James Bye, left, Shvorne Marks, Natalie Casey and Grant Kilburn in Danny Robins’ 2:22 A Ghost Story, on tour at Grand Opera House, York
THE clock is ticking to see a ghostly thriller, a madcap murder mystery, a poetic book launch and an unjust trial as Charles Hutchinson sets his arts alarm.
Supernatural thriller of the week: 2:22 A Ghost Story, Grand Opera House, York, March 30 to April 4, 7.30pm and 2.30pm Wednesday and Saturday matinees
“THERE’S something in our house. I hear it every night. At the same time,” says Jenny, who believes her new home is haunted, but her husband Sam is having none of it. Whereupon they argue with their first dinner guests, old friend Lauren and new partner Ben. Can the dead really walk again? Belief and scepticism clash, but something feels strange and frightening and is moving closer. Only by staying up until 2:22 will they know the answer.
James Bye, Shvorne Marks, Natalie Casey and Grant Kilburn perform Uncanny and The Battersea Poltergeist podcaster Danny Robins’s supernatural thriller, the Best New Play winner at the 2022 WhatsOnStage Awards, on its return to York. As secrets emerge and ghosts may or may not appear, dare you discover the truth? Box office: atgtickets.com/york.
What We Could Have, by Sarah Williams, from the Other Viewpoints exhibition at Pyramid Gallery
Meet The Makers event of the week: Other Viewpoints, Lesley Williams, Sarah Williams, Peter Heaton and Adele Howitt, Pyramid Gallery, Stonegate, York, today, 11.30am to 2.30pm
YORKSHIRE artists Lesley Williams, Sarah Williams and Peter Heaton and ceramicist Adele Howitt have teamed up for Other Viewpoints, on show until May 9. Today, they will be on hand to discuss their work.
Lesley, from York, makes semi-abstract oil paintings based on rural landscape and gardens; Sarah, also from York, employs colours, textural marks and shapes in blending abstract and figurative elements; Peter, from North Yorkshire, is exhibiting landscape fine art prints, and Hornsea maker Adele’s ceramics are marked by notions of the living landscape, abstraction, pollen grains and natural pattern.
Main Street Sound: In harmony with Harmonia at the NCEM
Choral concert of the week: Choirs In Harmony, Main Street Sound & Harmonia, National Centre for Early Music, York, today, 7.30pm
CHOIRS In Harmony brings together two Yorkshire vocal groups for an evening of rich, expressive choral music. York’s only ladies’ barbershop chorus, Main Street Sound, and Malton contemporary, folk, jazz, and musical theatre ladies’ choir Harmonia join forces to showcase a vibrant mix of contemporary arrangements, close harmony and uplifting ensemble singing. Expect moments of intimacy, bursts of energy and the joy of voices uniting in a space made for resonance. Box office: 01904 658338 or ncem.co.uk.
Giddy up: Country queen Twinnie rides into The Crescent tonight
Recommended but sold out already: Twinnie, The Crescent, York, tonight, 7.30pm
BORN in York and now established as the UK’s leading country-pop trailblazer on the American circuit after her West End musical theatre days and TV soap career as Porsche McQueen in Hollyoaks and ruthless boxing promoter Jade Garrick in Emmerdale, Twinnie-Lee Moore returns home on her Dirt Road Disco Tour.
Noted for her fearless honesty and storytelling truths, she blends Nashville-inspired country roots with pop hooks and her own gypsy-influenced flair in songs of empowerment, vulnerability, and unapologetic individuality. She made her Grand Ole Opry debut in November 2023 as the first British Romani Traveller to perform in the circle and featured on Rob Brydon’s Honky Tonk Road Trip documentary series on BBC Two last year.
Lucy Kierl in rehearsal for the Stephen Joseph Theatre’s madcap musical mystery Murder For Two. Picture: Tony Bartholomew
Whodunit of the week: Murder For Two, Stephen Joseph Theatre, Scarborough, today to April 18, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees
JOE Kinosian and Kellen Blair’s fast-paced musical whodunit is a madcap murder mystery with a twist, performed by two actors, Tom Babbage and Lucy Kierl, who play 13 characters between them, plus the piano, as they put the laughter into manslaughter.
When famous novelist Arthur Whitney is found dead at his birthday party, it is time to call in the detectives, but they are out of town. Enter Officer Marcus Moscowicz, a neighbourhood cop who dreams of climbing the ranks. Here is his chance to prove his super sleuthing skills and solve the crime before the real detective arrives. Box office: 01723 370541 or sjt.uk.com.
Stu Freestone: Launching first poetry collection at The Crescent
Book launch of the week: York Literature Festival and Say Owt present Stu Freestone, The Lights That Blur Between, The Crescent, York, March 30, 7pm to 10pm
YORK performance poet, Say Owt gobby collective associate artist and Cheese Trader cheesemonger Stu Freestone launches his debut poetry collection, The Lights That Blur Between, with two sets, one comedic, the other accompanied by guitarist Simone Focarelli, accordionist Ben Crosthwaite and drummer Joe Douglas. In support will be Grantham singer-songwriter Adam Leeson and York political satirist and performance poet Sarah Armitage.
Freestone’s poems explore the nostalgia of adolescence, relationships, loss and processing, as well as humorous themes of condiment addiction, festival trips gone wrong, cheesemonger battle raps and the perils of “after-work’ drinking in his honest portrayal of life experiences. Box office: thecrescentyork.com.
Dan Poppitt, Charlie Clarke, front, and Molly Whitehouse in rehearsal for Black Sheep Theatre Productions’ Parade
The other American musical of the week: Black Sheep Theatre Productions in Parade, Joseph Rowntree Theatre, York, April 1 to 4, 7.30pm plus 2.30pm Saturday matinee
PRESENTED by York company Black Sheep Theatre Productions under the direction of Matthew Peter Clare, Jason Robert Brown and Alfred Uhry’s stirring Tony Award-winning musical explores love and hope against the odds, set against a backdrop of political injustice and rising racial tension.
Leo Frank, a Brooklyn-raised Jew, is put on trial for murder in Marietta, Georgia, but when the world seems against you, receiving a fair trial might prove impossible. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Alison Moyet: Re-visiting Yazoo’s two synth-pop albums after more than 40 years at York Barbican. Picture: Naomi Davison
Gig announcement of the week: Alison Moyet, Songs Of Yazoo, the minutes and Other Tour, York Barbican, November 18
BASILDON soul, blues and pop singer-songwriter Alison Moyet will play York in one of ten new additions to her autumn tour, when she will focus on songs from Yazoo’s 1982-1983 catalogue, recorded with Vince Clarke, and a selection from her solo electronica albums, 2013’s the minutesand 2017’s Other, both co-written with producer Guy Sigsworth.
“Many years touring the same pool of songs and I am keen for a palate refresher,” says Moyet, 64. “Specifying which years I will be fishing from too, I think, is a grand way to serve pot luck for specific tastes. No bones.” Box office: yorkbarbican.co.uk.
SATURDAY will be the chance to meet Yorkshire artists Lesley Williams, Sarah Williams and Peter Heaton and ceramicist Adele Howitt from 11.30am to 2.30pm at their Other Viewpoints exhibition at Pyramid Gallery, Stonegate, York.
York artist Lesley Williams gained a BA Hons in textile design at Nottingham Trent University and an MA in Fine Art from Leeds Metropolitan University.
She taught art and design for many years before concentrating on her own work, which has been collected both here and abroad.
She makes semi-abstract oil paintings based on the rural landscape and gardens and developed over time. From relatively figurative starting points, multiple layers are created, allowing for the subtle sensations and memories of the time and place to be included.
“Circular motifs create a sense of depth” in Lesley Williams’ artworks
The qualities of colour light and energy seen and felt on site are depicted using translucent layers that encourage the viewer to look beyond the surface. Circular motifs are often contained within the composition, in order to create a sense of depth and as a reference to the ever-continuing nature of time and the seasons.
Sarah Williams, from York, graduated with distinction from Norwich Art School in 1984 with a first class degree in Fine Art and achieved the prestigious Stowell’s Trophy Award at the Royal Academy.
This success granted her an unconditional place on the Masters degree in painting at the Royal Academy, paving the way for exhibitions spanning England and Switzerland, where Sarah shared a studio with Kurt Rup.
Sarah’s fine art work is rooted in personal narratives, employing a diverse array of materials including encaustic enamels and spray paint. While her repertoire encompasses various media, her primary focus revolves around the meticulous use of oils on stretched canvases.
What We Could Have, by Sarah Williams
Conceptually, Sarah employs colours, textural marks and shapes to construct a visual realm that blends seamlessly abstract and figurative elements. The aim is to elicit a nuanced emotional response, allowing viewers to interpret and connect individually with the expressive tapestry.
Peter, who will be exhibiting fine art prints, studied for a Fine Art degree at Nottingham Trent University and later gained an M.A. in Fine Art from Leeds Metropolitan University.
Living in North Yorkshire, he has exhibited widely since 1987, and his work has featured in publications and on television and is in private collections in Europe and the USA.
“The majority of my work is concerned with landscape, in one form or other,” he says. “I am always observing, collecting information and images. I make work constantly, if not photographs, musical sketches or scraps of writing. Interpreting, re-imagining places and situations.
Sarah Williams’ “primary focus revolves around the meticulous use of oils on stretched canvases”
“Often, when beginning work on a new project, I discover that actually the beginnings of it were seeded years before in images made, collected and forgotten.
“However, it is only in my studio that I discover how the work is going to reveal itself and take form. This process is always difficult, where time is lost, and ideas fail and are reborn continuously, until a thread can be followed out, and the path through the work becomes clearer.”
Peter continues: “A piece becomes complete when I feel it fits with the image that I have of it completed…the problem being that this also changes … but the work remains, as a marker along a section of a route now passed.
“I feel that it is important to never close off a piece of work, to leave space for the viewer to bring their own thoughts and interpretations to the pieces, to complete the work on their own terms, using their own reference points and imagination.
Tangled, by Peter Heaton
“I feel that it is important to never close off a piece of work, to leave space for the viewer to bring their own thoughts and interpretations,” says Peter Heaton
“Over the last few years, my work has evolved from being purely photographic, to now being a hybrid of various media which are combined in creating the final completed images.”
Adele Howitt, from Hornsea, is a designer and maker of ceramics with a portfolio of architectural ceramics and public realm art, placed within outside and inside spaces, and is a Crafts Council member and Homo Faber selected member.
An important element to this portfolio is the range of studio ceramics that explores the wider realm of landscape. Notions of the living landscape, abstraction, pollen grains and natural pattern mark her ceramic art.
Slab work is twisted and turned to add detailed relief, utilising the traditional pottery techniques discovered while investigating the South Yorkshire Potteries. The clay is a sculptural medium, opposing the tradition of using it as a technical medium or as an exploration of the vessel.
Frosted Celandine, by Adele Howitt
Adele’s techniques include drawing, hand building, coil/slab building, hand-thrown elements, extruded clay, printing and glazing.
A restricted palette of matt glazes – engobes – is applied to red, black or white clay. Wild plants growing in post-industrial historic landscapes are studied alongside research into their genus, revealing the structure of their pollen grains.
“This is paired with sketches of wild meadows that capture and distil the movement of nature,” says Adele. “This search is developed into three-dimensional form that utilises the most sustainable and precious material of clay.
“The ceramic manifestations include methods of construction include slab work, throwing, hand-building, sprig and press moulds, combined to create and enlarge the research into intricate sculptures.”
Other Viewpoints runs at Pyramid Gallery, Stonegate, York, until May 9. Opening hours: 10am to 5pm, Monday to Saturday; closed on Sundays.
Leeds abstract surrealist Nicolas Dixon, front, spotted at the launch of the debut RARE v WET exhibition with WET proprietors James Wall and Ella Williams and RARE Collective organiser Sharon McDonagh
A SURREALIST wine bar exhibition, a comedy thriller in an hotel and Australian children’s games stir Charles Hutchinson’s interest.
Exhibition of the week: Nicolas Dixon, RARE v WET, at WET, Micklegate, York, until April 22
YORK artist and event organiser Sharon McDonagh and DJ/artist Sola launch their RARE v WET series of solo exhibitions in aid of York charity SASH (Safe and Sound Homes) at WET, James Wall and Ella Williams’ indie wine bar and restaurant, with Nicolas Dixon first up.
Leeds abstract surrealist Dixon’s murals and artworks have become landmarks in Leeds, including at Kirkgate Market, Trinity Shopping Centre and the University of Leeds, as well as Leeds United tributes to the 1972 FA Cup Winners at Elland Road and the iconic Bielsa the Redeemer in Wortley. On show is a mixture of new and older work, both prints and originals.
In the shadows: Michael Hugo in Claybody Theatre’s The Grand Babylon Hotel. Picture: Andrew Billington
Thriller of the week: Claybody Theatre in The Grand Babylon Hotel, Stephen Joseph Theatre, Scarborough, tonight to Saturday, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees; Harrogate Theatre, April 1 to 4, 7.30pm plus 2pm Saturday matinee
CONRAD Nelson directs an ensemble cast of multiple flamboyant characters in a rollicking comedy thriller of rapid-fire character changes, sharp humour and theatrical fun, presented in association with the New Vic Theatre.
In Deborah McAndrew’s adaptation of Arnold Bennett’s novel, Nella Racksole discovers steak and beer are not on the menu for her birthday treat at the exclusive Grand Babylon Hotel, prompting her American millionaire father to buy the chef, the kitchen, the entire hotel. Cue kidnapping and murder. Have Theodore and Nella bitten off more than they can chew? Box office: Scarborough, 01723 370541 or sjt.uk.com; Harrogate, 01423 502116 or harrogatetheatre.co.uk.
Bluey’s Big Play: Australian bean bags, games and cleverness at Grand Opera House, York
Children’s show of the week: Windmill Theatre Co in Bluey’s Big Play, Grand Opera House, York, 10am, tomorrow and Friday; 10am, 1pm and 4pm, Saturday and Sunday
COMBINING puppets and original voices from Ludo Studios’ Emmy Award-winning Australian children’s television series, including Dave McCormack and Melanie Zanetti as Dad and Mum, this theatrical adaptation is based on an original story by Bluey creator Joe Brumm, featuring music by series composer Joff Bush. When Dad wants a bean bag time-out, Bluey and Bingo have other plans as they pull out all the games and cleverness at their disposal. Box office: atgtickets.com/york.
The Brand New Heavies: Acid Jazz joy, funk, love and fancy clothes at York Barbican
York gig of the week: The Brand New Heavies, York Barbican, tomorrow, doors 7pm
EALING Acid Jazz pioneers The Brand New Heavies – Simon Bartholomew, vocals and guitar, Andrew Levy, bass and keyboards, and Angela Ricci, vocals – mark their 35th anniversary with a 12-date tour that takes in York Barbican as their only Yorkshire destination. Expect joy, funk, love and fancy clothes. Galliano support. Box office: yorkbarbican.co.uk.
Lizzie Lawton’s Jack Worthing, front, and Jorja Cartwright’s Algernon Moncrieff in Rowntree Players’ The Importance Of Being Earnest
Comedy classic of the week: Rowntree Players in The Importance Of Being Earnest, Joseph Rowntree Theatre, York, tomorrow to Saturday, 7.30pm plus 2pm Saturday matinee
ROWNTREE Players bring Oscar Wilde’s 1895 farcical comedy of manners to the York stage in the original four-act version reconstructed by Vyvyan Holland, under the direction of Hannah Shaw.
Lizzie Lawton’s Jack Worthing and Jorja Cartwright’s Algernon Moncrieff lead double lives under the false name of “Ernest” to escape social obligations, leading to romantic entanglements and comedic misunderstandings, played out by a cast featuring Jeanette Hambridge’s Lady Bracknell, Bethan Olliver’s Gwendolen Fairfax, Katie Shaw’s Cecily Cardew, Wayne Osguthorpe’s Reverend Canon Chasuble, Rebecca Thomson’s Miss Prism and Max Palmer’s Lane/Merriman. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Jessica Fostekew: “The silliest of comedy for the scariest of days”in Iconic Breath at Pocklington Arts Centre
Comedy gig of the week: Jessica Fostekew: Iconic Breath, Pocklington Arts Centre, Friday, 8pm
ICONIC Breath, Jessica Fostekew’s most rousing and uplifting show yet, provides the silliest of comedy for the scariest of days as The Guilty Feminist, Hoovering and Contender Ready podcaster discusses tolerance and temperance.
“I can feel myself becoming an emotional wildebeest right when my world (and the whole world, thanks) demands cool, collected, ultra detached, saint-like kindness and understanding,” says Fostekew, who has hosted two series of Sturdy Girl Club on BBC Radio 4. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
This won’t hurt: Andrew Margerison, Rebecca Vaughan and Gavin Robertson in General Medical Emergency Ward 10
Hospital drama homage of the week: Dyad Productions and Company Gavin Robertson in General Medical Emergency Ward 10, Theatre@41, Monkgate, York, Friday, 7.30pm
UNITING for the first time, Dyad Productions and Company Gavin Robertson’s Rebecca Vaughan, Andrew Margerison and the aforementioned Gavin Robertson knit every cliché-ridden doctors-and-nurses TV and film drama into a pacy comedy mash-up spoof that promises to leave you in stitches.
On Dr Ann Fleming’s first day at St David’s, her unfortunately-named mentor, Dr Death, is determined to show her who’s boss. As medical emergencies overload the hapless staff, Dr Fleming must juggle a complicated budding love affair with a kidney and a nosey hospital boss. Not literally, of course. Box office: tickets.41monkgate.co.uk.
The Budapest Café Orchestra: Fronted by Christian Garrick at Helmsley Arts Centre
Snappiest attire of the week: Christian Garrick & The Budapest Café Orchestra, National Centre for Early Music, York, Friday, 7.30pm, sold out; Helmsley Arts Centre, Saturday, 7.30pm
CHRISTIAN Garrick (violin, darbuka), Murray Grainger (accordion), Kelly Cantlon (double bass) and Adrian Zolotuhin (guitar, saz, balalaika, domra) team up in this refreshingly unconventional and snappily attired boutique orchestra. Playing gypsy and folk-flavoured music in a unique and surprising way, The Budapest Café Orchestra combine Balkan and Russian traditional music with artful distillations of Romantic masterworks and soaring Gaelic folk anthems.
Established by British composer Garrick in 2009, BCO have 16 albums to their name, marked by an “astonishing soundscape and aural alchemy” characteristic of larger ensembles, evoking Tzigane fiddle maestros, Budapest café life and gypsy campfires. Box office: 01439 771700 or helmsleyarts.co.uk.
Hope & Social: Unforgettable spectacle, energetic songs and chaotic moments at Milton Rooms, Malton
Ryedale gig of the week: Hope & Social, Milton Rooms, Malton, Saturday, 8pm
LEEDS band Hope & Social’s eight musicians pour their heart and soul into creating exuberant, high-energy tunes in gigs full of pure joy, infectious enthusiasm, unforgettable spectacle and chaotic moments.
Each performance by “Yorkshire’s own E-Street Band” is spiced up with Northern wit and self-deprecating humour as a powerhouse three-piece horn section and intricate five-part harmonies contribute to a massive sound that spans genres, drawing influence from soul, indie, folk, disco and art rock. Box office: 01653 696240 or themiltonrooms.com.
Crosscut Saw’s Alex Eden : Leading his blues band at Milton Rooms, Malton
Blues gig of the week: Ryedale Blues Club presents Crosscut Saw, Milton Rooms, Malton, March 26, 8pm
YORKSHIRE blues trio Crosscut Saw’s Alex Eden (lead singer, guitarist and harmonica player), Richard Ferdinando (drums) and Richard Green (bass) draw inspiration from Magic Sam, RL Burnside, Taj Mahal and Dr John in performances marked by raw energy and unpredictability.
They hold a monthly residency at the Duck & Drake in Leeds, have played the Great British Blues Festival and Tenby Blues Festival, collaborated with TJ Norton, Paddy Wells and The Haggis Horns and worked as a backing band for Jake Walker and King Rollo. Box office: 01653 696240 or themiltonrooms.com.
Elizabeth Marsh in rehearsal for The Secret Garden The Musical at York Theatre Royal. Picture: Marc Brenner
A MAGICAL Yorkshire garden, an hotel comedy thriller, a surrealist wine bar exhibition and Pulp confessions exhibition stir Charles Hutchinson’s interest.
Musical of the week: The Secret Garden The Musical, York Theatre Royal, March 17 to April 4
TONY Award-winning director John Doyle, artistic director of York Theatre Royal from 1993 to 1997, returns to pastures past in more ways than one to present his actor-musician staging of Lucy Simon and Marsha Norman’s Broadway musical account of Frances Hodgson Burnett’s story of love, loss, healing and hope, set on Yorkshire moorland in 1906.
Newly orphaned, Mary Lennox is sent to live with her widowed uncle at the secluded Misselthwaite Manor, a house in habited by memories and spirits from the past. On discovering her Aunt Lily’s neglected garden, she vows to breathe new life into its mysterious stasis as she learns the restorative magic of nature. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Leeds abstract surrealist Nicolas Dixon, front, spotted at Thursday’s launch of his RARE v WET exhibition with WET proprietors James Wall and Ella Williams and RARE Collective organiser Sharon McDonagh, right
Exhibition of the week: Nicolas Dixon, RARE v WET, at WET, Micklegate, York, until April 22
YORK artist and event organiser Sharon McDonagh and DJ/artist Sola launch their RARE v WET series of solo exhibitions in aid of York charity SASH (Safe and Sound Homes) at WET, James Wall and Ella Williams’ indie wine bar and restaurant, with Nicolas Dixon first up.
Leeds abstract surrealist Dixon’s murals and artworks have become landmarks in Leeds, including at Kirkgate Market, Trinity Shopping Centre and the University of Leeds, as well as Leeds United tributes to the 1972 FA Cup Winners at Elland Road and the iconic Bielsa the Redeemer in Wortley. On show is a mixture of new and older work, both prints and originals.
Stephen Joseph Theatre favourite Bill Champion as American billionaire Theodore Racksole in Claybody Theatre’s The Grand Babylon Hotel, on tour at the SJT next week. Picture: Andrew Billington
Thriller of the week: Claybody Theatre in The Grand Babylon Hotel, Stephen Joseph Theatre, Scarborough, March 18 to 21, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees
CONRAD Nelson directs an ensemble cast of multiple flamboyant characters in a rollicking comedy thriller of rapid-fire character changes, sharp humour and theatrical fun, presented in association with the New Vic Theatre.
In Deborah McAndrew’s adaptation of Arnold Bennett’s novel, Nella Racksole discovers steak and beer are not on the menu for her birthday treat at the exclusive Grand Babylon Hotel, prompting her American millionaire father to buy the chef, the kitchen, the entire hotel. Cue kidnapping and murder. Have Theodore and Nella bitten off more than they can chew? Box office: 01723 370541 or sjt.uk.com.
Baroque Alchemy’s Lyndy Mayle and Piers Adams: Playing NCEM tonight
Classical-electronic concert of the week: Baroque Alchemy, National Centre for Early Music, York, tonight, 7.30pm
ANCIENT and modern meet in a spectacular musical fusion in Baroque Alchemy, the realisation of recorder virtuoso Piers Adams and keyboard player Lyndy Mayle’s long-held dream. Ever since the rise of synth-led bands and New Age music in the 1980s, Red Priest frontman Adams has nurtured a vision to combine the drama of baroque music with the expansive sound-world of the electronic era. Now Baroque Alchemy turn the traditional early music recital on its head for the 21st century. Box office: 01904 658338 or ncem.co.uk.
Dominic Halpin & The Hurricanes: Evoking the Grand Ole Opry in A Country Night In Nashville at the Grand Opera House
Tribute gig of the week: A Country Night In Nashville, Grand Opera House, York, Sunday, 7.30pm
A COUNTRY Night In Nashville re-creates the scene of a buzzing Honky Tonk in downtown Nashville, capturing the energy and atmosphere of a night in the home of country music in a journey through the history of its biggest stars past and present. Hits from Johnny Cash to Alan Jackson, Dolly Parton to The Chicks, Willie Nelson to Kacey Musgraves are showcased by Dominic Halpin & The Hurricanes. Box office: atgtickets.com/york.
The book cover for Mark Webber’s I’m With Pulp, Are You?, under discussion by the author and guitarist at York Literature Festival
Book event of the week: York Literature Festival, I’m With Pulp, Are You?, An Evening With Mark Webber, The Crescent, York, March 17, 7pm
PULP guitarist and avant-garde film curator Mark Webber discusses I’m With Pulp, Are You?, his visually rich chronicle of the Sheffield band’s history from the perspective of a fan-turned-manager-turned-guitarist.
In his music memoir, 40 years of archived material comes to life as Chesterfield-born Webber recalls his fascination with David Bowie, The Velvet Underground, Andy Warhol and counterculture, writing fanzines and organising concerts from the age of 15, joining Pulp in 1995 and playing on Different Class, This Is Hardcore, We Love Life and More, 2025’s recording renaissance after a 24-year hiatus. Box office: 01904 623568, yorktheatreroyal.co.uk or yorkliteraturefestival.co.uk.
Bluey’s Big Play: Australian fun and games for children at the Grand Opera House
Children’s show of the week: Windmill Theatre Co in Bluey’s Big Play, Grand Opera House, York, March 19 to 22, 10am, Thursday and Friday; 10am, 1pm and 4pm, Saturday and Sunday
COMBINING puppets and original voices from Ludo Studios’ Emmy Award-winning Australian children’s television series, including Dave McCormack and Melanie Zanetti as Dad and Mum, this theatrical adaptation is based on an original story by Bluey creator Joe Brumm, featuring music by series composer Joff Bush. When Dad wants a bean bag time-out, Bluey and Bingo have other plans as they pull out all the games and cleverness at their disposal. Box office: atgtickets.com/york.
Scouting For Girls: Re-visiting Everybody Wants To Be On TV at York Barbican
York Barbican gigs of the week: Scouting For Girls, Everybody (Still) Wants To Be On TV Tour 2026, March 17, doors 7pm; The Brand New Heavies, March 19
AS Scouting For Girls’ vocalist, guitarist and songwriter Roy Stride puts it: “I can’t believe we’re already celebrating the 15th anniversary of our second album [Everybody Wants To Be On TV], and I’m beyond excited to get back on the road in 2026! The shows are going to be immense: a massive nostalgic Scouting singalong every night.” Expect further hits to feature too.
Ealing Acid Jazz pioneers The Brand New Heavies – Simon Bartholomew, vocals and guitar, Andrew Levy, bass and keyboards, and Angela Ricci, vocals – mark their 35th anniversary with a 12-date tour that takes in York Barbican as their only Yorkshire destination. Expect joy, funk, love and fancy clothes. Box office: yorkbarbican.co.uk.
The Brand New Heavies: Acid Jazz joy, funk, love and fancy clothes at York Barbican
Comedy classic of the week: Rowntree Players in The Importance Of Being Earnest, Joseph Rowntree Theatre, York, March 19 to 21, 7.30pm plus 2pm Saturday matinee
ROWNTREE Players bring Oscar Wilde’s cherished 1895 farcical comedy of manners to the York stage in the original four-act version reconstructed by Vyvyan Holland, under the direction of Hannah Shaw.
Lizzie Lawton’s John Worthing and Jorja Cartwright’s Algernon Moncrieff lead double lives under the false name of “Ernest” to escape social obligations, leading to romantic entanglements and comedic misunderstandings, played out by a cast featuring Jeanette Hambridge’s Lady Bracknell, Bethan Olliver’s Gwendolen Fairfax, Katie Shaw’s Cecily Cardew, Wayne Osguthorpe’s Reverend Canon Chasuble, Rebecca Thomson’s Miss Prism and Max Palmer’s Lane/Merriman. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
A collage from the rehearsal photo-shoot for Rowntree Players’ production of The Importance Of Being Earnest
Comedy gig of the week: Rob Rouse, Funny Bones, Helmsley Arts Centre, March 20, 8pm; Stephen Joseph Theatre, Scarborough, March 21, 7.45pm
FRESH from being picked as the Comics’ Comic Best Act of the Year 2025, Rob Rouse is touring Funny Bones: a daft whirlwind of craftily spun tall tales, a bucketful of manic energy, canny stagecraft, eerily convincing characters and a barrage of one-liners.
“Warning: this show has been meticulously assembled to make you laugh as much as possible,” says Rouse. “However, you will not learn anything from it. You may even come out stupider than when you came in.” Box office: Helmsley, 01439 771700 or helmsleyarts.co.uk; Scarborough, 01723 370541 or sjt.uk.com.
Super scooper: Funny Bones comedian Rob Rouse and his skeleton dog on tour at Helmsley and Scarborough
Leeds abstract surrealist Nicolas Dixon, outside WET, in Micklegate, York, where his exhibition launches the RARE v WET venture tomorrow
RARE, York artist and event organiser Sharon McDonagh’s new venture, will hold its launch party tomorrow at WET, the independent wine bar and restaurant in Micklegate, York.
Known as a key organiser of 2023 to 2025’s groundbreaking Educated Vandals, Rise Of The Vandals and VandalFest charity street art events in the disused office block on Low Ousegate, Sharon has teamed up with friend and fellow artist/DJ Sola as RARE Collective to continue their mission to champion the overlooked, the creatives, the independents and the underdogs while supporting York charities.
Opening tomorrow at 6pm, the first project is the debut RARE v WET art exhibition in support of SASH (Safe and Sound Homes), featuring Leeds abstract surrealist Nicolas Dixon, on show until April 22. Further solo exhibitions by artists from Yorkshire and beyond will be held there, from which a percentage of sales will go to the charity.
WET proprietors James Wall, left, and Ella Williams with RARE Collective organiser Sharon McDonagh and Leeds abstract surrealist Nicolas Dixon at Thursday’s launch
“RARE Collective will be collaborating with other creatives and businesses that rewrite the rules of events, art and community culture in York and are looking forward to working with Art of Protest, who are curating the forthcoming Acomb Fest in July,” says Sharon.
“I’m incredibly excited to launch this new venture and to have the freedom to collaborate with other creatives, curate exhibitions and street art events and organise collaborations and workshops through RARE Collective in support of SASH and other local charities. It carries the same ethos, passion and hard graft as before, just with a new crew and fresh energy.
“What drives me is the opportunity to use creativity and experience to bring people together: organising events, working with artists and creatives, and supporting young people and adults from all backgrounds to have a voice, share their work and raise funds that can genuinely make a difference.”
DJ/artist Sola: Linking up with Sharon McDonagh to launch RARE Collective
Sharon continues: “After working with SASH on our last two events, it’s a real pleasure to collaborate with their fantastic team again. Over the past three years, we’ve been humbled by the incredible artists, DJs, volunteers and businesses who have supported what we do, and we’re excited to continue building on that momentum.
“We’re also grateful to our sponsors, Mack and Lawler Ltd and York Digital Image, whose continued financial support makes these events possible.”
Looking forward to tomorrow’s launch, artist, DJ and RARE member Sola says: “It’s great to team up with Sharon and be part of RARE Collective. We’ve been friends for several years and I’m humbled to be able to present such an amazing array of local music talents, from DJs to producers, and help connect the dots between music and visual arts.
Nicolas Dixon at work on a mural
“As Sola, I combine all these elements when producing my own artworks and am excited for what lies ahead.”
WET was opened by Ella Williams and James Wall on October 15 last year. “At WET, we’re a tiny team – we’ve just taken on our first employee – running a wine bar/restaurant in the centre of York on Micklegate,” say Ella and James.
“We prioritise seasonal cooking in our small plates, with lots of offal and North Yorkshire produce. Our wine list focuses on smaller growers, lower intervention bottles and changes once a week. There’s a popular roast every Sunday, and regular vinyl nights keep things exciting.
RARE Collective artist and co-organiser Sharon McDonagh, left, with Pam Anthony and Aimee Harding from SASH
“We met working in hospitality and have always championed independents. We’re happy to be a part of an ever-changing and growing York food, drink and cultural scene. We are therefore really happy to be able to collaborate with RARE Collective to host art exhibitions in support of local youth homeless charity SASH.”
The first artist in the RARE v WET spotlight is Leeds-born, internationally acclaimed abstract surrealist Nicolas Dixon, whose murals and artworks are known all over the world.
Closer to home, his large-scale murals have become landmarks in Leeds, including at Kirkgate Market, Trinity Shopping Centre and the University of Leeds, as well as several Leeds United tributes, such as the 1972 FA Cup Winners mural at Elland Road and the iconic Bielsa the Redeemer mural at the Pet Lodge Superstore, on Oldfield Lane, Wortley, featuring former Leeds United manager Marcelo Bielsa in the style of Rio de Janeiro’s Christ the Redeemer statue.
Nicolas Dixon’s 2020 mural Bielsa the Redeemer on Oldfield Lane, Wortley, Leeds
“It’s an absolute pleasure to be teaming up with RARE Collective and WET in support of SASH for the first in a series of exhibitions at WET hosted by RARE,” says Nicolas. “Having worked with Sharon at last year’s charity street art event Vandalfest in York, it was a no-brainer when she asked if I’d like to be the first artist to exhibit for her exciting new collective.
“The show will feature a mixture of new and older work – prints and originals. It should look pretty special in this cool space on Micklegate. It’s great to be supporting SASH and hopefully raise some funds to contribute to the amazing work they do for the youth homeless community in York. Really looking forward to it. See you there.”
SASH says: “We are really excited to be able to work with Sharon again; she always goes above and beyond to ensure her projects come together and is an absolute pleasure to work with. She feels like an extension of the SASH team!
“Sharon always brings such a positive attitude and energy to make things happen, getting results and making a real difference to the lives of those around her and the communities she works with. Her new venture with Sola is a fresh take on what they have already built over the past few years and we are looking forward to working with RARE Collective.”
Among the works on sale will be original paintings of Pareidolia, Angels Gate, Untitled, Hook Lined And Sinkered, Beat In Time, VandalFest 01, VandalFest 02, No Input No Output, Shortcut and Calmer Shores, plus limited-edition prints of Cayatano’s Round Table, Chimera, Bielsa The Redeemer and Nightmare On War. For sales, contact sharon@rarecollective.co.uk.
Artist Nicolas Dixon
Nicolas Dixon: Back story
ABSTRACT surrealist, born in Leeds, whose work spans continents, with murals and artworks on display in Ibiza, Melbourne, New York, Barcelona, Antwerp, Sierra Leone, Tanzania and Goa.
His large-scale murals have become landmarks in Leeds, from Kirkgate Market to Trinity Leeds, University of York to Bielsa the Redeemer in Wortley, hailed by Goal magazine as one of the most famous murals in world football.
Alongside his international work, Nicolas has completed high-profile commissions, most notably being selected by Universal Studios as one of six artists to transform Brick Lane, London, into “Yellow Brick Lane” for the global launch of the film Wicked: For Good.
Nicolas Dixon‘s artworks on show at WET in York
Deeply bonded to the underground house music scene, Nicolas has collaborated with clubs in the UK and Ibiza, including Pacha and Octan, where his 50m mural was created atop the entire club, as well as working with DJ/producers such as Nightmares On Wax and Eats Everything.
He has partnered with Rhodes Music, inventors of the electric piano associated with Stevie Wonder, Paul McCartney, Elton John, Ray Manzarek and Ray Charles, creating a hand-painted edition of their MK8 model, along with a run of 40 limited-edition versions. He has collaborated with Technics too, hand-painting their iconic 1210 turntables.
The poster for Nicolas Dixon’s exhibition on all the walls at WET, Micklegate, York
Noted for his biomorphic shapes, bold colour schemes and instantly recognisable style, Nicolas has worked with major brands such as Adidas, Ribble Bikes, Disney/Star Wars, Jägermeister, BBC, Team GB and the NHS.
Last July, his first-floor collaboration with Bristol graffiti and street art pioneer Inkie was a highlight of VandalFest at Low Ousegate, York.
As an ambassador for the charity Last Night A DJ Saved My Life, he leads art workshops and mural projects with street-affected youth in Africa.
“We are the greatest in the land”: Nicolas Dixon’s mural of Leeds United’s 1972 FA Cup winners at Elland Road
Waves in motion: Making Waves at York Art Gallery. Picture: Lee McLean
MAKING Waves: The Art of Japanese Woodblock Print has taken a year of preparation at York Art Gallery.
On show until August 30, the display of Japanese art and culture brings together more than 100 striking and iconic works from renowned artists such as Katsushika Hokusai, Utagawa Hiroshige and Kitagawa Utamaro, amongst many others, complemented by armoury from the Royal Armoury In Leeds and kimonos from Durham Oriental Museum at Durham University.
To provide an insight into the history and development of Japanese woodblock printing, the exhibition brings together exhibits from York Art Gallery’s extensive collection of Japanese prints, some never exhibited previously, together with prints loaned from Maidstone Museum, Ashmolean Museum and the British Museum and early printed books from the British Library.
Covering more than 300 years of printing history, from the 17th to 21st centuries, Making Waves places particular emphasis on the heyday of Japanese woodblock printing in the 18th and 19th centuries.
At its epicentre is the chance to see Katsushika Hokusai’s The Great Wave off Kanagawa, one of the most recognisable and celebrated artworks in the world. This original print has been lent to York Art Gallery by Maidstone Museum, and like encountering Leonardo da Vinci’s 16th century portrait of the Mona Lisa at the Musée u de Louvre, the work is smaller than you might expect but just as impactful.
Spread across three rooms, Making Waves invites visitors on a journey that begins with a guide to the origins and techniques of early printmaking, before looking at major themes, including the “floating world” of urban entertainments, the beauty of Japanese landscapes, legendary heroes and adventurers from fantastical tales and historical epics, actors and Samurai warriors (representing martial prowess, courage, loyalty and honour). Festivals and seasonal celebrations feature too.
Finally, the exhibition explores how print artists responded to major changes in Japanese society, from Japan’s development into a modern industrial nation in the late 19th century through to the present day.
Utagawa Hiroshige’s Asakusa Rice-fields and Torinomachi Festival, from the series One Hundred Famous Views of Edo, part 4 Winter, 1857, York Art Gallery collection. Picture courtesy of York Museums Trust
Contemporary Japanese woodblock prints feature too in the third room, including several works by Royal Academy of Arts president Rebecca Salter, created in collaboration with Sato Woodblock Workshop, Kyoto, plus Japanese woodblock prints depicting the North York Moors by Scottish artist Laura Boswell, such as Rhubarb Sky.
Look out too for works by London-based artist Nana Shiomi, whose 2001 print, Hokusai’s Wave – Happy Carp is displayed alongside the very woodblocks Shiomi used to produce it, enabling visitors to gain an understanding of the technical process of printing.
Entertainment and festivals, folklore and seasons and travel and adventure all play a major role in these vibrant images, whose dynamic designs remain popular centuries later.
Making Waves marks the debut of Eleanor Jackson as curator of fine art at York Art Gallery. “I started here in January last year and was given this exhibition to curate straight away. To hit the ground running and to turn it round in a year has been challenging but it’s worked out well,” she says.
“Arranging the loans is by far the most time-consuming part of organising the exhibition, so that was the first task I did, researching potential loans and contacting leading institutions.”
Eleanor continues: “Ever since Japan was opened to Western trade in the 1850s, Japanese art has become increasingly popular in the West and Europe, causing a sensation when first exhibited in Paris, introducing audiences to the woodblock print, and now there are so many fantastic collections in the UK.”
One key curatorial decision was to address the need to add contrast to “the prints being mostly 2D and small”. “It was important to bring in bigger items, such as the armour and kimonos, to provide dramatic sightlines, and to give a fuller flavour of Japanese culture in that period,” says Eleanor. “We also asked our exhibition designers, Journal, from Leeds, to provide a sense of scale.”
The Great Wave off Kanagawa, by Katsushika Hokusai, circa 1829-32. Image courtesy of Maidstone Museum, on loan at York Art Gallery
In addition, the exhibition focus on woodblock print techniques is intended to be of interest to artists, while visitors can “have a go” at woodblock printing”. “It’s important to understand the art of woodblock and the huge amount of work and skill that goes into each one. Even though they are prints, they are unique because they all have imperfections,” says Eleanor.
Summing up the significance of Making Waves, she enthuses: “To bring these works together in this way has been a privilege, and we are so excited to unveil the exhibition.
“The support of national and regional museums, as well as contemporary artists, has been instrumental in allowing us to tell the story of this gorgeous art form. We are grateful to them for lending their precious works to York Art Gallery for this exhibition.”
Making Waves will extend into York Museum Gardens, where a new Japanese- style garden is being installed, ready for the spring and summer months. A Japanese dry garden, or “karesansui”, created in the space behind the gallery, takes inspiration from traditional Japanese gardens with a contemporary interpretation linked to the history of the site.
Often called a “zen”’ garden, the Japanese dry garden is constructed simply using wood, stone and bamboo to create a space for calm contemplation and meditation, inviting people to take time out from their day.
Steve Williams, garden manager at York Museums Trust, says: “Four blossom trees will be a key feature in the garden as we head into spring 2026: three cherry trees and an apricot tree. Blossom trees hold a cultural significance in Japan, symbolising beauty, impermanence and renewal, which reflect the transient nature of life.
“All the materials included in the Japanese-style garden have been sourced with the intention of longer-term use, and they will be repurposed elsewhere in Museum Gardens following the exhibition.”
Japanese woodblock prints depicting the North York Moors by Scottish-based artist Laura Boswell from Making waves at York Art Gallery. Picture: Lee McLean
Making Waves is accompanied by interactive programme of activities and events, including specialist talks from artists, makers and curators throughout the exhibition run. Interactive guided workshops for over-16s will enable participants to “get to grips” with printing techniques, bookbinding and Ikebana flower arranging throughout the summer months and to create bespoke art to take home.
Siona Mackelworth, head of audience and programme at York Museums Trust, says: “The associated programme and events are designed for all ages to make connections to Japanese art and get involved with the gallery.
“We’re delighted to play host to more internationally important art, building on the success of our Claude Monet and William Morris exhibitions last year, and to share the stories and processes behind Japanese printing by showcasing technically complex and visually impactful artworks.”
Making Waves: The Art of Japanese Woodblock Print, York Arts Gallery, on show until August 30. Entry is included in general admission to York Art Gallery. Tickets: yorkartgallery.co.uk.
Did you know?
THE Japanese art aesthetic of Making Waves extends into York Art Gallery’s two shops, where prints, souvenirs and kimono jackets are on sale. For the creative, Kintsugi kits and sketchbooks are stocked, as well as themed gifts such as fun socks, chopsticks and lucky welcome soaps.
Many products display art from the gallery collection or are sourced directly from Japan. In addition, a new print inspired by Japan and York Art Gallery has been created by York artist Lincoln Lightfoot.
The balcony ceramics shop offers tea bowls and other handcrafted ceramics inspired by Japanese Pottery.
Exhibition designers Journal bringing “a sense of scale” to Making Waves at York Art Gallery. Picture: Lee McLean
Did you know too?
PRUSSIAN Blue, the world’s first synthetic pigment, was available widely in Japan from 1
Utagawa Kunisada (1786-1864): back story
THE most prolific, popular and commercially successful print artist of his time, Kunisada designed at least 20,00 prints during his 50-year career, where he was assisted by dozens of students employed in his studio.
While Kunisada tried his hand at a wide range of genres, theatre prints made up around 60 per cent of his output. Usually published to coincide with particular performances, theatre prints became outdated quickly. Kunisada’s rapid production and commercial acumen, however, enabled him to keep up with public demand for up-to-the-minute prints.
Kunisada excelled at conveying drama, expressions and gorgeous costumes of the theatre. His prints are typically beautifully detailed, busy in composition and intense in emotion.
Ben Arnup: York ceramicist taking part in York Ceramics Fair
THE cream of ceramics, the dancing Gentleman Jack, Harry Enfield’s comedy characters and two cases for Sherlock Holmes make for a cracking week ahead, reckons Charles Hutchinson.
Top of the pots: York Ceramics Fair 2026, York Racecourse, Knavesmire, York, today, 10am to 5pm; tomorrow, 10am to 4pm
EXPLORE work by more than 70 of the UK’s finest makers in a balanced mix of established artists and emerging talent, complemented by inspiring talks and demonstrations, in this Craft Potters Association event run by the makers.
Among those taking part will be Ben Arnup, Hannah Billingham, Cosmin Ciofirdel, Ben Davies, Sharon Griffin, Jaroslav Hrustalenko, Jin Eui Kim, Ruth King, Francis Lloyd-Jones, Emily Stubbs, Asia Szwej-Hawkin, Shirley Vauvelle and Jo Walker. Tickets: yorkceramicsfair.com.
Heather Lehan, left, and Julie Nunès in rehearsal for Northern Ballet’s Gentleman Jack at Leeds Grand Theatre. Picture: Colleen Mair
Dance premiere of the week: Northern Ballet in Gentleman Jack, Leeds Grand Theatre, today, then March 10 to 14, 7.30pm, plus 2.30pm matinees on March 12 and 14
THIS groundbreaking new ballet marks a trio of ‘firsts’: the first time the story of Anne Lister has been told through ballet, the first large-scale commission for Northern Ballet since 2021 and the first under artistic director Federico Bonelli.
Yorkshirewoman Anne, the “first modern lesbian”, lived, dressed and loved as she desired, not as 19th century society expected of her. Northern Ballet’s interpretation of her life is choreographed by Annabelle Lopez Ochoa. Box office: 0113 243 0808 or leedsheritagetheatres.com.
Candie Payne: Singer-turned-artist taking part in pop-up art fair at RedHouse Gallery, Harrogate. Picture: Chris Morrison
Pop-up art event of the week ART at RedHouse Gallery, Cheltenham Mount, Harrogate, today, 10am to 6pm
REDHOUSE Gallery, in Cheltenham Mount, Harrogate, introduces ART, its inaugural pop-up fair dedicated to contemporary art, prints, archive editions and sculpture, showcasing young and emerging artists from Harrogate and beyond.
Many of the artists will be attending the event. Among those taking part are Schoph, Christopher Kelly, Candie Payne, Thomas James Butler, Florence Blanchard, Alfie Kungu, Gareth Griffiths, David Rusbatch and Siena Barnes.
Harry Enfield: No Chums but a cornucopia of comedy characters on his return to York, where he cut his comedy teeth in his university days
Comedy legend of the week: Harry Enfield And No Chums, Grand Opera House, York, tomorrow, 2.30pm and 7.30pm
FROM the meteoric rise of Thatcherite visionary Loadsamoney to the fury of Kevin the Teenager, satirical comedian and self-styled “stupid idiot” Harry Enfield reflects on 40 years in comedy, bringing favourite characters back to life on stage.
Then comes your chance to ask the former University of York politics student (Derwent College, 1979 to 1982) how comedy works, what makes him most proud and what would he say to those who suggest “You wouldn’t be allowed to do your stuff today, would you?”. Box office: atgtickets.com/york.
Aisling Bea: Tales of travel, home, history, music, lovers and enemies at York Barbican
Big life answers of the week: Aisling Bea, Older Than Jesus, York Barbican, Sunday, 7.30pm
BAFTA and British Comedy Award-winning Irish stand-up, actor and writer Aisling Bea presents tales of travel, home, immigration, history, sex, babies, music, lovers and enemies and will even answer your big life questions.
“It’s not about the destination, babes, it’s about the journey, but also the destinations are very important,” says Kildare-born Bea, creator, writer and star of Channel 4 and Hulu series This Way Up. Older than Jesus? Yes, Bea is 41. Box office: yorkbarbican.co.uk.
Josh Jones: Still trying to earn his cat’s respect on tour at Theatre@41, Monkgate
Wrestling with humour: Josh Jones, I Haven’t Won The Lottery So Here’s Another Tour Show, Theatre@41, Monkgate, York, March 11, 8pm
MANCHESTER comedian Josh Jones follows up Gobsmacked with I Haven’t Won The Lottery So Here’s Another Tour Show as he finds himself knee deep into his 30s, where nothing thrills him more than a Greggs’ Sausage Roll and an M&S food shop.
Living a more sedate life is not without its challenges, however, as he is still trying to earn his cat’s respect. “I’ll be keeping it light: nothing super-political, nothing controversial, and it’s definitely not going to change your life,” he says of a set brimful of history, cats and his love of wrestling. Box office: tickets.41monkgate.co.uk.
Jordan Gray: Asking if the cost of success is worth it at Theatre@41, Monkgate
Gray matter of the week: Jordan Gray, Is That A C*ck In Your Pocket , Or Are You Just Here To Kill Me?, Theatre@41, Monkgate, York, March 12, 8pm
JORDAN Gray, creator of ITV’s Transaction, hits the road with a guitar on her back and some very poorly written death threats in her DMs after she stripped off live on Channel 4, and won a BAFTA in the process, but bigots went ballistic.
Is the cost of success worth it, she asks in her new show. How do you live up to your own sky-high expectations? Join Gray as she explores all this and more in her “rootinest, tootinest, shootinest” hour of musical comedy yet. Box office: tickets.41monkgate.co.uk.
Claire Martin: Joining jazz forces with IG4 at NCEM, York. Picture: Kenny McCracken
Jazz gig of the week: IG4 with Claire Martin, National Centre for Early Music, York, March 12, 7.30pm
VOCALIST Claire Martin joins IG4 pianist and composer Nikki Iles, saxophonist Karen Sharp and rising star bassist Ewan Hastie, 2022 BBC Young Jazz Musician of the Year, to perform Iles’s new arrangements of Tom Waits, Burt Bacharach, Anthony Newley and Joni Mitchell songs, complemented by her stylish reworking of the American songbook, including Cole Porter and Johnny Mandel. Box office: 01904 658338 or ncem.co.uk.
Baron Productions’ cast for Sherlock Holmes: A Scandal In Bohemia and The Speckled Band at St Mary’s Church, Bishophill Junior
Thriller double bill of the week: Baron Productions in Sherlock Holmes: A Scandal In Bohemia and The Speckled Band, St Mary’s Church, Bishophill Junior, York, March 13 and 14, 7.30pm
SHERLOCK Holmes and Dr Watson embark on two of Sir Arthur Conan Doyle’s most captivating cases, presented by York company Baron Productions. London private detective Holmes has always despised love, until the day he pits his wits against mysterious blackmailer Irene Adler, who has a powerful hold over the King of Bohemia, one that could turn Holmes into a changed man if he dares do battle with her.
Then, when a desperate young woman begs Holmes for protection against her cruel stepfather, he and Watson must face a deranged doctor – who can commit horrible murders without entering his victims’ rooms – and a sinister “speckled band”. Box office: ticketsource.co.uk/baron-productions.
Elvis Costello: Revisiting his 1977-1986 back catalogue in Radio Soul! at York Barbican in June. Picture: Ray Di Pietro
Gig announcement of the week: Elvis Costello & The Imposters with Charlie Sexton, Radio Soul!: The Early Songs Of Elvis Costello, York Barbican, June 17
ELVIS Costello will return to York Barbican for the first time since May 2012’s Spectacular Singing Book tour, joined by The Imposters’ Steve Nieve, Pete Thomas and Davey Faragher and Texan guitarist Charlie Sexton.
Costello, 71, will focus on songs drawn from 1977’s My Aim Is True to 1986’s Blood & Chocolate in 1986, complemented by “other surprises”. Tickets: yorkbarbican.co.uk/whats-on/elvis-costello/.
In Focus: Northern Ballet’s world premiere of Gentleman Jack, Q & A with principal dancers Gemma Coutts, Saeka Shirai & Rachael Gillespie
The woman in black: Gemma Coutts’s Anne Lister in Northern Ballet’s Gentleman Jack. Picture: Guy Farrow
Gemma Coutts on playing playing Anne Lister, 19th century icon and Yorkshirewoman, described by some as the “first modern lesbian”
What steps brought you to Northern Ballet?
“I grew up in Thailand, where I attended my first ballet school. At the age of 16, I joined the English National Ballet School and graduated in 2021. After this, I joined Northern Ballet where I am now in my fifth season with the company.”
Were you aware of Anne Lister/Gentleman Jack before being invited to create the ballet? What stuck you most about her story?
“No, I was not aware of Anne Lister or her story prior to the ballet. Having learned more, Anne’s confidence and the social impact of her actions really stood out to me.”
How have you found the process of working with choreographer Annabelle Lopez Ochoa to create the ballet and originate this role?
“I have really enjoyed working with Annabelle. She is a passionate woman who knows what she wants. This means that we work quickly and with purpose, which suits my style and has allowed us to really dive into the roles.”
How would you describe this ballet in three words?
“Challenging. Evocative. Powerful.”
What are you most looking forward to about performing Gentleman Jack?
“I am looking forward to performing in London as my family are coming to watch all the way from Indonesia. I always enjoy my time in London as I get to see many friends from my English National Ballet School days.”
Saeka Shirai, right, in rehearsal with Gemma Coutts for Northern Ballet’s Gentleman Jack. Picture: Colleen Mair
Saeka Shirai on playing the part of Marianna Lawton, friend and lover of Anne Lister,who breaks Anne’s heart by marrying Charles Lawton.
What steps brought you to Northern Ballet?
“I’m from Osaka, Japan and trained with the Yuki Ballet Studio and Canada’s Royal Winnipeg Ballet School. I danced with Canada’s Royal Winnipeg Ballet for four years and then with Poznan Opera Ballet for two. This is my fourth season with Northern Ballet.
Were you aware of Anne Lister/Gentleman Jack before being invited to create the ballet? What stuck you most about her story?
“I had some awareness of Anne Lister before working on the ballet, and what struck me most was her courage.”
How have you found the process of working with choreographer Annabelle Lopez Ochoa to create the ballet and originate this role?
“It’s been an inspiring and collaborative process. She knows very clearly what she wants, which I found very similar to Anne Lister herself. That clarity made the creative process focused and exciting, especially when originating a new role.”
What are the defining characteristics of your part and how are you embodying those on stage?
“I think Marianna is graceful, elegant and emotionally expressive. On stage, I try to bring her character to life with smooth movements and a mature presence.”
Are you excited to be premiering in Leeds, portraying a real person and story rooted here in Yorkshire?
“Yes, of course we are very excited!”
How would you describe this ballet in three words?
“Brave, bold and confident.”
What are you most looking forward to about performing Gentleman Jack? Do you have a favourite place to visit?
“Wherever we go, the audience is always so warm and welcoming. It really means everything to us. I hope the ballet brings them as much joy as they give us.”
Rachael Gillespie (Ann Walker), right, rehearsing for Northern Ballet’s Gentleman Jack with Gemma Coutts (Anne Lister). Picture: Colleen Mair
Gentleman Jack choreographer Annabelle Lopez Ochoa. Picture: Colleen Mair
Rachael Gillespie on playing Ann Walker, Anne Lister’s long-term partner and eventual wife, who sets Ann on a path to being a different type of woman.
What has been your dance journey?
“I have been dancing with Northern Ballet for 18 years.”
Were you aware of Anne Lister/Gentleman Jack before being invited to create the ballet? What stuck you most about her story?
“Her strength, courage and intelligence really stood out for me. To step out of social expectations to be her true self is so brave and empowering.”
Are you excited to be premiering in Leeds, portraying a real person and story rooted here in Yorkshire?
“It’s always so special for us to tour and share our stories across the UK. We have an incredible amount of loyalty from our audiences, old and new, so it’s so important to keep them involved with our performances.”
How would you describe this ballet in three words?
“Empowering, innovative, enriching.”
The women factory workers – and footballers to boot – in The Ladies Football Club at the Crucible Theatre, Sheffield. Picture: Johan Persson
REVIEW: The Ladies Football Club, Crucible Theatre, Sheffield, kicking off until March 28 ****
GO Firth and multiply the possibilities. In the wake of BAFTA and Olivier Award winner Tim Firth being asked to write the book for the Madness musical Our House and adapting his Calendar Girls film script for the stage version and subsequently the musical with composer Gary Barlow, now he puts the Sheffield into Stefano Massino’s 2019 Italian play Ladies Football Club, adding “The” to become the definitive version.
One accompanied in the city known as the “Home of Football” by foyer panels of information on the history of the women’s game, from Dick, Kerr’s Ladies FC and legendary gay star winger Lily Parr to Hope Powell and beyond.
Parr’s story, incidentally, has been told theatrically in Benjamin Peel’s Not A Game For Girls and Sabrina Mahfouz and Hollie McNish’s Offside, a play about football, feminism and female empowerment: themes in common with Firth’s premiere.
In the amphitheatre of the Sheffield Crucible, a theatrical sporting venue more associated with the multi-coloured ball-manoeuvring skills of snooker’s world championship, Sheffield Theatres’ artistic director Elizabeth Newman teams up with Frantic Assembly counterpart Scott Graham, whose trademark storytelling through movement was so crucial to the National Theatre’s The Curious Incident Of The Dog In The Night-Time.
Bringing football alive on stage has been expressed in myriad forms, from the game enacted in the heat of Celtic-Rangers sectarianism in avant-garde ballet maverick’s Michael Clark & Company’s punk liaison with Mark E Smith’s The Fall in I Am Curious, Orange, at Sadler’s Wells Theatre in 1988, to the masks and mannequins for the “Dirty Leeds” players in Anders Lustgarten’s Brian Clough psychodrama The Damned United.
More recently, Amanda Whittington turned the spotlight on the early days of women’s football in Mikron Theatre’s four-hander Atalanta Forever in 2021 and James Graham essayed the state-of-the-nation treatise wrapped inside the so-close-but-no-cigar reinvention of England’s football team under thoroughly decent Gareth Southgate, premiered by the National Theatre in 2023 and now being stretched into a four-part BBC One series.
You could argue that theatre’s best evocation of physical combat on the sports field comes in John Godber’s Up’N’Under, wherein Rugby League’s bruising encounters are played out by actors wearing shirts with one team’s colours on the front and the opponent’s strip on the back. So simple, so economical, so effective, so Godber.
Here, in The Ladies Football Club, no football is kicked with a satisfying thud, although we still feel every lunging tackle, every meaty header, as the cut and thrust, the tension and drama, of a game is evoked by Graham through largely balletic movement, sometimes freeze-frame in the manner of Roy Of The Rovers comic strips, sometimes in cartoonish slow motion, other times with sudden circular bursts of energised running.
There are 11 players on the “pitch”, sometimes fewer, depending on factory resources available, but all representing only the one team. Opponents are a ghostly blur, conjured in your imagination, as the Sheffield foundry team go through their motions and emotions.
Just as the opposing teams are absent, so too are the steel city’s men folk, sent to the front in the Great War. The women take over their Doyle & Walker factory labours, making the munitions for all that senseless fighting and bombing.
We see them on the factory floor, with their banter, their sandwiches and their rivalries, and we see them starting up lunchbreak kickabouts, with their banter, their sandwiched tackles and their rivalries, before progressing from playing with prototype explosives for a ball to local pitches and ultimately to famous stadia.
Teamwork is captured in Graham’s ensemble movement; individual stories are played out in Firth’s script, 11 stories in all, one for each player, each with a back story to tell.
That requires Firth to emphasise one trait or trope to encapsulate a character, a device that is at risk of making them 2D, rather than 3D, but aids the humour in the clashes of personality, beliefs and habits, also brought out in the way each plays the game. The fiery Marxist activist of the team plays, where else, but on the left wing.
Firth and director Newman have to squeeze in too much, but the accumulative effect is to bring the speed and momentum of a match into the storytelling, matched by Joe Ransom’s playful video designs, using projections rather than jumpers for goalposts, as the walls and floor come alive, in tandem with the ‘cabinets’ in Grace Smart’s smart set design, from which the factory work stations are pulled out.
United in defiance in the team line-up are Jessica Baglow’s stoical goalkeeper, Rosalyn; Cara Theobold’s workforce leader, Violet; Leah Brotherhead’s idealist militant, Hayley; Lesley Hart’s minister’s daughter, Berenice; Bettrys Jones’s Olivia, first with the news from the family newsagency, Ellie Leach’s Brianna, Claire Norris’s late-blooming outsider, Melanie; Krupa Pattani’s Cheryl, reluctant player-turned-captain; Cheryl Webb’s Abigail; Chanel Waddock’s Penelope, and, most amusing of all, Anne Odeke’s loud and proud Justine, never short of a salty quip.
When Red Ladder staged The Damned United, artistic director Rod Dixon summed up the play’s attributes thus: “As a story, it has it all – passion, power struggles, tragedy and a classic anti-hero – which lends itself brilliantly to theatre.” In the case of The Ladies Football Club, passion, power struggles and the tragedy of war play out. As for an anti-hero, the Football Association banned women’s football from 1921 to 1971 on the grounds of safety risks (to their anatomy). In a nutshell, the beautiful game was deemed “quite unsuitable for females and ought not to be encouraged.”
And so, women received the red card from both the post-war factory floor and playing pitch. Amanda Whittington wrote Atalanta Forever as her revenge play; Firth concludes The Ladies Football Club with a triumphant coda, celebrating the Lionesses’ victories and welcoming the next generation of young players on stage in full England kit (in a role shared by Evie-Rose Drake, Cristina La Roca, Bonnie Hill and Sophie tanner).
The audience cheers rise all the louder, honouring the wartime past of the foundry’s first flame of players while holding a torch for the future too. Football is indeed coming home…to Sheffield.
Sheffield Theatres in The Ladies Football Club, Crucible Theatre, Sheffield, until March 28. Box office: 0114 249 6000 or sheffieldtheatres.co.uk.
JAPANESE prints, a Belgian detective, a Tudor queen and a West Riding pioneer are all making waves in Charles Hutchinson’s early March recommendations.
Exhibition of the week: Making Waves, The Art of Japanese Woodblock Print, York Art Gallery, until August 30, open Wednesday to Sunday, 10am to 5pm
MAKING Waves: The Art of Japanese Woodblock Print presents Japanese art and culture in more than 100 striking and iconic works from renowned artists such as Katsushika Hokusai, Utagawa Hiroshige and Kitagawa Utamaro, among many others.
At the epicentre of this intriguing insight into the history and development of Japanese woodblock printing is the chance to see Hokusai’s The Great Wave Off Kanagawa, one of the most recognisable and celebrated artworks in the world. Tickets: yorkartgallery.org.uk.
York Community Choir Festival 2026: Showcase for choirs aplenty at Joseph Rowntree Theatre, York
Festival of the week: York Community Choir Festival 2026, Joseph Rowntree Theatre, York, tonight to Friday, 7.30pm; Saturday, 2.30pm and 7.30pm
THE annual York Community Choir Festival brings together choirs of all ages to perform in a wide variety of singing styles on each bill. Across the week, 43 choirs are taking part in nine concerts, making the 2026 event the largest yet. Concert programmes feature well-known classical and modern popular songs, complemented by show tunes, world music, folk song, gospel, jazz and soul. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Death On The Nile: European premiere of Ken Ludwig’s new adaptation of Agatha Christie’s murder mystery at Grand Opera House, York. Picture: Manuel Harlan
Murder mystery of the week: Fiery Angel presents Agatha Christie’s Death On The Nile, Grand Opera House, York, March 3 to 7, 7.30pm plus 2.30pm Wednesday and Saturday matinees
AFTER tours of And Then There Were None and Murder On The Orient Express, Death On The Nile reunites director Lucy Bailey, writer Ken Ludwig and producers Fiery Angel for the European premiere of a new adaptation of Agatha Christie’s Death On The Nile.
On board a luxurious cruise under the heat of the Egyptian sun, a couple’s idyllic honeymoon is cut short by a brutal murder. As secrets buried in the sands of time resurface, can Belgian detective Hercule Poirot (Mark Hadfield), untangle the web of lies? Box office: atgtickets.com/york.
Nick Patrick Jones’s Henry VIII and Lara Stafford’s Anne Boleyn in Black Treacle Theatre’s Anne Boleyn. Picture: John Saunders
Historical drama of the week: Black Treacle Theatre in Anne Boleyn, Theatre@41, Monkgate, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee
YORK company Black Treacle Theatre presents Howard Brenton’s account of one of England’s most important and intriguing historical figures: Tudor lover, heretic, revolutionary, queen Anne Boleyn (played by Lara Stafford).
Traditionally seen as either the pawn of an ambitious family manoeuvred into the King’s bed, or as a predator manipulating her way to power, Anne – and her ghost – re-emerges in a very different light in Brenton’s epic play, premiered by Shakespeare’s Globe Theatre in 2010. Box office: https://tickets.41monkgate.co.uk.
Poetry event of the week: York Poetry Society, Poetry Pharmacy launch celebration, Jacob’s Well, Trinity Lane, York, Friday, 7.30pm to 9.30pm
TO mark Friday’s opening of the third Poetry Pharmacy, part bookshop, part apothecary, part reading room, and venue for readings, workshops, creative writing clubs in Coney Street, founder Deborah Alma talks about its concept of fostering the therapeutic effects of poetry.
Local poets are invited to read poems with this aim in mind in the second half. “Normally we ask of non-members a £3 entry fee, but on this occasion, if you write a poem relevant to the evening, all we will ask is that you read it to us as part of the programme,” says programme secretary Marta Hardy.
Irish dance and magic combine in Celtic Illusion, on tour at York Barbican
Magical experience of the week: Celtic Illusion, York Barbican, Friday, 7.30pm
AFTER dazzling audiences across Australia, New Zealand, Hong Kong, Canada and the USA, this thunderous Irish dance and grand-illusion magic show is making its premiere UK tour in 2026.
Created by Anthony Street, illusionist and former lead of Lord Of The Dance, Celtic Illusion brings together dancers from Riverdance and Lord Of The Dance, who perform to a soaring original score and remastered classics by composer Angela Little. Box office: yorkbarbican.co.uk.
Annabelle Lopez Ochoa, as Anne Lister, rehearsing for Northern Ballet’s Gentleman Jack. Picture: Colleen Mair
Dance premiere of the week: Northern Ballet and Finnish National Opera and Ballet in Gentleman Jack, Leeds Grand Theatre, Saturday to March 14, except Sunday and Monday, 7.30pm, plus 2.30pm matinees on March 12 and 14
THIS groundbreaking new ballet marks a trio of ‘firsts’: the first time the story of Anne Lister has been told through ballet, the first large-scale commission for Northern Ballet since 2021 and the first under artistic director Federico Bonelli.
Yorkshirewoman Anne, the “first modern lesbian”, lived, dressed and loved as she desired, not as 19th century society expected of her. Northern Ballet’s interpretation of her life is choreographed by Annabelle Lopez Ochoa, leading a female artistic team that includes Sally Wainwright, writer of the BBC/HBO television series Gentleman Jack. Box office: 0113 243 0808 or leedsheritagetheatres.com.
The poster for the Merely Players’ Fakespeare exposé at Helmsley Arts Centre
The Great Shakespeare Fraud of the week: Merely Players, Fakespeare, Helmsley Arts Centre, Saturday, 7.30pm
THERE are two problems with deception: being found out and not being found out. In 1794, noted antiquarian Samuel Ireland is delighted when his son William brings him unknown documents in the hand of Shakespeare, obtained from an anonymous source. However, scholars question their authenticity and denounce Samuel as a forger. The household is thrown into turmoil and family skeletons come tumbling out of cupboards.
Roll forward to 2026, when Samuel, William and their housekeeper Mrs Freeman meet again to sort out the truth of it all, if such a thing is possible. So runs Stuart Fortey’s tragicomic, scarcely believable, deceptively truthful tale of 18th century literary fraud and family deceit. Box office: 01439 771700 or helmsleyarts.co.uk.
Very Santana: Celebrating Carlos Santana’s songs and guitar mastery at Milton Rooms, Malton
Tribute gig of the week: Very Santana, Milton Rooms, Malton, Saturday, 8pm
VERY Santana’s musical time travel experience celebrates the beautiful guitar melodies and creatively diverse, challenging songs of Carlos Santana, performed with room for extra improvisation.
The set list spans the Santana legacy, from the Abraxas album early peaks of Black Magic Woman, Oye Como Va and Samba Pa Ti, through the late 1970s’ hits such as Europa and She’s Not There, to the modern-era Grammy winners Smooth and Maria-Maria. Box office: 01653 696240 or themiltonrooms.com.
Harry Enfield: No Chums but a cornucopia of comical characters at Grand Opera House, York
Comedy gig of the week: Harry Enfield And No Chums, Grand Opera House, York, Sunday, 2.30pm and 7.30pm
FROM the meteoric rise of Loadsamoney, a Thatcherite visionary, to the fury of Kevin the Teenager, satirical comedian and self-styled “stupid idiot” Harry Enfield reflects on 40 years in comedy, bringing favourite characters vividly back to life on stage.
Then comes your chance to ask how it all works for the former University of York politics student (Derwent College, 1979 to 1982), discover what makes him most proud and find out what would he say to the many who ask, “You wouldn’t be allowed to do your stuff today, would you?”. Box office: atgtickets.com/york.
Elvis Costello: Revisiting his 1977-1986 back catalogue in Radio Soul! at York Barbican in June. Picture: Ray Di Pietro
Gig announcement of the week: Elvis Costello & The Imposters with Charlie Sexton, Radio Soul!: The Early Songs Of Elvis Costello, York Barbican, June 17
ELVIS Costello will return to York Barbican for the first time since May 2012’s Spectacular Singing Book tour, joined by The Imposters’ Steve Nieve, Pete Thomas and Davey Faragher and Texan guitarist Charlie Sexton.
Costello, 71, will focus on songs drawn from 1977’s My Aim Is True to 1986’s Blood & Chocolate in 1986, complemented by “other surprises”. Tickets go on sale at 10am on Friday at https://www.yorkbarbican.co.uk/whats-on/elvis-costello/.
Singer-turned-artistCandie Payne. Picture: Chris Morrison
REDHOUSE Gallery, in Cheltenham Mount, Harrogate, introduces ART, its inaugural fair dedicated to contemporary art, prints and archive editions, on Saturday from 10am to 6pm.
This weekend’s debut edition celebrates some of the finest young and emerging artists working today and has a focus on creatives from Harrogate and beyond.
Harrogate’s reputation as a destination for artists to thrive and create has grown to the point where many live and work in the spa town, Schoph, Christopher Kelly, Candie Payne and Thomas James Butler among them.
Since 2008, RedHouse Gallery has welcomed numerous prestigious visiting artists such as Sir Peter Blake, Jim Moir (aka Vic Reeves), rock’n’roll photographer Gered Mankowitz and Danny Larsen.
Saturday’s pop-up air fair, running for one day only, features original art, prints and sculpture, with several pieces created for the event.
ART participantSiena Baines. Picture: Barry Adamson
Florence Blanchard. Picture: Helena Dolby
Many of the exhibiting artists will attend the launch event in person, offering an opportunity for visitors to meet and connect with artists and art lovers alike.
Richard McTague, of RedHouse Gallery, says: “Artists bring a vibrant and positive impact to any area, and as a gallery we are privileged to work with so many talented creatives. It wasn’t a conscious decision to show so many artists from Yorkshire; the exhibition came together naturally, but the region has so much to offer, and clearly an incredible heritage in terms of art history.”
Contributors from across the region include Pete McKee (Sheffield), Florence Blanchard (Sheffield), Alfie Kungu (Hebden Bridge), Gareth Griffiths (Leeds), Dudley Edwards (Richmond), David Rusbatch (Leeds) and Siena Barnes (Haworth).
London-born sculptor Sir Antony Gormley, a pioneer of art in local spaces and a champion of artists, once said: “We can make our cities diverse, inspirational places by putting art, dance and performance in all its forms into the matrix of street life.”
RedHouse Gallery bears witness to that sentiment, not least this weekend when admission to ART will be free.
Who’s taking part in ART?
Dan Baldwin · Siena Barnes · Florence Blanchard · Peter Blake · Adam Bridgland · Thomas James Butler · Dudley Edwards · Christian Furr · Jill Furmanovsky · Gareth Griffiths · Gareth Halliday · Christopher Kelly · Alfie Kungu · Danny Larsen · Sharon Latham · Pete McKee · John Middleton · Horace Panter · Candie Payne · David Rusbatch · Seen · Schoph · Ian Skelly · Nick Walker · Joy Yamusangie.
Hebden Bridge artist Alfie Kungu. Picture: Lily Brown
Among the artists:
Alfie Kungu
BORN in Hebden Bridge in 1993, contemporary artist Alfie Kungu is best known for his vibrant and energetic paintings. Inspired by his Kenyan roots, Kungu draws on nostalgic memories of carnival and celebrations inherent within the diaspora.
He has collaborated with notable fashion brands and designers, including North Face, Selfridges, Folk Clothing, Carhartt, House of Vans, Nike and Liam Hodge at London Fashion Week.
Candie Payne
BORN in Liverpool in 1981, Payne moved with her family to New York at the age of four. These formative years were vital in shaping her inspiration, and her artwork is informed largely by her love of fairytales and dance.
Payne first came to prominence as a singer and lyricist in 2007 with the release of her debut album I Wish I Could Have Loved You More on Deltasonic/Sony BMG. Collaborations with David Byrne, Mark Ronson, Kevin Ayers and Paul Weller followed.
In 2016, Payne relocated to Yorkshire and now shares a studio with her partner, artist Thomas James Butler.
Thomas James Butler
BORN in Knaresborough in 1982. His paintings celebrate the natural world, drawing inspiration from a variety of cultural reference points and innovators.
20th century painters Robert Rauschenberg and Hans Hoffman are equally as relevant to his practice as filmmakers and writers Stanley Kubrick and Charles Bukowski. Now preparing his next solo exhibition in Spring 2026.
Knaresborough-born artist Thomas James Butler. Picture: Robin Clewley
Katsushika Hokusai’s The Great Wave Off Kanagawa, circa 1829-1832, from Making Waves at York Art Gallery. Picture: courtesy of Maidstone Museum
JAPANESE prints, a Belgian detective, a Tudor queen and a West Riding pioneer are all making waves in Charles Hutchinson’s early March recommendations.
Exhibition launch of the week: Making Waves, The Art of Japanese Woodblock Print, York Art Gallery, until August 30, open Wednesday to Sunday, 10am to 5pm
MAKING Waves: The Art of Japanese Woodblock Print presents Japanese art and culture in more than 100 striking and iconic works from renowned artists, such as Katsushika Hokusai, Utagawa Hiroshige and Kitagawa Utamaro, among many others.
At the epicentre of this intriguing insight into the history and development of Japanese woodblock printing is the chance to see Hokusai’s The Great Wave Off Kanagawa, one of the most recognisable and celebrated artworks in the world. Tickets: yorkartgallery.org.uk.
Phoenix Dance Theatre in Interplay, premiering at York Theatre Royal. Picture: Drew Forsyth
Connectivity of the week: Phoenix Dance Theatre, Interplay, York Theatre Royal, today, 2pm and 7.30pm
LEEDS company Phoenix Dance Theatre’s world premiere tour of Interplay opens at York Theatre Royal, featuring dynamic works by Travis Knight and James Pett (Small Talk), Ed Myhill (Why Are People Clapping?!) Yusha-Marie Sorzano & Phoenix artistic director Marcus Jarrell Willis (Suite Release) and Willis’s Next Of Kin.
Across duet and ensemble works, Interplay explores themes of duality and shared authorship, revealing how distinct artistic voices can intersect to create something greater than the sum of their parts. Each piece offers a unique perspective, united by a bold physicality and a deep curiosity about human relationships, rhythm and collective experience. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Death On The Nile: European premiere of Ken Ludwig’s new adaptation of Agatha Christie’s murder mystery at Grand Opera House, York. Picture: Manuel Harlan
Murder mystery of the week: Fiery Angel presents Agatha Christie’s Death On The Nile, Grand Opera House, York, March 3 to 7, 7.30pm plus 2.30pm Wednesday and Saturday matinees
AFTER tours of And Then There Were None and Murder On The Orient Express, Death On The Nile reunites director Lucy Bailey, writer Ken Ludwig and producers Fiery Angel for the European premiere of a new adaptation of Agatha Christie’s Death On The Nile.
On board a luxurious cruise under the heat of the Egyptian sun, a couple’s idyllic honeymoon is cut short by a brutal murder. As secrets buried in the sands of time resurface, can Belgian detective Hercule Poirot (Mark Hadfield), untangle the web of lies? Box office: atgtickets.com/york.
Lara Stafford’s Anne Boleyn, with the masked ladies of the Tudor court behind her, in rehearsal for Black Treacle Theatre’s Anne Boleyn. Picture: Paul Hutson
Historical drama of the week: Black Treacle Theatre in Anne Boleyn, Theatre@41, Monkgate, York, March 3 to 7, 7.30pm plus 2.30pm Saturday matinee
YORK company Black Treacle Theatre presents Howard Brenton’s account of one of England’s most important and intriguing historical figures: Tudor lover, heretic, revolutionary, queen Anne Boleyn (played by Lara Stafford).
Traditionally seen as either the pawn of an ambitious family manoeuvred into the King’s bed, or as a predator manipulating her way to power, Anne – and her ghost – re-emerges in a very different light in Brenton’s epic play, premiered by Shakespeare’s Globe Theatre in 2010. Box office: https://tickets.41monkgate.co.uk.
Annabelle Lopez Ochoa, as Anne Lister, rehearsing for Northern Ballet’s Gentleman Jack. Picture: Colleen Mair
Premiere of the week: Northern Ballet and Finnish National Opera and Ballet in Gentleman Jack, Leeds Grand Theatre, March 7 to 14, except March 8 and 9, 7.30pm, plus 2.30pm matinees on March 12 and 14
THIS groundbreaking new ballet marks a trio of ‘firsts’: the first time the story of Anne Lister has been told through ballet, the first large-scale commission for Northern Ballet since 2021 and the first under artistic director Federico Bonelli.
Yorkshirewoman Anne, the “first modern lesbian”, lived, dressed and loved as she desired, not as 19th century society expected of her. Northern Ballet’s interpretation of her life is choreographed by Annabelle Lopez Ochoa, leading a female artistic team that includes Sally Wainwright, writer of the BBC/HBO television series Gentleman Jack. Box office: 0113 243 0808 or leedsheritagetheatres.com.
Obert String Quartet: Opening York Late Music’s 2026 concert programme at Unitarian Chapel, St Saviourgate. Picture: Drew Forsyth and BBC Philharmonic Orchestra (top left and bottom left)
Classical concert of the week: York Late Music, Obert String Quartet, Unitarian Chapel, St Saviourgate, York, March 7, 7.30pm
SALFORD’S Obert String Quartet explores themes of transformation, spirituality, and mortality in a celebration of performers and composers from the North of England, pairing Schubert’s Death And The Maiden (String Quartet No. 14 in D minor) with new miniature works written in response by Northern Composers Network members Jenny Jackson (Flex), Hayley Jenkins (Give Me Your Hand), Ben Gaunt (Skulls, Various), James Cave (Rouffignac) and James Else (Still Movement).
The first half comprises Arvo Pärt’s Fratres, curator Else’s On The Wind and Bradford-born Steve Crowther’s String Quartet No. 2. Violinist Lisa Obert, Jackson, Gaunt, Cave and Else take part in a pre-concert talk at 6.45pm. Box office: latemusic.org.
Del Amitri’s Justin Currie, left, and Iain Harvie: Cherry-picking from four decades of songs at York Barbican in November
Gig announcement of the week: Del Amitri, Past To Present UK Tour 2026, November 16
GLASGOW band Del Amitri will open their 17-date Past To Present autumn tour at York Barbican, where core members Justin Currie and Iain Harvie will mark four decades of songs, stories and live shows.
The career-spanning set list will chart their early breakthroughs, classic singles such as Nothing Ever Happens, Always The Last To Know and Roll To Me, fan favourites and recording renaissance after an 18-year hiatus with 2021’s Fatal Mistakes. Box office: www.gigsandtours.com, www.ticketmaster.co.uk and www.delamitri.info.
York Community Choir Festival 2026: Showcase for 43 choirs at Joseph Rowntree Theatre
In Focus:Festival of the week: York Community Choir Festival 2026, Joseph Rowntree Theatre, York, March 1 to 7
THE annual York Community Choir Festival brings together choirs of all ages to perform in a wide variety of singing styles on each bill. Across the week, 43 choirs take part in nine concerts, making the 2026 event the largest yet.
Concert programmes feature well-known classical and modern popular songs, complemented by show tunes, world music, folk song, gospel, jazz and soul. Performances start at 2.30pm and 7.30pm tomorrow; 7.30pm, March 2 to 6; 2.30pm and 7.30pm, March 7.
Sunday, March 1, matinee
Stagecoach York Show Choir, Singing Communities Poppleton, Selby Youth Choir, Aviva Vivace! and The Stray Notes.
Sunday, March 1, evening
Easingwold Community Singers, Some Voices, Supersingers, Harrogate Male Voice Choir and Heworth Community Choir.
Monday, March 2
Huntington School Choirs, Tadcaster Community Choir and Community Chorus.
Tuesday, March 3
York Military Wives Choir, Jubilate, Sing Space York Musical Theatre Choir, Garrowby Singers and The Abbey Belles.
Wednesday, March 4
Elvo Choir, Sounds Fun Singers, In Harmony, Euphonics and Stamford Bridge Community Choir.
Thursday, March 5
Track 29 Ladies Close Harmony Chorus, Cantar Community Choir, York City Harmonisers, Stamford Bridge Singers and York Rock Choir.
Friday, March 6
Ryedale Voices, Eboraca, The Wellbeing Choir, Bishopthorpe Community Choir and Harmonia.
Saturday, March 7, matinee
The Leveson Centre Choir, Fairburn Singers, The Bridge Shanty Crew,The Rolling Tones and York Celebration Singers.
Saturday, March 7, evening
Pocklington Singers, Sound Fellows, Stonegate Singers, Main Street Sound and York Philharmonic Male Voice Choir.
Tickets are on sale on 01904 501935 or at josephrowntreetheatre.co.uk; proceeds go to the Joseph Rowntree Theatre.
Alan Heaven: Pageant Master for York Mystery Plays 2026
In Focus too: York Mystery Plays 2026 volunteer launch event, Bedern Hall, Bartle Garth, York, March 5, 7.30pm; doors, 7pm. Free entry; all welcome
THE Guilds of York will be the driving force behind the York Mystery Plays in June this year, marking more than 25 years of bringing the medieval plays to the city streets on pageant wagons.
The plays will be staged in procession on Sunday, June 28 and Sunday, July 5, complemented by twilightperformances in the Shambles Market on Tuesday, June 30 and Wednesday, July 1. A Festival Fringe of various events will run for two weeks from around June 22, leading up to the main performances.
This summer’s production renews a tradition that has belonged to the people of York for more than 700 years as a defining expression of the city’s history, identity and community spirit.
Produced by York Festival Trust, the 2026 production once again will bring medieval drama into the streets and historic spaces of the city, reconnecting modern York with a cycle of plays first performed by its medieval guilds.
From their earliest beginnings, the Mystery Plays have been a civic undertaking – created by local people, for local people – and that principle remains at the heart of the 2026 revival.
To begin this next chapter, York Festival Trust is inviting the city to a public volunteer launch event, calling on residents from all walks of life to help shape the production.
The event will combine a traditional call-out with a jobs fair-style marketplace, making it clear that there is a place for everyone. Opportunities range from music performance to costume, set and prop making, stewarding, administration and fundraising.
Many roles require no previous experience, only a willingness to contribute time, skills and enthusiasm to a shared civic project.
York Festival Trust chair Roger Lee says: “The Mystery Plays are one of the strongest expressions of York’s collective identity. They only happen because people step forward to give their time and talents. This launch is about opening the door wide and inviting the city to take ownership of the plays once again.”
The launch is open to all ages and backgrounds and is aimed particularly at those who may never have taken part previously. Families, students, craftspeople, historians, performers and those who simply care about York’s heritage are all warmly encouraged to attend.
Those attending will be able to meet members of the production team, led by Pageant Master Alan Heaven, as well as learning about specific volunteer roles and signing up for auditions, workshops and taster sessions taking place later in the year.
Further information on York Mystery Plays 2026 is available at yorkmysteryplays.co.uk or by emailing volunteer@yorkmysteryplays.co.uk.
