“WHAT does it mean to belong and where is home?”, ponders Russian-born, English-dwelling, story-telling stand-up Olga Koch in Homecoming, on tour at Theatre@41, Monkgate, York, on October 8.
New passport in hand, Olga will try to figure out who on earth she is, as an immigrant and certified teen drama queen.
Homecoming will be the third tour for Olga, 28, in the wake of 2018’s Fight and 2019’s If/Then, and once more she has created “cathartic performance art in the privacy of her own home”.
She was nominated for the 2018 Edinburgh Fringe Festival’s Best Newcomer Award for Fight, her debut “multimedia extravaganza” that took her audience through the making of modern Russia after Olga’s father – who went from “janitor to Mayor to Deputy Prime Minister of Russia, to game-show host, to dissident” – was stopped by authorities on the Russian border, resulting in the most surreal year in her family’s life.
A British tour followed in 2019, visiting the Burning Duck Comedy Club at The Basement, City Screen, in February that year, where the tracksuit-sporting Olga dissected this real-life spy drama with nothing but a projector and her comedic insights. The show – an hour of Olga Koch starring in From Russia With Gloves Off – has since been aired as a special for BBC Radio 4 and is being adapted as a television sitcom.
Olga’s If/Then debuted at the 2019 Edinburgh before touring the UK and was nominated for Best Show at the Leicester Comedy Festival. The show challenged Olga to tell a love story through the medium of computer programming, a subject she studied at university (“and, like, barely ever brings up”).
“In her feminist investigation into what happens when we can’t separate love and technology, Olga will teach you how to code and explore what happens when our expectations for love, happiness and Michael Bublé no longer compute,” the show brief said.
Like Fight, If/Then is now in development for television. Oh, and while on the subject of TV, Olga has appeared on QI, Mock The Week, King Gary, The New Comedy Show and Channel 4’s Sparks.
Ever busy, she has released the podcast Tech Tech Boom on BBC Sounds and has a new series, OK Computer, running on BBC Radio 4.
Now comes Homecoming, prompting Olga to say: “After various attempts to bring this show to life, I (a stand-up comedian who hopefully hasn’t forgotten how to do stand-up) cannot wait to bring this feel-good extravaganza to an audience (who hopefully hasn’t forgotten how to laugh).”
Homecoming will form part of a full programme of autumn events at Theatre@41. Check out the programme at 41monkgate.co.uk; tickets are on sale at tickets.41monkgate.co.uk.
Did you know?
OLGA Alfredovna Koch was born in Saint Petersburg, Russia on September 1 1992. She was educated at TASIS England, aka The American International School in England, an American international boarding and day school.
She studied computer programming at New York University and trained at the Upright Citizens Brigade Theatre, New York, and the Soho Theatre and the Free Association in London.
AHEAD of Monday’s already trailered Step 4 pronouncement, Charles Hutchinson unmasks events aplenty, from Open Studios to heavy metal heaven, theatre comedy to theatre tragi-comedy, musical celebrations to a triple exhibition.
Big art event of the next two weekends: York Open Studios 2021, preview night tomorrow, 6pm to 9pm; July 10/11 and 17/18, 10am to 5pm
AFTER the Covid-enforced fallow year of 2020, York Open Studios returns this weekend for its 20th parade of the city’s creative talent.
The event sees 145 artists and makers open 95 studios, homes and workplaces, and among them will be 43 debutants, with full details at yorkopenstudios.co.uk.
York’s biggest annual art showcase spans ceramics, collages, digital art, illustration, jewellery, mixed media, painting, printmaking, photography, furniture, sculpture and textiles.
Hardcore gig of the week: Old Selves, Blight Town, Cast Out and Realms at The Fulford Arms, York, tomorrow, 7.30pm.
“WHAT at an absolute heavy metal treat,” enthuses Fulford Arms supremo Chris Sherrington, ahead of tomorrow’s headbanger fiesta, headlined by fiery Yorkshire four-piece Old Selves.
Playing loud too will be Nottingham progressive post-hardcore/math rock quintet Blight Town, York punk’n’roll/metalcore crossover band Cast Out and Yorkshire post-hardcore act Realms, who “make music for people who never grew out of their emo phase”. Tickets: thefulfordarms.bigcartel.com/ or on the door.
Make a trip to Scarborough for: Home, I’m Darling, Stephen Joseph Theatre, July 9 to August 14
SWEET peas in the garden; homemade lemon curd in the kitchen; marital bliss in the bedroom, Judy and Johnny seem to be the perfect couple. Sickeningly happy, in fact, in Laura Wade’s domestic comedy-drama.
Is their marriage everything it seems, however? Are there cracks in their happiness? What happens when the 1950s’ family values they love so much stop working in the 21st century as the couple discovers that nostalgia ain’t what it used to be.
Liz Stevenson directs this co-production between Theatre by the Lake, Keswick, Bolton’s Octagon Theatre and the SJT. Box office: thesjt.uk.com.
Theatre resurrection of the week ahead: The Flanagan Collective in Beulah, Summer At The Mill, Stillington, near York, July 14 to 16, 8pm to 10pm
AN island sets sail into the sunset; a boy watches a lion running out of the sky, and an old man is sleeping as Alexander Wright’s Beulah reawakens in Stillington.
Inspired by William Blake’s world of a “mild and pleasant rest”, Wright plays with notions of reality, of the permeable times of day and liminal states of being, in a show woven with storytelling, puppetry and soaring live music, first staged at York Theatre Royal in the bygone summer of 2012.
Directed by Tom Bellerby, Beulah is performed by actor-musicians and composers Jim Harbourne and Ed Wren. Box office: atthemill.org.
Exhibition launch of the week times three: Pyramid Gallery, Stonegate, York, Friday to September 5
ERUM Aamir, Debbie Loane and Linda Combi form the suitably triangular structure of Pyramid Gallery’s summer show. Not one, but three exhibitions will run in two upstairs rooms.
For Celestial Garden, Manchester ceramic artist Erum Aamir has made intricate porcelain sculptures that fuse her scientific research and artistic imaginations, complemented in the front room by seascape and landscape paintings by Easingwold artist Debbie Loane under the title of The Peace Of Wild Places.
York artist Linda Combi presents The Last Gardener Of Aleppo, a series of original collages and mixed-media artworks and giclee prints that form a moving tribute to Abu Waad in aid of The Lemon Tree Trust and the United Nations High Commissioner for Refugees agency.
Second time lucky: The Damned United, Red Ladder Theatre Company, York Theatre Royal, July 15, kick-off 7.30pm
THE Damned Pandemic curse struck again when June 16’s performance of The Damned United was postponed after one of the actors had an inconclusive lateral flow test. Tickets remain valid for the post-Euro 2020 new date.
Anders Lustgarten’s darkly humorous adaptation of David Peace’s book about Brian Clough’s 44 days in purgatory as Leeds United’s manager is built around the double act of tortured genius Clough (Luke Dickson) and father figure/assistant Peter Taylor (David Chafer).
The beauty and brutality of football, the working man’s ballet, bursts out of a story of sweat and booze, fury and power battles. Box office: 01904 623568 or at yorktheatreroyal.co.uk.
Raise the roof booster: Black Sheep Theatre, For The Love Of Musicals, Joseph Rowntree Theatre, York, July 24, 2.30pm and 7.30pm
MUSICAL director Matthew Clare and his merry band, plus a heap of York singers, present a concert programme packed with musical delights as they seek to prove that “There’s No Business Like Show Business”.
The song list for this Black Sheep Theatre fundraiser for the Joseph Rowntree York, spans Annie Get Your Gun, the classics and more recent shows, such as Dear Evan Hansen. Box office: josephrowntreetheatre.co.uk.
Intimate gig announcement of the week: Joshua Burnell, Live At Forty Five, Forty Five Vinyl Café, Micklegate, York, August 14, 7.30pm
JOSHUA Burnell, progressive York purveyor of folk-fused baroque’n’roll for the modern world, performs in a three-piece line-up, including Frances Sladen, at Forty Five Vinyl Café next month.
Expect a showcase for latest album Flowers Where The Horses Sleep and his new EP, Storm Cogs, featuring songs about a folk singer who went missing for 30 years (Shelagh McDonald), a storm-chasing flying machine and a childhood memory, “written and recorded in lockdown and released as the world recovers”.
Elsie Franklin supports. Tickets are on sale at fortyfiveuk.com/events/joshua-burnell-live-at-fortyfive.
ED Byrne did appear at the debut Live At Theatre Royal Comedy Night after all. On late substitute Milton Jones’s mobile phone in an impromptu exchange where Jones had the last word, over and over, setting up Ed for his genial jibes like Federer putting away a backhand passing shot.
“Byrne out” had struck this gig when the whimsical Irishman’s own phone had pinged him with the message of our times: “You Need To Self-Isolate” , until 23.59pm on July 7.
Byrne was indeed at home, doing passing-the-time things, by way of contrast with this fast-moving, no-interval comedy bill, kept on its toes in brisk fashion by host Arthur Smith, who was largely in rather jollier mood than his usual lugubrious, Grumpy Old Man schtick, as casual as his summer shorts.
So, here was the alternative Smith and Jones show, plus Rhys James in his first gig since times BC (before Covid) and Maisie Adam, the Pannal humorist familiar from panel shows, still defiantly sporting her half-shaven lockdown hair.
James, looking impossibly boyish as he hits 30 this year, is from the time-honoured school of cheeky chappy comedy, full of wry observations and a winning line in self-deprecation, not least over sharing a name – albeit spelt differently – with England’s full back Reece James. He found his feet back on the comedy turf rather better than his namesake in his Euro 2020 debut against Scotland.
Maisie Adam, enthusiastic football player in a Brighton women’s team and fabulous storyteller, was loving being back home in Pannal, visiting Ripon and taking the train across the Knaresborough viaduct.
Like James, she was adjusting to a return to audience interaction after a surfeit of streamed gigs into the silent digital ether, an experience much like howling into the wind, and how she relished the sound of laughter, so vital to a comic’s timing and rhythm. Such delightful, sometimes daft, often astute company, the fearless, forthright Maisie is on the unstoppable rise, you better Adam and Eve it.
In the absence – save for that surprise phone cameo – of ‘edliner Ed Byrne, comedy paradise was found in Milton, the joker with a quip in every soundbite, a pun-slinger always one step ahead of the audience guessing games.
Hair wilder than Doddy, Hawaiian shirt as over-excitable as a teenager’s first holiday away from the parental grip, Jones had a hit rate of word-play gags so consistent, so precise, it was the equivalent of reducing a dartboard to only the bullseye and still never missing.
Behind the deadpan delivery, his abundant sense of mischief, gift for mimicry, smart political sensibility and unerring radar for what’s funny without the need for offence, all wrapped inside his endless joy in a one-liner, were such welcome light relief after so many months of darkness.
In Damian Cruden’s two decades of artistic directorship, comedy nights were strangely absent from the York Theatre Royal calendar, but chief executive Tom Bird is now taking a different tack, and you can surely expect more bills to follow the lead of the Smith and Jones show.
TWO Big Egos In A Small Car podcast double act Chalmers & Hutch decide in Episode 48.
Plus what’s happening to Peter Jackson’s Beatles biopic Get Back? Festival overload: is it Glastonbury or Glastonborey?
Carole King’s Tapestry takes on Joni Mitchell’s Blue in a 50th anniversary tussle. The Magic Christian revisited, Ringo Starr et al. Hurry, hurry, to see Cecil Beaton’s gilded photographic days in Sheffield Millennium Gallery exhibition.
AWAY from all that football, Charles Hutchinson finds plenty of cause for cheer beyond chasing an inflated pig’s bladder, from a late-change comedy bill to Ayckbourn on film, York artists to a park bench premiere.
Late substitution of the week: Byrne out, Jones in, for Live At The Theatre Royal comedy night, York Theatre Royal, tonight, 7.30pm
ED Byrne will not top the Live At The Theatre Royal comedy bill tonight after all. “We are sorry to announce that due to circumstances beyond our control, Ed is now unable to appear,” says the official statement.
The whimsical Irish comedian subsequently has tweeted his “You Need To Self-Isolate” notification, running until 23.59pm on July 7.
Well equipped to take over at short notice is the quip-witted pun-slinger Milton Jones, joining Rhys James, Maisie Adam and host Arthur Smith. Box office: 01904 623568 or at yorktheatreroyal.co.uk.
“Film of the week”: Alan Ayckburn’s The Girl Next Door, from Stephen Joseph Theatre, Scarborough, until Sunday
THE SJT’s film of Alan Ayckbourn’s latest premiere, The Girl Next Door, is available on the Scarborough theatre’s website, sjt.uk.com.
Directed by Ayckbourn, his 85th play can be seen on stage in The Round until Saturday and now in a filmed recording in front of a live audience until midnight on Sunday.
One day in 2020 lockdown, veteran actor Rob spots a stranger hanging out the washing in the adjoining garden, but his neighbours have not been around for months. Who is the mysterious girl next door? And why is she wearing 1940s’ clothing?
Musical of the week ahead: Priscilla Queen Of The Desert, Leeds Grand Theatre, July 6 to 10
PRISCILLA Queen Of The Desert returns to Leeds for seven socially distanced performances in a new production produced by Mark Goucher and, for the first time, Jason Donovan, star of the original West End show and two UK tours.
Loaded up with glorious costumes, fabulous feathers and dance-floor classics, three friends hop aboard a battered old bus bound for Alice Springs to put on the show of a lifetime.
Miles Western plays Bernadette, Nick Hayes, Adam/Felicia and Edwin Ray, Tick/Mitzi, in this heart-warming story of self-discovery, sassiness and acceptance. Box office: 0113 243 0808 or at leedsgrandtheatre.com.
Gig of the week outside York: Clive, alias Phil Grainger, At The Mill, Stillington, near York, tomorrow, 7.30pm
CLIVE is the solo music project of Easingwold singer, songwriter, musician, sound engineer, magician, actor, Gobbledigook Theatre director and event promoter Phil Grainger.
As the voice and the soul behind Orpheus, Eurydice and The Gods The Gods The Gods, Clive finds the globe-trotting Grainger back home, turning his hand to a song-writing project marked by soaring vocal and soulful musicianship. Expect a magical evening wending through new work and old classics in two sets, one acoustic, the other electric. Box office: tickettailor.com/events/atthemill/512182.
Open-air theatre event of the weekend: A Resurrection For York, Residents Garden, Minster Library, Dean’s Park, York, Saturday and Sunday, 11am, 2pm, 4pm
THE wagons are in place for A Resurrection For York, presented by York Mystery Plays Supporters Trust, York Festival Trust and York Minster.
Philip Parr, artistic director of Parrabbola, directs a community cast in an hour-long outdoor performance, scripted by Parr and 2018 York Mystery Plays director Tom Straszewski from the York Mystery Plays cycle of the crucifixion and the events that followed. Tickets are on sale at ticketsource.co.uk/whats-on/york/residents-garden-deans-park/a-resurrection-for-york/.
Exhibition of the week and beyond: Momentum Summer Show, Westside Artists, Blossom Street Gallery, by Micklegate Bar, York, until September 26
YORK art group Westside Artists, a coterie of artists from the city’s Holgate and West areas, are exhibiting paintings, portraits, photomontage, photography, metalwork, textiles, ceramics and mixed-media art at Blossom Street Gallery.
Taking part are Adele Karmazyn; Carolyn Coles; Donna Maria Taylor; Ealish Wilson; Fran Brammer; Jane Dignum; Jill Tattersall; Kate Akrill and Lucy McElroy. So too are Lucie Wake; Marc Godfrey-Murphy; Mark Druery; Michelle Hughes; Rich Rhodes; Robin Grover-Jaques, Sharon McDonagh and Simon Palmour.
Theatre premiere of the week ahead: Park Bench Theatre in The Park Keeper, The Friends’ Garden, Rowntree Park, York, July 7 to 17 (except July 11)
AFTER last summer’s trilogy of solo shows, Matt Aston’s Park Bench Theatre return to Rowntree Park with Olivier Award-winning York writer Mike Kenny’s new monologue to mark the park’s centenary.
Performed by Sean McKenzie, The Park Keeper is set in York in the summer of 1945, when Rowntree Park’s first, and so far only, park keeper, ‘Parky’ Bell, is about to retire. That can mean only one thing, a speech, but what can he say? How can he close this chapter on his life? Will he be able to lock the gates to his kingdom one last time? Box office: 01904 623568, at yorktheatreroyal.co.uk or via parkbenchtheatre.com.
Gig announcement of the week outside York: Andy Fairweather Low, Pocklington Arts Centre, February 11 2022
ANDY Fairweather Low, the veteran Welsh guitarist, songwriter, vocalist and producer, will return to Pocklington next February.
Founder and cornerstone of Sixties’ hitmakers Amen Corner and later part of Eric Clapton and Roger Waters’ bands, Cardiff-born Fairweather Low, 72, will perform with The Low Riders: drummer Paul Beavis, bassist Dave Bronze and saxophonist Nick Pentelow. Box office: pocklingtonartscentre.co.uk.
Rearranged gig announcement of the week in York: Jane McDonald, York Barbican, July 22 2022
WAKEFIELD cabaret singer and television personality Jane McDonald’s Let The Light In show is on the move to next summer.
For so long booked in as the chance to “Get The Lights Back On” at York Barbican on July 4, the Government’s postponement of “Freedom Day” from June 21 to July 19 at the earliest has enforced the date change for a show first booked in for 2020. Tickets remain valid; box office: yorkbarbican.co.uk.
OFF with his ‘Edliner! Comedian Ed Byrne will not top the Live At The Theatre Royal comedy bill in York on Thursday after all.
“We are sorry to announce that due to circumstances beyond our control, Ed Byrne is now unable to appear,” says the York Theatre Royal .
No Byrne’s night in York, but well equipped to take over at short notice is quip-witted pun-slinger Milton Jones.
The shock-haired, excitable-shirted absurdist with the quiver of arrow-sharp one-liners will be joined by Rhys James and Maisie Adam, introduced by lugubrious host Arthur Smith.
“If you have already booked your tickets, you do not need to do anything and we look forward to seeing you on Thursday,” says the box office. “If you need to contact us about your booking, please email boxoffice@yorktheatreroyal.co.uk or call 01904 623568 between 12 noon and 3pm. Our team will be happy to answer any questions and help in any way they can.”
To check ticket availability, go to yorktheatreroyal.co.uk.
LOOKING to have a whale of a time? Here is Charles Hutchinson’s latest guide to what’s on and what’s coming up, featuring a snail, a whale, a hare, a York king and much more besides.
Anything Could Happen show of the week: The Showstoppers in Showstopper! The Improvised Musical, York Theatre Royal and livestream, June 30, 7.30pm
DIRECT from the West End, The Showstoppers’ Olivier Award-winning blend of comedy, musical theatre and spontaneity heads to York Theatre Royal for one night only.
A new musical comedy will be created from scratch as audience suggestions are transformed into an all-singing, all-dancing production packed with drama, dazzling dance routines and contagious melodies, everything being made up on the spot.
“Whether you fancy Hamiltonin a hospital or Sondheim in the Sahara, you suggest it and we’ll sing it,” say the Showstoppers, whose show will be livestreamed too, with more details in how to tune in at yorktheatreroyal.co.uk/show/showstopper-the-improvised-musical-livestream.
Family show of the week: Badapple Theatre Company in Tales From The Great Wood, Joseph Rowntree Theatre, York, July 2, 7.30pm; July 3, 11am, 2.30pm and 7pm.
LISTEN! Can you hear the whispering in the trees? The wood is full of stories in Tales From The Wood, written and directed by Kate Bramley, artistic director of Green Hammerton company Badapple.
York actor Richard Kay, Danny Mellor and a host of puppets present an interactive storytelling eco-adventure for ages five to 95, set on a hot summer’s day, when, instead of resting, Hetty the hare is investigating because someone is missing.
As she unravels a tall tale that stretches across The Great Wood, Hetty realises how every creature, no matter how small, can have a huge part to play in the world of the forest. Box office: josephrowntreetheatre.co.uk.
Children’s show of the week: Tall Stories in The Snail And The Whale, York Theatre Royal, July 2, 2.30pm and 4.30pm; July 3, 10.30am and 1.30pm
TALL Stories invite you to join an adventurous young girl and her seafaring father as they reimagine the story of a globe-trotting tiny snail, inspired by Julia Donaldson and Axel Scheffler’s picture book.
In this heart-warming play full of music, storytelling and laughter, the sea snail hitches a lift on the tail of a grey-blue humpback whale to head off an amazing journey around the world, but when the whale becomes beached, how will the snail save him? Box office: 01904 623568 or at yorktheatreroyal.co.uk.
Folk event of the week ahead: Gary Stewart’s Folk Club, At The Mill, Stillington, near York, July 3, 7.30pm to 10pm
“IT will be a very special, one-off, folk club: part folk night, part headline gig, with an eclectic mix of acts and then me doing a set,” says Easingwold singer-songwriter and multi-instrumentalist Gary Stewart.
Hosted by Gary, people in attendance will be given the chance to play and perform, whether music, stories, songs or poems. “If you want to share something, then bring your instrument and your voice and we’ll see you there!” says At The Mill’s Alexander Wright. For tickets, go to: atthemill.com.
Portrait of the summer: Richard III, Yorkshire Museum, York, July 9 to October 31.
HIS ex-car park bones may be stuck in Leicester Cathedral, but that right work of art, Richard III, is heading back to his favourite city, York, albeit in portrait form.
On loan from the National Portrait Gallery as part of its Coming Home project, the iconic 16th century painting by the mysterious Unknown Artist will be on show at the Yorkshire Museum alongside “one of the finest groups of objects associated with Richard III”, such as the magnificent Middleham Jewel, The Ryther Hoard and Stillingfleet Boar Badge.
“Coming home,” you say? Yes, the project lends portraits of iconic individuals to places across the UK with which they are most closely associated. York 1, Leicester 0.
Where there’s hope…and a NEW date: Hope & Social, The Crescent, York, October 12, 7.30pm. Moved from July 16
“WE wear blue jackets. Fingers crossed, we will die with our hearts out in bloom,” say Leeds band Hope & Social, purveyors of the 2014 Tour de France Grand Depart and Yorkshire Festival anthem The Big Wide.
Ah yes, but why do they wear those blue jackets? “Homburgs, in Leeds, were selling off goods, and they had a choice between Wombles outfits and these Butlins holiday camp-style outfits,” explains drummer Gary Stewart. Box office: thecrescentyork.com.
Warm-up gig of the summer: The Courteeners, Scarborough Open Air Theatre, September 8
THE Courteeners will loosen up for two-late summer shows with an exclusive warm-up on the East Coast, supported by Wirral wonders The Coral.
The Middleton band are to play Glasgow’s TRNSMT Festival on September 10 and Manchester’s Emirates Old Trafford cricket ground on September 25, a home-coming that sold out in 90 minutes.
Best known for Not Nineteen Forever, Are You In Love With A Notion, How Good It Was, The 17th and Hanging Off Your Cloud, The Courteeners released their seventh top ten album, More. Again. Forever, in January 2020. Tickets will go on sale tomorrow (25/6/2021) via scarboroughopenairtheatre.com.
Comedy gig announcement of the week: Joe Lycett: More, More, More! How Do You Lycett? How Do You Lycett?, York Barbican, April 1 and 3 2022
FRESH from filming in York last Thursday for his Channel 4 consumer-campaign series Joe Lycett’s Got Your Back, Birmingham comedian and presenter Lycett has announced a 60-date tour with a title riffing on a 1976 Andrea True Connection disco floor-filler.
In More, More, More!, Lycett will explore his love of art and passion for gardening, how he toys with companies on Instagram and the perils of online trolls.
As well as his York Barbican brace, among more, more, more dates in 2022 will be Hull Bonus Arena on April 2 and Leeds First Direct Arena on September 14. Box office: yorkbarbican.co.uk and joelycett.com.
JULY I will be Ed Byrne’s night in York when the observational Southern Irish comedian headlines an all-star bill for the Live At The Theatre Royal Comedy Night.
Byrne, 49, from Swords, County Dublin, has presented the television shows Just For Laughs and Uncut! Best Unseen Ads and co-hosted BBC2’s The World’s Most Dangerous Roads, Dara And Ed’s Big Adventure and Dara And Ed’s Road To Mandalay with fellow Irish humorist Dara O Briain.
He is a regular guest on numerous television panel games, most notably Mock The Week and Have I Got News For You and has appeared on TV cooking shows, such as Comic Relief Bake Off 2015. As a semi-professional hill-walker and fully paid-up humanist, he brought a refreshing warmth and honesty to BBC2’s The Pilgrimage.
Byrne last played York in March 2018, presenting his Spoiler Alert tour show at the Grand Opera House, where he explored the thin line between righteous complaining and brattish whining as he asked: “Are we right to be fed up or are we spoiled?”
Joining the self-deprecating Bryne will be Mock The Week’s whip-smart wordsmith Rhys James and Have I Got News For You panellist-in-lockdown Maisie Adam, who performed from her living room on the second Your Place Comedy bill with prankster Simon Brodkin last May, as part of the virtual home entertainment series organised by Selby Town Council arts officer Chris Jones.
July 1’s 7.30pm show will be hosted by legendary compere-beyond-compare Arthur Smith, the veteran gloomy weather-faced comedian and presenter from Bermondsey, London.
Tickets cost £20 at yorktheatreroyal.co.uk or on 01904 623568.
ED Byrne’s Live At The Theatre Royal Comedy Night in York next Thursday is a one-off, detached from his If I’m Honest tour.
To see that show in North Yorkshire, you will have to wait until October 12 at Harrogate Theatre, when he will delve into a father’s sense of responsibility, what it means to be a man in 2021, and whether he possesses any qualities worth passing on to his two sons.
Noted for his whimsy, Byrne is more serious in tone in If I’m Honest. Take gender politics, for example. “I’ll admit that there are things where men get a raw deal,” he says. ‘We have higher suicide rates, and we tend not to do well in divorces, but representation in action movies is not something we have an issue with.
“It was Mad Max: Fury Road that kicked it all off, even though nobody complained about Ripley in Alien or Sarah Connor in Terminator 2. Of course, social media means this stuff gets broadcast far and wide in an instant, which emboldens people.”
Byrne continues: “The problem with men’s rights activists is that it’s not about speaking up for men’s rights, it’s about hating women. If you’re a men’s rights activist, you’re not going to care about the fact that there’s an all-female Ghostbusters remake.
“That’s nothing to do with men’s rights or female entitlement. That’s everything to do with being, well, a whiny baby.”
Byrne judges how to be provocative without being too polemical. “I did stuff about Trump and the Pizzagate right wing conspiracy, and a couple of the reviewers said, “Oh, I would have liked to have watched a whole show of this’. And I think, ‘well, you might have, but the average person who comes to see me would not like to see that’. I like to make a point or get something off my chest, or perhaps I’m talking about something that’s been on my mind, but the majority of stuff is just to get laughs,” he says.
“People who come to see me are not political activists necessarily, they’re regular folk. If you can make a point to them, in between talking about your struggles with ageing, or discussing your hernia operation or whatever it is, you can toss in something that does give people pause as regards to how men should share the household chores.”
Byrne goes on: “It’s not that I feel a responsibility. I think it just feels more satisfying when you’re doing it, and it feels more satisfying when people hear it. When a joke makes a good point, I think people enjoy it. It’s the difference between having a steak and eating a chocolate bar.”
As the show title would suggest, If I’m Honest pumps up the tendency towards self-deprecation. “I do genuinely annoy myself,” he admits. “But the thing of your children being a reflection of you gives you an opportunity to build something out of the best of yourself, only for you to then see flashes of the worst of yourself in them. It’s a wake-up call about your own behaviour.”
Byrne observes that “self-aggrandising humour is a lot harder to pull off than self-deprecating humour”. “A lot of people get really annoyed when Ricky Gervais is self-congratulatory,” he says. “I always find it very funny when he accepts awards and does so in the most big-headed way possible. I think it’s a trickier type of humour to pull off, talking yourself up in that way.
“I don’t think I’m being massively hard on myself. The fact is when you’re the bloke who is standing on the stage with the microphone, commanding an audience’s attention, you’re in a very elevated position anyway.”
If I’m Honest expresses the frustration that comes with middle age. “I’m bored looking for things, I’m bored of trying to find stuff, because I can never find it, and it is entirely my fault,” says Byrne.
“Nobody’s hiding my stuff from me. Although my wife did actually move my passport on one occasion.”
Amid the mordant and occasionally morbid humour, If I’m Honest accommodates quietly triumphant moments too. “I thought I was being quite upbeat talking about the small victories,” says Byrne. “You know, finding positivity in being able to spot when a cramp was about to happen in your leg and dealing with it before it does. I was very happy with myself about that.”
Next April, Byrne will turn 50. “You see comics who are my age and older but are still retaining a level of ‘cool’ and drawing a young crowd. I can’t deny that I’m quite envious of that,” he says. “But there’s also something very satisfying about your audience growing old with you.”
Ed Byrne, If I’m Honest, Harrogate Theatre, October 12, 8pm. Box office: 01423 502116 or at harrogatetheatre.co.uk.
COMEDIAN and presenter Joe Lycett will play more, more, more shows – 60 in total – on his More, More, More! How Do You Lycett? How Do You Lycett? tour from March to September 2022.
Riffing his show title on a lyric from Andrea True Connection’s April 1976 top-five disco smash More, More, More, Lycett will head to Yorkshire for a tenth of those gigs.
April Fool’s Day and April 3 bring Lycett to York Barbican; Hull Bonus Arena comes in between on April 2, then Sheffield City Hall, on April 15 and 15, and Leeds First Direct Arena, on September 14, on the tour’s arena finale. Tickets go on general sale at 10am tomorrow (18/6/2021) from joelycett.com.
More, More, More! How Do You Lycett? How Do You Lycett? finds Lycett – the artist formerly known briefly as Hugo Boss – exploring his love of art and passion for gardening, how he toys with companies on Instagram and the perils of online trolls.
Lycett, 32, has kept himself busy during the global pandemic, helming his third series of BBC1’s The Great British Sewing Bee, drawing more than six million viewers each week. He is filming series three of his BAFTA-nominated Channel 4 series Joe Lycett’s Got Your Back, where he takes on the major and minor consumer injustices of this world, and soon he will take over as host of Channel 4’s long-running travel documentary series Travel Man.
More, More, More! How Do You Lycett? How Do You Lycett? is Lycett’s fifth tour with a pop culture-purloined title after Some Lycett Hot, If Joe Lycett Then You Should’ve Put A Ring On It, That’s The Way, A-Ha, A-Ha, Joe Lycett and I’m About To Lose Control And I Think Joe Lycett: his biggest tour to date with 90 British dates and many more in Australia.
Lycett contributed an artwork to Grayson Perry’s first Channel 4 lockdown series Grayson’s Art Club and hosts shows regularly on BBC Radio 2.
Last November, he directed the music video for Litany’s Uh-huh, featuring comedy turn Katherine Ryan, RuPaul’s Drag Race star Vinegar Strokes and a cameo from Lycett himself. Earlier this year, he debuted his surreal video for Katy J Pearson’s Miracle, replete with a life-size toy cow called Muriel and some shanty singers.
Birmingham-born Lycett last played York on May 13 2018 at the Grand Opera House on his I’m About To Lose Control And I Think Joe Lycett travels.
He made earlier visits to Toby Clouston Jones’s Saturday Night Lounge comedy nights at The Duchess in January and March 2015; the Hyena Lounge Comedy Club, with If Joe Lycett Then You Should’ve Put A Ring On It, at the Basement, City Screen, in February 2014; an Edinburgh Fringe work-in-progress preview of that show in the Basement in Summer 2013 and a Hyena Lounge bill with James Acaster and Chris Stokes in January that year.
As trailered in a Lycett tweet earlier this week with the exhortation “Mummy needs you!”, he is due to be in York today, filming for Joe Lycett’s Got Your Back.
MEANWHILE, in further diary notes at York Barbican, Wakefield cabaret singer Jane McDonald’s Let The Light In show is on the move to Summer 2022.
For so long booked in as the chance to Get The Lights Back On at the Barbican on July 4, the Government’s postponement of “Freedom Day” from June 21 to July 19 at the earliest has enforced a late-change.
First booked in for 2020, McDonald will light up York Barbican on July 22 2022; tickets remain valid for the twice-rearranged show.
Historian and television presenter Dan Snow’s History Hit show on October 20 is, alas, history itself now, hit by a “scheduling conflict”.Snow “hopes to be back on the road again in the not-too-distant future”; tickets will be automatically refunded from the point of purchase.
In a second humorous addition, to go with Lycett, Germany’s ambassador of comedy, Henning Wehn, will “give everything a good rinse as you witness him wring sense out of the nonsensical” in It’ll All Come Out In The Wash on June 17 2022.
Wehn concedes that “an unbiased look at a certain virus might be inevitable” but he “has no agenda; he just happens to be always spot on. It’s a curse”.