Category: Festivals

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More Things To Do in York and beyond a mysterious garden and abstract surrealism. Hutch’s List No. 10, from The York Press

Elizabeth Marsh in rehearsal for The Secret Garden The Musical at York Theatre Royal. Picture: Marc Brenner

A MAGICAL Yorkshire garden, an hotel comedy thriller, a surrealist wine bar exhibition and Pulp confessions exhibition stir Charles Hutchinson’s interest.  

Musical of the week: The Secret Garden The Musical, York Theatre Royal, March 17 to April 4

TONY Award-winning director John Doyle, artistic director of York Theatre Royal from 1993 to 1997, returns to pastures past in more ways than one to present his actor-musician staging of Lucy Simon and Marsha Norman’s Broadway musical account of Frances Hodgson Burnett’s story of love, loss, healing and hope, set on Yorkshire moorland in 1906.

Newly orphaned, Mary Lennox is sent to live with her widowed uncle at the secluded Misselthwaite Manor, a house in habited by memories and spirits from the past. On discovering her Aunt Lily’s neglected garden, she vows to breathe new life into its mysterious stasis as she learns the restorative magic of nature. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Leeds abstract surrealist Nicolas Dixon, front, spotted at Thursday’s launch of his RARE v WET exhibition with WET proprietors James Wall and Ella Williams and RARE Collective organiser Sharon McDonagh, right

Exhibition of the week: Nicolas Dixon, RARE v WET, at WET, Micklegate, York, until April 22

YORK  artist and event organiser Sharon McDonagh and DJ/artist Sola launch their RARE v WET series of solo exhibitions in aid of York charity SASH (Safe and Sound Homes) at WET, James Wall and Ella Williams’ indie wine bar and restaurant, with Nicolas Dixon first up.

Leeds abstract surrealist Dixon’s murals and artworks have become landmarks in Leeds, including at Kirkgate Market, Trinity Shopping Centre and the University of Leeds, as well as Leeds United tributes to the 1972 FA Cup Winners at Elland Road and the iconic Bielsa the Redeemer in Wortley. On show is a mixture of new and older work, both prints and originals.

Stephen Joseph Theatre favourite Bill Champion as American billionaire Theodore Racksole in Claybody Theatre’s The Grand Babylon Hotel, on tour at the SJT next week. Picture: Andrew Billington

Thriller of the week: Claybody Theatre in The Grand Babylon Hotel, Stephen Joseph Theatre, Scarborough, March 18 to 21, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees

CONRAD Nelson directs an ensemble cast of multiple flamboyant characters in a rollicking comedy thriller of rapid-fire character changes, sharp humour and theatrical fun, presented in association with the New Vic Theatre.

In Deborah McAndrew’s  adaptation of Arnold Bennett’s novel, Nella Racksole discovers steak and beer are not on the menu for her birthday treat at the exclusive Grand Babylon Hotel, prompting  her American millionaire father to buy the chef, the kitchen, the entire hotel. Cue  kidnapping and murder. Have Theodore and Nella bitten off more than they can chew? Box office: 01723 370541 or sjt.uk.com.

Baroque Alchemy’s Lyndy Mayle and Piers Adams: Playing NCEM tonight

Classical-electronic concert of the week: Baroque Alchemy, National Centre for Early Music, York, tonight, 7.30pm

ANCIENT and modern meet in a spectacular musical fusion in Baroque Alchemy, the realisation of recorder virtuoso Piers Adams and keyboard player Lyndy Mayle’s long-held dream. Ever since the rise of synth-led bands and New Age music in the 1980s, Red Priest frontman Adams has nurtured a vision to combine the drama of baroque music with the expansive sound-world of the electronic era. Now Baroque Alchemy turn the traditional early music recital on its head for the 21st century. Box office: 01904 658338 or ncem.co.uk.

Dominic Halpin & The Hurricanes: Evoking the Grand Ole Opry in A Country Night In Nashville at the Grand Opera House

Tribute gig of the week: A Country Night In Nashville, Grand Opera House, York, Sunday, 7.30pm

A COUNTRY Night In Nashville re-creates the scene of a buzzing Honky Tonk in downtown Nashville, capturing the energy and atmosphere of a night in the home of country music in a journey through the history of its biggest stars past and present. Hits from Johnny Cash to Alan Jackson, Dolly Parton to The Chicks, Willie Nelson to Kacey Musgraves are showcased by Dominic Halpin & The Hurricanes. Box office: atgtickets.com/york.

The book cover for Mark Webber’s I’m With Pulp, Are You?, under discussion by the author and guitarist at York Literature Festival

Book event of the week: York Literature Festival, I’m With Pulp, Are You?, An Evening With Mark Webber, The Crescent, York, March 17, 7pm

PULP guitarist and avant-garde film curator Mark Webber discusses I’m With Pulp, Are You?, his visually rich chronicle of the Sheffield band’s history from the perspective of a fan-turned-manager-turned-guitarist.

In his music memoir, 40 years of archived material comes to life as Chesterfield-born Webber recalls his fascination with David Bowie, The Velvet Underground, Andy Warhol and counterculture, writing fanzines and organising concerts from the age of 15, joining Pulp in 1995 and playing on Different Class, This Is Hardcore, We Love Life and More, 2025’s recording renaissance after a 24-year hiatus. Box office: 01904 623568, yorktheatreroyal.co.uk or yorkliteraturefestival.co.uk.

Bluey’s Big Play: Australian fun and games for children at the Grand Opera House

Children’s show of the week: Windmill Theatre Co in Bluey’s Big Play, Grand Opera House, York, March 19 to 22, 10am, Thursday and Friday; 10am, 1pm and 4pm, Saturday and Sunday

COMBINING puppets and original voices from Ludo Studios’  Emmy Award-winning Australian children’s television series, including Dave McCormack and Melanie Zanetti as Dad and Mum, this theatrical adaptation is based on an original story by Bluey creator Joe Brumm, featuring music by series composer Joff Bush. When Dad wants a bean bag time-out, Bluey and Bingo have other plans as they pull out all the games and cleverness at their disposal.  Box office: atgtickets.com/york.

Scouting For Girls: Re-visiting Everybody Wants To Be On TV at York Barbican

York Barbican gigs of the week: Scouting For Girls, Everybody (Still) Wants To Be On TV Tour 2026, March 17, doors 7pm; The Brand New Heavies, March 19

AS Scouting For Girls’ vocalist, guitarist and songwriter Roy Stride puts it: “I can’t believe we’re already celebrating the 15th anniversary of our second album [Everybody Wants To Be On TV], and I’m beyond excited to get back on the road in 2026! The shows are going to be immense: a massive nostalgic Scouting singalong every night.” Expect further hits to feature too.

Ealing Acid Jazz pioneers The Brand New Heavies – Simon Bartholomew, vocals and guitar, Andrew Levy, bass and keyboards, and Angela Ricci, vocals  – mark their 35th anniversary with a 12-date tour that takes in York Barbican as their only Yorkshire destination. Expect  joy, funk, love and fancy clothes. Box office: yorkbarbican.co.uk.

The Brand New Heavies: Acid Jazz joy, funk, love and fancy clothes at York Barbican

Comedy classic of the week: Rowntree Players in The Importance Of Being Earnest, Joseph Rowntree Theatre, York, March 19 to 21, 7.30pm plus 2pm Saturday matinee

ROWNTREE Players bring Oscar Wilde’s cherished 1895 farcical comedy of manners to the York stage in the original four-act version reconstructed by Vyvyan Holland, under the direction of Hannah Shaw.

Lizzie Lawton’s John Worthing and Jorja Cartwright’s Algernon Moncrieff lead double lives under the false name of “Ernest” to escape social obligations, leading to romantic entanglements and comedic misunderstandings, played out by a cast featuring Jeanette Hambridge’s Lady Bracknell, Bethan Olliver’s Gwendolen Fairfax, Katie Shaw’s Cecily Cardew, Wayne Osguthorpe’s Reverend Canon Chasuble, Rebecca Thomson’s Miss Prism and Max Palmer’s Lane/Merriman. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

A collage from the rehearsal photo-shoot for Rowntree Players’ production of The Importance Of Being Earnest

Comedy gig of the week: Rob Rouse, Funny Bones, Helmsley Arts Centre, March 20, 8pm; Stephen Joseph Theatre, Scarborough, March 21, 7.45pm

FRESH from being picked as the Comics’ Comic Best Act of the Year 2025, Rob Rouse is touring Funny Bones: a daft whirlwind of craftily spun tall tales, a bucketful of manic energy, canny stagecraft, eerily convincing characters and a barrage of one-liners.

“Warning: this show has been meticulously assembled to make you laugh as much as possible,” says Rouse. “However, you will not learn anything from it. You may even come out stupider than when you came in.” Box office: Helmsley, 01439 771700 or helmsleyarts.co.uk; Scarborough, 01723 370541 or sjt.uk.com.

Super scooper: Funny Bones comedian Rob Rouse and his skeleton dog on tour at Helmsley and Scarborough

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What’s On in Ryedale, York and beyond. Hutch’s List No. 9, from Gazette & Herald

JAPANESE prints, a Belgian detective, a Tudor queen and a West Riding pioneer are all making waves in Charles Hutchinson’s early March recommendations. 

Exhibition of the week: Making Waves, The Art of Japanese Woodblock Print, York Art Gallery, until August 30, open Wednesday to Sunday, 10am to 5pm

MAKING Waves: The Art of Japanese Woodblock Print presents Japanese art and culture in more than 100 striking and iconic works from renowned artists such as Katsushika Hokusai, Utagawa Hiroshige and Kitagawa Utamaro, among many others.

At the epicentre of this intriguing insight into the history and development of Japanese woodblock printing is the chance to see Hokusai’s The Great Wave Off Kanagawa, one of the most recognisable and celebrated artworks in the world. Tickets: yorkartgallery.org.uk.

York Community Choir Festival 2026: Showcase for choirs aplenty at Joseph Rowntree Theatre, York

Festival of the week: York Community Choir Festival 2026, Joseph Rowntree Theatre, York, tonight to Friday, 7.30pm; Saturday, 2.30pm and 7.30pm

THE annual York Community Choir Festival brings together choirs of all ages to perform in a wide variety of singing styles on each bill. Across the week, 43 choirs are taking part in nine concerts, making the 2026 event the largest yet. Concert programmes feature well-known classical and modern popular songs, complemented by show tunes, world music, folk song, gospel, jazz and soul. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Death On The Nile: European premiere of Ken Ludwig’s new adaptation of Agatha Christie’s murder mystery at Grand Opera House, York. Picture: Manuel Harlan

Murder mystery of the week: Fiery Angel presents Agatha Christie’s Death On The Nile, Grand Opera House, York, March 3 to 7, 7.30pm plus 2.30pm Wednesday and Saturday matinees

AFTER tours of And Then There Were None and Murder On The Orient Express, Death On The Nile reunites director Lucy Bailey, writer Ken Ludwig and producers Fiery Angel for the European premiere of a new adaptation of Agatha Christie’s Death On The Nile.

On board a luxurious cruise under the heat of the Egyptian sun, a couple’s idyllic honeymoon is cut short by a brutal murder.  As secrets buried in the sands of time resurface, can Belgian detective Hercule Poirot (Mark Hadfield), untangle the web of lies? Box office: atgtickets.com/york.

Nick Patrick Jones’s Henry VIII and Lara Stafford’s Anne Boleyn in Black Treacle Theatre’s Anne Boleyn. Picture: John Saunders

Historical drama of the week: Black Treacle Theatre in Anne Boleyn, Theatre@41, Monkgate, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee

YORK company Black Treacle Theatre presents Howard Brenton’s account of one of England’s most important and intriguing historical figures: Tudor lover, heretic, revolutionary, queen Anne Boleyn (played by Lara Stafford).

Traditionally seen as either the pawn of an ambitious family manoeuvred into the King’s bed, or as a predator manipulating her way to power, Anne – and her ghost – re-emerges in a very different light in Brenton’s epic play, premiered by Shakespeare’s Globe Theatre in 2010. Box office: https://tickets.41monkgate.co.uk.

Poetry event of the week: York Poetry Society, Poetry Pharmacy launch celebration, Jacob’s Well, Trinity Lane, York, Friday, 7.30pm to 9.30pm 

TO mark Friday’s opening of the third Poetry Pharmacy, part bookshop, part apothecary, part reading room, and venue for readings, workshops, creative writing clubs in Coney Street, founder Deborah Alma talks about its concept of fostering the therapeutic effects of poetry.

Local poets are invited to read poems with this aim in mind in the second half. “Normally we ask of non-members a £3 entry fee, but on this occasion, if you write a poem relevant to the evening, all we will ask is that you read it to us as part of the programme,” says programme secretary Marta Hardy.

Irish dance and magic combine in Celtic Illusion, on tour at York Barbican

Magical experience of the week: Celtic Illusion, York Barbican, Friday, 7.30pm

AFTER dazzling audiences across Australia, New Zealand, Hong Kong, Canada and the USA, this thunderous Irish dance and grand-illusion magic show is making its premiere UK tour in 2026. 

Created by Anthony Street, illusionist and former lead of Lord Of The Dance, Celtic Illusion brings together dancers from Riverdance and Lord Of The Dance, who perform to a soaring original score and remastered classics by composer Angela Little. Box office: yorkbarbican.co.uk.

Annabelle Lopez Ochoa, as Anne Lister, rehearsing for Northern Ballet’s Gentleman Jack. Picture: Colleen Mair

Dance premiere of the week: Northern Ballet and Finnish National Opera and Ballet in Gentleman Jack, Leeds Grand Theatre, Saturday to March 14, except Sunday and Monday, 7.30pm, plus 2.30pm matinees on March 12 and 14

THIS groundbreaking new ballet marks a trio of ‘firsts’: the first time the story of Anne Lister has been told through ballet, the first large-scale commission for Northern Ballet since 2021 and the first under artistic director Federico Bonelli.

Yorkshirewoman Anne, the “first modern lesbian”, lived, dressed and loved as she desired, not as 19th century society expected of her. Northern Ballet’s interpretation of her life is choreographed by Annabelle Lopez Ochoa, leading a female artistic team that includes Sally Wainwright, writer of the BBC/HBO television series Gentleman Jack. Box office: 0113 243 0808 or leedsheritagetheatres.com.

The poster for the Merely Players’ Fakespeare exposé at Helmsley Arts Centre

The Great Shakespeare Fraud of the week: Merely Players, Fakespeare, Helmsley Arts Centre, Saturday, 7.30pm

THERE are two problems with deception: being found out and not being found out. In 1794, noted antiquarian Samuel Ireland is delighted when his son William brings him unknown documents in the hand of Shakespeare, obtained from an anonymous source. However, scholars question their authenticity and denounce Samuel as a forger.  The household is thrown into turmoil and family skeletons come tumbling out of cupboards.

Roll forward to  2026, when Samuel, William and their housekeeper Mrs Freeman meet again to sort out the truth of it all, if such a thing is possible. So runs Stuart Fortey’s tragicomic, scarcely believable, deceptively truthful tale of 18th century literary fraud  and family deceit. Box office:  01439 771700 or  helmsleyarts.co.uk.

Very Santana: Celebrating Carlos Santana’s songs and guitar mastery at Milton Rooms, Malton

Tribute gig of the week: Very Santana, Milton Rooms, Malton, Saturday, 8pm

VERY Santana’s musical time travel experience celebrates the beautiful guitar melodies and creatively diverse, challenging songs of Carlos Santana, performed with room for extra improvisation.

The set list spans the Santana legacy, from the Abraxas album early peaks of Black Magic Woman, Oye Como Va and Samba Pa Ti, through the late 1970s’ hits such as Europa and She’s Not There, to the modern-era Grammy winners Smooth and Maria-Maria. Box office: 01653 696240 or themiltonrooms.com.

Harry Enfield: No Chums but a cornucopia of comical characters at Grand Opera House, York

Comedy gig of the week: Harry Enfield And No Chums, Grand Opera House, York, Sunday, 2.30pm and 7.30pm

FROM the meteoric rise of Loadsamoney, a Thatcherite visionary, to the fury of Kevin the Teenager, satirical comedian and self-styled “stupid idiot” Harry Enfield  reflects on 40 years in comedy, bringing favourite characters vividly back to life on stage.

Then comes your chance to ask how it all works for the former University of York politics student (Derwent College, 1979 to 1982), discover what makes him most proud and find out what would he say to the many who ask, “You wouldn’t be allowed to do your stuff today, would you?”. Box office: atgtickets.com/york.

Elvis Costello: Revisiting his 1977-1986 back catalogue in Radio Soul! at York Barbican in June. Picture: Ray Di Pietro

Gig announcement of the week: Elvis Costello & The Imposters with Charlie Sexton, Radio Soul!: The Early Songs Of Elvis Costello, York Barbican, June 17

ELVIS Costello will return to York Barbican for the first time since May 2012’s Spectacular Singing Book tour, joined by The Imposters’ Steve Nieve, Pete Thomas and Davey Faragher and Texan guitarist Charlie Sexton.

Costello, 71, will focus on songs drawn from 1977’s My Aim Is True to 1986’s Blood & Chocolate in 1986, complemented by “other surprises”. Tickets go on sale at 10am on Friday at https://www.yorkbarbican.co.uk/whats-on/elvis-costello/.

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More Things To Do in York and beyond when sparking up the little grey cells. Here’s Hutch’s List No. 8, from The York Press

Katsushika Hokusai’s The Great Wave Off Kanagawa, circa 1829-1832, from Making Waves at York Art Gallery. Picture: courtesy of Maidstone Museum

JAPANESE prints, a Belgian detective, a Tudor queen and a West Riding pioneer are all making waves in Charles Hutchinson’s early March recommendations. 

Exhibition launch of the week: Making Waves, The Art of Japanese Woodblock Print, York Art Gallery, until August 30, open Wednesday to Sunday, 10am to 5pm

MAKING Waves: The Art of Japanese Woodblock Print presents Japanese art and culture in more than 100 striking and iconic works from renowned artists, such as Katsushika Hokusai, Utagawa Hiroshige and Kitagawa Utamaro, among many others.

At the epicentre of this intriguing insight into the history and development of Japanese woodblock printing is the chance to see Hokusai’s The Great Wave Off Kanagawa, one of the most recognisable and celebrated artworks in the world. Tickets: yorkartgallery.org.uk.

Phoenix Dance Theatre in Interplay, premiering at York Theatre Royal. Picture: Drew Forsyth

Connectivity of the week: Phoenix Dance Theatre, Interplay, York Theatre Royal, today, 2pm and 7.30pm

LEEDS company Phoenix Dance Theatre’s world premiere tour of Interplay opens at York Theatre Royal, featuring dynamic works by Travis Knight and James Pett (Small Talk), Ed Myhill (Why Are People Clapping?!) Yusha-Marie Sorzano & Phoenix artistic director Marcus Jarrell Willis (Suite Release) and Willis’s Next Of Kin. 

Across duet and ensemble works, Interplay explores themes of duality and shared authorship, revealing how distinct artistic voices can intersect to create something greater than the sum of their parts. Each piece offers a unique perspective, united by a bold physicality and a deep curiosity about human relationships, rhythm and collective experience. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Death On The Nile: European premiere of Ken Ludwig’s new adaptation of Agatha Christie’s murder mystery at Grand Opera House, York. Picture: Manuel Harlan

Murder mystery of the week: Fiery Angel presents Agatha Christie’s Death On The Nile, Grand Opera House, York, March 3 to 7, 7.30pm plus 2.30pm Wednesday and Saturday matinees

AFTER tours of And Then There Were None and Murder On The Orient Express, Death On The Nile reunites director Lucy Bailey, writer Ken Ludwig and producers Fiery Angel for the European premiere of a new adaptation of Agatha Christie’s Death On The Nile.

On board a luxurious cruise under the heat of the Egyptian sun, a couple’s idyllic honeymoon is cut short by a brutal murder.  As secrets buried in the sands of time resurface, can Belgian detective Hercule Poirot (Mark Hadfield), untangle the web of lies? Box office: atgtickets.com/york.

Lara Stafford’s Anne Boleyn, with the masked ladies of the Tudor court behind her, in rehearsal for Black Treacle Theatre’s Anne Boleyn. Picture: Paul Hutson

Historical drama of the week: Black Treacle Theatre in Anne Boleyn, Theatre@41, Monkgate, York, March 3 to 7, 7.30pm plus 2.30pm Saturday matinee

YORK company Black Treacle Theatre presents Howard Brenton’s account of one of England’s most important and intriguing historical figures: Tudor lover, heretic, revolutionary, queen Anne Boleyn (played by Lara Stafford).

Traditionally seen as either the pawn of an ambitious family manoeuvred into the King’s bed, or as a predator manipulating her way to power, Anne – and her ghost – re-emerges in a very different light in Brenton’s epic play, premiered by Shakespeare’s Globe Theatre in 2010. Box office: https://tickets.41monkgate.co.uk.

Annabelle Lopez Ochoa, as Anne Lister, rehearsing for Northern Ballet’s Gentleman Jack. Picture: Colleen Mair

Premiere of the week: Northern Ballet and Finnish National Opera and Ballet in Gentleman Jack, Leeds Grand Theatre, March 7 to 14, except March 8 and 9, 7.30pm, plus 2.30pm matinees on March 12 and 14

THIS groundbreaking new ballet marks a trio of ‘firsts’: the first time the story of Anne Lister has been told through ballet, the first large-scale commission for Northern Ballet since 2021 and the first under artistic director Federico Bonelli.

Yorkshirewoman Anne, the “first modern lesbian”, lived, dressed and loved as she desired, not as 19th century society expected of her. Northern Ballet’s interpretation of her life is choreographed by Annabelle Lopez Ochoa, leading a female artistic team that includes Sally Wainwright, writer of the BBC/HBO television series Gentleman Jack. Box office: 0113 243 0808 or leedsheritagetheatres.com.

Obert String Quartet: Opening York Late Music’s 2026 concert programme at Unitarian Chapel, St Saviourgate. Picture: Drew Forsyth and BBC Philharmonic Orchestra (top left and bottom left)

Classical concert of the week: York Late Music, Obert String Quartet, Unitarian Chapel, St Saviourgate, York, March 7, 7.30pm

SALFORD’S Obert String Quartet explores themes of transformation, spirituality, and mortality in a celebration of  performers and composers from the North of England, pairing Schubert’s Death And The Maiden (String Quartet No. 14 in D minor) with new miniature works written in response by Northern Composers Network members Jenny Jackson (Flex), Hayley Jenkins (Give Me Your Hand), Ben Gaunt (Skulls, Various), James Cave (Rouffignac) and James Else (Still Movement).

The first half comprises Arvo Pärt’s Fratres, curator Else’s On The Wind and Bradford-born Steve Crowther’s String Quartet No. 2. Violinist Lisa Obert, Jackson, Gaunt, Cave and Else take part in a pre-concert talk at 6.45pm. Box office: latemusic.org.

Del Amitri’s Justin Currie, left, and Iain Harvie: Cherry-picking from four decades of songs at York Barbican in November

Gig announcement of the week: Del Amitri, Past To Present UK Tour 2026, November 16

GLASGOW band Del Amitri will open their 17-date Past To Present autumn tour at York Barbican, where core members Justin Currie and Iain Harvie will mark four decades of songs, stories and live shows.

The career-spanning set list will chart their early breakthroughs, classic singles such as Nothing Ever Happens, Always The Last To Know and Roll To Me, fan favourites and recording renaissance after an 18-year hiatus with 2021’s Fatal Mistakes. Box office: www.gigsandtours.com, www.ticketmaster.co.uk and www.delamitri.info.

York Community Choir Festival 2026: Showcase for 43 choirs at Joseph Rowntree Theatre

In Focus: Festival of the week: York Community Choir Festival 2026, Joseph Rowntree Theatre, York, March 1 to 7

THE annual York Community Choir Festival brings together choirs of all ages to perform in a wide variety of singing styles on each bill. Across the week, 43 choirs take part in nine concerts, making the 2026 event the largest yet.

Concert programmes feature well-known classical and modern popular songs, complemented by show tunes, world music, folk song, gospel, jazz and soul. Performances start at 2.30pm and 7.30pm tomorrow; 7.30pm, March 2 to 6; 2.30pm and 7.30pm, March 7.

Sunday, March 1, matinee

Stagecoach York Show Choir, Singing Communities Poppleton, Selby Youth Choir, Aviva Vivace! and The Stray Notes.

Sunday, March 1, evening

Easingwold Community Singers, Some Voices, Supersingers, Harrogate Male Voice Choir and Heworth Community Choir.

Monday, March 2

Huntington School Choirs, Tadcaster Community Choir and Community Chorus.

Tuesday, March 3

York Military Wives Choir, Jubilate, Sing Space York Musical Theatre Choir, Garrowby Singers and The Abbey Belles.

Wednesday, March 4

Elvo Choir, Sounds Fun Singers, In Harmony, Euphonics and Stamford Bridge Community Choir.

Thursday, March 5

Track 29 Ladies Close Harmony Chorus, Cantar Community Choir, York City Harmonisers, Stamford Bridge Singers and York Rock Choir.

Friday, March 6

Ryedale Voices, Eboraca, The Wellbeing Choir, Bishopthorpe Community Choir and Harmonia.

Saturday, March 7, matinee

The Leveson Centre Choir, Fairburn Singers, The Bridge Shanty Crew,The Rolling Tones and York Celebration Singers.

Saturday, March 7, evening

Pocklington Singers, Sound Fellows, Stonegate Singers, Main Street Sound and York Philharmonic Male Voice Choir.

Tickets are on sale on 01904 501935 or at josephrowntreetheatre.co.uk; proceeds go to the Joseph Rowntree Theatre.

Alan Heaven: Pageant Master for York Mystery Plays 2026

In Focus too: York Mystery Plays 2026 volunteer launch event,  Bedern Hall, Bartle Garth, York, March 5, 7.30pm; doors, 7pm. Free entry; all welcome

THE Guilds of York will be the driving force behind the York Mystery Plays in June this year, marking more than 25 years of bringing the medieval plays to the city streets on pageant wagons.

The plays will be staged in procession on Sunday, June 28 and Sunday, July 5, complemented by twilightperformances in the Shambles Market on Tuesday, June 30 and  Wednesday, July 1. A Festival Fringe of various events will run for two weeks from around June 22, leading up to the main performances. 

This summer’s production renews a tradition that has belonged to the people of York for more than 700 years as a defining expression of the city’s history, identity and community spirit.

Produced by York Festival Trust, the 2026 production once again will bring medieval drama into the streets and historic spaces of the city, reconnecting modern York with a cycle of plays first performed by its medieval guilds.

From their earliest beginnings, the Mystery Plays have been a civic undertaking – created by local people, for local people – and that principle remains at the heart of the 2026 revival.

To begin this next chapter, York Festival Trust is inviting the city to a public volunteer launch event, calling on residents from all walks of life to help shape the production.

The event will combine a traditional call-out with a jobs fair-style marketplace, making it clear that there is a place for everyone. Opportunities range from music performance to costume, set and prop making, stewarding, administration and fundraising.

Many roles require no previous experience, only a willingness to contribute time, skills and enthusiasm to a shared civic project.

York Festival Trust chair Roger Lee says: “The Mystery Plays are one of the strongest expressions of York’s collective identity. They only happen because people step forward to give their time and talents. This launch is about opening the door wide and inviting the city to take ownership of the plays once again.”

The launch is open to all ages and backgrounds and is aimed particularly at those who may never have taken part previously. Families, students, craftspeople, historians, performers and those who simply care about York’s heritage are all warmly encouraged to attend.

Those attending will be able to meet members of the production team, led by Pageant Master Alan Heaven, as well as learning about specific volunteer roles and signing up for auditions, workshops and taster sessions taking place later in the year.

Further information on York Mystery Plays 2026 is available at yorkmysteryplays.co.uk  or by emailing volunteer@yorkmysteryplays.co.uk.

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2026 JORVIK Viking Festival ends in the sunlight after drawing 50,000 visitors

Battle lines are drawn at the Eye of York at the 2026 JORVIK Viking Festival. Picture: Jonathan Pow 

THE Norse weather gods looked favourably on the Vikings of York as weeks of rain broke to keep the 2026 JORVIK Viking Festival dry and even sunny.

From January 16 to 22, thousands of visitors descended on the city, where 50,000 people joined in the fun, from the encampment to the spectacular March to Coppergate, a parade of around 450 Vikings.

“This has really been an epic year for JORVIK Viking Festival, with the vast majority of the events sold out before the festival even opened, and really good crowds turning out to enjoy all the free activities and displays we have hosted” said Mark Jackson, head of operations for York Archaeology, the festival organisers.

Despite gloomy forecasts, the rain held off all day last Saturday(21/2/2026) for the large-scale events taking place at the Eye of York. 

From the young warriors-in-training who opened the day with the Kids Barbaric Battle, to the full-grown Viking combatants taking on four rounds of combat in the Battle Spectacular, climaxing with a pyrotechnic display, the public experienced the ferocious side of the Viking invaders.

“The March to Coppergate seemed particularly well supported, with people lining both side of the street the whole way from Dean’s Park to Coppergate, cheering on the marching Vikings as they passed,” said Mark. 

“Indeed, the living history encampment in Parliament Street was packed all week, with the wood turning, blacksmithing and tattooing proving exceptionally popular.  

“It is brilliant to see so many people engaging with this fascinating period in York’s history, and learning a little about how our 10th-century ancestors would have lived.”

On the festival’s closing day (22/2/2026), 10th-century traders traded at Merchant Adventurers’ Hall; children crafted at Barley Hall, and Poo week concluded at DIG on St Saviourgate.  A Fringe event, the Jorvik Tattoo Moot, continued at Merchant Taylors’ Hall and Bedern Hall for those wanting a permanent souvenir of their festival visit. 

The festival finale coincided with the final evening of York BID’s Colour & Light installation at the Eye of York, which told the story of York’s villains and legends through Double Take Projections’ projection on the Castle Museum and Clifford’s Tower, where a familiar Viking name – Eric Bloodaxe – put in an appearance.

JORVIK Viking Festival coincided with the traditional Viking end of winter, when the seasonal makeover at JORVIK Viking Centre, covering the re-creation of Viking-age Coppergate with a thick blanket of snow for A Winter Adventure, concluded too.

JORVIK will close today for “the great thaw”, reopening on Tuesday with the street scenes reverting to their usual spring setting of a May afternoon in the year AD960.

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More Things To Do in York and beyond in half-term week and in the nocturnal skies. Hutch’s List No. 6, from The York Press

The March To Coppergate, when 500 Vikings parade through York city centre on February 21 in a highlight of the 2026 JORVIK Viking Festival

THE Vikings are invading York once more while the Dark Skies Festival is full of stars in Charles Hutchinson’s tips for adventure and artistic discovery.

Festival of the week: JORVIK Viking Festival, York, February 16 to 22

YORK is gearing up for another action‑packed February half‑term as the JORVIK Viking Festival  brings a week of hands‑on history, craft activities and Norse‑themed entertainment to the city’s streets and historic venues.

Organised by York Archaeology, Europe’s largest Viking festival  promises an accessible programme for families, featuring a mix of free drop‑in events and low‑cost bookable sessions designed to spark curiosity in young Vikings and their grown‑ups. The full programme and tickets are available at jorvikvikingfestival.co.uk. 

Milky Way over Ravenscar at the North York Moors National Park Dark Skies Festival. Picture: Steve Bell, North York Moors National Park

Celebrating jewels of the night sky: North York Moors and Yorkshire Dales National Parks Dark Skies Festival, nightly until March 1

NORTH York Moors and Yorkshire Moors National Parks celebrate their 11th Dark Skies Festival this month. Discover activities at night to heighten the senses, such as night runs, canoeing and night navigation, astrophotography workshops, stargazing safaris, children’s daytime trails, art workshops and mindful experiences.

Full details of nocturnal activities at the two International Dark Sky Reserves, at the peak of the stargazing season, can be found at https://www.darkskiesnationalparks.org.uk/north-york-moors-events and https://www.darkskiesnationalparks.org.uk/yorkshire-dales-events.

Day Fever: Turning York Barbican into a dance floor this afternoon

Dance moves on St Valentine’s Day: Day Fever, York Barbican, today, 3pm

FULL of revellers ready to party to the best feelgood music, personally curated by Jon McClure of Sheffield band Reverend And The Makers, the gang behind Day Fever guarantee an afternoon of no-holds-barred fun times and dancing. Box office: yorkbarbican.co.uk.

Fladam Theatre duo Florence Poskitt and Adam Sowter in Astro-Norma And The Cosmic Piano at Helmsley Arts Centre

Children’s show of half-term week: Fladam Theatre in Astro-Norma And The Cosmic Piano, Helmsley Arts Centre, Sunday, 2.30pm

FLADAM Theatre, the York actor-musician duo of Adam Sowter and Florence Poskitt, return with an intergalactic musical adventure ideal for ages four to ten. Meet out-of-this-world pianist Norma, who dreams of going into space, like her heroes Mae Jemison and Neil Armstrong, but children can’t go into space, can they? Especially children who have a very important piano recital coming up.

When a bizarre-looking contraption crash-lands in the garden, is it a bird? Or perhaps  a plane? No and twice no, it’s a piano, but no ordinary piano. This is a cosmic piano! Maybe Norma’s dreams can come true in a 45-minute show packed with awesome aliens, rib-tickling robots, and interplanetary puns that will have children shooting for the stars. Box office: 01439 771700 or helmsleyarts.co.uk.

For whom the Bells toll: The Best Of Tubular Bells I, II & III, York Barbican, Sunday, 7.30pm

THE Best of Tubular Bells I, II & III celebrates Mike Oldfield’s iconic and seminal musical pieces on a 26-date 26 date UK tour featuring an expansive live group, led and arranged by Oldfield’s long-term collaborator Robin Smith.

1973’s Tubular Bells will be performed in full, complemented by extended sections of 1992’s Tubular Bells ll and 1998’s Tubular Bells lll, as well as worldwide hit single Moonlight Shadow. Box office: yorkbarbican.co.uk.

Hottest ticket of 2026 in York: Jodie Comer as defence lawyer Tessa Ensler in Suzie Miller’s Prima Facie at the Grand Opera House. Picture: Rankin

Recommended but sold out already: Jodie Comer in Prima Facie, Grand Opera House, York, February 17 to 21, 7.30pm plus 3pm Thursday and Saturday matinees

JODIE Comer returns to her Olivier and Tony Award-winning role as lawyer Tessa Ensler in the “Something Has To Change” tour of Suzie Miller’s Prime Facie in her first appearance on a North Yorkshire stage since her professional debut in Scarborough as Ruby in the Stephen Joseph Theatre world premiere of Fiona Evans’s The Price Of Everything in April 2010.

Comer’s Tessa is a thoroughbred young barrister who loves to win, working her way up from working-class origins to be at the top of her game: prosecuting, cross examining and lighting up the shadows of doubt in any case. An unexpected event, however, forces her to confront the lines where the patriarchal power of the law, burden of proof and morals diverge. Box office for returns only: atgtickets.com/york.

Thom Feeney in rehearsal for York Settlement Community Players’ Blue Remembered Hills

Child’s play of the week: York Settlement Community Players in Blue Remembered Hills, York Theatre Royal Studio, February 18 to 28, 7.45pm, except Sunday and Monday; 2pm, February 21 and 28

FLEUR Hebditch, former Stephen Joseph Theatre dramaturg for a decade, makes her Settlement Players directorial debut with Dennis Potter’s stage adaptation of his 1979 BBC Play For Today drama.

Seven children are playing in the Forest of Dean countryside on a hot summer’s day in 1943. Each aged seven, they mimic and reflect the adult world at war around them. Their innocence is short lived, however, as reality hits. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Spooky adventure of the week: Flying Ducks Youth Theatre in The Addams Family Musical, Joseph Rowntree Theatre, York, February 19 to 21, 7pm plus 2pm Saturday matinee

YORK company Flying Ducks Youth Theatre undertakes a whimsical, spooky musical adventure into the delightfully dark world of the hauntingly eccentric Addams Family on a night of unexpected revelations.

When Wednesday Addams falls in love with a “normal” boy, chaos ensues. As the two families converge over dinner, secrets are revealed and the true meaning of family is put to the test. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Kathyrn Williams: Opening Mystery Park Tour at Pocklington Arts Centre

Folk gig of the week: Kathryn Williams, Mystery Park Tour 2026, Pocklington Arts Centre, February 20, 8pm

KATHRYN Williams, the Liverpool-born, Newcastle-based folk singer-songwriter, novelist, podcaster, tutor and artist long celebrated for her quiet emotional depth and lyrical precision, promotes her 15th studio album, last September’s Mystery Park, with support and special guest guitarist Matt Deighton in tow.

Opening her 12-date tour in Pocklington, 2000 Mercury Music Prize nominee Williams marks 27 years of diverse, multi-faceted music projects with a reflective, textured work, made in the quiet margins of motherhood and memory, shaped by time’s shifting tides. “This is the most personal record I’ve made,” she says. “The artwork is my own painting, based on the willow pattern from my grandmother’s tea sets. Each part of it ties into the songs: a map of memories.” Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Katherine Jenkins: Playing York Barbican on 25th anniversary tour

Concert announcement of the week: Katherine Jenkins, York Barbican, October 15

WELSH mezzo-soprano Katherine Jenkins, 45, the biggest-selling classical artist of the 21st century, will play York Barbican as the only Yorkshire venue of her 25 Year Anniversary Tour. Tickets will go on sale at 10am on February 20 at https://www.yorkbarbican.co.uk/whats-on/katherine-jenkins-2026/.

“Reaching 25 years in music is incredibly emotional, but this tour is truly a celebration of the fans who have been there from the very beginning,” she says. “To be heading out across the UK and Ireland for 18 special shows feels less like a celebration of a career and more like a reunion with old friends, and I can’t wait to stand on stage, look out into those familiar faces and share it all over again.”

Russell Hicks: In action at Theatre@41, Monkgate, York, and The Wardrobe, Leeds on his This Time It’s Personal tour

In Focus: Comedy gig of the week, Russell Hicks, This Time It’s Personal, Theatre@41, Monkgate, York, tonight, 8pm

LAST year, Russell Hicks was just Happy To Be Here on his tour travels, discussing his life in the UK after moving from the USA.

Now the improvisational Californian comedian is looking inwards on his latest tour that visits Theatre@41, Monkgate, York, tonight and The Wardrobe, Leeds, on February 22 (7.30pm). “This year it’s about…me. I’m back. And This Time It’s Personal,” he says, explaining the show title.

Deciding to leave the Trump-era politics to the likes of Jon Stewart, “I thought I would talk about more personal things, which is a challenge because I’m reactive to the climate, having done this thing of being a fish out of water [in Happy To Be Here].

“I’ve done that thing of discussing British culture through an American perspective on Instagram and Facebook, and I write Dear Diary entries about moving to Britain. I’ve done stuff on Marmite and Wetherspoons, as an American who knows nothing about this culture and is very honest about it, but they’re mostly just jokes.

“Like in America, I’m seen as a drinker; in England, I’m a legend (when it comes to drinking). That gave me an outline to talk about the UK versus the USA, and having done that, now I’m looking at myself in my new show, trying to sharpen my perspective, where I’m 42 now and so you get to the point where you’re more reflective.”

Russell continues: “That’s kind of the hallmark of being this age. At 35/40, people are starting to look at where they are and what got them there, good or bad. As in any culture, there is so much attention paid to early choices and early paths through life, but then there’s no guide to what to do in a capitalist society after 40. Then it’s just about maintenance.”

Do not mistake This Time It’s Personal for a navel-gazing exercise. “I’m very sensitive that that might be boring, where people do this show that can best summed up as ‘why I’m not successful’. But in my show, I’m celebrating being a comic and the experiences that I have,” says Russell.

“An audience member once came up to me and said, ‘comedians are like university drop-outs: they’re smart but they make the worst choices’. In a comedy club, I’m always in the moment, but then once I’m outside, I’ll look at what makes me uncomfortable. It’s that thing of thinking that you’re talking about yourself but actually you’re talking about all of us.”

As ever, Russell will be weaving improvisation into his shows in York and Leeds. “Improvisation, for me, is just something that’s inevitable. It’s the only way that I know how to perform, bringing in more as I talk about myself, and I’m always happy to find something in the room and then go off track,” he says.

“It’s just exciting. There’s a purity of connection. Being on stage, it’s the closest you get to hanging out with someone, making them laugh.”

As for the jokes, “I always know a joke’s really worked when they’re laughing uncontrollably at something and then have a hard time trying to re-tell it!” he says.

One final question: do you have any memories of past York visits, Russell? “One night in York, I went on a ghost walk before the show, then died on stage. I was like my own ghost that night!”

Box office: York, tickets.41monkgate.co.uk/; Leeds, https://ticket247.co.uk/Event/russell-hicks-at-the-wardrobe-leeds-486754.

Russell Hicks: Comedian, actor, writer

Russell Hicks: back story

Born: San Diego, California.

 Based: London.

Occupation: Exuberant, provocative stand-up comedian noted for weaving improvisation into material, and writer of weekly journals of life as an ex-pat.

Appeared on: Channel 4, BBC and ITV.  Starred as loveable Texan Coach Hughes in Prime Video series Lovestruck High, narrated by Lindsay Lohan. Written for and starred in ITV’s Stand Up Sketch Show. Won Channel 4 competition series Captive Audience with his fully improvised stand-up.

Track record: Won Prague Fringe Festival 2024. Headlined at every major UK club, including The Stand, Glee Club and Up The Creek. Residency at Top Secret Comedy Club in London. Comperes at Leeds and Reading Festival. Curates indie venues, historic theatres such as Hammersmith Apollo, and private members clubs. Endorsed as Global Talent by Arts Council England in 2022.

What else? Regularly entertains studio audiences at Have I Got News For You, The Last Leg and As Yet Untitled. Works Stateside with legendary Hollywood clubs The Comedy Store, The Improv and The Laugh Factory. As voice actor, he has lent his voice to Sky Comedy and Great Big Story and works for international brands in global campaigns.

Still more? Presenter on Yahoo Entertainment. Opens shows regularly for friends Axel Blake (2022 winner of Britain’s Got Talent), Simon Brodkin and Al Murray. Multiple film roles include appearing Edgar Wright’s The Running Man (2025) and Amazon MGM Studios romantic comedy Maintenance Required (2025) on Amazon Prime. Posts Dear Diary series on Instagram, gaining millions of views.

Previous tours: The Age Of Hicks, 2022; Next Level, 2023; first national UK itinerary, Happy To Be Here, 2024-2025, discussing his life in the UK.

Latest tour: This Time It’s Personal, January 23 to June 5.

Reflection of the day: “I still can’t believe I get to make people laugh for a living, travel the world and, most importantly, not wake up early on Monday mornings.”

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Beverley & East Riding Early Music Festival 2026 announces Mysteries & Miracles programme. Who will be playing in May?

The Tallis Scholars: Performing Mysteries and Miracles at Beverley Minster on May 23. Picture: Hugo Glendinning

TICKETS are on sale for Beverley & East Riding Early Music Festival 2026, running from May 22 to 24 with the theme of Miracles & Mysteries.

Celebrating music and new partnerships in its 38th year, this annual festival is a ‘jewel in the crown’ of Beverley’s musical calendar, attracting visitors and residents to enjoy concerts and talks by experts and participate in workshops.

Each year, the festival attracts international musicians of the highest quality and is well known for seeking out and nurturing emerging talent, as well as drawing on this historic East Riding market town’s medieval musical tradition.

This year’s theme of Miracles & Mysteries intertwines the story of St John of Beverley, one of the most powerful miracle-workers in England in medieval times, with music by the world-renowned Tallis Scholars and a host of musicians from across the UK and Europe.

There are more ways than ever to participate in the music this year with young people invited to join in the fun both before and during the festival. In a new partnership with East Riding Libraries, the festival will be on the road with Baroque Around The Books, staging free concerts at Pocklington Library, on May  11, 11am, Market Weighton Library, May 11, 2pm, Goole Library, May 12, 11am, and Beverley Library, May 12, 4pm.

The scheme began in 2023 in York, where it has been a big success and has featured a variety of outstanding ensembles. This year, the Beverley festival is delighted to welcome Dowland’s Foundry lutenist Sam Brown and tenor Daniel Thomson, who will perform a free concert mixing music by Dowland and Morley with words by William Shakespeare. More details can be found at www.ncem.co.uk/baroque-around-the-books.

After a series of bespoke workshops in East Riding Schools, recorder wizards Palisander Recorder Ensemble will stage a pre-festival concert for all the family, Recorder Revolution!, at Beverley Memorial Hall on March 17 at 6.30pm. Cue magical music-making with an array of recorders ranging from six inches to six feet tall; more details at palisanderrecorders.com.

Rune: Lost In Contemplation concert on May 24

The three-day festival will open on May 22 with Près de Votre Oreille, directed by gamba specialist Robin Pharo, presenting Lighten Mine Eies as part of a European tour in this northern premiere by the French instrumental ensemble at St Mary’s Church at 7.30pm.

The evening will feature music by William Lawes, who enjoyed a brief but dazzling career as a singer and lutenist to Charles I.

Près de Votre Oreille’s European tour is backed by the Centre National de la Musique (CNM) with the support of Institut Français du Royaume-Uni. The ensemble’s main sponsor is the Société Générale Foundation, with further support from the Orange Foundation.

The Tallis Scholars, directed by Peter Phillips, will perform Mysteries and Miracles, a programme that highlights the festival theme through music inspired by the stories of the life of Christ, at Beverley Minster on May 23.

Suited to the Minster’s glorious acoustics, the 7.30pm concert will begin with a depiction of Christ’s birth as envisaged by two of the Renaissance’s most renowned composers, Gabrieli and Victoria.

The Telling will present Purcell: The Musical, featuring Niall Ashdown as Purcell, soprano Héloise Bernard and violinist Joanna Lawrence, in a return to the East Riding Theatre, Beverley, on May 24 at 7.30pm after performing Into the Melting Pot there previously.

This drama, based on the life of 17th-century London composer Henry Purcell, features assorted instrumental and vocal compositions by Purcell, from bawdy theatre ballads and joyful celebrations of love to slow airs and numbers from his semi-operas.

Beverley & East Riding Early Music Festival director Delma Tomlin

The festival’s focus on emerging young talent will complement three NCEM Platform Artists, Pseudonym, Intesa and Rune, with the newly appointed New Generation Baroque Ensemble, Bellot Ensemble, who are supported by BBC Radio 3, the Royal College of Music and the National Centre for Early Music, York.

On May 23, at St Mary’s Church, Pseudonym’s Liane Sadler, flutes, Maya Webne-Behrman, violin, Stephen Moran, gamba, and Gabriel Smallwood, harpsichord, will perform Discret et Distrait at 1pm.

After performing in York in 2024 and at an Antwerp showcase last summer, this endearing young ensemble will return to the UK to play 18th-century French music in a sophisticated intermingling of Italian virtuosity and Polish folk rhythms, featuring works by Couperin, Rameau and Telemann.

This concert is made possible thanks to EFFEA’s artist-in-residence Discovery programme, in partnership with AMUZ, Antwerp and Early Music Sweden.

On May 23, at St Mary’s Church, Intesa’s Nathan Giorgetti and Lucine Musaelian (viols and voice) will celebrate their union between Armenian and Italian traditions in Voices Of San Lazzaro at 4pm.

Intesa will explore the connections between sacred and secular love, both in their pain and redemption, highlighting the Armenian story of faith and the women’s story of misunderstanding.

On May 24, in The Quire at Beverley Minster, Rune will perform Lost In Contemplation with a line-up of Angela Hicks soprano, Daniel Thomson tenor, May Robertson voice and vielle, Jean Kelly harp, and Daniel Scott, recorder and positive organ.

Bellot Ensemble: From The Sound Of Battle To The Silence Of Peace

At 3pm, four remarkable medieval miracle stories will be paired with music from across Europe. From the contemplative vision of Ero the monk and Saint Elizabeth’s Miracle of the Roses, to English songs honouring the Virgin Mary and the extraordinary life of Joseph of Schönau, these tales reveal the medieval imagination at its most profound, accompanying stories that explore faith, transformation and the intersection of the miraculous with human experience.

On May 24, at Toll Gavel United Church, Bellot Ensemble will undertake a vivid journey from the clamour of conflict to the quiet miracle of peace in From The Sound Of Battle To The Silence Of Peace.

Edmund Taylor and Maxim Del Mary, violins, Nathan Giorgetti and Lucine Musaelian, viola da gambas, Daniel Murphy, theorbo, baroque guitar and lute, and Matthew Brown, keyboards, will perform music by Lawes, Schmelzer, Biber and Falconieri in a 5pm concert to be recorded for broadcast by BBC Radio 3.

Festival director Delma Tomlin says: “We’re very excited to be returning to Beverley for what promises to be a spectacular weekend of music in one of the UK’s most beautiful settings, celebrating the extraordinary wealth of the medieval musical traditions of the town.

“This year’s theme is Miracles & Mysteries, presenting a line-up of international concerts of the highest quality, including our opening concert by Près de Votre Oreille, made possible by our partnership with France.

“The festival also provides a showcase for young talent with Bellot Ensemble, the current New Generation Baroque Ensemble, and NCEM Platform Artists, Pseudonym, Intesa and Rune. Finally, thanks to a new partnership with East Riding Libraries, we’ll be ‘on the road’ for the very first time in Beverley, with Baroque Around The Books, when music lovers can enjoy free concerts by Dowland’s Foundry in several of the region’s libraries.”

Find the full programme at https://www.ncem.co.uk/whats-on/bemf/. Tickets are on sale on 01904 658338, at ncem.co.uk, via email to boxoffice@ncem.co.uk or in person from Beverley Tourist Information Centre, Customer Service Centre, Champney Road, Beverley, HU17 8HE.

The artwork for Beverley & East Riding Early Music Festival 2026

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What’s On in Ryedale, York and beyond. Hutch’s List No. 5, from Gazette & Herald

Two into one won’t go: Lisa Faulkner’s Allie, left, and Kym Marsh’s Hedy in Single White Female. Picture: Chris Bishop

AN update of a Nineties’ psychological thriller and a panto dame’s transformation into a dog top Charles Hutchinson’s  cultural picks for early February and beyond.

World premiere tour of the week: Single White Female, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm matinees today and Saturday

SCREEN actress, 2010 Celebrity MasterChef winner, TV presenter, chef and cookery book author Lisa Faulkner returns to the stage for the first time in 21 years in Rebecca Reid’s darkly humorous stage adaptation of psychological thriller Single White Female, now updated to the social-media age.

Faulkner’s recently divorced mum Allie is balancing being a single parent with the launch of her tech start-up. When she decides to advertise for a lodger to help make ends meet, Kym Marsh’s Hedy offers her a lifeline, but as their lives intertwine, boundaries blur and a seemingly perfect arrangement begins to unravel with chilling consequences. Box office: atgtickets.com/york.

Viking illumination: Colour & Light celebrates Eric Bloodaxe at York Castle Museum. Picture: David Harrison

Illumination launch of the week: Colour & Light, York Castle Museum and Clifford’s Tower, York, today to February 22, 6pm to 9pm

YORK BID is bringing Colour & Light back for 2026 on its biggest ever canvas. For the first time, two of York’s landmark buildings will be illuminated together when York Castle Museum and Clifford’s Tower become the combined canvas for a fully choreographed projection show, transforming the Eye of York.

Presented in partnership with York Museums Trust and English Heritage, the continuous, looped, ten-minute show will bring York’s historic characters to life in a family-friendly projection open to all for free; no ticket required.

Matt Tapp’s ‘Wild’ Bill Hickok and Helen Gallagher’s ‘Calamity’ Jane in Joseph Rowntree Theatre Company’s Calamity Jane

Musical of the week: Joseph Rowntree Theatre Company in Calamity Jane, Joseph Rowntree Theatre, York, tonight to Saturday, 7.30pm plus 2.30pm Saturday matinee

HELEN Gallagher’s tough talkin’, gun-totin’ heroine ‘Calamity’ Jane and Matt Tapp’s former peace-officer ‘Wild’ Bill Hickok lead director Sophie Cooke’s cast for Sammy Fain and Paul Francis Webster’s musical Calamity James.

Deadwood’s citizens are content with their ways of life: supporting their fort of soldiers and socialising at the beloved Golden Garter saloon. However, when a new face blows in from the Windy City to create a stir, friendships will be formed, long-time loyalties tested and perhaps even secret love revealed. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Alexander Flanagan Wright in Wright & Grainger’s Helios at Theatre@41, Monkgate, York

Ancient & modern drama of the week: Wright & Grainger in Helios, Theatre@41, Monkgate, York, tomorrow, 7.30pm

EASINGWOLD theatre-makers Alexander Flanagan Wright and Phil Grainger begin their new partnership with Theatre@41 by re-visiting Helios, wherein a lad lives half way up a historic hill, a teenager is on a road trip to the city in a stolen car and a boy is driving a chariot, pulling the sun across the sky.

In Wright’s story of the sun god’s son, Helios transplants the Ancient Greek tale into a modern-day myth wound around the winding roads of rural England and into the everyday living of a towering city. “It’s a story about life, the invisible monuments we build to it, and the little things that leave big marks,” he says. Box office: tickets.41monkgate.co.uk.

Robin Simpson in rehearsal for Catherine Dyson’s The Last Picture, premiering at York Theatre Royal Studio

Solo show of the week: The Last Picture, York Theatre Royal Studio, tomorrow to February 14, except February 8, 7.45pm, plus Wednesday and Saturday 2pm matinees

ROBIN Simpson follows up his sixth season as York Theatre Royal’s pantomime dame by playing a dog in York Theatre Royal, ETT and An Tobar and Mull Theatre’s premiere of Catherine Dyson’s The Last Picture, directed by John R Wilkinson.

Imagine yourself in a theatre in 2026. Now picture yourself as a Year 9 student on a school trip, and then as a citizen of Europe in 1939 as history takes its darkest turn. While you imagine, emotional support dog Sam (Simpson’s character) will be by your side in a play about empathy – its power and limits and what it asks of us – built around a story of our shared past, present and the choices we face today. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Simeon Walker: Inviting his audience to gather around the piano at Helmsley Arts Centre

Pianist of the week: Simeon Walker, An Evening Around The Piano, Helmlsey Arts Centre, Friday, 7.30pm

LEEDS modern classical pianist and composer Simeon Walker performs in Great Britain and Europe, while notching 50 million streams across online platforms and having his music played on BBC Radio 3 and Classic FM.

Walker, who has a keen interest in jazz, folk and ambient music too, has collaborated on interdisciplinary work with artist Mary Griffiths, Portuguese choreographer Sara Afonso, writer Emma White and filmmakers Will Killen and Ben Cohen, plus BBC Radio 4 and University of Leeds. His concerts span moments of quiet, gentle solitude to boisterous, flowing exuberance. Box office: 01439 771700 or helmsleyarts.co.uk.

Julie Carter: Addressing themes of feminism, land rights, ageism and ableism, history and literature in The Dreamtime Fellrunner

Wellbeing on the run: Julie Carter, The Dreamtime Fellrunner, Milton Rooms, Malton, February 12, 7.30pm

IN her first theatre show, poetry and creative non-fiction author Julie Carter charts her running exploits on the Lakeland fells in this moving and humorous account of being an athlete with a physical disability in the form of a developmental disease of the spine.

Presenting fell running as a type of land art and spiritual practice, Carter emphasises body-mind-spirit-place connections while addressing themes of feminism, land rights, ageism and ableism, history and literature, in a 60-minute immersive performance supported by original music, topped off by second-half opportunities for discussion and reflections on wellbeing and the ways we inhabit our environments. Box office: 01653 696240 or themiltonrooms.com.

Mark Stafford: Solo performance at the double in The Strange Case Of Dr Jekyll & Mr Hyde at Helmsley Arts Centre

Split personality of the month: Mark Stafford in The Strange Case Of Dr Jekyll & Mr Hyde, Helmsley Arts Centre, February 21, 7.30pm

PUBLISHED in 1886, Robert Louis Stevenson’s gothic mystery tale of the timeless conflict between good and evil is performed by Mark Stafford in his compelling and faithful adaptation.

In fog-bound Victorian London, respectable lawyer Gabriel Utterson is concerned by a strange clause in his friend Henry Jekyll’s will, whereupon he investigates the sinister Edward Hyde, Jekyll’s unlikely protégé. Convinced that Jekyll and Hyde’s relationship is founded on blackmail, Utterson finds the truth to be far worse than he could have ever imagined. Box office: 01439 771700 or helmsleyarts.co.uk.

The poster for Saturday’s EQUUS UK Film & Arts Fest’s day of equine films at Helmsley Arts Centre

In Focus: EQUUS UK Film & Arts Fest, Helmsley Arts Centre, Saturday, Block 1, 12 noon to 2.16pm; Block 2, 3.30pm to 5.07pm; Block 3, 7pm to 9.45pm

HELMSLEY Arts Centre, in collaboration with Ryedale Bridleways Group, presents the first British screening of the EQUUS UK Film & Arts Festival this weekend. 

Founded in 2013 by Illinois equestrian Lisa Diersen, who has spent her life in the company of horses, EQUUS aims to show the world how horses can bring everyone together regardless of race, age, gender, abilities or disabilities. 

Saturday’s event comprises two afternoon blocks of short films, exhibitions from Ryedale artists and an evening showing of the 96-minute feature film Big Star, The Nick Skelton Story.

Showing from 12 noon will be Horse & Human Connection, featuring Wings Of Angels, Healing Horses In Mongolia, Heart Of Compton and My Life Between The Reins.

The Wild Horse Collection, from 3.30pm, presents American Mustang (music video), Wild Heart  Mustang Book Project, Wild Horse Refuge “Dahtetse”, A Mustang Story promo, Okanagan Wild, Hellbent, Evoke and Renegade.

The Big Star Collections opens at 7pm with Healing In The Open, followed by Inside The In Gate and Unstable. After a 15-minute interval, Big Star will close the event.

Tickets for single blocks or the whole day are available on 01439 771700 or at helmsleyarts.co.uk.

An equine photograph from Valerie Mather’s 2025 trip to the USA

AMONG the exhibitors at Saturday’s EQUUS UK Film & Arts Fest event will be Yorkshire lawyer-tuned- portrait, documentary and travel photographer Valerie Mather.

“After a successful career in law, I retired early to pursue a lifelong passion for photography,” she says. “I learned to ride (English style) as a child but was brought up watching Western movies on television and longed to see for myself the real cowboys and cowgirls of the American West.

“That dream came true in 2025 when I visited the United States and spent time at the McCullough Peaks wild horse area and the Shoshone National Forest ranchlands in Wyoming. “

Another of Valerie Mather’s McCullough Peaks photographs on show at Helmsley Arts Centre on Saturday

Did you know?

RYEDALE Bridleways Group (RBG) covers the Ryedale district and North York Moors National Park. Activities include fundraising events, such as equestrian talks and films. RBG works with local authorities to seek to resolve issues on bridleways and Countryside Access Service Unsurfaced Unclassified Roads, as well as carrying out practical work such as bridleway clearances and  surveys.

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More Things To Do in and around York as Colour & Light illuminates winter nights. Hutch’s List No. 4, from The York Press

Dame for a laugh anew: Graham Smith returns to the pantomime stage with Shiptonthorpe Community Theatre

A PANTO dame’s return and another’s transformation into a dog top Charles Hutchinson’s  cultural picks for early February and beyond.

Pantomime of the week: Shiptonthorpe Community Theatre in Robin Hood And The Babes In The Wood, Shiptonthorpe Village Hall, Shiptonthorpe, near Market Weighton, today, 3pm and 7pm; Sunday, 2pm; February 6 and 7, 7pm

GRAHAM Smith, Rowntree Players’ pantomime dame from 2004 to 2022, pulls on the frocks once more after a three-year hiatus in the York guest house proprietor’s debut for East Riding company Shiptonthorpe Community Theatre.

He plays Nellie Nickerlastic in Richard Waud’s production of Robin Hood And The Babes In The Wood, joined in principal roles by Neil Scott’s King Richard, Toby Jewsen’s Robin Hood, Chris McKenzie’s Little John, Henry Rice’s Will Scarlett, Paul Jefferson’s Friar Tuck, Alison Rosa’s Sheriff of Nottingham and Chloe Jensen’s Maid Marion. Tickets: 07922 443639 or email richardwaud@yahoo.co.uk.

Femme Fatale Faerytales: Dark feminist re-telling of age-old classic

A homecoming, a haunting, a holy rebellion: Femme Fatale Faerytales present Mary, Mary, Fossgate Social, Fossgate, York, February 1 and 2, 8pm (doors 7pm)

MARY, Mary quite contrary, wouldn’t you like to know how her garden grows? Step into the fairytale world of Femme Fatale Faerytales as Sasha Elizabeth Parker unveils a dark, lyrical, feminist re-telling of an age-old classic. Part confession, part ritual, part bedtime story for grown-ups, Mary, Mary invites you to meet the woman behind the nursery rhyme in all her wild, untamed, contrary glory.

In her York debut, expect enchanting storytelling, poetic prophecy and a subversive twist on the tales you thought you knew on two intimate, atmospheric nights in one of York’s cult favourite haunts. Box office: wegottickets.com. Box office: wegottickets.com.

Kym Marsh’s Hedy, left, and Lisa Faulkner’s Allie in Rebecca Reid’s updated version of Single White Female, on tour at the Grand Opera House, York

World premiere tour of the week: Single White Female, Grand Opera House, York, February 3 to 7, 7.30pm plus 2.30pm Wednesday and Saturday matinees

SCREEN actress, 2010 Celebrity MasterChef winner, TV presenter, chef and cookery book author Lisa Faulkner returns to the stage for the first time in 21 years in Rebecca Reid’s darkly humorous stage adaptation of psychological thriller Single White Female, now updated to the social-media age.

Faulkner’s recently divorced mum Allie is balancing being a single parent with the launch of her tech start-up. When she decides to advertise for a lodger to help make ends meet, Kym Marsh’s Hedy offers her a lifeline, but as their lives intertwine, boundaries blur and a seemingly perfect arrangement begins to unravel with chilling consequences. Box office: atgtickets.com/york.

Colour & Light: Illuminating Clifford’s Tower and York Castle Museum from February 4

Illumination launch of the week: Colour & Light, York Castle Museum and Clifford’s Tower, February 4 to 22, 6pm to 9pm

YORK BID is bringing Colour & Light back for 2026 on its biggest ever canvas. For the first time, two of York’s landmark buildings will be illuminated together when York Castle Museum and Clifford’s Tower become a combined stage for a fully choreographed projection show, transforming the Eye of York.

Presented in partnership with York Museums Trust and English Heritage, the continuous, looped, ten-minute show will bring York’s historic characters to life in a family-friendly projection open to all for free; no ticket required.

Matt Tapp’s ‘Wild’ Bill Hickok and Helen Gallagher’s ‘Calamity’ Jane in Joseph Rowntree Theatre Company’s Calamity Jane

Musical of the week: Joseph Rowntree Theatre Company in Calamity Jane, Joseph Rowntree Theatre, York, February 4 to 7, 7.30pm plus 2.30pm Saturday matinee

HELEN Gallagher’s tough talkin’, gun-totin’ heroine ‘Calamity’ Jane and Matt Tapp’s former peace-officer ‘Wild’ Bill Hickok lead director Sophie Cooke’s cast for Sammy Fain and Paul Francis Webster’s musical Calamity James.

Deadwood’s citizens are content with their ways of life: supporting their fort of soldiers and socialising at the beloved Golden Garter saloon. However, when a new face blows in from the Windy City to create a stir, friendships will be formed, long-time loyalties tested and perhaps even secret love revealed. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Alexander Flanagan Wright in Wright & Grainger’s Helios at Theatre@41, Monkgate

Ancient & modern  drama of the week: Wright & Grainger in Helios, Theatre@41, Monkgate, York, February 5, 7.30pm

EASINGWOLD theatre-makers Alexander Flanagan Wright and Phil Grainger begin their new partnership with Theatre@41 by re-visiting Helios, wherein a lad lives half way up a historic hill, a teenager is on a road trip to the city in a stolen car and a boy is driving a chariot, pulling the sun across the sky.

In Wright’s story of the son of the sun god, Helios transplants the Ancient Greek tale into a modern-day myth wound around the winding roads of rural England and into the everyday living of a towering city. “It’s a story about life, the invisible monuments we build to it, and the little things that leave big marks,” he says. Box office: tickets.41monkgate.co.uk.

Robin Simpson in rehearsal for Catherine Dyson’s The Last Picture, premiering at York Theatre Royal Studio

Solo show of the week: The Last Picture, York Theatre Royal Studio, February 5 to 14, except February 8, 7.45pm, plus Wednesday and Saturday 2pm matinees

ROBIN Simpson follows up his sixth season as York Theatre Royal’s pantomime dame by playing a dog in York Theatre Royal, ETT and An Tobar and Mull Theatre’s premiere of Catherine Dyson’s The Last Picture, directed by John R Wilkinson.

Imagine yourself in a theatre in 2026. Now picture yourself as a Year 9 student on a school trip, and then as a citizen of Europe in 1939 as history takes its darkest turn. While you imagine, emotional support dog Sam (Simpson’s character)will be by your side in a play about empathy – its power and limits and what it asks of us – in a story of our shared past, present and the choices we face today. Box office: 01904 623568 or yorktheatreroyal.co.uk.

The poster for Super Furry Animals’ summer concert at York Museum Gardens

Gig announcement of the week: Live At York Museum Gardens presents Super Furry Animals, York Museum Gardens, July 11

FUTURESOUND completes the line-up for its third Live At York Museum Gardens season with Welsh art-rock icons Super Furry Animals, celebrating more than 30 years together with multicolour hits and off-piste deep cuts, lovingly handpicked from  nine albums.

Gruff Rhys, Huw Bunford, Cian Ciarán, Dafydd Ieuan and Guto Pryce are returning to the concert platform in 2026 for the first time in ten years. Joining them in York will be special guests Baxter Dury, Los Campesinos!, Divorce and Pys Melyn. Tickets for SFA, along with Liverpool’s  Orchestra Manoeuvres In The Dark on July 9 and South Yorkshire ’s Self Esteem on July 10, are on sale at futuresoundgroup.com/york-museum-gardens-events.

Super Furry Animals: Playing first concerts in ten years in 2026, including Live At York Museum Gardens headline show

In Focus: Norwell Lapley Productions in Tales From Acorn Wood, York Theatre Royal, February 3 to 5

JULIA Donaldson and Axel Scheffler’s beloved Tales From Acorn Wood stories are brought to life in an enchanting lift-the-flap experience where poor old Fox has lost his socks. Are they in the kitchen or inside the clock?

Rat-a-tat-tat! Who’s keeping tired Rabbit awake in a children’s show that also invites you to join in with Pig and Hen’s game of hide-and-seek and discover the special surprise that Postman Bear is planning for his friends. 

Rabbit’s Nap in Tales From Acorn Wood

Packed full of songs, puppetry and all the friends from Acorn Wood, this show featuring Fox’s Socks, Rabbit’s Nap, Hide-and-Seek Pig and Postman Bear comes from the team behind Dear Zoo Live and Dear Santa.

Writer Julia Donaldson says: “I am really happy that the Tales From Acorn Wood are now moving to the stage. Fans of the books are bound to enjoy seeing the four main characters,  Fox, Bear, Pig and Rabbit, brought to life through Norwell Lapley Productions’ clever staging.

“Live performance and songs are both very close to my heart and I am sure this production will delight children and families.” Performances: Tuesday, 1.30pm; Wednesday and Thursday, 10.30am and 1.30pm. Box office: 01904 623568 or yorktheatreroyal.co.uk. Age guidance: One plus.

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Prof Phil Wood appointed chair of NCEM’s charitable arm York Early Music Foundation

Professor Phil Wood outside the National Centre for Early Music

PROFESSOR Phil Wood is the new chair of the National Centre for Early Music’s charitable arm, the York Early Music Foundation.

Phil worked for the National Health Service for more than 30 years as a doctor, consultant and medical leader in Newcastle, Birmingham and Leeds, most recently as chief executive of Leeds Teaching Hospitals and chair of the Leeds Academic Health Partnership.

He is a member of the international advisory board of the Business School at the University of Leeds, where he holds an honorary professorship, and a longstanding York resident with a passionate belief in the contribution of the arts and culture in enhancing societal wellbeing.

The NCEM, in the renovated church of St Margaret’s, Walmgate, stages a year-round programme of concerts and educational opportunities in York, three festivals of early music annually in Yorkshire (two in York, one in Beverley) and a nationwide artists’ development programme.

Representing UK’s early music scene on the European stage, the NCEM is a core member of the European Early Music Network, REMA, with established partnerships in Flanders, Spain and France. 

Highlights of the calendar include the biennial York Early Music International Young Artists Competition and the annual NCEM Composers Award, run in association with BBC Radio 3.

 NCEM director Dr Delma Tomlin says: “We feel very honoured to have Phil as our new chair as we begin an important year at the National Centre for Early Music, when we’ll be celebrating the 50th  anniversary of the creation of the York Early Music Festival. 

“Phil brings with him a wealth of skills and experience and a great passion for our work promoting early music to the widest possible audiences and nurturing the development of emerging talent.” 

Professor Wood says: “I’m thrilled to take on the role of chair at the National Centre for Early Music at this exciting time. This award-wining organisation is world renowned as a centre of excellence and innovation, celebrating not just early music but many different genres and with a broad commitment to community engagement and widening participation.

“I look forward to working with them as chair and of course enjoying some wonderful music with our audiences.”

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More Things To Do in York and beyond. Hutch’s List No 2 from The York Press

IN his second guide to the New Year, Charles Hutchinson picks out upcoming highlights on January’s calendar and beyond.

Mike Newall: Topping Laugh Out Loud Comedy Club bill

Comedy gig of the week: Laugh Out Loud Comedy Club, The Basement, City Screen Picturehouse, York, tonight, 8.30pm

WHEN Mancunian Mike Newall appeared on Britain’s Got Talent, judge Simon Cowell said it was like an Oasis concert where the music ran out and Liam decides to tell a few jokes.

Now, this storyteller with a breezy, casual style headlines tonight’s Laugh Out Loud bill, joined by affable charmer Peter Otway, observational Pete Phillipson, with his tales of misfortune and frustrations at the minutiae of everyday life, and host and promoter Damion Larkin. Box office: https://lolcomedyclubs.co.uk.

Ilaria Passeri: Darkly comic storytelling show for grown-ups at Rise@Bluebird Bakery

Storyteller of the week: Ilaria Passeri in Under The Lamp Post, Rise@Bluebird Bakery, Acomb, York, tonight, 8.30pm (doors 7.30pm)

MANCHESTER writer and performer Ilaria Passeri steps into the darkly comic world of Under The Lamp Post, a captivating storytelling show for grown-ups that undertakes a journey sparked by a gift bag of ashes and fuelled by the eccentricity of a unique family as poignant reflection combines with finding humour in unexpected places.

Imagine navigating grief with puppets, a particular kind of pickled onion and the sort of inappropriate fancy dress that becomes a cherished and weirdly unforgettable memory in a 65-minute exploration of life, death and the beautifully absurd, produced by sitcom veteran Michel Jacob. Box office: bluebirdbakery.co.uk/rise.

John Mackay as Arthur Kipps, left, and Daniel Burke as The Actor in The Woman In Black, on tour at the Grand Opera House, York. Picture: Mark Douet

Ghostly return of the week: PW Productions present The Woman In Black, Grand Opera House, York, January 13 to 17, 7.30pm plus 2.30pm Thursday and Saturday matinees

FIRST staged in 1987 in a pub setting by the Stephen Joseph Theatre, Scarborough, Stephen Mallatratt’s adaptation of Susan Hill’s ghost story returns to the Grand Opera House two years to the month since its last visit.

Elderly lawyer Arthur Kipps (played by John Mackay) is obsessed with a curse cast over his family by the spectre of a “Woman in Black”. Whereupon he engages a sceptical young actor (Daniel Burke’s The Actor) to help him tell his terrifying story and exorcise the fear that grips his soul, but as they delve into his past, the boundaries between fiction and reality begin to blur. Box office: atgtickets.com/york.

Cellist Eloise Ramchandani: Performing Saint-Saens programme with pianist Robert Gammon at St Chad’s Church

Dementia Friendly Tea Concert of the week: Eloise Ramchandani and Robert Gammon, St Chad’s Church, Campleshon Road, York, January 15, 2.30pm

ELOISE Ramchandani gives an all Saint-Saëns cello recital, accompanied by pianist Robert Gammon. The 45-minute programme includes the well-loved The Swan, the lively Allegro Appassionato and the beautiful Cello Concerto No. 1.

Ideal for those who may not feel comfortable at a formal classical concert, the relaxed recital will be followed by tea, coffee and homemade cakes in the church hall. Seating is unreserved; no charge applies but donations are welcome.

Death Of Gesualdo: Tableaux Vivants and The Gesualdo Six team up for world premiere at NCEM

World premiere of the month: Death Of Gesualdo, Gesualdo Six with Tableaux Vivants, National Centre for Early Music, York, January 18 and 19, 6.30pm

THE Gesualdo Six reunite with director Bill Barclay for the world premiere of a daring new successor to international hit Secret Byrd. Featuring six singers, six actors and a puppet, Death Of Gesualdo creates living tableaux that illuminate the life and psyche of madrigalist Carlo Gesualdo, a tortured genius most famous for murdering his wife and her lover in an explosive fit of jealousy, but revered among composers for anticipating chromaticism by 200 years.

This is the boldest look yet at how the life and sometimes chilling music of this enigmatic prodigy must function together for the true Gesualdo to emerge from the shadows. Box office: 01904 658338 or ncem.co.uk.

Grace Petrie: Not the time for panicking at The Crescent. Picture: Fraser West

Comedy-folk combination of the month: Little Wander and Say Owt present Grace Petrie, This Is No Time To Panic!, January 18, The Crescent, York, 7.30pm

DO you like protest songs? Neither does Grace Petrie – and she has been singing them for 15 “politically disastrous” years. No longer able to meet the desperate hopes of left-wing audiences, the “British folk scene’s funniest lesbian” reckons there is no better time for a feel-good show.

After making her stand-up debut in 2022 with Butch Ado About Nothing, she combines music and comedy for the first time in This Is No Time To Panic! “I know folk songs can’t save the world, and neither can stand-up, but both at the same time?” ponders Petrie. “Read it and weep, Putin!” Box office for returns only: thecrescentyork.com.  

John Doyle: Directing The Secret Garden The Musical on his return to York Theatre Royal this spring

Welcome back for garden re-wilding: The Secret Garden The Musical, York Theatre Royal, March 17 to April 4

TONY Award-winning John Doyle, artistic director of York Theatre Royal from 1993 to 1997, will return to his old patch to stage his trademark actor-musician interpretation of Frances Hodgson Burnett’s The Secret Garden in a new revival of the Broadway musical with a score by Lucy Simon and book and lyrics by Marsha Norman.

In 1906 North Yorkshire (North Riding, as was), newly orphaned Mary Lennox is sent to Misselthwaite Manor to live with her widowed uncle in a moorland house of memories and spirits. Determined to breathe new life into her aunt’s mysterious neglected garden, she makes new friends while learning of the power of connection and the restorative magic of nature.  Box office: 01904 623568 or yorktheatreroyal.co.uk.

Amber Davies in the poster for her lead role in Legally Blonde The Musical, visiting the Grand Opera House, York, in April

Casting announced for: Made At Curve presenting Legally Blonde The Musical at Grand Opera House, York, April 21 to 25, 7.30pm plus Wednesday, Thursday and Saturday matinees, 2.30pm

STRICTLY Come Dancing 2025 finalist Amber Davies will play Elle Woods in the 2026 tour of Legally Blonde The Musical, joined by York Theatre Royal pantomime villain Jocasta Almgill as Brooke Wyndham, fresh from playing wicked fairy Carabosse in Sleeping Beauty.

Davies had been set to appear as Hollywood hooker Vivian Ward in Pretty Woman The Musical at the Grand Opera House in February 2024, but Sydnie Hocknell understudied that week. Hannah Lowther, otherwise playing Margot, will step in for Davies at the April 23 matinee (2.30pm). North Yorkshireman  Nikolai Foster directs the uplifting, totally pink tale of Elle’s transformation from ‘It Girl’ fashionista to legal ace at Harvard Law School, all in the name of love. Box office: atgtickets.com/york.