social work, lecturing, teaching and coaching. In their day-to-day lives they each make an impact on the York community, whether through fighting for social change, championing community voices, supporting vulnerable groups or encouraging engagement in the creative arts.
Between them, they lead and support a diverse range of groups and community causes, including supporting disabled and neurodivergent people, those impacted by dementia and mental health issues, people affected by loneliness and those suffering from domestic abuse. They empower others through the creative arts and performance and champion wellbeing in marginalised groups.
Leading the York group is music director Jessa Liversidge, calling on her wealth of experience with community choirs, inclusive singing groups and working with people of all ages to inspire them through music.
Juliet Forster, York Theatre Royal’s creative director, says: “It’s a huge privilege for us to have these voices heard alongside the RSC’s actors, and we are so thankful for their input and commitment to the project.
“This production explores what makes a leader and asks questions about gender and power. Who better to take part than women who are already leaders in our community and in their workplace?
“The opportunity is exciting and empowering and is strong evidence of how committed the RSC is to meaningful collaboration with its regional theatre partners. We are incredibly proud to be able to contribute a local perspective into this nationwide conversation, and I can’t wait to see what our York women do.”
Explaining the role that the York community chorus will play, RSC director Atri Banerjee says: “Julius Caesar is a play about a nation in crisis, a play about the gulf between politicians and the people they are trying to rule.
“It just makes so much sense to me that this production would include ‘real’ people from where we are touring. So, alongside the professional acting company, we have found a way of integrating the communities from all the areas the show is playing.
“Community work has always been important to me, making work with non-professionals, whether that’s young people or non-professional adults.
“It’s not unusual for productions of Julius Caesar to have a chorus who come on to be the citizens of Rome and say ‘Read The Will’ and then you never see them again. But I wanted to include them to amplify the supernatural, apocalyptic terror within the play. They’ll be singing, using their voices, and will be present on stage for significant parts of the play. They will be something akin to the chorus you’d see in a Greek tragedy watching the action.
“Premonitions of death really. Premotions of figures who embody death in ways that go beyond these characters.”
Royal Shakespeare Company in Julius Caesar, York Theatre Royal, June 13 to 17, 7.30pm plus 2pm Thursday and Saturday matinees. Box office: 01904 623568 or yorktheatreroyal.co.uk
Claire Richards: Taking Steps to headline York Pride’s main stage
PRIDE is loud and proud this weekend in a city full of ideas, heated politics and apocalyptic music, as recommended by Charles Hutchinson.
Diverse celebration of the week: York Pride, city-centre parade at 12 noon, followed by festival until after-hours on Knavesmire
NORTH Yorkshire’s largest LGBT+ celebration sets out on a parade march from Duncombe Place, outside York Minster, processing along Bishopthorpe Road to the festival site on Knavesmire.
Hosted by Sordid Secret and Mamma Bear, the Main Stage welcomes Claire Richards, from Steps, Pussycat Doll Kimberly Wyatt, Union J’s Jaymi Hensley and RuPaul’s Drag Race UK finalist Kitty Scott-Claus. Plenty more acts take to the YOI Radio Stage and Family Area and the new Queer Arts Cabaret Tent (1.30pm to 7pm, headlined by York’s pink-attired Beth McCarthy). Full festival details at: yorkpride.org.uk.
In the pink: Beth McCarthy tops the Queer Arts Cabaret Tent bill at York Pride this evening
Festival of the week and beyond: York Festival of Ideas 2023, until June 15
THIS University of York co-ordinated festival invites you to Rediscover, Reimagine, Rebuild in a programme of more than 150 free in-person and online events designed to educate, entertain and inspire.
Meet world-class speakers, experience performances, join entertaining family activities, explore York on guided tours and more! Topics range from archaeology to art, history to health and politics to psychology. Study the festival programme at yorkfestivalofideas.com.
Ocean-loving Kentviolinist and composer Anna Phoebe performs her Sea Soul album with Klara Schumann and Jacob Kingsbury Downsat the National Centre for Early Music, York, tonight at 7pm as part of the York Festival of Ideas. Picture; Rob Blackham
Don’t myth it: The Flanagan Collective in The Gods The Gods The Gods, York Theatre Royal, tonight, 7.30pm; Slung Low at Temple, Water Lane, Holbeck, Leeds, tomorrow, 7.30pm (outdoor performance); Hull Truck Theatre, Stage One, June 29,7.30pm
WRIGHT & Grainger’s myth-making The Gods The Gods The Gods is performed as a 12-track album in an exhilarating weave of big beats, heavy basslines, soaring melodies and heart-stopping spoken word. In the absence of co-creators Alexander Flanagan-Wright and Megan Drury in New York and Australia respectively, Easingwold birthday boy Phil Grainger, 34 today, will be joined by Oliver Towse and Lucinda Turner from the West End original cast of Wright’s The Great Gatsby.
The 65-minute performance links stories of two youngsters who meet when out dancing, destined to fall hard; a woman on a beach, alone at night, looking at the stars, and a bloke on a bridge, thinking about jumping, just before dark, all at the crossroads where mythology meets real life. Box office: York, 01904 623568 or yorktheatreroyal.co.uk; Leeds, slunglow.org; Hull, 01482 323638 or hulltruck.co.uk.
Upwards and onwards: Oliver Towse, left, Lucinda Turner and Phil Grainger survey the auditorium ahead of their Harrogate Theatre performance of The God The Gods The Gods. York, Leeds and Hull dates lie ahead
Comedy gig of the week: Patrick Monahan, Classy, Pocklington Arts Centre, tonight, 8pm
IN a world of groups, hierarchies and class systems, everyone tries so hard to fit in. What’s wrong with being a misfit? Be you, be proud!
From the caravan to the middle-class neighbourhood, Irish-Iranian comedian Patrick Monahan, 46, has taken four decades to realise this. Time for the Edinburgh Fringe regular to pass on his observations on living his contemporary life alongside stories of his upbringing. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Patrick Monahan: Classy performance at Pocklington Arts Centre
Apocalypse now: Late Music presents Late Music Ensemble, Unitarian Chapel, St Saviourgate, York, tonight, 7.30pm
YORK Late Music concludes its 2022-23 season on a spectacular – if not entirely optimistic! – note tonight when the Late Music Ensemble, conducted by Nick Williams, opens up the End Of The World Jukebox.
Composers and players re-imagine the pop songs they would like to hear if Armageddon were nigh in arrangements of Imogen Heap’s Hide And Seek, David Bowie’s Warszawa, Cole Porter’s Every Time We Say Goodbye and Bob Dylan’s Cat’s In The Well. The Beatles will be represented by The End from Abbey Road, alongside new works by Christopher Fox and Anthony Adams.
Williams’s nine-strong ensemble promises a broad musical spectrum through the presence of Edwina Smith (flute, piccolo), Jonathan Sage (clarinet, bass clarinet), Iain Harrison and Lucy Havelock (saxophones), Murphy McCaleb (bass trombone), Kate Ledger (piano, toy piano, voice), Tim Brooks (keyboards, piano), Catherine Strachan (cello) and Anna Snow (voice).
Due to unforeseen circumstances, today’s lunchtime concert by Stuart O’Hara has been postponed. It will, however, be rescheduled in the 2023-24 season, whose programme will be announced in the next few months.
While the End of the World cannot be avoided, York Late Music adminstrator Steve Crowther is an optimist who believes that, for now at least, the end is no nigher. A 6.45pm, pre-concert talk by Christopher Fox includes a complimentary glass of wine or fruit juice. Box office: latemusic.org or on the door.
Kate Ledger: Pianist playing in the Late Music Ensemble’s end-is-nigh concert tonight
Folk gig of the week: Spiers & Boden, The Crescent, York, Wednesday, doors 7.30pm
THIS weekend the focus falls on the City of York Roland Walls Folk Weekend at the Black Swan Inn, Peasholme Green. Meanwhile, the organisers, the Black Swan Folk Club, have teamed up with The Crescent to present Bellowhead big band cohorts Spiers & Boden in a seated concert next week.
John Spiers and Jon Boden re-formed their instrumental duo in 2021 after a seven-year hiatus to release the album Fallow Ground. Box office: thecrescentyork.com.
Seated gig: Folk duo Spiers & Boden atThe Crescent on Wednesday
Defiant gig of the week: Mike Peters presents The Alarm (Acoustic), The Crescent, York, Thursday, 7.30pm
AFTER a year of health challenges, The Alarm leader Mike Peters returns to the stage this spring with a new album set for release in the summer.
Co-founder of the Love Hope Strength Foundation, the 64-year-old Welshman will be performing a one-man band electro-acoustic set list of songs from all four decades of The Alarm discography. Box office: thecrescentyork.com.
Mike Peters: Setting The Alarm songs acoustically at the Crescent on Thursday
Troubadour of the week: Steve Earle, The Alone Again Tour, Grand Opera House, York, Friday, 7.30pm
AS his tour title suggests, legendary Americana singer, songwriter, producer, actor, playwright, novelist, short story writer and radio presenter Steve Earle will be performing solo and acoustic in York: the only Yorkshire gig of a ten-date itinerary without his band The Dukes that will take in the other Barbican, in London, and Glastonbury.
Born in Fort Monroae National Monument, Hampton, Virginia, Earle grew up in Texas and began his songwriting career in Nashville, releasing his first EP in 1982 and debut album Guitar Town in 1986, since when he has branched out from country music into rock, bluegrass, folk music and blues. Box office: atgtickets.com/york
Steve Earle: Heading from New York to York for the opening night of his British solo tour. Picture: Danny Clinch
Brass at full blast: Shepherd Group Brass Band: Stage And Screen, Joseph Rowntree Theatre, York, June 10, 7pm
SHEPHERD Group Brass Band’s late-spring concert showcases music from across the repertoire of stage and screen, featuring five bands from the York organisation, ranging from beginners to championship groups, culminating with a grand finale from all the bands. Tickets update: only the last few are still available on 01904 501935 or at josephrowntreetheatre.co.uk.
Thalissa Teixeira: The Royal Shakespeare Company’s first black female Brutus in Julius Caesar, directed by Atri Banerjee, on tour at York Theatre Royal. Picture: Marc Brenner
Power play: Royal Shakespeare Company in Julius Caesar, York Theatre Royal, June 13 to 17, 7.30pm plus 2pm Thursday and Saturday matinees
ATRI Banerjee directs this fast-paced political thriller on the RSC’s return to York Theatre Royal in a fresh interpretation of Julius Caesar with a female Brutus (Thalissa Teixeira) and non-binary Cassius (Annabel Baldwin) that asks: how far would we go for our principles?
Concerned that divisive leader Julius Caesar (Nigel Barrett) poses a threat to democracy, revolutionaries take the violent decision to murder him but without a plan for what happens next. As the world spins out of control, chaos, horror and superstition rush in to fill the void. Civil war erupts and a new leader must rise, but at what cost? Box office: 01904 623568 or yorktheatreroyal.co.uk.
Rob Auton (self portrait): Seeking a crowd in Pocklington and Leeds
WHICH shows will draw the crowds? Charles Hutchinson prepares to join the merry throng across the summer beyond the Bank Holiday sunshine.
Crowd pleaser: Rob Auton, The Crowd Show, Pocklington Arts Centre, tonight, 8pm; Hyde Park Book Club, Leeds, June 5, 7.30pm
CHARMINGLY offbeat Pocklington-raised poet, stand-up comedian, actor, author, artist and podcaster Rob Auton heads back north from his London abode on his 2023 leg of The Crowd Show tour to play Pock and Leeds.
After his philosophical observations on the colour yellow, the sky, faces, water, sleep, hair, talking and time, now he discusses crowds, people and connection in a night of comedy and theatre “suitable for anyone who wants to be in the crowd for this show”. Box office: Pocklington, 01759 301547 or pocklingtonartscentre.co.uk; Leeds, hydeparkbookclub.co.uk.
Antler alert: Comedian Tim Vine in his alarming headwear for Breeeep! at the Grand Opera House, York
“Witness the stupidity” comedy gig of the week: Tim Vine: Breeeep!, Grand Opera House, York, tonight, 7.30pm
EXPECT a mountain of nonsense, one-liners, stupid things, crazy songs and wobbly props, plus utter drivel, advises punslinger Tim Vine.
“Tim’s like the manager of a sweet shop where all the sweets are replaced by jokes, and he serves them in a random order,” says the show blurb. “So it’s like a sweet shop where the manager just throws sweets at you. Enjoy the foolishness and laugh your slip-ons off.” Sold out; for returns only, check atgtickets.com/york.
Amy May Ellis: North York Moors singer-songwriter promotes her debut album at The Crescent
Homecoming of the week: Amy May Ellis, The Crescent, York, tomorrow, 8pm
NOW moved to Bristol, singer-songwriter Amy May Ellis was raised on a remote dale on the North York Moors, playing her early gigs at The Band Room, Low Mill, Farndale.
Steeped in the culture, scenery, folklore and wildlife of the countryside that surrounded and shaped her as a child, she wrote her debut album Over Ling And Bell – named after two types of heather – in a secluded moorland farmhouse, mostly alone but sometimes with friends. Released on Lost Map Records on May 12, it is available on digital platforms and limited-edition vinyl. She will be joined by her new band for tomorrow’s gig, when North Yorkshire-London combo Wanderland support. Box office: thecrescentyork.com.
Ryan Addyman as Jamie New, right, in York Stage’s Everybody’s Talking About Jamie
Musical of the week:York Stage inEverybody’s Talking About Jamie, Teen Edition, Theatre@41, Monkgate, York, Monday to Saturday, 7.30pm plus 2.30pm Wednesday and Saturday matinees
JAMIE New lives on a council estate in Sheffield with his loving mum. At 16, he doesn’t quite fit in. He may be terrified about the future, but Jamie is going to be a sensation.
The Feeling’s Dan Gillespie Sells and Tom MacRae’s coming-of-age musical follows the true-life story of Sheffield schoolboy Jamie Campbell as he overcomes prejudice and bullying to step out of the darkness to become a drag queen. York Stage artistic director Nik Briggs directs. Box office: tickets.41monkgate.co.uk.
Sarah Dean: Plucking strings at the City of York Roland Walls Folk Weekend at the Black Swan Inn
City of York Roland Walls Folk Weekend, Black Swan Folk Club, Black Swan Inn, Peasholme Green, York, June 2 to 4
TOM Bliss and The Burning Bridges open the three-day folk fiesta at the Black Swan on Friday night, to be followed by afternoon and evening sessions on Saturday and Sunday.
Among the weekend’s acts will be: Stan Graham; Eddie Affleck; The Barbarellas; Blonde On Bob; Clurachan; Union Jill; White Sail; Edwina Hayes; Minster Stray Morris; Caramba; The Old Humpy Band; Tommy Coyle; Paula Ryan; Judith Haswell; Sarah Dean; Chris Euesden and Ramshackle. Full details at: blackswanfolkclub.org.uk/programme.cfm.
Alexander Ashworth: Baritone soloist for Elgar’s Dream Of Gerontius at York Minster. Picture: Debbie Scanlan
Purgatory awaits: University of York Choir and Symphony Orchestra, Elgar’s Dream Of Gerontius, York Minster, June 14, 7.30pm
THE University of York Choir and Symphony Orchestra perform Edward Elgar’s Dream Of Gerontius with soloists Joshua Ellicott (Gerontius), Kitty Whately and Alexander Ashworth, conducted by John Stringer.
Elgar dramatically sets to music Cardinal Newman’s poem depicting the journey of Gerontius’s soul from his deathbed to judgement before God. On his way, he encounters angels and demons, colourfully portrayed by the chorus, before settling finally in purgatory. Box office: 01904 322439 or yorkconcerts.co.uk.
The poster for City Screen Picturehouse’s outdoor cinema season, Movies In The Moonlight, at York Museum Gardens in July
Outdoor cinema: City Screen Picturehouse presents Movies In The Moonlight, York Museum Gardens, Museum Street, York, July 14 to 16, from 7.30pm
MUSEUM Gardens play host to City Screen Picturehouse for three nights of summertime open-air film action, opening with The Super Mario Bros. Movie, starring Chris Pratt and Anya Taylor-Joy on July 14. Next come Mamma Mia!, featuring Meryl Streep and Amanda Seyfried, on July 15 and Steven Spielberg’s 1975 shark attack classic Jaws on July 16.
All these outdoor cinema events start at 7.30pm. Films will be shown at sundown; drinks and snacks will be on offer but guests can bring picnics. Box office: picturehouses.com/outdoor.
Ruby Wax: Presenting the latest Wax work, I’m Not As Well As I Thought, at the Grand Opera House, York, this autumn
Looking ahead: Ruby Wax: I’m Not As Well As I Thought, Grand Opera House, York, September 28, 7.30pm
AFTER four years, American-British actress, comedian, writer, television personality and mental health campaigner Ruby Wax, 70, follows up her How To Be Human show with a stage adaptation of her May 11 book, I’m Not As Well As I Thought, promising her rawest, darkest, funniest show yet.
In 2022, Wax began a search to find meaning, booking a series of potentially life-changing journeys: swimming with humpback whales in the Dominican Republic; joining a Christian monastery; working in a Greek refugee camp; undertaking a silent 30-day mindfulness retreat in California. Even greater change marked her inner journey. Box office: atgtickets.com/york.
Tom Allen: Completely and utterly at York Barbican
Recommended but too late for tickets
ACERBIC comedian Tom Allen’s Completely gig at York Barbican on Sunday at 8pm has sold out. Completely.
Under discussion will be Allen’s life updates, his vegetable patch and the protocol for inviting friends with children for dinner.
Fladam’s Flo Poskitt and Adam Sowter: “Things are about to get out of hand” in Green Fingers
WATCH out for Green Fingers, the debut children’s show from madcap York musical comedy double act Fladam at this week’s TakeOver Festival 2023 at York Theatre Royal.
Saturday afternoon’s work-in-progress performance will be a first test for Flo Poskitt and Adam Sowter’s inaugural foray into family theatre.
“We’ll then be heading back into the rehearsal room to preen and polish the show for its full debut at the Edinburgh Fringe in August, when we’ll be at the Pleasance Courtyard,” says Adam.
Flo and Adam’s deliciously Roald Dahl-style musical storytelling show for children aged five to 12 focuses on a boy born with bright green hands. Is he really rotten or just misunderstood?
Magic is about to take root: Fladam’s poster for Green Fingers at the TakeOver Festival 2023
“It’s the first day of school and for the boy known only as Green Fingers, things are about to get – quite literally – out of hand,” says Flo. “Gloop, gunk and gunge aplenty, and only one likely suspect. As if school wasn’t stressful enough!
“To make matters worse, the headmaster – that worrisome old windbag Milton Marigold – has vowed to clean up the school and anyone who gets in his way!”
Could there be more to these fingers than mere mayhem and mess? Maybe the answers lie within the mysterious school garden.
“Green Fingers explores ideas of accepting yourself and engaging with the natural world,” says Adam, whose show combines an original score with bags of humour, rollicking piano with witty wordplay, Morecambe & Wise with Victoria Wood and Elton John.
Tickets for Saturday’s 3pm performance in the York Theatre Royal Studio are on sale on 01904 623568 or at yorktheatreroyal.co.uk.
A study of people studying People We Love’s digital portraits in the Chapel at Castle Howard. Picture: Charlotte Graham
LOVE lost and found is all around in Charles Hutchinson’s picks from the shelf marked culture.
Goin’ to the chapel of love: People We Love, Castle Howard, near York, until October 15, 10am to 4pm
AFTER gracing York Minster twice, Pittsburgh, USA, Viborg, Denmark, and Selby Abbey, North Yorkshire, KMA’s latest contemplative digital art installation takes over the Chapel at Castle Howard, a setting that provides a contrast between portraiture old and new. Produced by York-based Mediale and designed by Kit Monkman, People We Love explores “the invisible transaction between a person, a piece of art and the emotion which bonds us all: love”.
A quintet of high-definition screens display portraits of estate staff and volunteers, Castle Howard visitors and Ryedale residents, filmed in March, as they gaze at a picture of someone they love. A picture you never see, but you will feel each unspoken story as the faces tell the tale of a person they love.
Alexandra Mather’s Adina, left, in York Opera’s The Elixir Of Love
Opera of the weekend: York Opera in The Elixir Of Love, Joseph Rowntree Theatre, York, today at 7.30pm
WILL Nemorino, a simple village farm lad, ever find love without the help of a magic potion? Discover the answer in Donizetti’s comic opera L’Elisere d’Amore, packed with light-hearted music sung in an English translation by Ruth and Thomas Martin with orchestral accompaniment.
Under the direction of Chris Charlton-Mathews, principal roles go to Hamish Brown as the lovelorn, lovable Nemorino; stalwart Ian Thompson-Smith as opportunistic Doctor Dulcamara; David Valsamidies as the boastful Belcore; Alexandra Mather as the intelligent, beautiful Adina and Emma Burke in her York Opera debut as the flirtatious Giannetta. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Harvey Badger, Eddie Ahrens, Hannah Baker and Rachel Hammond in Mikron Theatre Company’s Twitchers
Bird song of the week: Mikron Theatre Company in Twitchers, Scarcroft Allotments, Scarcroft Road, York, Sunday (21/5/2023), 2pm, and on tour until October 21
IN Mikron Theatre Company’s premiere of Poppy Hollman’s Twitchers, Springwatch is coming to RSPB Shrikewing nature reserve, home to raucous rooks and booming bitterns.
Can Jess take inspiration from the RSPB’s tenacious female founders and draw on its history of campaigning to save them? Can she find her own voice to raise a rallying cry for nature in Mikron’s flight through RSPB and birdwatching history, feathered with bird song and humour. No reserved seating or tickets are required, and instead a ‘pay what you feel’ collection will be taken after the show.
Kate Rusby: On song at Harrogate Royal Hall on Monday
Folk gig of the week: Kate Rusby, Harrogate Royal Hall, Monday, 7.30pm
BARNSLEY folk nightingale Kate Rusby rounds off a year of 30th anniversary celebrations with an 18-date spring tour, in the wake of releasing her 30: Happy Returns compendium last May to acknowledge three decades as a professional musician.
Coming later this year will be Kate’s Established 1973 Christmas Tour, visiting York Barbican on December 7, three days after she turns 50: a landmark she will mark with her sixth album of South Yorkshire pub carols and winter songs. Box office: Harrogate, 01423 502116 or harrogatetheatre.co.uk; York, yorkbarbican.co.uk.
Beware the Green Fingers: Fladam’s Flo Poskitt and Adam Sowter launch their debut children’s show at York Theatre Royal
Children’s show of the week: Fladam, Green Fingers, TakeOver Festival, York Theatre Royal, May 27, 3pm
GREEN Fingers is a work-in-progress performance to test out madcap York musical comedy double act Fladam’s first foray into family theatre ahead of its full debut at this summer’s Edinburgh Fringe.
Flo Poskitt and Adam Sowter present a deliciously Roald Dahl-style musical storytelling show for children aged five to 12 about a boy born with bright green hands. Is he really rotten or just misunderstood? Box office: 01904 623568 or yorktheatreroyal.co.uk.
Amy May Ellis: Back at The Band Room
Homeward bound: Amy May Ellis, The Band Room, Low Mill, Farndale, May 27, 7.30pm
BEWITCHING ambient Yorkshire rose folkster Amy May Ellis makes an overdue return to her “local” moorland venue, where she has opened for Hiss Golden Messenger, Willy Mason, Michael Chapman, Ryley Walker and Howe Gelb since teen days…and always brought the house down.
This time she is touring her debut album, Over Ling And Bell, released on Isle of Eigg’s cult Lost Map Records, home of Pictish Trail and one-time Lost Map Sessions singer and songwriter James Yorkston, with whom Amy has toured. Wanderland and Nessy Williamson support. Box office: thebandroom.co.uk.
Awaiting his coat of many colours: Jonathan Wells in rehearsal for his title role in York Musical Theatre Company’s Joseph And The Technicolor Dreamcoat
Musical of the week: York Musical Theatre Company in Joseph And The Amazing Technicolor Dreamcoat, Joseph Rowntree Theatre, York, Wednesday to Saturday, 7.30pm plus 2.30pm Saturday matinee
KATHRYN Addison directs York Musical Theatre Company in Andrew Lloyd Webber and Tim Rice’s 1968 debut musical: the biblical journey of Joseph, son of Jacob and one of 12 brothers, and his coat of many colours.
From the book of Genesis to the musical’s genesis as a cantata written for a school choir, Joseph And The Amazing Technicolor Dreamcoat has grown into an iconic musical theatre staple. Here husband and wife Jonathan Wells and Jennie Wogan-Wells lead the cast as Joseph and the Narrator. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Richard E Grant: Reflecting on love and loss at the Grand Opera House, York
Talk show of the week: An Evening With Richard E Grant, Grand Opera House, York, Friday, 7.30pm
ACTOR Richard E Grant tells stories from his life, entwining tales from his glittering career with uplifting reflections on love and loss, as told in last September’s memoir, A Pocketful Of Happiness.
Grant will be considering the inspiration behind the book – how, when his beloved wife Joan died in 2021 after almost 40 years together, she set him a challenge of finding a pocketful of happiness in every day. The book and now the tour show honour that challenge. Box office: atgtickets.com/york.
Leon Francois Dumont’s Ring Of Fire: Not one of the “life drawings” but featuring in the Donderdag Collective exhibition nonetheless at Pyramid Gallery, York
York exhibition launch of the week: The Donderdag Collective, Artists And The Human Form, Pyramid Gallery, Stonegate, York, York, today, from 11am, until June 25
FOUNDED in 2011 by a group of artists in York, The Donderdag Collective members – both professionals and keen amateurs – meet at St Olave’s Church Hall, in Marygate Lane, on Thursday evenings to sketch or paint from a life model (‘Donderdag’ being Dutch for ‘Thursday’).
Taking part in this resulting show are: Julie Mitchell; Rory Barke; Bertt deBaldock; Diane Cobbold; Carolyn Coles; Leon Francois Dumont; Jeanne Godfrey; Anna Harding; Adele Karmazyn; Michelle Galloway; Andrian Melka; Kate Pettitt; Swea Sayers; Barbara Shaw and Donna Maria Taylor.
Dame Joan Collins: Going Behind The Shoulder Pads at the Grand Opera House in October
Show announcement of the week: Dame Joan Collins, Behind The Shoulder Pads, Grand Opera House, York, October 2, 7.30pm
TO coincide with the release of her memoir Behind The Shoulder Pads, Hollywood legend, author, producer, humanitarian and entrepreneur Dame Joan Collins, who will turn 90 on May 23, will embark on a tour with husband Percy Gibson by her side.
Returning to the Grand Opera House, where they presented Unscripted in February 2019, they will field audience questions and tell seldom-told tales and enchanting anecdotes, accompanied by rare footage from Dame Joan’s seven decades in showbusiness. Box office: atgtickets.com/york.
Jamie Smelt’s Recruiting Sergeant, Paula Lane’s Phoebe Throssel, Aron Julius’s Captain Valentine Brown and Alex Moran’s Ensign Blades in Northern Broadsides’ romp through J M Barrie’s Regency rom-com Quality Street at York Theatre Royal
LOOKING to make a list of every brilliant thing you could do? Here are Charles Hutchinson’s suggestions for the week ahead.
Play of the week: Northern Broadsides in Quality Street, York Theatre Royal, Tuesday to Saturday, 7.30pm, plus 2pm Thursday and 2.30pm Saturday matinees
NORTHERN Broadsides, from Halifax, the home of Quality Street chocs, heads to the chocolate city of York with this delicious J M Barrie farce, whose lead characters featured on the first tin to take the Regency rom-com’s title in 1936.
Artistic director Laurie Sansom stirs a good helping of Yorkshire wit from retired workers at the Halifax factory into Barrie’s story of determined heroine Phoebe Throssel, who runs a school for unruly children, and Captain Valentine, who needs teaching a lesson in love. Box office: 01904 623568 or yorktheatreroyal.co.uk.
The poster for Lisa Cortés’s documentary Little Richard: I Am Everything, showing at City Screen Picturehouse
Film event of the week: Little Richard: I Am Everything, City Screen Picturehouse, York, Tuesday, 8pm
DIRECTOR Lisa Cortés’s documentary tells the story of “the black queer origins of rock’n’roll, exploding the whitewashed canon of American pop music to reveal the innovator – the originator – Richard Penniman”.
Delving into Little Richard’s complicated inner world, with its switchbacks and contradictions and service to both God and music, Cortés conducts interviews with family, musicians and scholars to reveals how he created an art form for ultimate self-expression, and yet what he gave to the world he was never able to give to himself. Box office: picturehouses.com.
Park life: Alan Park enlists for performing list-making solo show Every Brilliant Thing, Shared Space’s debut production
List of the week: Shared Space presents Every Brilliant Thing, Theatre@41, Monkgate, York, Wednesday to Saturday, 7.30pm plus 2.30pm Saturday matinee
THEATRE@41 chair Alan Park swaps off-stage duties for on when appearing in Every Brilliant Thing, an hour-long show built around a list that spans a lifetime spent trying to prove life is beautiful, written by Duncan Macmillan with input from Jonny Donahoe.
Based on both true and untrue stories, this play about depression and the lengths we go to for those we love is staged by new York theatre company Shared Space, directed by Maggie Smales. Box office: tickets.41monkgate.co.uk.
Morgan Wade: Making her York Barbican debut on Thursday
Country gig of the week: Morgan Wade, Crossing State Lines (And Oceans!) Acoustic Tour, York Barbican, Thursday, 8pm
MORGAN Wade, the 28-year-old country singer from Floyd, Virginia, plays York on the back of her “once-in-a-decade debut”, 2021’s Reckless, first released through Thirty Tigers and later picked up by Sony Music Nashville.
Wade wrote or co-wrote a song cycle that addressed the reality facing teens and 20-somethings, embracing raw desire, the reality of getting high and getting sober and the realm of crawling through the wreckage, with tough vulnerability and hurt in her voice. Kat Hasty supports. Box office: yorkbarbican.co.uk (limited availability).
Jamie Stapleton’s Cap’n Billy Bones, left, Jack McAdam’s Dirk, Lee Gemmell’s Long John Silver and Paul Toy’s Doctor Livesey in Baron Productions’ Treasure Island
Adventure of the week: Baron Productions in Treasure Island, St Mary’s Church, Bishophill Junior, York, Thursday to Saturday, 7.30pm
YORK company Baron Productions stages Scottish author Robert Louis Stevenson’s 1883 coming-of-age adventure story of buccaneers and buried gold, wherein 12-year-old Jim Hawkins finds a treasure map that belonged to the pirate Captain Flint. On board the Hispaniola, he and his friends Squire Trelawney and Doctor Livesey duly set off to a faraway island.
Daniel Wilmot’s thoroughly dashing cast includes Lee Gemmell’s Long John Silver, Paul Toy’s Doctor Livesey, Ellie Guffick’s Dick Johnson, Jamie Stapleton’s Cap’n Billy Bones, Molly Barton-Howe’s Morgan and Jack McAdam’s Dirk. Box office: ticketsource.co.uk/baron-productions.
The agony and the Ecstasy: Octopus Dream in I Love You, Mum – I Promise I Won’t Die at York Theatre Royal Studio
Studio show of the week: Octopus Dream in I Love You, Mum – I Promise I Won’t Die, York Theatre Royal Studio, Friday, 7.45pm, and Saturday, 4pm and 7.45pm
MARK Wheeller’s fast-moving, emotionally charged play tells the true story of the tragic death of Dan, a cool, creative and talented South London schoolboy, who took a lethal dose of Ecstasy at an illegal rave.
At 16, he had plans, plenty of them, but losing his life was not one of them. Directed by Elliot Montgomery, Cobie Scott-Ward, Amy Zoldan, Alex Colley and Sean Radford use Dan’s own words to describe the choices he made and the impact on his family and friends in a journey from tragedy to redemption. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Nicholas Wright: Violin soloist at York Guildhall Orchestra concert at York Barbican
Classical concert of the week: York Guildhall Orchestra, Bernstein, Korngold & Rachmaninoff, York Barbican, May 20, 7.30pm
VIOLINIST Nicholas Wright heads back to York from his Vancouver home to play Hollywood film composer Erich Wolfgang Korngold’s Violin Concerto in D with the York Guildhall Orchestra.
Conducted by Simon Wright, the orchestra’s final concert of the 2022-2023 season also features Bernstein’s Overture to Candide and Rachmaninoff’s Symphony No 2, written nine years after his first. Box office: yorkbarbican.co.uk.
Sarabeth Tucek: Re-emerging as SBT at STH, as in Selby Town Hall
Long-awaited return of the week: Sarabeth Tucek, Selby Town Hall, May 20, 8pm
AMERICAN singer-songwriter Sarabeth Tucek has re-emerged from a decade in hibernation – or more precisely “concentrating on other creative endeavours” – with a May 19 double album, Joan Of All, and a new moniker, SBT, her long-time nickname.
On her first British itinerary since 2011, she will be joined by her band for 18 dates. Support slots go to Kiran Leonard and dbh. Box office: 01757 708449 or selbytownhall.co.uk.
In Focus: Ben Fogle: Wild, York Barbican, May 19, 7pm and Harrogate Royal Hall, May 21, 7.30pm
Ben Fogle: Helping to find “the ocean of possibility” in his Wild show
BROADCASTER and adventurer Ben Fogle’s latest walk on the wild side is a 22-date tour full of hair-raising and uplifting stories from a life of amazing encounters.
Taking in Yorkshire trips to York and Harrogate next week, the Animal Park, Lost Worlds and New Lives In The Wild presenter will be sharing stories of hope, possibility and positivity and offering tips on “finding your ocean of possibility”.
Lessons learned from a career that has taken the 49-year-old Londoner to some of the most extreme locations in the world, whether filming for documentaries or tackling some of mankind’s greatest physical challenges.
A former Reservist in the Royal Navy, Ben embarked on the BBC’s ground-breaking Castaway series in 2000, when 36 adventurous souls ditched the rat race for a year-long social experiment, marooned on the remote Scottish island of Taransay in the Outer Hebrides.
“I think it’s all luck, but you make a bit of that yourself,” he says, reflecting on the past 23 years. “I have always loved travel, nature, the outdoors – that’s why I did Castaway. But it was a much more intense experience than anything I could have had under normal circumstances.
“I get asked about Castaway a lot and will be talking about it on the tour, as it’s a big part of me and relative to so much of what I do and have done.”
“Y2K” was “a definitive time”, Ben says. “It was pre-mobile phones, social media didn’t exist, so many things were very, very different. Now things have changed so profoundly, it would be difficult to go back to that innocence and simplicity.
“A [television] channel might try it again one day but no one has replicated it so far. Partly due to the fact nothing like it existed at that time, and people went for very pure and innocent reasons. The landscape has changed, people go on TV now for fame and fortune and that naturally changes the dynamic.
“Heading off to spend a year on an island with a load of strangers gave me a real grounding and a foundation of what it takes to make a simple, off-grid life.”
Those foundations allowed Ben to build his career and stood him in perfect stead for his many varied TV projects. Perhaps none more so than the 12 years of global travel for New Lives In The Wild, wherein he meets people living extreme, off-grid lives in a world now dominated by ease of communication and all too often dictated by being on-grid.
“Castaway definitely gave me the qualifications to be able to do a series like New Lives – to spend time with people living their whole life the way I did for 12 months,” he says. “I have a better understanding of the trials and tribulations, the highs and lows, the benefits and sacrifices they make.
“The more people I have spent time with over 12 years of making that show, the more I understand what goes into making a sustainable, off-grid life like that. A lot of these people are quite reserved, not anti-social necessarily, but they perhaps don’t enjoy being round other people. But as I have experienced it, they can open up with me – there’s almost a mutual respect between us.”
Ben’s experience of meeting those who live in some of the world’s most diverse environments forms the basis of his Wild tour as he takes audiences on a journey to relive inspiring and uplifting tales he has encountered on his travels to the wilderness of northern Sweden, the jungles of Honduras, the hostility of Chernobyl and the mountains of Nepal.
Having previously filmed in Chernobyl, when he met those who returned to live there as it continues to recover from the 1986 nuclear disaster, Ben made a private visit in September after Russia’s invasion of Ukraine.
Early in the conflict, Russian armed forces seized the Chernobyl Exclusion Zone – and soldiers were later reported to have radiation poisoning following their operations in the highly contaminated area.
More than a year after the invasion, he does not foresee the conflict ending soon. “I fear this is in for the long run, decades and decades of unrest in that part of the world,” he says. “I can’t see a quick resolution unfortunately.
“It’s another thing the tour will look at: the effects that war and disaster can have on places, not just the landscape but the people too. It seems harsh to say, but war is part of what happens in a world where seven billion people live. It’s another way that man destroys the environment around us, but can also provide examples of how a place can bounce back.”
Ben’s love of the great outdoors reaches back to his own childhood, where his time was divided between rural Dorset and central London, complemented by extended school holiday trips to the Canadian wilderness to visit his paternal grandparents.
Could he ever step fully out of modern life and would he take his family, wife Marina and children Ludo and Iona, along for the adventure?
“I’m incredibly lucky that I get to straddle two worlds, being in the urban world with all it offers, then going off to the wilderness – and that gives me perspective, which is so important in life,” he says.
“There’s definitely something about that kind of life that appeals to me, but not right now. Ludo and Iona are 14 and 12 this year and are very much involved in urban living.
“They are very well travelled. They have spent time in the jungle, in remote islands, wood cabins, the Norwegian wilderness. But then they go to school and are very much engaged with ‘normal’ society, and love researching on computers, having pizza or going to the cinema.”
Ben’s family lives outside London now. “That helps,” he says. “We ride horses, go wild swimming, long dog walks. But it’s balance; I want them to be street savvy as well as being able in bush craft skills. I want my children to be able to wire a plug and start a fire, to make a bed and to put up a tent. They’re all skills for life and don’t need to be exclusive.
“It’s one of the biggest lessons I think I’ve learnt from meeting hundreds of people all over the world – that too many people follow a prescription for life and don’t think about how you can change that.
“Yes, on one hand I live a prescriptive life with two children, a couple of dogs, paying taxes, being very much part of society. But on the other hand, I have a pretty alternative life, spending the majority of the year away from home because of what I do for a living.
“People ask why I’m not living in a cabin in the woods, but there are sacrifices to make for that life – and I love those great cultural events, arts, cinema, books, so what I have realised is that the search for a perfect balance is what is more important.
“My life is not something everyone could have, not everyone could do it. But I hope that after joining me on the Wild tour, people will consider what kind of things they can do in their own life, the small changes to make to find that balance.”
“Too many people follow a prescription for life and don’t think about how you can change that,” says Ben Fogle
Ben Fogle: the back story
FORMER Royal Navy Reservist Ben appeared on the BBC series Castaway in 2000, marooned on an island in the Outer Hebrides for a year.
He has since presented Animal Park, Countryfile, Wild In Africa, Wild On The West Coast, Crufts, One Man And His Dog, Country Tracks Extreme Dreams, A Year Of Adventures, Storm City, Harbour Lives, Countrywise, Trawlermen’s Lives and New Lives In The Wild.
Hehas made documentaries on Prince William in Africa, disease in Ethiopia, Captain Scott in Antarctica and crocodiles in Botswana.
He has travelled extensively in South and Central America and has toured the world for various broadcasting assignments to more than 200 places including Tristan Da Cunha, Pitcairn, St Helena, East Timor, Nepal, Namibia, Kenya, the Arctic Circle, Zambia, Papua New Guinea, Uganda, Libya, Sri Lanka, Fiji, Tahiti, Maldives, Tanzania and Morocco.
He has worked as a special correspondent for NBC News and has published more than 15 books, including The Teatime Islands, Offshore, The Crossing, Race To The Pole, The Accidental Adventurer, The Accidental Naturalist, Labrador, Land Rover and English.
He has run the Marathon Des Sables, swum from Alcatraz to San Francisco, and is a keen sailor, marathon runner, boxer and cyclist.
Ben married Marina in 2006 after meeting her in the park while walking their dogs, Inca and Maggi. They have two children, Ludo and Iona.
For Wild tickets: York, yorkbarbican.co.uk; Harrogate, 01423 502116 or harrogatetheatre.co.uk.
The elephant in the room: Around The World In 80 Days at Hull Truck Theatre
REVIEW: Hull Truck Theatre/Theatre By The Lake, Hull Truck Theatre, until May 20 ***
AROUND The World In 80 Days is a race against time, a race that involves cramming in so much that ironically Laura Eason’s play runs the risk of feeling like it is taking too long.
Such a challenge faces both American writer Eason and director Hal Chambers, although designer Louie Whitemore definitely has the right idea in utilising a revolving stage to build the sensation of constant movement.
Whitemore’s basic set is bare: a set of the imagination on which anything can happen, anything can arrive: an elephant, a sledge, a train, a trading vessel, even a circus to start the second half.
Naomi Oppenheim’s puppetry, Jess Williams’s movement direction and Claire Llewellyn’s fight direction all add to the visual spectacle in a production rooted in physical theatre and dextrous feats as much as symbols of English Victoriana and colonialism.
French novelist Jules Verne’s story finds eccentric Victorian English gent Phileas Fogg (Stefan Adegbola) placing a wager with his stuffy Reform Club cronies that he can traverse the globe in 80 days. His entire fortune is at risk.
Adegbola’s immaculate, precise, tea-drinking, unflappable but not-always scrupulous Fogg takes on his challenge with the help, sometimes hindrance, of French valet Passepartout ( a clowning, Chaplinesque little tramp of a comic turn from Miriam O’Brien).
On his trail and on his tail is Dyfrig Morris’s Inspector Fix, who has convinced himself Fogg is a thief and will go to the ends of the world to prove it. He plays the buffooning fall guy in comic tradition.
As Fogg races from Italy to India, skips ship in Hong Kong and heads into dustbowl America, into the story are woven Tricia Adele-Turner’s Captain Speedy, Purvi Parmar’s Captain Blossom, Nicholas Prasad’s Mr Naidu and Niall Ransome’s scene-stealing, all-American Colonel Stamp Proctor when Chambers’ production hits its stride in the more inventive, more thrilling second half.
The danger rises and suddenly romance is in the air. Saba Shiraz’s Mrs Aouda, joining the protective Fogg from India onwards, has the measure of the Englishman, challenging him in a discussion on Britain’s colonial acquisitions, not least because Adegbola’s Fogg carries himself with an air of arrogant assumption of superiority.
Amid the chaotic humour, the playful music, the crazy commotions reminiscent of a Mischief caper, and the celebration of Britain’s age of invention, that more serious note gives Eason’s script a topical resonance.
