Hrafn Rìkharðsson as Guy Fawkes and Andrea Mitchell as Margaret Clitherow in the Hallowed Guild of Phantom Players’ Remember Remember at York Mansion House
THE spirits of former York residents Guy Fawkes and Margaret Clitherow will rise to share their stories in Remember, Remember, a new play written for York Ghost Week 2026.
Staged by the Hallowed Guild of Phantom Players at York Mansion House, St Helen’s Square, York, from October 29 to 31 at 7.30pm, this premiere is a collaboration between actor/playwright Andrea Mitchell and performer/musician/historical re-enactor Hrafn Rìkharðsson and Celtic folk musician/theatre-maker Olivia Graham.
Mitchell and Rìkharðsson developed the script together using archive material while Graham provides the haunting soundtrack to the two-act drama.
Margaret was crushed to death on Ouse Bridge in 1586 after her trial conviction for having hidden Catholic priests in her home on Shambles in York. Gunpowder Plot protagonist Guy Fawkes was born in York and attended St Peter’s School.
As the sainted “Pearl of York” Margaret Clitherow relives the tragic day of her death, she is joined by the spirit of one believed to have been present at her execution in his youth: Guy Fawkes
The play explores the possibility that witnessing her death – her body being compressed by stones – was a key event in radicalising him against the Protestant English state, inciting one of the most explosive (pardon the pun) episodes on the stage of English history?
Haunting period folk music, played on traditional instruments, will flow hypnotically through historically informed storytelling in this atmospheric two-hour performance created exclusively for York Ghost Week 2026.
Andrea says: “We’re thrilled to be telling the stories of these two well-known York residents, whose lives overlapped in 16th century York, in the two acts of the play.
“We’ve researched a wealth of archive material to develop the script together and were very grateful to be able carry out some of our research in the Bar Convent library.”
The pair also used genealogy websites, Spanish archives and letters written at the time, as well as books, including a 1926 publication written about the life of Margaret Clitherow by Lady Lindsey Smith for her husband, in defence of Catholicism.
Bar Convent Living Heritage Centre special collections manager Dr Hannah Thomas says: “We were delighted to help Andrea with her research into the life of Margaret Clitherow, a subject which continues to fascinate and inspire so many.
“The convent has a critical role to play in telling the story of Tudor York, particularly through our fascinating living heritage exhibition, supported by a wealth of information in our archives and library facilities, and we are delighted that the team have been able to use this material to bring Margaret’s story to life.”
Remember, Remember, York Mansion House State Room, York, October 29 to 31, 7.30pm. Tickets:£25 including an interval drink. Box office: mansionhouseyork.com/whatson.
Early Music in the Early Evening: Peter Croton & Thomas Langlois (February 10 2027) and La Rêveuse’s Florence Bolton and Benjamin Perrot (April 30 2027)
THE National Centre for Early Music Centre is introducing Early Music in the Early Evening, a series of relaxed concerts beginning next February.
“Skip rush hour and join us from 6pm to 7.30pm for music, wine and conversation with world-class musicians,” reads the invitation.
The new programme will open with J S Bach’s The Goldberg Variations on February 10 when Peter Croton and Thomas Langlois will perform one of the most extraordinary and demanding masterpieces of the Early Music repertoire, played in a unique new version for the first time on two lutes.
Composed in 1741 for harpsichord, Bach’s architecture of sound is re-imagined through the contrasting light and shadow of baroque lutes. Their rich timbral palette, expressive dynamics and subtle phrasing transform the work into an intimate, vivid and moving musical experience.
On April 30, La Rêveuse’s Benjamin Perrot (lute and theorbo) and Florence Bolton (viola da gamba) will play a joyful programme full of ballads and dances that deserve to resound once more beneath the stars under the title of From London To Edinburgh.
In the 17th and 18th centuries, London was at the forefront of musical innovation. In taverns, gardens and ballrooms, the tender, rhythmic tunes of Scottish, Welsh and Irish music were taking over London’s salons.
The 17th-century English composer John Playford and the 18th-century Scotsman James Oswald immediately struck the right balance between traditional and classical music, Italian elegance and Celtic style, as can be witnessed in York next spring. Box office:01904 658338 orncem.co.uk.
Tracy-Ann Oberman’s Geri Essendine and Seb Carrington’s David Stillington in Present Laughter. Picture: Simon Annand
FROM classic Coward in Present Laughter to Frayn’s funniest farce, Noises Off, Alan Carr’s work in progress to Joe Jackson’s hope and fury, Charles Hutchinson piles up the good stuff for the week ahead.
Coward classic of the week: Theatre Royal Bath Productions and Augusta Productions present Present Laughter, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm Wednesday and Saturday matinees
TRACY-ANN Oberman stars as hugely successful actress Geri Essendine – who has been 39 for the best part of a decade – in Lindsay Posner’s new touring production of Noel Coward’s celebrated portrayal of the temptations and pitfalls of theatrical celebrity.
On the cusp of departing for a tour of Africa, Geri finds herself besieged by a bevy of would-be lovers, her long-suffering secretary, estranged husband and an obsessed young playwright. Will she ever disentangle herself from their tightening clutches and incessant demands? Then again, deep down, does she really want to? Box office: atgtickets.com/york.
Pick Me Up Theatre cast members Pearl Mollison, left, Craig Kirby, Alexandra Mather, Andrew Isherwood, Helen Spencer, Adrian Cook and Mark Simmonds, under the withering eye of Rory Mulvihill, right, director of the play-within-the-play in Michael Frayn’s Noises Off
Slamming doors, falling trousers and flying sardines of the week: Pick Me Up Theatre in Noises Off, Joseph Rowntree Theatre, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee
MICHAEL Frayn’s backstage farce Noises Off takes a wicked look at the follies of theatre folk, whose susceptibility to out-of-control egos, memory loss and passionate affairs turns every performance into a high-risk adventure.
This play-within-a-play captures a touring theatre troupe’s production of Nothing On in three stages: dress rehearsal, the opening performance and a performance towards the end of a debilitating run. Robert Readman directs a stellar York cast of Helen Spencer, Andrew Isherwood, Alexandra Mather, Rory Mulvihill, Pearl Mollison, Mark Simmonds, Craig Kirby, Jessica Hardcastle and Adrian Cook. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Joe Jackson: Returning to York Barbican tonight
Yorkgig of the week: Joe Jackson + Band, Hope And Fury Tour 2026, York Barbican, tonight, doors 7pm
JOE Jackson played York for only the second time at York Barbican on July 29 2022 as part of his Sing, You Sinners! Tour, having first shared a bill with Todd Rundgren and improvisational string quartet Ethel at the Grand Opera House in June 2005.
Now, the Portsmouth-raised singer, musician, songwriter, bandleader, producer, author and campaigner, 72, returns with his regular band to perform work from throughout his career and to showcase his 23rd studio album Hope And Fury, released in April. Conner Youngblood supports. Box office: yorkbarbican.co.uk.
Avatar: The Last Airbender: Screening accompanied by live orchestra
Visual journey of the week: Avatar: The Last Airbender In Concert, 20th Anniversary Tour, York Barbican, tomorrow, 7.30pm
The 20th Anniversary Tour of Avatar: The Last Airbender In Concert combines a live orchestral performance with a two-hour visual journey through fan-favourite moments from the animated series, shown on a full-size cinema screen.
This special edition features new surprises, inviting fans to experience the story in a new light. Original dialogue and sound effects remain intact, while Emmy Award-winning composer Jeremy Zuckerman’s score is performed live, synchronised with the visuals. From taiko and erhu to strings and clarinets, the orchestra brings every moment to life, immersing you in the elemental world of Aang, Katara, Toph, Zuko and the rest of Team Avatar. Box office: yorkbarbican.co.uk.
An artwork by Angela Hall from the York Created exhibition at Pyramid Gallery, York
York exhibition of the week:York Created: Paint-Clay-Print-Collage From The Heart Of The City, Pyramid Gallery, Stonegate, York, until November 14
YORK Created: Paint-Clay-Print-Collage From The Heart Of The City features a “collection of talented artists from across our fair city”. “Some have exhibited with us before, others are new to us,” says Pyramid Gallery manager Fiona Macfarlane. “All the works are for sale.”
Taking part are potters Danny Aitkin, Chiu-i Wu, Loretta Braganza, Ben Arnup, Emily Stubbs, Jessica Jenyns and Ruth King, painters Rory Barke, Carolyn Coles, Jill Tattersall, Ric Liptrot, Lesley Birch, Mick Leach, Lesley Shaw and Angela Hall and stained glass artist Helen Bower. Opening hours are 10am to 5pm, Monday to Saturday.
Tom Carradine & Lili Redman: Wartime music, merriment and memories at Kirk Theatre, Pickering
Festival of the week: Pickering 1940s Weekend, V For Victory, Johnny Victory, Kirk Theatre, Pickering, Friday, 7.30pm; Tom Carradine’s Wartime Songbook , Sunday, 7.30pm
JOHNNY Victory opens the Pickering 1940s weekend on Friday by heading back to the good old days to guide singalongs of vintage songs that helped to keep wartime morale high and brought us together. Johnny combines songs from music hall days, 1920s, 1930s and 1940s’ wartime hits and show tunes with a warm, cheeky humour.
On Sunday, moustachioed maestro Tom Carradine leads a joyous, toe-tapping celebration of the songs that kept Great Britain smiling through two World Wars in a nostalgic show packed with rousing classics, history, humour and stories behind the songs, such as the tragic tale of the Powell brothers who wrote Pack Up Your Troubles. Joining Tom will be cabaret songbird Lili Redman, his podcast co-host of The A To Z Of Wartime Song, to perform Gracie Fields, Vera Lynn and deliciously cheeky numbers. Box office: 01751 474833 or kirktheatre.co.uk.
Victoria Firth in Batty!: Exploration of “the wildness – as opposed to madness – of women” at Helmsley Arts Centre
Alternative coming-of-age story of the week: Victoria Firth in Batty!, Helmsley Arts Centre, Friday, 7.30pm
WRITTEN and performed by Victoria Firth and directed by Natasha Holmes, Batty! is the story of a woman who fears she might be a witch: an ordinary woman stuck with an extraordinary shape-shifting companion, a wild thing. This curious twosome shares a disintegrating cottage in a forest on the cusp of another world that lies beyond responsibilities and social norms and where myths and magic are real.
Featuring an original soundscape and live song, Batty! combines “the intimacy of private conversations, raucous stories, snorting humour, gay abandon and exquisite tenderness” in its exploration of “the wildness – as opposed to madness – of women and how our feral side can reconnect us to ourselves and our environment”. Box office: 01439 771700 or helmsleyarts.co.uk.
Celya AB: Saturday Night Live UK writer on stage at Theatre@41
How to break free from shame, as advised by: Celya AB, We Must Stop Meeting Like This, Theatre@41, Monkgate, York, Friday, 8pm
HAVE you ever forensically over-thought your life choices? Are they all somehow connected to a passing comment your Spanish teacher made when you were 15? Has it made an impact on everything from your love life to your career? Stand-up comedian and Saturday Night Live UK writer Celya AB’s new show focuses on breaking free from shame and what ensues when you do. Box office: https://tickets.41monkgate.co.uk/.
The Paul Simon Songbook, performed by Alastair James and his seven-piece band at Helmsley Arts Centre
Tribute gig of the week: The Paul Simon Songbook, Helmsley Arts Centre, Saturday, 7.30pm
ALASTAIR James and his seven-piece band highlight the carefully crafted arrangements inspired by Paul Simon’s most iconic live and studio performances, featuring renditions of Mrs Robinson, Bridge Over Troubled Water, Scarborough Fair, Fifty Ways To Leave Your Lover, Still Crazy After All These Years, Late In The Evening, You Can Call Me Al and Diamonds On The Soles Of Her Shoes. Box office: 01439 771700 or helmsleyarts.co.uk.
Brodsky Quartet: Playing chamber concert at Helmsley Arts Centre on Sunday
Classical concert of the week: Brodsky Quartet, Helmsley Arts Centre, Sunday, 2.30pm
SINCE forming in 1972 as the Cleveland Quartet in Middlesbrough, the Brodsky Quartet has performed more than 3,000 chamber music concerts on the major stages of the world and released 70-plus recordings.
The quartet’s name is taken from the Russian violinist Adolf Brodsky, himself a passionate chamber musician, and the 2026 line-up comprises Krysia Osostowicz and Ian Belton, violins, Paul Cassidy, viola, and Jacqueline Thomas, cello. Box office: 01439 771700 or helmsleyarts.co.uk.
Alan Carr: Testing out new material in two gigs in one day at Pocklington Arts Centre
Comedy gigs of the week: Alan Carr, Work In Progress, Pocklington Arts Centre, Sunday, 3pm and 7.30pm
THE Celebrity Traitors 2026 winner, comedian, television presenter and quiz host Alan Carr is heading to Pocklington Arts Centre for a brace of “very special work-in-progress shows” ahead of his Have I Said Too Much? tour, when he will play York Barbican on March 13 2027. Box office: Pocklington, pocklingtonartscentre.co.uk; York, yorkbarbican.co.uk.
Angela Hall’s artwork from York Created at Pyramid Gallery
FROM classic Coward in Present Laughter to Frayn’s finest farce, Noises Off, York’s unlocked buildings to Joe Jackson’s hope and fury, Charles Hutchinson piles up the good stuff for the week ahead.
Exhibition opening of the week: York Created: Paint-Clay-Print-Collage From The Heart Of The City, Pyramid Gallery, Stonegate, York, until November 14
YORK Created: Paint-Clay-Print-Collage From The Heart Of The City features a “collection of talented artists from across our fair city”. “Some have exhibited with us before, others are new to us,” says Pyramid Gallery manager Fiona Macfarlane. “All the works are for sale.”
Taking part are potters Danny Aitkin, Chiu-i Wu, Loretta Braganza, Ben Arnup, Emily Stubbs, Jessica Jenyns and Ruth King, painters Rory Barke, Carolyn Coles, Jill Tattersall, Ric Liptrot, Lesley Birch, Mick Leach, Lesley Shaw and Angela Hall and stained glass artist Helen Bower. Opening hours are 10am to 5pm, Monday to Saturday.
Dennis Rollins: Delivering Funky-Funk! to YorkJazzFest’s Bishopthorpe Road Car park Finale tomorrow
Festival of the week: YorkJazzFest, today and tomorrow
TODAY, Beppe Lombardo’s inaugural YorkJazzFest features: 6pm, Flowerden, The Winning Post; 6pm, Mutant DJ Jazz, Angel On The Green; 6.30pm, Emma Foulds Quintet, York Arts Barge; 7pm, SwanNek, Young Thugs Studios; 8.30pm, Al Morrison Quartet, The Winning Post; 8.30pm, Olivia Cuttill, York Arts Barge; 9pm, Borgia, Angel On The Green, and 9pm, Lovedancin’ DJ, Young Thugs Studios. For tickets, go to: yorkjazzfestival.com.
Tomorrow, the Bishopthorpe Road Car Park Finale runs from midday with free entry and no ticket required. On the bill are: 12 noon, YorkJazzFest Orchestra; 1pm, Vipertime; 2.15pm, Big Bamboo; 4.15pm, Fergus Quill Sextet, and 6pm, Dennis Rollins’ Funky-Funk! Ian Chalk concludes the event at The Phoenix Inn at 8pm; free entry.
Federico Pendenza: Two world premieres at this afternoon’s York Late Music concert
Season finale of the week: York Late Music presents Federico Pendenza, Folk Roots To Classical Form, Unitarian Chapel, St Saviouragte, York, today, 1pm
UNIVERSITY of York guitarist Federico Pendenza concludes York Late Music’s concert season with Folk Roots To Classical Form, featuring William Walton’s only piece written for guitar (following a persuasive word from Julian Bream!), two intimate pieces by the “Chopin of the guitar”, Agustín Barrios, and two world premieres, Macey Collins’s Impressions Of Tension and Noor Hingorani’s Pomegranates On My Altar, which draws on the Persian Sofreh wedding ceremony, where pomegranates represent joy, passion and strength. Box office: latemusic.org/federico-pendoza-guitar or on the door.
York Unlocked: Unlocking York’s significant, hidden and secret buildings
Free discoveries of the week: York Unlocked, today and tomorrow
YORK Unlocked opens York’s most interesting, significant, even hidden and secret buildings to the public completely for free, although some buildings require free pre-booked tickets. This weekend’s festival enables residents and visitors alike to see York in a new way and aims to educate and inspire a love of architecture this weekend. To download the full programme, go to: https://www.york-unlocked.org.uk/_files/ugd/972e50_ba8593730b26433e8b060829ff5bd5ac.pdf.
Michael Shafar: Headlining Laugh Out Loud Comedy Club at The Basement
Comedy gigs of the week: Laugh Out Loud Comedy Club, The Basement, City Screen Picturehouse, York, today, 4pm and 8pm
LAUGH Out Loud promoter Damion Larkin has added an extra show at 4pm in response to ticket demand for tonight’s 8pm bill of Michael Shafar, Ant Dewson, Mike Carter and Gary Jennison.
Former lawyer Shafar left Australia to ply his comedy trade over here. Dewson is a comedian, mediocre piano player and singer of silly songs, many of them rude. Carter covers everything from living with your nan in your 30s to the realities of engaging in “kinky stuff” when you have a coordination disorder. Jennison promises dance-offs, game shows, magic and unbridled chaos. Box office: lolcomedyclubs.co.uk.
Brian Bilston: Poetic words at Milton Rooms, Malton
Poet of the week: Brian Bilston, How To Lay An Egg With A Horse Inside, Milton Rooms, Malton, tomorrow, 7.30pm
BRIAN Bilston, a poet with more than 500,000 followers on social media, returns to the stage this autumn with his latest book, How To Lay An Egg With A Horse Inside, as he takes a journey through the hows, whys and whats of reading, writing and enjoying poetry every day.
Bilston has published such collections as You Took The Last Bus Home, Alexa, What Is There To Know About Love? and Days Like These, along with debut novel Diary Of A Somebody, poetry for younger readers and his 2025 album of poetry set to music, Sounds Made By Humans, recorded with The Catenary Wires. Box office: 01653 696240 or themiltonrooms.com.
Tracy-Ann Oberman’s Geri Essendine and Seb Carrington’s David Stillington in Present Laughter. Picture: Simon Annand
Coward classic of the week: Theatre Royal Bath Productions and Augusta Productions present Present Laughter, Grand Opera House, York, October 6 to 10, 7.30pm plus 2.30pm Wednesday and Saturday matinees
TRACY-ANN Oberman stars as hugely successful actress Geri Essendine – who has been 39 for the best part of a decade – in Lindsay Posner’s new touring production of Noel Coward’s celebrated portrayal of the temptations and pitfalls of theatrical celebrity.
On the cusp of departing for a tour of Africa, Geri finds herself besieged by a bevy of would-be lovers, her long-suffering secretary, estranged husband and an obsessed young playwright. Will she ever disentangle herself from their tightening clutches and incessant demands? Then again, deep down, does she really want to? Box office: atgtickets.com/york.
Pick Me Up Theatre cast members Pearl Mollison, left, Craig Kirby, Alexandra Mather, Andrew Isherwood, Helen Spencer, Adrian Cook and Mark Simmonds, under the withering eye of Rory Mulvihill, right, director of the play-within-the-play in Michael Frayn’s Noises Off
Slamming doors, falling trousers and flying sardines of the week: Pick Me Up Theatre in Noises Off, Joseph Rowntree Theatre, York, October 6 to 10, 7.30pm plus 2.30pm Saturday matinee
MICHAEL Frayn’s backstage farce Noises Off takes a wicked look at the follies of theatre folk, whose susceptibility to out-of-control egos, memory loss and passionate affairs turns every performance into a high-risk adventure.
This play-within-a-play captures a touring theatre troupe’s production of Nothing On in three stages: dress rehearsal, the opening performance and a performance towards the end of a debilitating run. Robert Readman directs a stellar York cast of Helen Spencer, Andrew Isherwood, Alexandra Mather, Rory Mulvihill, Pearl Mollison, Mark Simmonds, Craig Kirby, Jessica Hardcastle and Adrian Cook. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Joe Jackson: Returning to York Barbican
Gig of the week: Joe Jackson + Band, Hope And Fury Tour 2026, York Barbican, October 7, doors 7pm
JOE Jackson played York for only the second time at York Barbican on July 29 2022 as part of his Sing, You Sinners! Tour, having first shared a bill with Todd Rundgren and improvisational string quartet Ethel at the Grand Opera House in June 2005.
Now, the Portsmouth-raised singer, musician, songwriter, bandleader, producer, author and campaigner, 72, returns with his regular band to perform work from throughout his career and to showcase his 23rd studio album Hope And Fury, released in April. Conner Youngblood supports. Box office: yorkbarbican.co.uk.
Acosta Danza in Andonis Foniadakis’s new work Pearls. Picture: Charlie Kirkpatrick
In Focus: Carlos Acosta’s Acosta Danza in Cuban Baroque, York Theatre Royal, October 3, 2.30pm and 7.30pm
IN this new double bill from Acosta Danza, the lush artistry of the Baroque period intersects with the energy, creativity and vibrancy of Cuban dance. Emerging from the 17th and 18th centuries, the creative movement was characterised by deep colour, elaborate detail and intricate decoration.
Produced by Valid Productions in collaboration with York Theatre Royal, Cuban Baroque opens with the world premiere of Andonis Foniadakis’s new work Pearls, a journey to the rhythmic heart of Baroque, followed by choreographer and set designer Goyo Montero’s 2011 work Chacona.
Artistic director Carlos Acosta says: “I am very excited about this programme which will encapsulate the essence of Acosta Danza, fusing as it will, classical, Cuban and contemporary vocabularies and styles.
“I am, of course, a big fan of both choreographers and am delighted that Andonis will create a brand-new piece on my dancers. I look forward to seeing how that develops over the coming months.
“The flavour of the evening is summarised neatly by the title Cuban Baroque, but essentially this is a programme that anyone interested in any kind of dance can enjoy. I look forward, as always, to seeing how audiences react to the atmosphere this programme will create at its premiere in our first-ever visit to the wonderful York Theatre Royal.”
Acosta Danza in Goyo Montero’s 2011 workChacona at York Theatre Royal. Picture: Charlie Kirkpatrick
Theatre Royal chief executive Paul Crewes says: “It is truly wonderful that York audiences will be the first to experience this phenomenally exciting dance programme on our stage and we are really looking forward to working in collaboration with Carlos Acosta and his company on the show.”
Set to Esteban Sallas’s Salve Regina, the work explores the classic chaconne-looping structure that circles through phases of acceleration, fracture and rebound. As the score shifts from Baroque lyricism toward Cuban drive, Foniadakis showcases the fusion between memory and contemporary.
Andonis Foniadakis says: “The piece is being built as a chaconne in the broadest sense: a looping architecture that keeps circling back to the same theme like a mantra, each return opening a new variation in colour, density and impulse.
Cuban rhythmic principles will seep into the texture (clave, layered pulses, dance-derived momentum) and begin to tilt the baroque theme from within — bringing Sallas’s music fully into the present.
“In this dialogue, contrast becomes fusion: baroque memory meets Cuban propulsion; choral breath meets percussive drive; live sound meets a discreet electronic halo — shaping a single energetic trajectory that stays clear, intense, and emotionally resonant.”
Acosta Danza in Goyo Montero’s Chacona. Picture: Charlie Kirkpatrick
Closing the 1hr 20 min programme is Goyo Montero’s powerful Chacona, a piece that originally was created for the Staatstheater Nürnberg Ballett during Montero’s 17-year tenure as director. Chacona is the final movement of Bach’s masterwork Partita No.2 in D Minor for violin, accompanied in this performance by guitar and piano. Physically and musically demanding, classical in sound and contemporary in heart, it requires total cohesion from the ensemble of 16 dancers.
Goyo Montero says: “This is going to be my fourth collaboration with Acosta Danza since 2015. To bring this work to them and adapt it to their fearless and exceptional dancers is something I am looking forward to very much. To restage this early work and revisit it for them will develop the work further and keep it alive, relevant and ever changing, a choreographer’s dream!”
In addition, Acosta Danza will hold an Open Class today (3/10/2026) at 10am on the Theatre Royal stage in an exclusive opportunity to watch how the dancers warm up and prepare ahead of a performance. This non-participatory event is open to all ages.
The York Theatre Royal premiere of Cuban Baroque will be followed by performances at Sadler’s Wells in London and Norwich Theatre Royal with further 2027 dates to be added. Box office for shows and Open Class: 01904 623568 or yorktheatreroyal.co.uk.
Did you know?
ACOSTA Danza performed Carlos Acosta’s Nutcracker In Havana at the Grand Opera House, York, in January 2026.
Acosta Danza in Pearls at York Theatre Royal. Picture: Charlie Kirkpatrick
Bread & Circuses, by Sarah Hall Baqai, from her exhibition at Rise@Bluebird Bakery, Acomb, York
FROM the terrors of Paranormal Activity to circus art, York’s four-day jazz festival to Brian Bilston’s egg-laying poetry, Charles Hutchinson looks ahead to October cultural opportunities.
Exhibition opening of the week: Sarah Hall Baqai, Bread & Circuses, Rise@Bluebird Bakery, Acomb Road, Acomb, York, until November 19
YORK artist Sarah Hall Baqai’s new collection of artworks has the theme of Bread & Circuses, a phrase taken from Roman poet Juvenal’s work Satire X, written in 100AD. In a nutshell, “give them bread and circuses and they will never revolt”, on account of being distracted.
Distraction does not come brighter and more entertaining visually than Sarah’s paintings inspired by life behind the scenes at the circus (from her work with Gifford’s Circus and Fools Delight Circus at Ham Court, Bampton), complemented by lettering and graphic work celebrating York Minster and willow lanterns in the shape of jugglers’ sticks.
James Bye’s James arms himself with a baseball bat in Paranormal Activity. Picture: Credit: Johan Persson
Psychological thriller of the week: Paranormal Activity, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm Wednesday and Saturday matinees
IN a new story inspired by the worldwide horror phenomenon, Paranormal Activity is directed by immersive theatre pioneer and Punchdrunk artistic director Felix Barrett and written by Levi Holloway, the playwright behind Broadway hit Grey House.
When James (James Bye) and Lou (Hannah Sinclair Robinson) move from Chicago to London to escape their past, soon they discover that places are not haunted, but people are. Can you hold your nerve in the face of this chilling production on its first British and Irish tour? Box office: atgtickets.com/york.
Roham Bayat’s poster for the inaugural YorkJazzFest
Festival of the week: YorkJazzFest, tomorrow to Sunday
BEPPE Lombardo, soprano saxophone player in his Italian teenage days and supremo of Trinicria Sicilian Ristorante in Bishopthorpe Road for 15 years, is running the inaugural YorkJazzFest with funding from York and North Yorkshire Combined Authority Mayor David Skaith.
Angel On The Green, York Arts Barge, Young Thugs Studio, the Phoenix Inn and The Winning Post play host to concerts on the first three days, culminating in the Bishopthorpe Road Car Park Finale on Sunday, topped off by sets by Dennis Rollins’ Funky-Funk and Ian Chalk. For full listings and tickets, go to: yorkjazzfestival.com.
Masked up: Pop Yer Clogs Theatre in Doctor Faustus. Picture supplied
Devil in the detail of the week: Pop Yer Clogs Theatre in Doctor Faustus, Theatre@41, Monkgate, York , tomorrow to Saturday, 7.30pm plus 2.30pm Saturday matinee
YORK company Pop Yer Clogs Theatre delivers a devilishly clever new twist on Doctor Faustus, placing a woman, Doctor Joan Faustus, at the epicentre of Christopher Marlowe’s late-16th century cautionary tale of ambition, temptation and damnation.
Director Lydia McCudden plays Faustus, who strikes a terrible deal by selling her soul to Lucifer in exchange for knowledge, power and worldly pleasures, only to encounter the Seven Deadly Sins. Cue masks, commedia dell’arte, dark comedy and gothic tragedy as Hell awaits. Box office: tickets.41monkgate.co.uk.
Ben Portsmouth: Performing Presley’s pearls with his Taking Care Of Elvis Band at York Barbican
King of The King tribute shows: Ben Portsmouth: This Is Elvis, York Barbican, Friday, 7.30pm
REGARDED as the “closest living performer to the legendary Elvis Presley”, Ben Portsmouth has enjoyed success in more than 20 countries and became the first European to be crowned by Elvis Presley Enterprises as the Worldwide Ultimate Elvis Tribute Artist in Memphis in 2012.
This Is Elvis takes an immersive journey through Presley’s greatest hits from his rockabilly roots to the dazzling Las Vegas years in the company of Portsmouth and the Taking Care Of Elvis Band. Box office: yorkbarbican.co.uk.
The Bar-Steward Sons Of Val Doonican: Satirical comedy lyrics on folk instruments from Barnsley
“Sexy knitwear” gig of the week: The Bar-Steward Sons Of Val Doonican, Milton Rooms, Malton, Friday, 7.30pm
FOUNDED in Barnsley Rock City in 2006 by their outspoken and energetic ringleader Scott Doonican, The Bar-Steward Sons Of Val Doonican are on a mission.
Anything but a typical folk ensemble, this collective of like-minded knitwear enthusiasts – Scott, Mo-Jo Doonican, Dave Doonican and the Reight Reverend Jeremiah Rickenbacker III – are determined to follow in their spiritual father’s immortal footsteps, keeping his legacy alive while Bar-Stewardising other famous people’s songs with satirical comedy lyrics on folk instruments, from Jump Ararnd to Goat Yoga. Box office: 01653 696240 or themiltonrooms.com.
Mark Harrison Band: Songs and stories at Helmsley Arts Centre
Where folk meets the blues: Mark Harrison Band, Helmsley Arts Centre, Saturday, 7.30pm
MARK Harrison writes original songs for today in the spirit of the great troubadours, coupled with stories to make you smile, move and think in a world where blues, roots and folk collide.
Finger-picking and slide guitarist Harrison is joined by Charles Benfield on double bass and Ben Welburn on drums and percussion to create a rhythm section that defies convention, as heard on eight albums to date. Box office: 01439 771700 or helmsleyarts.co.uk.
Alchemy Live: Performing the songs of Dire Straits at Kirk Theatre, Pickering
In Dire Straits: Alchemy Live, Kirk Theatre, Pickering, Saturday, 7.30pm
ALCHEMY Live were formed in 2020 by life-long Mark Knopfler fans and full-time musicians Martin Ledger and Neil Scott, who used the Covid pandemic and resultant lockdowns to put their Dire Straits tribute project in motion. Rehearsals started in 2021 after the worst of the pandemic was over, their first show being scheduled in York for Friday the 13th of May 2022 (what could possibly go wrong)?
They have never looked back, progressing to playing theatres since 2023. “It’s always been our ethos to concentrate on getting the music and sound right, rather than just putting on headbands and shiny jackets,” says frontman Ledger. Box office: 01751 474833 or kirktheatre.co.uk.
Brian Bilston: Showcasing his latest poetry collection at Milton Rooms, Malton
Poet of the week: Brian Bilston, How To Lay An Egg With A Horse Inside, Milton Rooms, Malton, Sunday, 7.30pm
BRIAN Bilston, a poet with more than 500,000 followers on social media, returns to the stage this autumn with his latest book, How To Lay An Egg With A Horse Inside, as he takes a journey through the hows, whys and whats of reading, writing and enjoying poetry every day.
Bilston has published such collections as You Took The Last Bus Home, Alexa, What Is There To Know About Love? and Days Like These, along with debut novel Diary Of A Somebody, poetry for younger readers and his 2025 album of poetry set to music, Sounds Made By Humans, recorded in collaboration with The Catenary Wires. Box office: 01653 696240 or themiltonrooms.com.
Olly Murs: Enjoying a Knees Up at Live At York Museum Gardens next July
Gig announcement of the week: Futuresound presents Olly Murs, Live At York Museum Gardens, July 9 2027
ESSEX singer-songwriter and The Voice UK coach Olly Murs is the first headline act to be confirmed for next summer’s Live At York Museum Gardens 2027 season, when the event will be expanded to two weekends for the first time. Special guests for that day’s bill are still to be announced.
Murs, 42, returns to the York outdoors after his hat trick of appearances at York Racecourse in 2010, 2017 and 2024. He rose to fame on The X Factor in 2009, since when he has released eight studio albums of pop, indie, ska and disco, the latest being last November’s Knees Up. Box office: York postcode pre-sale from today at https://futuresound.seetickets.com/event/olly-murs/york-museum-gardens/3730256?pre=postcode; general sale from Friday, 10am, at https://futuresound.seetickets.com/event/olly-murs/york-museum-gardens/3730256.
In Focus: Carlos Acosta’s Acosta Danza in Cuban Baroque, York Theatre Royal, October 1, 7.30pm, October 2, 2pm, and October 3, 2.30pm and 7.30pm
Acosta Danza in Cuban Baroque. Picture: Johan Persson
IN this new double bill from Acosta Danza, the lush artistry of the Baroque period intersects with the energy, creativity and vibrancy of Cuban dance. Emerging from the 17th and 18th centuries, the creative movement was characterised by deep colour, elaborate detail and intricate decoration.
Produced by Valid Productions in collaboration with York Theatre Royal, Cuban Baroque opens with the world premiere of Andonis Foniadakis’s new work Pearls, a journey to the rhythmic heart of Baroque, followed by choreographer and set designer Goyo Montero’s 2011 work Chacona.
Artistic director Carlos Acosta says: “I am very excited about this programme which will encapsulate the essence of Acosta Danza, fusing as it will, classical, Cuban and contemporary vocabularies and styles.
“I am, of course, a big fan of both choreographers and am delighted that Andonis will create a brand-new piece on my dancers. I look forward to seeing how that develops over the coming months.
“The flavour of the evening is summarised neatly by the title Cuban Baroque, but essentially this is a programme that anyone interested in any kind of dance can enjoy. I look forward, as always, to seeing how audiences react to the atmosphere this programme will create at its premiere in our first-ever visit to the wonderful York Theatre Royal.”
Theatre Royal chief executive Paul Crewes says: “It is truly wonderful that York audiences will be the first to experience this phenomenally exciting dance programme on our stage and we are really looking forward to working in collaboration with Carlos Acosta and his company on the show.”
Set to Esteban Sallas’s Salve Regina, the work explores the classic chaconne-looping structure that circles through phases of acceleration, fracture and rebound. As the score shifts from Baroque lyricism toward Cuban drive, Foniadakis showcases the fusion between memory and contemporary.
Andonis Foniadakis says: “The piece is being built as a chaconne in the broadest sense: a looping architecture that keeps circling back to the same theme like a mantra, each return opening a new variation in colour, density and impulse.
Cuban rhythmic principles will seep into the texture (clave, layered pulses, dance-derived momentum) and begin to tilt the baroque theme from within — bringing Sallas’s music fully into the present.
“In this dialogue, contrast becomes fusion: baroque memory meets Cuban propulsion; choral breath meets percussive drive; live sound meets a discreet electronic halo — shaping a single energetic trajectory that stays clear, intense, and emotionally resonant.”
Closing the 1hr 20 min programme is Goyo Montero’s powerful Chacona, a piece that originally was created for the Staatstheater Nürnberg Ballett during Montero’s 17-year tenure as director. Chacona is the final movement of Bach’s masterwork Partita No.2 in D Minor for violin, accompanied in this performance by guitar and piano. Physically and musically demanding, classical in sound and contemporary in heart, it requires total cohesion from the ensemble of 16 dancers.
Goyo Montero says: “This is going to be my fourth collaboration with Acosta Danza since 2015. To bring this work to them and adapt it to their fearless and exceptional dancers is something I am looking forward to very much. To restage this early work and revisit it for them will develop the work further and keep it alive, relevant and ever changing, a choreographer’s dream!”
A Q&A with the company will follow tomorrow’s performance. In addition, Acosta Danza will hold an Open Class on Saturday at 10am on the Theatre Royal stage in an exclusive opportunity to watch how the dancers warm up and prepare ahead of a performance. This non-participatory event is open to all ages.
The York Theatre Royal premiere of Cuban Baroque will be followed by performances at Sadler’s Wells in London and Norwich Theatre Royal with further 2027 dates to be added. Box office for shows and Open Class: 01904 623568 or yorktheatreroyal.co.uk.
Closing the 1hr 20 min programme is Goyo Montero’s powerful Chacona, a piece that originally was created for the Staatstheater Nürnberg Ballett during Montero’s 17-year tenure as director. Chacona is the final movement of Bach’s masterwork Partita No.2 in D Minor for violin, accompanied in this performance by guitar and piano. Physically and musically demanding, classical in sound and contemporary in heart, it requires total cohesion from the ensemble of 16 dancers.
Goyo Montero says: “This is going to be my fourth collaboration with Acosta Danza since 2015. To bring this work to them and adapt it to their fearless and exceptional dancers is something I am looking forward to very much. To restage this early work and revisit it for them will develop the work further and keep it alive, relevant and ever changing, a choreographer’s dream!”
A post-show discussion with the company will follow Thursday’s 7.30pm show. In addition, Acosta Danza will hold an Open Class on Saturday (3/10/2026) at 10am on the Theatre Royal stage in an exclusive opportunity to watch how the dancers warm up and prepare ahead of a performance. This non-participatory event is open to all ages.
The York Theatre Royal premiere of Cuban Baroque will be followed by performances at Sadler’s Wells in London and Norwich Theatre Royal with further 2027 dates to be added. Box office for shows and Open Class: 01904 623568 or yorktheatreroyal.co.uk.
Trinacria restaurateur and YorkJazzFest promoter Beppe Lombardo
BEPPE Lombardo, soprano saxophone player in his Italian teenage days and supremo of Trinacria Sicilian Ristorante in Bishopthorpe Road for 15 years, is running the inaugural YorkJazzFest from Thursday to Sunday.
No fewer than 28 acts will celebrate jazz in all its forms in a festival that vows to “bring together classic sounds, contemporary sounds, great venues and live music lovers across York”.
YorkJazzFest adds up to Four Days, Six Venues, One City. “Jazz is not one sound, one age, one room or one crowd,” says Beppe, who has put together a diverse programme with funding from York and North Yorkshire Combined Authority Mayor David Skaith.
Angel On The Green, York Arts Barge, Young Thugs Studio, the Phoenix Inn and The Winning Post play host to concerts on the first three days, culminating in the Bishopthorpe Road Car Park Finale on Sunday, topped off by sets by the Fergus Quill Quintet and Dennis Rollins’ Funky-Funk, followed by Ian Chalk at the Phoenix.
Dennis Rollins: Promising Funky-Funk! at the Bishopthorpe Road Car Park Finale to YorkJazzFest on Sunday
In part inspired by his father-in-law, Jim Morgan, who runs Catwick Live folk music nights at Catwick Village Hall, near Beverley, Beppe decided to launch YorkJazzFest, noting how his adopted home city had never previously held a city-wide dedicated jazz festival.
“Jim went to Celtic Connections in Glasgow and told me about how impressed he was by this multi-venue festival,” he says. “I thought it was a brilliant idea, so that’s where I started getting inspiration for a festival with lots of venues and a big finale at the Bishy Road car park.”
Beppe already had received more than £4,000 funding for an open-sided marquee – now to be used in the Bishopthorpe Road Christmas Bazaar on November 28 – when he decided on staging the YorkJazzFest finale on a 42 square ft trailer, again open-sided, framed in decorative lighting too, supplied by Event Equipment Hire. “I’ll be co-ordinating the bar on the last day,” he adds.
“The first idea for running a festival came just after Covid, when the council put up some funds to refresh the high street, providing Christmas lights and summer bunting for Bishopthorpe Road.
Lo Vu: Playing YorkJazzFest at Young Thugs Studio at 9.15pm on Thursday
“Then David Skaith came along as the Mayor [of the York & North Yorkshire Combined Authority] and created the [Sustainable] High Street Fund. His office has provided £11,600 funding to enable this festival to go ahead.”
Flamboyant chef and restaurateur he may be, but music has always played a part in Beppe’s life too. “I used to play saxophone in a brass band in Sicily, the Vittoria Youth Brass Band, which was set up to get kids off the streets, with the local council providing funds for free music lessons in schools, studying theory first from [age] nine or ten and paying 75 per cent towards the cost of an instrument,” he says.
“I wanted a tenor sax, but I was told ‘for my height, you should have a soprano saxophone’ as I was 11. It was a bit harder to play, because it has a higher pitch, and it’s easier to get wrong, but I played for seven or eight years, at festivals and funerals, and I loved it.”
Beppe continues: “My father loved reggae, blues and soul, not really jazz, but because I had a sax, I started listening to Charlie Parker and John Coltrane, and I really got into jazz, Miles Davis, Stan Getz, Sonny Rollins, Gerry Mulligan, Chet Baker – and I did like Kenny G too.
Olivia Cuttill: Leading her quintet at York Arts Barge on Saturday at 8.30pm
“But then I went into the Italian army and let the music go, and afterwards I started working on the family farm, in my father’s greenhouses.. He was a strict dad, teaching me a lot – and growing up in Sicily in the 1980s, with the Mafia bosses there, you learn to look after yourself and stay on the straight path.”
Beppe did not want to be a farmer – “I thought it was too risky” – and instead took on a job as a waiter in a Vittoria, learning the skills of making customers comfortable and relaxed, telling jokes: social skills that still apply in running Trinicria and promoting a jazz festival.
Drawing on his mother’s cookery prowess, he became a chef, picked for one of 30 jobs from 1,000 applicants by ClubMed to work in France and Sardinia. York beckoned. “I knew I wanted to learn English, and a friend had done the Erasmus course in York and said it was the Florence of England,” Beppe recalls.
“I arrived on 21st October 2001 at five minutes to midnight and didn’t have anywhere to sleep. My first experience was these four English guys helping me to find a hostel.”
SwanNek: Booked into Young Thugs Studios for 7pm on Saturday
Looking out over Lendal Bridge the following morning, Beppe thought, “Oh my God, this is a beautiful city. It took me only a few days to fall in love with it.”
He has never left, working at Bari, in Shambles, Silvano’s, where he met his wife, and The Dormouse, in Clifton Park Avenue. “That’s where I really learnt English, covering every role, and became ‘the star’ of the place!”
Emboldened, he opened Trinacria in 2012, its name taken from the ancient name of the island of Sicily (whose roughly triangular shape is defined by three headlands). His restaurant runs on a triple bill of “best ice cream, best pizza, best ingredients). “I will not save on ingredients,” says. “I only use ingredients that I would eat.”
As a Sicilian, by the way, he prefers to use semolina as 33 per cent of the pizza base to complement the flour, referring to the softer Neapolitan version as “wet paper”!
After watching gigs at The Crescent and the Phoenix Inn and running a regular Thursday jazz night at his restaurant – now discontinued – he is staging his first jazz festival.
Alina Bzhezhinska: Whispers Of Rain concert at York Arts Barge on Friday at 8.30pm
From Jonny Hooker at Young Thugs Studio to Christian Topman, who runs the York Bargestra Big Band, New York Brass Band trombonist Will Osborne to spreadsheet maestro Philip Thornhill and Miles Lindley, with his contact book of York acts, Beppe has received support for his venture.
Ouroboros promoter Harkirit Boparai helped him to set up the festival website and secured Dennis Rollins and Ukrainian-born harpist and composer Alina Bzhezhinska for the event, while graphic designer Roham Bayat designed the neo-vintage festival poster. Beppe himself signed up Newcastle jazz collective SwanNek and up-and-coming cabaret-style act Rivkala after spotting their talent at Manchester Jazz Festival in May.
Already Beppe has plans for expansion next year, when he may look to switch the festival to early September. “The vision is to make this a legacy event, thinking ‘why have Scarborough, Leeds, Manchester run jazz festivals for so long, but not York?’. York has never had a proper jazz festival. I want to change that,” he says.
“This year we wanted to focus on the South Bank and Bishopthorpe Road area, but my vision is to expand over the city, maybe to church halls, venues that already do jazz concerts, like the National Centre for Early Music, and The Crescent definitely wants to be involved next year.
“This is just a vision, though we don’t know what path we will take yet, but maybe one day we could have a two-day finale with a big headliner at the racecourse? This is only the beginning, but slowly, slowly, we will get bigger and stronger, watering the seeds we’ve sown, and hopefully attracting Arts Council England support.” Watch this space, but watch this week’s festival acts first.
For full listings and tickets, go to: yorkjazzfestival.com.
Roham Bayat’s poster design for the inaugural YorkJazzFest
YorkJazzFest programme, October 1 to 4
Venues: Angel On The Green, Bishopthorpe Road; York Arts Barge, Foss Basin Moorings, Tower Street; Young Thugs Studios, South Bank Social Club, Ovington Terrace; The Phoenix Inn, George Street; The Winning Post, Bishopthorpe Road, and Bishopthorpe Road Car Park for Sunday finale.
Thursday
6pm, Balanco Malandra, Young Thugs Studios
7pm to 8.15pm, Harrison & Morrison Duet, Angel On The Green. Admission free
8pm to 10pm, Brendan Duffy Band, The Phoenix Inn. Admission free
8.30pm, Alligator Gumbo, York Arts Barge
9pm to 10.15pm, The Shandog Swingers, Angel On The Green. Admission free
9.15pm, Lo Vu, Young Thugs Studios
Rivkala: Performing at Young Thugs Studios on Friday at 7pm
Friday
6pm, DB Trio, Angel On The Green. CANCELLED
6pm, York Bargestra Big Band, The Winning Post
6.30pm, Danny Lowndes Hot Club, York Arts Barge
7pm, Rivkala, Young Thugs Studios
8pm, Stephen Swing Wilson, The Winning Post
8pm, Karl Mullen & Friends, The Phoenix Inn. Admission free
8.30pm, Alina Bzhezhinska: Whispers Of Rain, York Arts Barge
9pm, Mike Conliffe Trio, Angel On The Green. Admission free
9.15pm, Afrodesia, Young Thugs Studio
Saturday
6pm, Flowerden, The Winning Post
6pm, Mutant DJ Jazz, Angel On The Green. Admission free
6.30pm, Emma Foulds Quintet, York Arts Barge
7pm, SwanNek, Young Thugs Studios
8.30pm, Al Morrison Quartet, The Winning Post
8.30pm, Olivia Cuttill Quintet, York Arts Barge
9pm, Borgia, Angel On The Green. Admission free
9pm, Lovedancin’ DJ, Young Thugs Studio
Sunday
Bishopthorpe Road Car Park Finale. FREE ENTRY, no ticket required.
12 noon, YorkJazzFest Orchestra
1pm, Vipertime
2.15pm, Big Bamboo
4.15pm, Fergus Quill Sextet
6pm, Dennis Rollins’ Funky-Funk!
8pm to 10.30pm, Ian Chalk, The Phoenix Inn. Admission free.
Ian Chalk: Closing YorkJazzFest at The Phoenix Inn on Sunday at 8pm
Bread & Circuses, by Sarah Hall Baqai, from her exhibition at Rise@Bluebird Bakery, Acomb
FROM the terrors of Paranormal Activity to circus art and entertainment, Tony Blackburn’s Sixties’ celebration to the debut York Jazz Fest, Charles Hutchinson heads into a fruitful autumn.
Exhibition opening of the week: Sarah Hall Baqai, Bread & Circuses, Rise@Bluebird Bakery, Acomb Road, Acomb, York, until November 19
YORK artist Sarah Hall Baqai’s new collection of artworks has the theme of Bread & Circuses, a phrase taken from Roman poet Juvenal’s work Satire X, written in 100AD. In a nutshell, “give them bread and circuses and they will never revolt”, on account of being distracted.
Distraction does not come brighter and more entertaining visually than Sarah’s paintings inspired by life behind the scenes at the circus (from her work with Gifford’s Circus and Fools Delight Circus at Ham Court, Bampton), complemented by lettering and graphic work celebrating York Minster and willow lanterns in the shape of jugglers’ sticks.
Russells International Circus: Intent on delivering in-tent entertainment on Knavesmire this weekend
While on the subject of circuses: Russells International Circus, Knavesmire, York, today, 3pm and 6pm, and tomorrow, 12 noon
ROLL up, roll up, as Russells International Circus, voted Britain’s best circus six years running, brings its new show for 2026 to York. Each two-hour performance is jam-packed with mesmerising aerial displays, jaw-dropping stunts, comedy and more besides. Box office: russellscircus.co.uk.
The Jake Leg Jug Band: Songs of murder, betrayal, gambling, liquor and redemption at Kirk Theatre, Pickering
Ragtime gig of the week: The Jake Leg Jug Band, Kirk Theatre, Pickering, tonight, 7.30pm
THE Jake Leg Jug Band delivers the authentic sounds of 1920s and 1930s’ America – jazz, blues, ragtime and gospel – in songs of murder, betrayal, gambling, liquor and redemption.
Since self-releasing debut album Cotton Mouth, Duncan Wilcox, vocals and double bass, and Warren James, vocals, guitar and banjo, have released a further eight albums in 12 years, among them Next Stop!, Everythin’s Jake, Break A Leg, Fifth Avenue, Goodbye Booze, Hello Central and 2024’s spirituals collection Some Glad Morning. Box office: kirktheatre.co.uk.
Thompson Twins’ Tom Bailey: Heading to York Barbican tonight
Eighties’ double bill of the week: Thompson Twins’ Tom Bailey and Blancmange, York Barbican, tonight, doors 6.30pm
REMEMBER the Thompson Twins, makers of such 1980s’ hits as Hold Me Now, Doctor Doctor, In the Name Of Love, Love On Your Side, If You Were Here, Lies, Lay Your Hands On Me and King For A Day? Tom Bailey, the Sheffield-founded group’s lead vocalist and instrumentalist, now performs under the name Thompson Twins’ Tom Bailey, revisiting his past and showcasing debut solo album Science Fiction.
Tonight he closes his autumn tour at York Barbican, the only Yorkshire location on his 14-date itinerary, when fellow 1980s’ chart act Blancmange support. Box office: yorkbarbican.co.uk.
Hannah Sinclair Robinson’s Lou and James Bye’s James on terror alert on the stairs in Paranormal Activity, on tour at Grand Opera House, York. Picture: Johan Persson Credit: Johan Persson
Psychological thriller of the week: Paranormal Activity, Grand Opera House, York, September 29 to October 3, 7.30pm plus 2.30pm Wednesday and Saturday matinees
IN a new story inspired by the worldwide horror phenomenon, Paranormal Activity is directed by immersive theatre pioneer and Punchdrunk artistic director Felix Barrett and written by Levi Holloway, the playwright behind Broadway hit Grey House.
When James (James Bye) and Lou (Hannah Sinclair Robinson) move from Chicago to London to escape their past, soon they discover that places are not haunted, but people are. Can you hold your nerve in the face of this chilling production on its first British and Irish tour? Box office: atgtickets.com/york.
Sounds Of The 60’s Live: Sensational Sixties show at York Barbican
Sixties’ celebration of the week: Sounds Of The 60’s Live, hosted by Tony Blackburn, York Barbican, September 29, 7.30pm
BBC Radio 2 presenter Tony Blackburn hosts an evening of stories and songs from “perhaps the most iconic ten years in music, fashion and popular culture” on the Sounds Of The 60’s tour, 62 years since his first broadcast on pirate radio station Radio Caroline South in 1964.
The Sounds Of The 60’s All Star Band and Singers perform hits by The Everly Brothers, Elvis Presley, The Drifters, Marvin Gaye, a Rolling Stones medley, The Walker Brothers, Diana Ross & The Supremes, The Beatles, The Beach Boys, Stevie Wonder and more besides. Box office: yorkbarbican.co.uk.
Roham Bayat’s poster design for the four-day York Jazz Fest
Festival of the week: York Jazz Fest, October 1 to 4
BEPPE Lombardo, soprano saxophone player in his Italian teenage days and supremo of Trinicria Sicilian Ristorante in Bishopthorpe Road for 15 years, is running the inaugural York Jazz Fest with funding from York and North Yorkshire Combined Authority Mayor David Skaith.
Angel On The Green, York Arts Barge, Young Thugs Studio, the Phoenix Inn and The Winning Post play host to concerts on the first three days, culminating in the Bishopthorpe Road Car Park Finale next Sunday, topped off by sets by Dennis Rollins’ Funky-Funk and Ian Chalk. For full listings and tickets, go to: yorkjazzfestival.com.
Katy Cawkwell in the poster for Lilith at Rise@Bluebird Bakery
“Shocking, seductive and entertaining” show of the week: Katy Cawkwell in Lilith, Rise@Bluebird Bakery, Acomb, York, October 1, 8.30pm
BEFORE Eve, there was Lilith, as revealed in Katy Cawkwell’s uplifting one-woman storytelling showin an exploration and celebration of female power through the mythological figure of Adam’s first wife.
Lilith was not prepared to lie down and accept what was given to her. Thrown out of Eden, she slithered back in to take her revenge and wake up Eve to what her body could do.
“Viewed as a demon, worshipped as a goddess, adored as the Queen of Sheba, Lilith slips out of the Bible, reclaims the narrative and is dancing with us still, forever free,” says Cawkwell, who mixes myth from Arabia, Ethiopia, Mesopotamia and Jewish tradition with a dash of feminist flavouring and a large dollop of her own wild dreaming. Box office: bluebirdbakery.co.uk/rise.
Ben Portsmouth: Presenting This Is Elvis with the Taking Care Of Elvis Band at York Barbican
Tribute gig of the week: Ben Portsmouth: This Is Elvis, York Barbican, October 2, 7.30pm
REGARDED as the “closest living performer to the legendary Elvis Presley”, Ben Portsmouth has enjoyed success in more than 20 countries and became the first European to be crowned by Elvis Presley Enterprises as the Worldwide Ultimate Elvis Tribute Artist in Memphis in 2012.
This Is Elvis takes an immersive journey through Presley’s greatest hits from his rockabilly roots to the dazzling Las Vegas years in the company of Portsmouth and the Taking Care Of Elvis Band. Box office: yorkbarbican.co.uk.
In Focus: Say Owt Slam, featuring Kirsty Taylor and KG, The Crescent, York, tonight, 7.30pm to 10pm
Bradford writer and educator Kirsty Taylor. Picture: Carolyn Mendelsohn
SAY Owt, York’s loveable gang of loveable gang of performance poets, brings the best working-class poets and rappers from Bradford tonight to complement the Say Owt Slam clash of the verbals.
“Since 2014, we’ve hosted high-energy nights of words and verse, bringing together poets, musicians, spoken-word artists, rappers and anyone with a story to tell,” says artistic director Henry Raby.
“We’re always proud of our line-ups, but this could be our most exciting parade of poets yet. It wouldn’t be possible without buzzy audiences showing up and being loud and demanding more and more shows! And it wouldn’t be a Say Owt season without a poetry slam!”
Henry continues: “Say Owt Slam is an energetic battle of words where judges in the audience score the poets and the top-scoring poet is crowned Say Owt Slam champion at the end of the night. Tonight, as well as a top crop of York poets, we have slammers from Glasgow, Manchester and Halifax hoping to win the competition.”
Kemmi Gill: Rapper, poet and youth worker
Tonight’s bill also features two guests from guests from Bradford, Kirsty Taylor and KG (Kemmi Gill). “Kirsty is a writer and educator inspired by her beloved home city of Bradford,” says Henry. “She is passionate about storytelling through poetry and has performed all over the country telling tales about people, class and the realities of Broken Britain.”
Taylor was a BBC Verb New Voice in 2017 and was awarded the Apples and Snakes & Jerwood Arts Poetry in Performance award in 2020. She is the creator of Front Room Poetry, which takes nanna-style living rooms and world-class poets to unusual settings such as car parks and housing estates.
Kirsty opened Bradford’s year as UK City of Culture 2025 in January last year when she performed her words to 20,000 people over the first weekend.
KG (Kemmi Gill) is a Bradford-born rapper, poet and youth worker, hailed by Wordplay Magazine as “one of the sharpest lyricists” in the UK rap scene. “Kemmi combines lyrical storytelling and wordplay to explore themes of struggle and hope and has contributed writing and performance work to major civic projects, such as the open-air spectacular Rise and Common/Wealth’s sell-out show Public Interest,” says Henry.
To book tickets, go to: sayowt.co.uk
In Focus Too: Carlos Acosta’s Acosta Danza in Cuban Baroque, York Theatre Royal, October 1, 7.30pm, October 2, 2pm, and October 3, 2.30pm and 7.30pm
Acosta Danza in Cuban Baroque. Picture: Johan Persson
IN this new double bill from Acosta Danza, the lush artistry of the Baroque period intersects with the energy, creativity and vibrancy of Cuban dance. Emerging from the 17th and 18th centuries, the creative movement was characterised by deep colour, elaborate detail and intricate decoration.
Produced by Valid Productions in collaboration with York Theatre Royal, Cuban Baroque opens with the world premiere of Andonis Foniadakis’s new work Pearls, a journey to the rhythmic heart of Baroque, followed by choreographer and set designer Goyo Montero’s 2011 work Chacona.
Artistic director Carlos Acosta says: “I am very excited about this programme which will encapsulate the essence of Acosta Danza, fusing as it will, classical, Cuban and contemporary vocabularies and styles.
“I am, of course, a big fan of both choreographers and am delighted that Andonis will create a brand-new piece on my dancers. I look forward to seeing how that develops over the coming months.
“The flavour of the evening is summarised neatly by the title Cuban Baroque, but essentially this is a programme that anyone interested in any kind of dance can enjoy. I look forward, as always, to seeing how audiences react to the atmosphere this programme will create at its premiere in our first ever visit to the wonderful York Theatre Royal.”
Theatre Royal chief executive Paul Crewes says:“It is truly wonderful that York audiences will be the first to experience this phenomenally exciting dance programme on our stage and we are really looking forward to working in collaboration with Carlos Acosta and his company on the show.”
Set to Esteban Sallas’s Salve Regina, the work explores the classic chaconne-looping structure that circles through phases of acceleration, fracture and rebound. As the score shifts from Baroque lyricism toward Cuban drive, Foniadakis showcases the fusion between memory and contemporary.
Andonis Foniadakissays: “The piece is being built as a chaconne in the broadest sense: a looping architecture that keeps circling back to the same theme like a mantra, each return opening a new variation in colour, density and impulse.
Cuban rhythmic principles will seep into the texture (clave, layered pulses, dance-derived momentum) and begin to tilt the baroque theme from within — bringing Sallas’s music fully into the present.
“In this dialogue, contrast becomes fusion: baroque memory meets Cuban propulsion; choral breath meets percussive drive; live sound meets a discreet electronic halo — shaping a single energetic trajectory that stays clear, intense, and emotionally resonant.”
Closing the 1hr 20 min programme is Goyo Montero’s powerful Chacona, a piece that originally was created for the Staatstheater Nürnberg Ballett during Montero’s 17-year tenure as director. Chacona is the final movement of Bach’s masterwork Partita No.2 in D Minor for violin, accompanied in this performance by guitar and piano. Physically and musically demanding, classical in sound and contemporary in heart, it requires total cohesion from the ensemble of 16 dancers.
Goyo Montero says: “This is going to be my fourth collaboration with Acosta Danza since 2015. To bring this work to them and adapt it to their fearless and exceptional dancers is something I am looking forward to very much. To restage this early work and revisit it for them will develop the work further and keep it alive, relevant and ever changing, a choreographer’s dream!”
A post-show discussion with the company will follow Thursday’s 7.30pm show. In addition, Acosta Danza will hold an Open Class next Saturday (3/10/2026) at 10am on the Theatre Royal stage in an exclusive opportunity to watch how the dancers warm up and prepare ahead of a performance. This non-participatory event is open to all ages.
The York Theatre Royal premiere of Cuban Baroque will be followed by performances at Sadler’s Wells in London and Norwich Theatre Royal with further 2027 dates to be added. Box office for shows and Open Class: 01904 623568 or yorktheatreroyal.co.uk.
Acosta Danza in Cuban Baroque: the intersection of Baroque lush artistry with the energy, creativity and vibrancy of Cuban dance. Picture: Johan Persson
Tim Lowe: York Chamber Music Festival director and cellist
THE closing concert of the York Chamber Music Festival 2026 programme by festival artists Charlotte Scott and Tim Crawford, violin, Simone van der Giessen and Lilli Maijala, viola, and Tim Lowe, cello, opened with a rare outing for Beethoven’s impressive String Quintet in C Major, Op 29.
Although there was much to admire, the ensemble seemed out of sorts. To be sure, the extra viola gave the middle register added warmth and the tempo was well judged, but they didn’t seem to be quite in the zone.
This was occasionally apparent in the technically demanding outer reaches of Beethoven’s writing, where intonation was less secure, particularly in the first and third movements. The players took a short tuning break after the opening Allegro moderato, and the Adagio molto espressivo which followed was much more assured.
Here, the playing had warmth, and indeed, depth. The phrasing was clean and the two violas gave the timbre a rich, velvety quality. The third-movement Scherzo: Allegro had rhythmic bite and the sudden dynamic contrasts were convincing. I enjoyed the closing Presto.
The players clearly relished the fast passages, the central five-part fugato was clearly articulated, and the call-and-response episode was beautifully played.
Brahms’s String Quintet in F major, Op. 88 was an altogether more rewarding experience. The Allegro non troppo ma con brio was notable for the expressive opening first-violin theme: fine playing by Charlotte Scott, the resonant viola solos by the impressive Lilli Maijala and the energy and clarity of the often dense contrapuntal texture. The ending was just lovely.
Contrapuntal clarity and rhythmic drive were the memorable takeaways of the Allegro energico – Presto final movement. The performers were on fire as they responded to Brahms’s accelerating contrapuntal energy. Thrilling.
However, it was their performance of the central Grave ed appassionato that provided the concert highlight. The movement itself combined and integrated elements of both the slow movement and the scherzo. The opening Grave was very dark, a timbre created by the exploitation of the two violas and cello. It really is a unique sound.
Their delivery of the lighter, dancing Allegretto vivace was spot on: crisp articulation, pizzicato exchanges and even – dare I say it – evidence that Brahms actually had a sense of fun. The return of the weighty Grave was very well judged – the changes of colour very striking.
Despite some performance uncertainties, cellist Tim Lowe not only anchored the playing but also, in doing so, provided a reassuring sense of security. His contribution was vital throughout the programme.
The poster for the Pigeon Paint Off at City Screen Picturehouse, York, On Saturday
A COMPETIVE Pigeon Paint Off, the biggest of book fairs, top-drawer chamber music and Wright&Grainger’s new material are among Charles Hutchinson’s recommendations for a particularly intriguing week ahead.
Bird show of the week: Dead Toe Society presents Pigeon Paint Off, City Screen Picturehouse, York, Saturday, 12 noon to 5.30pm
THE inaugural Pigeon Paint Off creative fundraising event in support of Columba Sanctuary and Advocacy for Pigeons features a live art competition with 11 artists and resulting picture auction, complemented by a Pigeon Social and Pigeon-themed Pub Quiz from 6pm, with the quiz starting at 7pm. Look out too for bird-themed arts and crafts on sale and a raffle with “some snazzy prizes”.
“Watch talented artists bring original works to life, each one inspired by our feathered friends, in two rounds of one-hour paint-offs with audience votes deciding the champion,” says organiser Sam Crick. “You’ll also be able to learn more about why pigeons are suffering, the issues they are facing, why they need our support and how you can help advocate for their wellbeing.” Tickets:https://www.tickettailor.com/events/deadtoesociety/2373410.
Book event of the week: York National Book Fair, Knavesmire Suite, York Racecourse, Knavesmire, Saturday, 10am to 5pm
AT Britain’s largest antiquarian book fair, 186 ‘bookshops’ are set up under one roof with prices ranging from only a few pounds to tens of thousands for more than 100,000 books. All subjects, all dates, from medieval to ultra-modern, are on sale, along with ephemera, manuscripts, prints, photographs and posters, while trade stands are selling marbled papers and binding materials.
York Racecourse offers unlimited free parking and a free shuttle bus is running from the Memorial Gardens on Railway Street to Knavesmire every 30 minutes. Tickets on the door cost £2. Alternatively, head to https://yorkbookfair.com/one-day-complimentary-ticket-2/ to book a complimentary ticket. Children aged under 16 are admitted for free.
Classical festival of the week: York Chamber Music Festival, Saturday and Sunday
THIS year’s festival has invited six of the best string players in Europe – Charlotte Scott and Tim Crawford, violins, Simone van der Giessen and Lilli Maijala, violas, and Adrian Brendel and festival artistic director Tim Lowe, cellos, to participate, along with regular festival artist Katya Apekisheva, the British-based Russian pianist.
On Saturdayy, at 1pm, at St Saviourgate Unitarian Chapel, Brendel plays Imogen Holst’s The Fall Of The Leaf and J. S. Bach’s Cello Suite No 2 in D Minor; at 7.30pm, at the Sir Jack Lyons Concert Hall, University of York, all seven perform Mendelssohn’s Piano Trio No 1 in D minor Op 49, Mahler’s Piano Quartet (movement) in A minor – Nicht zu schnell and Brahms’s Piano Quartet in C minor Op 60. All but Apekisheva return for Beethoven’s String Quintet in C Major Op. 29 and Brahms’s String Quintet in F major, Op. 88, on Sunday at 3pm at St Olave’s Church, Marygate. Box office: ycmf.co.uk or 01904 658338.
Artist trail of the week: Staithes Festival of Arts and Heritage, Staithes, near Whitby, Saturday and Sunday, 10am to 5pm
DISCOVER 113 artists exhibiting across 67 venues through Staithes. Explore galleries, cottages, studios and hidden spaces transformed into exhibition venues across the fishing village. Find out who is taking part at https://www.staithesfestival.com/festival/artists.php.
Enjoy live music, buskers, creative workshops, demonstrations, outdoor cinema, family activities and festival extras too. For the full event programme, go to: https://www.staithesfestival.com/festival/events.php.
Americana gig of the week: James Felice & William Lawrence, Pocklington Arts Centre, Saturday, 8pm
JAMES Felice and drummer William Lawrence, two members of New York State’s Felice Brothers, are taking to the road to perform songs from their respective solo works in a dreamy and quiet evening of Americana music and storytelling. James and William last appeared at Pocklington Arts Centre alongside Ian Felice and Jesske Hume in the Felice Brothers gig in June 2021. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Songs old and new of the week: Michael Ball, Glow UK Tour, York Barbican, Saturday, doors 7pm
MUSICAL star and radio and TV presenter Michael Ball promotes his 23rd solo album, Glow, on his 25-date tour.
“There’s probably only one thing I enjoy more than being in the studio – writing, producing and singing songs with people I love – and that’s taking it all out on the road and performing those songs, as well as all the old favourites to the audiences I love,” he says. Liss Jones supports. Box office: yorkbarbican.co.uk.
Comedy gig of the week: Urzila Carlson, Fatty On A Yacht, York Barbican, Sunday, 8pm
SOUTH African-New Zealander Urzila Carlson returns to the UK with her understated punchlines and signature deadpan delivery in Fatty On A Yacht. Ever felt like you don’t belong? Like everyone else got the memo – and you turned up in the wrong outfit, on the wrong day, on the wrong yacht? Carlson’s new show is for anyone who has ever tried to squeeze into a space, physical or social, and thought “This can’t be right”. “It’s about not fitting in, standing out and laughing about it anyway,” she says. Box office: yorkbarbican.co.uk.
Country gig of the week: Ward Thomas, Celebrating 10 Years Of Cartwheels Tour, York Barbican, September 14, 7.30pm
HAMPSHIRE twin sisters Catherine and Lizzy Ward Thomas perform their second album in its entirety, revisiting the record – written at home and in Nashville – that made history as the first by a British country act to top the UK Albums Chart in 2016.
“We had to plan a celebration for its ten-year anniversary,” says Lizzy. “We’ll be bringing our full band, doing a type of show we haven’t done in a long time.” The Wandering Hearts support. Box office: yorkbarbican.co.uk.
New music, words and stories of the week: Wright& Grainger, Scratch An Itch, Theatre@41, Monkgate, York, September 18, 7.30pm
IN a rare little moment of public-facing recklessness, Easingwold duo Wright&Grainger have some brand new stuff they wish try out in front of, and with, some other people. “It’ll defo involve a piano,” say Alex and Phil. “It’ll defo have music and words and story.
“There’s some tasty clues to follow, some sweet ideas to develop, some scary instincts to trust. And now there’s this big and warm open invite to you, to come join. So please do. We’d love that. Fingers crossed it’ll be good.” Box office: tickets.41monkgate.co.uk.
The poster artwork for York Printmakers’ Annual Print Fair next weekend
Art gathering of the week: York Printmakers’ Annual Print Fair, The Chapel & Harriet Room, York Cemetery, September 19 and 20, 10am to 5pm
YORK Printmakers’ Annual Print Fair offers a weekend packed with original, handmade artwork, from striking linocuts and detailed collagraphs to monoprints and wood engravings.
This is a chance to browse, meet the artists, discover their diverse techniques and take home an original work. See how different printmaking processes create distinctive results and discover artwork not to be found on the high street. Look out for information on upcoming printmaking workshops too. Everyone is welcome; admission is free.
In Focus: Navigators Art presents Moss Glow and Shadow Bloom, The Basement, City Screen Picturehouse, York, September 19, 7.30pm
Astral Light
YORK collective Navigators Art presents four inspiring York performers whose work conjures up unique worlds in a magical programme of electronic, acoustic and vocal sounds, influenced by folk traditions and environmental themes.
This bringing together of ancient and modern iconography, art, poetry and music in Moss Glow and Shadow Bloom: Folk, Myth & Magic has been re-arranged from the postponed original date of July 11 with tickets still valid.
Things Found And Made
Taking part will be:
Astral Light: Scrappy-folky-blues, spoken word and ritual, featuring a homemade menagerie of masks, microphones, dolls, instruments, sound equipment and magical implements.
Filipe Massumi: Cellist and singer whose original and beautiful songs derive from the culture of his native Brazil.
Filipe Massumi
No Spinoza: Welcome to the thematic universe of Thomas Pearson’s forthcoming album Jupiter’s Great Hurricane, bridging history and legend, ancient and modern, as featured in session on BBC Introducing.
Things Found And Made: Lost cinematic folk-tales comprising imagined histories and half remembered rituals of sound and nature.
An artwork by Ian Burke, one of 113 artists participating in Staithes Festival of Art and Heritage at 67 locations in the fishing village
THIS weekend’s festival celebrates art, creativity, music and heritage throughout the historic fishing village of Staithes, near Whitby, North Yorkshire.
Enjoy a packed programme of live music, headline concerts, creative workshops, demonstrations, outdoor cinema, family activities and festival extras.
DISCOVER 113 artists exhibiting across 67 venues throughout Staithes, including 15 students from Northern School of Art (Middlesbrough campus) taking part in a group exhibition. Full-time students Sophieand Harry will exhibit independently at St Peter’s Centre and 1 Webster Steps.
Explore galleries, cottages, studios and hidden spaces transformed into exhibition venues across the village. Explore the artists at https://www.staithesfestival.com/festival/artists.php.
Eliza Carthy: Performing at Staithes Memorial Village Hall tonight at 7.30pm with a new punk-spirited albumto promote. Recorded with The Restitution, Frenemies is set for release on October 26, addressing themes of motherhood, the state of the modern world, forgiveness and personal resilience as Eliza turned 50. Guest contributors to the recording include Jools Holland, Robyn Hitchcock, actors Miranda Richardson and Tim McInnerny, and Queen Of Harps
Live Music
ENJOY ticketed headline concerts by folk fiddler and singer Eliza Carthy, of Robin Hood’s Bay, at Staithes Memorial Village Hall from 7.30pm to 9.30pm tonight and Saltburn-by-the-Sea shanty group Saltburn Smugglers, same venue, same show time, tomorrow.
Taking part will be Dire Staithes and Wall Of Noise tonight; Saltburn Ukulele Band, Men Of Staithes, Becky Foord, Nick Rooke Band and Andy Blackford’s WYSIWYG tomorrow; Irish Coalminers Fylingdales Folk Choir, Michael Nagasaka and Ben Beattie and Men Of Staithes on Sunday. Look out for buskers and pop-up performances around Staithes throughout Saturday and Sunday.
Heritage
DISCOVER the stories, history and landscape of Staithes through heritage talks, guided walks, geology, fossils and events celebrating the village’s artistic and maritime past.Some heritage events are free, while others require payment or advance booking at https://www.tickettailor.com/events/staithesfestivalofartsandheritage.
South Bank Studios seascape acrylic artist Carolyn Coles: Taking part in Staithes Festival of Arts and Heritage at Kindly Light, Wesleyan Chapel, Chapel Yard, Staithes
Further highlights
Outdoor Cinema at Kippers Corner
Friday and Saturday, 9pm
Venue: Kippers Corner, High Street Cost: Free Presented by: Staithes Cinema Club
As the sun sets, join the gathering on the High Street opposite Kippers Corner. Bring your deckchairs and blankets for a screening of films about Staithes’ past and present, telling the story of thisremarkable village.
As dusk settles over Staithes, visitors can look forward to the festival’s lighting show, adding colour, atmosphere and a little extra magic to the village after dark.
Explore the Jurassic world on a guided rock-platform walk between Staithes Harbour and Old Nab.
The people behind the Yorkshire Fossil Festival bring together a family programme of fossils, science and creativity, with walks, talks, craft workshops and hands-on activities exploring the deep-time heritage of Staithes and the surrounding area.
Suitable for beginners and enthusiasts.
More information: Earth Science Outreach UK
Yorkshire Marine Nature Partnership
Saturday, 10am to 4pm
Venue: Cowbar Staith Cost: Free
Explore examples of Concrete Coast enhancements designed to blur the boundary between land and sea, helping coastal defences work for both people and nature.
Be inspired by coastal textures and your own relationship with the sea, then contribute to a collaborative community print tapestry.
Booking: No booking required—drop in throughout the day
GO hands-on with creative activities led by creative scientists.
Part of the Staithes Rocks programme, this drop-in workshop brings together fossils, science and creativity while exploring the deep-time heritage of Staithes and the surrounding area.
Discover what happens when engineering and science become kinetic art.
Watch colour, movement and physics come together as swinging pendulums create constantly changing patterns in this family-friendly display.
Booking: No booking required
Heritage & Local History
Rod Jewell’s Staithes Experience: Heritage Exhibition
Saturday and Sunday, 10am to5pm
Venue: Granary Yard Garage Studio Cost: Free
Roll up, roll up for a continuous and rare silent film showing the arrival of the motorised Staithes lifeboat in 1924, along with reels from Rod’s treasured Victorian magic-lantern collection of unpublished slides featuring bygone Staithes in the 1890s, the Staithes Group of Artists and fisherfolk.
Immerse yourself in collector Rod’s Staithes Experience. Photographs, antiques, ephemera and bric-a-brac will be on display and available to buy.
Rod is the author of the photographic village history Staithes: Between Two Nabs.
Booking: No booking required
An artwork by York digital photomontage and mixed media artist Adele Karmazyn. Find her work rooted in a fascination with antiquities, weathered textures and forgotten spaces at High House, Cinder Path, Staithes
Bill Hinchley’s Guided History Walk
Saturday and Sunday, 11am to1pm
Meeting point: Bank Top viewpoint, Staithes Lane Cost: Donations in aid of the Great North Air Ambulance Booking: Advance booking required
Join lifelong Staithes resident and historian Bill Hinchley for a captivating heritage walk through the village.
Equipped with coastal humour, personal memories and rich storytelling, Bill brings the historic fishing village vividly to life.
Venue: Poplar House, High Street Cost: £5 per lot consigned, payable on the day
Find out more about your family heirlooms, prized possessions or boot-sale bargains with Bargain Hunt’s Caroline Hawley and her auctioneer husband, John.
Hawleys Auctioneers will be on hand to value and share information about jewellery, watches, coins, silver, paintings and objets d’art.
Venue: Singing Waters Yard, High Street Cost: £5, payable on the day
Spin your own masterpiece with Ed and Al in Singing Waters Yard – fun for the young and not so young. Create a piece of art to take home as a memento of your visit to Staithes Festival.
Booking: No booking required—pay on the day
Painting Demonstrations with Lynton Parmar-Hemsley
Saturday and Sunday, 10.30am to 4pm
Venue: Staithes Gallery, High Street Cost: Free
Visit Staithes Gallery during the festival weekend to see painting demonstrations by artist Lynton Parmar-Hemsley throughout Saturday and Sunday.
Venue: Sunday School beneath the Wesleyan Chapel, Chapel Yard With: Artist Ian Burke Cost: £15 Booking: Advance booking advised
Explore the dramatic effect of light falling across one side of the face using simple relief-linocut techniques. No drawing experience is required.
Ian will provide expressive black-and-white portrait images inspired by woodcuts, which participants will transfer onto lino and carve as the first printing block. A second lino block will then be created to print the light and bring out the features through contrast and tone.
During the session, you will create your own striking chiaroscuro portrait print and explore how light can define form and expression.
Preening, Staithes, by Yorkshire wildlife artist Tracey Waddington, whose work will be at Harbour Cottage, High Street, Staithes
Recycled Copper Ring-Making
Saturday and Sunday, 1pm to 5pm
Venue: Chapel Garth, High Street With: Bean Creative Cost: £7 per person, payable on the day Session length: Approximately 20 minutes
Try something a little different by making your own unique copper-pipe ring using old plumbing parts. Become creative with files and hammers to produce a beautiful ring: the perfect piece of recycled festival jewellery.
Join artist Sue Nichol for a free drop-in painting demonstration. She will show how she creates her bold and colourful paintings inspired by the Yorkshire coast and its famous sailing cobles.
View the artwork created by the talented winners of the children’s seaside art competition and have a go at winning raffle prizes.All funds raised will help support the festival.
Booking: No booking required More information: Co-op
Poetry & Performance
The Stand-Up Tragedy Show
Sunday, 10.15am to 11.45am
Venue: The Lifeboat Shed Cost: Free With: Andy Blackford, Carmen Marcus and Bob Beagrie
The Stand-Up Tragedy Show features Andy Blackford—voted 1970’s Man Least Likely To Make 30—and his more talented friends, the poets Carmen Marcus and Bob Beagrie.
Please note, there is no festival visitor parking in the old village. Instead, festival parking will be available at Cowbar, with a free shuttle service for visitors who need assistance.
Check the latest parking, travel and accessibility information before setting off. For more information, go to: https://www.staithesfestival.com/plan-your-visit-to-staithes/parking.php.
