Category: Exhibitions

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Felipe Castelblanco and DIVA win Aesthetica Art Prize at York Art Gallery

2026 Aesthetica Art Prize main prize winner Felipe Castelblanco. Picture: Matt Eich

FELIPE Castelblanco is the £10,000 Main Prize winner of the 2026 Aesthetica Art Prize at York Art Gallery with his 2025 three-channel video and sound work Tunda: A Quantic Plant and the Devil’s Breath.

The £1,000 Emerging Prize went to DIVA’s three-channel video and sound work Memoria 2020: When Memories Are No Longer Enough, produced in 2025 with the support of the Department of Art History and Film Studies at the University of Montreal and the Graduate Film Programme at Howard University.  

Felipe Castelblanco is a multidisciplinary artist, researcher and filmmaker who works at the intersection of participatory, film, and Media Art. Tunda: A Quantic Plant and the Devil’s Breath explores the entangled histories of plants and colonial extraction, depicting an Indigenous man thrust from the Colombian Amazon to the Swiss Alps, drifting between vision and reality.

Landing in a remote museum’s herbarium, he encounters botanical artefacts relating to the Brugmansia plant. This plant is a powerful teacher for Kamnënstá Indigenous healers in Colombia’s Andean-Amazon region. Among these communities, it is believed to possess the ability to cross boundaries of time and space. The work combines science, ethnomedicine and ecology, encouraging us to question how we see things.


Memoria 2020: When Memories Are No Longer Enough reflects on DIVA’s identity as a Black French woman in New Orleans through the lens of another diasporic experience: a Mardi Gras Indian Queen.

The Mardi Gras Indian tradition is believed to originate from encounters between Native and Black communities in the late 19th century. The Queen’s voice introduces the traditions and history of this African American cultural practice, rooted in community resilience and resistance. The work explores how artistic archives, cultural memory and testimony shape belonging across diasporic histories.

Both winners are featured in the Aesthetica Art Prize 2026: States of Becoming exhibition, running at York Art Gallery until November 15 2026.

The exhibition showcases 20 shortlisted artists whose work addresses urgent global themes, including health and wellbeing and the environment in the modern age; the impact of emerging technologies on perception; our changing relationship with the world and to nature past and present; memory as something continually reconstructed and identity, migration and belonging.

Moved this year from the ground floor to the first floor, this annual showcase presents the work of contemporary artists around the globe, working across a range of media, including digital media arts, while supporting York’s status as a UNESCO Media Arts City and bolstering the creative industries within this historic city.

Aesthetica director Cherie Federico says: “Now marking its 20th anniversary, the Aesthetica Art Prize stands as an international platform for contemporary art, amplifying voices that shape and challenge the cultural conditions of the present day.

“Over two decades it has evolved into a space where artistic practice is not only exhibited but also activated, supporting careers, fostering global dialogue and championing work that responds directly to the urgencies of now.

“This is art with purpose: work that operates as a force of disruption and recalibration, unsettling fixed ways of seeing and opening up new ways of understanding a world in flux.”

The selected artists engage directly with the defining pressures of contemporary life, from accelerating technologies that reshape perception and truth, to the legacies of colonial histories and their ongoing impact on identity and belonging, and ecological systems under strain, says Cherie.

“Across these works, memory is not fixed but porous and unstable, continuously rewritten through image, material and experience. Photography, film and installation move beyond documentation into active states of becoming, where meaning is constructed, unsettled and reformed,” she continues.

“Rather than resolving uncertainty, the Prize holds space for it – creating a platform where contemporary art   reflects, resists and redefines the present.”

Of the winners, she says: “The Prize has grown into an international platform for contemporary art, creating opportunities for artists at pivotal stages in their careers and connecting their work with new audiences.

“Felipe Castelblanco and DIVA, demonstrate the power of art to deepen our understanding of history, identity, ecology and collective memory. Their work invites audiences to engage with urgent questions from fresh perspectives, creating space for reflection, dialogue and new ways of seeing.”

Livia Turnbull, curator of contemporary art at York Art Gallery, says: “It is wonderful to be hosting Aesthetica as it celebrates its 20th year. The range of mediums are always an exciting part of the exhibition design, blending the physical and digital into York Art Gallery and recognising how they sit alongside the other contemporary works in our own collection.

“The Prize helps to show the range of artistic diversity within the exhibitions programme and showcases York as a champion of creative arts and media.”

The 20 shortlisted artists on display are: Alexis Pichot; Chrissy Lush; Claudia Behrensen: DIVA (Emerging Prize winner); Edgar Martins; Felipe Castelblanco (Main Prize winner); Filip Haglund; Hope Strickland; Jarrett Murphy; Jeonghan Yun; Katharine Dowson; Kazuaki Koseki; Liza Dracup; Magid Magid; Neil Armstrong; Neville Gabie; Sara Campaci; Teti (Julia Teti); Tommy Goguely and Yasuaki Matsuura.

Some works mesh a combination of the States Of Becoming themes together, such as winner Castelblanco’s Tunda: A Quantic Plant and the Devil’s Breath, while Claudia Behrensen ‘s Sacred Bond follows a similar theme, but instead looks to the future by portraying the link between people and the natural world through powerful imagery of a dystopian world if nature continues to be neglected in favour of artificial entertainment.

Other works from Filip Haglund, Hope Strickland, Jarrett Murphy and Alexis Pichot also navigate themes of the natural world. Pichot and Murphy use photography and prints to capture forests and mountains, while Haglund and Strickland portray their explorations of the ocean and rivers through film.

Kazuaki Koseki captures Himebotaru fireflies, a species unique to Japan, in an illuminated scene highlighting the beauty of the fireflies with the fragility of nature.

DIVA’s Memoria 2020: When Memories Are No Longer Enough and Magid Magid’s Faith Amongst The Ruins look at identity, race and cultural memory in the community, while Edgar Martins’ prints make a poignant comment on mental health in the modern world.

Jeonghan Yun’s Photograph Drawing III encourages discussion about how photography and drawing are defined, directing focus to either the different lenses or the abstract of the overall piece. Contemporary art is a continually fluctuating practice, where works such as Yun’s facilitate how these media are displayed and interpreted.

York, as a proud member of the UNESCO Creative Cities Network, celebrates new and ground-breaking installations that demonstrate the creativity and innovation of contemporary artists.

York’s status as a UNESCO City of Media Arts provides an important cultural foundation for this work, positioning it within a globally connected network of creative cities. This status reinforces the city’s role as a site of exchange where international artistic practice intersects with local cultural infrastructure.

Within this framework, the Aesthetica Art Prize continues to expand its global reach, with artists applying to enter from more than 60 countries and contributing to an increasingly diverse curatorial field.

The exhibition becomes a space where international perspectives converge, producing dialogue that extends beyond geography. Contemporary art is understood here as a shared global language shaped through multiple contexts and voices, creating a dynamic environment where cultural exchange is continuous and evolving.

The Aesthetica Art Prize exhibition runs until November 15, open Wednesdays to Sundays, 10am to 5pm, and is included in general admission. A programme of talks will accompany the exhibition; events will be uploaded throughout the run at https://www.yorkartgallery.org.uk/exhibition/aesthetica-art-prize-2026/.

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York Art Gallery to mark finale of Making Waves: The Art of Japanese Woodblock Prints exhibition with Bank Holiday events

Katsushika Hokusai’s The Great Wave off Kanagawa, c.1829-32. Image courtesy of Maidstone Museum

YORK Art Gallery will mark the finale of Making Waves: The Art of Japanese Woodblock Prints during the August Summer Bank Holiday.

This special event will run on Saturday, August 29 and Sunday, August 30 August, with more details to be announced to complement the activities, times, tickets and more information posted already at yorkartgallery.co.uk.

Look out for Japanese-themed crafts and food, traditional harp playing and drumming sessions, as well as performances from York choir groups, plus Kokedama, a traditional nature-based craft.

Visitors are encouraged to enjoy all these activities, staying all day to eat, play and relax in the beautiful Japanese Garden at the back of the gallery.

Hashimoto Chikanobu’s Evacuation Of Chiyoda Palace, from the series The Inner Palace Of Chiyoda, 1896, on show at Making Waves: The Art of Japanese Woodblock Prints at York Art Gallery. Picture: York Museums Trust

Throughout the August Bank Holiday weekend, a range of activities will be available to try inside the gallery too.

This will be the final chance to see Katsushika Hokusai’s The Great Wave off Kanagawa on loan from Maidstone Museum, and to learn more about Japanese art and culture as the exhibition bids farewell with this special closing celebration. 

Visitors can create their own print as part of the exhibition, view kimonos from Durham Oriental Museum, discover samurai armour and swords from the Royal Armouries, Leeds, and buy from the gallery gift shop’s Japanese ranges.

More than 38,000 people have visited Making Waves: The Art of Japanese Woodblock Prints already. To book tickets, go to: yorkartgallery.co.uk.

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York Museum Gardens to open for evenings of cocktails, live music and street food on August 14 and 28 from 6.30pm to 9.30pm

York Museum Gardens. Picture: York Museums Trust

VISITORS are invited to experience York Museum Gardens “like never before” as the botanical gardens open after hours for exclusive Friday evening events on August 14 and 28.

Guests can enjoy Evening In The Gardens, a relaxed adults-only experience offering rare access to one of York’s most beautiful green spaces after the gardens have closed to the public at 6pm.

York Museum Gardens will reopen exclusively for ticket holders from 6.30pm to 9.30pm, giving visitors the chance to be in the gardens at this peaceful time of day.

Against the backdrop of the ruins of St Mary’s Abbey, guests can unwind with a cocktail, listen to live music, sample street food and soak up the atmosphere as the sun sets over the historic gardens, whether you are on a date night, linking up with friends for the evening or simply wanting to experience this iconic spaces in a completely different way.,

Run by York Museums Trust, the event is suitable for age 18 upwards. Tickets cost £7.50 and include a cocktail on arrival. Additional drinks and street food will be available to buy throughout each evening. To book, go to: yorkmuseumgardens.co.uk.

York Museum Gardens, leading to the rear of York Art Gallery. Picture: York Museums Trust

York Museum Gardens: back story

ESTABLISHED in the 1830s by Yorkshire Philosophical Society (YPS). Noted for collection of trees, shrubs, perennials and bulbs.

The land was granted to YPS  under the condition that botanical gardens would be established on the site. These were created Sir John Murray Naysmith and originally contained a conservatory, pond and menagerie.

In 1960, the gardens and Yorkshire Museum were given in trust to the City of York Council. Since 2002, they have been managed by York Museums Trust.

Opening hours: 9am to 6pm, daily. For more information, head to yorkmuseumgardens.org.uk.

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What’s On in Ryedale, York and beyond. Hutch’s List No. 30, from Gazette & Herald

Stephen Webb’s Dr Frank N Furter in The Rocky Horror Show, doing the Time Warp again at the Grand Opera House, York

TOM Jones on the coast, Knavesmire’s music showcase weekend, a not-so-sweet Transylvanian transvestite and a French farce promise variety aplenty in Charles Hutchinson’s week ahead.

Musical of the week: The Rocky Horror Picture Show, Grand Opera House, York, until Saturday, tonight and tomorrow, 8pm; Friday & Saturday, 5pm and 8.30pm

STEPHEN Webb leads the cast as Dr Frank N Furter in The Rocky Horror Show’s latest return to the Grand Opera House, joined by comedian Jackie Clune as the Narrator. Directed by Christopher Luscombe, Richard O’Brien’s outré musical tells the story of squeaky-clean American college sweethearts Brad and his fiancée Janet’s very frank encounters at the freaky doctor’s Transylvanian castle after their car breaks down.

Cue an adventure full of fun, frolics, frocks and frivolity, bursting with timeless songs and outrageous outfits as O’Brien combines science-fiction, horror, comedy and music while encouraging audience participation. Those audiences are sure to dress up in the most outrageous fancy dress. Box office: atgtickets.com/york.

Lou Bass’s artworks for Bring Me Sunshine at Helmsley Arts Centre

Exhibition of the week: Bring Me Sunshine, Paintings by Lou Bass and Adam King, Helmsley Arts Centre, until September 4

SCARBOROUGH artists Lou Bass and Adam King have teamed up for a joint exhibition, Bring Me Sunshine. A regular North Yorkshire Open Studios participant at Beeforth’s Hive, Lou’s vibrant paintings are brought to life with help from playful and poignant characters, such as Donkey, Crow, Angry Man, Bandit Cat, Dog and Fox, as she explores emotions and situations through simple narratives.

Painter and printmaker Adam has been painting for more than 35 years, holding exhibitions and doing residencies throughout Yorkshire. Educated at Leeds Met, York St John and Huddersfield, he led the Foundation Art and Fine Art degree courses when lecturing at Harrogate College before painting full time. His work is marked by a fresh approach to image making, combining simplicity with sophistication and a sureness of composition.

Andrew O’Neill: Looking to Escape at Theatre@41, Monkgate, York, on Friday. Picture: Andrew O’Neill

Fringe shows of the week: Halfway To Edinburgh at Theatre@41, Monkgate, York, presents Dylan Howells in Forget About Me (Work In Progress), tonight, 7.30pm; Joe Sellman-Leava in Copycat (Work In Progress), tomorrow, 7.30pm; Andrew O’Neill: Escape, Friday, 8pm

IN a remote, northeast village, something lurks in the bathroom: something Dylan struggles to remember, which even his dad’s deadly DIY skills can’t fix, as designer-performer Dylan Howells weaves psychological illusions and fragmented memories into a magical, chilling tale of a home that won’t stay still.

Part magic show, part ghost story, tonight’s show Forget About Me isn’t your typical conjuring act: mind-bending mentalism and spine-tingling effects blur the line between reality and fiction in a twisted tale designed to get under your skin.

DOES AI spell the end of humanity, or the dawn of a new utopia, ponders Fringe First winner Joe Sellman-Leava tomorrow. He might be a technophobe, but he is determined to find out by using innovative design and a whirlwind of uncanny impressions to tell the story of a teacher, a student and a copycat dictator to examine the links between art, fascism and rapid technological change. 

HOW do we get out of this mess, asks cult comedian Andrew O’Neill on Friday in his surreal, political show, Escape, about the ways in which we disagree with each other, while suggesting some ways we can find our way out. Box office: tickets.41monkgate.co.uk.

Jorja Cartwright’s German flight attendant Gretchen in rehearsal for Rowntree Players’ Boeing Boeing

Farce of the week: Rowntree Players in Boeing Boeing, Joseph Rowntree Theatre, York, tomorrow to Saturday, 7.30pm

MARC Camoletti’s high-flying 1960s’ French farce Boeing Boeing is cleared for take-off in Hannah Shaw’s English-language production for Rowntree Players. Meet self-styled Parisian lothario Bernard, who has Italian, German and American fiancées, each one a beautiful airline hostess with frequent “layovers.”

He keeps “one up, one down, and one pending” until unexpected schedule changes bring all three to Paris, and to Bernard’s apartment, at the same time. Shaw’s cast features Max Palmer as Bernard, Lizzie Lawton as Robert, Rebecca Thomson as Berthe, Jorja Cartwright as Gretchen, Bethan Olliver as Gloria and Val Debenedetti as Gabriella. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Welsh pop legend Tom Jones: Returning to Scarborough Open Air Theatre on Sunday

Coastal concerts of the week: Scarborough Open Air Theatre, An Evening with James Taylor and His All-Star Band, Saturday; Tom Jones, with Stone Foundation, Sunday; gates open at 6pm

MASSACHUSETTS singer, songwriter and guitarist, Laurel Canyon folk luminary, six-time Grammy winner and Rock and Roll and Songwriters Halls of Fame inductee James Taylor, 78, draws on six decades of songs, from his self-titled 1968 debut to 2021’s 19th studio album, American Standard, on Saturday night.

Tom Jones, or Sir Tom Jones since 2006, to be more formal, returns to Scarborough this weekend at 85 to perform such favourites as It’s Not Unusual, What’s New Pussycat?, Delilah, Green, Green Grass Of Home, A Boy From Nowhere, Kiss, Mama Told Me Not To Come and Sex Bomb. Joining Sir Tom will be the eight-piece soul collective Stone Foundation. Box office: scarboroughopenairtheatre.com.

Holly Taymar: Performing Eva Cassidy’s songbook at Helmsley Arts Centre

Tribute show of the week: Holly Taymar Sings Eva Cassidy, Helmsley Arts Centre, Friday, 7.30pm

YORK singer-songwriter Holly Taymar delivers a warm, authentic performance that blends Eva Cassidy’s folk, jazz and blues material in renditions of Fields Of Gold, Songbird, Over The Rainbow and Autumn Leaves.

In a show of appreciation for Eva’s life and career, rather than imitation, Taymar combines intimate guitar accompaniment, mesmerising stage presence, melody and emotional truth. Singer-songwriter David Swann supports. Box office: 01439 771700 or helmsleyarts.co.uk.

Craig David: TS5 DJ set after Friday evening’s race card at York Racecourse

Race day concerts of the week: York Racecourse Music Showcase Weekend, Knavesmire, York, Craig David presents TS5, Friday, and Tom Grennan, Saturday

SOUTHAMPTON singer-songwriter and DJ Craig David presents his TS5 DJ set on Music Showcase Friday’s double bill of racing and old-skool anthems, from R&B to Swing Beat, Garage to Bashment, plus current House hits, when he combines his song and MC skills.

Tom Grennan: Saturday live set at York Racecourse

BEDFORD singer-songwriter Tom Grennan is Saturday’s post-racing performer, drawing on such hits as Little Bit Of Love, Let’s Go Home Together, Remind Me, Here and How Does It Feel, plus songs from his number one albums Evering Road, What Ifs & Maybes and Everywhere I Went Led Me To Where I Didn’t Want To Be and top-five debut Lighting Matches. Tickets: yorkracecourse.co.uk; no booking fees; free parking on race day.

York tenor Ashley Stillburn: Making his York Proms debut on Sunday

Picnic concert of the week: York Proms, York Museum Gardens, Sunday 5.30pm

RUN by classical chart-topping York soprano Rebecca Newman and now in its ninth year, York Proms features music from the world of classical and opera, film soundtracks and show songs. Increasing the orchestra size this summer will enable the inclusion of iconic John Williams cinema compositions.

The soloists are York-born tenor and West End musical actor Ashley Stillburn in his York Proms debut and British/Irish soprano Jennifer Coleman, making her third appearance. Tickets update: Still available at yorkproms.com/collections/tickets-2026.

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Seascapes and fossils combine in Carolyn Coles & Mike Marshall’s Beyond The Nab event at St Mary’s Church, Sandsend

York artist Carolyn Coles enjoying painting in plein air at Sandsend

ARTISTS and fossil collectors Carolyn Coles and Mike Marshall share their love of the north east coastline in Beyond The Nab at St Mary’s Church, Sandsend, near Whitby, on July 24 to 27.

Held at this beautiful church located at the end of the Sandsend Valley at the bottom of Lythe Bank, the special four-day event takes place in one of Yorkshire’s prettiest valleys, noted for its picturesque, high-end stone cottages, rich local history, tied to the Mulgrave Estate, and ancient woodlands leading to the ruins of Mulgrave Castle.

On show and sale will be contemporary paintings with a traditional twist, sculptured fossils, evocative photography, jet jewellery, cards and prints, with both York seascape artist Carolyn Coles and East Coast fossil legend Mike Marshall on hand to guide you through the works.

South Bank Studios artist Carolyn will be demonstrating painting techniques while Mike, who runs Yorkshire Coast Fossils, will be glad to identify any fossil you bring along. A pop-up cafe will serve light refreshment in aid of the church, championed by volunteer Helen Lloyd.

Mike Marshall looking out to sea

Carolyn explains the idea behind the event as a “brilliant medley of art and heritage, combining contemporary art and sculpture with traditional techniques”. “We talked about coming together professionally as our work is a perfect compliment and we have such a shared love of the area,” she says.

Carolyn has had a busy 2026, joining wildlife sculptor Karen Fawcett and PICA Studios ceramicist Emily Stubbs in The Sky’s The Limit exhibition at Pyramid Gallery, York, from January 24 to mid-March and taking part in York Open Studios on April 18, 19, 25 and 26.

“My dream is to open a studio and gallery and live by the coast, so this event is a huge pleasure to hold,” she says.

Carolyn Coles and Mike Marshall, Beyond The Nab, St Mary’s Church, Sandsend, near Whitby, July 24 to 27, 10am to 5pm. A preview event will be held on June 24, 5pm to 7pm. “You will be very welcome to come along and  join us in celebrating this very special part of Yorkshire,” says Carolyn.

Carolyn Coles’s studio at South Bank Studios, York

Carolyn Coles: back story

AFTER studying art and illustration in the early 1990s, Carolyn has exhibited artwork in York, Leeds, London, Derby, Manchester and Hereford in solo and shared shows, selling work internationally too.

She has worked in the creative industry for more than 30 years within adult education, graphic design and illustration and now paints full time from her studio with a group of 19 artists at South Bank Studios, Southlands Methodist Church, Bishopthorpe Road, York.

Sandsend, by Carolyn Coles, from her Beyond The Nab exhibition

Described by Pyramid Gallery curator Terry Brett as “a painter of gorgeous seas and skies”, Carolyn has chosen seascapes as her primary subject matter and likes to capture atmosphere, usually with a leaning towards dark and moody, and generally on a larger scale.

Carolyn’s love of the seaside and nature in general is reflected in her painting. Utilising a range of styles, her latest work is mostly impressionistic: “This allows the viewer to interpret their own story and pull their own memories back into play,” she says.

“I’m interested in recreating a feeling, an essence. I love being by the sea or in the hills. It’s a tonic. The noise, everything, just soaks into me. I like to be playful, bold and subtle in my work, which is mostly acrylic on stretched canvasses.”

Mike Marshall’s photograph of the sea at Sandsend with Whitby in the distance. Picture: Yorkshire Coast Fossils

Mike Marshall: back story

MIKE works with locally sourced fossils and Whitby Jet, sculpting and polishing the fossils into natural pieces of art. Fossils are used in the process of producing hand-crafted pieces of Whitby Jet jewellery too. Photography has become part of Mike’s life too, capturing the landscape and wildlife that he encounters on the Yorkshire coast.

Yorkshire Coast Fossils: back story

SITUATED close to the historic port of Whitby on the North Yorkshire Heritage Coast, Yorkshire Coast Fossils has been supplying customers with high-quality fossil specimens, Whitby Jet jewellery and photography since 1989.

The majority of the fossils offered are from the upper lias shales of the Lower Jurassic. Specimens range from the relatively abundant ammonites Dactylioceras and Hildoceras to rarer collectors pieces, such as remains of marine reptiles, including Ichthyosaur, Plesiosaur and marine crocodile, as well as occasional fish and crinoid specimen.

Yorkshire Coast Fossils also offers a range of polished fossil gifts, such as sectioned and polished ammonites, as well as other unusual cut and polished fossil material.

Also available is a range of handmade Whitby Jet jewellery, some being inlaid with local ammonites, Baltic Amber, Mammoth ivory and other semi-precious stones. Bespoke pieces of jewellery can be commissioned and made according to a customer’s requirements.

Storms End, by Carolyn Coles, from her Beyond The Nab exhibition

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More Things To Do in York and beyond. Hutch’s List No. 29, from The York Press

Danger, danger for a ranger at close quarters with a dinosaur’s teeth in Dinosaur Adventure Live: Danger On T-Rex Mountain at York Theatre Royal

DINOSAUR adventures and Knavesmire’s music showcase weekend, a not-so-sweet Transylvanian transvestite and a French farce promise variety aplenty in Charles Hutchinson’s week ahead.

Children’s show of the week: Dinosaur Adventure Live, Danger On T-Rex Mountain, York Theatre Royal, today, 2.30pm

SIXTY-FIVE million years in the making, Dinosaur Adventure Live brings a fusion of family-friendly storytelling, puppetry and roarsome science to the stage as the ancient world of dinosaurs crashes back to life for gasps, giggles and occasional jump-scares.

From a shadowy raptor on the loose to baby dinosaurs that you can feed (carefully!), Mike Newman’s show blends humour, thrills and hands-on learning into an interactive stage experience. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Liz Foster: Exhibiting her abstract artworks in Arnup Studios’ first collective show at Pyramid Gallery

Exhibition launch of the week: Arnup Studios at Pyramid Gallery, Stonegate, York, today, 11am to 2pm, then running until September 27

CERAMICIST Hannah Arnup, landscape and natural world artist Michelle Galloway, abstract artist Liz Foster, plein-air and studio artist Kate Pettitt, British wildlife ceramicist Penny Phillips and handmade jewellery designer Emma Welsh will be on hand at today’s opening of Holtby-based Arnup Studios’ first collective exhibition at Pyramid Gallery. Gallery opening hours are 10am to 5pm, Monday to Saturday.

Justine Warner with exhibits from today’s showcase of experimental textiles and mixed media at Laburnum Cottage, Sheriff Hutton 

Art showcase of the week: Experimental Textiles and Mixed Media, Laburnum Cottage Art Studio, West End, Sheriff Hutton, near York, today, 10am to 5pm

NORTH Yorkshire Open Studios textile and mixed-media artist, Landscape Artist Of The Year 2022 contestant, teacher and workshop tutor Justine Warner plays host to an exhibition of one year of student work, showcasing skills, workbooks and final pieces based on a wide range of experimental textile techniques that employ exciting and unusual materials in creative ways.

Look at how Bondaweb, Lutradur, soluble fabrics, metal, foils, gel printing, transfer printing, batik, tetra pack printing, block printing and heat-shrink can be used and  speak with some of the students who experimented with them.

Rowan Armitt-Brewster’s introverted office worker Thomas struggling with his bothersome briefcase in Skedaddle Theatre’s A Brief Case Of Crazy

Silent love story of the week: Skedaddle Theatre & Shoddy Theatre present A Brief Case Of Crazy, York Theatre Royal Studio, today, 2pm & 7pm

INSPIRED by the timeless genius of Charlie Chaplin, Buster Keaton and Mr Bean,Rowan Armitt-Brewster, Samuel Cunningham and Lennie Longworth’s physical comedy A Brief Case Of Crazy is a silent love story with a very loud heart, told through slick choreography, mime, clowning and puppetry.

Meet Thomas, an awkward, introverted office worker with a quiet crush on his equally shy colleague, Daisy. His quest for love must contend with a boisterous boss named Simon and a rather bothersome briefcase that drags an awkward introvert into extraordinary events. Will his quest for love fail? Or will he discover that what’s on the inside counts most? Box office: 01904 623568 or yorktheatreroyal.co.uk. Age guidance: Five upwards.

Dominic Goodwin in a triptych of his myriad roles in Twice Nightly

Recalling variety’s golden days: Pyramus and Thisbe Productions present Dominic Goodwin in Twice Nightly, Friargate Theatre, York, tonight, 7.30pm

RYEDALE writer, performer and pantomime dame Dominic Goodwin is touring his first one-man comedy show, directed by York director and actor Thomas Frere.

Twice Nightly follows the story of struggling comedian Freddie Francis in 1956 as the final curtain hovers over variety. Many acts of the time are highlighted, including Norman “Over The Garden Wall” Evans (said to be an influence on Les Dawson) Stockton comic Jimmy James, wartime star Robb Wilton and the iconic Max Miller. Box office: York, 01904 655317 or ridinglights.org/friargatetheatre.

CMAT: Songs of identity, grief and beauty standards at Scarborough Open Air Theatre tonight 

Coastal gig of the week: CMAT, Scarborough Open Air Theatre, today, gates 6pm

CMAT, alias Ciara Mary-Alice Thompson, burst on to the music scene six years ago with her debut single Another Day (KFC). The Dublin-born, County Meath-raised singer and songwriter has since released three bitingly humorous, emotionally honest albums, 2022’s If My Wife New I’d Be Dead, 2023’s Crazymad, For Me and 2025’s  Mercury Prize-nominated Euro-Country, her exploration of identity, grief and beauty standards, exemplified by Take A Sexy Picture Of Me. Box office: scarboroughopenairtheatre.co.uk.

Stephen Webb’s Dr Frank N Furter in The Rocky Horror Show, doing the Time Warp again at the Grand Opera House next week. Picture: David Freeman 

Musical of the week: The Rocky Horror Picture Show, Grand Opera House, York, July 20 to 25, Monday to Thursday, 8pm; Friday & Saturday, 5pm and 8.30pm

STEPHEN Webb leads the cast as Dr Frank N Furter on The Rocky Horror Show’s latest return to the Grand Opera House, joined by comedian Jackie Clune as the Narrator. Directed by Christopher Luscombe, Richard O’Brien’s outré musical tells the story of squeaky-clean American college sweethearts Brad and his fiancée Janet’s very frank encounters at the freaky doctor’s Transylvanian castle after their car breaks down.

Cue an adventure full of fun, frolics, frocks and frivolity, bursting with timeless songs and outrageous outfits as O’Brien combines science-fiction, horror, comedy and music while encouraging audience participation. Those audiences are sure to dress up in the most outrageous fancy dress. Box office: atgtickets.com/york.

Lenny Pearce: Techno for toddlers at York Barbican 

Techno dance moves for children: Lenny Pearce, Toddler Rave World Tour Part 2, York Barbican, July22, 3.30pm

LENNY Pearce is a force in family entertainment, captivating a global audience as the pioneer of Toddler Techno. Driven from his passion as a father, and his strong commitment to his home life, Lenny makes songs and videos and performs live shows where he spins children’s favourites, remixed into modern hits that keep young ones and parents alike dazzled. Box office: yorkbarbican.co.uk.

Andrew O’Neill: Looking to Escape at Theatre@41, Monkgate, York. Picture: Andrew O’Neill 

Fringe shows of the week: Halfway To Edinburgh at Theatre@41, Monkgate, York, presents Joe Sellman-Leava in Copycat (Work In Progress), July 23, 7.30pm; Andrew O’Neill: Escape, July 24, 8pm

DOES AI spell the end of humanity, or the dawn of a new utopia, ponders Fringe First winner Joe Sellman-Leava. He might be a technophobe, but he is determined to find out by using innovative design and a whirlwind of uncanny impressions to tell the story of a teacher, a student, and a copycat dictator to examine the links between art, fascism and rapid technological change. 

HOW do we get out of this mess, asks cult comedian Andrew O’Neill in his surreal, political show, Escape, about the ways in which we disagree with each other, while suggesting some ways we can find our way out. Box office: tickets.41monkgate.co.uk.

Airline hostesses at the treble: Bethan Olliver as Gloria, left, Val Debenedetti as Gabriella Jorja Cartwright as Gretchen in Rowntree Players’ Boeing Boeing 

Farce of the week: Rowntree Players in Boeing Boeing, Joseph Rowntree Theatre, York, July 23 to 25, 7.30pm

MARC Camoletti’s high-flying 1960s’ French farce Boeing Boeing is cleared for take-off in Hannah Shaw’s English-language production for Rowntree Players. Meet self-styled Parisian lothario Bernard, who has Italian, German and American fiancées, each one a beautiful airline hostess with frequent “layovers.”

He keeps “one up, one down, and one pending” until unexpected schedule changes bring all three to Paris, and to Bernard’s apartment, at the same time. Shaw’s cast features Max Palmer as Bernard, Lizzie Lawton as Robert, Rebecca Thomson as Berthe, Jorja Cartwright as Gretchen, Bethan Olliver as Gloria and Val Debenedetti as Gabriella. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Craig David: TS5 DJ set at York Racecourse Music Showcase Weekend next Friday

Outdoor concerts of the week: York Racecourse Music Showcase Weekend, Knavesmire, York, Craig David presents TS5, July 24, and Tom Grennan, July 25

SOUTHAMPTON singer-songwriter and DJ Craig David presents his TS5 DJ set on Music Showcase Friday’s double bill of racing and old-skool anthems, from R&B to Swing Beat, Garage to Bashment, plus current House hits, when he combines his song and MC skills.

Bedford singer-songwriter Tom Grennan is Saturday’s post-racing performer, drawing on such hits as Little Bit Of Love, Let’s Go Home Together, Remind Me, Here and How Does It Feel, plus songs from his number one albums Evering Road, What Ifs & Maybes and Everywhere I Went Led Me To Where I Didn’t Want To Be and top-five debut Lighting Matches. Tickets: yorkracecourse.co.uk; no booking fees; free parking on race day.

Tom Grennan: Performing next Saturday’s Music Showcase Weekend at York Racecourse

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Arnup Studios artists to hold collective exhibition at Pyramid Gallery for first time

Hannah Arnup: Exhibiting tripod ceramic vessels at Pyramid Gallery from Saturday

ARTISTS Hannah Arnup, Michelle Galloway, Liz Foster, Kate Pettitt, Penny Phillips and Emma Welsh will be on hand at Saturday’s opening of Arnup Studios’ exhibition at Pyramid Gallery, Stonegate, York, from 11am to 2pm.

“We are delighted to show a collection of works made at Arnup Studios, Holtby,” says gallery owner and curator Terry Brett. “Having worked with many of these artists and craftspeople individually, it’s a real honour to have them here as a collective for the first time.”

Liz Foster in her studio

Running until September 27, the exhibition in the 15th century building features landscape and abstract paintings, ceramic wildlife sculpture, stoneware pottery and handmade jewellery, showcasing the diverse range of artists that works at the studios near York.

The connection between Arnup Studios and Pyramid Gallery goes back to the 1990s when the gallery first exhibited work by Hannah’s parents, renowned sculptors Mick and Sally Arnup, alongside sons Ben and Tobias and daughter Hannah.

Kate Pettitt at work in her studio. Picture: The Resilient Wanderer

After inheriting the studios, Hannah redesigned the buildings to create individual studios for artists and craftspeople.

She is proud to continue the artistic legacy of her parents: “Today, the studios are shared by five other artists and craftswomen, each working independently while benefiting from the camaraderie and support of the wider Arnup Studios community,” she says. “It is a truly special place.”

Gallery opening hours are 10am to 5pm, Monday to Saturday.

Michelle Galloway

Immersed In Nature, by Michelle Galloway, at Pyramid Gallery

Who will be exhibiting?

Hannah Arnup: Studied Fine Art Sculpture at Kingston School of Art and Post-Graduate Ceramics at Goldsmiths College. Exhibiting a range of tripod ceramic vessels influenced by the balance, beauty and intricate detail of early Chinese ritual bronze vessels and her ongoing fascination with antiquity.

Liz Foster: Studied painting at Glasgow School of Art. Exhibiting a selection of her contemporary colour-led abstract oil paintings exploring bold colour, form and gestural mark-making.

Wolf Head, by Penny Phillips, from the Pyramid Gallery exhibition. Picture: Dawn McNamara

Kate Pettitt: Studied fine art, illustration and graphic design in both Exeter and York. Exhibiting a selection of plein air and studio paintings.

Michelle Galloway: Exhibiting a selection of landscapes and closely observed paintings of the natural world.

Penny Phillips in her Arnup Studios studio. Picture: Dawn McNamara

Penny Phillips: Exhibiting a series of textural ceramic sculptures inspired by her love of British wildlife.

Emma Welsh: Traditionally trained goldsmith exhibiting a selection of her unique jewellery designs.

Studio website: arnupstudios.weebly.com.

Collector’s Locket, by Emma Welsh, from the Pyramid Gallery exhibition

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AcombFest street art festival drew 12,000 over three days. Next year’s plans to be announced at PaintJam art sale on Sept 12

Curtis Hylton’s Owl mural on the Acomb Post Office wall, created at AcombFest

ACOMBFEST, York’s first International street art festival, attracted 12,000 people to Acomb as art and community bonded from July 3 to 5. 

Record numbers were drawn to churches, food vendors, bars and in particular to the four new street murals by Australian photorealist SMUG, Reading wildlife artist Curtis Hylton, Sheffield’s Peachzz and Bristol-based, Acomb-raised SledOne, commissioned by event curators Art Of Protest on the festival theme of Return To Nature.

A PaintJam, curated by RARE Collective’s Sharon McDonagh and Sola at The Carlton Tavern in support of charity partner SASH, York (Safe and Sound Homes), hosted nine live paintings by York and international artists Boxxhead, HazardOne, Lady Mkei, Lincoln Lightfoot, Liskbot, Nicolas Dixon, Sola, spAm (Sharon McDonagh) and VYZ. Hundreds bought artwork and prints created by the artists to raise vital funds for SASH. 

Acomb business owner Simon Taylor, of the Post Office/Taylors of Acomb, hosted Reading wildlife muralist Curtis Hylton’s spray-painting of his new owl mural, now resplendent on an external wall.

“We’ve seen a boost in business already, with people coming into the shop to ask about the artwork and in turn buying products from us,” said Simon. “The response from the public has been amazing; we have people gathering outside and sharing their positive views. I can’t wait to see what the future holds for Acomb and I hope more events like this can return.” 

Fishponds Wood’s moth “reveal” on the Sunday morning when hundreds of people gathered in the woods to release moths to the accompaniment of a five-piece band. A record-breaking 750 people visited Holgate Mill to view Jim Grant and Ben Grant’s light installation Rock Soil Sky on July 4 and 5: the highest number of visitors at the windmill over a weekend. 

St Stephen’s church turned into a gallery over the weekend, hosting original works by Damien Hirst and Tracey Emin, complemented by work by Acomb artists.

The Reverend Matt Woodcock said: “People were streaming into church, queuing to get into church. The art exhibition has been a smash hit. I never thought I’d see the day!” 

Creative events and activities were centred on Front Street with free street art workshops. Venues included Bluebird Bakery, The Hand, SoJo, The Crooked Tap, The Sun Inn and The Fox.Each venue had its own bespoke offer: from bush craft and nature art to water art and artist talks. 

Jimmy Hebbron, owner of The Crooked Tap, said: “This weekend has brought local businesses together, world-class art to our walls and put plenty of money behind the bar. Our food vendors on Friday night sold out at record time!

“Hosting workshops made our venue packed out from 11.30 am and the music took us until close. Please leave feedback on the event so that we can secure funding for AcombFest next year!” 

Community activities include a community cinema at Acomb Explore library and spoken word at Books & Bevs. Acomb Methodist Church was packed all weekend with an artist market by That Acomb Arty Thing and activities that kept hundreds of families busy.

On September 12, artworks created at the RARE Collective PaintJam will be auctioned off at an event hosted at the Carlton Tavern in aid of SASH. Plans for next year’s follow-up festival will be revealed. 

The festival was shaped by speaking to more than 1,100 residents that co-produced the important theme around returning to nature. Funding was all provided by York and North Yorkshire Combined Authority Vibrant and Sustainable High Street Fund, Great Acomb Community Forum, City of York Council, York St John University, business and the community.

“The Art Of Protest and AcombFest team would like to say a huge thank-you to all involved,” says Jeff Clark. “No matter how big or small, the support and love for the festival has been truly mind blowing. Thank you from the bottom of our hearts.“ 

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View from the frontline of AcombFest. How are the murals progressing as of 4/7/2026?

Australian artist SMUG at work on What Flies Around. All pictures: Celestine Dubruel

AT the heart of Art of Protest is “placemaking”, explains artistic director and AcombFest curator Jeff Clark, whose inaugural international street art festival in York has the theme of ‘Returning to Nature’, bring together art, nature and communities.

“Every day we are changing the world, and our actions create ripples around us, making waves for others in the future,” he says. “I have found that nature has a funny way of connecting and reminding us that whatever we feel (an issue or a stress) can be re-grounded by a returning spring, the simple buzz of a bee and the sound of a tweeting bird.

“Art of Protest have curated the artist briefs, each themed on how nature interacts with us on a day-to-day basis.”

CharlesHutchPress took a stroll through Acomb on Saturday afternoon to gauge how the four principal murals were taking shape.

Curtis Hylton’s What Flies Above Us on Acomb Post Office in Acomb Road for AcombFest

READING muralist Curtis Hylton is skilled in the art of creating large-scale murals using spray paint. His trademark work incorporates a fusion of nature with bird life and can be seen across the UK, Europe and beyond. Find out more at curtis-hylton. com

Doing the can-can: SledOne spray-painting What Walks Amongst Us betwixt Front Street and The Green, Acomb

NOW based in Bristol, but with Acomb roots, SledOne focuses on surreal characters or vibrant murals married with realistic elements.

He often draws from his surroundings and nature and uses animals as a vehicle. While some elements of his work may be humorous, others are created for the sheer joy of his craft. Visit sledone.org to learn more.

Peachzz’s What Walked Amongst Us on Front Street, Acomb

SHEFFIELD street artist and muralist is recognised for her large-scale, vibrant, nature-inspired murals, peppered with hints of realism.

She has painted globally across Europe, the United States of America, Colombia, Mexico and the Middle East, winning accolades including Street Art Cities’ Best Street Art prize in June 2024. Discover more at peachzz.co.uk.

A group of magpies is known as a mischief. How apt for SMUG’s mural What Flies Around Us betwixt Front Street and The Green, Acomb

Australian artist SMUG is known for realistic, large-scale mural installations. He takes inspiration from people and nature, employing a trademark understanding of light and shadow – which he thinks of as “stylised realism” – to explore both the harmonies and juxtapositions, whether inherent or subtle. Take a look at his Instgram site at @smugone.

AcombFest continues today. Find the full details at acombfest.co.uk.

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More Things To Do in York and beyond. Hutch’s List No. 27, from The York Press

SledOne’s mural, What Walks Amongst Us, taking shape at AcombFest. Picture: Art of Protest

MURALS in Acomb, early music beyond borders, Mystery Plays on waggons, a political swansong and compact Shakespeare keep Charles Hutchinson’s thoughts off the July heatwave.

Art event of the week: AcombFest, Acomb, York, today and tomorrow

CURATED by Art of Protest, York’s first international street art festival continues today and tomorrow with its theme of A Return To Nature, featuring 20 art installations, live murals, RARE Collective’s Paint Jam, spray battles and more than 30 bands, DJs and performers, across 22 venues.

Look out too for interactive family-friendly workshops, an art market, history walks and talks, special events and tastings and a community cinema. Muralists taking part include SMUG, from Australia, Sheffield muralist Peachzz, wildlife artist Curtis Hylton and Acomb’s very own SledOne. For full details, go to: https://acombfest.co.uk/.

Baroque collective Solomon’s Knot: Performing Friedrich Nicolaus Bruhns’ St Mark Passion, directed by Jonathan Sells, at The Quire, York Minster, on July 10

50th anniversary event of the summer: 2026 York Early Music Festival, Beyond Borders, until July 11

THE premier British early music festival marks its 50th anniversary with a celebration of “just how far early music has travelled – beyond the borders of the myriad historic venues of our city to a worldwide audience,” says director Delma Tomlin.

The festival welcomes The Sixteen, B’Rock Orchestra & Vocal Consort, Imago Mundi, mezzo-soprano Helen Charlston, Solomon’s Knot and NCEM Platform Artists Anacronia and Contre le temps, among others. Box office: 01904 658338 or ncem.co.uk/yemf.

Bodhan Pitel’s Herod in DSpace Ukrainian Theatre’s The Massacre of the Innocents in the York Mystery Plays 2026. Picture: John Saunders

Theatrical outdoor event of the week: 2026 York Mystery Plays, streets of York, tomorrow, 10.30am to 4.50pm

THE four-yearly staging on the York Mystery Plays on pageant waggons takes place at four locations across the city: free viewing at the Minster Refectory Gardens, Deansgate, (from 10.30am) King’s Square (from 11.10am), St Sampson’s Square (from 11.50am) and ticketed seats at Dean’s Park (from 12.30pm). Ten core plays will be complemented by further extracts to tell the story from The War In Heaven to Doomsday. For full details, go to yorkmysteryplays.co.uk; tickets, ticketsource.com/york-festival-trust.

Clive Francis as Sir Humphrey Appleby in I’m Sorry, Prime Minister. Picture: Johan Persson

Political drama of the week: I’m Sorry, Prime Minister, Grand Opera House, York, July 7 to 11, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees

JIM Hacker is back, older, but perhaps not wiser, and still utterly baffled by the real world. Hoping for a quiet retirement from government as the master of Hacker College, Oxford, Jim (Robert Kitson, replacing Simon Rouse) instead finds himself facing the ultimate modern crisis: cancelled by the college committee. Enter Sir Humphrey Appleby (Clive Francis), who has lost none of his love for bureaucracy, Latin phrases and well-timed obstruction.

Can Humphrey and Jim outmanoeuvre the hostile students, the Fellows and reality itself? Or is it finally time to say “I’m Sorry, Prime Minister”? Brimming with wit, nostalgia and more double-speak than a press briefing, the final chapter in the evergreen comedy series is written and directed by Jonathan Lynn,co-directed byMichael Gyngell and presented by The Barn Theatre, Cirencester. Box office: atgtickets.com/york.

Reduced Shakespeare Company’s 2026 tour cast for The Complete Works of William Shakespeare (Abridged)

Shakespeare shake-up of the week: Reduced Shakespeare Company in The Complete Works of William Shakespeare (Abridged), York Theatre Royal, July 7 to 11, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees

MARKING 30 years of performances in the UK, the Reduced Shakespeare Company’s 2026 tour company of Efé Agwele, Woogie Jung, Tom Pavey and Kiran Raywilliams presents Hamlet told backwards, a micro-condensed Othello scored to a ukulele, a carnage-filled Titus Andronicus presented as a YouTube cookery tutorial and the History Plays as a manic football game, passing the crown from king to king.

Californian co-founders Adam Long,  Daniel Singer and Jess Winfield have re-booted, re-imagined, reinvented and updated the restless comedy for a new generation to undertake a rollercoaster ride through all 37 of the Bard’s First Folio of plays. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Stephen Smith’s Claude Monet in A Montage Of Monet

Busiest actor of the week: Threedumb Theatre presents Stephen Smith in A Montage Of Monet, York Medical Society, Stonegate, York, July 8, 7.30pm and July 11, 3pm; One Man Poe, Ripon Theatre Festival, Ripon Arts Hub, July 10, 8pm; One  Man Poe world premiere, York Medical Society, July 11, 7.30pm

THREEDUMB Theatre artistic director and actor Stephen Smith performs Joan Greening’s new play exploring French Impressionist artist Claude Monet’s life and loves: his two marriages, his first wife’s devastating death, his lover’s erratic behaviour, his suicide attempt, his thoughts on fellow Impressionists and the torment of his failing eyesight. The 55-minute Monet montage combines projection design and Joe Furey’s music with Smith’s storytelling in  two York performances.

Smith also presents four of Edgar Allan Poe’s Gothic horror  works (The Tell-Tale Heart, The Pit and The Pendulum, The Black Cat and The Raven) in Ripon, followed by the world premiere of his latest Poe double bill (The Business Man and The Case of M. Valdemar) in York. All six, amounting to 18,000 Poe words, will be performed at the Edinburgh Fringe. Box office: York, 01904 623568 or yorktheatreroyal.co.uk; Ripon, ripontheatrefestival.org.

Musical of the week: Top Hat and Tails Theatre in Little Shop Of Horrors!, Friargate Theatre, York, July 9 to 11, 7.30pm plus 2.30pm Saturday matinee

MEEK floral assistant Seymour Krelborn stumbles across a new breed of plant he calls Audrey II, a foul-mouthed carnivore that promises him fame and fortune if he keeps feeding it with blood. Over time, however, Seymour discovers Audrey II’s plans for global domination in Howard Ashman and Alan Menken’s sci-fi B-movie monster spoof, presented here with a live band and professionally hand-crafted puppets.  Box office: ridinglights.org.

Orchestral Manoeuvres In The Dark’s Andy McCluskey and Paul Humphreys: Summer of Hits show at York Museum Gardens on Thursday

Music festival of the week: Futuresound presents Live At York Museum Gardens, Orchestral Manoeuvres In The Dark, July 9, gates 5pm; Self Esteem, July 10, gates 5pm, and Super Furry Animals, July 11, gates 4pm

WIRRAL synth-pop pioneers Orchestral Manoeuvres In The Dark open Futuresound’s third season of Live At York Museum Gardens concerts on Thursday with a Summer of Hits bill featuring Heaven 17, China Crisis and rising Newcastle singer-songwriter Andrew Cushin.

Mercury Prize nominee Self Esteem, aka Rotherham singer, songwriter and actress Rebecca Lucy Taylor, tops Friday’s line-up, featuring London indie group The Big Moon, South African ghetto funk musician Moonchild Sanelly and Nigerian-born musician and spoken-word artist Joshia Idehen.

Welsh psychedelic rock band Super Furry Animals are next Saturday’s headliners, joined by singer-songwriter Baxter Dury, indie-pop septet Los Campesinos!, Nottingham alt-country band Divorce and North Wales psychedelic act Pys Melyn.  Box office for July 10 and 11: futuresoundgroup.com/york-museum-gardens-events.

If I Knew The Way, I Would Take You Home, by Matt Sewell

In Focus: Birds of the week: Matt Sewell exhibition for RARE Collective at WET, Micklegate, York, until mid-July

SHROPSHIRE artist, illustrator and author Matt Sewelll is the latest street art luminary to be showcased in RARE Collective’s collaboration with WET wine bar, in Micklegate, York, in aid of SASH (Safe and Sound Homes), the York youth homelessness charity.

“We’re really chuffed to have Matt return to York with his fabulous Riso prints,” says RARE Collective exhibition organiser Sharon McDonagh. “If you came to the Vandalfest charity street art show last year, you would have seen his cracking bird mural on Floor 3 of the big disused office block in Low Ousegate.

Artist Matt Sewell at work

Sewell is an avid ornithologist, contributing regularly to the Caught By The River website and publishing the books Our Garden Birds, Our Songbirds, Our Woodland Birds, Owls, Penguins and A Charm Of Goldfinches And Other Collective Nouns.

He has illustrated for the Guardian, Barbour, V&A Museums, BBC, National Trust, Greenpeace, Big Issue and Levi’s and painted walls for Helly Hansen, Puma and the RSPB (Royal Society for the Protection of Birds). He has exhibited in Great Britain, New York, old York, Tokyo and Paris.  

Cuckoo Cuckoo Cuckoo, by Matt Sewell

Under RARE Collective’s partnership with WET, artists and photographers exhibit their work in a six-week solo show.  As well as at WET, work can be bought online both during and after the exhibition run at rarecollective.co.uk.

In addition, a selection of Sewell’s prints is featuring in RARE Collective’s exhibition for AcombFest at The Crooked Tap, on show until August 15 in support of SASH.

Matt Sewell’s wall of bird prints for sale at WET

Exhibiting too are: spAm (Sharon McDonagh), Sola, Alison Jagger, Al Murphy, Anthony Appleyard, Boxxhead, HazardOne, Lady Mkei, Lincoln Lightfoot, Liskbot, Michael Dawson, Nicolas Dixon, Slice Of Lino, STATIC and Stephen Bottrill.

“RARE are working in collaboration with the Art of Protest Project, after being invited by AcombFest curator Jeff Clark and the AOP team to curate the live PaintJam at the Carlton Tavern, in Acomb Road, Holgate, today and tomorrow,” says RARE Collective curator Sharon McDonagh.

“This will involve nine artists painting live from 10am to 4pm each day (Boxxhead, HazardOne, Lady Mkei, Lincoln Lightfoot, Liskbot, Nicolas Dixon, Sola, spAm and VYZ); live DJ sets by Alilou, Bob Yenz, Conor Rogan, Free Da Karlos and Sola plus guests, audiovisual artists Fred DWolf, Sonas and JohnManBand on a huge screen, cocktails and mixology by Tulum Spirits Collective and street food by El Chappo, all in support of SASH.”

Did you know?

MATT Sewell is also a musician, performing as Sewell &The Gong with Chris Tate and as the deep-cut compiler of the compilation series A Crushing Glow.

Matt Sewell’s work environment

In Focus too: Michael Flatley’s Lord Of The Dance, 30th Anniversary Tour, York Barbican, July 6 to 8, 7.45pm

THE 30th anniversary tour of Michael Flatley’s Lord Of The Dance promises a grand celebration of the revolutionary Irish dance production’s legacy after captivating more than 60 million fans in 60 countries since its 1996 debut.

The 30 Years of Standing Ovations tour will feature “brand-new choreography, stunning costumes, state-of-the-art special effects and cutting-edge lighting, ensuring that the production continues to push boundaries and deliver an unforgettable experience”. 

Creative manager James Keegan says: “Michael Flatley has taught me that there are no boundaries in the creative space. When he burst onto the scene in the mid-90s, he took traditional Irish dancing to a place nobody had ever dreamed of, and that has been the key to the show’s success.

“Michael often says in rehearsals that we need to push the boundaries as much as we can, and if it’s too far or doesn’t work, we can always pull it back. That mindset is what keeps Lord Of The Dance evolving.”

Lord Of The Dance on its 30th anniversary tour. Picture: Brian Doherty

Keegan believes that the core elements of Flatley’s visionary production – choreography, music and storytelling – remain timeless while still evolving. “What made Lord Of The Dance famous 30 years ago is still what makes it work today: 40 of the greatest Irish tap dancers in the world performing in one line in perfect sync. It’s a spectacle that never loses its magic,” he says.

Reflecting on Flatley’s impact, Keegan says: “Professional Irish dancing didn’t really exist until Michael created his shows and added a more entertaining twist to the art form.

“He wasn’t just a dancer; he was a highly tuned athlete who could perform at astonishing levels for a full two-hour show, seven days a week. Today, we see young competitive dancers around the world striving to reach the levels he set.”

But beyond the footwork and the spectacle, Keegan reckons Flatley’s greatest legacy is his ability to inspire. “Michael’s motto has always been, ‘Nothing is impossible.’ He took an already intricate dance form and pushed it even further, breaking records like 38 taps per second and incorporating upper body movements that defied tradition,” he says.

Michael Flatley

“I’ve seen it time and time again: a dancer who never thought they could be a lead receives Michael’s encouragement, and before long, they are fulfilling their dream on stage.”

For Keegan, one moment stands out above the rest. “In 1997, I was a ten-year-old competitive Irish dancer in Manchester, struggling with the name-callers and the challenges of being a young male dancer,” he says.

“Then Lord Of The Dance came to town. Watching Michael and the cast that night at the Apollo Theatre changed everything for me. The masculinity, the precision, the energy, it was like nothing I’d ever seen before.

“I met Michael at the stage door, and suddenly, I knew that being an Irish dancer could mean being a superstar. Nineteen years later, I had the honour of sharing his final show with him at Caesars Palace, Las Vegas, in 2016. It was a full-circle moment I will never forget.”

Michael Flatley’s Lord Of The Dance dancers

As Lord Of The Dance embark on its 30th anniversary tour, Flatley reflects on the journey. “The magic of Lord Of The Dance lives on in the hearts of our audience, and I am thrilled to bring this iconic show back to the UK in 2026,” he says.

“30 Years of Standing Ovations celebrates the incredible journey we’ve shared with fans over the years. It’s a tribute to the enduring power of dreams, the joy of dance and the unwavering support of our audience. This tour is our way of saying thank you for three decades of unforgettable memories.”

Although Flatley, now 67, retired from performing during his final tour in 2016, he has remained at the helm of Lord Of The Dance, guiding its evolution while preserving its timeless magic.

Now, as the production prepares for its biggest celebration yet, fans can look forward to a breathtaking spectacle that honours the past, embraces the present, and inspires the future of Irish dance.

The 30th anniversary tour also visits Hull New Theatre, July 22 to 25, and Sheffield City Hall, August 20 to 23. For full tour dates and ticket information, go to lordofthedance.com. York tickets:  https://www.yorkbarbican.co.uk/whats-on/lord-of-the-dance-30th-anniversary/.