Category: Festivals

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What’s On in Ryedale, York and beyond. Hutch’s List No. 5, from Gazette & Herald

Two into one won’t go: Lisa Faulkner’s Allie, left, and Kym Marsh’s Hedy in Single White Female. Picture: Chris Bishop

AN update of a Nineties’ psychological thriller and a panto dame’s transformation into a dog top Charles Hutchinson’s  cultural picks for early February and beyond.

World premiere tour of the week: Single White Female, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm matinees today and Saturday

SCREEN actress, 2010 Celebrity MasterChef winner, TV presenter, chef and cookery book author Lisa Faulkner returns to the stage for the first time in 21 years in Rebecca Reid’s darkly humorous stage adaptation of psychological thriller Single White Female, now updated to the social-media age.

Faulkner’s recently divorced mum Allie is balancing being a single parent with the launch of her tech start-up. When she decides to advertise for a lodger to help make ends meet, Kym Marsh’s Hedy offers her a lifeline, but as their lives intertwine, boundaries blur and a seemingly perfect arrangement begins to unravel with chilling consequences. Box office: atgtickets.com/york.

Viking illumination: Colour & Light celebrates Eric Bloodaxe at York Castle Museum. Picture: David Harrison

Illumination launch of the week: Colour & Light, York Castle Museum and Clifford’s Tower, York, today to February 22, 6pm to 9pm

YORK BID is bringing Colour & Light back for 2026 on its biggest ever canvas. For the first time, two of York’s landmark buildings will be illuminated together when York Castle Museum and Clifford’s Tower become the combined canvas for a fully choreographed projection show, transforming the Eye of York.

Presented in partnership with York Museums Trust and English Heritage, the continuous, looped, ten-minute show will bring York’s historic characters to life in a family-friendly projection open to all for free; no ticket required.

Matt Tapp’s ‘Wild’ Bill Hickok and Helen Gallagher’s ‘Calamity’ Jane in Joseph Rowntree Theatre Company’s Calamity Jane

Musical of the week: Joseph Rowntree Theatre Company in Calamity Jane, Joseph Rowntree Theatre, York, tonight to Saturday, 7.30pm plus 2.30pm Saturday matinee

HELEN Gallagher’s tough talkin’, gun-totin’ heroine ‘Calamity’ Jane and Matt Tapp’s former peace-officer ‘Wild’ Bill Hickok lead director Sophie Cooke’s cast for Sammy Fain and Paul Francis Webster’s musical Calamity James.

Deadwood’s citizens are content with their ways of life: supporting their fort of soldiers and socialising at the beloved Golden Garter saloon. However, when a new face blows in from the Windy City to create a stir, friendships will be formed, long-time loyalties tested and perhaps even secret love revealed. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Alexander Flanagan Wright in Wright & Grainger’s Helios at Theatre@41, Monkgate, York

Ancient & modern drama of the week: Wright & Grainger in Helios, Theatre@41, Monkgate, York, tomorrow, 7.30pm

EASINGWOLD theatre-makers Alexander Flanagan Wright and Phil Grainger begin their new partnership with Theatre@41 by re-visiting Helios, wherein a lad lives half way up a historic hill, a teenager is on a road trip to the city in a stolen car and a boy is driving a chariot, pulling the sun across the sky.

In Wright’s story of the sun god’s son, Helios transplants the Ancient Greek tale into a modern-day myth wound around the winding roads of rural England and into the everyday living of a towering city. “It’s a story about life, the invisible monuments we build to it, and the little things that leave big marks,” he says. Box office: tickets.41monkgate.co.uk.

Robin Simpson in rehearsal for Catherine Dyson’s The Last Picture, premiering at York Theatre Royal Studio

Solo show of the week: The Last Picture, York Theatre Royal Studio, tomorrow to February 14, except February 8, 7.45pm, plus Wednesday and Saturday 2pm matinees

ROBIN Simpson follows up his sixth season as York Theatre Royal’s pantomime dame by playing a dog in York Theatre Royal, ETT and An Tobar and Mull Theatre’s premiere of Catherine Dyson’s The Last Picture, directed by John R Wilkinson.

Imagine yourself in a theatre in 2026. Now picture yourself as a Year 9 student on a school trip, and then as a citizen of Europe in 1939 as history takes its darkest turn. While you imagine, emotional support dog Sam (Simpson’s character) will be by your side in a play about empathy – its power and limits and what it asks of us – built around a story of our shared past, present and the choices we face today. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Simeon Walker: Inviting his audience to gather around the piano at Helmsley Arts Centre

Pianist of the week: Simeon Walker, An Evening Around The Piano, Helmlsey Arts Centre, Friday, 7.30pm

LEEDS modern classical pianist and composer Simeon Walker performs in Great Britain and Europe, while notching 50 million streams across online platforms and having his music played on BBC Radio 3 and Classic FM.

Walker, who has a keen interest in jazz, folk and ambient music too, has collaborated on interdisciplinary work with artist Mary Griffiths, Portuguese choreographer Sara Afonso, writer Emma White and filmmakers Will Killen and Ben Cohen, plus BBC Radio 4 and University of Leeds. His concerts span moments of quiet, gentle solitude to boisterous, flowing exuberance. Box office: 01439 771700 or helmsleyarts.co.uk.

Julie Carter: Addressing themes of feminism, land rights, ageism and ableism, history and literature in The Dreamtime Fellrunner

Wellbeing on the run: Julie Carter, The Dreamtime Fellrunner, Milton Rooms, Malton, February 12, 7.30pm

IN her first theatre show, poetry and creative non-fiction author Julie Carter charts her running exploits on the Lakeland fells in this moving and humorous account of being an athlete with a physical disability in the form of a developmental disease of the spine.

Presenting fell running as a type of land art and spiritual practice, Carter emphasises body-mind-spirit-place connections while addressing themes of feminism, land rights, ageism and ableism, history and literature, in a 60-minute immersive performance supported by original music, topped off by second-half opportunities for discussion and reflections on wellbeing and the ways we inhabit our environments. Box office: 01653 696240 or themiltonrooms.com.

Mark Stafford: Solo performance at the double in The Strange Case Of Dr Jekyll & Mr Hyde at Helmsley Arts Centre

Split personality of the month: Mark Stafford in The Strange Case Of Dr Jekyll & Mr Hyde, Helmsley Arts Centre, February 21, 7.30pm

PUBLISHED in 1886, Robert Louis Stevenson’s gothic mystery tale of the timeless conflict between good and evil is performed by Mark Stafford in his compelling and faithful adaptation.

In fog-bound Victorian London, respectable lawyer Gabriel Utterson is concerned by a strange clause in his friend Henry Jekyll’s will, whereupon he investigates the sinister Edward Hyde, Jekyll’s unlikely protégé. Convinced that Jekyll and Hyde’s relationship is founded on blackmail, Utterson finds the truth to be far worse than he could have ever imagined. Box office: 01439 771700 or helmsleyarts.co.uk.

The poster for Saturday’s EQUUS UK Film & Arts Fest’s day of equine films at Helmsley Arts Centre

In Focus: EQUUS UK Film & Arts Fest, Helmsley Arts Centre, Saturday, Block 1, 12 noon to 2.16pm; Block 2, 3.30pm to 5.07pm; Block 3, 7pm to 9.45pm

HELMSLEY Arts Centre, in collaboration with Ryedale Bridleways Group, presents the first British screening of the EQUUS UK Film & Arts Festival this weekend. 

Founded in 2013 by Illinois equestrian Lisa Diersen, who has spent her life in the company of horses, EQUUS aims to show the world how horses can bring everyone together regardless of race, age, gender, abilities or disabilities. 

Saturday’s event comprises two afternoon blocks of short films, exhibitions from Ryedale artists and an evening showing of the 96-minute feature film Big Star, The Nick Skelton Story.

Showing from 12 noon will be Horse & Human Connection, featuring Wings Of Angels, Healing Horses In Mongolia, Heart Of Compton and My Life Between The Reins.

The Wild Horse Collection, from 3.30pm, presents American Mustang (music video), Wild Heart  Mustang Book Project, Wild Horse Refuge “Dahtetse”, A Mustang Story promo, Okanagan Wild, Hellbent, Evoke and Renegade.

The Big Star Collections opens at 7pm with Healing In The Open, followed by Inside The In Gate and Unstable. After a 15-minute interval, Big Star will close the event.

Tickets for single blocks or the whole day are available on 01439 771700 or at helmsleyarts.co.uk.

An equine photograph from Valerie Mather’s 2025 trip to the USA

AMONG the exhibitors at Saturday’s EQUUS UK Film & Arts Fest event will be Yorkshire lawyer-tuned- portrait, documentary and travel photographer Valerie Mather.

“After a successful career in law, I retired early to pursue a lifelong passion for photography,” she says. “I learned to ride (English style) as a child but was brought up watching Western movies on television and longed to see for myself the real cowboys and cowgirls of the American West.

“That dream came true in 2025 when I visited the United States and spent time at the McCullough Peaks wild horse area and the Shoshone National Forest ranchlands in Wyoming. “

Another of Valerie Mather’s McCullough Peaks photographs on show at Helmsley Arts Centre on Saturday

Did you know?

RYEDALE Bridleways Group (RBG) covers the Ryedale district and North York Moors National Park. Activities include fundraising events, such as equestrian talks and films. RBG works with local authorities to seek to resolve issues on bridleways and Countryside Access Service Unsurfaced Unclassified Roads, as well as carrying out practical work such as bridleway clearances and  surveys.

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More Things To Do in and around York as Colour & Light illuminates winter nights. Hutch’s List No. 4, from The York Press

Dame for a laugh anew: Graham Smith returns to the pantomime stage with Shiptonthorpe Community Theatre

A PANTO dame’s return and another’s transformation into a dog top Charles Hutchinson’s  cultural picks for early February and beyond.

Pantomime of the week: Shiptonthorpe Community Theatre in Robin Hood And The Babes In The Wood, Shiptonthorpe Village Hall, Shiptonthorpe, near Market Weighton, today, 3pm and 7pm; Sunday, 2pm; February 6 and 7, 7pm

GRAHAM Smith, Rowntree Players’ pantomime dame from 2004 to 2022, pulls on the frocks once more after a three-year hiatus in the York guest house proprietor’s debut for East Riding company Shiptonthorpe Community Theatre.

He plays Nellie Nickerlastic in Richard Waud’s production of Robin Hood And The Babes In The Wood, joined in principal roles by Neil Scott’s King Richard, Toby Jewsen’s Robin Hood, Chris McKenzie’s Little John, Henry Rice’s Will Scarlett, Paul Jefferson’s Friar Tuck, Alison Rosa’s Sheriff of Nottingham and Chloe Jensen’s Maid Marion. Tickets: 07922 443639 or email richardwaud@yahoo.co.uk.

Femme Fatale Faerytales: Dark feminist re-telling of age-old classic

A homecoming, a haunting, a holy rebellion: Femme Fatale Faerytales present Mary, Mary, Fossgate Social, Fossgate, York, February 1 and 2, 8pm (doors 7pm)

MARY, Mary quite contrary, wouldn’t you like to know how her garden grows? Step into the fairytale world of Femme Fatale Faerytales as Sasha Elizabeth Parker unveils a dark, lyrical, feminist re-telling of an age-old classic. Part confession, part ritual, part bedtime story for grown-ups, Mary, Mary invites you to meet the woman behind the nursery rhyme in all her wild, untamed, contrary glory.

In her York debut, expect enchanting storytelling, poetic prophecy and a subversive twist on the tales you thought you knew on two intimate, atmospheric nights in one of York’s cult favourite haunts. Box office: wegottickets.com. Box office: wegottickets.com.

Kym Marsh’s Hedy, left, and Lisa Faulkner’s Allie in Rebecca Reid’s updated version of Single White Female, on tour at the Grand Opera House, York

World premiere tour of the week: Single White Female, Grand Opera House, York, February 3 to 7, 7.30pm plus 2.30pm Wednesday and Saturday matinees

SCREEN actress, 2010 Celebrity MasterChef winner, TV presenter, chef and cookery book author Lisa Faulkner returns to the stage for the first time in 21 years in Rebecca Reid’s darkly humorous stage adaptation of psychological thriller Single White Female, now updated to the social-media age.

Faulkner’s recently divorced mum Allie is balancing being a single parent with the launch of her tech start-up. When she decides to advertise for a lodger to help make ends meet, Kym Marsh’s Hedy offers her a lifeline, but as their lives intertwine, boundaries blur and a seemingly perfect arrangement begins to unravel with chilling consequences. Box office: atgtickets.com/york.

Colour & Light: Illuminating Clifford’s Tower and York Castle Museum from February 4

Illumination launch of the week: Colour & Light, York Castle Museum and Clifford’s Tower, February 4 to 22, 6pm to 9pm

YORK BID is bringing Colour & Light back for 2026 on its biggest ever canvas. For the first time, two of York’s landmark buildings will be illuminated together when York Castle Museum and Clifford’s Tower become a combined stage for a fully choreographed projection show, transforming the Eye of York.

Presented in partnership with York Museums Trust and English Heritage, the continuous, looped, ten-minute show will bring York’s historic characters to life in a family-friendly projection open to all for free; no ticket required.

Matt Tapp’s ‘Wild’ Bill Hickok and Helen Gallagher’s ‘Calamity’ Jane in Joseph Rowntree Theatre Company’s Calamity Jane

Musical of the week: Joseph Rowntree Theatre Company in Calamity Jane, Joseph Rowntree Theatre, York, February 4 to 7, 7.30pm plus 2.30pm Saturday matinee

HELEN Gallagher’s tough talkin’, gun-totin’ heroine ‘Calamity’ Jane and Matt Tapp’s former peace-officer ‘Wild’ Bill Hickok lead director Sophie Cooke’s cast for Sammy Fain and Paul Francis Webster’s musical Calamity James.

Deadwood’s citizens are content with their ways of life: supporting their fort of soldiers and socialising at the beloved Golden Garter saloon. However, when a new face blows in from the Windy City to create a stir, friendships will be formed, long-time loyalties tested and perhaps even secret love revealed. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Alexander Flanagan Wright in Wright & Grainger’s Helios at Theatre@41, Monkgate

Ancient & modern  drama of the week: Wright & Grainger in Helios, Theatre@41, Monkgate, York, February 5, 7.30pm

EASINGWOLD theatre-makers Alexander Flanagan Wright and Phil Grainger begin their new partnership with Theatre@41 by re-visiting Helios, wherein a lad lives half way up a historic hill, a teenager is on a road trip to the city in a stolen car and a boy is driving a chariot, pulling the sun across the sky.

In Wright’s story of the son of the sun god, Helios transplants the Ancient Greek tale into a modern-day myth wound around the winding roads of rural England and into the everyday living of a towering city. “It’s a story about life, the invisible monuments we build to it, and the little things that leave big marks,” he says. Box office: tickets.41monkgate.co.uk.

Robin Simpson in rehearsal for Catherine Dyson’s The Last Picture, premiering at York Theatre Royal Studio

Solo show of the week: The Last Picture, York Theatre Royal Studio, February 5 to 14, except February 8, 7.45pm, plus Wednesday and Saturday 2pm matinees

ROBIN Simpson follows up his sixth season as York Theatre Royal’s pantomime dame by playing a dog in York Theatre Royal, ETT and An Tobar and Mull Theatre’s premiere of Catherine Dyson’s The Last Picture, directed by John R Wilkinson.

Imagine yourself in a theatre in 2026. Now picture yourself as a Year 9 student on a school trip, and then as a citizen of Europe in 1939 as history takes its darkest turn. While you imagine, emotional support dog Sam (Simpson’s character)will be by your side in a play about empathy – its power and limits and what it asks of us – in a story of our shared past, present and the choices we face today. Box office: 01904 623568 or yorktheatreroyal.co.uk.

The poster for Super Furry Animals’ summer concert at York Museum Gardens

Gig announcement of the week: Live At York Museum Gardens presents Super Furry Animals, York Museum Gardens, July 11

FUTURESOUND completes the line-up for its third Live At York Museum Gardens season with Welsh art-rock icons Super Furry Animals, celebrating more than 30 years together with multicolour hits and off-piste deep cuts, lovingly handpicked from  nine albums.

Gruff Rhys, Huw Bunford, Cian Ciarán, Dafydd Ieuan and Guto Pryce are returning to the concert platform in 2026 for the first time in ten years. Joining them in York will be special guests Baxter Dury, Los Campesinos!, Divorce and Pys Melyn. Tickets for SFA, along with Liverpool’s  Orchestra Manoeuvres In The Dark on July 9 and South Yorkshire ’s Self Esteem on July 10, are on sale at futuresoundgroup.com/york-museum-gardens-events.

Super Furry Animals: Playing first concerts in ten years in 2026, including Live At York Museum Gardens headline show

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Prof Phil Wood appointed chair of NCEM’s charitable arm York Early Music Foundation

Professor Phil Wood outside the National Centre for Early Music

PROFESSOR Phil Wood is the new chair of the National Centre for Early Music’s charitable arm, the York Early Music Foundation.

Phil worked for the National Health Service for more than 30 years as a doctor, consultant and medical leader in Newcastle, Birmingham and Leeds, most recently as chief executive of Leeds Teaching Hospitals and chair of the Leeds Academic Health Partnership.

He is a member of the international advisory board of the Business School at the University of Leeds, where he holds an honorary professorship, and a longstanding York resident with a passionate belief in the contribution of the arts and culture in enhancing societal wellbeing.

The NCEM, in the renovated church of St Margaret’s, Walmgate, stages a year-round programme of concerts and educational opportunities in York, three festivals of early music annually in Yorkshire (two in York, one in Beverley) and a nationwide artists’ development programme.

Representing UK’s early music scene on the European stage, the NCEM is a core member of the European Early Music Network, REMA, with established partnerships in Flanders, Spain and France. 

Highlights of the calendar include the biennial York Early Music International Young Artists Competition and the annual NCEM Composers Award, run in association with BBC Radio 3.

 NCEM director Dr Delma Tomlin says: “We feel very honoured to have Phil as our new chair as we begin an important year at the National Centre for Early Music, when we’ll be celebrating the 50th  anniversary of the creation of the York Early Music Festival. 

“Phil brings with him a wealth of skills and experience and a great passion for our work promoting early music to the widest possible audiences and nurturing the development of emerging talent.” 

Professor Wood says: “I’m thrilled to take on the role of chair at the National Centre for Early Music at this exciting time. This award-wining organisation is world renowned as a centre of excellence and innovation, celebrating not just early music but many different genres and with a broad commitment to community engagement and widening participation.

“I look forward to working with them as chair and of course enjoying some wonderful music with our audiences.”

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More Things To Do in York and beyond. Hutch’s List No 2 from The York Press

IN his second guide to the New Year, Charles Hutchinson picks out upcoming highlights on January’s calendar and beyond.

Mike Newall: Topping Laugh Out Loud Comedy Club bill

Comedy gig of the week: Laugh Out Loud Comedy Club, The Basement, City Screen Picturehouse, York, tonight, 8.30pm

WHEN Mancunian Mike Newall appeared on Britain’s Got Talent, judge Simon Cowell said it was like an Oasis concert where the music ran out and Liam decides to tell a few jokes.

Now, this storyteller with a breezy, casual style headlines tonight’s Laugh Out Loud bill, joined by affable charmer Peter Otway, observational Pete Phillipson, with his tales of misfortune and frustrations at the minutiae of everyday life, and host and promoter Damion Larkin. Box office: https://lolcomedyclubs.co.uk.

Ilaria Passeri: Darkly comic storytelling show for grown-ups at Rise@Bluebird Bakery

Storyteller of the week: Ilaria Passeri in Under The Lamp Post, Rise@Bluebird Bakery, Acomb, York, tonight, 8.30pm (doors 7.30pm)

MANCHESTER writer and performer Ilaria Passeri steps into the darkly comic world of Under The Lamp Post, a captivating storytelling show for grown-ups that undertakes a journey sparked by a gift bag of ashes and fuelled by the eccentricity of a unique family as poignant reflection combines with finding humour in unexpected places.

Imagine navigating grief with puppets, a particular kind of pickled onion and the sort of inappropriate fancy dress that becomes a cherished and weirdly unforgettable memory in a 65-minute exploration of life, death and the beautifully absurd, produced by sitcom veteran Michel Jacob. Box office: bluebirdbakery.co.uk/rise.

John Mackay as Arthur Kipps, left, and Daniel Burke as The Actor in The Woman In Black, on tour at the Grand Opera House, York. Picture: Mark Douet

Ghostly return of the week: PW Productions present The Woman In Black, Grand Opera House, York, January 13 to 17, 7.30pm plus 2.30pm Thursday and Saturday matinees

FIRST staged in 1987 in a pub setting by the Stephen Joseph Theatre, Scarborough, Stephen Mallatratt’s adaptation of Susan Hill’s ghost story returns to the Grand Opera House two years to the month since its last visit.

Elderly lawyer Arthur Kipps (played by John Mackay) is obsessed with a curse cast over his family by the spectre of a “Woman in Black”. Whereupon he engages a sceptical young actor (Daniel Burke’s The Actor) to help him tell his terrifying story and exorcise the fear that grips his soul, but as they delve into his past, the boundaries between fiction and reality begin to blur. Box office: atgtickets.com/york.

Cellist Eloise Ramchandani: Performing Saint-Saens programme with pianist Robert Gammon at St Chad’s Church

Dementia Friendly Tea Concert of the week: Eloise Ramchandani and Robert Gammon, St Chad’s Church, Campleshon Road, York, January 15, 2.30pm

ELOISE Ramchandani gives an all Saint-Saëns cello recital, accompanied by pianist Robert Gammon. The 45-minute programme includes the well-loved The Swan, the lively Allegro Appassionato and the beautiful Cello Concerto No. 1.

Ideal for those who may not feel comfortable at a formal classical concert, the relaxed recital will be followed by tea, coffee and homemade cakes in the church hall. Seating is unreserved; no charge applies but donations are welcome.

Death Of Gesualdo: Tableaux Vivants and The Gesualdo Six team up for world premiere at NCEM

World premiere of the month: Death Of Gesualdo, Gesualdo Six with Tableaux Vivants, National Centre for Early Music, York, January 18 and 19, 6.30pm

THE Gesualdo Six reunite with director Bill Barclay for the world premiere of a daring new successor to international hit Secret Byrd. Featuring six singers, six actors and a puppet, Death Of Gesualdo creates living tableaux that illuminate the life and psyche of madrigalist Carlo Gesualdo, a tortured genius most famous for murdering his wife and her lover in an explosive fit of jealousy, but revered among composers for anticipating chromaticism by 200 years.

This is the boldest look yet at how the life and sometimes chilling music of this enigmatic prodigy must function together for the true Gesualdo to emerge from the shadows. Box office: 01904 658338 or ncem.co.uk.

Grace Petrie: Not the time for panicking at The Crescent. Picture: Fraser West

Comedy-folk combination of the month: Little Wander and Say Owt present Grace Petrie, This Is No Time To Panic!, January 18, The Crescent, York, 7.30pm

DO you like protest songs? Neither does Grace Petrie – and she has been singing them for 15 “politically disastrous” years. No longer able to meet the desperate hopes of left-wing audiences, the “British folk scene’s funniest lesbian” reckons there is no better time for a feel-good show.

After making her stand-up debut in 2022 with Butch Ado About Nothing, she combines music and comedy for the first time in This Is No Time To Panic! “I know folk songs can’t save the world, and neither can stand-up, but both at the same time?” ponders Petrie. “Read it and weep, Putin!” Box office for returns only: thecrescentyork.com.  

John Doyle: Directing The Secret Garden The Musical on his return to York Theatre Royal this spring

Welcome back for garden re-wilding: The Secret Garden The Musical, York Theatre Royal, March 17 to April 4

TONY Award-winning John Doyle, artistic director of York Theatre Royal from 1993 to 1997, will return to his old patch to stage his trademark actor-musician interpretation of Frances Hodgson Burnett’s The Secret Garden in a new revival of the Broadway musical with a score by Lucy Simon and book and lyrics by Marsha Norman.

In 1906 North Yorkshire (North Riding, as was), newly orphaned Mary Lennox is sent to Misselthwaite Manor to live with her widowed uncle in a moorland house of memories and spirits. Determined to breathe new life into her aunt’s mysterious neglected garden, she makes new friends while learning of the power of connection and the restorative magic of nature.  Box office: 01904 623568 or yorktheatreroyal.co.uk.

Amber Davies in the poster for her lead role in Legally Blonde The Musical, visiting the Grand Opera House, York, in April

Casting announced for: Made At Curve presenting Legally Blonde The Musical at Grand Opera House, York, April 21 to 25, 7.30pm plus Wednesday, Thursday and Saturday matinees, 2.30pm

STRICTLY Come Dancing 2025 finalist Amber Davies will play Elle Woods in the 2026 tour of Legally Blonde The Musical, joined by York Theatre Royal pantomime villain Jocasta Almgill as Brooke Wyndham, fresh from playing wicked fairy Carabosse in Sleeping Beauty.

Davies had been set to appear as Hollywood hooker Vivian Ward in Pretty Woman The Musical at the Grand Opera House in February 2024, but Sydnie Hocknell understudied that week. Hannah Lowther, otherwise playing Margot, will step in for Davies at the April 23 matinee (2.30pm). North Yorkshireman  Nikolai Foster directs the uplifting, totally pink tale of Elle’s transformation from ‘It Girl’ fashionista to legal ace at Harvard Law School, all in the name of love. Box office: atgtickets.com/york.

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What’s On in Ryedale, York and beyond. Hutch’s List No. 2, from Gazette & Herald

Lawyer Arthur Kipps (John Mackay) and The Actor (Daniel Burke) in The Woman In Black, on tour at the Grand Opera House, York, from January 13

IN his second guide to the New Year, Charles Hutchinson picks out upcoming highlights on January’s calendar and beyond.

Ghostly return of the week: The Woman In Black, Grand Opera House, York, January 13 to 17, 7.30pm plus 2.30pm Thursday and Saturday matinees

FIRST staged in 1987 in a pub setting by the Stephen Joseph Theatre, Scarborough, Stephen Mallatratt’s adaptation of Susan Hill’s ghost story The Woman In Black returns to the Grand Opera House two years to the month since its last visit.

Elderly lawyer Arthur Kipps (played by John Mackay) is obsessed with his belief that a curse has been cast over his family by the spectre of a “Woman in Black” for 50 years. Whereupon he engages a sceptical young actor (Daniel Burke’s The Actor) to help him tell his terrifying story and exorcise the fear that grips his soul, but the boundaries between fiction and reality begin to blur. Box office: atgtickets.com/york.

Paula Cook’s Queen Lucrecia and John Brooks’s scheming Chamberlain in Pickering Musical Society’s Snow White at Kirk Theatre, Pickering. Picture: Robert David Photographer

First Ryedale panto of the New Year: Pickering Musical Society in Snow White, Kirk Theatre, Pickering, January 14 to 25, 7.15pm, except January 19; 2.15pm, January 17, 18, 24 and 25  

DIRECTED for the tenth year by resident director Luke Arnold and scripted by Ron Hall, Pickering Musical Society’s 2026 pantomime blends familiar faces with new turns, led by Alice Rose as Snow White in her first appearance since Goldilocks in 2018.

Local legend Marcus Burnside plays Dame Dumpling alongside mischievous sidekick Jack Dobson as court jester Fritz, his first comedic role. Company regular Courtney Brown switches to comedy too as Helga; Paula Cook turns to the dark side in her villainous debut as Queen Lucrecia; Danielle Long is the heroic Prince Valentine, John Brooks, the scheming Chamberlain and Sue Smithson, Fairy Dewdrop. Box office: 01751 474833 or kirktheatre.littleboxoffice.com.

Cellist Eloise Ramchamdani

Dementia Friendly Tea Concert of the week: Eloise Ramchandani and Robert Gammon, St Chad’s Church, Campleshon Road, York, January 15, 2.30pm

ELOISE Ramchandani gives an all Saint-Saëns cello recital, accompanied by pianist Robert Gammon. The 45-minute programme includes the well-loved The Swan, lively Allegro Appassionato and beautiful Cello Concerto No. 1.

Ideal for those who may not feel comfortable at a formal classical concert, the relaxed recital will be followed by tea, coffee and homemade cakes in the church hall. Seating is unreserved; no charge applies but donations are welcome.

Malton and Norton Theatre’s principal cast for Aladdin – The Pantomime: left to right, Amelia Little (So-Shy); Tom Gleave (Wishee Washee); Annabelle Free (Spirit of the Ring); Alexander Summers (Executioner); Isobel Davis (Princess Jasmine); Mark Summers (Genie of the Lamp); Harriet White (Aladdin); Harry Summers (Abanazar); Thomas Jennings (The Emperor); Evie-Mae Dale (Sergeant Pong); Malcolm Tonkiss (Mangle Malcolm) and Jack Robinson (PC World)

Second Ryedale pantomime of the New Year: Malton and Norton Musical Theatre in Aladdin – The Pantomime, Milton Rooms, Malton, January 17, 1.30pm, 5.15pm; January 18, 2pm; January 20 to 23, 7.15pm; January 24, 1pm, 5.15pm

BETWIXT York roles in York Shakespeare Project’s The Spanish Tragedy and Black Treacle Theatre’s Anne Boleyn, Harry Summers continues to corner the market in dark, dramatic and deliciously boo-worthy roles as wicked magician Abanazar in Malton and Norton Musical Theatre’s Aladdin.

Fresh from his villainous scene-stealing in The Spanish Tragedy, Thomas Jennings plays the Emperor, insisting he is “one of the good guys”, even if his idea of good includes execution and arranged marriages. Further principal players in the mystical land of Shangri-La include Harriet White’s Aladdin, Isobel Davis’s Princess Jasmine; Rory Queen’s dame, Widow Twankey, Tom Gleave’s Wishee Washee, Mark Summers’ Genie of the Lamp and Annabelle Free’s Spirit of the Ring. Box office: 01653 696240 or themiltonrooms.com.

Death Of Gesualdo: The Gesualdo Six and Tableaux Vivants in tandem at NCEM, York

World premiere of the month: Death Of Gesualdo, The Gesualdo Six with Tableaux Vivants, National Centre for Early Music, York, January 18 and 19, 6.30pm

THE Gesualdo Six reunite with director Bill Barclay for this daring successor to international hit Secret Byrd. Featuring six singers, six actors and a puppet, Death Of Gesualdo creates living tableaux that illuminate the life and psyche of madrigalist Carlo Gesualdo, a tortured genius most famous for murdering his wife and her lover in an explosive fit of jealousy, but revered among composers for anticipating chromaticism by 200 years.

This is the boldest look yet at how the life and sometimes chilling music of this enigmatic prodigy must function together for the true Gesualdo to emerge from the shadows. Box office: 01904 658338 or ncem.co.uk.

Grace Petrie: No time for panicking at The Crescent, York. Picture: Fraser West

Comedy-folk combination of the month: Little Wander and Say Owt present Grace Petrie, This Is No Time To Panic!, January 18, The Crescent, York, 7.30pm

DO you like protest songs? Neither does Grace Petrie – and she has been singing them for 15 “politically disastrous” years. No longer able to meet the desperate hopes of left-wing audiences, the “British folk scene’s funniest lesbian” reckons there is no better time for a feel-good show.

After making her stand-up debut in 2022 with Butch Ado About Nothing, she combines music and comedy for the first time in This Is No Time To Panic! “I know folk songs can’t save the world, and neither can stand-up, but both at the same time?” ponders Petrie. “Read it and weep, Putin!” Box office for returns only: thecrescentyork.com.  

York Residents’ Festival: Weekend of experiences, attractions and offers

Festival launch of the month: York Residents’ Festival, January 31 and February 1

ORGANISED by Make It York, York Residents’ Festival offers residents free entry to York’s top attractions and exclusive offers on food, retail and unique experiences across the city in support of businesses and independent makers.  

Thefull list of offers and pre-booking will go live from 12 noon on January 9 at visityork.org/resfest. Among them will be York Museums Trust providingfree entry to York Castle Museum, York Art Gallery and the Yorkshire Museum and the National Trust doing likewise to Treasurer’s House.

Self Esteem: Headlining Live At York Museum Gardens on July 10

Looking ahead to the summer: Futuresound Group presents Self Esteem at Live At York Museum Gardens, July 10, 5pm

SOUTH Yorkshire’s Self Esteem is the second headliner to be announced for Futuresound Group’s third summer of Live At York Museum Gardens concerts, in the wake of Orchestral Manoeuvres in The Dark, Heaven 17, China Crisis and Andrew Cushin  being booked for July 9.

Rotherham-born Rebecca Lucy Taylor was part of Slow Club for a decade before turning solo as the sardonic Self Esteem, releasing the albums Compliments Please in 2019, Prioritise Pleasure in 2021 and A Complicated Woman last April. She will be supported by South African “future ghetto funk” pioneer Moonchild Sanelly and Sweden-based Nigerian spoken-word artist and musician Joshua Idehen, with more guests to be confirmed. Box office: futuresound.seetickets.com/event/self-esteem/york-museum-gardens/3555239.

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More Things To Do in York and beyond at the dawning of 2026’s arts & culture diary. Hutch’s List No. 1, from The York Press

Joshua Arnold and Therine: On the bill for A Feast Of Fools III at the Black Swan

N his first guide to the New Year, Charles Hutchinson picks out upcoming highlights on January’s calendar and beyond.

Navigators Art presents A Feast Of Fools III, The Black Swan Inn, Peasholme Green, York, Sunday, 7.30pm, doors 7pm

WELCOME to A Feast Of Fools III, York arts collective Navigators Art’s sign-off to “Holiday’s end – the last gasp of Mischief” in a celebration of Twelfth Night and Old Christmas packed with live folk music and a nod to the pagan and the impish.

Navigators Art’s poster for A Feast Of Fools

On the bill are Ancient Hostility, performing passionate political and personal song in harmony;  North West folk duo Joshua Arnold and Therine, presenting vocal-led trad and experimental versions of British folk songs; Pefkin, whose ritualistic hymnals draw heavily on the landscape and the natural world, and White Sail, York’s multi-instrumental alt-folk legends. Box office: www.ticketsource.co.uk/navigators-art-performance.

Danielle Long’s Prince Valentine and Alice Rose’s Snow White in Pickering Musical Society’s pantomime Snow White

First Ryedale panto of the New Year: Pickering Musical Society in Snow White, Kirk Theatre, Pickering, January 14 to 25, 7.15pm, except January 19; 2.15pm, January 17, 18, 24 and 25  

DIRECTED for the tenth year by resident director Luke Arnold and writer by Ron Hall, Pickering Musical Society’s 2026 pantomime combines comedy, spectacle, festive magic, dazzling scenery and colourful costumes.

The show features such principals as Marcus Burnside’s Dame Dumpling, Danielle Long’s Prince Valentine, Alice Rose’s Snow White, Paula Cook’s Queen Lucrecia and Sue Smithson’s Fairy Dewdrop. Audiences are encouraged to book early to avoid disappointment. Box office: 01751 474833 or kirktheatre.littleboxoffice.com.

Harry Summers in rehearsal for the role of Abanazar in Malton and Norton Musical Theatre’s Aladdin – The Pantomime

Second Ryedale pantomime of the New Year: Malton and Norton Musical Theatre in Aladdin – The Pantomime, Milton Rooms, Malton, January 17, 1.30pm, 5.15pm; January 18, 2pm; January 20 to 23, 7.15pm; January 24, 1pm, 5.15pm

BETWIXT York roles in York Shakespeare Project’s The Spanish Tragedy and Black Treacle Theatre’s Anne Boleyn, Harry Summers continues to corner the market in dark, dramatic and deliciously boo-worthy roles as wicked magician Abanazar in Malton and Norton Musical Theatre’s Aladdin.

Fresh from his villainous scene-stealing in The Spanish Tragedy, Thomas Jennings plays the Emperor, insisting he is “one of the good guys”, even if his idea of good includes execution and arranged marriages. Further principal players in the mystical land of Shangri-La include Harriet White’s Aladdin, Isabel Davis’s Princess Jasmine; Rory Queen’s dame, Widow Twankey, Tom Gleave’s Wishee Washee, Mark Summers’ Genie of the Lamp and Annabelle Free’s Spirit of the Ring. Box office: 01653 696240 or themiltonrooms.com.

To her Eternal Shame: Sue Perkins announces return to the comedy circuit after more than a decade

Amusing musings of the month: The Eternal Shame Of Sue Perkins, Grand Opera House, York, January 18, 7.30pm

YOU may know her as Bake-Off Sue, Taskmaster Sue, Just A Minute Sue, or the Sue that gives you travel envy, but stand-up Sue is full of surprises. In this new show, Sue Perkins shares the unlikely happenings from a career in the spotlight.

What’s the fallout when your pituitary gland goes haywire on live TV? How do you convince the public you didn’t really fall on to that vacuum cleaner attachment? And when intimate photos are splashed all over the internet, how do you switch the shame to dignity and joy? Find out in Perkins’ first live show in more than a decade, wherein shedelivers a humorous treatise on stigma, humiliation and misunderstanding. Box office: atgtickets.com/york.

Deadpan Players’ poster for their Star Wars sci-fi and AI spoof at the JoRo

The spoof, the whole spoof and nothing but the spoof: Deadpan Players in Star Wars: May The Farce Be With You, Joseph Rowntree Theatre, York, January 23, 7.30pm, and January 24, 2pm and 7.30pm

IN a time of deep unrest, rebel forces are fighting for survival. Led by Garth Vader, the Empire has created a sinister network called The Dark Web, through which Vader could travel back in time to crush the rebellion. Plucky Princess Slaya has encrypted and uploaded the password, along with a desperate cry for help to cute droid R2Ai.

Can Fluke Skywalker decipher the message, find Only One Kenobi, enlist the help of rogue pilot Ham Solo and the legendary, if rather pungent, Gedi Master, the diminutive but powerful “Odour”, then rescue the Princess and save the Galaxy? Find out by attending this fundraising event, with all proceeds going to Yorkshire Air Ambulance and Candlelighters. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Mike Joyce: Recollections of five years on the drummer’s stool with The Smiths at Pocklington Arts Centre

On the beat: Mike Joyce, The Drums: My Life In The Smiths, Pocklington Arts Centre, January 28, 7.30pm

DRUMMER Mike Joyce has been asked numerous times, “What was it like being in The Smiths?”. “That’s one hell of a question to answer!” he says. Answer it, he does, however, both in his 2025 memoir and now in his touring show The Drums: My Life In The Smiths.

To reflect on being stationed behind singer Morrissey and guitarist Johnny Marr from 1982 to 1987, Joyce will be interviewed by Guardian music journalist Dave Simpson, who lives near York. Audience members can put their questions to Joyce too. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

York Residents’ Festival 2026: Weekend of free attractions, experiences and offers

Festival launch of the month: York Residents’ Festival, January 31 and February 1

ORGANISED by Make It York, York Residents’ Festival offers residents free entry to York’s top attractions and exclusive offers on food, retail and unique experiences across the city in support of businesses and independent makers.  

Thefull list of offers and pre-booking will go live from 12 noon on January 9 at visityork.org/resfest. Among them will be York Museums Trust providingfree entry to York Castle Museum, York Art Gallery and the Yorkshire Museum and the National Trust doing likewise to Treasurer’s House.

Self Esteem: Headlining Futuresound’s July 10 bill at Live At York Museum Gardens

Looking ahead to the summer: Futuresound Group presents Self Esteem at Live At York Museum Gardens, July 10,  5pm

SOUTH Yorkshire’s Self Esteem is the second headliner to be announced for Futuresound Group’s third summer of Live At York Museum Gardens concerts, in the wake of Orchestral Manoeuvres in The Dark, Heaven 17, China Crisis and Andrew Cushin  being booked for July 9.

Rotherham-born Rebecca Lucy Taylor was part of Slow Club for a decade before turning solo as the sardonic Self Esteem, releasing the albums Compliments Please in 2019, Prioritise Pleasure in 2021 and A Complicated Woman last April. She will be supported by South African “future ghetto funk” pioneer Moonchild Sanelly and Sweden-based Nigerian spoken-word artist and musician Joshua Idehen, with more guests to be confirmed. Box office: futuresound.seetickets.com/event/self-esteem/york-museum-gardens/3555239.

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REVIEW: Martin Dreyer’s verdict on York Early Music Christmas Festival, Lowe Ensemble, National Centre for Early Music, York, December 12

Lowe Ensemble: Echoes of the Spanish Baroque programme at York Early Music Christmas Festival

THERE cannot be many early music groups in which no less than five siblings are involved. The Lowes grew up in Madrid, although now based in London, so their Echoes of the Spanish Baroque programme may be said to have come naturally to them.

The ensemble – soprano, two violins and two cellos – was completed here by Daniel Murphy, doubling on theorbo and Baroque guitar: he fitted smoothly into the family setting.

In a sense, this programme was back to front, first revealing Spanish influence on other countries, before returning to Spanish originals. Lully’s comédie-ballet Le bourgeois Gentilhomme offered the perfect opening. It guys a rich man’s efforts to become cultured which, tellingly, includes acquaintance with Spanish music and dance.

The instruments were pleasingly jaunty in the Air des Espagnols before soprano Myriam Lowe joined with a more measured account of love’s delightful pains.

A Spanish sarabande for gamba and theorbo by Marais was a touch leaden even for this stately dance; it might have been amusingly compared to the 16th century zarabanda, quite a different animal.

But the melancholy rocking of Henri de Bailly’s Yo Soy La Locura (I Am Madness), with pizzicato accompaniment, revealed a Frenchman truly intoxicated by Spain. Similarly an Italian, Andrea Falconieri, used rapid tremolos in lower strings to demonstrate his excitement over a señora.

Before that we had the surprise of hearing Handel setting a Spanish love-song during his sojourn in Italy. Thereafter we were in Spain itself. After the sadness of delivering a José Marín tono, Myriam took to the harpsichord, joining the others in the refined variations of Santiago de Murcia’s Grabe.

More typical – to the outsider – Spanish repertoire came with Mateo Flecha’s lovelorn Florida Estava la Rosa (The Rose Was In Full bloom), slow at first but eventually rhythmically vivid, with guitar introduced.

Finally, the players let their hair down with a couple of fandangos. Alessandro Scarlatti’s wasvigorous enough, but Soler’s was idiomatic to the core, a joyful conclusion. The Basque carol The Angel Gabriel, beautifully slow, made a touching seasonal encore.

This is a fine group, with a bright future. They took their time to achieve full alegría de vivir (joie de vivre), but when the early tension had dissipated they arrived there in the end. I hope they will return soon.

Review by Martin Dreyer

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REVIEW: Martin Dreyer’s verdict on York Early Music Christmas Festival, Helen Charlston & Sholto Kynoch, National Centre for Early Music, December 6

Mezzo-soprano Helen Charlston

COULD this be a lieder recital? In an early music Christmas festival? Although it contained no mention of Christmas, nor even a fortepiano for authenticity, mezzo-soprano Helen Charlston and her piano-partner Sholto Kynoch delivered a lunchtime recital so memorable that none of the fortunate 70 in the audience would have had the slightest qualms about hearing it in the festival.

It was billed as A Lyrical Interlude, a translation of Heinrich Heine’s Lyrisches Intermezzo of 1827, from which all its poetry was drawn. It culminated in Schumann’s Dichterliebe, after seven related songs, including two each from the Mendelssohn siblings, Fanny and Felix.

It is not necessarily an easy option to include a chestnut like Felix’s On Wings Of Song. But here Charlston’s cleverly suppressed ecstasy, complemented by Kynoch’s gently rippling keyboard, delivered something special. Reiselied (‘Song Of Travel’) was vivid enough to evoke Schubert’s ‘Erlking’.

Fanny Hensel’s two songs, about a lonely pine and a swan giving its last, revealed Charlston’s ability to nail a mood at once. In juxtaposing settings of ‘Die Lotosblume’, she found an appealing line in Schumann’s but surprisingly greater depth of emotion in Loewe’s.

Few Anglophones can boast her command of the German language. This is not merely a question of good pronunciation, although hers is excellent; it is the ability to convey literary nuance. It proved a huge asset in her account of Dichterliebe, a cycle much more often associated with male voices. Both performers went well beyond the poetry’s “mask of irony” referred to by Kynoch in his first-class spoken preface to the work.

Her early naivety and the chattering excitement of ‘Die Rose, Die Lilie’ (even so, finding room for rubato) gradually dissipated as the shine of the romance began to tarnish. Charlston found greater chest tone for ‘Im Rhein’, leading to the start of nostalgic bitterness, although the hammered postlude was out of scale for the venue and left little in reserve for later in the cycle.

‘Ich Grolle Nicht’ (I Bear No Grudge) was positively dripping with sarcasm, slightly muted by her choice of the optional lower notes at the end: her mezzo would comfortably have reached the more telling higher ones. But what really made the song was the brief sotto voce at its centre, as she recalled a dream.

After a deeply elegiac ‘Hör’ich das Liedchen Klingen’, the next song, ‘Ein Jüngling Liebt ein Mädchen’ brought playful relief. She stayed rivetingly in character through the tearful dream, evoking tears in her listeners.

There was yet another new mood for a jaunty start to ‘Aus Aalten Märchen’ (From Old Fairy Tales) but a smoothly regretful transition as these in turn melted away like foam. There was real anger in the final ‘bad old songs’, as both performers wrung every last drop of self-pitying pain from the poet’s ‘Schmerz’.

The postlude was finely drawn, even if its rallentando was a touch over-pointed. But this had been

a genuine duet, the performers drawing from one another. This programme, plus Héloïse Werner’s song- cycle Knight’s Dream, can be heard at Leeds Song on April 15 next year. You dare not miss it.

Review by Martin Dreyer

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REVIEW: Martin Dreyer’s verdict on York Early Music Christmas Festival, Apollo5, National Centre for Early Music, York, December 9

Apollo 5 members, left to right, Penny Appleyard, Thomas Mottershead, Augustus Perkins Ray, Joseph Taylor and Lily Robson

APOLLO5 is a vocal quintet featuring soprano, mezzo, two tenors and a bass. Its early evening programme was entitled The Crimson Sun, reflecting both the close of day and the title of a piece by Alexander Campkin.

Despite the title, all the works on the programme were seasonal and most were festive too. Dobrinka Tabakova’s springy, syncopated Good-will To Men was immediately contrasted with Piers Connor Kennedy’s A Spotless Rose, not the traditional tune, but a reworking of two of the ‘O’ antiphons, moving gracefully from the original plainsong into modern close-harmony versions.

Thereafter we backtracked to the 16th century, where the singers’ straight tone was especially apt. Handl’s Omnes de Saba was brisk but lacked shading, whereas Guerrero’s Virgen Sancta – a rare example for its time of sacred music in the vernacular – had all the tenderness you might expect from the Spanish master.

The calmer centre of Byrd’s Laetentur Caeli contrasted well with its vivid frame. The passing dissonances of Poulenc’s O Magnum Mysterium were also neatly tuned.

It is always risky when modern composers attempt to rework established favourites: the results may inspire or annoy, rarely both. In the first camp were Fraser Wilson’s fresh new harmonies for The Angel Gabriel, whereas a new take on The Coventry Carol lacked clarity.

New creations rather than arrangements included Ola Gjeilo’s Ubi Caritas, respectful of tradition but also exultant, the reverent last-verse adoration of James Bassi’s Quem Pastores, the mediaeval feel of James MacMillan’s O Radiant Dawn, with its repeated cries of “Come! Shine!”, and Adrian Peacock’s Spanish-flavoured Venite, Gaudete!.

As for Campkin’s setting of Rev George Grantham’s Victorian carol, The Crimson Sun, it suffered slightly from being heard in the wake of Walton’s frisky Make We Joy Now, but its repeating downward motif in the soprano helped paint the fading daylight and its ‘Gloria’ refrain stirred the spirit.

Ukrainian composer Mykola Leontovych’s Carol Of The Bells made an ideal ending. On this evidence, Apollo5 is a versatile, well-balanced ensemble, whose programme was perfectly tailored to the festival.

Review by Martin Dreyer

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REVIEW: Martin Dreyer’s verdict on York Early Music Christmas Festival, Apollo’s Cabinet, Apollo’s Jukebox Menu, National Centre for Early Music, York, December 5

Apollo’s Cabinet: Opening concert at York Early Music Christmas Festival 2025

YORK Early Music Christmas Festival swung straight into high gear in a seasonal knockabout, with a tenor and five Baroque players reacting to audience whims.

Apollo’s Cabinet specialises in such laid-back shows. This was the Christmas edition of its “jukebox menu”, with several courses offered to us on arrival.

In the event, we began with an instrumental medley, which set a breezy tone. Thereafter, we trod a fairly well-trodden path in a haphazard manner, depending on audience choices: Bach and Handel each featured twice and there were eating and drinking ballads from Purcell and Locke.

Otherwise, apart from an anonymous “battle” between two recorders, the audience was actively involved in a sing-along, or “Slow Set”, of four carols.

Rory Carver used his tenor intelligently in an aria from the New Year’s Day section of Bach’s Christmas Oratorio. He also prefaced Lowell Mason’s Antioch (aka Joy To The World, based on Handel) with a smooth account of Comfort Ye from Messiah.

The recorder players, Teresa Wrann and Thomas Pickering, the latter doubling on harpsichord and flute, dazzled in their duel, while also enabling Bach’s sheep to graze safely. It was all good fun, but punters may have wondered whether their £23 was truly well spent on such trifles.

Review by Martin Dreyer

York Early Music Christmas Festival continues until December 14. For full details and tickets, go to: ncem.co.uk. Box office: 01904 658338.