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Who are the NEW artists in the 2021 York Open Studios? Meet the first six…

Kitty Greenbrown: Spoken-word poet making her York Open Studios debut on the second weekend with Rust, her collaboration with artist Peter Roman

AFTER the Covid-enforced fallow year of 2020, York Open Studios returns next weekend for its 20th showcase of the city’s creative talent

Preceded by next Friday’s preview evening, the event will see 145 artists and makers open 95 studios, homes and workplaces on July 10 and 11 and July 17 and 18, from 10am to 5pm.

Among them will be 43 debutants, prompting CharlesHutchPress to highlight six newcomers a day over the week ahead, in map guide order, as York prepares for a showcase of ceramic, collage, digital art, illustration, jewellery, mixed media, painting, print, photography, furniture, sculpture and textiles skills this month.

A vibrant micro-landscape by Rosebay

Rosebay, vibrant micro-landscapes in acrylic, 25, Turners Croft, Heslington

ROSEBAY uses the quick, direct method of marker pens filled with acrylic to produce big, bold canvases, drawing on elements of pop art, graffiti art and cartography to celebrate the hidden, unsung corners of the natural world. 

Rosebay started painting in 2009, inspired by the Sydney coastline in Australia. Informed by her background in biology, her work incorporated abstracted natural forms, from forest canopies to tiny sea creatures.

After an exhibition in Sydney, her return to the UK brought a fresh palette of increasingly vibrant colours and a move to tightly focused micro-landscapes.
The shoreline remains a huge inspiration and, appropriately, she has  exhibited in Aldeburgh, Suffolk, and Saltburn-by-the-Sea.

“I like to exaggerate and intensify colours,” says Rosebay

“Working from a mixture of memory and photographs, I focus on one small area – a limpet-covered rock, the trunk of a tree – and this becomes my micro-landscape with its own topography,” says Rosebay.

“Features within it are stylised to varying degrees, sometimes to the point where they appear completely abstract. Simple forms, such as the white circles representing barnacles, are often repeated many times.”

Her paintings sometimes resemble maps. “Those water channels or rock striations can look like roads, patches of seaweed like green parks in a city. It adds to the feeling of a landscape where observers can lose themselves,” she reasons.

“I like to exaggerate and intensify colours: as well as making everything more vivid, it takes my work a further step away from ‘reality’, which I like. Each block of colour is delineated by a border of dark violet, which is the shade I associate with deepest shadow.”

A bright, intricate hand-cut paper collage by Elena Skoreyko Wagner

Elena Skoreyko Wagner, collage illustration, The Drey Studio, 16a Heslington Road, York

CANADIAN illustrator Elena creates bright, intricate hand-cut paper collages, re-using paper snippets imbued with their own histories to assemble poetic images that illustrate intimate narratives and emotional experiences.

Elena completed a degree in studio art at York University, Toronto, in 2006, and then spent a decade winding her way through odd jobs, a Masters in occupational therapy, interrupted briefly by a surprise baby, followed immediately by a hop across the Atlantic to Bonn, Germany, then York, en route to illustration.

“Some former professors asked me to illustrate a paediatric assessment and suddenly, everything made sense,” she says. “I now work as a freelance illustrator and maker of zines and collages.  My work is often autobiographical, depicting women and children to explore personal and social issues and uncover wonder and magic in the ordinary.”

“My work is often autobiographical, depicting women and children to explore personal and social issues,” says Elena

​Elena, settled into York with her German economist husband, Achim, and their two children, sells original artworks, prints and zines through Elena’s Treehouse. “I can be found most days nestled in a nook, manifesting a rainbow tornado of paper snippets, or making equally impressive messes with my small protégés,” she says.

On May 17 and 18, she took part in York Theatre Royal’s reopening brace of Love Bites performances, collaborating with composer and singer James Cave and writer Bethan Ellis on the five-minute musical theatre piece Magic, inspired by a lockdown poem by Elena, who made a miniature paper theatre that re-created her allotment and was operated by her on stage.

Elena “seeks to find magic and uncover meaning in the mundane”. “York is a beautiful city, which in many ways makes it easier to find magic,” she says. “There are snickelways that look straight out of Tolkien, and crumbling walls, climbing with vines, straight from The Secret Garden!”

Emma Crockatt’s works are works full of brightly coloured animals, flowers and seasons

Emma Crockatt, painting, The Drey Studio, 16a Heslington Road, York

INSPIRED by nature, patterns and objects, Emma moves between painting, collage and drawing and now she is exploring textiles and print too. 

Emma moved to London in 2006 to study History of Art at Goldsmiths, progressing to an MA in Illustration at Camberwell College of Art.

Emma Crockatt at work

In 2017, she returned to York, where she makes works full of brightly coloured animals, flowers and seasons, taking pleasure in her everyday surroundings.

Kitty Greenbrown and Peter Roman, multi-media, Arts Barge, Foss Basin, York. July 17 and 18 only

SPOKEN-WORD poet Kitty (or Katie) Greenbrown and artist Peter Roman collaborate to deliver multi-media storytelling pieces, such as Magpie Bridge for Stockton Arc, marking the 50th anniversary of the Moon landings, and Green In Our Memory for City of York Council’s First World War commemorations.

Rust was premiered on the River Ouse at the 2019 Great Yorkshire Fringe, when presented  in collaboration with York Theatre Royal and Arts Barge. Proving Rust never sleeps, it returns on the second weekend of York Open Studios for screenings 10.30am, 1pm and 3pm.

Artwork for Kitty Greenbrown and Peter Roman’s Rust

“Rust takes us back to when the Ouse teemed with working barges, you knew your place or else and jazz was the devil itself,” says Kitty, who introduces herself as a “performance poet with an incurable appetite for playing with language”.

“I have a huge interest in creating multi-media, immersive storytelling experiences that stretch the bounds of what poetry can be. I’ve been performing live and making film-poems with musicians, artists and filmmakers since 2016. Collaboration is big part of what interests me.”

Kitty adds: “For me, it’s always been about telling stories. I went on a camping holiday to Brittany when I was about eight and it tipped it down with rain. Every day.

Peter Roman and Kitty Greenbrown

“There were loads of bitey insects and the toothpaste tasted weird. My mum burnt a hole in the roof of the tent too, with the camping stove. On the first night.

​“I lay on a camp bed, which was standing in a couple of inches of water, and copied out every word of a Famous Five book into a jotter with squared paper. You’ll find the jotters always have squared paper in France. Then I got bored and started writing my own stuff. I’ve never really stopped.”

​For Love Bites at York Theatre Royal in May, Kitty combined with ​fellow artist-producers Robert Powell and Ben Pugh to present The Angels Of Lendal Bridge.

Gypsy Moth, print, by Carrie Lyall

Carrie Lyall, printmaking, 2a, Riccall Grange, King Rudding Lane, Riccall

SELF-TAUGHT printmaker Carrie runs the Rose & Hen business, selling her linocut prints, illustrations and handmade books inspired by nature. Using botanical themes, she creates delicate silhouettes and patterns in contrasting colours, employing pigment-rich, oil-based inks. 

“I connect with nature while out walking, taking photographs or collecting subject matter, to be sketched and transformed into design ideas at home,” she says.

Carrie Lyall: Creates delicate silhouettes and patterns in contrasting colours

“My favourite part of the process is cutting the designs, and I often get completely immersed in creating marks and lines.”

Carrie is a member of York Printmakers and a volunteer team leader for Etsy Team York (roseandhen.etsy.com). She will be demonstrating her printmaking skills at 11am and 3pm each day over the two weekends.

“I speak through robotic figures and grotesque forms to communicate provocative messages,” says Kevin McNulty

Kevin McNulty, neo-expressive mono prints smeared with social commentary, spray paint and oil stick, 39 Maple Avenue, Bishopthorpe, York

KEVIN describes himself as a compulsive printmaker, who explores themes such as identity and the human condition in his bold limited-edition prints.

“Experimenting with process and technique, I interweave modernity with the absurd to build complex and captivating designs,” he says. “I find inspiration in the everyday. I build layers for my prints using anything I can lay my hands on, including found items.” Even mobile phone parts and discarded teabags.

Influenced by Neo-Expressionism, Surrealism, Einstein and his grandad’s Bedford Rascal van, he mixes stencilled layers, automatic mark making and spontaneous hand-drawn images in his creativity.

“Compulsive” printmaker Kevin McNulty

Kevin’s working practice is underpinned by a desire to make “pure prints by pulling each image by hand and embracing the fortuitous accidents that evolve each design as it transitions from laptop to ink and paper”.

“Using both images and words, I speak through robotic figures and grotesque forms to communicate provocative messages,” he says of his explorations of social and political issues through the eyes of a six-year-old boy.

“Supported by a graphic primitivism, I present unfiltered ideas and emotion by blending naïve child-like expression with a mature consciousness to tackle contemporary issues and to gain a better understanding of the world.” Find his work at kevinmcnultyprints.com.

Tomorrow: Pennie Lordan; Lincoln Lighfoot; Amy Stubbs; Jilly Lovett; Elliot Harrison and Nicola Lee.

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Today’s question: Are Radiohead overrated?

TWO Big Egos In A Small Car podcast double act Chalmers & Hutch decide in Episode 48.

Plus what’s happening to Peter Jackson’s Beatles biopic Get Back? Festival overload: is it Glastonbury or Glastonborey?

Carole King’s Tapestry takes on Joni Mitchell’s Blue in a 50th anniversary tussle. The Magic Christian revisited, Ringo Starr et al. Hurry, hurry, to see Cecil Beaton’s gilded photographic days in Sheffield Millennium Gallery exhibition.

To hear the latest podcast, head to: https://www.buzzsprout.com/1187561/8794458

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“Moths are much more interesting than butterflies,” asserts mezzotint artist Sarah Gillespie in her Castle Howard exhibition

Moth of the day: Peppered Moth, Sarah Gillespie’s latest and largest mezzotint, 2ft by 3ft in size, completed in February and now being exhibiting for the first time at Castle Howard

MOTHS have a bad press and basically The Bible is to blame.

Or so says mezzotint artist and moth crusader Sarah Gillespie, whose remarkable exhibition can be discovered by day at Castle Howard, near York, until September 5.

“It’s just for some reason, we are so ignorant about moths,” says Sarah, speaking during her residency at the Head Gardener’s Cottage in the walled Rose Garden.

Part of the Lepidoptera group of insects, meaning “scaly winged”, moths are “deeply unloved”, “grossly misunderstood” and dismissed as “pests”, in favour of the more colourful, daylight-dwelling butterfly, and yet moths are more numerous and more varied, as the exhibition publicity asserts.

“Moths are much more interesting than butterflies. They really are. Butterflies are so boring by comparison. Did you know, there are more diurnal flying moth species in the UK than butterflies?” says Sarah.

Sarah Gillespie at work on the meticulous, methodical mezzotint print-making process

Er, no, but anyway, back to that bad press/fake news about The Bible’s disparaging words. Moths flutter through the pages of The Great Book on no fewer than ten occasions, but none has had such a detrimental impact on the moth’s reputation as the Gospel according to St Matthew, chapter 6, verse 19: “Do not lay up for yourselves treasures on earth, where moth and rust destroy and where thieves break in and steal.”

“We associate moths with making holes in wool, but not one of the 2,500 species of larger moths does that. Moths don’t eat clothes. It’s only the larvae of one species of micro moth that does it. Some adult moths don’t even have mouth parts, and those that do tend to use them just for pollinating.”

The exhibition is the result of an ongoing project that, for the past two years, has seen Devon artist Sarah research, draw and engrave common English moths by way of highlighting their dramatic and devastating decline and celebrating their overwhelming importance. 

Since 1914, it is believed that around 62 species of moths have become extinct in Britain alone. In the last 35 years, the overall number of moths here has fallen by around one third owing to habitat loss, intensive farming, commercial forestry and light pollution.

“If what I have been given [through making mezzotints of moths] is the ability to focus, to pay attention, and if there is even the remotest chance that in attending lies an antidote to our careless destruction, then that’s what I have to do – to focus,” says Sarah. “It’s not enough but it’s necessary.

White Ermine Moth, mezzotint, by Sarah Gillespie

“It’s just for some reason, we are so ignorant about moths. We think of them of them as nocturnal, as the butterflies of the night – the French call them ‘papillon de nuit’ – but many are diurnal.

“It doesn’t help that a lot of people were spooked by the moth in the poster for The Silence Of The Lambs [Jonathan Demme’s 1991 American psychological horror movie]. It’s called the Death’s-Head Hawkmoth because it has what looks like a skull on the back of its head.

“But, in fact, the Death’s Head Hawkmoth has nothing to do with death at all. It goes into beehives to eat honey and the bees happily let it in. It’s not parasitic; it doesn’t hurt the bees; it just takes their honey! The larvae eat potato crops.”

Apart from that, what did moths ever do for us, Sarah? “They’re pollinators. They’re re-cyclers. The reason their larvae eat your cashmere jumpers is to break down animal hair. They evolved to be part of that entropy. Otherwise, we would be drowning in animal hair,” she says.

“They’re a crucial part of the food chain too. Bats eat them on the wing, but we’re seeing a drop in bat numbers over farmland because farmers use pesticides to get rid of moths.”

The infamous poster for The Silence Of The Lambs with a Death’s-Head Hawkmoth covering Jodie Foster’s lips

Anything else? “The UK’s Blue Tit population needs 35 billion moth caterpillars a year to eat. They time the hatching of their chicks for when the caterpillars are around,” Sarah highlights.

“If you wonder why we no longer hear cuckoos like we used to…cuckoos had adapted to eat the hairy caterpillars of the Tiger Moth, but Tiger Moths are down in number by 83 per cent over the past 30 years because of pesticides.

“We tend to think of moths in their adult form but they’re in a cycle and because that’s entangled with other species, they’re the canary in the coal mine in this country, being so entangled with biodiversity and ecosystems.

“The RSPB brought out a report in May that said we are the worst country in the G7 at looking after at our biodiversity. We have only 50 per cent of diversity left. Moths are a huge part of that decay, being a vital part of the food chain and pollinators – and yet we’re afraid of them.

“It’s a depressing story, and no-one wants a depressing story right now, but we do just about have time to turn it around.”

Artist Sarah Gillespie with a moth trap. As if sitting for a portrait, moths may remain still when Sarah draws them

Hence Sarah’s work seeks to “draw attention to this catastrophic collapse while tenderly celebrating moths’ unseen nocturnal lives, exquisite diversity and the poetry of their common English names”. 

The resulting Moth exhibition features all 22 of her mezzotints as well as a new work, her largest mezzotint to date. Measuring a monumental 2ft by 3ft, Peppered Moth marks a stark change to a process normally measured in inches and not feet.

Her use of mezzotint – a labour-intensive tonal engraving technique used widely between the 17th and early 19th century – is key in rendering the nocturnal quality of both the subject matter and the works themselves.

Only through repeated careful and gradual scraping and polishing of the copper mezzotint plate are these soft gradations of tone and rich and velvety blacks revealed.  At times presenting themselves in all their astounding detail and at others disappearing altogether, Sarah’s moths hum quietly, a gentle reminder of what may disappear permanently.

“I originally trained in Paris in 16th and 17th century methods of oil painting, and right from the beginning of my art career, I’ve had an interest in old, or arcane, techniques,” she says.

Printing the mezzotint of a Garden Tiger Moth

“When I went to the Ruskin [School of Art] in Oxford, I preferred the print room to the art studio and that’s where I did my first mezzotints, but it’s a technique that’s not taught in art schools because it’s too slow – you have to rock the plate in 64 different directions! – and it takes too long for the way art is taught now.

“I always painted and drew as well, but the reason I chose mezzotints for the moths is that with mezzotints, the image is drawn out of the darkness. You scrape and burnish the copper plates to create the lights and half-lights, and that seemed to speak to me very well of moths, as we only half see them: they are half here, half not here.”

A further reason coloured her decision to favour mezzotints. “I’m more comfortable with form and pattern than I am with colour, and we think that moths see in the blue-green spectrum, so I went with the blue spectrum for the prints,” says Sarah.

“If you look at form and pattern, rather than colour, sometimes it has more emotional resonance in monochrome. It’s the same with the impact of black-and-white photographs.”

Such is the meticulous detail in Sarah’s mezzotint prints that it is easy to mistake them for photographs. Not so, there is a reason why a photograph is also known as a “snap”, whereas Sarah’s works of art take weeks, even months.

Sarah Gillespie’s sketch of a Poplar Hawk-moth

“At no point is it a photographic process; it’s a hand-drawn and hand-engraved process. Smaller mezzotints take two weeks to create; the 2ft by 3ft Peppered Moth took three months, just to make the plate,” she says. “Then you spend a week printing the plates.

“The conventional size is five inches by seven inches, and it’s not until now that I’ve done such a big one [Peppered Moth] because I had this idea that I didn’t want to spook people even more when they’re already spooked by moths!”

The creation of the Peppered Moth mezzotint is of particular relevance to Castle Howard, whose landscaped gardens provide the ideal location for its own large and varied moth population.

During the Industrial Revolution in the 19th century, the species experienced a rapid evolutionary mutation, causing it to turn black.

The Peppered Moth’s unusual colour change saw it darken in response to its habitat that became increasingly polluted and soot covered, allowing it to camouflage and escape predators.

Ye, mezzoting, by Sarah Gillespie

It was in industrial Yorkshire cities, close to Castle Howard, that this melatonic phenomenon was observed in 1848, a full ten years ahead of Charles Darwin’s theories on natural selection. “In Sheffield, for example, they were seen hanging out on birch trees, the moths now completely black,” says Sarah. “And they did that change so very quickly.”

Come the introduction of clean air laws in the 1960s, however, the previous speckled variety returned.

“Camouflage is massively important for moths; they’ve been in an evolutionary race with bats and likewise their caterpillars with plants,” says Sarah. “There are moths that look like bark, bird poo, lichen, leaves.

“They have several defences they use: camouflage and warning signs to scare off birds, such as flashing their colours as a second line of defence, or pretending to drop dead or even making noises to ward off bats.”

Finished in February, the Peppered Moth is now the focal point for the Moth exhibition, not only for its sheer size but to reflect the tenacity of these creatures and the geographical ties to Castle Howard behind this particular species’ fascinating evolutionary story.

“At no point is it a photographic process; it’s a hand-drawn and hand-engraved process,” says Sarah Gillespie

Why is Sarah drawn to moths like moths to a flame? “I started doing the mezzotints a few years ago when I was in one of those stages of being disillusioned with the art world as I was finding it narcissistic,” she says, starting out on an answer by a country route. “We are narcissistic as a species and the art world reflected that.

“Though I have many friends in the art world, I was ready for a change. Extinction Rebellion started, and while I wasn’t part of it, many friends were. I don’t like crowds; I like being in the country [she lives near Dartmouth], but I felt artists needed to respond to the biodiversity crisis.

“That’s why I decided to focus on a project rooted in biodiversity, and though this might sound wacky, the moths just offered themselves as a subject.”

How come? “I read Michael McCarthy’s book The Moth Snowstorm: Nature And Joy about the abundance of moths or, rather, lack of abundance, and it was a case of things eliding,” says Sarah, who was delighted that McCarthy subsequently came to Castle Howard on June 5 to give a talk.

“You don’t get as much to choose from as an artist as you might think, but sometimes a subject chooses you, and as soon as I started drawing moths, much more interesting things started happening for me.”

Common Quaker, mezzotint, by Sarah Gillespie

Such as? “My moth mezzotints are now in collections in America and they’ve been exhibited in Katharinaberg in 2019, Shanghai, and now Castle Howard. So, these invitations keep coming and doors keep opening; it does just feel a little like Alice In Wonderland. Coming up next is Hiroshima in the autumn.”

Will Sarah go to Japan? “No, the sky is for the moths and the birds. I don’t really like flying,” she says.

While living onsite as part of her month-long artist’s residency, Sarah has been awaking early to study Castle Howard’s moth population with a view to producing new works in response, including one created publicly during visiting hours.

Visitors have been able to watch her demonstrate the process that goes into making and printing her mezzotints. In addition, she has held a weekly online live streamed event wherein Sarah releases moths caught humanely overnight within Castle Howard’s grounds.

In her temporary workspace alongside the exhibition, Sarah has set up a printing press, courtesy of a York company. “Initially I borrowed a press from a friend, but it wasn’t suitable for mezzotints as you have to apply a lot of pressure,” she says.

“I decided to focus on a project rooted in biodiversity, and though this might sound wacky, the moths just offered themselves as a subject,” says Sarah. Picture: Kate Mount

“But once I put a request on Instagram, within 12 hours I’d received five suggestions, one advising I should contact Hawthorn Printmaker supplies in Murton. I rang at 9am and by 3pm they’d installed it – for free!”

She has loved her residency: “Nick and Vicki Howard have put me in a Vanbrugh-designed cottage in a walled garden, and I feel very lucky. They keep asking me if I’m comfortable and I just roar with laughter!” she says.

Sarah headed north with one other goal. “Castle Howard has sublime lime tree avenues and I hope to locate a Lime Hawk-moth, which is restricted to such trees,” she said on arrival. “Yorkshire is on the tip of their northernmost territories but I’m hopeful.”

Has she been successful? Maybe we shall learn the answer when Sarah returns to Castle Howard in August to appear on BBC1’s Countryfile.

Sarah Gillespie: Moth runs at Castle Howard until September 5. Entry to the exhibition is via the Stable Courtyard and is free of charge; a gardens ticket is not required.

Pale Emerald, mezzotint, by Sarah Gillespie

A REVISED second edition of Sarah’s book Moth is available to buy at £45 from Castle Howard’s gift shop and directly from Sarah’s website at sarahgillespie.co.uk/editions/moth/.

The new hardback features three additional moth prints and an introduction by author and naturalist Mark Cocker, alongside a specially gifted poem by Alice Oswald.

“Common” English Moth Names To Love

1. Dingy Footman

2. Chimney Sweeper

3. Coxcomb

4. Non-conformist [So non-comformist that it is now extinct, alas]

5. Small Fan-footed Wave

6. Pale Brindled Beauty

7. Smoky Wainscot

Setaceous Hebrew Character, mezzotint, by Sarah Gillespie . Note the bristly appearance

8. Double-Striped Pug

9. Feathered Gothic

10. Scalloped Oak

11. Setaceous Hebrew Character [‘Setaceous’ means bristly]

12. Garden Grass-veneer

P.S. Micro-moths tend not to have English names, graced only with their Latin name tags. “The English names for moths are our heritage, whereas a lot of the Latin ones are just random,” says Sarah.

In the name of love Moth Fact of the Day:

Moths make noises as a mating call and males can catch pheromones from females kilometres away.

Just One More Thing in defence of moths…

NOVAVAX, the United States-based pharmaceutical company, has used moth cells to create its Covid-19 vaccine.

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York Open Studios ready to return next weekend for 20th festival celebrations

One of Ian Cameron’s paintings, on show in his back garden in Green Lane, Acomb

ARTISTS are entering the last week of preparations for the 20th edition of York Open Studios.

After the Covid-enforced fallow year in 2020, the event will return for two weekends of welcoming visitors to 95 studios, workspaces and homes on July 10, 11, 17 and 18, preceded by a preview evening on July 9.

As many as 146 artists and makers will be showing and selling their work in this high-summer opportunity for art lovers and the curious to enjoy the fresh air, meet the artists and view and buy unique arts and crafts from York’s artisans.

Ceramicist Pietro Sanna, making his York Open Studios debut in Dale Street, York

2021’s York Open Studios will celebrate originality and diversity and will be Covid-compliant, with artists adhering to Government guidelines on social distancing, ventilation and sanitisers, keeping themselves and visitors safe throughout. 

The York Open Studios organisers are thrilled with the selection of artists and makers spanning ceramics, collage, digital art, illustration, jewellery, mixed media, painting, print-making , photography, sculpture, textiles and wood. Among them will be 43 new participants.

Committee member and featured ceramicist Beccy Ridsdel says: “After last year’s postponement, we think this year’s 20th show is one of the best.  Our decision to move from April to July this year has given us the opportunity for the stricter Covid guidelines [before Step 3] to be relaxed and give the public more confidence when visiting artists’ studios. 

“We think this year’s 20th show is one of the best,” says ceramicist and committee member Becky Ridsdel, who will welcome visitors to her South Cottages studio in Shipton Road, York

“Artists and makers bring a diverse range of skills to the weekends, producing bespoke ceramics, furniture, glass, jewellery, painting, photography, printmaking, sculpture, textiles, wood carving and multi-media. 

“There’s something for everyone and every pocket.  The artists also love to showcase their work within their surroundings and really value the interaction, whether you’re a buyer or a burgeoning artist.  It’s a fabulous way too to enjoy York and view extraordinary work.”

Geometric pattern block lino-print postcards, by mixed-media artist Harriette Rymer, on show at 94, The Village, Haxby

The 95 locations will be highlighted on a map of York to help visitors navigate their way to as many studios, workshops and homes as they wish. 

Visit yorkopenstudios.co.uk for more information and for a free York Open Studios map.  Alternatively, the map can be picked up from Visit York, on Lendal, or in shops, restaurants and visitor attractions around the city. 

For full information on the artists and their studios, examples of their work and opening hours, visit: yorkopenstudios.co.uk.

Rug weaver Jacqueline James with her loom at home in Rosslyn Street, Clifton
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More Things To Do in and around York as ‘Byrne out’ strikes tonight’s comedy gig. List No. 39, courtesy of The Press, York

Shock of the new: Milton Jones looks startled at the prospect of replacing Ed Byrne at short notice for tonight’s comedy bill at York Theatre Royal

AWAY from all that football, Charles Hutchinson finds plenty of cause for cheer beyond chasing an inflated pig’s bladder, from a late-change comedy bill to Ayckbourn on film, York artists to a park bench premiere.

Late substitution of the week: Byrne out, Jones in, for Live At The Theatre Royal comedy night, York Theatre Royal, tonight, 7.30pm

ED Byrne will not top the Live At The Theatre Royal comedy bill tonight after all. “We are sorry to announce that due to circumstances beyond our control, Ed is now unable to appear,” says the official statement.

The whimsical Irish comedian subsequently has tweeted his “You Need To Self-Isolate” notification, running until 23.59pm on July 7.

Well equipped to take over at short notice is the quip-witted pun-slinger Milton Jones, joining Rhys James, Maisie Adam and host Arthur Smith. Box office: 01904 623568 or at yorktheatreroyal.co.uk.

Naomi Petersen and Bill Champion in Alan Ayckbourn’s The Girl Next Door at the SJT and now on film too. Picture: Tony Bartholomew

“Film of the week”: Alan Ayckburn’s The Girl Next Door, from Stephen Joseph Theatre, Scarborough, until Sunday

THE SJT’s film of Alan Ayckbourn’s latest premiere, The Girl Next Door, is available on the Scarborough theatre’s website, sjt.uk.com.

Directed by Ayckbourn, his 85th play can be seen on stage in The Round until Saturday and now in a filmed recording in front of a live audience until midnight on Sunday.

One day in 2020 lockdown, veteran actor Rob spots a stranger hanging out the washing in the adjoining garden, but his neighbours have not been around for months. Who is the mysterious girl next door? And why is she wearing 1940s’ clothing?

Ray of sunshine: Edwin Ray as Tick/Mitzi in Priscilla Queen Of The Desert at Leeds Grand Theatre. Picture: Darren Bell

Musical of the week ahead: Priscilla Queen Of The Desert, Leeds Grand Theatre, July 6 to 10

PRISCILLA Queen Of The Desert returns to Leeds for seven socially distanced performances in a new production produced by Mark Goucher and, for the first time, Jason Donovan, star of the original West End show and two UK tours.

Loaded up with glorious costumes, fabulous feathers and dance-floor classics, three friends hop aboard a battered old bus bound for Alice Springs to put on the show of a lifetime.

Miles Western plays Bernadette, Nick Hayes, Adam/Felicia and Edwin Ray, Tick/Mitzi, in this heart-warming story of self-discovery, sassiness and acceptance. Box office: 0113 243 0808 or at leedsgrandtheatre.com.

Solo show: Polymath Phil Grainger puts his songwriting in the spotlight in his Clive concert in Stillington

Gig of the week outside York: Clive, alias Phil Grainger, At The Mill, Stillington, near York, tomorrow, 7.30pm

CLIVE is the solo music project of Easingwold singer, songwriter, musician, sound engineer, magician, actor, Gobbledigook Theatre director and event promoter Phil Grainger.

As the voice and the soul behind Orpheus, Eurydice and The Gods The Gods The Gods, Clive finds the globe-trotting Grainger back home, turning his hand to a song-writing project marked by soaring vocal and soulful musicianship. Expect a magical evening wending through new work and old classics in two sets, one acoustic, the other electric. Box office: tickettailor.com/events/atthemill/512182.

Emily Hansen’s Pilgrim 14 as Mary Magdalene in a rehearsal for A Resurrection For York at Dean’s Park. Picture: John Saunders

Open-air theatre event of the weekend: A Resurrection For York, Residents Garden, Minster Library, Dean’s Park, York, Saturday and Sunday, 11am, 2pm, 4pm

THE wagons are in place for A Resurrection For York, presented by York Mystery Plays Supporters Trust, York Festival Trust and York Minster.

Philip Parr, artistic director of Parrabbola, directs a community cast in an hour-long outdoor performance, scripted by Parr and 2018 York Mystery Plays director Tom Straszewski from the York Mystery Plays cycle of the crucifixion and the events that followed. Tickets are on sale at ticketsource.co.uk/whats-on/york/residents-garden-deans-park/a-resurrection-for-york/.

Autonomous, by Sharon McDonagh, from the Momentum Summer Show at Blossom Street Gallery, York

Exhibition of the week and beyond: Momentum Summer Show, Westside Artists, Blossom Street Gallery, by Micklegate Bar, York, until September 26

YORK art group Westside Artists, a coterie of artists from the city’s Holgate and West areas, are exhibiting paintings, portraits, photomontage, photography, metalwork, textiles, ceramics and mixed-media art at Blossom Street Gallery.

Taking part are Adele Karmazyn; Carolyn Coles; Donna Maria Taylor; Ealish Wilson; Fran Brammer; Jane Dignum; Jill Tattersall; Kate Akrill and Lucy McElroy. So too are Lucie Wake; Marc Godfrey-Murphy; Mark Druery; Michelle Hughes; Rich Rhodes; Robin Grover-Jaques, Sharon McDonagh and Simon Palmour.

The Park Keeper director Matt Aston, left, actor Sean McKenzie and writer Mike Kenny at Rowntree Park, York. Picture: Northedge Photography

Theatre premiere of the week ahead: Park Bench Theatre in The Park Keeper, The Friends’ Garden, Rowntree Park, York, July 7 to 17 (except July 11)

AFTER last summer’s trilogy of solo shows, Matt Aston’s Park Bench Theatre return to Rowntree Park with Olivier Award-winning York writer Mike Kenny’s new monologue to mark the park’s centenary.

Performed by Sean McKenzie, The Park Keeper is set in York in the summer of 1945, when Rowntree Park’s first, and so far only, park keeper, ‘Parky’ Bell, is about to retire. That can mean only one thing, a speech, but what can he say? How can he close this chapter on his life? Will he be able to lock the gates to his kingdom one last time? Box office: 01904 623568, at yorktheatreroyal.co.uk or via parkbenchtheatre.com.

Andy Fairweather Low: Booked into Pocklington Arts Centre for next February

Gig announcement of the week outside York: Andy Fairweather Low, Pocklington Arts Centre, February 11 2022

ANDY Fairweather Low, the veteran Welsh guitarist, songwriter, vocalist and producer, will return to Pocklington next February.

Founder and cornerstone of Sixties’ hitmakers Amen Corner and later part of Eric Clapton and Roger Waters’ bands, Cardiff-born Fairweather Low, 72, will perform with The Low Riders: drummer Paul Beavis, bassist Dave Bronze and saxophonist Nick Pentelow. Box office: pocklingtonartscentre.co.uk.

Jane McDonald: Lighting up York Barbican in July 2022 rather than July 4 this summer

Rearranged gig announcement of the week in York: Jane McDonald, York Barbican, July 22 2022

WAKEFIELD cabaret singer and television personality Jane McDonald’s Let The Light In show is on the move to next summer.

For so long booked in as the chance to “Get The Lights Back On” at York Barbican on July 4, the Government’s postponement of “Freedom Day” from June 21 to July 19 at the earliest has enforced the date change for a show first booked in for 2020. Tickets remain valid; box office: yorkbarbican.co.uk.

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More Things To Do in and around York, as Richard III ‘returns’ to his favourite city. List No. 38, courtesy of The Press, York

Next stop York Theatre Royal: The Showstoppers are on their way north for a night of improvised musical comedy mayhem

LOOKING to have a whale of a time? Here is Charles Hutchinson’s latest guide to what’s on and what’s coming up, featuring a snail, a whale, a hare, a York king and much more besides.

Anything Could Happen show of the week: The Showstoppers in Showstopper! The Improvised Musical, York Theatre Royal and livestream, June 30, 7.30pm

DIRECT from the West End, The Showstoppers’ Olivier Award-winning blend of comedy, musical theatre and spontaneity heads to York Theatre Royal for one night only.

A new musical comedy will be created from scratch as audience suggestions are transformed into an all-singing, all-dancing production packed with drama, dazzling dance routines and contagious melodies, everything being made up on the spot.

“Whether you fancy Hamiltonin a hospital or Sondheim in the Sahara, you suggest it and we’ll sing it,” say the Showstoppers, whose show will be livestreamed too, with more details in how to tune in at yorktheatreroyal.co.uk/show/showstopper-the-improvised-musical-livestream.

Wood work: York actor Richard Kay and Hetty the hare in Badapple Theatre Company’s Tales From The Great Wood

Family show of the week: Badapple Theatre Company in Tales From The Great Wood, Joseph Rowntree Theatre, York, July 2, 7.30pm; July 3, 11am, 2.30pm and 7pm.

LISTEN! Can you hear the whispering in the trees? The wood is full of stories in Tales From The Wood, written and directed by Kate Bramley, artistic director of Green Hammerton company Badapple.

York actor Richard Kay, Danny Mellor and a host of puppets present an interactive storytelling eco-adventure for ages five to 95, set on a hot summer’s day, when, instead of resting, Hetty the hare is investigating because someone is missing. 

As she unravels a tall tale that stretches across The Great Wood, Hetty realises how every creature, no matter how small, can have a huge part to play in the world of the forest. Box office: josephrowntreetheatre.co.uk.

On the snail trail: Tall Stories in The Snail And The Whale at York Theatre Royal

Children’s show of the week: Tall Stories in The Snail And The Whale, York Theatre Royal, July 2, 2.30pm and 4.30pm; July 3, 10.30am and 1.30pm

TALL Stories invite you to join an adventurous young girl and her seafaring father as they reimagine the story of a globe-trotting tiny snail, inspired by Julia Donaldson and Axel Scheffler’s picture book.

In this heart-warming play full of music, storytelling and laughter, the sea snail hitches a lift on the tail of a grey-blue humpback whale to head off an amazing journey around the world, but when the whale becomes beached, how will the snail save him? Box office: 01904 623568 or at yorktheatreroyal.co.uk.

Gary Stewart: Hosting his Folk Club night at the At The Mill outdoor theatre in Stillington

Folk event of the week ahead: Gary Stewart’s Folk Club, At The Mill, Stillington, near York, July 3, 7.30pm to 10pm

“IT will be a very special, one-off, folk club: part folk night, part headline gig, with an eclectic mix of acts and then me doing a set,” says Easingwold singer-songwriter and multi-instrumentalist Gary Stewart.

Hosted by Gary, people in attendance will be given the chance to play and perform, whether music, stories, songs or poems. “If you want to share something, then bring your instrument and your voice and we’ll see you there!” says At The Mill’s Alexander Wright. For tickets, go to: atthemill.com.

Back in York at last: Richard III returns “home” in a National Portrait Gallery portrait loan to the Yorkshire Museum

Portrait of the summer:  Richard III, Yorkshire Museum, York, July 9 to October 31.

HIS ex-car park bones may be stuck in Leicester Cathedral, but that right work of art, Richard III, is heading back to his favourite city, York, albeit in portrait form.

On loan from the National Portrait Gallery as part of its Coming Home project, the iconic 16th century painting by the mysterious Unknown Artist will be on show at the Yorkshire Museum alongside “one of the finest groups of objects associated with Richard III”, such as the magnificent Middleham Jewel, The Ryther Hoard and Stillingfleet Boar Badge.

“Coming home,” you say? Yes, the project lends portraits of iconic individuals to places across the UK with which they are most closely associated. York 1, Leicester 0.

Hope & Social distancing: Leeds band to play Covid-secure gig at The Crescent, York

Where there’s hope…and a NEW date: Hope & Social, The Crescent, York, October 12, 7.30pm. Moved from July 16

“WE wear blue jackets. Fingers crossed, we will die with our hearts out in bloom,” say Leeds band Hope & Social, purveyors of the 2014 Tour de France Grand Depart  and Yorkshire Festival anthem The Big Wide.

Ah yes, but why do they wear those blue jackets? “Homburgs, in Leeds, were selling off goods, and they had a choice between Wombles outfits and these Butlins holiday camp-style outfits,” explains drummer Gary Stewart. Box office: thecrescentyork.com.

The Courteeners: Playing a warm-up gig at the 8,000-capacity Scarborough Open Air Theatre

Warm-up gig of the summer: The Courteeners, Scarborough Open Air Theatre, September 8

THE Courteeners will loosen up for two-late summer shows with an exclusive warm-up on the East Coast, supported by Wirral wonders The Coral.

The Middleton band are to play Glasgow’s TRNSMT Festival on September 10 and Manchester’s Emirates Old Trafford cricket ground on September 25, a home-coming that sold out in 90 minutes.

Best known for Not Nineteen Forever, Are You In Love With A Notion, How Good It Was, The 17th and Hanging Off Your Cloud, The Courteeners released their seventh top ten album, More. Again. Forever, in January 2020. Tickets will go on sale tomorrow (25/6/2021) via scarboroughopenairtheatre.com.

As you Lycett: More, more, more Yorkshire dates for Joe Lycett on his long, long, long 2022 tour. Picture: Matt Crockett

Comedy gig announcement of the week: Joe Lycett: More, More, More! How Do You Lycett? How Do You Lycett?, York Barbican, April 1 and 3 2022

FRESH from filming in York last Thursday for his Channel 4 consumer-campaign series Joe Lycett’s Got Your Back, Birmingham comedian and presenter Lycett has announced a 60-date tour with a title riffing on a 1976 Andrea True Connection disco floor-filler.

In More, More, More!, Lycett will explore his love of art and passion for gardening, how he toys with companies on Instagram and the perils of online trolls.

As well as his York Barbican brace, among more, more, more dates in 2022 will be Hull Bonus Arena on April 2 and Leeds First Direct Arena on September 14. Box office: yorkbarbican.co.uk and joelycett.com.

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Westside Artists to gain Momentum in summer show at Blossom Street Gallery

 Autonomous, mixed-media collage on box canvas, by Sharon McDonagh, long-listed for the 2021 Aesthetica Art Prize and now to be shown in the Momentum Summer Show at Blossom Street Gallery, York

YORK art group Westside Artists open their Momentum Summer Show at Blossom Street Gallery, by Micklegate Bar, York, on Friday (25/6/2021).

This coterie of artists from the Holgate and West area of York will be showing a varied range of disciplines, from painting and photomontage to textiles, ceramics and mixed-media art.

Among the participating artists, and a key organiser too, is Sharon McDonagh, from Holgate, who had her mixed-media work long-listed for this year’s Aesthetica Art Prize, whose accompanying exhibition is running at York Art Gallery. One of Sharon’s submitted pieces, Autonomous, is now featuring in the Momentum show.

Missy T, oil on canvas, by Lucie Wake

Joining her at Blossom Street Gallery are: Adele Karmazyn, digital photomontages; Carolyn Coles, seascapes; Donna Maria Taylor, mixed media; Ealish Wilson, textiles; Fran Brammer, textiles; Jane Dignum, prints; Jill Tattersall, mixed media; Kate Akrill, Skullduggery ceramics, and Lucy McElroy, portraits.

So too are: Lucie Wake, from Facet Painting, paintings and portraits; Marc Godfrey-Murphy, alias MarcoLooks, illustrations; Mark Druery, pen and watercolour sketches; Michelle Hughes, prints; Rich Rhodes, ceramics; Robin Grover-Jaques, painting and metalwork, and Simon Palmour, photographs.

The Momentum Summer Show will be gaining momentum until September 26. Gallery opening hours are: Friday, Saturday, Sunday and Monday, 10am to 4pm; Covid-compliant measures are in place.

Untitled, ‘Dark and Light’ acrylic on canvas, by Robin Grover-Jacques
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Earth Photo exhibition of world’s beauty and fragility to go on show in Dalby Forest

Blue Pool, by Markus Van Hauten, from the Earth Photo exhibition at Staindale in Dalby Forest

FORESTRY England will exhibit a selection of Earth Photo images in Dalby Forest, near Pickering, from June 28 to September 19.

The outdoor exhibition will display 24 of the final shortlisted entries in the beautiful forest setting of Staindale.

Earth Photo, an international competition and exhibition created by Forestry England and the Royal Geographical Society, in tandem with the Institute of British Geographers, showcases photographs and videos that document the natural world, both its beauty and ever-growing fragility.

The selection of images encompasses the Earth Photo categories: People, Place, Nature and Changing Forests. A Climate of Change, the competition’s newest category, marks the United Nations climate-change summit COP26, to be held in Glasgow in November.

Petra Young, Forestry England’s funding and development manager for the Yorkshire district, says: “We’re delighted to be once again one of three of the nation’s forests hosting the selected Earth Photo exhibition. This is a crucial year to shine a light on the natural world, our relationship with it and how we can better support it.

Coffee Or Tea Study, by Yi Sun Sun, from the Earth Photo outdoor exhibition in Dalby Forest

“COP26 will focus minds on the pressing issues that face our environment. The last year showed so many of us just how much we value and need nature to restore our wellbeing. Being able to see these Earth Photo images in the heart of Dalby Forest is a very special experience and we welcome everyone to visit safely and see them.”

This is the latest exhibition in Dalby Forest’s arts programme to showcase art that interprets the landscape, wildlife, heritage and people, created by Yorkshire, national and international artists.

The full Earth Photo exhibition will share the June 28 opening date at the Royal Geographical Society, Kensington Gore, South Kensington, London, for a run until the end of August before touring Forestry England forests at Moors Valley in Dorset and Grizedale in Cumbria.

Category winners and the overall winner will be announced on August 19 at an awards event at the Royal Geographical Society. More information on the Dalby Forest exhibition can found at: forestryengland.uk/forest-event/events-dalby-forest/earth-photo-exhibition-2021-dalby-forest.

Did you know?

FORESTRY England, England’s largest land manager, cares for the nation’s 1,500 woods and forests, drawing more than 230 million visits per year.

THE STORY BEHIND ROSIE HALLAM’S EARTH PHOTO EXHIBIT, A RIGHT TO AN EDUCATION…

Selamaw studying at home in Ethiopia, by Rosie Hallam

“EVERY child has the right to go to school,” says Irina Bokova, director-general of UNESCO. “It is the responsibility of all of us to make sure that happens.”

UNESCO contends that education is both a basic human right and a smart investment, being vital for development and helping to lay the foundations for social well-being, economic growth and security, gender equality and peace.

Education is the frontline of defence in tackling diseases such as Ebola, by teaching children about how they can protect themselves and their families.

Rosie’s photograph captures the story of 14-year-old Selamaw, the first person in her family to stay on at school past primary age. Her parents, Marco and Meselech, are subsistence farmers in a village near Aleta Chuko, Sidamo, Ethiopia.

They are part of a programme designed to help children from the poorest Ethiopian families remain in school while assisting the mothers to set up a business with a seed fund made up of a small donation and savings.

While Selamaw goes to school, her mother, Meselech, is learning literacy and numeracy skills and attending business classes. She hopes to set up a business selling crops and flour.

Through this programme, Meselech aims to earn enough money to keep Selamaw in school and to allow her other children to receive an education, eventually breaking their cycle of poverty.

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Pocklington Arts Centre confirms July 21 reopening and first film show in 491 days

Open welcome: Pocklington Arts Centre director Janet Farmer looks forward to reopening on July 20

POCKLINGTON Arts Centre will reopen to the public on July 20 and film screenings will re-start on July 23, 491 days since the last performance.

Director Janet Farmer and venue manager James Duffy have chosen this date to ensure the safety of customers and volunteers.

“Over the past few months, our main focus has been planning the safe reopening of the building, ensuring all staff are trained appropriately and making sure the venue has all its new systems, resources and processes in place and working well,” says Janet. 

“We have sought feedback from staff, volunteers and customers and this will be vital to the success of this process. Our main aim is to ensure the visitor experience at Pocklington Arts Centre (PAC) is safe, secure and enjoyable.”

In late-March 2020, the East Yorkshire venue launched a crowdfunding page, raising more than £18,000 in under a month, followed by successful funding applications to the Smile Foundation’s I Am Fund and the Government’s Culture Recovery Fund. 

Spiers & Boden: October 20 booking at Pocklington Arts Centre

Janet says: “I would like to thank our customers, in addition to Pocklington Town Council, the Friends of PAC, the Smile Foundation, Arts Council England and the Music Venue Trust for their collective support over the past year. 

“It has been a very difficult time for everyone, but their kind words, financial support and continued interest in all things PAC has meant a great deal and helped carry the venue through these extraordinary times.”

Staff have rescheduled forthcoming events for the autumn and winter, transferring more than 4,000 tickets and refunding customers for 20-plus cancelled events. 

“Throughout the closure period, we have stated our determination to emerge from the situation more vibrant than ever and our autumn and winter programme is a testament to that,” says Janet. 

“2021/22 will see a fantastic range of live events being staged here, alongside our trademark diverse mix of film screenings, live broadcasts, exhibitions, community events and private hires.” 

Velma Celli: York’s queen of vocal drag will make Pocklington debut on December 3. Picture: Kirkpatrick Photography

In the diary are Grammy Award winner Loudon Wainwright III, September 24; Northumberland Theatre Company (NTC) in Oscar Wilde’s “trivial comedy for serious people”, The Importance Of Being Earnest, September 30; North Eastern gypsy folk-rockers Holy Moly & The Crackers, October 16; Oxford singer-songwriter Thea Gilmore, October 7, and Irish jazz/blues chanteuse Mary Coughlan, October 19.

Bellowhead alumni and BBC Radio Folk Award winners Spiers & Boden are booked in for October 20; Red Ladder Theatre Company, from Leeds, in Nana-Kofi Kufuor’s My Voice Was Heard But Was Ignored, for November 25; television and radio broadcaster and author Jeremy Vine, November 26; Welsh singer-songwriter Martyn Joseph, December 2, and York drag diva deluxe Velma Celli, December 3.

Confirmed for 2022 are An Evening With Julian Norton, from Channel 5’s The Yorkshire Vet, January 18; singer-songwriter Teddy Thompson, January 22;Welsh guitarist, songwriter, vocalist and former Amen Corner cornerstone Andy Fairweather Low, February 11, and Eighties’ pop singer and actress Toyah Willcox, March 3.

PAC’s two open-air acoustic concerts in Primrose Wood, Pocklington, with Martin Simpson and Katie Spencer on July 1 and The Dunwells and Rachel Croft on July 8 will go ahead despite the Government’s Step 4 roadmap delay, but now under social-distancing restrictions. Both 7pm shows have sold out.

Janet says: “We always knew this was a possibility when the shows were first planned and there’s sufficient space for people to enjoy the event safely, while experiencing the atmospheric setting of Primrose Wood.”

Martin Simpson: Headlining at a sold-out Primrose Woods on July 1

PAC increased its online artistic output during the pandemic, staging 18 events to more than 9,000 audience members. 

In addition, a series of outdoor exhibitions has been held by PAC across the region. York artists Sue Clayton and Karen Winship have shown work at All Saints’ Church, Pocklington, and Sue will be following Karen into Hull Waterside and Marina. Those attending the York Vaccination Centre at Askham Bar can see her Down Syndrome portraits in the Tent of Hope. 

“We felt it was vitally important to have continued customer engagement throughout the prolonged closure period and the public response to these events and exhibitions has been very positive,” says Janet. 

“We’re also very much aware there’s no substitute to watching a live performance, in person, and sharing this experience with fellow audience members. 

“Everyone at PAC is now counting down the days until the doors can reopen and we can welcome customers back. It’s been a very long interval and we can’t wait for the second half to begin.”

For full event listings and ticket details, go to: pocklingtonartscentre.co.uk.

York artist Karen Winship at the launch of her NHS Heroes exhibition at Hull Waterside and Marina